Bhairav is the fierce manifestation of Lord Shiva, and his strength is depicted in a fearsome face but he is also a protector and guardian. There are eight forms of Bhairav in Kathmandu, and they are all featured in Mukesh Shrestha’s exhibition Bhairav Bhav at Gallery 108 in Darbar Marg. The artist was moved to contemplate the violent September protests through this series of paintings.&nbsp; “The GenZ protests exposed the greedy and aggressive side of leaders in which many young Nepalis lost their lives. Bhairav teaches people that forms of aggression and peace can go hand in hand, and peace can be chosen,” Shrestha explains. The artworks on display have a distinct palette of yellow, black and white, symbolising peace even during turbulent times. “Yellow is an auspicious colour for Hindus and Buddhists, it also has religious significance,” he says. Each painting is imbued by the black walls of the gallery and spotlight with warm lights. Says gallery manager Pooja Mahato, “The backdrop is black deliberately so that the visitors’ focus goes more to the artwork and less on the surrounding.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026012008018_ac2e3090a926cb57fca481d580d1c087b43d392299e2d99231a6044a05696964.jpg" data-media-id="editor_0" data-image-id="2026012008018_ac2e3090a926cb57fca481d580d1c087b43d392299e2d99231a6044a05696964" data-rendition-name="original" width="2784" height="3984" loading="lazy" alt="Bhairav art review"> </figure>  Each of the paintings depicts Bhairav’s face in the real form but the bodies are imagined by the artist. This distinction is also made by the use of colours on the face while the body is conspicuously black and white. As Bhairav is one of Lord Shiva’s forms, serpents are an essential part of the portraits. The pieces on Kal Bhairav of Kathmandu Darbar Square and Bagh Bhairav of Kirtipur ooze power from every angle. Kal Bhairav is the Lord of time, and the Bagh Bhairav represents the ferocity of the tiger. Meanwhile, Unmatta Bhairav, also known as Digambar sacrificed the greed for life and is depicted naked. Couples who do not have children are blessed with offspring if they worship this Bhairav avatar. Then there is Batuk Bhairav, the childish god with a happy face. The blue here creates a vibrant, ritualistic visage even as it emotes calmness. “It is believed that Bhairav came in this child-like form to fool the demons to destroy them, and is represented through small hands and feet,” explains Mahato.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026012008018_e1f25fe3e0d9431df47cd8f76182649e969d511298c17c0c92179475e8008809.jpg" data-media-id="editor_1" data-image-id="2026012008018_e1f25fe3e0d9431df47cd8f76182649e969d511298c17c0c92179475e8008809" data-rendition-name="original" width="2120" height="3728" loading="lazy" alt="Bhairav art review"> </figure>  Shweta Bhairav's face is also depicted exactly the same as it is in Kathmandu Darbar Square. Its body includes the feet of Bhramayani Devi, one of the forms of Nava Durga. It is believed that this form of Bhairav is granted entry in Kathmandu only after the welcome of Bhramayani Devi.&nbsp; Shweta Bhairav was wrongly identified as the Akash Bhairav when it was chosen as the motif for Royal Nepal Airlines 60 years ago. Despite this, the carrier’s aircraft still carry the wrong Bhairav on their fuselage. Shanta Bhairav, meanwhile, entered Kathmandu Valley in the form of a human to meet his beloved, Lassi. After agreeing to take the role of the protector for children as many were lost, he was allowed to live in the Valley.&nbsp; The paintings also represent peace and tranquility: lotus flowers emerging from the heads of a male and female body, and military tanks below them. Says Mukesh Shrestha, “Each artwork is a journey from ignorance to knowledge. Whatever we think, we become. If we think of peace, we become peaceful, but if we think of destruction, we become destructive.” Bhairav Bhav By Mukesh Shrestha Gallery 108, Darbar Marg Until 31 January 11am-7pm (Mondays by appointment)

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The power of peace

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203699c7e80680e0b280ajpeg.jpg" alt="" width="1500" height="1001"/><figcaption>The Taleju Bhawani Temple in Kathmandu Hanuman Dhoka Darbar Square. Photo: MANISH PAUDEL.</figcaption></figure>Narayan Putuwar was awakened by the sound of stones hitting the tin roof over his head. He turned, half-asleep, and checked the time: 12:30AM. He pulled himself up from bed, and slowly opened the door.It was chilly out and the night was pitch dark. Suddenly, two figures materialised before him, their faces fully covered. One of them clutched Putuwar’s throat and pushed him against the wall.“Not a word, or we will kill you,” he said in a whisper.Putuwar was shaking with fear as he huddled in the corner, trying not to make a sound. Minutes turned into what seemed like hours. There were hushed voices outside with the sounds of feet shuffling and chains breaking. Then silence.About half-an-hour later, Putuwar slowly walked out to the temple yard. The men had left, but the grilled gate of the shrine was open. He peered inside: the Akash Bhairav was gone.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372036d9c7e80680e0b280bjpeg.jpg" alt="" width="1159" height="1601"><figcaption> </figcaption></figure>There were two Bhairav sculptures at the temple in Halchok near Kathmandu, one of which was 300 years old. The second one was made in 2013 and installed over the original. Both were stolen on 7 December — a nightmare come true for Narayan Putuwar who has served as a priest of the temple for 13 years.The robbery made it to the media on the week that Nepal was celebrating <a href="https://www.nepalitimes.com/banner/laxmi-narayan-is-home/">the restitution of the 800-year-old Laxmi-Narayan</a> statue in PatkoTole of Lalitpur, stolen in 1984 and repatriated by the Dallas Museum of Art in 2021.Even as Nepal’s stolen religious antiquities are being returned by collectors and museums in the West, there has been a slew of thefts of other religious objects from in and around Kathmandu.A Basundhara statue was stolen from the Siddheshwar Mahadev Temple in Godavari on 6 December, but was discovered later lying in a nearby forest. Meanwhile, two suspects were arrested on 2 January from Lalitpur with a stone Buddha they had stolen, also from Godavari, on 30 December.Nepal Police has registered at least 10 thefts of various religious, historical and cultural objects in the past year from Kathmandu Valley.“Perhaps the reason we are now hearing more about these thefts is that there is increasing awareness among the public and media of the loss of cultural heritage and identities these thefts signify,” says public litigator and cultural activist Sanjay Adhikari.Subhadra Bhattarai at the Department of Archaeology says there are reports of thefts of cultural and historical artefacts every year, but this alone does not mean that there has been an increase.The first historical account of a religious object stolen from Nepal was as far back as 1765, when the statue of Narayan disappeared from the Bhagwati temple in Hanuman Dhoka. Plunder peaked in the 1960s, as Nepal started to open its borders to the outside world.Limited security and sculptures lying unguarded in temple premises and community squares lured art smugglers to Nepal. Further, Nepal Police says it does not at present have the manpower to guard each temple and cultural site in the country.“We have increased security in the Valley and mobilised our force to conduct night-time patrols in civilian clothes,” says Dinesh Raj Mainali of Nepal Police. “But our personnel is limited.”Some temples have installed CCTV cameras. Yet, on 13 December, a statue of Narayan was wrenched out of the Bangalamukhi Temple in Lalitpur, just <a href="https://www.himalkhabar.com/news/127481">under the noses of policemen in a nearby post</a>.The thief was caught on 2 January and the statue has since been recovered, but it proved that police need to improve intelligence and get local communities involved in protecting their sacred objects.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372036f9c7e80680e0b280cjpeg.jpg" alt="" width="1050" height="605"><figcaption> </figcaption></figure>“It starts with inventory," says Sanjay Adhikari: "We cannot protect our heritage when we don’t even know what we have.”Nepal’s <a href="http://www.doa.gov.np/downloadfile/6_AN_ACT_MADE_TO_PRESERVE_THE_ANCIENT_MONUMENTS_1451559891_1581327407.pdf" target="_blank" rel="noopener noreferrer">Ancient Monument Preservation Act,</a> in 1956 calls for an inventory (see below). Similarly, the Monuments Preservation Rules, 1989 provides a format for recording, but no such list has been prepared yet. The <a href="https://mofald.gov.np/sites/default/files/News_Notices/%E0%A4%B8%E0%A5%8D%E0%A4%A5%E0%A4%BE%E0%A4%A8%E0%A5%80%E0%A4%AF-%E0%A4%B8%E0%A4%B0%E0%A4%95%E0%A4%BE%E0%A4%B0-%E0%A4%B8%E0%A4%9E%E0%A5%8D%E0%A4%9A%E0%A4%BE%E0%A4%B2%E0%A4%A8-%20%E0%A4%90%E0%A4%A8%20.pd">Local Government Operation Act, 2017</a> and the <a href="http://extwprlegs1.fao.org/docs/pdf/nep137758.pdf">Local Administration Act, 1971</a> handed the legal responsibility of making detailed inventory and making provisions for the promotion of local history and culture, including tangible and intangible heritages, to the local governments and Chief District Officers, but no action was taken.This means statues are easily stolen and lost, without people even knowing that they are gone. There is also no strong legal provenance to claim an artefact when it is rediscovered at an auction house or museum.Subhadra Bhattarai agrees that a national registry of Nepal’s cultural and historical artefacts is needed, and the department had begun drawing up a list in 2015. “But there are just too many smaller shrines, details and objects all over the country, and the department alone cannot complete the task with limited resources,” she adds.The <a href="http://portal.unesco.org/en/ev.php-URL_ID=13039&amp;URL_DO=DO_TOPIC&amp;URL_SECTION=201.html">1970 UNESCO Convention</a> on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, which Nepal ratified in 1976, calls for the up-to-date national inventory and educational awareness measures for the public about the value of cultural properties in their country.Despite law and regulations that have been in place for six decades, the inability of local governments to come up with a list till today fosters an environment where theft and illicit trade of Nepal's cultural assets thrive. The <a href="http://www.moljpa.gov.np/en/wp-content/uploads/2018/12/Penal-Code-English-Revised-1.pdf">National Penal Code 2017</a> defines offence as ‘an act punishable by Act or law’, while act itself encompasses a series of acts, as well as the ‘omission to do an act required by law to be done or commission of an act prohibited by law’— designating both the thief and those responsible for protecting the artefacts culpable when a religious object is stolen.Explains Adhikari: “The law makes it clear that both the act and omission are crimes. The officers who have failed to work according to the Ancient Monuments Preservation Act and Rule are in fact equally liable as the thief who wrenches a statue from its shrine.”While much of the focus in the media lately has been on the auction houses, collectors and museums in the West where Nepal’s stolen objects end up, there is not as much attention on Nepalis involved in the theft and smuggling of these artefacts.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203729c7e80680e0b280djpeg.jpg" alt="" width="1500" height="1272"><figcaption> </figcaption></figure>A stolen statue changes hands many times before it ends up in a museum display shelf: the thieves on the ground, the smugglers who hired them, the security personnel and political figures who provide protection and facilitate the transport out of Nepal, and finally the collector and museum curators.During peak smuggling periods in the 1960-70s, Nepal was an absolute monarchy. Heritage conservationists doubt if such heavy objects could be smuggled out of the country through Kathmandu airport without the knowledge of the security forces, the palace and the government.Accomplices on the ground in Nepal must also have worked in tandem with international art dealers, criminal networks and collectors. For example, a <a href="https://www.nepalitimes.com/here-now/how-nepali-antiquities-got-to-chicago-museum/">400-year-old gilt-copper necklace once worn by the Taleju Bhawani</a> goddess in Kathmandu that is now at the Art Institute of Chicago in a museum was stolen in 1976.The necklace had been moved with other treasures in 1970 from the Taleju Temple to the nearby Hanuman Dhoka Museum which was guarded by the Royal Nepal Army.“The government wanted to move the treasures for safe-keeping, but it got stolen anyway. How was it possible that such a sacred item could be stolen from such a highly secure place?” Uddhab Karmacharya, the eighth generation high priest of the Taleju Temple told Nepali Times in June last year, after the necklace was located.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203769c7e80680e0b280ejpeg.jpg" alt="" width="1750" height="596"><figcaption> </figcaption></figure>Work of groups like the <a href="https://www.facebook.com/lostartsofnepal/">Lost Arts of Nepal</a>, international  activists, local communities and citizen groups like the <a href="https://nepalheritagerecoverycampaign.org/">Nepal Heritage Recovery Campaign</a>, have helped raise awareness about past thefts, and for the restitution of some of them to where the figures were stolen from.At present, the Department of Archaeology has used diplomatic channels to write to Western museums and collectors for the return of 55 artifacts. Some of these have actually been stolen from the same shrine: like the <a href="https://www.nepalitimes.com/here-now/nepal-wants-stolen-antiquities-returned-from-france/">five 600-year-old gilded copper-bronze images</a> of Nrityanath, Mahalaxmi, Chamunda, Shiva Gana (Bhairab) and Panchmukhi Hanuman (Hanu Bhairab) that were wrenched out of a 16th century torana of the Taleju Bhavani Temple in Lalitpur.Among other artefacts being selected for return are a statue of Tara from the Yale University Art Gallery, the idols of Uma Maheshwar and Shridhar Vishnu from the Musée Guimet in France, and 18 different artefacts from the Victoria and Albert Museum in the UK. Even as these sacred objects are returned to Nepal, activists stress that the country must strengthen its own surveillance and law enforcement to prevent further thefts. Better resources for law enforcement, inventory and information could make it more difficult for thieves.Back in Halchok, Narayan Putuwar is hopeful: “We pray that the Bahirav comes back. Perhaps it will be the person who stole the god who will return it.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203799c7e80680e0b280fjpeg.jpg" alt="" width="795" height="1599"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372037b9c7e80680e0b2810jpeg.jpg" alt="" width="798" height="1599">Bhairav sculptures stolen on 7 December 2021 from Halchok. Photo: NATENDRA LAL SHESTHA. The empty altar after the theft. Photo: ASHISH DHAKAL.The word and the spiritThe Ancient Monument Preservation Act was first promulgated in 1956 — 14 years before the 1970 UNESCO Convention —by the Government of Nepal to 'maintain peace and order by preserving the ancient monument and by controlling the trade in archaeological objects as well as the excavation of the place of ancient monuments and by acquiring and preserving ancient monument and archaeological, historical or artistic objects.'Section 6 of this Act, most recently amended in 1995, specifies the Chiefs of local government offices in the districts and wards of Nepal to investigate the archaeological objects, which includes temples, monuments and artefacts with historical, cultural and religious significance, located within their jurisdictional area, and forward their details of to the chief archaeology officer in the Department of Archaeology for the preservation of such objects.The government then enacted the Ancient Monuments Preservation Rules in 1989 to aid the Act, of which Sections 4.3.1 and 4.3.2 are pursuant to the description of archaeological objects:4.3.1. The Local Officer, within the last day of Ashad (mid-June) month of each year, shall have to send the description of all the archaeological object in his working District upon filling the form provided in Schedule-3, and if possible, the photographs also of those object, to the Chief Archaeology Officer.4.3.2. If the Local Officer found any information on finding of any archaeological object in his working District he shall have to fill the description of such object in the form as prescribed in Schedule -4 within 35 days from the date of finding of such object, and, if possible, the photograph of such project also shall have to be sent to the Chief Archaeology Officer.

Ashish Dhakal

Who looted Nepal's gods?

GODS ON EARTH

Samsung Nepal has opened pre-orders for the Galaxy A57 5G and A37 5G. Both phones run Samsung’s One UI 8.5, featuring AI capabilities like voice transcription, Circle to Search, and photo editing. They feature a 50MP triple-camera system, a Super AMOLED display, and six years of OS and security updates.

Galaxy A series

Know your Ministers

‘One early morning, we heard the ambassador’s wife cry out, “Ram, Ram, Ram!” A disaster has befallen Nepal!” She had heard on the radio that a fire had consumed Singha Durbar." This is not about the arson attack on 9 September 2025, but the one on 8 July, 1973. It started in the South Wing of the then single-largest building in all of Nepal. It took two days to bring the blaze under control, requiring the use of explosives to demolish one wing to protect the imposing western facade. As Bhekh Bahadur Thapa recalls in the English translation of his memoir A Life in Public Service: Nepal from Autocracy to Democracy, he was then on leave from the Nepal government serving with the IDRC in Ottawa.&nbsp; He had already served as Nepal’s Finance Secretary at age 25, went on to be Finance Minister and Governor of Nepal Rastra Bank. He was already younger than some of the GenZ ministers in Nepal’s present RSP government. Thapa, now 89, was at the launch of the book in February which was attended by former diplomats and bureaucrats. After speeches by panelists, there was a question from the audience about how Thapa had managed to be the diplomat he was, managing Nepal’s international relations on the world stage.&nbsp; Writer and journalist Akhilesh Upadhyay, who was moderating the panel, responded by going into the section of the book where we see Thapa as an ambassador to the US, playing tennis with White House officials, cultivating a network of contacts to project the identity and welfare of Nepal, and making it possible for a state visit by King Birendra to Ronald Reagan’s America. The book is full of anecdotes that suggest Thapa was a clever and strategic diplomat, always calm and unruffled, easily making friends in high places with his maturity and engaging sense of humour. Thapa’s memoir is heavy on details about Nepal’s administrative history during the years he was active in public service, serving as minister and ambassador under three kings: Mahendra, Birendra and Gyanendra, and alongside five prime ministers.&nbsp; Aside from an insider look on how certain treaties, development deals and research projects in Nepal came into fruition, Thapa goes into great detail about his personal and professional relationships with the kings, ministers, ambassadors, foreign leaders and politicians.&nbsp; As a reader, one is struck by the level of detail around the events that unfolded in Nepal over the years during Thapa’s tenure. Was Thapa recording a journal over the years of the events and the conversations that transpired, or were they committed to his phenomenal memory? Either way, the reader gets a glimpse of Nepal’s recent history from the early days of the Panchayat, through the People’s Movement and the democracy period, the Maoist insurgency, Royal Palace massacre of 2001, and Gyanendra’s coup of 2005.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4.jpg" data-media-id="editor_0" data-image-id="2026041204048_125dc8ae300a1e33124f394abe724d42727f83e067b0201d2008b58d60c459a4" data-rendition-name="original" width="1584" height="1000" loading="lazy" alt="How to win friends and influence nations NT"> </figure>  Not enough is said about the political parties of the time whose presence led to the way Nepal’s multiparty democracy came to be shaped. The book keeps its focus on the administration and the key figures around it, mostly those in the Panchayat era. Towards the second half of the book, we do start to hear about political parties, but not in great depth. Another figure whose presence in the book is conspicuously less prominent is that of his wife, Rita Thapa — the person who seems to have rescued him every time financial quandary or family care became a challenge. Yet, we do not see her as a full person. Perhaps because of the personal tragedies in his life, the children are also barely mentioned.&nbsp; The book is therefore less personal and more technical. Throughout, we learn about Thapa’s thinking as he navigated the world of diplomacy to win him the trust of those who mattered. There are tips here for a new generation of Nepali officials and diplomats about how much commitment and focus is needed to be good at one’s job and serve the national interest. This book adds to tomes that have been written on Nepal’s fragile relationship with India. ‘India has always wished for Nepal to remain dependent on it,’ writes Thapa, who served as Nepal’s ambassador to India and later in the Eminent Persons Group &nbsp;on Indo-Nepal relations that has been allowed to languish. The book has several insights into the Indo-Nepal trysts with diplomacy and agency.&nbsp; China’s role is also recorded, viewed through conversations during a visit to Beijing, but all that was before Nepal’s neighbour to the north emerged as a world economic and military power. The book also has such sudden instances of quirkiness and humour. For instance, we see a young Thapa in America explaining to a government official why he would like to return to Nepal instead of settling down in the US. “Because, Nepal is beautiful,” he said. The text is immaculate and does not read much like a translation, credit for which clearly goes to the team that put the edition together: translator Prawin Adhikari, &nbsp;Anagha Neelakanthan and Bhekh Thapa’s daughter, Manjushree. As Nepal enters a new era of governance and diplomacy, A Life in Public Service: Nepal from Autocracy to Democracy should be essential reading for students of political science, economics and foreign affairs who can gain a fresh perspective on the country’s trajectory.&nbsp; There are dozens of forgotten state secrets recorded in the book, but the reader must also remember this is a story told from one person’s perspective and there may be others.&nbsp; So, what really made Thapa the diplomat he was? I met him in 2004 at the Kantipur TV studio when he was serving as king Gyanendra’s foreign minister. He was there for a studio interview, and I was just done with my English newscast.&nbsp; He surprised me at the door: “Pratibha! I’ve been reading your articles in The Kathmandu Post. You must keep writing.” I thanked him, glad to have been noticed for my work by a stranger. That was perhaps one of the things that set Thapa apart — he excelled at staying close to those in power, while also noticing those who were not.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f.jpg" data-media-id="editor_1" data-image-id="20260412040412_213e706136a038ec9f5e2b8c6d7f7c1e9ceed9479e22fe2884872ad7bd20955f" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Book details"> </figure>

How to win friends and influence nations

Prime Minister Balendra Shah on Wednesday broke tradition and met with 17 foreign envoys collectively, a move that was a notable departure from how his predecessors operated.&nbsp;
Shah had already set himself apart by talking less, listening more, and delegating to trusted friends. But by meeting all ambassadors at one go in the presence of the Foreign Ministry, he signalled a paradigm shift in how he wants Nepal to be seen: no longer just balancing India and China, but as a country confident about its <a href="https://nepalitimes.com/opinion/guest-editorial/tripolar-contestation-over-nepal">strategic importance and place in the world</a>.
In just two weeks, the <a href="https://nepalitimes.com/news/rsp-dos-and-don-ts">RSP has sprung into action </a>on multiple fronts to implement its ambitious 100-point, 100-days action plan. It has taken short-term measures to mitigate the impact of the Gulf war, as well as medium- and long- term measures to streamline the bureaucracy. A few high-profile figures have been made examples of to drive the message home.
Earlier this week, the government recalled six politically appointed ambassadors, the most notable being long-serving Shankar Sharma from New Delhi. The Kathmandu District Court issued arrest warrants against former prime minister Sher Bahadur Deuba and his former foreign minister wife Arzu Rana on charges of money laundering and corruption.
Each ministry has been trying to clean up the accumulated rot from the past three decades: regulatory overhaul of microfinance, education, health and service delivery.&nbsp;
These actions widely disseminated campaign-style on YouTube and TikTok have made most Nepalis hopeful that the party they installed in power means business.
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BACKLASH
But such attempts to overhaul a long-entrenched political culture were bound to face backlash. In their impatience and enthusiasm to get things done, some of Prime Minister Shah’s ministers have over-reached.
It was common knowledge that government-paid advertising in the mainstream press was kickback-driven, but the PMO’s directive that official notices be published or broadcast only on state-run media has been denounced — especially as the media industry struggles to stay afloat.
More serious are some recent appointments by ministers of relatives and figures closely associated with the RSP to key positions. This has rankled because this party built its political plank on ending nepotism and graft.&nbsp;
News that Home Minister Sudan Gurung allegedly had not paid rent on leased land, which illegally encroached on the lake in Pokhara did not help. &nbsp;
Prime Minister Shah himself has come under scrutiny for appointing a kitchen cabinet full of male buddies from his time as Kathmandu mayor. To douse criticism he brought in as adviser investigative journalist Deepa Dahal, who has exposed corruption in high places of the previous coalitions.&nbsp;
Shah’s appointment of another political adviser Asim Shah to the head Constitution Amendment Task Force, is also seen as problematic. He is a filmmaker and former lawmaker, but does not have a background in constitutional law.&nbsp;
Even more controversial is the Cabinet’s decision to appoint RSP Chair Rabi Lamichhane’s legal counsel, Narayan Kandel, as Attorney General. Kandel used to be a UK permanent resident, and does not have as much experience practicing law in Nepal.&nbsp;
Kandel’s appointment drew flak and raised eyebrows, and with the pending legal cases against Lamichhane this appointment represents a flagrant conflict of interest.
Health Minister Nisha Mehta was also accused of favouritism after reappointing Junu Shrestha, wife of Labour Minister Dipak Kumar Shah, as member of the Health Insurance Board which had earlier suspended her. The Labour Minister’s rambling rant at the Board’s meeting on Tuesday has not helped the RSP’s image.&nbsp;
(UPDATE: On Thursday, Prime Minister Shah sacked the Labour Minister after the RSP found him in breach of the party's code of conduct and discipline. He served 14 days in the Cabinet, one of the shortest tenures for a minister in Nepal )
It is hard to know what <a href="https://nepalitimes.com/news/ball-in-balen-s-court">Balendra Shah is thinking</a>, and how Rabi Lamichhane is going to justify some of these moves. After all, making politics, governance, and bureaucracy a meritocracy has been the core tenet of the RSP, and it risks alienating its mainly youth base if these missteps persist.
But at least for now, most RSP supporters seem to be giving the party the benefit of doubt.