“I’m standing by the post office. You won’t miss me,” promised Alok Vaid-Menon over the phone. Sure enough, there he was. 
At the Sundance Film Festival in Utah, where temperatures dip so low even the red carpet is sometimes a parade of cosy sweaters, — the US-based gender non-conforming performer was dressed in cold-defying femme fashion. Indigo pumps, a blue-and-yellow frock ending in a cloud-shaped skirt, swirls of the same colours lining the eyes.
“I want to show that it is possible to look good here,” said Alok cheekily. 
Words from one of Alok’s own verses seemed apt for the moment: “They will say that femininity is not powerful, but I have stopped traffic simply by going outside.” 
On the day we met, the 32-year-old stopped traffic for another reason too. They were the face of a short documentary ALOK, directed by Alexandra Hedison and produced by Jodie Foster, which had just premiered at the festival.
For over a decade, Alok has combined art and activism. They tour the world with poems about queer and trans experiences, self-acceptance, and love. 
Read also: <a href="https://nepalitimes.com/here-now/eleganza-extravaganza">Eleganza Extravaganza</a>, Sahina Shrestha
They will be in Kathmandu presenting a blend of poetry and comedy at the Spoken Fest on 16 February. “I haven’t been to Kathmandu since 2017, so shout out to Nepal,” Alok shared, with a beam.
The film ALOK spent two years in the making, after photographer Hedison chanced upon Alok’s work online and asked if she could trail them — as a “professional groupie” or “consensual stalker”.
The deep dive that followed, she said, “didn’t just inspire me intellectually, it moved me emotionally”. The 18-minute film, Hedison’s first, features Alok’s questioning of the gender binary, their imaginative force, and glimpses of their family and friends. 
Quoting Greta Lee, star of the Oscar-nominated Past Lives, Alok said: “For so long I’ve been cast as the best friend but this is my first time as the main character and now I don’t know if I can go back.” 
“The mainstream needs to move beyond token diversity. We deserve to have our stories be centered.”
Alok was born into a family of thinkers and academics, with roots in Kerala, Delhi, Malaysia, and the US. Although the Texas milieu they grew up in was conservative, the film shows their home was conducive to queer expression. 
Read also: <a href="https://nepalitimes.com/news/a-mother-celebrates-pride">A mother celebrates Pride</a>, Durga Rana Magar
The poet’s aunt Urvashi Vaid, a noted LGBTQ activist in the US, became their protector: “Because of that I was able to articulate myself and be taken seriously from a very young age.”
Where most media representations of South Asian families tend to be opposed to queer and trans kids, Alok noted their South Asian family grew up and transitioned with them.
Approaches to queer rights on the eastern side of the globe are quite progressive, in the poet’s view. “LGBTQ rights are often framed as just recognition in the US, but in India, for instance, there is actually an acknowledgement that there needs to be reparations, there needs to be economic support.”
What is the creative process like? “Procrastination is my process,” Alok chuckled. “It starts out like I’m writing for the first time every time and that’s so daunting. But if it was easy, it wouldn’t be as rewarding.”
As a performing poet, the writing is woven with sound, considering the music that lives within individual words. “Poetry is a kind of spell-making, you have to think about how to pitch and tune each word.” 
So the poet reads aloud as writing progresses and edits based on the listening experience. Language is constantly evolving, Alok reflected, but people get upset when LGBTQ communities evolve it. 
Read also: <a href="https://nepalitimes.com/opinion/comment/right-to-marry-in-nepal">Right to marry in Nepal</a>, Aastha Dahal
Many object to the use of non-binary pronouns. “It is interesting when people say ‘Oh this stuff is all so new’, then why have you always had slurs for us in your languages? So there’s always been a context with which you acknowledge us, it’s just been pejorative.”
In several US states, disapproval of trans people is at risk of being written into the law. Our conversation took place in Utah where the House recently passed a bill seeking to criminalise trans adults for using bathrooms inconsistent with the sex on their birth certificate. 
“Hopefully it’s not going to pass the Senate and get approved into law but the fact that they’re even indulging it is obscene.”
Through art, Alok would like to loosen the hold people have over gender. “Me and my friends are finding a way of looking at each other as individuals, not as categories. So this is not some idealistic future, it’s something that’s being lived right now.”
Equity will depend on people’s willingness to feel a sense of community with everyone around them. That is why Alok opened the film saying: “The most controversial pronoun I have is ‘we’. It’s not ‘they’, it’s ‘we’.” 
Read also:<a href="https://nepalitimes.com/news/nepal-is-ahead-of-many-countries-in-lgbtqi-rights"> "Nepal is ahead of many countries in LGBTQI+ rights"</a>, Nepali Times
Alok Vaid-Menon will perform at Park Village Resort on 16 February.

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The most controversial pronoun is ‘we’, not ‘they’

<figure><img width="1356" height="640" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204049c7e80680e0b283bjpeg.jpg" alt=""/><figcaption>All photos: Milan Rai</figcaption></figure>Milan Rai has come a long way since his project to stick white butterflies to trees in Nepal went viral worldwide. His art has now morphed into activism to save Kathmandu’s open spaces. The self-taught school dropout sees this as a natural evolution of his art, and a reflection of the urgency to do something about <a href="https://www.nepalitimes.com/opinion/cars-vs-people-in-kathmandu/" target="_blank" rel="noopener noreferrer">congestion and urban decay</a>. “People ask me why I stopped painting, I haven’t. My canvas is now measured in acres of open spaces,” says the 38-year-old artist. “I am no longer limited to the visual, my art is now immersive, so people can smell and taste it, touch the soil, worms and insects that dwell in them. The objects can be struck by lightning. They have life.” <img width="346" height="512" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204089c7e80680e0b283cjpeg.jpg" alt="">Rai’s art is a subterfuge to save what is left of Kathmandu Valley’s last remaining open spaces. This has brought him face-to-face with dysfunctional politicians, disinterested municipality officials, corrupt contractors and neighbourhoods that do not value greenery.  For example, he is outraged about Ncell helping Kathmandu Municipality cover a park in Lainchour with astroturf instead of planting trees and protecting the grass (pictured, left). Rai’s own urban canvas is subversive. He says, “This is political art, land art, it has to hit people at an emotional level to act.”After spending his childhood in Hong Kong with his Gurkha soldier father, Milan Rai returned a misfit to school in Dharan. He was expelled twice, and got into bad company. After a serious gangfight, he found solace in art.Read also: <a href="https://www.nepalitimes.com/here-now/kathmandu-loses-its-open-spaces/">Kathmandu loses its open spaces</a>, Tom Robertson and Nilima Thapa Shrestha<a href="https://www.nepalitimes.com/here-now/a-green-city-is-a-smart-city/">A green city is a smart city</a>, Nilima Thapa ShresthaHe entered a painting competition in India, came first, and held his first solo exhibition at Park Gallery in Lalitpur. He started painting in earnest, but something was missing.The epiphany came one morning when a butterfly alighted on his paintbrush. It led Rai to his ‘<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-butterfly-effect,523" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-butterfly-effect,523&amp;source=gmail&amp;ust=1642150244648000&amp;usg=AOvVaw3CvsT5qRK3dCSKdTh1rvVt">Butterfly Project</a>’ to pin white paper cutouts of butterflies on trees, lampposts all over Kathmandu.They were a symbol of harmony, and went viral. In a real-life demonstration of ‘the butterfly effect,’ little white wings started appearing on London’s red double decker buses, pinned to trees on Greek islands, on a staircase at Harvard University. The Nepali artist was invited all over the world for lectures and to demonstrate his installation art. <img width="570" height="1024" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204099c7e80680e0b283djpeg.jpg" alt=""><figure><img width="1024" height="765" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/6372040c9c7e80680e0b283ejpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="600" height="460" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/6372040f9c7e80680e0b283fjpeg.jpg" alt=""><figcaption> </figcaption></figure>“Butterflies brought me close to trees, and I was communicating with them, only to find out that scientists now know trees can actually communicate with each other,” says Rai.The very first tree in Kathmandu on which he had <a href="https://archive.nepalitimes.com/article/from-nepali-press/The-butterfly-artist,3199" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/from-nepali-press/The-butterfly-artist,3199&amp;source=gmail&amp;ust=1642150244648000&amp;usg=AOvVaw3nihAN-abPseKV2nt_e4gm">pinned butterflies</a> was chopped down to make way for a road widening scheme, and this prompted  Rai to use art to save Kathmandu’s greenery.“I realised that the definition of art had to be expanded, it cannot just be a canvas or an installation, art is not just a craft, it has to be something that provokes the viewer into action,” he explains.As Kathmandu’s air pollution got worse, Rai donned a military issue gas mask and stood in the middle of traffic on the city’s main intersections, broom in hand. He visited municipality offices wearing that mask, using social media to expose government inaction.That brought Rai face-to-face with official apathy and neglect at the root of Kathmandu’s sorry state. By now he was familiar with the ins and outs of the municipalities, and set up the non-proft <a href="https://www.facebook.com/VrikshaNepal/" data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/VrikshaNepal/&amp;source=gmail&amp;ust=1642150244648000&amp;usg=AOvVaw10GgCzqCf-bx4BK2mOB4jP">Vriksha Foundation</a> for his activism.He tried to work with Kathmandu’s mayor to rescue the Tin Kune triangle, only to find that it was not just the government that could thwart action, but also the local community. <figure><img width="218" height="462" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204109c7e80680e0b2840jpeg.jpg" alt=""><figcaption> </figcaption></figure>After an emotional live Facebook post in which he wept in frustration, Rai gave up on Kathmandu mayor Bidya Sundar Shakya, and turned to Lalitpur’s Chiribabu Maharjan who was more receptive. Even so, there were hurdles every step of the way from contractors and officialdom.                   His plan to green an open space at Jawalakhel intersection was rejected in favour of a sterile cement wasteland with concrete structures and an ugly fountain that does not work.But Rai is currently working to green four other open roadside spaces in the Jawalakhel area with leafy paths and shaded sitting areas. He has made enemies along way: land mafia eyeing the property and contractors who could not sell cement and steel rods. <figure><img width="1500" height="708" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410110/637204139c7e80680e0b2841jpeg.jpg" alt=""><figcaption> </figcaption></figure>“This is a tragedy of the commons,” says Rai, who emphasises that he is not happy with the parks he is working on. “These are not my creations, I am just trying to reduce harm. It needed urgent intervention, but my vision for these spaces has not been realised. These parks are not answers, they are questions.”After <a href="http://archive.nepalitimes.com/article/nation/art-aid-kcac-exhibition-thinking-of-you-quake-relief,2304" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/article/nation/art-aid-kcac-exhibition-thinking-of-you-quake-relief,2304&amp;source=gmail&amp;ust=1642150244648000&amp;usg=AOvVaw3b-VVv1jrgth6P4m0iBcHr">painting on canvas</a>, sticking butterflies on trees, wearing gas masks in traffic, and trying to rescue open spaces, Rai now realises these approaches are too piecemeal.He adds, “The system is just not there to have a policy framework to address urban decay. People also need to understand that we do not need more structures, we need to rediscover our primal intimacy with the non-human world.”  Read also: <a href="https://www.nepalitimes.com/banner/parks-not-parking-lots/">Parks, not parking lots</a>, Duksangh Sherpa

Kunda Dixit

Nepali artist’s butterfly effect

<figure><img width="760" height="486" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110914114/636ba5ae9c7e80680e0736dajpeg.jpg" alt=""/><figcaption>Govinda KC, Nepal’s crusading surgeon and health activist, plastering a patient's ankle at the Mugu District Hospital on Sunday. He saw 177 patients for free in five days before travelling on to Jumla on foot. Photos: ACHYUTRAJ BHANDARI</figcaption></figure>Health reform <a href="https://www.nepalitimes.com/banner/risking-his-life-to-save-lives/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/banner/risking-his-life-to-save-lives/&amp;source=gmail&amp;ust=1597224179931000&amp;usg=AFQjCNFQK2JWnimNdv8w4s23TLpC78KGKQ">activist Govinda KC</a>, who has been on 17 hunger strikes to pressure the government to make medical care more affordable, has been holding free clinics for patients in hospitals and COVID-19 isolation wards in western Nepal ever since the pandemic started.KC arrived in Gamgadi on 5 August after walking two days from Jumla, and immediately started free consultations with patients, performing emergency operations at the Mugu District Hospital. He has seen 177 patients since then, and performed three operations.<a href="https://archive.nepalitimes.com/regular-columns/One-To-Many/Truth-be-told%20,749" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/regular-columns/One-To-Many/Truth-be-told%2520,749&amp;source=gmail&amp;ust=1597224179931000&amp;usg=AFQjCNFtSQBKZtB-vcam4Nsz2wAtqOnl4A">KC is himself an orthopaedic surgeon</a>, and has made it his life’s mission to make medical care free and accessible to the Nepalis who need it the most. His hunger strikes were protests against <a href="http://archive.nepalitimes.com/blogs/kundadixit/page/5/" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/blogs/kundadixit/page/5/&amp;source=gmail&amp;ust=1597224179931000&amp;usg=AFQjCNHY_jV_4K2jz-1PFUWl9VPIgc1DvA">government interference in the health sector</a>, and <a href="http://archive.nepalitimes.com/article/editorial/Kleptocracy-kills,3161" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/article/editorial/Kleptocracy-kills,3161&amp;source=gmail&amp;ust=1597224179931000&amp;usg=AFQjCNH9lmHQky6NGRYp5QvehHAAxtSGGQ">collusion between politicians and tycoons</a> involved in medical education that was driving up costs.  As word spread that KC had arrived at the Mugu District Hospital last week, patients from surrounding villages started pouring into Gamgadi to have relatives examined. He has also been training resident surgeons on surgical procedures.“For us, he is god,” said 17-year-old Gagan Bham from Rara, whom KC operated on for a fracture in his ankle. <img width="1050" height="635" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110914114/636ba5b09c7e80680e0736dbjpeg.jpg" alt="">Also from Rara is 10-year-old Reshma Bham who had broken her hand while grazing livestock last year. KC operated on her, and straightened out her arm which is now plastered and in a sling.“We lived up in the mountains and did not have the money get her treated. We were afraid our daughter would be disabled for life, Dr KC was sent here by god,” said Reshma’s mother Danta, who added that she had heard about KC’s arrival by chance on the radio.After working without a break for 12 hours a day, on Monday KC returned on foot to Jumla.  KC has been on a tour of remote northwestern Nepal, where health care is neither accessible not affordable for a majority of people. The need for medical attention has gone up since quarantine centres and isolation wards have been set up for COVID-19 patients in the region, most of whom are returnees from India.KC has not been welcomed everywhere. Last month, a government health post in Rimi of Dolpo district refused to let the crusading doctor see patients there, saying he did not have government permission.  KC nevertheless saw some patients before travelling on to Bajura.One of KC’s hunger strikes was in Jumla two years ago where he demanded that medical colleges should be opened in every province in Nepal, and he wanted the Karnali Institute of Health Sciences to be the centre for Karnali Province. He broke his hunger strike after government assurances in 2018. But seeing no progress has been made to fulfil that demand, last month in Jumla he threatened to go on another hunger strike.

Govinda KC treats patients in remote Nepal

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baef49c7e80680e078024jpeg.jpg" alt="" width="1803" height="1201"/><figcaption>Statue of Jang Bahadur Rana in Tundikhel in the 1972. Photo: Daniel W Edwards</figcaption></figure>For thousands of years, adulatory statues have been installed and, at one time or another, defaced or removed. Even since the early 1900s, statues in Russia, France, Hungary, Greenland, Canada, Brazil, South Africa, Mongolia and other countries, have been either toppled by protesters or dismantled by government edict.We are consumed by statues as they are visibly symbolic reference points. But were we to seriously research the background of those represented in the statues, many of us may be surprised.The births of many modern nations had been initiated by the arrival of ‘western’ interlopers. Nepal’s founding monarch Prithvi Narayan Shah is said to have quipped that they brought bazaar (trade), bible (religion) and banduk (guns to motivate obedience), leaving an undoubtedly confounding legacy. His statue at Singha Darbar intersection, with an index finger symbolising unity, was nearly toppled in 2006.It would be difficult to find a name or representation of one from any culture whom we could comfortably absolve of atrocities. Thus, unless one prefers statues of only Mother Theresa, Chief Dan George, Albert Einstein, Greta Thunberg or Gandhi (though even that has been disfigured in London recently) almost any other historical statue will inevitably be of people who have had binary actions and effects (think Genghis Khan, Mao Zedong, Simon Bolivar, Kwame Nkrumah, and even Nobel laureates like Mandela and Aung San Suu Kyi).Many of the memorials erected have been for multipolar, compartmentalised characters with a record of welcome changes for some, but blood on their hands for others. One who helped liberate a country only to then abet massive programs of executions and famine to bring people to accept a ‘utopian reform’ (Lenin and Mongolia).Another, intimately involved in liberating a continent while simultaneously allowing a famine to overtake millions on another continent (Churchill and Europe, and India). And the righteous ones with contradictory legacies in surreptitiously saving multiple thousands of persecuted citizens while simultaneously supporting the vile regime’s bureaucracy.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baef79c7e80680e078025jpeg.jpg" alt="" width="991" height="656"><figcaption> </figcaption></figure>Spurred by the Black Lives Matter movement, demonstrations, protest marches and various forms of damaging and destroying statues have spread across the world.Collectively, we accept many aspects of dissatisfaction, because much of it is too obscure or wickedly complicated to pursue by all, but those dedicated to extensive research and pursuit of solutions.Focus therefore shifts to visible, physical representations of systemic weaknesses, especially during increased societal tension. Each concrete symbol then demolished energises those wishing to similarly act. Yet, statues are not the only simulacra of histories forgotten or revived.Around the world, roads, canals and railroads have been built wholly or partially through slave or indentured labour. Yet, we continue to tour on them without a thought. Historical ruins, palaces and temples have been constructed with bonded labourers, thousands of whom have perished in the process. Yet, we travel great distances to behold and marvel at the beauty of such structures, few of which have any signs of contriteness.Fashionable clothing is fabricated in sweatshops by poor underpaid women and children in hazardous environments. Yet we, whilst browsing on Robsonstrasse, remain oblivious to this. Why do these not elicit the same fervor for change as statues?I am not judging the correctness of attacking statues. No person who has used offensive language, communicated negatively about or expressed hatred of particular peoples, caused misery, famine, death and destruction deserves a podium.Then there were those who did unforgivable things from which, in the end, they personally profited. It is reasonable to assume that their decisions were calculated with knowledge of the consequences: Adolf Hitler, Joseph Stalin, Pol Pot, Enver Hoxha ... the more infamous of the most egregious tyrants.Targets for mass killings and enslavement included those who were indigenous, or from a different religious, ethnic, racial, economic or political group. So, for those enmeshed in the purposeful planning, commitment and/or oversight of major atrocities, I have no sympathy. Yet many in between, such as Castro, Kagame and MBS, have been implicated in contradictory liabilities.Difficulties start when considering people who were basically well-intentioned within incredibly complex contexts, wherein their weighing of best alternatives sometimes resulted in decisions with deleterious impacts. So, were these errors of character, of fact, or of process?Were people purposely targeted and were people harmed or killed or allowed to die? Did they anticipate that there may be many people injured or killed? Would the then available alternative options have caused even more deaths and destruction?<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baefa9c7e80680e078026jpeg.jpg" alt="" width="2016" height="1224"><figcaption> </figcaption></figure>In every age and culture there have indeed always been upright people opposing maltreatment of others. Yet disenfranchisement, hatred, vindictiveness and exploitation have continued. Viewed in a historical sense, it can be said that we have not sufficiently learned from the past.If we want to be part of a generation that makes an extraordinary effort to improve lives, we must demonstrate maturity in our ethics, morals and obligations to human rights with people of every race, religion, ethnicity, nationality, language and culture. Protesters should decide: if the statue is an affront to current values, would it be best to deface it, bury it in a harbour or melt it down for scrap.But if we never see those statues again, many among us may remain oblivious to gross wrongs committed, and those responsible for them. Or, would it serve a higher edifying purpose to leave it in place with an explanatory plaque, or remove it to a museum for posterity’s historicising?Rather than a statue to one who in the future might become embroiled in controversy, explanatory signs could be a proactive cultural option to memorialise a tragedy or famous event.London Mayor Sadiq Khan recently set up a Commission for Diversity in the Public Realm to recommend which statues in London should be removed. Discrete options already in practice elsewhere include Coronation Park in Delhi, where statues of former officials from the colonial era have been relocated. In Berlin’s Spandau Zitadel special museum visitors can touch most of the objects relegated to a protected indoor display. In Nepal, statues of Ranas in heroic poses on their steeds have been relegated to obscure corners of Tundikhel. Statues of the Shahs were similarly removed in 2006.As far as names of such flawed benefactors on buildings, cities, and streets, these could indeed be exchanged for contextually more appealing and appropriate names. Alternatively, more societies can shift to a culture withoutmonuments to their heroes.As Rabindranath Tagore said in 1917: “Because each nation has its own history of thieving and lies and broken faith, therefore there can flourish only international suspicion and jealousy, and international moral shame becomes anaemic to a degree of ludicrousness.”Altering, dismembering or stomping on statues or other representations, protesters transform their frustrations onto a rehumanised embodiment of their focus. But by doing this, are they not exemplifying a moral reaction obverse to their own desired ethical behaviour by others?Toxic outrage may force the elimination of symbols of racism or other atrocities, but in the long term it can only be deliberate policy and regulatory improvements in governance, education and civic action that would gradually change the culture of attitudes and behaviours.I prefer decisions with an understanding of the antecedents of the disliked person, and of the effects of any actions which may elude the preferred education of future generations.As Israel’s Prime Minister Golda Meir said in 1975, “One cannot and must not try to erase the past merely because it does not fit the present”.Rather we must take advantage of history, including unsavoury history, and keep it visible so as to enable enhanced learning from past misdeeds and errors by showing measured, humane, non-violent responses.Young and old alike must learn that there is not just day and night, but dawn and twilight as well.Iván G Somlai is Director of <a href="http://ethnobureaucratica.weebly.com/" data-saferedirecturl="https://www.google.com/url?q=http://ethnobureaucratica.weebly.com/&amp;source=gmail&amp;ust=1595908271105000&amp;usg=AFQjCNEAAYBkY4vUCdH7dyy0yT5DpY8aKw">EthnoBureaucratica</a> based in Canada, and was a former consultant with Nepal’s Ministries of Health, Industry, and Tourism.<a href="http://ethnobureaucratica.weebly.com/" data-saferedirecturl="https://www.google.com/url?q=http://ethnobureaucratica.weebly.com/&amp;source=gmail&amp;ust=1595908271106000&amp;usg=AFQjCNEDX9-IUfFgvMsBWNP-B4BwsbePaw">http://ethnobureaucratica.weebly.com</a>Ivan.Somlai@INSEAD.edu

Air-brushing history by toppling statues

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baec19c7e80680e078013jpeg.jpg" alt="" width="1598" height="1066"/><figcaption>Photo: Bignewskhabar</figcaption></figure>On 23 May, Angira Pasi, a 12-year-old Dalit girl, was found hanging after being forcibly married to a 25-year-old ‘upper-caste’ man who had raped her. On 24 May, Nabaraj BK, and his five friends were <a href="https://www.nepalitimes.com/here-now/they-killed-our-son-and-now-they-are-killing-justice/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/they-killed-our-son-and-now-they-are-killing-justice/&amp;source=gmail&amp;ust=1595740698198000&amp;usg=AFQjCNGV8LnJ9KL669O-ysSlJa5RS8RLWw">beaten to death</a> and thrown into a river because Nabaraj dared to marry an ‘upper-caste’ Thakuri girl. On 25 May, a white policeman in Minneapolis in the United States kneeled on <a href="https://www.nepalitimes.com/opinion/we-all-yearn-to-breathe-free/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/opinion/we-all-yearn-to-breathe-free/&amp;source=gmail&amp;ust=1595740698198000&amp;usg=AFQjCNG9CqanylI4D8SxH_uxFnbi9IE-7Q">George Floyd's</a> neck for 8 minutes 46 seconds, and killed him.Three crimes in three consecutive days. One of them set off a worldwide movement that is fundamentally changing race dynamics not just in the US but around the world. The two other crimes in Nepal were the latest in a long list of casteist atrocities across the subcontinent perpetrated against a traditionally excluded community.Millions continue to protest police brutality and deeply rooted systemic biases that unfairly and disproportionality affect black Americans. These protests have gathered up to 26 million participants, one of the highest turnout in any protest in US history. It has also generated more media coverage than any other protest in the last 50 years.However, in an unsurprising turn of events, the crimes against Dalit people, just as heinous, just as frequent, have received disproportionately less attention, and have not led to any real reform.The Rupandehi police refused to file Angira's case until it got national attention. They then detained her rapist Birendra, his mother, and aunt, but remain convinced Angira died by suicide.Rukum police have detained 34 suspects in Nabaraj BK's case. The Home Ministry's five-member probe team from Kathmandu investigating it has deemed it pre-meditated caste-based violence. Serious repercussions are yet to follow.A <a href="https://tbinternet.ohchr.org/Treaties/CEDAW/Shared%20Documents/NPL/INT_CEDAW_CSS_NPL_32516_E.pdf" data-saferedirecturl="https://www.google.com/url?q=https://tbinternet.ohchr.org/Treaties/CEDAW/Shared%2520Documents/NPL/INT_CEDAW_CSS_NPL_32516_E.pdf&amp;source=gmail&amp;ust=1595740698199000&amp;usg=AFQjCNHsgicz5UlUdsg6lK2azGeGlDwDMg">comprehensive report</a> by the Feminist Dalit Organisation (FEDO) and the International Dalit Solidarity Network (IDSN) shows the extent to which Dalits are marginalised in Nepali society.A staggering 42% of Dalits live below the poverty line, in comparison to the national average of 25%. The Dalit literacy rate of 52.4% falls short of the national literacy rate of 65.97%, with Dalits comprising only 1.6% of Nepalis with SLC and above, and 0.8% of Nepalis with a Bachelor’s degree.The picture is worse for Dalit women, who are discriminated against because of their caste and gender. Dalit women and girls comprise 21% of trafficking victims of Nepal. Dalit girls make up 62% of Nepali <a href="http://archive.nepalitimes.com/news.php?id=3798#.XwyQcJMzY6A" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D3798%23.XwyQcJMzY6A&amp;source=gmail&amp;ust=1595740698199000&amp;usg=AFQjCNHzsQA69rbsgXvvQE9icVEDpGVoVg">child marriages</a> under 15-years of age."While there are similarities between caste issues in Nepal and race in the US, it is important to recognise that there are distinct differences in terms of its origins and how it manifests in everyday life,” says Dalit rights activist Sarita Pariyar. “It is good to see some Nepali are taking interest in race questions, however, they need to ask themselves about their own role in the caste questions as well."Pariyar underlines the need to rethink relative privileges of other Nepalis and role in the persistence of caste-based injustices and inequities in Nepal. “This is important for reclaiming our humanity as well as just futures for all," she adds.Pradip Pariyar, social activist and chairperson of the SAMATA Foundation, adds: "Nepalis in the US are speaking up for black lives but are silent about Dalit lives because we have never had conversations about caste in our family, in our society."Although Dalits bear the brunt of casteism, ethnic discrimination also affects other marginalised communities in Nepal. Asked about this, all educated upper- and middle-class Nepalis interviewed for this article preferred to remain anonymous."My grandmother only wants a Bahun or Chhetri maid,” said one ‘upper-caste’ person in Kathmandu. Even though she is old and struggling with severe back pain, she would rather do all the work in her big house than hire a maid of another caste."Another adds, "My grandparents refused to put Dasain tike on my father's office staff because he is Teli Madhesi." A Sherpa student complained to her school about Losar not being a holiday, but was ignored.Pradip Pariyar argues that to tackle casteism, there must be representation. "Issues that affect Dalits are not even in the radar of non-Dalits,” he says. “I have talked to people who can stand up and bring change. Because they aren't Dalit, they aren't as concerned about these issues as they should be. This will continue if there is no representation."However, the picture is grim. Dalits, despite making up 13% of Nepal's population, have merely 8% representation in the Nepal’s Parliament and comprise a meagre 0.8% of Nepal's civil service. As long as Dalits are underrepresented, activists say, they will remain silenced and powerless, and continue to be discriminated against, oppressed, murdered, lynched, raped, and forgotten.Sarita Pariyar adds, "It is important to re-examine the idea and role of resources from within and outside of Nepal for inclusive development. In this, we need to have a genuine role of Dalits for ensuring effective distribution and use of resources."

Black lives matter but Dalit lives don't?

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141136/636bada79c7e80680e077fa8jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>A glimpse of enough Is Enough campaign in Kathmandu. Photo: MONIKA DEUPALA</figcaption></figure>Civil society around the world faces serious restrictions on its freedom to express and engage in activism to defend human rights following the COVID-19 pandemic, a report by Forus International and the Asia Development Alliance (ADA) has concluded.Titled ‘Realising the Potential of Goal 16 of the 2030 Agenda’ was published last week with 18 civic space cases studies from countries, including Nepal. It highlights how the pandemic has exacerbated and deepened existing problems faced by civil society organisations (CSOs) by constricting their work environment.“Civic space was already under pressure before the pandemic,” said Sarah Strack of Forus. “A vibrant and independent civil society is vital to fulfil its role in the implementation of SDGs. Progress will be correlated to the extent to which meaningful civic space will be secured at local, national, regional and international levels.”The report says the SDGs (the UN’s Sustainable Development Goals for 2030) will be severely affected by state responses to the coronavirus crisis, and the pressure on non-governmental actors.A key trend in almost all of the case studies included in the report is unwarranted state restriction on civic space -- on the freedom of expression, assembly and association of civil society in many countries around the world.Says Philip Alston, former UN Special Rapporteur on Extreme Poverty and Human Rights: “The responses to COVID-19 in many countries has only made the situation worse as governments have opportunistically used the pandemic as a justification to further clamp down on civil society.”<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/editorial/media-muzzle/" target="_blank" rel="noopener noreferrer">Targeting free speech can take various forms</a>. In Cambodia, several journalists have been arrested or threatened because of their reporting on the COVID-19 pandemic. A blogger on the Pacific island of Samoa was jailed for seven weeks for allegedly defaming the Prime Minister. CSOs and <a href="https://www.nepalitimes.com/editorial/lockdown-crackdown/" target="_blank" rel="noopener noreferrer">independent media groups have been ‘muted'</a> in many countries from Nepal to Colombia.The International Federation of Journalists (IFJ) in its 18th annual report released earlier this year on the World Press Freedom day also said that the <a href="https://www.nepalitimes.com/latest/south-asia-tightening-press-controls-amidst-covid-19/" target="_blank" rel="noopener noreferrer">pandemic has worsened the lack of safety for journalists in South Asia</a> as controls on media freedom were tightened across the region.The Internet and social media has been especially targeted by authorities to curtail dissent, but civil society organisations around the world have used virtual spaces to become more vocal and exchange information to efficiently defend offline space. One example of this is <a href="https://www.nepalitimes.com/latest/social-movement-through-social-media/" target="_blank" rel="noopener noreferrer">Nepal’s Enough Is Enough campaign that first started on social media</a>.Thousands of youth took to streets demanding better response to the pandemic with some of them participating in a hunger strike that lasted 12 days before <a href="https://www.nepalitimes.com/latest/12-point-deal-after-12-days-of-hunger-strike/" target="_blank" rel="noopener noreferrer">an agreement was reached earlier this month</a>  However, some activists resumed their hunger strike in Kathmandu on Sunday.A global campaign involving Forus International and concerned stakeholders will call for new civic space indicators to be developed that will measure the efforts of UN Member States to protect fundamental freedoms in accordance with international human rights standards and national human rights laws.Nepal’s treatment of civil society and their advocacy will be crucial as the country <a href="https://www.nepalitimes.com/latest/will-nepal-get-2nd-term-at-unhrc/" target="_blank" rel="noopener noreferrer">prepares for a second term</a> at the UN Human Rights Council (UNHRC) amidst poor record on transitional justice at home.For the social recovery from the COVID-19 crisis to be sustainable and resilient, a return to business as usual must be avoided, stated the report. It further explains that the building back better narrative and plans must be comprehensive, covering all policy areas and creating more space for civil society in the development, implementation and monitoring.Says Forus International: “We believe progressive governments, international and regional institutions, philanthropic organisations and civil society now need to take bold steps to counter the shrinking of civic space and to develop global partnerships to tackle the issue.”

COVID-19 shrinks civic space

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a663d9c7e80680e05996ejpeg.jpg" alt="" width="1500" height="1312"/><figcaption>illustration: DIWAKAR CHETTRI</figcaption></figure>The earthquakes of April 2015 literally shook all of us out of our complacency, and forced us to understand the value of open spaces -- just as after the 1934 earthquake, when tens of thousands of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/leaving-tundhikhel-shelter-camps,2447">Kathmandu residents moved to the open grounds at Tundikhel</a>, or to Lagankhel in Patan.But memories of disasters are short-lived, and in the past five years instead of protecting the last remaining spaces in Kathmandu Valley, we have allowed them to be encroached upon. At the heart of Kathmandu, Tundikhel represents in a microcosm what is happening across urban Nepal as people move into the cities and real estate prices soar.The land mafia, with its political protection, has infiltrated school management committees and taken over most school playgrounds located on prime real estate. The government created a green belt on the Ring Road -- now it is busy chopping down the last remaining jacarandas. The vehicle lobby is obviously stronger than the tree lobby.This newspaper has been <a href="http://archive.nepalitimes.com/news.php?id=5876#.Xe8odIMza70">covering the shrinking Tundikhel since 2002</a>, and for the first time printed maps showing the army’s steady encroachment into the open space. Since the government seems to be too slow to act, it is the public and communities that need to be vigilant -- which is why the current #OccupyTundikhel campaign is so important.One good way to begin protecting open spaces like Tundikhel would be to have every local government across the country make an inventory of such spaces in its jurisdiction. These should then be added to a national open space protected list, and legislation passed to ensure no one who eyes them can actually get their hands on these invaluable areas.Former Patan mayor Buddhi Raj Bajracharya set a good example by protecting community spaces during his tenure. A national database could be created and made available online so that no one dares to buy, sell or encroach on these open spaces.Rituals and festivals can be important reasons to save many of the Kathmandu Valley’s open spaces from encroachment.  Tundikhel hosts annual festivals like the feeding of the Gurumapa, Ghoda Jatra, Shivaratri and, more recently, the New Year’s Day showcase of numerous ethnic groups from across Nepal.A published calendar of such events could help enhance the feeling of ownership of open spaces across the country. Disaster preparedness drills in places like Tundikhel could also be pencilled in as regular events.Nepal’s stellar performance in the South Asian Games 2019 could be another reason to invest in saving open spaces. Tundikhel can be dedicated to all future Nepali gold medallists at the Olympics, World Cups and Asian Games. Names of all those who win medals for Nepal could be inscribed on a special monument. With only temporary structures allowed, sports could provide an effective incentive to care for these spaces.At a time when many Nepalis believe the way to prosperity is not education or enterprise but politics, open spaces could be protected as places where Nepalis gather and practise free speech. The name Khula Manch, which means ‘open stage’, has always held a Hyde Park connotation in Kathmandu, even during the days of absolute monarchy. It is a place where anyone can say anything and not face prosecution of any kind. The country should designate Khulla Manch(s) in all 753 municipalities, inspired by the first one at Tundikhel.The oral tradition of the Kathmandu Valley tells us that Tundikhel (Tinkhya) was land bought by wealthy Lhasa traders who needed space to unload and load goods and as a camping ground for porters and pack animals. After the Sugauli treaty of 1816, Muktiyar Bhimsen Thapa used Tundikhel to parade the Nepal Army, in a bid to impress the British of the country’s military might.This great open space has shrunk over time. Rana rulers built Bir Hospital and the military hospital and the Panchayat leaders constructed the post office, the RNAC building, NEA and City Hall. These were all within the boundaries of greater Tundikhel. The road around it was widened during the state visit of Queen Elizabeth II in 1962.From charging ground water to impressing the British envoy and from hosting ancient rituals to New Year’s Day celebrations, Tundikhel has served us well. The temporary bus terminal and school have to be moved immediately and the army has to return to the people what rightfully belongs to them. After the next earthquake, let us not be forced to say: “I told you so.”And let us not listen to economists and finance experts who tell us we need to monetise everything. Not everything should be valued in cash. Let Tundikhel be what Tundikhel was. End of the debate.Anil Chitrakar is President of <a href="http://www.siddharthinc.com/">Siddharthinc</a>

Anil Chitrakar

Let Tundikhel be what Tundikhel was

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96ef9c7e80680e05dc96jpeg.jpg" alt="" width="1500" height="1044"/><figcaption>Police fire water cannons at people of Khokana protesting against the road-expansion drive in Kathmandu</figcaption></figure>Consider these events:<ul><li>In May, residents and traders burned tyres to block the Chabahil-Jorpati road, signalling their frustration at long-delayed construction on the dusty, crater-filled stretch. They succeeded in sparking action, but after upgrading work stalled, protests erupted again last week in a bid to force the contractor to finish the job.</li></ul><ul><li>The road blocking trend morphed into poster protests, where the faces of delinquent road contractors were plastered to poles and vehicles. This included Nagarkot, where contractor Sharada Prasad Adhikari, also the landlord of Nepal Communist Party Co-chair Pushpa Kamal Dahal, was targeted. The tactic spread further, with Mayor Bhim Parajuli of Biratnagar being publicly shamed last week.</li></ul><ul><li>Residents attempting to stop road-building in Baitadi in October were turned on by an excavator operator, whose shocking attack with the machine injured eight people. Attempted murder charges are pending.</li></ul><ul><li>In Udaypur last week, locals clashed with police after seizing more than a dozen dump trucks and an excavator that were being used to gouge sand and rocks out of a local river.</li></ul><ul><li>Residents of Charikot of Dolakha District took to the streets last week to protest the lack of progress in repairing the Jiri Highway. They blocked the main intersection to vehicular traffic for hours.</li></ul>When local government elections were held in 2017 after a 20-year gap, <a href="https://www.nepalitimes.com/editorial/trickledown-corruption/" target="_blank" rel="noopener">hopes were high</a> for improved service delivery at the community level. Anecdotally, at least here in the Kathmandu Valley, that hasn’t happened. But asked in a survey last year about local service delivery, Nepalis in general were ‘broadly favourable, with cautious optimism’ about infrastructure development.Read also: <a href="https://www.nepalitimes.com/here-now/survey-is-wakeup-call-for-nepal-government/" target="_blank" rel="noopener">Survey is wakeup call for Nepal Government</a>, Rameshwor BohoraThe public opinion poll, conducted by Kathmandu University School of Arts, Interdisciplinary Analysts and The Asia Foundation, found that the number of people who believed that the new federal system improved the capacity of local government to deliver services like health, education, access to justice and information, and local infrastructure development rose to 45.20% in 2018 compared to 34.8% in2017. More than 70% of respondents said they felt that their local government representatives ‘strongly care’ or ‘care’ about them.No doubt, roads and bridges are being built, but these works, long seen by many as the measure of the country’s development, are proving controversial. During the recent monsoon, sloppily built local roads were said to be the cause of many landslides, destroying homes, temporarily obstructing access to commercial centres and in some cases killing local people. Partially built bridges collapsed when <a href="https://www.nepalitimes.com/editorial/flood-of-recrimination/" target="_blank" rel="noopener">flood waters</a> swirled around their foundations.Given the lack of action -- or in some cases oversight -- by elected governments, it appears that local people have stepped in to fill the gap. Or could it be that the process of electing local officials also emboldened residents themselves to get active?Both factors play a part, said Meghan Nalbo, Nepal Country Representative at The Asia Foundation and Bishnu Adhikari, governance project lead, in a joint email interview.“The recent instances of citizen activism appear to be a sign of filling a gap that is not being effectively met by their local governments or any other higher authorities in the country. Citizens are now more aware of the <a href="https://www.nepalitimes.com/editorial/own-worst-enemy/" target="_blank" rel="noopener">performance, or lack thereof</a>, by their federal, provincial, and local governments as a result of free media reporting and an increasing access to and use of <a href="https://www.nepalitimes.com/editorial/new-news/" target="_blank" rel="noopener">social media</a>,” they wrote.Those information sources are also revealing “increasing collusion of political interests with local or national <a href="https://www.nepalitimes.com/editorial/bulldozing-democracy-2/" target="_blank" rel="noopener">contractors</a>”, say Adhikari and Nalbo.In many cases local governments are not acting because there is confusion over which level of government is supposed to regulate such things as water and land, says Khem Raj Nepal, who was secretary in the former ministry of local development. The jurisdiction is shared among the three levels of government but there is a lack of clarity about the roles of each one, resulting in inertia and inaction.“Governments commit to completing a particular project within a certain timeframe and budget, but when they do not deliver, and appear to be favouring other interests, people get frustrated,” adds Nepal.Adhikari and Nalbo note that residents in some municipalities have been effective in convincing local governments to stop some plans, such as hiking local taxes and service fees, a trend that should grow. “Local governments would need to be more accountable and responsive,” they added.

Marty Logan

Think locally, act locally

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811110/636a298d9c7e80680e0458d4jpeg.jpg" alt="" width="960" height="720"/><figcaption>Journalists and activists including Namrata Sharma met in Jakarta recently to discuss gender discrimination.</figcaption></figure>“My alcoholic father used to beat me and my mother, and I always protected my mother. After treatment my father is sober now, but my mother has started scolding me and makes me do all the household chores, giving me very little time to study,” says Sarita from a remote village in  Banke district of western Nepal. But Sarita may as well be in Indonesia, Europe or North America.Gender discrimination is pervasive and widespread, and the problem is the same all over the world, as we heard from activists and investigative journalists from 15 countries at a recent interaction in Jakarta.Read also:<a href="https://www.nepalitimes.com/editorial/3-4th-of-the-sky/" target="_blank" rel="noopener">3/4th of the sky</a>, Editorial<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/opinion/nepals-better-halves/" target="_blank" rel="noopener">Nepal’s better halves</a>, Anil ChitrakarAfter the end of the Suharto regime, an Indonesian participant said, the economy improved, but gender-based discrimination and violence were still prevalent in both urban and rural areas. Women still bore the brunt of patriarchal taboos, making it difficult for them to reach the top of their professions, earn better salaries, and upgrade living standards. Most agreed that there had been progress in amending existing laws and formulating new ones to end discrimination, but the violence itself had not abated.Cases of rape and incest are reported every day from all over the world, in both developed and developing countries. In Nepal, <a href="https://cijnepal.org.np/unsafe-homes-victimized-by-own/">20 cases were reported by Center for Investigative Journalism</a> (CIJ) Nepal during a 16-day campaign against Violence Against Women in 2018, majority of them involved rape of minor girls by relatives or neighbours.International Women’s Day draws attention worldwide to a global problem, in rich and poor, East and West. The women’s movement has achieved great progress when it comes to amending and promulgating laws and in creating mechanisms to hold countries accountable for injustice. In the last few years new movements have allowed women to speak out more boldly against sexual harassment in the workplace through the #Metoo movement.“For me International Women's Day (IWD) 2019 is a precious moment and a safe space where women are inspired to talk about their stories through protests and artwork,” says Meggy Katigbak of Asian People’s Movement on Debt and Development. However, she acknowledges that there is discrimination even among women by race, class, colour, and other factors.“Liberal feminists who focus on identity politics do not fully understand or appreciate that it the intersects with the struggles of other women,” she adds.But ironically, despite the popularity of International Women's Day, the situation of most women is still the same as on the day women garment workers first gathered to protest in 1908 in New York. Many countries now have rules that allow women to assert their rights, but many like Sarita in Nepal do not have the means to raise their voice against discrimination they face on a daily basis.The 2019 campaign theme for International Women's Day is #BetterforBalance, with the message of improving gender balance for a better world. Though there are more women in different professions today, at least 33% is needed to make it a critical mass, and women have not reached that number in most professions and decision making positions.Nepal marks International Women's Day with a government holiday, but that is barely enough to address many gender issues prevalent here. According to the 2016 World Economic Forum report, Nepal ranks 110th out of 144 countries in gender parity, and UN Women ranks Nepal 110th out of 145 countries in the Global Gender Gap Index. According to the 2016 <a href="https://www.dhsprogram.com/pubs/pdf/FR336/FR336.pdf">Demographic and Health Survey report of Government of Nepal</a>, the number of employed women in 2016 is only 68% as compared to 83% in 2006, and 68% of these women are three times more likely than men to not to be paid for their labour. And Nepal ranks third highest in child marriage in Asia.In order for victims like Sarita to be able to communicate better and access education, safe shelter and better livelihood, a social revolution is required where the rights of all people are recognised and accepted by society. Having an institutional set-up with proactive laws help, but equally important is empowering women. It is important to recognise that inequality leads to more difficult lives for all. We need to move towards better gender balance for the wellbeing for all.Namrata Sharma is the Chair of the Centre for Investigative Journalism.

#BalanceforBetter

<img width="1500" height="1046" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107121144/6368ef8d9c7e80680e035987jpeg.jpg" alt=""/>They say a picture speaks a thousand words. This one spoke billions — of rupees. A lavish lunch is laid out with curry, dal and plates of nutritious red rice from Jumla. Tucking it all in are Prime Minister K P Oli, Prime Minister-in-waiting Pushpa Kamal Dahal. The third man is their host: business tycoon Durga Prasai, in whose house this picture was taken earlier this year.The UML-Maoist alliance was in government, but negotiations on party unity had stalled. Prasai was mediating, and this was the lunch meeting in which the deal was finally struck: the two would take turns leading the new party, and they agreed on dividing up positions for their loyalists.  The photograph went viral this week because it is so symbolic of our times. Here is Prasai who, as owner of the B&amp;C Hospital in Jhapa, is a powerful figure in the medical-industrial complex. He had a lot to gain from the unity of the two parties.The trio is seen feasting on a multi-course lunch while today 1,000 km away in western Nepal, <a href="http://archive.nepalitimes.com/news.php?id=19449#.W0WbPtUza72" target="_blank" rel="noopener">campaigning physician Govinda KC</a> is on the 11th day of his fast-onto-death to pressure the government on medical education reform. The rice they are eating in the photo is the Marsi variety from Jumla, which the highest paddy growing region in the world. The glutinous red rice is known for its nutritious value, but ironically it is in Jumla itself that KC is on his hunger strike to draw attention to the lack of health facilities in remote Nepal.As the photograph was shared, public disgust and ridicule crossed party lines — KC’s sacrifice and single-minded pursuit of equitable and affordable health services in this country has a lot of support from citizens fed up with shoddy government hospitals and expensive private ones.This is KC’s <a href="http://archive.nepalitimes.com/blogs/thebrief/2016/07/10/kcs-crusade/" target="_blank" rel="noopener">15th hunger strike</a>. After previous ones he had wrested government agreement for his main demands: stop corruption in universities according affiliation to private medical colleges, restrict universities to maximum five affiliations, limit the number of new private medical colleges in Kathmandu Valley to ten. This time, KC added one more demand: allow the Karnali Health Science Academy in Jumla itself to conduct MBBS courses. Those who do not understand just how deep the rot is may not comprehend why anyone should be opposed to more medical colleges.  Although there are more doctors in Nepal today than 20 years ago, the population has also increased in that period. Nepal’s doctors to population ratio is one of the lowest in the world: 2 physicians for every 10,000 people.However, in a country so chronically mismanaged for so long, there are only a few areas where one can strike it rich quick. Which is why smuggling and human trafficking, are a politically-protected racket. Extortion is a profession, and the practice of doling out protection money is so endemic most companies actually set aside a budget line for it. But by far the <a href="http://archive.nepalitimes.com/blogs/kundadixit/page/5/" target="_blank" rel="noopener">most lucrative way to make a fast first billion is to open a medical college</a>. An entrance test is a formality for students whose parents can afford a ‘donation’ of Rs10 million, and there is no shortage of those. This sets off a vicious circle where after graduation, new doctors seek immediately to recoup their investment by over-charging and over-prescribing, making treatment unaffordable. It is no surprise that some politicians are in cahoots with the medical mafia, just as they also protect the bus cartels, the smuggling syndicates and the real estate barons. Besides Prasai who owns B&amp;C Hospital, Rajendra Pandey and other former UML politicians have invested in the Man Mohan Memorial and the Kathmandu National Hospitals. NCP financier Upendra Mahato (whose brother-in-law is Transport and Infrastructure Minister Raghubir Mahaseth) also wants affiliation for another hospital in Kathmandu.KC’s hunger strike is a direct challenge to KP, who wants to rush the Medical Education Bill through Parliament by deleting <a href="http://archive.nepalitimes.com/blogs/thebrief/2015/04/02/dr-kc-triumphs/" target="_blank" rel="noopener">previously included clauses on the limit to affiliations</a> and a cap on new medical colleges in Kathmandu Valley — recommendations made by the Kedar Mathema commission. KC’s campaign is trying to break the cycle of commercialisation by ensuring affordable, accessible and quality health care to all Nepalis.The tragedy of Nepal is that a government that came to power with so much promise for reform is letting the kleptocracy strike even deeper roots. State failure has poisoned our air, water, food, making Nepalis ill. But it is a cruel joke that they cannot afford treatment because of the same state failure. The <a href="https://www.nepalitimes.com/here-now/let-a-thousand-flowers-bloom/" target="_blank" rel="noopener">NCP government</a> can reclaim some of its lost credibility by helping save the lives of tens of thousands of Nepalis by saving the life of just one Nepali — Govinda KC.

RED RICE

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

Four international names in architecture, Shigeru Ban, Rem Koolhaas, Tadao Ando and Louis Isadore Kahn, all left their mark in Nepal. But despite their best intentions, the ambitious designs fizzled out. Ban, Koolhaas and Ando won Pritzkers, the best known international award for architecture, and Kahn could have won it had the prize been given in his lifetime. But their designs fell short of transforming Nepali architecture and did not help inspire local architects.&nbsp; Why were these four ‘starchitects’ unable to pull off their Nepal projects and enrich the country with exemplary contemporary designs? The failure, especially the violation of Kahn’s design, also raises larger questions about how much contemporary architecture is valued in Nepal.&nbsp; Whereas Sri Lanka had Geoffrey Bawa and Bangladesh had Mazharul Islam, the pioneers of contemporary architecture in Nepal have had far less public appreciation. One wonders if Nepali architecture only refers to the monuments and heritage of the past. Nepal does have examples of outstanding modern architecture such as the &nbsp;पाङ्रे घर ‘Wheel House’ and खुट्टे घर &nbsp;‘House on Legs’ by Shankar Nath Rimal in the 1960s. These are the best examples of how some Nepali designers successfully tailored modern architecture to the Nepali context.&nbsp; Ten years ago, Nepal had three architecture magazines, SPACES, praXis and Business Architecture, but none of these survived. This newspaper has prominently covered contemporary architecture, and the built environment, but these are exceptions in Nepal’s media. There have been a few encouraging signs. The 2024 exhibition Modern Encounters in Architecture in Kathmandu Valley (1945-1985) at the Taragaon Museum had many visitors and its accompanying book is a seminal document.&nbsp; In 2023, the Mountain Architecture Dialogue (MAD) that focused on examples of good-practice sustainable contemporary architecture for the mountainous terrains of Nepal was a packed event with over 300 young architects, engineers, environmentalists and architecture students. <h2>Shigeru Ban</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe.png" data-media-id="editor_0" data-image-id="2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe" data-rendition-name="original" width="990" height="1074" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  Shigeru Ban had already built a name for himself in post-disaster construction when he came to Nepal following the 2015 earthquakes in which 500,000 people lost their homes. The basic design and its 3D-rendered images were reviewed in upbeat articles on DOMUS, Architectural Review, Dezeen, and Arch Daily.&nbsp; But his signature cardboard tubes could not handle the monsoon and the roof structure had to be re-designed with timber. Only two shelters were completed in Sindupalchok, and only one of them still stands at the Hyatt Regency grounds today, as Ban’s souvenir to Nepal.&nbsp; <h2>Rem Koolhaas</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222.png" data-media-id="editor_1" data-image-id="2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222" data-rendition-name="original" width="750" height="722" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  The designs of Dutch architect Rem Koolhaas have a specific signature: bold shapes and an intriguing architectural typology that challenges standard building blocks. Some designs even seem to defy gravity, like the CCTV headquarters in Beijing: an angular, continuous geometry of glass and steel.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d.png" data-media-id="editor_2" data-image-id="20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d" data-rendition-name="original" width="1812" height="1168" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Rem Koolhaas' design for Ullen's School in Khumaltar.</figcaption> </figure>  Koolhaas was commissioned by Belgian billionaire Guy Ullens to design a new building for Ullens School in Khumaltar. The most prominent feature is its vertical glass block staircase. Some interior spaces have lowered windowsills, which provide ample views and daylight. But the school building has gone unremarked in Nepal. <h2>Tadao Ando</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675.png" data-media-id="editor_3" data-image-id="20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675" data-rendition-name="original" width="626" height="628" loading="lazy" alt="Forgotten international starchitects in Nepal"> </figure>  Doctors providing aid to victims of the Great Hanshin earthquake in 1995 in Japan requested Tadao Ando, who had donated his Pritzker money to the victims, to also make a design for a hospital in Butwal.&nbsp; Ando’s contribution would be pro-bono and the construction was funded by the Hanshin Earthquake victims and by the popular Japanese newspaper Mainichi, as a tribute to Nepali doctors. The first block that Ando designed for the Siddhartha Children and Women’s Hospital (SCWH) was the out-patient department. He quickly realised that he would not be able to pull off structures with his typical style of smooth-finished, high-quality concrete.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579.png" data-media-id="editor_4" data-image-id="20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579" data-rendition-name="original" width="1594" height="958" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Tadao Ando's Siddhartha Children and Women Hospital in Butwal.</figcaption> </figure>  Ando wrote in the online architectural catalog Architectuul, that the two main problems with the project were costs and the availability of local technology. ‘It became a facility that has a slightly different expression from the buildings I have completed so far,’ he wrote. He designed a colonnade for the west façade that would provide shelter from harsh sunlight, and the exposed brick walls were locally manufactured bricks.&nbsp; The hospital is characterised by modernist cuboidal massing, but the outer brick façades now appear unintentionally badly weathered by monsoons. The interiors lack both sufficient natural light and natural ventilation. <h2>Louis I Kahn</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f.png" data-media-id="editor_5" data-image-id="2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f" data-rendition-name="original" width="694" height="926" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  American architect Louis I Kahn had experience of projects in South Asia, and several were under construction when he died suddenly in 1974. Amongst these were the National Assembly complex in Dhaka, the Indian Institute of Management in Ahmedabad and the Family Planning and Maternal Child Welfare Centre in Kathmandu.&nbsp; Kahn had started the USAID funded project in Nepal by developing a master plan for the government institutional zone in Kathmandu, which included a building for the Health Ministry. The building’s façade in exposed brick has deeply recessed vertical windows for shading.&nbsp; The balancing of accentuated horizontal lines in the brickwork with the verticality of the larger composition is the work of a master. The brick walls rise up into punctured parapet walls at the roof level. These square apertures ‘frame the sky’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf.png" data-media-id="editor_6" data-image-id="20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf" data-rendition-name="original" width="1924" height="1242" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Louis Kahn's plan for the Ministry of Health.</figcaption> </figure>  When Kahn died, only the eastern half of the building was finished. The Western part was never built and Nepal’s bureaucrats decided that without paint, the exposed brick façade was not finished. Then in 1995, citing roof leakage and a space crunch, the Health Ministry added a floor.&nbsp; The frames-to-the-sky in the roof parapet were converted into windows and topped off with a sloping roof of corrugated steel sheets, whose only virtue was that it was cost-effective.&nbsp; Kahn’s orthogonal composition, which clean horizontal and vertical lines, was desecrated despite a public outcry and legal challenges from architects and cultural organisations. A version of this article was first published in HIMAL Southasian. Illustrations by Varun S Bapu.

Forgotten international starchitects in Nepal

If you were raised in Nepal, you must have picked up its unique set of vocabulary: आन्दोलन, चक्का जाम, बन्द, राँके जुलुस, आफ्नो मान्छे, हाम्रो दल, कर्फु and many more words connoting political protest.
We became familiar with the acrid smell of burning tyres, and eyes smarting from tear gas. And yet, everyone speaks of another revolution in the making. Not by desire, but by suffocation.
We heard speeches about नयाँ नेपाल, but the New Nepal never arrived. The governance system changed, but it did not reflect on people’s lives — except for those close to centres of power. The state is still unreachable and is not bothered about <a href="https://nepalitimes.com/here-now/matter-of-life-and-debt">victims of loan sharks</a>, cooperative scams and other injustices.
Politicians continue to speak in sound bites, but fail to deliver. They have mastered the game of pointing fingers towards an external enemy and convincing people that they are never at fault. The political narrative is so disconnected from the actual analysis of the problem that suffocation doesn’t go away after every revolution.
No genuine effort has been made to deliver at all, which is why there is a palpable sense of disillusionment in the air forcing us to seek another revolution, even if Nepal may not be able to afford it.
How has the current system successfully held power, even if the public is deeply frustrated? How is it that for three decades we continue to be led by the same faces, who have time and again, proved to us that they may be great politicians but not national leaders?
<a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal">My experience at the epicentre of politics</a> has led me to identify three cultures that have enabled political parties to keep a tight hold on power: acceptance, silence and dependency.
We accept things the way they are. We use fatalistic phrases like “नेपालमा यस्तै हो” or “नेपालको कानुन दैब जानुन”. While this resilience enables us to rise back up from devastating calamities, it is also a reason for our compliance with the status quo.
Despite so many ‘revolutions’ that have led to significant reforms, these phrases keep getting reinforced, to the point that the upcoming generations have made it their lingo.&nbsp;
This acceptance is not a symbol of law-abiding citizens, but citizens living in fear of those in power, unable to ask the whys and why-nots.
Innovation suffocates in this culture of acceptance of the status quo. This is manifested in remarks like “but we don’t have any laws for this,” or “we don’t have the capacity to implement this”. An innovator or entrepreneur therefore has to spend that energy to become a political lobbyist, often educating and convincing the bureaucracy.&nbsp;
Remember when locally assembled <a href="https://nepalitimes.com/banner/designed-and-made-in-nepal">Yatri motorbikes</a>, despite having willing customers, had to suffer to secure license numbers because of a lack of regulations? Instead of creating new laws, the government kept chanting the “We will promote Nepal-made goods” mantra, leaving entrepreneurs in a labyrinth of bureaucracy. The weight of acceptance of the law lies heavily on innovators. Fatalism is a tactic used by those in power to generate mass fear in society.
When we accept, we become silent. This is a pervasive phenomenon. We are trained to keep quiet, lest we ruffle feathers, burn bridges, or not get the help we need in future. We know, yet we don’t speak.
Read also: <a href="https://nepalitimes.com/here-now/bureaucratic-hurdles-in-researching-nepals-bureaucracy">Bureaucratic hurdles in researching Nepal's bureaucracy</a>, Daniel W Edwards
Here is one example: the 2021 census shows that the number of baby boys born for every 100 baby girls is 112. This is a clear indication of female foeticide because of boy preference in society.
Despite such horrifying realities, there is finger-pointing within the government between the Ministry of Health and Population with the Ministry of Home Affairs. At the citizen level, we know those who are involved in killing girls. Yet, we don’t speak up. The Nepal Medical Council reports state that despite this gender imbalance at birth, there is no indication of any action.
But why would anyone speak against one's own fraternity, no matter how vile the act is?
When we accept and keep quiet, we become dependent on those who yield power. From getting our government procedure completed on time to getting transfers, to accessing any of our legally protected rights as well, we are forced to depend on our networks of चिनेको मान्छे people we know by blood, village, relations, political affiliation.
The culture of dependency has been the established way in Nepal. If you drive a two-wheeler or four-wheeler, and you get into a small accident, you will be asked to sort it yourself, dialing up the most powerful person you know. It becomes a competition of who knows who.
Recently I was told that there were calls from the Ministry of Health and Population and another from the Prime Minister's Office for just one medical position in a private hospital. Each was pushing its own candidate. Guess which candidate got the position.&nbsp;
The dependency of people is not on the laws or the state, it is with people in power, a reliance on the network of somebody who knows somebody, including those not officially in power.
These cultures are deeply ingrained in our heads, and in society. Collectively they form a vicious circle that helps those in power to retain power. This is not the society we want to live in.
Then, what do we do as a collective to break away from this? How do we break away from the cultures of acceptance and silence that have created this dependency? What can we do to ensure that our children do not have to learn the jargon of आन्दोलन before they learn about the state?
These are the cultures political parties need to shed rather than use them to perpetuate their power. This is what <a href="https://nepalitimes.com/opinion/comment/an-alternative-to-alternative-politics-in-nepal">alternative politics</a> needs to be about.
Sumana Shrestha is a member of Parliament’s Education, Health and Information Technology parliamentary committee and represents the Rastriya Swatantara Party.

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