<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412118/637222689c7e80680e0c02f4jpeg.jpg" alt="" width="960" height="640"/>A month after local polls, the Election Commission has proposed provincial and federal elections be held in the third week of November.This has stirred individual hopefuls to try to cash in on the momentum generated by independent candidates who were elected mayors -- like Balen Shah of Kathmandu, Harka Sampang of Dharan, Manoj Shah of Janakpur, and Gopal Hamal of Dhangadi.The popularity of Mayor Balen Shah in Kathmandu in particular has prompted young aspirants to announce candidacies in the capital's 20 constituencies, even before poll dates are announced.One of them is former Bibeksheel Sajha Party member Ranju Darshana who in 2017 finished a respectable third in Kathmandu’s mayoral race. Pukar Bam as well as Milan Pandey from the same party have also announced they will be running from Kathmandu 1 and 9.Former police chief Ramesh Kharel is standing. Manushi Yami Bhattarai, daughter of former PM and Maoist ideologue Baburam Bhattarai is also in the race.Independent candidates who lost the mayoral race for Kathmandu in May do not seem deterred either. Suman Sayami who finished fourth wants to stand for the federal parliament.Read more: <a href="https://www.nepalitimes.com/latest/nepals-local-polls-a-rehearsal-for-federal-elections/">Nepal’s local polls a rehearsal for federal elections</a>, Shristi KarkiMedia personalities, economists, as well as celebrities and social media influencers are also expected to announce their candidacies.Independent candidates did well in the May polls because of public disenchantment with established parties – proving that younger Nepalis are now more informed, engaged and interested in politics.Scandals this month involving the finance minister, embossed license plates and other scams will further harm public perception of the 5-party coalition.However, dissatisfaction with mainstream politicians has reached a point where those who have declared their candidacy run the risk of forming a cult of personality which could overshadow their platform and agenda.Even as the country gets ready for November, Nepali politics is once more embroiled in a geopolitical debate about whether Nepal should be part of the American State Partnership Program (SPP) for military disaster response.Read also: <a href="https://www.nepalitimes.com/editorial/rise-of-the-independents/">Rise of the independents</a>, EditorialThe opposition UML and even members of Prime Minister Deuba’s Nepali Congress (NC) have demanded clarification in Parliament. Deuba tried to soothe ruffled feathers within the governing alliance on Wednesday, assuring partners that he will not entertain the American program.Coalition members NC, Maoists and Unified Socialists did well in local polls. But the coalition is also in trouble because JSP and the breakaway LSP lost their Madhes Province strongholds like Janakpur and Birganj. And now JSP leaders Upendra Yadav and Baburam Bhattarai are having a public spat.The SPP is polarising Nepali politics just as the US-supported MCC did in previous years.This could once again bring together the Maoists, UML and Unified Socialists, which were all part of the monolithic Nepal Communist Party in 2018.What worries some Congressites is that if the SPP debate escalates, it could break the coalition, and leave their party to fight elections alone.Read more: <a href="https://www.nepalitimes.com/opinion/nepals-alt-right-falls-off-the-map/">Nepal’s alt-right falls off the map</a>, Nishnu Thing

Shristi Karki

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SNOWBALEN

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412114/637221869c7e80680e0c02bfjpeg.jpg" alt="" width="1500" height="1000"/><figcaption>Photos: AMIT MACHAMASI</figcaption></figure>The swearing-in ceremony on 30 May of the youthful new leadership of Kathmandu Metropolitan City was a sight to behold.Out in front were <a href="https://www.nepalitimes.com/opinion/kathmandus-balen-phenomenon/" target="_blank" rel="noopener noreferrer">Mayor Balen Shah</a>, 32, and Deputy Mayor Sunita Dangol, 29 (pictured). The smug men from mainstream parties were standing behind the two. This is the Gen Next of Nepali politics, a symbolic handover of power from the past to the future.As promised, Mayor Shah broadcast live to the public the first meeting of his city council. Chair Nabaraj Parajuli of Ward 32 told the mayor in a patronising and contemptuous tone: “Be careful what you say, you are all by yourself here.”Introducing himself, Harilal Tandukar of Ward 11 did not like the meeting being live online, and said so derisively. Mukunda Rijal of Ward 16 yelled as if he was addressing a street rally.It is natural that these endangered species of Nepali politics feel <a href="https://www.nepalitimes.com/editorial/rise-of-the-independents/" target="_blank" rel="noopener noreferrer">threatened by the youthful new leaders</a>. If they use such disparaging language against a newly-elected mayor, how will they treat their electorate? All cities and municipalities should beam their council meetings live, so citizens know what the candidates they voted for are really like.There were some ward chairs like Bhuvan Lama of #6 who were appreciative, and offered Shah and Dangol useful suggestions. And over in Lalitpur, re-elected mayor Chair Babu Maharjan was full of praise for the youthful new leadership of the city’s wards.Having these transparent meetings has been welcomed by most, but it is understandable that elected candidates from traditional parties who have nothing to show for the past five years but mismanagement and malfeasance who do not like it. They are used to murky backroom deals.Transparency is the beauty of democracy. By beaming live the first meeting, the new mayor showed citizens who is who.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412114/637221899c7e80680e0c02c0jpeg.jpg" alt="" width="2048" height="1365">Local leaders from tainted parties which have dominated Nepali politics thus far and have profited from it are waiting for the new mayor to fail, or conspiring to put obstacles along his way. Mayor Shah is already facing roadblocks in his effort to resolve <a href="https://archive.nepalitimes.com/article/nation/a-load-of-rubbish-kathmandus-garbage-problem,4039" target="_blank" rel="noopener noreferrer">Kathmandu’s garbage management problem</a>.This is not new, the established parties always let the trash pile up to blame it on each other. This time, they are colluding to blame a new independent mayor. It was because the meeting was live that Kathmandu’s residents got to know what the problem at the landfill site is: a waste management crisis that took three decades of misrule by the main parties cannot be removed overnight.“We have nothing to hide, we have to work together for the welfare of our citizens,” Mayor Balen told the open meeting.This election proved that <a href="https://www.nepalitimes.com/opinion/nepals-alt-right-falls-off-the-map/" target="_blank" rel="noopener noreferrer">Nepal's voters are changing their mindset</a>. They are abandoning old vote bank politics to reward candidates who show promise, who are not tainted by their parties' past. They are watching carefully to see if the parties they once supported will allow independent candidates to perform.Social media platforms now amplify the voice to voters to warn the old guard not to obstruct those who want to get things done. And going by the reaction on Facebook and TikTok, there is overwhelming support for giving Balen and Sunita the chance to deliver on their election promises.It is an indication of a rising alarm among the tried, tested and failed politicians that they are accusing <a href="https://www.nepalitimes.com/latest/making-kathmandu-great-again/" target="_blank" rel="noopener noreferrer">Balen Shah</a> of supporting a partyless system, or the king. Some veteran journalists are even more virulent than politicians in their dismissal of the ‘Balen phenomenon’.Let the rise of the independents be a lesson to the main parties to clean up their act before <a href="https://www.nepalitimes.com/latest/nepals-local-polls-a-rehearsal-for-federal-elections/" target="_blank" rel="noopener noreferrer">federal and provincial elections</a> in November.Adapted from the <a href="https://www.himalkhabar.com/news/130476" target="_blank" rel="noopener noreferrer">Nepali original</a> in Himalkhabar.com

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Nepal's Gen Next

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218069c7e80680e0baa1ejpeg.jpg" alt="" width="1062" height="830"/><figcaption>Balen campaigning in Kathmandu last week. Photo: BalenShah/Instagram</figcaption></figure>On Election Day on 13 May, I walked to a corner grocery store in my neighbourhood. The shopkeeper was all smiles as he showed me the blue dye on his left thumbnail. He had just voted for the rapper Balen Shah as Kathmandu’s new mayor.What made him reject all the other big name candidates: the opposition UML’s former mayor Keshab Sthapit, or Srijana Singh, the wife of Nepali Congress leader Prakash Man Singh and the common candidate of the ruling coalition? Was he disillusioned with the main parties?“Not really,” he replied. “I just like Balen. He talks sense.”More than anything else, Balen has won over even earlier skeptics with his passionate, no-nonsense talk, and his refusal to demean his rival candidates. “The others were busy hurling insults at each other, Balen has been above that, he just puts forward his ideas and plans for when he is elected,” the shopkeeper said.Read more: <a href="https://www.nepalitimes.com/editorial/local-poll-national-impact/">Local poll, national impact</a>, Nepali TimesMany voters are enthusiastic about Balen’s clear-cut message that it is possible to make Kathmandu a livable and vibrant city. People in other municipalities say in social media posts that they wish they had a Balen, too. But even though the independent candidate has taken social media by storm, Nepal’s national press largely ignored him until his vote count started going up.It was clear in the days before voting that the ‘Balen Phenomenon’ was not just a social media frenzy. Even people known to have aligned with established parties said they voted for the rapper and activist.Nepalis seem to be looking to the future where there is a space for new ideas and new faces. But the media and the so-called intellectuals have long ignored this aspiration of citizens, tangling them in coverage of the blow-by-blow account of the power struggles between and within the main parties.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218089c7e80680e0baa1fjpeg.jpg" alt="" width="1174" height="586">Balen is surging ahead in the vote count, and things could still go in favour of Sthapit or Singh. But his strong showing suggests that not just the people of Kathmandu, but Nepalis in general would also have voted for alternative candidates given the choice.Initially, established parties saw the youth's inclination towards Balen as a mere aberration -- dismissing it as a fringe protest vote by young people who did not ‘understand politics’. It turns out young Nepalis do not really want to understand that brand of established politics.There is a cabal of mainstream politicians and journalists who have pre-defined ideas about who ‘understands politics’ and who does not. These are the very people who are ever ready to bring down any change seeker. Their world revolves around others like them, confined to echo chambers.Even the new crop of writers and intellectuals have not risen above this mindset. They are complacent just having their mug-shots on the op-ed pages, or their talking heads on the television studios in the world of you-scratch-my-back-I-scratch-yours.As long as the politics is confined to the opinions of this select few, it is not politics at all. It is a fraud on the Nepali people. Understanding the hypocrisy of leaders alone does not mean one has a good grasp of politics. Knowing and understanding policies that influence the lives of citizens is what counts, and anyone seeking real change has to be for this.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/6372180b9c7e80680e0baa20jpeg.jpg" alt="" width="1122" height="900"><figcaption> </figcaption></figure>Seasoned commentators on social media, politicians and some in the media do not like this. Political parties are paranoid about new people in leadership roles who challenge their nepotism -- putting up wives, sons, daughters as mayoral candidates, or using ethnicity as a card.Since the 2006 People’s Movement, a new generation with modern thinking has emerged. Their needs and desires are far beyond the imagination of entrenched commentators who, along with politicians, benefit from perpetuating the status quo. This is why we have a five-time prime minister, and the same old faces in politics from 25 years ago.But they see the Balen Shah phenomenon as a threat, and are countering it as only they know how: by providing astrological proof that he will not win, or by abusing him on Twitter.  This is all they know how to do, ‘leaders’ who have come to power by beheading people and sacrificing the innocent, this is how they define ‘revolution’.Read also: <a href="https://www.nepalitimes.com/here-now/every-vote-counts/">Every vote counts, as counting begins in Nepal</a>, Shristi KarkiUnfortunately, the ‘VIP’ media is in thrall of these obsolete leaders and their brand of politics. Editors who give space and airtime to them are supposed to be defending  democracy and the free press, but refuse to open their doors to pluralism and diversity.There is now a wide chasm between what media commentators predict versus what is actually happening on the ground. But that is the beauty of democracy. Citizens can now see what the media and commentators are missing or not reporting. They know who is not performing. They do not need the mainstream press anymore to form their opinion, and at election time they respond by backing someone like Balen Shah.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/6372180e9c7e80680e0baa21jpeg.jpg" alt="" width="1068" height="838"><figcaption> </figcaption></figure>Most media commentators are frozen in time, and cannot embrace the hope of tomorrow. Time is running out for Nepal, and there is no time to play the same old tricks on the people.Many ‘VIP' commentators did not give Balen’s candidacy much credence at first. We could see that they were propagating their tired old reasonings to support limited politics.When they did mention Balen, it was to put him down by calling him a ‘singer boy’, ‘the guy in shades’, or criticising him for draping himself in the Nepali flag while campaigning.They never commended him for the charity work he did in feeding the destitute during the 2020 lockdowns. They air-brushed his engineering background, and activist role in heritage conservation and solid waste management. But he refused to stoop as low as his opponents to engage in name-calling and sleazy campaigning. So, the VIPs of the media dismissed him, they saw no political future for his candidacy.Balen also exposed ‘youth’ leaders of mainstream parties for behaving just like the generation ahead of them who are responsible for ruining the country. Take Ram Kumari Jhankri of the CPN-US who struts on stage like a diva, does not bother to thank the thousands who have gathered, takes off her jacket and throws it at the audience as if she is some rock star.The other ‘young turk’ who appears to be too busy riding the media wave and being loyal to his party bosses to care about what the people really want is Gagan Thapa of the Nepali Congress. We do not hear much about the change and reforms demanded by society from him anymore. He is too busy insulting the other side.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218119c7e80680e0baa22jpeg.jpg" alt="" width="1062" height="870"><figcaption> </figcaption></figure>Traditional leaders and their youth emulators should have learnt by now that voters are sick of their games. Even the parties that called themselves ‘alternative’ provide no alternative — they have spent the entire campaign running down rivals.Balen has learnt from everyone else’s mis-steps. He did not even bother to reply to candidates who abused him in the hustings. This convinced voters young and old that he is different, and even those initially skeptical of him seem to have changed their minds.Conventional media commentators have not been able to quite decide what to make of Citizen Balen. The 32-year-old rapper, structural engineer and activist is difficult to pigeonhole, but there is no denying his charisma and commitment for change.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218149c7e80680e0baa23jpeg.jpg" alt="" width="890" height="604"><figcaption> </figcaption></figure>When they did deign to take notice of the rapper, they dismissed his popularity as an offshoot of the dramatic success of the Bibeksheel and Sajha parties in the 2017 local elections in Kathmandu — comparing the ‘Balen craze’ to the Ranju Darshana phenomenon.But Balen and Ranju are different. Five years ago, voters in Kathmandu were attracted to a fresh young female candidate because she was such a departure from the established parties. The media could not project her enough — even commenting on the colour of her sari (blue) when she attended an unofficial reception.This time, the mainstream press largely ignored Balen before the election. But due to his meteoric rise in social media, Balen started shining so brightly that editors have now been forced to take notice.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218179c7e80680e0baa24jpeg.jpg" alt="" width="1932" height="1058"><figcaption> </figcaption></figure>Balen is not a media product, this is a spontaneous outburst of outrage against established politicians and their neglect of the people’s needs -- especially those who led Kathmandu Metropolitan City for the past five years. Voters liked what they saw in this young bearded candidate in shades who spoke in a dignified tone, with authority based on his own experience and research, and was not afraid to take on the dominant dinosaurs of Nepali politics.Balen has inspired especially the young with his can-do ambition to make Kathmandu shine again. He has given them hope, when others spread cynicism and negativity. He is a river trying to drain the putrid swamp of Kathmandu’s politics. All the columnists with their scripted sentences now need to prepare themselves to be proven wrong.The Balen Phenomenon has exposed the gulf between the mainstream media and Nepali society. The press is made up of a handful of people, and a handful of people own it. Balen’s generation has no time for them, and the media they control.There is a raw new message going out: Nepalis have to forge ahead on their own and no longer rely on the mainstream parties and media that never reflected their hopes and aspirations.There is a hurricane on the horizon that will soon blow away the dominance of the few men who control politics, society and information.Read more: <a href="https://www.nepalitimes.com/here-now/election-infowar-goes-digital/">Election infowar goes digital</a>, Ramesh Kumar

Kathmandu’s ‘Balen Phenomenon’

Sha Bahadur Gurung was 30 years old when he was arrested for participating in a peaceful protest. He died aged 65 last week in Bhutan’s Chamgang Central Prison. He was among 31 prisoners of conscience in Bhutan, many of whom are serving long sentences for opposing the regime’s forcible expulsion of 100,000 of its Lhotsampa people in the early 1990s. ‘Mr Gurung died on 15 December in his prison cell under circumstances that raise serious concerns about custodial negligence and long-term abuse,” said a statement by the Global Campaign for the Release of Political Prisoners in Bhutan (GCRPPB) based in The Hague which demanded an external probe, justice and release of remaining political prisoners. Gurung was from Chirang and was arrested in 1990 while serving in the Royal Bhutan Army, and accused of having sympathies for the Lhotsampa people. He was mostly held at the notorious Rabuna Prison in Wangdi Phodrang District.&nbsp; Gurung’s relatives in the United States said he had endured prolonged physical and psychological abuse during his imprisonment, and repeatedly subjected to torture and inhumane treatment. They believe the decades of ill-treatment had damaged his health, ultimately leading to his death. Earlier this month, Gurung was transferred from Rabuna to Chamgang Central Prison. On 14 December. He had gone to bed after dinner without any visible sign of distress. He was found unconscious in his cell the next morning.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251224151248_5fc8305ecd320d89b9e343c04a1a897dc1353353da55b6d277f5398034b265ea.jpg" data-media-id="editor_0" data-image-id="20251224151248_5fc8305ecd320d89b9e343c04a1a897dc1353353da55b6d277f5398034b265ea" data-rendition-name="original" width="902" height="1103" loading="lazy" alt="Sha Bahadur Gurung NT"> <figcaption>Sha Bahadur Gurung, who died at age 65 in prison in Bhutan after serving 30 years for expressing political opinion.</figcaption> </figure>  He was referred to a hospital in Thimphu, suggesting that he was still alive during transfer to a local health post. But it appears that he had already died before being taken from prison. Gurung’s death occurred two days before Bhutan’s National Day on 17 December, when families, supporters, and human rights advocates worldwide had hoped for the release of political prisoners through a royal amnesty. Instead, the death of one of the longest-serving political prisoners has caused grief and anger in the Bhutanese diaspora.&nbsp; “We strongly condemn the treatment and death of Gurung, a peaceful and justice-loving Bhutanese citizen,” the V statement said. ‘This tragedy raises serious questions about the treatment of political prisoners in Bhutan and stands in stark contrast to the country’s international image under the principles of Gross National Happiness, compassion, and mindfulness.’ Earlier this year, The <a href="https://www.ohchr.org/en/special-procedures/wg-arbitrary-detention/opinions-adopted-working-group-arbitrary-detention/opinions-adopted-working-group-arbitrary-detention-its-101st-session" target="_blank">United Nations Working Group on Arbitrary Detention</a> said the Bhutan government was detaining citizens without parole for <a href="https://nepalitimes.com/news/detainees-in-dire-straits-in-bhutan-s-prisons" target="_blank">expressing political opinion</a>. The New York-based Human Rights Watch (HRW) said in 2023 that there were least 37 <a href="https://www.hrw.org/news/2023/03/13/bhutan-free-long-term-political-prisoners" target="_blank">political prisoners</a> in Bhutan’s jails. Of them, 32 belong to the Nepali-speaking Lhotshampa community, which has faced <a href="https://www.hrw.org/news/2003/06/18/nepal-bhutanese-refugees-rendered-stateless" target="_blank">decades of discrimination and abuse</a> and eviction. Most of them were convicted because of prohibited political activity between 1990 and 2008. One political prisoner, <a href="https://nepalitimes.com/news/no-country-for-dissent?fbclid=IwAR07lpitMBWAYSkny_3d_smQBlmoxAOQm1OxdNtl-27h8mV0RNO9IxVY2qs" target="_blank">Madhukar Monger</a>, who was released in 2023 after serving 29 years described brutal conditions in <a href="https://www.hrw.org/asia/bhutan" target="_blank">Bhutan</a>'s jails. Political prisoners were not given enough food, and medical care, he said, urging the internaitoonal community to press for the release of prisoners of conscience.&nbsp; In March, <a href="https://www.hrw.org/about/people/meenakshi-ganguly" target="_blank">Meenakshi Ganguly</a>, Deputy Asia director at Human Rights Watch, urged Bhutan’s international partners to call on the Bhutan government to release all remaining political prisoners immediately.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251224161216_9d11a78ed5490091c595341900e4c26f5c0dd0328718f6930ef19c1e9b7f95a6.jpg" data-media-id="editor_8" data-image-id="20251224161216_9d11a78ed5490091c595341900e4c26f5c0dd0328718f6930ef19c1e9b7f95a6" data-rendition-name="original" width="1000" height="1422" loading="lazy" alt="Bhutan political prisoners NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251224161216_176855f3d3df42d24ac7e77372bbf49115695b732a6c094a66267e969111dfca.jpg" data-media-id="editor_9" data-image-id="20251224161216_176855f3d3df42d24ac7e77372bbf49115695b732a6c094a66267e969111dfca" data-rendition-name="original" width="1000" height="1420" loading="lazy" alt="Bhutan political prisoners NT"> </figure>  &nbsp;

Bhutan political prisoner dies in detention

‘Get out of my house.’ ‘All my sickness is because of you.’ ‘You’re a millstone around my neck.’ Arundhati Roy heard these admonitions from her mother over and over throughout her life.&nbsp; This must be a singular, yet universal experience. There must be very few daughters who make it through life unscathed by their mothers. And vice-versa.&nbsp; How many of our mothers look at us and see in us the potential of all of the lives they could have lived? How many resent us for it, or want us to live those lives in their stead? And how many of us look back at our mothers and imagine what they would have achieved had they not been expected and assigned to play the role of wife, daughter-in-law, mother — had we never existed in their lives? How many mothers project their experiences onto their own daughters and continue the cycle? No daughter seems to escape it — no matter how well-behaved, docile, unruly, or rebellious. Certainly not the child who would go on to become a Booker prize-winning author. Arundhati Roy’s memoir Mother Mary Comes To Me chronicles her complex relationship with her mother Mary, or Mrs Roy, as her educator mother had her two children refer to her. In December, Arundhati Roy was in Kathmandu to sign books and briefly interact with readers at two bookshops in the city. She describes a childhood overshadowed by her mother’s volatility towards her and her brother. Mary herself was raised by an abusive father to escape whom she married the first man who proposed — Arundhati’s father who in her mother’s words turned out to be an alcoholic ‘Nothing Man’.&nbsp; Mary left her husband in Assam and eventually wound up with her two children in her town of Aymanam in Kerala, encountering other family members along the way who did not treat her, or her children with respect. The trauma and cruelty her mother endured could not be contained in her body, and spilled out onto her two children, towards whom she was physically, verbally, and emotionally abusive.&nbsp; While she treated her children with disregard, she would build a school in the nearby town of Kottayam from the ground up, educate thousands of children, take up a legal fight that led to the Supreme Court granting Syrian Christian women in India equal inheritance rights, and uplift many orphaned children and women in Kerala.&nbsp; Arundhati lived with both her mother’s brutality and brilliance. And like her daughter, readers must reconcile the indefensible parts of Mary Roy’s personality — the cruelty of calling her nine-year-old daughter a bitch, or shooting the family dog that mated with a stray — with her unyielding drive to educate thousands, fight for equal rights, and challenge the way her world viewed women.&nbsp; Mrs Roy had little kindness for her own children, but plenty for the students, children, and women whose lives she shaped, and made better. And her kindness was not rooted in empathy, but in anger at the hand she had been dealt in life. Eventually, Arundhati decided to temporarily cut all contact with Mrs Roy — not because she did not love her, she writes, but so that she could continue to love her. Her desire to get away from her abusive mother, and her fascination with the ideas inspired by the architect who built her mother’s school, would lead her to the Delhi School of Architecture at age 16. In Delhi, Arundhati became roommates with Hisila Yami before she and her Maoist ideologue husband Baburam Bhattarai went underground to lead Nepal’s decade-long armed struggle. &nbsp; But architecture was not her calling. In Delhi, the heart of India’s statecraft, Arundhati came into young adulthood against a backdrop of the country’s changing socio-politics, which began to take a turn for the hyper-nationalist, Hindu supremacist community that it has now largely become. The winds of those changes have now blown into Nepal. In the city, far from her mother, Arundhati met the man who would become her partner of many years, collaborating with him on several films and screenplays before finding the language (‘I needed to hunt [language] down like prey,’ she writes) she needed to become the writer she is now.&nbsp; She went on to write her Booker prize-winning novel The God of Small Things, but the wealth and status the book brought her did not sit comfortably. So she smashed her newly-built gilded cage, as she describes it, and became more political. Contrary to norm, she published several works of non-fiction, and would only publish her second novel, The Ministry of Utmost Happiness, in 2017, 20 years after The God of Small Things. &nbsp;&nbsp; Her fierce opposition to India’s nuclear policies, to a dam that would displace millions of indigenous people and ecologically damage the Narmada Valley, her championing of Kashmiri self-determination, and her time spent with Maoist rebels in the forests of Chhattisgarh as they took up arms to defend their land and resources against corporate interests made her an enemy of the state.&nbsp; Meanwhile, being raised by a single mother had never sat well within her Syrian Christian community. ‘I wasn't Christian enough. I wasn't Hindu enough. I wasn't communist enough. I wasn't enough,’ Roy writes in her memoir. For all her love for India, the nation did not seem to reciprocate. The circumstances might be different, but it might strike a chord with readers in Nepal, many of whom marched on the streets in September hoping for a better tomorrow, but were gunned down by the very institutions meant to protect them. It might resonate with those who are not seen as citizens of this nation simply because they might not fit into an imagined idea of Nepali nationhood.&nbsp; Arundhati’s relationship with her mother, who was simultaneously proud and disdainful of her daughter’s accomplishments, continued to be tumultuous until the end of Mary Roy’s life.&nbsp; One of Mrs Roy’s last messages to her daughter before she passed was: ‘There is no one in the world whom I have loved more than you.’ Arundhati muses that her lifelong refusal to stop loving her mother must have finally breached her barriers. One wonders if that final declaration of love was solace enough, apology enough, for all the pain caused.&nbsp; But for Arundhati Roy, her love for her mother and her motherland outweighs the cruelty both have shown her. This, too, must be a singular, yet universal experience.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122208128_32b171acb09df2184495367b74efd91fe2896b0f5ba75b276e1533276268761c.jpg" data-media-id="editor_0" data-image-id="2025122208128_32b171acb09df2184495367b74efd91fe2896b0f5ba75b276e1533276268761c" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Mother Mary Comes to Me review"> </figure>

The sins of our mothers

Samrat Upadhyay’s newest novel <a href="https://www.nytimes.com/2025/01/10/books/review/darkmotherland-samrat-upadhyay.html" target="_blank">Darkmotherland</a> imagines a Kathmandu in political turmoil after a large earthquake. In the aftermath, Home Minister Giridharilal Bhagirath Kumar stages a ‘koo’, and has convinced people that he is the answer to the crisis.&nbsp; He is now known as ‘PM Papa’, and picks up classic dictatorial ways — propaganda, statue-making, history-revising, and a gang of Shiva-worshipping ‘Fundys’.&nbsp; We are introduced to two complicated protagonists. The first is Kranti, a fetching young woman and ‘Madam Mao’, her Communist professor mother. The chef father loved classic rock and died by gas cylinder suicide. Kranti hates her mother, and the Communist group which congregates at her home to plot against PM Papa, although they seem to take forever to get anything done.&nbsp; Kranti has a complicated relationship with the handsome Bhaskar, the middle son of the Ghimirey family oligarchy that is aligned with the dictator. She loves him, but as Bhaskar gets more and more involved with her mother and the Communist group, finds herself heading out to the ‘Bhurey’ (Bhu-kampa Rey-fugee) tents, to spend time with poet Kabiraj.&nbsp; Kranti is also given to delusions, paranoia, and psychosis, convinced that Bhaskar’s family is spying on her, and that one in the Communist group has supernatural powers of suggestion that led to her father’s suicide. Despite mental issues, she marries Bhaskar and into the Ghimirey clan, and the complex nexus between business and politics.&nbsp; The second is Rozy, initially the genderqueer lover of PM Papa who he discovered in the streets, and is described as a ‘gorgeous homosexual’. She turns heads due to her sexuality and beauty, and gets more and more politically powerful as the story moves along.&nbsp; Upadhyay tells us Nepali writers writing in English often feel a pressure to create an “all-embracing world” (interview), but that is what he seems to be getting at with the monumental plot of his novel. Unlike the realism in his previous novels, this one drifts off into magical realism. His narrative blends the ever-present risk of a big earthquake and the actuality of political tremors. The speed of political upheaval seems a little unrealistic for anyone who lived through the 2015 earthquake, although the GenZ protests showed just how quickly a regime can be reduced to a heap of rubble. The age-old question: oppression can be overcome, but what comes after? The PM Papa character is a Gyanendra-Oli-Deuba-Prachanda-Modi-Trump-Papa Doc composite who is good friends with the not even thinly veiled President Corn Hair.&nbsp; Through the character of Kranti, Upadhyay conveys the dynamic between a parent and a child who is now a full adult, on relationships in Kathmandu as marriage looms, on pervasive corruption which one might denounce but have to take advantage of to get things done.&nbsp; Through Rozy, Upadhyay brings attention to the non-binary identity, one that has existed forever in Nepal, and although is discussed a lot in the West lately but not so much here. Upadhyay explores the origins, the present, and the various advantages and disadvantages of the queer.&nbsp; Storytelling in the early parts of the book oscillates between the real and absurd fantasy amidst the physical and political backdrop that does not have to be Nepal -- it could be Modi's India or Trump's America.&nbsp; The reader sees the world through Kranti’s psychosis, or PM Papa’s displays of power, such as when a ‘Sweej’ wrestler is beaten to death with a mace in a wrestling spectacle.&nbsp; These elements <a href="https://www.publishersweekly.com/pw/by-topic/authors/profiles/article/96329-samrat-upadhyay-wants-you-to-expect-the-unexpected.html" target="_blank">coagulate in the novel</a>, and Upadhyay has all the pages at his disposal to prod and push them against one another to see what happens. The novel is still at its best and most engaging when describing vulnerable scenes, of Kranti and her mister, or of Rozy’s messed-up childhood.&nbsp; Any Nepali reading his weighty novel can recognise the allusions and nudges such as the Tourist Area: Thamel, Open Stage: Khula Manch, Tri-Moon: Tri-Chandra etc. But anyone not from these parts may have a tough time keeping track. Keeping a notebook handy may be useful.&nbsp; Ultimately, the novel does work, it provokes and entertains. For best results, serialise the reading over 30 days, not 3 like this reviewer.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122005124_88d92d9a2c5718436354d9c1ce6a2576931ef3242a37f6b90d84da15fe96dd8d.jpg" data-media-id="editor_2" data-image-id="2025122005124_88d92d9a2c5718436354d9c1ce6a2576931ef3242a37f6b90d84da15fe96dd8d" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Darkmotherland NT"> </figure>  <h2>More things change, more they remain the same</h2> First US-published Nepali Samrat Upadhyay is the award-winning author of novels and short story collections like Arresting God in Kathmandu, The City Son, Mad Country, and Buddha’s Orphans. Upadhyay is also the Martha C. Kraft Professor of Humanities at Indiana University, where he teaches Creative Writing.&nbsp; Recently in Kathmandu, he talked to the Nepali Times over coffee in Boudha about his writing, his teaching, and his newest novel, DARKMOTHERLAND.&nbsp; Nepali Times: Darkmotherland is 732 pages long. What was it like writing a much longer book? Samrat Upadhyay: Torturous Ha ha ha. Around 2014 I started a story. I knew it was going to be a novel. It was about this woman who is accused of being a Mangalik. Then the big earthquake happened in 2015. I was in the US but my parents were still here, they were living in tents. Then I started thinking, what would happen if a dictator came to power. That’s how PM Papa was born. I think mostly because of his character the novel exploded. I had never written a character like him before. I don’t do any plot outlines when I write. Let’s see where it goes. I like the process of writing to lead to discoveries. If I knew everything then I’d get bored. Not knowing where the storyline might go is very exciting. All these different threads started coming in, the character of Kranti started taking on a big role. Her mother, a Communist-leaning professor, started taking shape. Kranti also had a love-interest from an oligarchical family. The novel just took off and I just continued writing. A novel is as long as it needs to be. The initial draft was 1,700 pages. I was writing pretty fast. I don’t pause to see if the sentences are pretty. I whittled it down, and by the time I sent it to my agent it was 1,100 pages. He was able to sell it to Soho Press. I worked with an editor who suggested some further cuts and expansions. The editing part was even harder than the initial writing, because by that time I was tired of looking at the novel. There was a bit of a delay because of Covid, then we got back on track. What’s your daily process of getting the words on paper? I am a morning writer. I get up in the morning and start writing. You can have all kinds of theories but there is this saying, Shut Up and Write. The writing is where the meat is. You encounter difficulties in writing that you may not encounter when thinking about it. I see this in my students. I knew this was a big project so I knew that if I wanted to get it out I would need to write a lot per day. I got a couple fellowships in the university that gave me a few semesters off teaching. I would write for about 4 or 5 hours. Sometimes I would give myself a 1,000 word deadline, but I’m flexible with it if I don’t get there. You have to be kind and patient. What is your inspiration behind the gender-queer character, Rozy? I’ve always been a strong supporter of LGBT. I would say that at this point half of my students are non-binary or on the gender spectrum. Some of them are going through transitions. In some ways Nepal has become more accepting, but in other ways not. I did a workshop with Blue Diamond Society, and heard pretty harrowing stories. I didn’t intend to create a gender-queer character, but it seemed like the novel was demanding that. Especially in terms of the tyrannical stronghold that PM Papa has over the entire country, it made sense that there would be a counterpart, I wanted to put these things in motion and see how they interact. As I was writing Rozy, her character became very formidable. How much do you draw from Nepali politics? Do you form characters off people you know? Not in a very concrete sense, but I’m always drawing from them. I grew up in the Panchayat System, and lived in Lainchaur. The palace was there. The monarchy was such an institution. But then I was in the US, so I wasn’t here when the pro-democracy movement happened. In some ways it felt like things had changed, but were the same in other ways. I feel the same way now. I do draw upon people. I think my father makes an appearance in my work in various forms, I disguise him, of course. You’ve taught creative writing for a while now, how is literature changing?&nbsp; My students are also writing non-binary characters, because they want to be reflected in the stories. This is something new that we didn’t have. White authors, characters were the default. People of Color on the margins. African American and then Hispanic, South Asian authors were always pushing back on this status quo. When I was growing up in the classroom we were reading a lot of white male authors, but in my own life I was reading Salman Rushdie, African, South African friends and writers. My students have a lot more interest in fantasy, many are writing dystopian. One student is writing a novel where the characters start playing a game, and then they enter the game, and an entire new world opens up. On the one hand there are complaints that students aren’t reading enough, which is true, but my students are producing smarter work. Writing that is a lot more insightful. The calibre of discussion in my graduate-level novel writing classes is mind-boggling to me, and makes me want to keep on teaching. Do Nepali writers who write in English feel a certain pressure, from the market or self-imposed, to make their stories more Nepali? My experience for a long time was that there was a pressure, I felt it true in my case, I was supposed to be the representative of every Nepali. But Nepali writers writing in Nepali are not asked, how are you representing Nepal. At that time there was a lot of pressure to write a novel that is all-embracing, that is supposed to speak on all aspects of the country. Politics felt like an integral part of it, that these novels had to make big political statements. I always felt like this was wrong. I mean, people have to write what they want to write. &nbsp;You write what you want to write, and if it resonates with readers, that’s great. If it doesn’t, that’s fine too. Art isn’t going to speak to everyone. We do a competition every couple of years called Writing Nepal. We make a call for stories, and we decide the best ones. I find it refreshing now that the writing isn’t all about Nepal. The best stories are quite varied. What are Nepalis writing about?&nbsp; Several of the stories are about the role of women in our society, done with a lot of nuance, about the sort of multitasking they have to do. Some of it was deeply historical, some dystopian, the coming of AI. Some of them have an old-timey type of feel, and some of them are very modern, contemporary. The general level of art in movies, TV shows, and novels seems to have regressed compared to say the 90s.&nbsp; I don’t think that’s entirely true. Publishing has been harder, for sure, but there are a lot of novels being published every year. My writing workshop had always been a good vehicle for short stories, but a lot of my students now—even undergraduates—are working on novels. I haven’t formulated my thoughts on AI, it is so new and has hit us so hard. Many of my students are using AI, especially when writing response papers to works of literature or peers, which I find appalling. That’s going to be a struggle. I tell my students, who are you fooling? If you feel that you want to be an artist, or a writer, then what’s the point of using AI? AI-generated stories are also just not that good. They’re almost too perfect, too well put-together, making moves that are easy to detect. There is something about human-written stories that are messy and exciting. But there are also plenty of students who want to do original work and don’t want anything to do with AI.

A dystopian motherland

From its headwaters near Mansarovar on the Tibetan Plateau to its confluence with the Ganga in India, <a href="https://nepalitimes.com/banner/faith-to-reality">the Karnali</a> remains one of the last great free-flowing rivers in the Himalaya. At a time when most major Asian rivers have been dammed by concrete, the Karnali still surges, migrates, floods and recedes according to its own natural rhythms. This sustains an entire living system -- wildlife, communities and cultures — that cannot be replicated once a river is turned into a staircase of reservoirs. The Karnali is a natural artery for western Nepal. It nourishes fertile floodplains, recharges aquifers, supports fisheries and connects remote communities.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251221101240_213faa0e9da42af63e6c4f8a41e23a96efbd9f29a1d148227d65d2f16bb64b53.jpg" data-media-id="editor_1" data-image-id="20251221101240_213faa0e9da42af63e6c4f8a41e23a96efbd9f29a1d148227d65d2f16bb64b53" data-rendition-name="original" width="2500" height="1875" loading="lazy" alt="Karnali"> <figcaption>Confluence of the Humla and Mugu Karnali.</figcaption> </figure>  Bardia National Park and its rich biodiversity, including the tiger and fresh water dolphins, depend on the river and its seasonal interaction with the floodplain and wetlands. Riverine birds, crocodilians, endemic fish, all depend on the river. Millions of people in Nepal and India rely on the Karnali (called Ghaghara in India) for household use, irrigation and livelihoods. This living river now faces <a href="https://nepalitimes.com/banner/dams-and-dreams-a-journey-down-the-karnali">a cascade of proposed hydropower projects</a>. So far, the Upper Karnali &nbsp;(900MW) and the massive Karnali-Chisapani (10,800MW) have been purposed. Both have been mired in controversy and have been delayed. Construction of smaller projects like the Bheri-Babai Diversion are already underway.&nbsp; The Upper Karnali is a Rs146 billion project first purposed in 2006. It started construction earlier this year with the Indian conglomerate GMR leading the task. Even so it faces a setback as Bangladesh cancelled the power purchase deal of 500MW.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109124_80c381c4299dd7e18dbbcacb26e567edc5cfffba76d428e3b325dd194eae8a47.jpg" data-media-id="editor_3" data-image-id="2025122109124_80c381c4299dd7e18dbbcacb26e567edc5cfffba76d428e3b325dd194eae8a47" data-rendition-name="original" width="4284" height="5712" loading="lazy" alt="Karnali"> <figcaption>Free-flowing Upper Karnali.</figcaption> </figure>  The project is located on the stupendous Karnali Bend where the water can be pushed through a 2.5km tunnel over a drop of 130m, creating a huge generation capacity. But Nepal’s move towards big dams comes at a time when scientists warn of more extreme weather events like floods and landslides in the already fragile Himalayan landscape. Nepal now needs investment in storage projects as most hydropower plants are of the run-of-river type, which means power generation drops in the dry season. But a piecemeal dam-by-dam approach risks destroying a unique resource for benefits that could be achieved elsewhere with far less ecological cost. Once a free-flowing river is fragmented, its sediment delivery is choked, fish migrations are cut off, floodplains dry out and local cultures that revolve around seasonal flows begin to unravel. These changes are effectively permanent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109120_4f59b09b6e03889457b9b98d72d6b604d3519895f8825b4b03f486d67ea299af.jpg" data-media-id="editor_4" data-image-id="2025122109120_4f59b09b6e03889457b9b98d72d6b604d3519895f8825b4b03f486d67ea299af" data-rendition-name="original" width="2500" height="1875" loading="lazy" alt="Karnali"> <figcaption>Local children play indigenous musical instrument.</figcaption> </figure>  “The Karnali is the last and most pristine Himalayan River left, most others are already exploited. It should be protected as a wild, scenic, free flowing river as a gift to future generations,” says activist Megh Ale, who wants the river to be developed as an eco-tourism corridor on the pilgrim trail to Mt Kailash and Mansarovar.&nbsp; “We have many big tributaries to the Karnali,” Ale adds. “We can keep the main stream of the river as free flowing, and develop hydro projects on the tributaries. More than 6,000MW can be produced without touching the main river stem.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109128_223faf7f50c43f3bf008a7745b90131fa91975689109533b71ed7d9dcdb8c53e.jpg" data-media-id="editor_5" data-image-id="2025122109128_223faf7f50c43f3bf008a7745b90131fa91975689109533b71ed7d9dcdb8c53e" data-rendition-name="original" width="1875" height="2500" loading="lazy" alt="Karnali"> <figcaption>Rafters say Karnali is one of the best places for white water rafting in the world.</figcaption> </figure>  Nepal has abundant alternatives to hydropower: solar energy has been hardly tapped, and integrating them with pump storage systems are cheap, quick to build and are low impact. Smarter siting and design, modern transmission links and regional power trading can deliver reliable energy without sacrificing the country’s last pristine river. Preserving the Karnali would also pay dividends in climate resilience: free-flowing rivers buffer <a href="https://nepalitimes.com/banner/climate-denial-in-the-himalaya">extreme floods and droughts</a>, carry sediment that builds deltas and replenishes nutrients on farmland, and provide insurance against glacial and monsoon variability.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109124_a5726642ee785b624ee3e6d81a051091c91a8d388dba8c33f4a03bab1fddc97f.jpg" data-media-id="editor_7" data-image-id="2025122109124_a5726642ee785b624ee3e6d81a051091c91a8d388dba8c33f4a03bab1fddc97f" data-rendition-name="original" width="2500" height="1875" loading="lazy" alt="Karnali"> <figcaption>Tharu women repair a channel fed by the Karnali, which is a life line for their farms.</figcaption> </figure>  The Karnali is also a cultural and economic asset in its own right. As a rare, undammed Himalayan river, it underpins nature-based tourism, scientific research, and a way of life for Indigenous and local communities. Kalashtham Tharu, 32, is an elephant mahout in Bardia, and says the Karnali is an important source of water for animals and farming. Diversion for irrigation near Chisapani has meant that a channel going into Bardia National Park has gone dry, affecting biodiversity and nearby farms. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109120_6d3a45a440263e859d64c427a8543c6ede5a447a411797d25a6a41d713d33e91.jpg" data-media-id="editor_8" data-image-id="2025122109120_6d3a45a440263e859d64c427a8543c6ede5a447a411797d25a6a41d713d33e91" data-rendition-name="original" width="1500" height="2000" loading="lazy" alt="Karnali"> <figcaption>Panning for gold on the banks of the Karnali. She makes Rs200,000 per year. </figcaption> </figure>  Similarly, the Sonahar community in Bardia relies on the river to pan for gold, their sole source of income. Anita, 40, says there is much less water in the Karnali this year. On an average, she makes Rs200,000 from middlemen for the gold she pans during non-monsoon months. &nbsp; WILD RIVERS Around the world, countries are beginning to recognise the value of keeping a few great rivers wild. Protecting the Karnali would place Nepal at the forefront of that movement and strengthen efforts to seek international recognition for the river’s outstanding natural heritage. Any decision should be grounded in a transparent, basin-wide assessment that weighs the full social, ecological and economic costs—not just the megawatts on a project spreadsheet. That means evaluating alternatives, safeguarding critical habitats and migration routes, and recognising the rights and knowledge of the people who live along the river. It also means asking a simple question: If Nepal can meet its energy goals without damming the Karnali’s main stem, why wouldn’t it?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109128_3e357c863de55b397f09cfd666c762de297a8b07ac024a41a8bb5b9e8d3a76cf.jpg" data-media-id="editor_9" data-image-id="2025122109128_3e357c863de55b397f09cfd666c762de297a8b07ac024a41a8bb5b9e8d3a76cf" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Karnali"> <figcaption>River mining the Karnali in Kalaili district causing uneven landscape with the river flowing away from Bardia National park.</figcaption> </figure>  Advocates have petitioned Nepal’s Supreme Court to protect the Karnali, with a hearing scheduled in Kathmandu on 22 December. International lenders and investors should take note: Financing high-impact dams on the Karnali would run counter to emerging global standards on biodiversity, <a href="https://nepalitimes.com/banner/dancing-with-the-river">climate resilience</a> and free-flowing river protection. Funding clean energy in Nepal should not require sacrificing the country’s most pristine river. For three decades, I have documented the Karnali from its source in Tibet to its entry into India, capturing the river’s seasons and the lives it sustains. The images I have captured and the voices of people who depend on the river, tell a simple truth: a free-flowing Karnali is irreplaceable. Once the concrete is poured, there is no going back.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025122109128_760ae5218d5f7e961c198da0a6c8696247e34281752a2857de935f9e8aec2c5c.jpg" data-media-id="editor_11" data-image-id="2025122109128_760ae5218d5f7e961c198da0a6c8696247e34281752a2857de935f9e8aec2c5c" data-rendition-name="original" width="1504" height="1502" loading="lazy" alt="Karnali"> <figcaption>Inner sanctum of Mt Kailas in the vicinity of Manasarovar and Rakshas lakes in Tibet.</figcaption> </figure>  Nepal has many options for generating power. <a href="https://nepalitimes.com/here-now/a-karnali-portrait?%2F">It has only one Karnali</a>. Keeping this river wild would be a gift to the living Earth and to future generations — a legacy measured not in megawatts, but in life. Says Megh Ale: “We are very rich in natural resources but manage them very poorly. We want instant solutions but do not have a long-term vision. We are not against development but there needs to be a good balance with nature.” &nbsp;