Rohit is from Bihar and drives an auto rickshaw in Mumbai. Life has been a struggle ever since he lost his parents in a car crash. Like many young men from Bihar in this big city, he migrated here to make a living.Then came the pandemic in 2020, and the lockdown meant that Rohit had no income at all. He and his family had to rely on the municpality’s two free meals a day.   “Mumbai belongs to the rich, except during elections,” says the 23-year-old as he negotiates the city’s dreary traffic, recalling how his wife and young son were evicted from their room for unpaid rent.But one day a miracle happened. A Nepali caregiver named Manjeela, whom Rohit knew, came to the rescue and along with her two daughters offering his family shelter and food for a few weeks.Rohit says he and his wife struggled to comprehend Manjeela’s generosity. Why was she going out of her way to help a poor family when their own family in Bihar had refused to help them?“I am so used to people turning their back on me that I just did not understand Manjeela’s kindness. It felt uncomfortable to accept such a genuine gesture,” he adds.Manjeela then found out from the media that the popular Bollywood actor Sonu Sood was helping migrant workers like Rohit with transportation to their homes. She coordinated with Sood’s team and registered Rohit and his family so they could travel back to Bihar.“Sonu Sir came to see us off and I even got to shake his hands,” smiles Rohit. Had it not been for Manjeela and Sonu Sood, Rohit knows he would have been one of the hundreds of thousands walking home to their villages along train tracks, evicted and penniless -- an iconic image during India’s first lockdown in early 2020. “What other option did we have? Even thinking about the possibility of walking back brings tears to my eyes,” he says. <img width="640" height="853" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203159c7e80680e0b27ecjpeg.jpg" alt=""/>Adds Rohit: “For tens of thousands like me, Sonu was a real-life hero. But for my family specifically, Manjeela was an angel. I will never be able to forget what they did for me and my family.” --AmitA quiet man with a wide smile, 45-year old Amit spent a decade in Saudi Arabia taking care of a family of 7, alongside three <a href="https://www.nepalitimes.com/opinion/south-asias-migrants-shared-problems-share-solutions/">other South Asian migrants</a> including a Nepali housemaid.He had come home to India for his nephew’s wedding when Covid-19 hit, and he was stuck because of a Saudi ban on flights because of the Delta outbreak. Two years later, it finally looks like he can <a href="https://www.nepalitimes.com/opinion/labour-mobility/crossborder-virus-and-nepali-migrant-workers/">rejoin his employment</a>, but only by making a <a href="https://www.nepalitimes.com/latest/indians-use-nepal-to-circumvent-travel-bans/">convoluted journey through Kathmandu</a> for a flight to Riyadh. India has finally been lifted off the Saudi red list, but direct flights from Mumbai are unaffordable for Amit. That is why he is flying from Delhi to Kathmandu along with three other stranded Indian migrant workers. This is a less expensive option – at least that is what his agent told him.Agents are skillful at finding loopholes around flight bans and restrictions, and provide options for desperate workers like Amit. But the Kathmandu option is also expensive for him: he had to pay the agent ₹85,000, including costs for a two-week quarantine in Nepal.It was not an ideal arrangement, given pre-Covid flights were a fraction of what he is paying now, but Amit says at least he will start earning again soon. The <a href="https://www.nepalitimes.com/here-now/living-with-covid-in-2022/" target="_blank" rel="noopener noreferrer">uncertainties brought by Omicorn</a> might trap him for extended periods once again, but he cannot afford to take any more chances.“For now, the priority is my daughter’s wedding,” says Amit who will have to pay the groom up to ₹400,000 (Rs640,000) in dowry. This is over 15 months of his wages, even if he were to save every paisa. There are other regular costs to take care of back home -- for food, medicine, loans for the ticket and his children’s education, making it difficult to save even a small portion of his earnings.Amit looks out of the plane’s window (pictured right) at Himalayan peaks as the plane begins its descent into Kathmandu. He says: “The work in Saudi is not easy. What work is easy? But it pays, and that’s what matters. I can save ₹25,000 a month, and that’s more than double of what I can earn in India.” <img width="640" height="853" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/637203189c7e80680e0b27edjpeg.jpg" alt="">Dhana Dhana is from Gulmi district in Nepal, and is finally flying home from Delhi after the pandemic hit two years ago.“Nepal is so close, yet I have not seen my family for two-and-half years,” he says.For many Nepalis, a work stint in India is a stepping stone to go to Malaysia or the Gulf. They can save enough in India to afford to pay recruiters for the overseas jobs.But Dhana’s work history is unique. He has been to India before, then to Malaysia, Saudi Arabia, UAE and he has come right back to India after his boss in the UAE transferred him to look after his home in India. <img width="640" height="853" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372031b9c7e80680e0b27eejpeg.jpg" alt="">Older Nepali migrant workers find the culture and familiarity of India more appealing, even though the earnings may not be as much as elsewhere. Many others are here for seasonal work as drivers or security guards because they cannot afford to pay recruiters for jobs in the Gulf. Younger Nepalis, however, do not find India as appealing.Despite being one of the largest destination countries for Nepali workers, India seldom gets the attention it deserves and is treated akin to internal migration. There is no precise count of Nepali workers in India because of the open border and no requirement for permits. But this migrant workforce <a href="https://www.nepalitimes.com/here-now/indias-covid-catastrophe-hits-nepalis-hard/">suddenly became visible during India’s Covid lockdowns</a> as Nepalis <a href="https://www.nepalitimes.com/latest/nepal-braces-for-its-2nd-covid-wave/">streamed back</a> in the hundreds of thousands.Dhana himself works at an Indian household, so was spared during Covid-19. But he knows of many Nepalis who suffered. Four of his acquaintances who lived close by lost their lives during the 2021 Delta peak.Deaths of Nepali workers in India also go largely unnoticed -- with or without Covid-19. There is no count, no compensation to families of the deceased, and no government help with repatriation as happened from the Gulf or Malaysia.“The only consolation is that here you can expect that full procedures will be followed during funerals according to Hindu rituals which you probably cannot expect elsewhere,” says Dhana. “The Nepal government should compensate families of the deceased as they are from the poorest families.”But he is quick to note the privileges of being a migrant in India versus other countries where he has lived and worked. “You don’t become undocumented in India. You are not obliged to stay with the same employer,” he says.Dhana should know: he has spent months hiding in the jungles of Johor Baru in Malaysia with 19 other Nepalis to avoid raids when he became undocumented because his employer went bankrupt.He quit his job in Saudi Arabia after three months despite having paid Rs100,000 to a recruiter. In both cases, he felt trapped as he wasn’t able to exit the countries without incurring fees, and was <a href="https://www.nepalitimes.com/here-now/in-the-minds-of-nepals-migrant-workers/">mentally stressed.</a>After making a full circle back to India where he had spent over a decade in his early twenties before venturing to Malaysia and the Gulf, he values the freedom for <a href="https://www.nepalitimes.com/latest/people-to-people-at-india-nepal-border/">Nepali workers like him in India. </a>Some names have been changed.

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Rohit, Amit and Dhana

<img width="640" height="361" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101152/636a26df9c7e80680e043a3cjpeg.jpg" alt=""/>Rap music entered the subcontinent’s musical firmament decades ago, but its essence has never been as well encapsulated as in the new Bollywood film, Gully Boy, that is in cinemas in Kathmandu this week.Right at the outset, protagonist Murad (Ranveer Singh) points out what contemporary Indian rap sounds like: “What kind of song is this? Look, this is my car! Look, this is my girl! Look at all this gold I have!” Yes, those are the rap songs we usually see from the likes of singers like Yoyo Honey Singh in most Bollywood songs.Gully Boy, however, takes us to the origins of rap, born from a need to express and to seek release from pain and suffering, from the need to stay honest and sane in a fake world, a need to seek your own centre in the constant glut of sensations that the world throws at you.It starts with the eponymous Gully Boy Murad (meaning ‘wish’, cleverly named) who lives in a slum with his extended family, just as his father brings home a second wife who is closer in age to him than his father. Murad goes to college so that he does not have to become a chauffeur like his father. But disturbed by everything he sees around him, he writes poetry at night, and is touched one day when he sees a rapper perform the kind of songs he writes.The rest of the movie is more or less predictable, but still a heartwarming tale of his eventual success as a rapper. What makes this movie watchable are the typically Indian characters, and very relatable across South Asia. The one who stands out is Shrikant aka Sher (Siddhant Chaturvedi) who essays the role of Murad’s mentor with the confidence of a seasoned performer, and not the newcomer that he is. Safeena played by Alia Bhatt is another instantly memorable character. Bhatt turns the role of a supportive girlfriend, a role that may have passed in the blink of an eye, into a fiery portrait of a millennial woman. She is studious, but also adventurous. She loves her parents, but does not hesitate to lie to them when she is going out with her boyfriend. She is smart, and keeps her own communication apps well hidden as she outs another girl who is flirting with her boyfriend. Murad and Safeena’s childhood sweethearts may seem too romanticised and unrealistic in other parts of the world. But not here in South Asia, where everyone is familiar with the game of cat and mouse with family, and sneaky ways to hang out. Meanwhile, the movie also manages to portray what life in Mumbai’s slums actually look like. Murad lives in a cramped loft of a two-room shed, and counts among his friend people who steal cars and deal with drugs. Director Zoya Akhtar’s last movie, the glitzy Dil Dhadakne Do that lacked an engaging story, had fallen flat both commercially and critically, and she had almost been slotted into a rich-world storyteller. With Gully Boy, she proves her versatility and her ability to mine all kinds of social strata. Ultimately, the movie succeeds in showing what rap means in India. For those who are alien to the genre and think rap is about ranting whatever comes to the mind (‘JPT’ in Nepali cyberlingo) Sher (meaning ‘couplet’, another clever name) gives a lecture about the centrality of poetry and rhythm in rap. Sher’s constant mentoring, and Murad’s incessant practicing, also break the myth that stars are born. Instead, it shows how much hard work it takes to be good at what you want to do. One of the most memorable scenes is when Murad is arguing with his father about his dreams, and breaks into rhythm naturally, as if he had internalised it with constant practice. Such poetry fills every moment of our lives, and we only need to open our eye and ears to see and hear them. Gully Boy reminds us how each of us have stories to tell, and if we do not tell them, we may just explode. Ultimately, it is a celebration of the human need to spell out our feelings in the form of art, so that we can connect with each other.https://www.youtube.com/watch?v=JfbxcD6biOk

Gully Boy

https://www.youtube.com/watch?v=b4g5rSiWEhMShe was just 19 when she starred in her first movie in Bollywood. As a fresh face from the mountains and with her enormous talent, <a href="https://www.imdb.com/name/nm0463539/" target="_blank" rel="noopener">Manisha Koirala</a> shone in the Indian film industry in the 1990s, winning many prestigious awards.At one point in her busy career, she was doing a dozen movies a year, working exhausting 18-hour days. Fast forward to 2012 through a string of unsuccessful romances and films, a failed marriage, and alcoholism, Manisha came face to face with death.In 2012, she was diagnosed with last-stage ovarian cancer. How she dealt with the crisis and how she came out a survivor, extricating herself not just out of the clutches of the disease, but also the rut that her life had fallen into, is the dominant theme in her new book Healed.Always a headstrong girl with a passion for details and love of nature, Manisha was raised under the loving care of her grandmother <a href="http://archive.nepalitimes.com/news.php?id=6808#.XBtl5FUzbIU" target="_blank" rel="noopener">Sushila Ama</a>, <a href="http://archive.nepalitimes.com/news.php?id=3099#.XBtlwVUzbIU" target="_blank" rel="noopener">B P Koirala’s</a> wife.Growing up with the egalitarian outlook of the Koirala household moulded her.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/6369378a9c7e80680e03fe42jpeg.jpg" alt="" width="200" height="174"/>Reaching out to those in need was instilled into her young mind, and it has stayed with her: lending a helping hand, including for cancer patients, or rooting for women’s health and wellbeing as <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="http://(UNFPA) http://archive.nepalitimes.com/news.php?id=7019#.XBtim1UzbIU" target="_blank" rel="noopener">goodwill ambassador for the UN Population Fund</a>.And now, with <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://www.amazon.in/Healed-How-Cancer-Gave-Life/dp/0670091979" target="_blank" rel="noopener">Healed</a>, she decided to open up her life and its learnings to benefit the public at large. “Now that I am healed, I wish to help others,” Manisha Koirala told Nepali Times in an interview this week ahead of the Nepal Literature Festival in Pokhara, where her parents will unveil the book on 22 December.Read also: <a style="background-color: #ffffff; letter-spacing: 0.01em;" href="https://archive.nepalitimes.com/article/nation/think-pink-breast%20cancer-diagnosis-treatment,3877" target="_blank" rel="noopener">Think Pink</a>, Sonia AwaleManisha was among the lucky quintile of women who have been diagnosed with stage four ovarian cancer but beaten the disease. She has now been cancer free for six years, and now follows a ‘reformed” regimen of meditation, prayer, yoga, pranayama and vegetarian diet, with a huge dollop of mindfulness. She went back to Bollywood after a five year break, and is now focused on taking on fewer, yet more meaningful films.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/6369378b9c7e80680e03fe43jpeg.jpg" alt="" width="1500" height="1000"><figcaption> </figcaption></figure>Manisha considers herself lucky for the unflinching support of her family (especially her parents and brother) and friends, as well as the resources and connections to battle cancer. Cancer treatment is expensive, she says, and wants the Nepal Government to do more on prevention by checking toxic contamination of air, water and food, promote healthier lifestyles, and to  provide world class affordable cancer treatment for the needy. And the rest is up to individuals.“Cancer is not a death sentence, so one should not lose hope,” she says.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=9322#.XBtn01UzbIU" target="_blank" rel="noopener">Cancer refuge </a>Healed is co-authored with Neelam Kumar, also a cancer survivor, in which we join Manisha in a roller-coaster ride as she struggles against the disease. Through the highs and lows of her emotions as she learns about the diagnosis in Kathmandu, the confirmation in Mumbai, the final verdict and treatment in New York, and then her slow and bumpy recovery towards being cancer free.In the process, Manisha’s tale meanders through the darkness of her feelings of fear, panic and pain and oscillates between glimmers of hope and shadows of hopelessness.  It is a book of self-discovery, where the author honestly and minutely analyses her own life, her decisions, her ‘toxic relationships’ and  mistakes. It combs through events and people that shaped her, and allowed her to overcome the disease.The fluid narrative borrows on memories of an actress who has starred in over 80 Bollywood movies, and lays bare the ordinary human being behind the trappings of the spotlight and glamour. Nothing is spared, the raw emotions are laid out in agonising detail: her post surgery ‘ruthlessly stapled’ abdomen, the time she lets out a ‘guttural cry’ in the privacy of her shower, or when she likens the agony of the first chemotherapy session to ‘…dark, wild wolves, their mouths open, fangs bared, seeking out each vein of my body, tearing forward at great speed, hell-bent on destruction.’Read also: <a href="http://archive.nepalitimes.com/article/nation/Communicati-about-non-communicable-diseases,1153" target="_blank" rel="noopener">Communicating about non-communicable diseases</a>, Elina Pradhan and Bigyan R BistaIt is a frank book, where the movie star has not hesitated to share even not-so-flattering photos of her post-chemo self, sans hair, eyebrows or eyelashes. And all the time as the narrative moves forward, she intersperses it with reflections from the past, detailed description of sights, sounds and smells in the world around her – the sea, sunlight, birds, flowers, forests and mountains, the scent of incense. The book even has descriptions of what her doctors in Kathmandu, Mumbai or New York were wearing.There are tales within tales that make the reader keep turning the pages, whether it is the roles of the magic mala, the Maori healers and the redhot ovaries, the Cherokee parable, the trapped butterfly, or the references to words of wisdom and spiritualism, the mantras, and even quantum physics, that helped her in the path to being healed.We travel along with Manisha as she turns from a ‘weak tree’ to a ‘deep-rooted banyan’ in this journey of self-discovery. We learn from the abundant tips and tricks she shares about self-healing, whether it is ‘visualisations, affirmations, and talking to the body’ or the auto-suggestion of repeating ‘I’m cured, I’m strong, I’m healthy, I’m fine.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/6369378e9c7e80680e03fe44jpeg.jpg" alt="" width="640" height="960">Manisha admits that cancer came into her life ‘as a gift, that left her with many learnings, just like a flooded river that leaves behind rich deposits of silt’. And she shares these learnings with her readers, more so her female readers.She dissects her life choices, her habits, and directs us to pay attention to everyone’s ‘inner compass’, to embrace life and live in the moment just as she learnt to.Healed: How cancer gave me a new lifeManisha Koirala with Neelam KumarPenguin Random House India, 2018INR: 499219 pagesBuy Healed on <a href="https://amzn.to/2rOTmAV" target="_blank" rel="noopener">amazon</a><a href="https://amzn.to/2rOTmAV"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937919c7e80680e03fe45jpeg.jpg" alt="" width="200" height="307"></a>Read also: <a href="http://archive.nepalitimes.com/news.php?id=19634#.XBtovVUzbIV" target="_blank" rel="noopener">A win-win battle</a>, Buddha Basnyat<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=12756#.XBtn7VUzbIU" target="_blank" rel="noopener">Peaceful end</a>, Jemima Sherpa

Manisha Koirala’s new life

The book <a href="https://www.amazon.com/Another-South-Asia-Nath-Pathak/dp/9386552582" target="_blank" rel="noopener">Another South Asia!</a> with an assertive exclamation mark in its title requires one to pause, and step back to recall what is South Asia, before one engages with the idea of what could be ‘another’.The essays in this book explore institutional lapses like <a href="http://archive.nepalitimes.com/page/saarc-timeline" target="_blank" rel="noopener">SAARC</a> which have not done much about the region, and includes the failure of academics. The book posits the possibility of exploring ‘another’: a soothing, disarming, and yet not credulous, utopia.It is common to understand the region <a href="https://archive.nepalitimes.com/regular-columns/by-the-way/reimagining-south-asia,396" target="_blank" rel="noopener">through the lens of ‘India’s hegemonic power’</a> -- often provides for understanding everything bad in South Asia, be it the <a href="http://archive.nepalitimes.com/article/editorial/autopsy-of-a-blockade%20,2863" target="_blank" rel="noopener">Indian Blockade of Nepal</a> or the omnipresence of China’s influence in the region. The book jolts one out of this intellectual stupor, rejecting not just the conventional approach, but also explores a tapestry of lived history woven into the fabric of daily life. It begins to feel that there is more to the idea of <a href="https://archive.nepalitimes.com/regular-columns/On-the-way-up/Different-regionalisms-SAARC,987" target="_blank" rel="noopener">South Asia</a> than one realised.The book explores South Asia through its fluid faiths and intellectual history, cross border bonhomie of artists, revolutionary poets of the region in the framework of ‘organic intellectuals’, and the Progressive Writers’ Association as a case for a South Asian literary imagination.That is not all. The dramatic and performative traditions of the region show them to be trans-local and deeply melodramatic without being Bollywood-like. It also invites us to see, smell, and savour South Asia far beyond its cartographic territory. Most importantly, this all premises on the idea that the region ought to be understood on its own both as a World Region, a civilisational entity in its own right.This is a refreshing departure from intellectual preoccupations of scholars, diplomats, bureaucrats, and officials who tend to be in confusion about South Asia. It is not too concerned with finding ‘the other’, but in this strength is also its weakness. Even while the book accepts the predominance of the state in South Asia, it resists an attempt to have a discussion about it. It is perhaps due to the objective of exploring much needed utopian imagination.  The book can only be summarised in metaphor, which is also a metaphor for the history of South Asia. The Jinnah House in Bombay which Indians cannot understand why after insisting on a separate nation, Jinnah said he wanted to spend a peaceful retired life in it after partition. Pakistani diplomats insist that it is a sign of Jinnah’s generosity, and that Indians have misunderstood him. Meanwhile, the biggest builder of Bombay who is also a member of parliament wants to pull it down, and replace it with something ‘better’.If the gates of that abandoned house were to be opened for people to live in it, and the house was to have a library, one imagines that a copy of this book would find a prized place on the shelves of that library. Another South Asia! Offers that tantalising possibility.  Shray Mehta is a PhD candidate at the Department of Sociology, South Asian University, New DelhiAnother South Asia!Edited by Dev Nath PathakNew Delhi: Primus Books, 2017ISBN: 978-93-86552-58-7Price: INR 1,395		
										<img width="344" height="499" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933af9c7e80680e03dfb1jpeg.jpg" alt=""/>Read also:<a href="https://www.nepalitimes.com/editorial/sorry-state/" target="_blank" rel="noopener">Sorry state</a>, Editorial

Re-imagining South Asia

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