REBECCA VAN OMMEN Yak Attack in flight: Robyn Hemming, John Martin, Ganga Thapa, Allan Shrestha, Shubha Giri |
"If a desert tribe from Mali can come to London and mesmerise crowds of people with its music, why can't Nepali musicians do the same?"
Shubha Giri, founder of London-based ensemble Yak Attack, has a point to make. It's one he keeps coming back to. Nepalis need to recognise the depth and range of their own musical heritage, he says, and join the conversation taking place across cultures within the loosely defined genre known as 'world music'. Working together collectively, he wants to reach out to mainstream audiences in Nepal and abroad, promoting 'peace and harmony'. As anyone who has seen the Tuareg-Berger band Tinariwen perform, this is not as fanciful as it sounds.
Appropriately, the best advocate of Shubha Giri's mission is Yak Attack's music itself, now available on their debut EP Taal Sutra. With the circular guitar lines that chime through the opening bars of the band's rousing rendition of Nepali folk classic 'Hariyo Dadha Mathi',Yak Attack invites us to that conversation. It's one that reaches beyond the tired tropes of rock, easing us into the seamless blend of the familiar and unfamiliar achieved by the very best fusion.
Shubha acknowledges we have a long way to go. "There's this attitude Nepalis have – we think foreigners won't listen to our music because they don't understand it and won't be interested. So we don't listen to other music either, beyond MTV-derived American rock. We need to dig deeper – rock came from blues, and blues came from Africa, after all."
It's clear Yak Attack has been digging deep, and has built both musical and personal bridges across cultures. The self-declared "shape-shifting musical outfit built around a core of Afro-Asian rhythms" currently includes three Nepalis – Shubha and Gagan Thapa on guitar, and Allan Shrestha on drums – as well as other talents unearthed in the rich cross-fertilisation that is the London music scene, such as John Martin (saxophones) and Robyn Hemming (bass). Add world music veteran Dubulah to the mix, and you have a potent meld of Nepali folk rhythms and Afro-jazz sensibilities that practices just what Shubha preaches.
