<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181140/636be6289c7e80680e08778djpeg.jpg" alt="" width="1200" height="844"/><figcaption>Illustration: BHANU BHATTARAI</figcaption></figure>Social media has given Nepali users unprecedented access to knowledge, opinion and entertainment.But that power is being increasingly misused, by trolling those with a different opinion (especially women), cyber-bullying, assuming false identity, stealing private information and floating wild conspiracy theories.As Nepal’s mobile phone usage grows to 92%, and more than half of those people have smart phones with Internet, many on social media wear a cloak of anonymity even as they share each aspect of their lives with countless others.To be sure, Nepalis can now contact relatives and friends in the diaspora on video chats, and they have the world at their finger tips. But a sharp increase in online abuse has prompted calls for greater media literacy.As elsewhere, <a href="https://www.himalkhabar.com/news/120865?fbclid=IwAR1mXbFy6i6X8MDlnRvvFHNykvxjrTR7g9p2o6NfCE-gIvqXgI9UrAsUWbY" target="_blank" rel="noopener noreferrer">Nepal’s social web </a>has in recent times been weaponised against those who post dissenting views.In May, actress Barsha Raut posted a video clip on social media calling for diplomatic talks between India and Nepal to solve the Lipulekh dispute. She called out journalists from both countries who used patriotism as an excuse to incite hatred.This should not have been controversial, because patriotism and love of country should not be a reason to spread abuse. But in these polarised times, the veil of anonymity accorded by the net gives people the freedom to threaten and intimidate anyone, especially if they are women like Barsha Raut.The virtual mob that descended upon Raut branded her a traitor, and that was just the most polite adjective used. The backlash was so overwhelming that a disheartened Raut was forced to clarify her stance on the issue and tearfully apologise on social media.Similar posts by male celebrities, journalists and commentators have not elicited such vicious response. Why the selective outrage?In June, actress and film director Deepa Shree Niraula expressed doubts in a tv interview about whether actor Rajesh Hamal should be labeled a 'superstar'. The audience immediately took to the comment section on YouTube to post virulent abuse at her, even threatening to rape and kill her.Social media has given insecure, hidden people the power to express exaggerated outrage, magnifying any incident out of proportion through the algorithm of the ‘like’ and ‘share’ button that has turned the social web into an echo chamber of incremental radicalisation.Who appoints people legends, superstars, national poets, or icons and gives them the label of ‘superstar’? This argument is not new to public discourse in Nepal. As such, anyone has a right to express views on whether or not they think someone is a superstar of Nepali cinema. Such discourse is an example of a functioning democracy and a healthy democratic debate.But why aren't we as a society tolerant and respectful of other people's views?The very existence of social media is a result of a free and fair democracy. But the digital crowd touting freedom of expression to attack and abuse those with different points of view undermines the very democratic values upon which social media was created in the first place.In September, Facebook users in Nepal formed a group 'We Are Rapists' as public anger has grown against the epidemic of rape and domestic violence in Nepal during the pandemic. The Cybercrime Bureau finally arrested those behind the group, who said they did as a prank.According to political analyst and thinker Hari Sharma, accountability has disappeared somewhere along the way as the practice of freedom of expression evolved from traditional media to new media, setting a dangerous precedent. Sharma notes that recent intolerance towards differing opinions has proven that the public is uninformed about social awareness, freedom, and individual rights."Technology is merely a tool," he says. "How we express our opinions on social media mirrors how we live in society at present. It is not realistic to blame intolerance entirely on digital technology.”To be sure, such abuse is not limited to Nepal. Individuals and communities across the world and South Asia have been subject to widespread hate and abuse online. In October, Indian cricket player MS Dhoni's 5-year-old daughter was threatened with rape in 'retaliation' to what people thought was a disappointing performance from Dhoni in this year's chapter of the Indian Premier League (IPL). Police arrested the 16-year-old in Gujarat who made the threat.Here at home, singer and vlogger Samriddhi Rai was viciously trolled for being critical of beauty contests for women and the selection process and criteria.The use of freedom of expression as an excuse to spread hate and incite violence has spread a culture of fear in society. Senior advocate Radheshyam Adhikari notes that while every individual is free to express agreement or disagreement of opinion, no one has the right to attack and abuse anyone else for agreeing or disagreeing with a certain point of view."We must respect any dissenting opinion that as long as it does not advocate violence and hatred," he says.But what if the responses to someone’s opinion spreads violence and hate, should that not be curbed? Indeed, the backlash to any opinion on social media is now so pervasive that it has has had the effect of dampening free expression. Many netizens have just stopped posting anything, or have quit social media platforms altogether.The truth is that we veer between extremes at this stage of digital democracy. The public is quick to idolise one figure and demonise another. We tend to look at things in black and white, as one or the other. This environment is emblematic of the problems that the next generation will it participates in a digital democracy.We seem to be at a crossroads at a time when we should use social media to come together and form new ideas rooted in empathy and understanding. We have the power to make someone 'viral'. We use our own opinions as a valid reason to justify and excuse inexcusable behaviour. We are quick to boycott and 'cancel', without looking at the context, those who we believe have offended our sensibilities.Are we ourselves a part of the cyber society that is dismantling democracy? Are we becoming more digital and less democratic? Is the new public sphere being left to trollers to inhabit?Says women's rights activist Saru Joshi: "The culture of treating differing opinions with disrespect is prevalent in our families, educational institutions, and workplaces. This culture of silence means many pressing social issues are swept to the sidelines on social media. But staying silent will weaken the democratic process.”The solution is better media literacy, enforcement of rules on cyber crime, and for people who want the Internet decontaminated to speak out. And there should be legal remedies against those who abuse the freedom of the net.Says Shiva Gaunle of the Centre for Investigative Journalism: “There is a clear line between criticism and hate. While criticism is a valid way of participating in the democratic process, spreading hatred is anti-social and anti-democratic.”

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Protecting free speech on Nepal’s cybersphere

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110919118/636bed484b0ad905ca02eed6jpeg.jpg" alt="" width="1200" height="844"/><figcaption>Illustration: BHANU BHATTARAI</figcaption></figure>Social media has given Nepali users unprecedented access to knowledge, opinion and entertainment.But that power is being increasingly misused, by trolling those with a different opinion (especially women), cyber-bullying, assuming false identity, stealing private information and floating wild conspiracy theories.As Nepal’s mobile phone usage grows to 92%, and more than half of those people have smart phones with Internet, many on social media wear a cloak of anonymity even as they share each aspect of their lives with countless others.To be sure, Nepalis can now contact relatives and friends in the diaspora on video chats, and they have the world at their finger tips. But a sharp increase in online abuse has prompted calls for greater media literacy.As elsewhere, <a href="https://www.himalkhabar.com/news/120865?fbclid=IwAR1mXbFy6i6X8MDlnRvvFHNykvxjrTR7g9p2o6NfCE-gIvqXgI9UrAsUWbY" target="_blank" rel="noopener noreferrer">Nepal’s social web </a>has in recent times been weaponised against those who post dissenting views.In May, actress Barsha Raut posted a video clip on social media calling for diplomatic talks between India and Nepal to solve the Lipulekh dispute. She called out journalists from both countries who used patriotism as an excuse to incite hatred.This should not have been controversial, because patriotism and love of country should not be a reason to spread abuse. But in these polarised times, the veil of anonymity accorded by the net gives people the freedom to threaten and intimidate anyone, especially if they are women like Barsha Raut.The virtual mob that descended upon Raut branded her a traitor, and that was just the most polite adjective used. The backlash was so overwhelming that a disheartened Raut was forced to clarify her stance on the issue and tearfully apologise on social media.Similar posts by male celebrities, journalists and commentators have not elicited such vicious response. Why the selective outrage?In June, actress and film director Deepa Shree Niraula expressed doubts in a tv interview about whether actor Rajesh Hamal should be labeled a 'superstar'. The audience immediately took to the comment section on YouTube to post virulent abuse at her, even threatening to rape and kill her.Social media has given insecure, hidden people the power to express exaggerated outrage, magnifying any incident out of proportion through the algorithm of the ‘like’ and ‘share’ button that has turned the social web into an echo chamber of incremental radicalisation.Who appoints people legends, superstars, national poets, or icons and gives them the label of ‘superstar’? This argument is not new to public discourse in Nepal. As such, anyone has a right to express views on whether or not they think someone is a superstar of Nepali cinema. Such discourse is an example of a functioning democracy and a healthy democratic debate.But why aren't we as a society tolerant and respectful of other people's views?The very existence of social media is a result of a free and fair democracy. But the digital crowd touting freedom of expression to attack and abuse those with different points of view undermines the very democratic values upon which social media was created in the first place.In September, Facebook users in Nepal formed a group 'We Are Rapists' as public anger has grown against the epidemic of rape and domestic violence in Nepal during the pandemic. The Cybercrime Bureau finally arrested those behind the group, who said they did as a prank.According to political analyst and thinker Hari Sharma, accountability has disappeared somewhere along the way as the practice of freedom of expression evolved from traditional media to new media, setting a dangerous precedent. Sharma notes that recent intolerance towards differing opinions has proven that the public is uninformed about social awareness, freedom, and individual rights."Technology is merely a tool," he says. "How we express our opinions on social media mirrors how we live in society at present. It is not realistic to blame intolerance entirely on digital technology.”To be sure, such abuse is not limited to Nepal. Individuals and communities across the world and South Asia have been subject to widespread hate and abuse online. In October, Indian cricket player MS Dhoni's 5-year-old daughter was threatened with rape in 'retaliation' to what people thought was a disappointing performance from Dhoni in this year's chapter of the Indian Premier League (IPL). Police arrested the 16-year-old in Gujarat who made the threat.Here at home, singer and vlogger Samriddhi Rai was viciously trolled for being critical of beauty contests for women and the selection process and criteria.The use of freedom of expression as an excuse to spread hate and incite violence has spread a culture of fear in society. Senior advocate Radheshyam Adhikari notes that while every individual is free to express agreement or disagreement of opinion, no one has the right to attack and abuse anyone else for agreeing or disagreeing with a certain point of view."We must respect any dissenting opinion that as long as it does not advocate violence and hatred," he says.But what if the responses to someone’s opinion spreads violence and hate, should that not be curbed? Indeed, the backlash to any opinion on social media is now so pervasive that it has has had the effect of dampening free expression. Many netizens have just stopped posting anything, or have quit social media platforms altogether.The truth is that we veer between extremes at this stage of digital democracy. The public is quick to idolise one figure and demonise another. We tend to look at things in black and white, as one or the other. This environment is emblematic of the problems that the next generation will it participates in a digital democracy.We seem to be at a crossroads at a time when we should use social media to come together and form new ideas rooted in empathy and understanding. We have the power to make someone 'viral'. We use our own opinions as a valid reason to justify and excuse inexcusable behaviour. We are quick to boycott and 'cancel', without looking at the context, those who we believe have offended our sensibilities.Are we ourselves a part of the cyber society that is dismantling democracy? Are we becoming more digital and less democratic? Is the new public sphere being left to trollers to inhabit?Says women's rights activist Saru Joshi: "The culture of treating differing opinions with disrespect is prevalent in our families, educational institutions, and workplaces. This culture of silence means many pressing social issues are swept to the sidelines on social media. But staying silent will weaken the democratic process.”The solution is better media literacy, enforcement of rules on cyber crime, and for people who want the Internet decontaminated to speak out. And there should be legal remedies against those who abuse the freedom of the net.Says Shiva Gaunle of the Centre for Investigative Journalism: “There is a clear line between criticism and hate. While criticism is a valid way of participating in the democratic process, spreading hatred is anti-social and anti-democratic.”

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

India and Pakistan are twins separated at birth. Tensions between them have been at a hair trigger ever since independence and has erupted into full scale conflict at least four times in the past 80 years.
The 22 April terrorist attack in Kashmir that killed 25 Indian tourists and a Nepali citizen, threatens to escalate tension between the two nuclear-armed nations. India has squarely blamed Pakistan for the attacks, and Prime Minister Narendra Modi has given his military “operational freedom” to respond. Pakistan has said it has credible intelligence of an Indian military strike and its officials have promised a “full spectrum” response — a code for a <a href="https://nepalitimes.com/editorial/thinking-the-thinkable">nuclear retaliation</a>.
For Nepal, the killing of its national in the Pahalgam attack comes as another stark reminder that in conflicts from Afghanistan to Iraq, from <a href="https://nepalitimes.com/opinion/how-to-agree-an-armistice-in-ukraine">Ukraine</a> to Israel, <a href="https://nepalitimes.com/news/10-nepalis-from-one-town-fighting-in-ukraine">Nepalis are getting caught in the crossfire</a>. The last time full-scale fighting broke out between <a href="https://nepalitimes.com/opinion/peacemongers-at-india-pakistan-border">India and Pakistan</a> on Kargil in 1999, at least 22<a href="https://nepalitimes.com/here-now/india-s-trial-by-fire-for-soldiers-from-nepal?%27%5C%22="> Nepalis fighting for the Indian Army</a> were killed in action.
Three of Nepal’s immediate neighbours (China, India, Pakistan) have nuclear weapons, and they do not have good relations. With China supplying weapons, <a href="https://nepalitimes.com/editorial/war-and-warming">missile technology</a> and other support to Pakistan, this triangular friction could set off a regional conflagration.&nbsp;
<a href="https://www.nature.com/articles/s43016-022-00573-0" target="_blank">Research at Rutgers University</a> has calculated that even a week-long tactical nuclear exchange between India and Pakistan would throw up so much smoke and debris into the atmosphere that it would block out the sun for years, and lead to a collapse of the <a href="https://nepalitimes.com/news/grow-nourish-sustain-together-world-food-day">global food system</a>. This does not take into account the radioactive fallout that prevailing winds would blow up to <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">the Himalaya</a>, contaminating glaciers that are the sources of <a href="https://nepalitimes.com/here-now/saving-what-is-left-of-himalayan-rivers">Asia’s main rivers</a>.
The impact of <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>on High Asia was already ringing alarm bells about its <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">shrinking ice cap</a> reducing the dry season flow of water downstream. Water was going to be the next strategic commodity, geopolitical experts warned, and the next wars in Asia would be over water.
That water war is already happening. India retaliated to the Kashmir attack by suspending the <a href="https://www.nytimes.com/2025/04/24/world/asia/india-pakistan-indus-waters-treaty.html" target="_blank">Indus Waters Treaty</a> of 1960 mediated by the World Bank that has withstood at least three wars between India and Pakistan. The treaty gives India control over the three eastern tributaries of the Indus (<a href="https://en.wikipedia.org/wiki/Beas_River" target="_blank">Beas</a>, <a href="https://en.wikipedia.org/wiki/Ravi_River" target="_blank">Ravi</a> and <a href="https://en.wikipedia.org/wiki/Sutlej" target="_blank">Sutlej</a>), while Pakistan got water from the Indus and two of its western tributaries (<a href="https://en.wikipedia.org/wiki/Indus_River" target="_blank">Indus</a>, <a href="https://en.wikipedia.org/wiki/Chenab_River" target="_blank">Chenab</a> and <a href="https://en.wikipedia.org/wiki/Jhelum_River" target="_blank">Jhelum</a>.
Pakistan was assured of 70% of the annual flow, and India could use a reasonable amount of water for<a href="https://archive.nepalitimes.com/news.php?id=15231"> irrigation and hydropower</a>. &nbsp;Within days of its threat, India stopped water flowing down to Pakistan from the Chenab river and is reportedly preparing to do the same on the Jhelum.
The sabre-rattling has reached a crescendo. Besides threats and counter-threats there are also symbolic drills, with the Indian Air Force practicing landing on an expressway in Uttar Pradesh by its Rafale, Su-30 and Jaguar fighter jets to demonstrate ‘operational readiness’. In response Pakistan test-fired its Abdali ballistic missile that can carry a nuclear warhead and has a range of 450km.&nbsp;
The danger is that with ultra-nationalist rhetoric and the beating the war drums by both sides, India’s government and Pakistan’s military may have to ‘do something’ to appease domestic public opinion. But any tactical strike, an artillery exchange, or territorial incursion could quickly escalate out of control.
Expecting an Indian retaliation for the Pahalgam killings, Pakistan is using<a href="https://nepalitimes.com/opinion/interfaith-collaboration-for-nuclear-disarmament"> nuclear deterrence </a>and warning of “catastrophic consequences”. The two neighbours came close to a nuclear exchange in 2019 after an attack on the Indian military in Kashmir, and prompt international intervention led by the United States cooled tensions.&nbsp;
This time, the <a href="https://nepalitimes.com/news/trump-shock-wave-hits-nepal">Trump administration</a> is too distracted and not as engaged. Pakistan has denied it was responsible for the terrorist attack and called on Washington to stop a possible Indian retaliation. India and Pakistan have stopped overflights by each other’s airlines, and some international carriers have even stopped flying over Pakistan fearing an air war.
Washington, Beijing, the UN and the EU have all urged restraint. Iran, which has good relations with both India and Pakistan has sent its foreign minister to urge both countries not to go into a tit-for-tat war. Iran has its own nuclear flashpoint to worry about with tensions in Israel, &nbsp;Yemen and Syria.
India and Pakistan both share similar problems of joblessness, <a href="https://nepalitimes.com/here-now/why-nepal-s-poverty-rate-is-stuck">poverty </a>and <a href="https://nepalitimes.com/here-now/climate-change-new-threat-to-nepal-s-rhinos">environmental threats</a>. Neither side needs the threat of a senseless war, and we in the neighbourhood do not need it either.&nbsp;
Kunda Dixit
This Editorial is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.

Nukes in the neighbourhood

Most Nepalis thought they had seen the last of it after <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the 25 April 7.8 magnitude </a>earthquake ten years ago. But the Himalaya had more surprises in store. On 12 May, another 7.3 magnitude tremor that some said was an aftershock, but was strong enough to itself be a major earthquake, struck Dolakha.&nbsp; Not many people had heard of Singati till then — a cluster of houses by the Tama Kosi River along a narrow gorge that is the roadhead to Rolwaling Valley.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d.jpg" data-media-id="editor_1" data-image-id="20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e.jpg" data-media-id="editor_2" data-image-id="20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  It was here that dozens were killed on 25 April in the first earthquake. Hundreds of <a href="https://archive.nepalitimes.com/article/nation/Singati-rising-from-rubble-rebuilding,3703">Singati survivors</a> had lined up for food and relief supplies in the morning of 12 May when the second earthquake triggered a rock slide that buried a nearby camp. At least 50 people were killed. &nbsp; Three hours later, a US Marine Corps UH-1Y Venom helicopter landed in a nearby cornfield to pick up the wounded, and flew off. The aircraft lost contact with air traffic control in Kathmandu and its wreckage was located high on Kalinchok four days later. Six American servicemen, two Nepal Army soldiers, and five wounded civilians from Singati were killed. Today, Singati bears little physical scar of the multiple tragedies that struck the town ten years ago. Most <a href="https://nepalitimes.com/multimedia/bungamati-builds-back">houses have been rebuilt</a> as urban-style concrete structures, and Singati has become an economic hub on the road leading up to several hydropower plants and a<a href="https://nepalitimes.com/banner/off-the-beaten-trek-in-nepal"> popular trekking destination</a>.&nbsp; The town looks less like a village and more like a suburb of the Dolakha district headquarter of Charikot, 47km away.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2.jpg" data-media-id="editor_6" data-image-id="20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e.jpg" data-media-id="editor_7" data-image-id="20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  “The demand for construction material, cement, iron rods and bricks peaked after the earthquakes,” says Suresh Khadka, who owns a hardware business here and now supplies material to the 456MW Upper Tama Kosi hydropower project that is undergoing repairs after it was damaged by a landslide last year. The demand for cement boomed since most residents believe, not necessarily correctly, that <a href="https://nepalitimes.com/banner/in-a-disastrous-state">cement houses are safer</a>. Although Khadka did well selling construction material after the earthquake, he worries that most new structures do not follow seismic-resistant building codes.&nbsp; The construction boom financed by bank loans has in turn forced many from Singati to <a href="https://nepalitimes.com/banner/making-overseas-migration-better">migrate overseas for work</a> so they can service their debt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2.jpg" data-media-id="editor_10" data-image-id="20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Suresh Khadka</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83.jpg" data-media-id="editor_11" data-image-id="20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Phu Doma Sherpa (right)</figcaption> </figure>  “My family had no choice but to borrow money to rebuild our home since the government compensation was not enough, and ten years later we are still paying off the loan,” says Phu Doma Sherpa, 60. Because of the shortage of qualified masons and proper seismic engineering, <a href="https://nepalitimes.com/here-now/structural-problems">many of the buildings are of questionable building standards </a>and the traditional architecture has been abandoned, admits Kul Bahadur Budathoki, deputy chair of the municipality. “But these buildings were more expensive than what the government grants could cover, many people here are heavily in debt and the men have <a href="https://nepalitimes.com/here-now/every-day-is-closer-to-pay-day">migrated to the Gulf to pay their loans</a>,” Budathoki says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480.jpg" data-media-id="editor_14" data-image-id="20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480" data-rendition-name="original" width="1501" height="1079" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Kul Bahadur Budathoki</figcaption> </figure>  Singati is in a multi-hazard zone. The <a href="https://archive.nepalitimes.com/article/nation/Singati,3091">12 May 2015 earthquake </a>could have led to the collapse of Nepal’s largest glacial lake, <a href="https://nepalitimes.com/here-now/stairway-to-heaven">Tso Rolpa</a>, upstream. Due to global warming, the glacier has turned into an expanding lake 3.5km long, and its collapse would have unleashed a catastrophic Himalayan tsunami down the Tama Kosi Valley, with Singati directly in its path. Singati has literally risen from the ashes of 2015, with its residents beginning to recover from the trauma and financial toll. But it is not out of danger as <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>magnifies the risk from future earthquakes.

Climate magnifies earthquake risk in Nepal village

The streets of Patan are alive this month with lavender jacaranda trees under rain-washed skies as <a href="https://nepalitimes.com/banner/the-red-god-rises-again-in-patan">the chariot of Rato Matsyendranath</a> is pulled across town. This is the festival of the rain god, and inevitably the heavens opened up and pre-monsoon showers pelted the chariot as it started being pulled in Pulchok last week. Thousands of devotees, onlookers and the chariot procession organisers thronged the streets on the first day last week. The rhythmic cymbals and drums exuded a vibrant energy as the enormous four wheels turned and the chariot lurched.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688.jpg" data-media-id="editor_1" data-image-id="2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  The<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Red-rain-god,3141"> red rain god</a> has Hindu and Buddhist antecedents, alternatively called Bungadya and<a href="https://nepalitimes.com/here-now/kathmandu-s-gravity-defying-chariot-festival"> Karunamaya</a> — reflecting Kathmandu Valley’s syncretic mixture of the two religions.&nbsp; “Bungadya is a profoundly <a href="https://nepalitimes.com/opinion/12-full-opinion/marketing-the-intangible">intangible form of heritage</a>,” explains heritage expert Monalisa Maharjan. “It embodies traditional knowledge,<a href="https://nepalitimes.com/multimedia/reviving-nepal-s-craft"> artisanal skills passed down through generations</a>. Local communities and specific families have specified roles in being custodians of the heritage, ensuring their survival over the centuries.” There are many legends and stories about this annual tradition. Lichhavi king Narendra Dev is supposed to have brought Rato Matsyendranath from Assam to Kathmandu Valley to convince Guru Gorakhnath to lift a spell that created a two-year drought in Kathmandu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a.jpg" data-media-id="editor_6" data-image-id="20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a" data-rendition-name="original" width="1503" height="1000" loading="lazy" alt="Divine chariot"> </figure>  Matsyendranath was Gorakhnath’s mentor, and upon seeing him, the serpents were released, unleashing the rains. The chariot festival honours the return of this life-giving rain. The deity is seen as an icon for thriving agriculture, t<a href="https://nepalitimes.com/here-now/before-the-next-monsoon">he arrival of monsoon</a> showers, and the welfare of the community. Read also: <a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain">The reign of the god of rain</a>, Vidhu Prakash Kayastha Till this day, the Rato Matsyendranath festival is no ordinary celebration. Patan does not sleep for a month as the chariot is pulled through various neighbourhoods. It unfolds at a state level with the president (formerly the king) attending the climax of the Bhoto Jatra in Jawalakhel later this month.&nbsp; The intergenerational transmission of tradition is unique in the world, and the reason the festival is one of the most vibrant cultural expressions that thrives despite inroads of modernity. The other unique aspect is that it is a transnational festival, binding Patan with Guwahati in the Indian state of Assam.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a.jpg" data-media-id="editor_9" data-image-id="2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  “Unlike Nepal, where the deity commands grandeur and devotion, many in Assam are unaware of Rato Matsyendranath,” says Khagen Sharma of Gauhati University, which convened <a href="https://nepalitimes.com/news/nepal-assam-connection-revived">a symposium in February in Guwahati on the rain god</a>. Attending was a delegation led by Lalitpur Mayor Chiribabu Maharjan, organisers of the festival, and builders of the chariot. After the symposium, a committee was formed to explore and revive the tradition in Assam as well. Although the team had planned to visit Nepal this month, logistical challenges delayed the trip. Still, there are plans to build a Guru Matsyendranath statue in Assam to reestablish regular worship practices in the Guwahati shrine.&nbsp; The vines used to build the chariot in Patan are sourced from the jungles of Assam. But Sharma notes that in recent years unclear regulations have blocked the official import of the vines, although they are still brought to Nepal informally. The <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/makers-of-machhindranath,2204">chariot making</a> has also had a taste of modernisation in recent times. In the past, even a single nail or piece of steel was avoided. But over time, the wooden structure, particularly the shaft between the wheels, has been replaced with bronze. When that too proved unstable, metal clamps were introduced, which have become a pragmatic compromise.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93.jpg" data-media-id="editor_12" data-image-id="20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93" data-rendition-name="original" width="1500" height="998" loading="lazy" alt="Divine chariot"> </figure>  Another welcome change is the focus on safety. Builders climbing the chariot’s tower now wear harnesses and there are efforts in crowd control. The most visible change in recent years has been the involvement of Patan’s enthusiastic youth in the festival — the tradition is now passing to a new generation. Says Matsyendranath expert Vidhu Kayastha: “There is more energy, the young people in red t-shirts this year were very organised, these modern touches aren’t diluting our culture, they’re keeping it alive in new forms.” He adds, “We are <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home">reconnecting with our roots</a>, we have more resources, more awareness than ever before. We must not be swept away by western values that may not serve us, and in some ways, cause more harm than good. We must revive our own culture.”&nbsp;

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