<figure><img width="2560" height="1384" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f249c7e80680e0af44cjpeg.jpg" alt=""/><figcaption>Still from The Summit of the Gods.</figcaption></figure>For those who have never climbed a mountain before, it may be difficult to understand the allure. After all, mountaineering is the furthest thing from easy. Climbing vertically often in appalling weather, while paying expedition expenses, traversing mountains of red tape for permits, while all along risking one’s life is not everyone’s cup of tea. So why do they keep doing it?Two films that premiered on Netflix this month may provide some of the answers.Directed by Torquil Jones, 14 peaks: Nothing is Impossible starring Nirmal (NimsDai) Purja, and his climbing partners Mingma David Sherpa, Lakpa Dendi Sherpa, Geljen Sherpa and Gesman Tamang opens with Purja telling viewers to dream big.“Doesn’t matter where you come from, you can show the world, nothing is impossible,” he says as a drone camera shows him on Ama Dablam's vertical rock face.The documentary chronicles Purja and his team’s attempt to summit the world’s 14 peaks over 8000m in just seven months. The previous world record was 7 years 310 days, set by South Korean mountaineer Kim Chang-Ho.“I was told that my project was impossible. So, I decided to name it Project Possible,” Purja tells viewers. This was not just for himself, not just for Nepal, but to show what human beings can do. But a point made over and over again in the film is that Nepali guides and porters who helped western expeditions never got the credit they deserved in the past. “They are ghosts,” he says, and he is out to change that once and for all. <img width="640" height="399" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f279c7e80680e0af44djpeg.jpg" alt="">A newcomer to the mountaineering scene who first set foot on the mountains only in 2012. There are obstacles, but in October 2019 after summitting Xixapangma, the last of the 14 peaks, he proves that it is<a href="https://www.nepalitimes.com/latest/nims-purja-does-it/" target="_blank" rel="noopener noreferrer"> indeed possible</a>.14 Peaks is a story of teamwork, ambition, determination, perseverance, and patience. But what stands out is the generosity of spirit.More than once, Purja's team rescue climbers stranded high up in the mountains. In Annapurna, he and his teammates go back up to rescue a climber after an exhausting climb, in Kanchenjunga he helps a climber who has run out of oxygen, and even when he develops HACE (high altitude cerebral edema), he manages to help a climber come down to Camp 4.“In military I have never left anyone behind I wasn’t gonna do that on the mountains,” he says.On <a href="https://www.nepalitimes.com/latest/nepalis-on-k2-make-the-impossible-possible/" target="_blank" rel="noopener noreferrer">K2</a>, when the group reaches base camp, the climbers are ready to abandon their expeditions after three deadly avalanches. The Nepalis lighten the mood, dance to Resham Firiri and Purja rallies everyone to give it one more try while he fixes rope to the top.Purja’s optimism isn’t for everyone. “You are a great boy, and it is lovely propaganda, but you don’t change the mountain,” says one climber during Purja’s motivational speech at base camp.Like <a href="https://www.nepalitimes.com/review/alpine-style-in-the-himalaya/" target="_blank" rel="noopener noreferrer">Purja’s book</a>, the documentary has a macho tone, and at times one wishes he would tone it down a bit. The star of the film is Purja’s wife Suchi, who is disarming while explaining his drive, her own fears but also the constant support she provides him.https://youtu.be/8QH5hBOoz08Purja’s tender side shows in the scenes with his ailing mother, Purna Kumari Purja. Days after being discharged from the hospital, she gets on a helicopter to meet her son after he climbs his 14th eight-thousander. Later, at Kathmandu Airport, Purja tells reporters how a Western climber doing what he did would have got “ten times more publicity”.At 101 minute documentary has stayed in the Top 5 on Netflix for weeks, and touches on a lot of things: the financial burden of accomplishing such a monumental task, the physical and mental challenges of climbing, personal relationships, philosophical questions on mortality, power of social media in today’s age and navigating the bureaucracy.The documentary also attempts to address the <a href="https://www.nepalitimes.com/latest/nims-purja-fans-react-to-criticism-of-climb/" target="_blank" rel="noopener noreferrer">criticism</a> Purja faced for using bottled oxygen, with many ‘purists’ saying that disqualified his feat. Surprisingly, it is <a href="https://www.nepalitimes.com/here-now/what-next-for-reinhold-messner/" target="_blank" rel="noopener noreferrer">Reinhold Messner</a> who himself climbed the 14 peaks without oxygen, but taking 16 years to do it, who defends Purja: “He was doing it this way otherwise it is not possible in such a short time.”Read Also:<a href="https://www.nepalitimes.com/here-now/what-next-for-reinhold-messner/" target="_blank" rel="noopener noreferrer">What next for Reinhald Messner?</a>, Kunda DixitMost of the film’s climbing footage is taken by Purja and his team. Director Torquil Jones juxtaposes these with fresh interviews from the team, Purja’s family and other mountaineers, and animations (which could have been better quality) for some near-death experiences.Watching 14 Peaks is like watching a shōnen anime, with an underdog protagonist who has the odds stacked against him. Like every hero, Purja has a dream. For Naruto it was becoming a hokage, for Luffy it is becoming the Pirate King, and for Nimsdai Purja, it is climbing all the eight thousanders in record time.With 14 climbs and their back stories, there was not enough time dedicated to specific mountains, team mates, or the specific challenges on each mountain. But for a genre that often focuses on individual feats, 14 Peaks goes beyond to show how far mountaineering has come from the days of the first industrial scale expeditions on the world’s tallest mountains.https://youtu.be/AwDVv6pDBx8While 14 Peaks profiles a climber attaining an impossible goal, claiming glory for himself and his country, the animated French film The Summit of the Gods is quietly meditative. This is based on Jiro Taniguchi’s manga adaptation of Baku Yukemura’s 1998 novel and does not delve into the heroics of climbing, focusing instead on the obsession with it.Working as a photographer for a magazine, Fukamachi Makoto (Damien Boisseau) heads up to Mt Everest to take pictures of a Japanese expedition, which aborts the climb and he is left without pictures for his story.In Kathmandu, while on the phone with his editor, a man tries to sell him a camera that he says belonged to George Mallory, the British climber who disappeared on Everest in 1924.The mystery of whether Mallory and his climbing partner Andrew Irvine reached the top, almost three decades before <a href="https://www.nepalitimes.com/banner/hillary-centenary/" target="_blank" rel="noopener noreferrer">Sir Edmund Hillary</a> and <a href="https://www.nepalitimes.com/banner/was-tenzing-a-tibetan-nepali-or-indian-it-does-not-matter/" target="_blank" rel="noopener noreferrer">Tenzing Norgay</a> haunts the climbing world to this day. Many believe that the camera, a Vest Pocket Kodak, which is still missing today holds the answer.Back to the film: Fukamachi thinking it to be fake, does not pay much attention. But when he catches a glimpse of a man he believes to be Habu Joji (Eric Herson-Macarel), he suspects that it may be Mallory's. Habu is a famous, but fictitious, Japanese climber who disappeared years previously.Fukamachi sets to track down Habu. The film flashes back Habu’s childhood, his days in a climbing club and his perilous climbs. While Habu’s endeavors are awe inspiring, he is clearly human. His shares of victories come with losses. <img width="800" height="431" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f2a9c7e80680e0af44ejpeg.jpg" alt="">Fukamachi is as obsessed as his subject, and when Fukamachi finally gets to photograph Habu on Everest, both display powerful tenacity to push the limits.Director Patrick Imbert captures five volumes worth of story in just 90 minutes. The 2D animation departs from the textured layers of the original manga and is reminiscent of the works of Studio Ghibli, with simple character animations and simply stylized photorealistic backgrounds.It is the climbing scenes where the film truly shines. There is no dialogue, just struggle to breathe, the missteps, the trembling taut ropes, and the roar of wind. There are the movement of hands, eyes, and gestures in the dialogue scenes. This is animation at its immersive best.Imbert and his animation team capture the mountains in all their raw wild power, and the audacity of those who dare try to scale them.  Amine Bouhafa’s score complements the story and animates the adventure.This is a French film about a Japanese climber using Japanese cartoon techniques for a film set in Nepal, so it is surprising Netflix does not have a Japanese dub version with subtitles to give it more authenticity.The Summit of the Gods, is not a happy movie, that much we can say. It does not gloss over the sacrifice and suffering to glamourise the adventure. 14 Peaks on the other hand, glorifies climbing. But both films show us what it is like to be a human attempting something super-human.Read Also:<a href="https://www.nepalitimes.com/latest/nims-purja-does-it/" target="_blank" rel="noopener noreferrer">Nims Purja does it</a><a href="https://www.nepalitimes.com/latest/nims-purja-fans-react-to-criticism-of-climb/" target="_blank" rel="noopener noreferrer">Nims Purja fans react to criticism</a>

Sahina Shrestha

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<figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f129c7e80680e0af446jpeg.jpg" alt=""/><figcaption>Mountaineering legend Reinhold Messner in Kathmandu this week. Photo: AMIT MACHAMASI</figcaption></figure>At age 77, after having pushed the limits of what a human being can physically achieve, <a href="http://archive.nepalitimes.com/news.php?id=3251#.Yck5sC8RqLc" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D3251%23.Yck5sC8RqLc&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw37oxnuMsF1Cvg5h_XDEbr9">Reinhold Messner</a> looks back at a life lived at the edge of life and death, and turns philosophical about the art of mountaineering. Messner started climbing in the Dolomites when he was five. On his first Himalayan climb in 1970, he lost his brother and seven of his toes on Nanga Parbat. In 1978 he climbed the mountain again solo, and became the first person with Peter Habeler to <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/climbing-everests-last-three-hundred-meter-without-oxygen,1817" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/climbing-everests-last-three-hundred-meter-without-oxygen,1817&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw35gc9hWKFSjo8YFFTMj48F">summit Mt Everest without bottled oxygen</a>. In 1980, he came back to Everest and solo-ed it too. He went on to climb all of the world’s fourteen 8,000m peaks in 1986. “We go to places we could die, but not die. Traditional mountaineering is the art of not dying,” says Messner, who has just got off a flight from Europe on yet another trip to Nepal that was delayed by the pandemic.People used to fear mountains, they did not approach dangerous places. It was only after the industrial revolution that early British climbers started exploring the Alps and ‘alpinism’ was born to <a href="http://archive.nepalitimes.com/news.php?id=3249#.Yckz1i8RqLc" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D3249%23.Yckz1i8RqLc&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw16ilz_PNAQ-j-ZuMQ2HSR-">test the limits of human skill and endurance.</a>“Mountains are infinite in comparison to our lives,” the Tyrolean climber says. “Up on a mountain we are forced to contemplate eternity. Climbing is a useless activity, as absurd as life itself.” <figure><img width="1028" height="713" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f159c7e80680e0af447jpeg.jpg" alt=""><figcaption> </figcaption></figure>Messner has nothing but praise for Nirmal (Nims) Purja, the Nepali climber whose <a href="https://www.nepalitimes.com/latest/nims-purja-does-it/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/nims-purja-does-it/&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw2kEvjlTRBQfHD1C_gZ1ifd">ascents of all 14 of the world’s eight-thousanders</a> within seven months was featured in a popular Netflix documentary this month.  “I needed 16 years to climb all 14 peaks without oxygen,” says Messner, repeating what he said in the Netflix film. “For this, I give Nirmal great respect, he did it in such a short time. And after this, he <a href="https://www.nepalitimes.com/here-now/all-nepali-winter-first-on-k2/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/all-nepali-winter-first-on-k2/&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw2fV04bVS-2V4FI6fHPcjLg">went back to K2</a> and became the first to climb it in winter. He is not just chatting, he is doing.” Messner worked with Purja to finish his latest book which is out in German, and defends the Nepali climber’s use of helicopters and oxygen for his climbs saying technology had made it possible to fly from one base camp to the other. And Purja’s team was also fixing ropes for others, carrying its own oxygen.  Messner is also glad that Nepalis are finally getting credit for helping western climbers attain the world’s highest peaks – starting with Gurkha porters on Nanga Parbat in 1895, and later with Sherpa guides. “Now, Sherpas and Gurkhas are no longer support staff, they organise expeditions around the world,” says Messner. “I am very happy that after 100 years the Sherpa have the economic possibility to organise their own expeditions.”https://youtu.be/EZBvVMaNYAIMessner then turns to his pet peeve: how <a href="http://archive.nepalitimes.com/news.php?id=3249#.Yckz1i8RqLc" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D3249%23.Yckz1i8RqLc&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw16ilz_PNAQ-j-ZuMQ2HSR-">alpinism has turned into tourism</a> as hundreds of clients jumar up on fixed ropes to the top of Mt Everest. Indoor climbing walls in gyms also do not cut it for him.“Traditional mountaineering is the art of surviving where you can die, if you take away the possibility of danger, then it is not alpinism,” says Messner with messianic zeal during an interview in Kathmandu with Nepali Times. “Organising a safe infrastructure where someone takes you up and down a mountain is tourism.”Nepal’s economy has now come to be dependent on these large expeditions, aside from the revenue that Nepal collects every year from hefty climbing royalty. A switch to alpine style climbing would mean fewer jobs for expedition support staff.But Messner is a purist when it comes to mountaineering, and besides smaller lighter teams scaling peaks would be less damaging to the environment. He takes the message of pure alpine style climbing around the world through lectures, setting up a string of museums, as well as more films, including the latest semi-autobiographical White Out.   <figure><img width="3095" height="2098" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f179c7e80680e0af448jpeg.jpg" alt=""><figcaption> </figcaption></figure>Messner faced criticism for abandoning his brother on Nanga Parbat in 1970, but has often defended himself saying people at sea level should not be passing judgement about decisions of survival at 8,000m. He has made 31 expeditions in his lifetime to eight-thousand metre peaks, 18 of them successful. He dabbled in politics and was a member of the European Parliament for five years before deciding that he did not want to be a professional politician.During this visit to Nepal, Messner will inspect the new Sherpa Himal Museum that he helped build near Namche, adding to other mountain museums he has set up around the world. On Sunday, Messner and <a href="https://archive.nepalitimes.com/news.php?id=3761#.Yck6ry8RqLc" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/news.php?id%3D3761%23.Yck6ry8RqLc&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw39PivMRXCHqH8lSYi4itec">Karna Shakya</a> inaugurated a new high-rise wing of the <a href="https://archive.nepalitimes.com/news.php?id=19686#.Yck63i8RqLc" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/news.php?id%3D19686%23.Yck63i8RqLc&amp;source=gmail&amp;ust=1640666337895000&amp;usg=AOvVaw3edUbHwnR-WPHeH1NRWgk_">Kathmandu Guest House</a> in Thamel, where he has always stayed since his first visit.  <img width="1618" height="1869" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110161156/636d1f1b9c7e80680e0af449jpeg.jpg" alt="">We ask Messner why he is so impressed with Nims Purja, when he has been scathing about the young German climber Jost Kolbach who is attempting Mt Everest solo in winter up the west ridge this season. “It is all PR. He has said he has only has 1% chance, if that is so he should stay in the Alps, do smaller things successfully, or climb the challenging six or seven thousanders first.”About this year’s controversy about climbers on the fore-summit of Manaslu, Messner says it is clear which is the true peak, and remembers bringing down a piton in 1972 from an earlier Japanese expedition to the 8,163m summit as proof. But it is less clear which is the true peak on long ridges like Annapurna I, he adds.Messner has also been ridiculed about his belief in <a href="https://www.nepalitimes.com/opinion/sorting-through-history-for-the-yeti/" target="_blank" rel="noopener noreferrer">the yeti</a>. He clarified: “The yeti is logically a bear. It is a legend that is 1,000 years old that came with the migration of Sherpas, and describes a partly-white bear, and early British journalists 120 years ago  spread rumours about the snowman.”  Messner says <a href="https://www.nepalitimes.com/latest/covid-climate-crises-hit-everest-region/" target="_blank" rel="noopener noreferrer">the climate crisis</a> is changing monsoon patterns and the jet stream which is making climbing in the Himalaya more dangerous. He says the whole system is out of balance due to industrialisation, cars and fossil fuels and consumerism. Messner is now helping to give back to the people of the mountains around the world where has climbed all his life, rebuilding hospitals and schools, and supporting students. He says, “After climbing the mountains, I came later to also understand the people, and I am thankful that I can give back to this country with tourism promotion. I owe my climbing success to Nepal."

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What next for Reinhold Messner?