<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203699c7e80680e0b280ajpeg.jpg" alt="" width="1500" height="1001"/><figcaption>The Taleju Bhawani Temple in Kathmandu Hanuman Dhoka Darbar Square. Photo: MANISH PAUDEL.</figcaption></figure>Narayan Putuwar was awakened by the sound of stones hitting the tin roof over his head. He turned, half-asleep, and checked the time: 12:30AM. He pulled himself up from bed, and slowly opened the door.It was chilly out and the night was pitch dark. Suddenly, two figures materialised before him, their faces fully covered. One of them clutched Putuwar’s throat and pushed him against the wall.“Not a word, or we will kill you,” he said in a whisper.Putuwar was shaking with fear as he huddled in the corner, trying not to make a sound. Minutes turned into what seemed like hours. There were hushed voices outside with the sounds of feet shuffling and chains breaking. Then silence.About half-an-hour later, Putuwar slowly walked out to the temple yard. The men had left, but the grilled gate of the shrine was open. He peered inside: the Akash Bhairav was gone.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372036d9c7e80680e0b280bjpeg.jpg" alt="" width="1159" height="1601"><figcaption> </figcaption></figure>There were two Bhairav sculptures at the temple in Halchok near Kathmandu, one of which was 300 years old. The second one was made in 2013 and installed over the original. Both were stolen on 7 December — a nightmare come true for Narayan Putuwar who has served as a priest of the temple for 13 years.The robbery made it to the media on the week that Nepal was celebrating <a href="https://www.nepalitimes.com/banner/laxmi-narayan-is-home/">the restitution of the 800-year-old Laxmi-Narayan</a> statue in PatkoTole of Lalitpur, stolen in 1984 and repatriated by the Dallas Museum of Art in 2021.Even as Nepal’s stolen religious antiquities are being returned by collectors and museums in the West, there has been a slew of thefts of other religious objects from in and around Kathmandu.A Basundhara statue was stolen from the Siddheshwar Mahadev Temple in Godavari on 6 December, but was discovered later lying in a nearby forest. Meanwhile, two suspects were arrested on 2 January from Lalitpur with a stone Buddha they had stolen, also from Godavari, on 30 December.Nepal Police has registered at least 10 thefts of various religious, historical and cultural objects in the past year from Kathmandu Valley.“Perhaps the reason we are now hearing more about these thefts is that there is increasing awareness among the public and media of the loss of cultural heritage and identities these thefts signify,” says public litigator and cultural activist Sanjay Adhikari.Subhadra Bhattarai at the Department of Archaeology says there are reports of thefts of cultural and historical artefacts every year, but this alone does not mean that there has been an increase.The first historical account of a religious object stolen from Nepal was as far back as 1765, when the statue of Narayan disappeared from the Bhagwati temple in Hanuman Dhoka. Plunder peaked in the 1960s, as Nepal started to open its borders to the outside world.Limited security and sculptures lying unguarded in temple premises and community squares lured art smugglers to Nepal. Further, Nepal Police says it does not at present have the manpower to guard each temple and cultural site in the country.“We have increased security in the Valley and mobilised our force to conduct night-time patrols in civilian clothes,” says Dinesh Raj Mainali of Nepal Police. “But our personnel is limited.”Some temples have installed CCTV cameras. Yet, on 13 December, a statue of Narayan was wrenched out of the Bangalamukhi Temple in Lalitpur, just <a href="https://www.himalkhabar.com/news/127481">under the noses of policemen in a nearby post</a>.The thief was caught on 2 January and the statue has since been recovered, but it proved that police need to improve intelligence and get local communities involved in protecting their sacred objects.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372036f9c7e80680e0b280cjpeg.jpg" alt="" width="1050" height="605"><figcaption> </figcaption></figure>“It starts with inventory," says Sanjay Adhikari: "We cannot protect our heritage when we don’t even know what we have.”Nepal’s <a href="http://www.doa.gov.np/downloadfile/6_AN_ACT_MADE_TO_PRESERVE_THE_ANCIENT_MONUMENTS_1451559891_1581327407.pdf" target="_blank" rel="noopener noreferrer">Ancient Monument Preservation Act,</a> in 1956 calls for an inventory (see below). Similarly, the Monuments Preservation Rules, 1989 provides a format for recording, but no such list has been prepared yet. The <a href="https://mofald.gov.np/sites/default/files/News_Notices/%E0%A4%B8%E0%A5%8D%E0%A4%A5%E0%A4%BE%E0%A4%A8%E0%A5%80%E0%A4%AF-%E0%A4%B8%E0%A4%B0%E0%A4%95%E0%A4%BE%E0%A4%B0-%E0%A4%B8%E0%A4%9E%E0%A5%8D%E0%A4%9A%E0%A4%BE%E0%A4%B2%E0%A4%A8-%20%E0%A4%90%E0%A4%A8%20.pd">Local Government Operation Act, 2017</a> and the <a href="http://extwprlegs1.fao.org/docs/pdf/nep137758.pdf">Local Administration Act, 1971</a> handed the legal responsibility of making detailed inventory and making provisions for the promotion of local history and culture, including tangible and intangible heritages, to the local governments and Chief District Officers, but no action was taken.This means statues are easily stolen and lost, without people even knowing that they are gone. There is also no strong legal provenance to claim an artefact when it is rediscovered at an auction house or museum.Subhadra Bhattarai agrees that a national registry of Nepal’s cultural and historical artefacts is needed, and the department had begun drawing up a list in 2015. “But there are just too many smaller shrines, details and objects all over the country, and the department alone cannot complete the task with limited resources,” she adds.The <a href="http://portal.unesco.org/en/ev.php-URL_ID=13039&amp;URL_DO=DO_TOPIC&amp;URL_SECTION=201.html">1970 UNESCO Convention</a> on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property, which Nepal ratified in 1976, calls for the up-to-date national inventory and educational awareness measures for the public about the value of cultural properties in their country.Despite law and regulations that have been in place for six decades, the inability of local governments to come up with a list till today fosters an environment where theft and illicit trade of Nepal's cultural assets thrive. The <a href="http://www.moljpa.gov.np/en/wp-content/uploads/2018/12/Penal-Code-English-Revised-1.pdf">National Penal Code 2017</a> defines offence as ‘an act punishable by Act or law’, while act itself encompasses a series of acts, as well as the ‘omission to do an act required by law to be done or commission of an act prohibited by law’— designating both the thief and those responsible for protecting the artefacts culpable when a religious object is stolen.Explains Adhikari: “The law makes it clear that both the act and omission are crimes. The officers who have failed to work according to the Ancient Monuments Preservation Act and Rule are in fact equally liable as the thief who wrenches a statue from its shrine.”While much of the focus in the media lately has been on the auction houses, collectors and museums in the West where Nepal’s stolen objects end up, there is not as much attention on Nepalis involved in the theft and smuggling of these artefacts.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203729c7e80680e0b280djpeg.jpg" alt="" width="1500" height="1272"><figcaption> </figcaption></figure>A stolen statue changes hands many times before it ends up in a museum display shelf: the thieves on the ground, the smugglers who hired them, the security personnel and political figures who provide protection and facilitate the transport out of Nepal, and finally the collector and museum curators.During peak smuggling periods in the 1960-70s, Nepal was an absolute monarchy. Heritage conservationists doubt if such heavy objects could be smuggled out of the country through Kathmandu airport without the knowledge of the security forces, the palace and the government.Accomplices on the ground in Nepal must also have worked in tandem with international art dealers, criminal networks and collectors. For example, a <a href="https://www.nepalitimes.com/here-now/how-nepali-antiquities-got-to-chicago-museum/">400-year-old gilt-copper necklace once worn by the Taleju Bhawani</a> goddess in Kathmandu that is now at the Art Institute of Chicago in a museum was stolen in 1976.The necklace had been moved with other treasures in 1970 from the Taleju Temple to the nearby Hanuman Dhoka Museum which was guarded by the Royal Nepal Army.“The government wanted to move the treasures for safe-keeping, but it got stolen anyway. How was it possible that such a sacred item could be stolen from such a highly secure place?” Uddhab Karmacharya, the eighth generation high priest of the Taleju Temple told Nepali Times in June last year, after the necklace was located.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203769c7e80680e0b280ejpeg.jpg" alt="" width="1750" height="596"><figcaption> </figcaption></figure>Work of groups like the <a href="https://www.facebook.com/lostartsofnepal/">Lost Arts of Nepal</a>, international  activists, local communities and citizen groups like the <a href="https://nepalheritagerecoverycampaign.org/">Nepal Heritage Recovery Campaign</a>, have helped raise awareness about past thefts, and for the restitution of some of them to where the figures were stolen from.At present, the Department of Archaeology has used diplomatic channels to write to Western museums and collectors for the return of 55 artifacts. Some of these have actually been stolen from the same shrine: like the <a href="https://www.nepalitimes.com/here-now/nepal-wants-stolen-antiquities-returned-from-france/">five 600-year-old gilded copper-bronze images</a> of Nrityanath, Mahalaxmi, Chamunda, Shiva Gana (Bhairab) and Panchmukhi Hanuman (Hanu Bhairab) that were wrenched out of a 16th century torana of the Taleju Bhavani Temple in Lalitpur.Among other artefacts being selected for return are a statue of Tara from the Yale University Art Gallery, the idols of Uma Maheshwar and Shridhar Vishnu from the Musée Guimet in France, and 18 different artefacts from the Victoria and Albert Museum in the UK. Even as these sacred objects are returned to Nepal, activists stress that the country must strengthen its own surveillance and law enforcement to prevent further thefts. Better resources for law enforcement, inventory and information could make it more difficult for thieves.Back in Halchok, Narayan Putuwar is hopeful: “We pray that the Bahirav comes back. Perhaps it will be the person who stole the god who will return it.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203799c7e80680e0b280fjpeg.jpg" alt="" width="795" height="1599"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372037b9c7e80680e0b2810jpeg.jpg" alt="" width="798" height="1599">Bhairav sculptures stolen on 7 December 2021 from Halchok. Photo: NATENDRA LAL SHESTHA. The empty altar after the theft. Photo: ASHISH DHAKAL.The word and the spiritThe Ancient Monument Preservation Act was first promulgated in 1956 — 14 years before the 1970 UNESCO Convention —by the Government of Nepal to 'maintain peace and order by preserving the ancient monument and by controlling the trade in archaeological objects as well as the excavation of the place of ancient monuments and by acquiring and preserving ancient monument and archaeological, historical or artistic objects.'Section 6 of this Act, most recently amended in 1995, specifies the Chiefs of local government offices in the districts and wards of Nepal to investigate the archaeological objects, which includes temples, monuments and artefacts with historical, cultural and religious significance, located within their jurisdictional area, and forward their details of to the chief archaeology officer in the Department of Archaeology for the preservation of such objects.The government then enacted the Ancient Monuments Preservation Rules in 1989 to aid the Act, of which Sections 4.3.1 and 4.3.2 are pursuant to the description of archaeological objects:4.3.1. The Local Officer, within the last day of Ashad (mid-June) month of each year, shall have to send the description of all the archaeological object in his working District upon filling the form provided in Schedule-3, and if possible, the photographs also of those object, to the Chief Archaeology Officer.4.3.2. If the Local Officer found any information on finding of any archaeological object in his working District he shall have to fill the description of such object in the form as prescribed in Schedule -4 within 35 days from the date of finding of such object, and, if possible, the photograph of such project also shall have to be sent to the Chief Archaeology Officer.

Ashish Dhakal

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Who looted Nepal's gods?

GODS ON EARTH

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

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