Nepali activist Radha Paudel who works on dignified menstruation through her foundation shows in her new book just how pervasive menstrual discrimination is around the world.&nbsp;
Menstrual Stories: An Anthology from Global South is replete with tales of stigma, taboo, mockery, disrespect, shame, teasing, bullying by boys that persists.&nbsp;
Radha Paudel is a nurse who has worked in government hospitals across Nepal, and wrote an harrowing account about being caught up in the Maoist attack on Jumla in 2002. She turned into a dignified menstruation activist because of the discrimination and ostracisation she herself faced while growing up in Chitwan.
She established the Global South Coalition for Dignified Menstruation and Radha Paudel Foundation which hosted a six-month virtual fellowship in 2023 with participants from Austria, Bangladesh, Costa Rica, Malawai, Nepal, Nigeria, the Philippines, Sri Lanka, and the UK.&nbsp;
The book is an outcome of those interactions where campaigners across the world spoke about their own experiences of having their first periods, the reaction of their families, school mates and peers.
A thread running through all the stories is that no matter where in the world women are, rich countries or poor, North or South, educated or uneducated, menstrual taboos persist to a greater or lesser degree.
There are stories of girls not telling their parents because the first bleeding was “too sensitive”, the restrictions on the freedom of young women by family members, schools not teaching reproductive health with accuracy and the right values.
In one school in Dhaka, biology text books had the chapter on sexual reproduction stapled shut. Many young men in Colombia’s conservative Catholic families even refused to answer questions in a survey about menstruation, and some confused menstruation with masturbation.
In Nepal, the lack of separate restrooms for girls in schools and shame about menstruation has contributed to the high female dropout rate after Grade 5. The practice of chhaupadi in western Nepal is an extreme form of menstrual banishment.&nbsp;
Paudel does not like the word chhaupadi because it is “too neutral”, and does not convey the discrimination.
The books also has examples of women across the world resisting the stigma and taboos, and spreading awareness.&nbsp;
A marathon runner in the UK recently ran without pads and ‘let the blood flow freely’. A Chinese athlete who won a medal at an international sports event was frank in her answer to a question from the media about her performance: she said she was having her periods.
Writes Laura Contreras-Aristizabal from Colombia: “It is ironic that despite the fact that more than half of the world’s population is made up of women and menstruating individuals, menstruation is still stigmatized and a taboo subject.”
We know there are even more serious problems of female genital mutilation in some parts of the world. But for the more pervasive and persistent occurrence of menstural discrmination, this slim volume offers practical solutions in schools and society to ensure a more dignified approach to accepting the monthly biological cycle in women without stigma.&nbsp;

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Menstruation is normal, period

Halucha is a carpenter living a happy life with his big family in Kathmandu’s Maru Hiti in the 1960s handcrafting chairs, tables and temple woodwork. He observes festivals of his Newa community including <a href="https://nepalitimes.com/banner/the-legend-behind-the-myth-of-indra-jatra">Yenya</a>, Indra Jatra, enjoys his favourite choila baji and with friends, and occasionally momocha. Read also: <a href="https://nepalitimes.com/opinion/suburban-tales/wine-and-women-during-yenya">Wine and women during Yenya</a>, Pratibha Tuladhar  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240914040936_b1f8b03dc37e18d45a24c93422715ea0f6480b050683893d0fc5f3a8d6a290ce.jpg" data-media-id="editor_2" data-image-id="20240914040936_b1f8b03dc37e18d45a24c93422715ea0f6480b050683893d0fc5f3a8d6a290ce" data-rendition-name="original" width="1833" height="1000" loading="lazy" alt="London Lakhey review MASK NT2"> </figure>  But then a big new furniture factory is set up nearby, which takes away the jobs of those with the ancestral occupation of carpentry. Halucha loses his customers.&nbsp; One thing leads to another and by the 1970s, Halucha travels to <a href="https://nepalitimes.com/news/nepalis-in-the-garden-of-england">England for work</a> after borrowing money at a high interest rate. London is rainy and dreary, he struggles with the language and at his job. He has no friends, people look at him differently and treat him poorly. He feels lonely and homesick. The isolation affects his <a href="https://nepalitimes.com/news/the-other-pandemic-mental-health">mental health</a> and before long, he loses his job and is homeless.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240914040952_5ff460d094ce67737cfcdf0bbf88edaadeffd58571806fe91bfc37a962d1390f.jpg" data-media-id="editor_5" data-image-id="20240914040952_5ff460d094ce67737cfcdf0bbf88edaadeffd58571806fe91bfc37a962d1390f" data-rendition-name="original" width="1320" height="1000" loading="lazy" alt="London Lakhey review MASK NT3"> </figure>  Author Ojesh Singh weaves a layered tale that delves into the universal themes of migration, <a href="https://nepalitimes.com/editorial/50-diaspora-diaries-in-nepali-times">diaspora</a>, mental health, racism, heritage and identity in simple, engaging storytelling style with vibrant illustrations by Sahanshil Dangol in the new Nepali children’s book, London Lakhey. Read also: <a href="https://nepalitimes.com/news/brain-gain-into-brain-drain">Brain gain into brain drain</a>, Sonia Awale “Children are smarter than we give them credit for, they have genuine reactions and responses, and the earlier they are exposed to difficult emotions, the sooner they will learn to express them openly and grow up better able to deal with them,” says Dangol on some of the heavier themes underlying London Lakhey. Indeed, as children’s literature, the book does not shy away from difficult topics. This was a very conscious choice, says Singh, who himself went to England in 1999 and is now an aerospace engineer running two restaurants specialising in Newa cuisine in London. Read also: <a href="https://nepalitimes.com/opinion/suburban-tales/passing-the-baton-on">The Unstoppables</a>, Pratibha Tuladhar&nbsp; “The story is inspired by some of my own experience when I moved to England and that of people close to me, the not-so-easy beginning, the loneliness,” adds Singh, who is in Kathmandu to launch the book.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240914040956_bc4f28cd93c2b2c568d979707bc0d8a04f37e0fe519e1d8752f952b91a5fdea2.jpg" data-media-id="editor_9" data-image-id="20240914040956_bc4f28cd93c2b2c568d979707bc0d8a04f37e0fe519e1d8752f952b91a5fdea2" data-rendition-name="original" width="1500" height="1141" loading="lazy" alt="London Lakhey review MASK NT"> </figure>  “The first thing we Nepalis seek abroad is a plate of <a href="https://nepalitimes.com/here-now/dal-bhat-power">warm dal bhat</a> and not getting that can be so hard, then there are our festivals, dance and music that we miss so much.” Singh had it relatively easy as his father was already in the UK. But even then, he had to support himself and for the first five years he studied by day, while working at a restaurant at night. Finally, he bought his own restaurant, and another one a few years later. He calls them “Nepali-Indian” restaurants but actually specialise in Newa food, the first of few in the London area. “I do a lot of work virtually so the restaurant for me is like a living room and it is as if I am cooking for my friends and family, it keeps me feeling alive,” says Singh, whose clan home is in Basantapur. He is actively involved in the Pasa Pucha Guthi in London as one of the founding member since its inception in 2000. Read also: <a href="https://nepalitimes.com/news/nepalis-in-the-garden-of-england">Nepalis in the Garden of England</a>, Joy Stephens The Newa-English community in London organises cultural events including performing the <a href="https://nepalitimes.com/here-now/the-spirit-that-is-fire">Lakhey mask dance</a> during Mha Puja, also the Newari New Year. This real-life tradition in London serves as an inspiration for the book. “The new generation of Nepali diaspora should know the struggles of their parents, what they went through, some were asylum seekers, others came for better opportunities,” says Singh, stating how this was one of the ideas behind the book, especially as he is himself a father now. A mutual contact brought animator and illustrator Sahanshil Dangol onboard for the book, and the two would go on to work closely for the nearly two years it took for the volume to develop. Dangol works for London-based studios and was previously involved in making commercials and music videos for up-and- coming Nepali artists like Yugal Gurung and Ankit Shrestha.&nbsp; Read also: <a href="https://nepalitimes.com/here-now/memories-of-a-london-nepali-hangout">Memories of a London Nepali hangout</a>, Sunil Pun But what really got him passionate about the book project was the Lakhey element. During his undergrad, Dangol was working on a film to document his cousin’s mask dances in Pokhara but had to shelve it. He has since come across the Nepali Creative Gang, an online collective of artists, writers, game developers, animators and others which helps young talent with guidance and feedback as well as protection for their work. Dangol went on to develop a 4-minute-long stop motion film called Death and Exposure but he always had the Lakhey project at the back of his mind. “It felt like a second chance to work on something close to my heart,” he told Nepali Times in a video interview from London. It also helped that the characters spoke to him. Having moved to London at 11 following his father who was in the army, Dangol never felt like he quite fit in, neither in London, nor in Kathmandu. “Growing up, I didn’t have Nepali friends, and in any case, I didn’t feel like I completely belonged anywhere, and while I didn’t go through everything that Halucha went through in the story, I could still resonate with the character and sympathise with him, it is a relatable story with so many of our friends and families migrating today.” Dangol based the physical attributes of Halucha and other characters on people around him. The last few pages of the book are dedicated to the process of illustration including doodles and sketched studies of Lakhey and his masks. Read also: <a href="https://nepalitimes.com/news/getting-behind-the-divine-mask">Getting behind the divine mask</a> The Lakhey mask depicted in the book is a variation of the real thing which is supposed to give devotees divine powers when they wear them. In fact, communities in Kathmandu did not want their actual mask to be represented in the book for fear of offending the deities.&nbsp; Lakhey is a demon in the carnival of God but is worshipped as a deity protecting townspeople of the Newa civilisation. He is depicted as having a ferocious face, protruding fangs, and a mane of red or black hair.&nbsp; During festivals including Indra Jatra which falls on 17 September this year (below), he comes out on the streets and dances in a trance whirling and jumping to the thump of drums.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240914040936_0d60bd64fe6b3db69c9654e3a90569768ba0caeaaaacd1b46b5ca4e357b21a6e.jpg" data-media-id="editor_15" data-image-id="20240914040936_0d60bd64fe6b3db69c9654e3a90569768ba0caeaaaacd1b46b5ca4e357b21a6e" data-rendition-name="original" width="2170" height="1000" loading="lazy" alt="London Lakhey review MASK NT 4"> </figure>  On the surface, London Lakhey is a children’s book but since its release, it has found as many adolescent and adult readers who have requested most copies, says Dangol. “I want our children to remember their roots and not be ashamed of it. They can so easily feel embarrassed because they are eating dal bhat for lunch and not burgers and pizza,” says Singh.&nbsp; “We have to own up to our roots but we don’t have to stick to one singular identity either, it can be a mix of Newa and British like in my own persona. This is important for stability and a peace of mind.” ­­  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240914040936_4af67a538381c66209f7cc834a6b2056857275cc12c2b3a5e3bf6f3f1c1c78c9.jpg" data-media-id="editor_16" data-image-id="20240914040936_4af67a538381c66209f7cc834a6b2056857275cc12c2b3a5e3bf6f3f1c1c78c9" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="London Lakhey review MASK NT 5"> </figure>

Sonia Awale

MASK

The five permanent members of the Security Council (the United States, China, Russia, France, and the United Kingdom) reign supreme, each wielding a veto over whatever the other 192 members might want. That is why Israel, owing to US support, can <a href="https://www.dailysabah.com/world/mid-east/israel-ignores-un-cease-fire-resolution-to-keep-pummeling-gaza">blithely ignore countless UN resolutions</a>, and why Syria, owing to Russian and Chinese support,<a href="https://news.un.org/en/story/2017/04/555292"> handily escaped sanctions</a> for its use of chemical weapons. Owing to the disproportionate power they wield, the Permanent Five share an old, decidedly British sense of empire. The authors of two recent books on empire, Lawrence James and Nandini Das, offer no thoughts on how the UN might, or indeed should, be reformed, would agree. In The Lion and the Dragon, James, a prolific historian of the UK’s role in world affairs, follows Britain’s relations with China from the <a href="https://edition.cnn.com/2002/WORLD/asiapcf/east/06/20/hk.history.01/">nineteenth-century Opium War </a>until the return of Hong Kong and today’s tensions over Taiwan. And in Courting India, Das, a professor at the University of Oxford, concentrates on the very beginnings of the British Empire and its covetous reach into what was then the Mughal Empire in India. What this history shows is that empire is still very much with us. Though Americans, proud of throwing off the rule of King George III, tend to bristle at the idea, their own military, technological, and commercial power is as imperial and pervasive as Britain’s territorial dominance ever was. As James notes, we can thank the post-World War II Pax Americana for the mostly stable international relations that prevailed during the aptly named Cold War with the Soviets and their own empire. Read more: <a href="https://nepalitimes.com/here-now/two-new-books-on-conflict-and-conservation">Two new books on conflict and conservation</a>, Kunda Dixit A perennial question, especially during periods of geopolitical upheaval, is not just how empires emerge, but how they fade. Though Britain and France still indulge their memories of empire, they have long since accepted being ‘middle powers’ at best. Ever since the Suez crisis of 1956, when the threat of US sanctions forced Britain, France, and Israel to withdraw from Egypt’s Suez Canal, Britain has supinely followed America’s lead in international relations. (UK Prime Minister Harold Wilson’s refusal to send troops to Vietnam in the 1960s is the exception that proves the rule.) At the same time, France has sought comfort in the collective embrace of what became the European Union. Vladimir Putin’s Russia is on a hopeless <a href="https://nepalitimes.com/news/what-does-defending-europe-mean">quest to reverse the collapse of the Soviet Union</a> and recreate the empire of Peter the Great. And China already sees itself, with some justification, as wielding global influence to rival that of the American empire. China’s pursuit of superpower status is born of not just current economic and political realities, but also its deep-seated resentment over the ‘century of humiliation’ (1839-1949) that it suffered at the hands of European (and Japanese) imperial powers. Of course, similar sentiments also animate Putin’s revanchism, as well as Indian Prime Minister Narendra Modi’s dismissiveness of diplomatic overtures from post-Brexit Britain. In William Faulkner’s oft-quoted words, ‘The past is never dead. It isn’t even past.’ <h2>Passage To India</h2> The trite answer to the question of why empires fall is that they become victims of their own success, growing too large, too corrupt, too exhausted to fend off energetic newcomers. As the Arab philosopher and historian Ibn Khaldun argued in the 14th century, empires are like living organisms: they grow, mature, and die. As Das’s wonderfully researched book shows, the Mughal Empire was almost mature when the British arrived in the 1600s. Its Muslim rulers, with their roots in Central Asia, are fascinating figures. Emperor Jahangir, a generous patron of the arts, was addicted to opium and wine, whereas his wife, Nur Jahan, wielded significant political influence. The emperor’s son, Shah Jahan, was a ‘king of the world’, whose love for his wife, Mumtaz Mahal, is permanently commemorated in the Taj Mahal. Mughal India was both a place of immense wealth and a bastion of religious tolerance (unlike Europe, with its centuries-long Inquisition against Muslims, Jews, and heretics). Read also: <a href="https://nepalitimes.com/opinion/the-smallpox-virus-in-british-india">The smallpox virus in British India</a>, Tom Robertson By contrast, the British Empire was barely in its infancy when its clash with Mughal India began. In Courting India, Das paints a vivid picture of the experiences – mostly endured, rather than enjoyed – of King James’s ambassador, Thomas Roe, at the Mughal court. But more than that, she also offers a rich description of Jacobean England as it was emerging from the first Elizabethan age and jostling for power with Portugal, Spain, France, and Holland. Roe’s own journals are a major primary source, but so, too, are the cultural interpreters of the period, from William Shakespeare to the poet John Donne (a friend of Roe). Theirs was an England full of energy, seeking its fortune in the Americas and the Indies. However, it was nowhere close to as sophisticated as courtiers like Roe seemed to believe. Indeed, Roe was almost a caricature of the Englishman abroad. He refused to learn any language that might have helped his mission (be it Farsi or Turkish), and he insisted that he and his staff wear English wool and silk, even through the Indian summer. While he eventually came to admire the pragmatic tolerance of Mughal society, he remained convinced of England and Protestant Christianity’s superiority. Never would he have allowed himself to ‘go native’. Roe was answerable not only to King James but also to his financial backer, the East India Company, which had been granted its charter by Elizabeth I in 1600. This meant he was constantly tussling with the miserly company for money (its traders were always jealous), as well as struggling to quell, or at least make excuses for, the riotous behavior of English sailors. Read also:<a href="https://nepalitimes.com/here-now/buried-in-history"> Buried in history</a>, Lisa Choegyal <h2>Century of Humiliation </h2> Two centuries later, the East India Company, as it appears in James’s book, would still be clinging to the same assumptions that Roe had held. The superiority and integrity of Christian Britain went unquestioned, and still stood in stark contrast to “Asian greed and despotism.” The biggest change, in the meantime, had been the collapse of the Mughal Empire. Mughal India, the wealthiest place in the world at the end of the 17th century, was steadily enfeebled by internal dissent and Persian and Afghan invasions. In 1857, the East India Company formally dissolved the empire, setting the stage for <a href="https://www.royal.uk/encyclopedia/victoria-r-1837-1901">Queen Victoria</a> to establish the “British Raj” and direct rule over the Indian subcontinent the following year.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240815120836_d96f9f442c51b3abd7717e340c856b87423a5f6d5a9e97422ffa7deec482aac2.jpg" data-media-id="editor_8" data-image-id="20240815120836_d96f9f442c51b3abd7717e340c856b87423a5f6d5a9e97422ffa7deec482aac2" data-rendition-name="original" width="842" height="596" loading="lazy" alt="The Mughal Empire's Treaty of Allahabad by Benjamin West NT"><figcaption>A painting by Benjamin West of the Mughal emperor Shah Alam II conveying the Treaty of Allahabad to Robert Clive in August 1765 after the Battle of Buxar that gave the Company the right to collect taxes -- marking the beginning of British India rule.</figcaption></figure>  To paraphrase Ibn Khaldun, 19th Britain was no longer an infant with imperial ambitions; it was now an adult with all the energy and ruthlessness needed to extend its reach around the world. As such, the British lion had no misgivings about disgracing the Chinese dragon. Looking back on this period, it is easy to see why Chinese President Xi Jinping is so determined to expunge the century of humiliation from the national memory. That century began in 1839 with the First Opium War. When China tried to block imports of East India Company opium from Bengal, Britain responded with all its (industrialised) military might. By 1842, British warships and soldiers had crushed all opposition and compelled China’s Qing emperor to sign the Nanjing Treaty. That opened China to international trade and ensured that British citizens in ‘treaty ports’ would be subject to British, not Chinese, law. Another consequence of the war was that Britain took possession of Hong Kong, which it would hold until 1997. Whereas Das describes India principally through Roe’s eyes, James is keen to present a balance between British actions and Chinese reactions. In doing so, he stresses that China was not reacting only to British imperialism. After all, this was a time when ‘a spirit of predatory imperialism … pervaded the foreign ministries of Russia, France, Germany and China’s near-neighbour, the newly industrialized Japan’. Seized by their own commercial ambitions, all four ‘regarded China as a land mass to be partitioned and shared out in the same way as contemporary Africa’. But these other imperial projects hardly give Britain a pass. In arguing that ‘Britain was reluctantly sucked into the complex geopolitics of great-power empire building in the Far East’, James simply is not convincing. Britain, the world’s leading naval power and the home of the Industrial Revolution, was already adept at the game of geopolitics and quite prepared to protect its interests in China, not least because that would also protect its interests in India. By the 18th century, the Qing Dynasty had expanded from its Manchu roots and established an empire extending from Mongolia and Tibet to the Pacific. But by the 19th century, it was too exhausted to withstand the pressure not only from the other imperial powers but also from its own people. The century of humiliation always refers to foreign interventions, but equally important were domestic embarrassments such as the 1850-64 Taiping Rebellion – in which some 30 million people died – and the 1899-1901 Boxer Rebellion. The dynasty’s ‘Mandate of Heaven’ was clearly slipping from its grasp. It finally came to an end in 1912, when the Western-educated Sun Yat-sen, following a brief revolution, established the ‘Republic of China’. <h2>Remember Thucydides</h2> Today, that title applies only to the island of Taiwan, whereas Xi presides over the ‘People’s Republic of China’, which was established in 1949 with the victory of Mao Zedong’s Communist Party over Chiang Kai-shek’s Nationalist forces. Since the 1970s, most countries – including both rival Chinas – have embraced the fiction that the ROC and the PRC refer to a single country. But there is a constant fear that Taiwan could formally declare its independence and destroy the fiction, thus provoking an invasion from the mainland. If President Joe Biden is to be believed, the US would then come to Taiwan’s rescue and the South China Sea would witness a Sino-American war with far-reaching regional and global consequences. Given his focus on Britain and China, James understandably devotes only a handful of his final paragraphs to US analysts’ ‘bleak’ prognosis of a future war over Taiwan. Moreover, throughout the preceding chapters, he deals deftly with other instances when conflict erupted between rival regional powers. These include the Sino-Japanese war of 1894, which led to Japanese occupation of Taiwan, the Russo-Japanese war of 1904, Japan’s bloody expansionism in the 1930s, and Japan’s attack on Pearl Harbor, which brought America into World War II. The big risk today is that China and America could end up at war as much by accident as by design. Graham Allison of Harvard University has famously warned of the ‘Thucydides trap’, an allusion to the Peloponnesian War, in which Sparta, the incumbent hegemon, was ‘destined for war’ with the rising power, Athens. It is tempting to dismiss Allison’s argument as alarmism. But over the past 500 years, there have been 16 instances of an incumbent power facing off with a rising power, and war was avoided in only four of them, the most famous being America’s rise to replace Britain as the leading world power in the early twentieth century. Notably, James recalls that China was ‘stunned’ by <a href="https://www.bbc.com/news/uk-politics-32810887">Britain’s 2016 vote to leave the European Union</a>. The message pushed by Chinese state-controlled media was that the UK had surrendered to ‘a losing mindset’. Clearly, the current Chinese leadership has no intention of showing weakness. The good news is that political and military leaders on both sides of the Pacific are aware of the risks. As Xi said in 2015, on his first state visit to America, “There is no such thing as the so-called Thucydides Trap in the world. But should major countries time and again make the mistakes of strategic miscalculation, they might create such traps for themselves.” The bad news, however, is that all countries are prone to ‘miscalculation’. <h2>Tick-Tock</h2> Almost a half-century ago, John Bagot Glubb, a British general who commanded the Jordanian army from 1939 until 1956, published a book entitled The Fate of Empires and Search for Survival. His thesis was essentially the same as Ibn Khaldun’s, only with the added claim that almost all empires rise and fall over a period of roughly 250 years. Putting aside the obvious flaws in Glubb’s arithmetic (the Ottoman Empire certainly did not ‘end’ in 1570), the core idea should not be dismissed. After all, historians now give the Qing Dynasty a lifespan of 267 years, and the Mughal Empire of Das’s book began to lose territory after only two centuries. A pessimist might say today’s China began with Communist victory in 1949, and that America’s quasi-imperial power began 201 years ago with the Monroe Doctrine. Time may not be on the side of those who place their trust in America to protect democracy and ‘liberal Western values’. John Andrews, a former editor and foreign correspondent for The Economist, is the author of The World in Conflict: Understanding the World’s Troublespots. © Project Syndicate  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817040832_cfc464995c06ecb51810752401d179a4b4da0c9be7a21219b8b2f0845e1f1920.jpg" data-media-id="editor_10" data-image-id="20240817040832_cfc464995c06ecb51810752401d179a4b4da0c9be7a21219b8b2f0845e1f1920" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The evolution of empire book cover page NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817040832_f993521a48e8f6baa1ccc7fd4428cb0f19ae2b39a5ae76a9fb062a9af0675c36.jpg" data-media-id="editor_11" data-image-id="20240817040832_f993521a48e8f6baa1ccc7fd4428cb0f19ae2b39a5ae76a9fb062a9af0675c36" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The evolution of empire book cover page NT"></figure>

The Evolution of Empire

<a href="https://www.ranjanadiga.com/">Ranjan Adiga</a>’s debut short story collection, <a href="https://www.penguin.co.in/book/leech-and-other-stories/">‘Leech and Other Stories’,</a> is a bold and honest exploration of a wide variety of modern experiences of Nepalis home and abroad. A million Nepalis leave the country every year, mostly for work, and about 90,000 to permanently resettle abroad. The ten stories in this slim volume revolve around characters who have migrated and are dealing with issue of identity in their adopted homes.&nbsp; Four of the stories involve Nepalis in the United States navigating success, divorce, cash jobs in Indian restaurants, diversity committee politics, and the Broncos. America is where Adiga himself is based currently, teaching Creative Writing and English at <a href="https://westminsteru.edu/campus-directory/directory-profiles/adiga-ranjan.html">Westminster College in North Salt Lake, Utah</a>. After publishing a <a href="https://archive.nepalitimes.com/news.php?id=17263">few articles for this newspaper</a> in 2010, and a brief internship at The Kathmandu Post, he spent some well-paying years in advertising in Kathmandu and Bahrain.&nbsp; Fascinated by fiction, he did an MFA in creative writing at <a href="https://uncw.edu/">University of North Carolina Wilmington</a>, before completing a PhD at the University of Hawaiʻi at Mānoa. Observing Nepalis struggling with identity and acclimatising to American culture gave the fiction writer in Adiga plenty of plot material to work on.&nbsp; Adigais often mistaken for <a href="http://www.aravindadiga.com/">Aravind Adiga</a>, author of the Booker-prize winning author of the 2008 book, <a href="https://kenyonreview.org/kr-online-issue/2009-winter/selections/review-of-aravind-adigas-the-white-tiger/">The White Tiger</a> that was made into <a href="https://www.netflix.com/np/title/80202877">a Netflix movie</a> starring Priyanka Chopra. “When you introduce yourself in Nepal, it’s never just your first name. If I just say ‘Ranjan,’ the next question is automatically ‘Ranjan ke?” Adiga tells us during a recent visit to Nepali Times. “People are often intrigued, and some harbour preconceptions about who I am.”&nbsp; And if it is not being mistaken for Aravind, it is to be taken for an Indian. But Ranjan’s pedigree is even more exotic: his grandfather was a <a href="https://www.telegraphindia.com/india/kathmandu-ripples-in-karnataka/cid/507815">high priest of Pashupati Temple</a> in Kathmandu, whose predecessors have been traditionally sourced from <a href="https://www.thehindu.com/news/national/andhra-pradesh/coastal-karnatakas-bond-with-nepal/article7144615.ece">Udupi of the Karnataka-Kerala border</a> in south India for the past 300 years. Both his parents are Nepali. Like many people who straddle multiple cultures, Adiga does not feel completely accepted in either place. In fact, the uprootedness of being at home everywhere and nowhere helps him in his writing, and that is also reflected in many of the characters in his stories.&nbsp; They too feel alienated in new cultures with various values and different requirements for getting by: whether a Madhesi in Kathmandu, a newly-Christian Dalit woman, or a homocurious uncle. One of the ten stories is titled Leech, and seems to be inspired by the experience of author and former American Peace Corps volunteer Broughton Coburn, whom <a href="https://archive.nepalitimes.com/news.php?id=11933">Nepali Times profiled in 2006</a>. Says Adiga: “A lot of my characters feel like parasites in the system, they feel alienated in the places they find themselves, often facing dilemmas between morality and survival.” Indeed, the protagonists in Adiga’s stories are mostly morally ambiguous. They may steal, lie, cheat and drink, but ultimately own up to their mistakes. “Most of my stories tell themselves as I write. It’s a process of discovery, of observing what the characters do and how they interact,” Adiga explains, adding that in only one of the stories did he start with the plot completely outlined beforehand.&nbsp; That story is ‘Student Visa’ about a Nepali youngster named Sanjay on whom his parents have great expectations: he will go to America and eventually bring Mom and Dad, too. Sanjay completely bombs the interview but lies to his parents (and to a neighbour uncle who has a brother in the States, and is naturally an expert) that he got the visa. The author seems interested in how Nepalis deal with relationship norms abroad. Adiga writes about couples in the US where the wife has a ‘better’ job and earns more than the husband, and a visiting father of a divorced son who looks past all of his successes in tech and only talks to him about his failed marriage. This is a story titled ‘A Short Visit’and has a strong plot with real writing. Nirmal is the son who works in tech and has a fancy house and a Tesla. His Baba is an electrical engineer turned alcoholic. Father and son bond over alcohol as a poignant, vulnerable story unfolds. Baba is not supposed to drink at all, and when Nirmal’s sister in Nepal finds out, she berates Nirmal. Brother and sister also have an interesting dynamic. Nirmal is rich and divorced in Denver, while Binita lives in Nepal with a stable joint family and children. The question looms: who has made the bigger sacrifice?As the booze flows, son and father process their different understandings of the divorce, get into arguments, and head to a party where Baba gets on stage and tells the crowd that he loves his son. “That was the story that I had to write quickly, as a replacement for one that fell through,” Adiga explains. “I wrote it in about three weeks, while usually take several months on each one.”&nbsp; Adiga’s stories are observant, uncomfortable and true. Like when he talks about Nirmal texting his ex-wife occasionally and liking each other’s photos on Instagram. Or when he writes: ‘Baba looked like someone’s driver at a wedding in Nepal, cowering in a corner, scrounging on leftovers.’ In ‘A Haircut and a Massage’ a middle-aged man named Krishna is in a sad sexless marriage and teeters on the edge of homosexuality. When his wife sends him out to buy veggies, he starts frequenting Iqbal’s salon for full body massage. Krishna’s marriage had started out well but deteriorated after his wife had their first child. Most of Adiga’s stories feature strong, pragmatic female characters who are in charge, with weaker and often embarrassing male counterparts. Adiga writes bravely about issues that we usually skirt around. ‘High Heels’ looks at a Dalit woman who converts to Christianity and works at a bank, doing better than if she did what her caste identity dictated. <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/sermon-on-the-mountain,3911">Prosletysation may have its problems</a>, but the Church treats her as an equal.&nbsp; The story ‘Diversity Committee’ is about the tension between a professor and his white female student after he follows an awkward hug with an iffy text. Soon there is rumour spreading around school that the prof has a staring problem. The student has heavily bought into diversity brainwashing and is a star student, and now does not know what to do that her Professor-Of-Colour has hugged her and stroked her back. Meanwhile an interesting interaction is taking place between the Nepali professor and a Black lesbian professor in the same department. They are good friends in lily-white rural Idaho, but also compete for leadership and inclusion grants from the diversity committee. Adiga admits that one his inspirations is fellow-Nepali writer in America, <a href="https://nepalitimes.com/news/writing-about-nepal-from-afar">Samrat Upadhyay</a> (<a href="https://archive.nepalitimes.com/news.php?id=4483">The Guru of Love</a>, <a href="https://archive.nepalitimes.com/news.php?id=9235">Arresting God in Kathmandu</a>, <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Kathmandu-wont-let-go-of-me-samrat-upadhyay,3649">Mad Country</a>) who is also a Kathmandu St Xavierite. The short, clipped sentences, sparse prose and simple plot lines involving Nepalis are indeed vintage Samrat. And like Subcontinental authors who write in English, Adiga also grapples with making the vernacular dialogue sound authentic. The stories are set where the author lives and works, and it is about fictional fellow-Nepalis, so it is natural to wonder how autobiographical they are. Ranjan Adiga leaves us guessing.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024070411070_c4a190ab73e414a17b257fe459d8845b2615b9dbcd3eff06e202fafbe7f902d5.jpg" data-media-id="editor_16" data-image-id="2024070411070_c4a190ab73e414a17b257fe459d8845b2615b9dbcd3eff06e202fafbe7f902d5" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Leech and other stories NT"> </figure>

Vishad Raj Onta

Feeling at home nowhere and everywhere

Many browsing the shelf of a bookstore or library may see Shépa written in bold all caps on the cover of this book, and misread it as 'Sherpa' and think it is yet another book on the ethnic group from the Khumbu. That happened to this reviewer when a copy arrived by mail. But Shépa in Tibetan actually means ‘explanation’ and is a unique form of oral poetry sung in the question-answer style and the intangible heritage of Tibetan-speaking people in danger of dying out.&nbsp; The book contains Shépa poetry that has been passed down from one generation of the Choné people of Amdo to the next. The original Tibetan verse is translated into English and Mandarin, and includes animistic beliefs before Buddhism got to the plateau. There are Bon Po legends, explanations of various Mahayana traditions, as well as the shared memory of the ebb and flow of history. &nbsp; The Shépa has a wide range of subjects and has been recited and shared for hundreds of years, and the book is a result of contributions from researchers, monks, and devotees. It is thus a valuable undertaking to document this oral tradition before it disappears forever. The book is part of the World Literature Series and the ebook version is available for free from OpenBook Publishers.&nbsp; “This trilingual publication is a landmark in Tibetan studies, making research findings accessible to the community for whom Shépa is a living practice,” says Tsering Shakya of the University of British Columbia.&nbsp; Why the Choné people came to embrace the Shépa oral tradition is buried in history, but it does resemble the recited verse of the Himalayan rimlands. Shépa performances can be religious or secular, sing about the Tibetan cosmology, history and recite chants at weddings. The verses are rendered by elderly men and are performed somewhat like the back-and-forth dohori in Nepal.&nbsp; Shépa orature is varied and constantly revised, its mutability giving it relevance as Tibet is swept by change. The book may be a bit too detailed for the lay reader, but will be valuable for students and researchers of Himalayan linguistics, ethnicity, and even for those studying Nepal’s indigenous groups.&nbsp; More importantly, the book is an invaluable documentation of an oral tradition that is hanging by its thread, made accessible because of the translation of the stanzas into English and Mandarin.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215150228_7c1e788f70d5d20a2ca7e94fb9db29f14f0244b629d96f9fcfa3824440beb6b9.jpg" data-media-id="editor_0" data-image-id="20240215150228_7c1e788f70d5d20a2ca7e94fb9db29f14f0244b629d96f9fcfa3824440beb6b9" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Shepa"> </figure>

Kunda Dixit

The Shépa lexicon

The 240 year reign of the Shah dynasty in Nepal that ended in 2008 saw palace intrigues, coups, a revolution and massacres. And 16 years after it was abolished, there are calls to reinstate the monarchy. After Nepal’s founding king Prithvi Narayan Shah died in 1775, there were a series of infant and/or weak kings with little to no involvement in government. The country was run by power brokers either from the royal family or its retainers. After Jang Bahadur’s coup in 1847, the kings were just puppets. It was not until 1951 when the Rana regime ended that the Shah kings became more involved. Too involved, in fact. In 1960 King Mahendra staged a coup and dissolved an elected parliament for a 30-year experiment with the partyless system. After the 1990 democracy movement, King Birendra gave up absolute powers to be a constitutional monarch, but the Maoists immediately launched their armed struggle to end the Hindu monarchy. However, the royal family itself imploded in the 2001 royal massacre, and it took just seven more years for Nepal to become a secular republic. The political aspects of Nepal’s transition from monarchy to republic has been written about extensively, but Anne Taylor Mocko in her book Unraveling the Crown: Rituals, Politics and the Fall of Kingship in Nepal takes a more historical and anthropological approach. She examines the rituals that make a king a king, and why and how taking away those rituals interrupts the process. Mocko, who is professor of religion at Concordia College in Minnesota, draws connections between ritual, politics and kingship. She distinguishes between succession rituals (‘those which mark the end of one office-holder’s tenure and the beginning of a new office-holder’s tenure’) and reinforcement rituals (‘that permit the constant reproduction of a social office throughout the duration of the office holder’s tenure’). The reinforcement rituals appear to reflect rather than produce a social status. Mocko expands on this by analysing the rituals following the royal massacre. The massacre left Gyanendra, King Birendra’s brother, as the only surviving royal family member eligible to rule. The book delves into the government handling of the murder investigation. The two-member team was given three days to investigate. The investigation did not include any forensics and the final report did not have the results of the ballistics test. It then looks into the cremations and coronation of two kings (Dipendra was crowned in a coma). Mocko concludes that the rituals were either highly problematic or incomplete, given the unusual circumstances. She draws from Ronald Grimes’ ‘ritual infelicity’, a concept that accounts for the many ways that a ritual can go wrong. Given the loopholes in the massacre report, many shocked Nepalis concluded that Gyanendra himself was to be blamed for the killings. The response to his enthronement ritual was therefore unenthusiastic and controversial. Mocko also brings up the incomplete ritual of katto for both Birendra and Dipendra, as both the brahmins who volunteered for the rituals did not leave the Valley as they were supposed to, given their dissatisfaction with the compensation and offerings, hence leaving the ritual unfinished. With these and other shortcomings in the succession rituals, the book points out that the reinforcement rituals were more important for Gyanendra to solidify his kingship. The bulk of the book deals with three annual events where the king plays a public role: the Bhoto Jatra, the Indra Jatra and the Dasain festival. The writer examines these rituals in the aftermath of 2006 people’s movement and 2007 when the political parties made moves to strip the palace of reinforcement rituals even though the king was still living in Narayanhiti. Gyanendra at first tried to continue being involved: he attended Bhoto Jatra, received the blessings of the Kumari at the end of Indra Jatra and continued to put tika on the public at the palace in 2006. But by 2008, an elected Constituent Assembly voted to abolish the monarchy and Gyanendra left the palace. When the Prime Minister took over these ex-royal rituals, the king ended up being just a regular citizen. The gradual demotion of the king showed how important these rituals were in giving the king legitimacy. Mocko makes us wonder whether Gyanendra would have remained king even without any connection to the government if he had retained his royal ritualistic role. This South Asian version of the book is slightly updated from its 2016 version Demoting Vishnu: Ritual, Politics and the Unraveling of Nepal’s Hindu Monarchy published by Oxford University Press in Europe and North America, and has new photographs and a new title. This is a recommended resource for anyone interested in Nepal and its monarchy at a time when Gyanendra is once more in the political arena.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215150216_4faf43761932353d053627ef8117c4c47ee466d6089fdd15cdfd15153ab917bb.jpg" data-media-id="editor_0" data-image-id="20240215150216_4faf43761932353d053627ef8117c4c47ee466d6089fdd15cdfd15153ab917bb" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Unraveling the crown NT"></figure>

Sahina Shrestha

The role of rituals in royalty

A lot has happened since American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin was first published in 2005. The book set off ripples after it won a Pulitzer, but created a tidal wave of interest after Christopher Nolan adapted it for his 2023 blockbuster movie Oppenheimer which is dominating this award season. American Prometheus is a nuanced portrait of a scientist ‘whose brilliance was matched only by his internal conflicts’, and by retelling its protagonist’s life and times the book is a call for rationality in the nuclear age to contain the fearful threat posed by weapons of mass destruction and terror.&nbsp; The book took 25 years to research and write and is a sobering reminder that the doomsday clock is closer to midnight today than at any time since the end of the Cold War. It has been ticking ever since the world’s greatest scientific minds got together in Los Alamos in New Mexico in 1943 to build an atom bomb before the Germans did.&nbsp; Germany surrendered, but that did not stop hawks in the US military to use it to kill 200,000 people in Hiroshima and Nagasaki in August 1945. The Americans justified this by saying that a long-drawn assault on the Japanese mainland would have cost a lot more lives. And Oppenheimer himself felt that the first military use of atomic weapons should be so spectacular and destructive that its ferocity would deter future use. The book reminds us that he opposed the detonation of the second bomb over Nagasaki, and the development of the hydrogen bomb. The fact that nuclear weapons have not been used in war for the past 80 years shows the reasoning could have some merit. But it has not stopped nuclear proliferation, and countries like Pakistan, India and North Korea now own atomic warheads as well.&nbsp; Read also: <a href="https://nepalitimes.com/here-now/the-nuclear-weapons-story-is-not-over">The nuclear weapons story is not over</a>, Nepali Times Speaking with Nepali Times ahead of his session at the Nepal Literature Festival in Pokhara on 17 February, Kai Bird emphasised that the nuclear story is not over, and it could still end very badly: Vladimir Putin’s threat to use tactical nuclear weapons against Ukraine, Israel's strategic ambiguity, and Iran's impending nuclear arsenal. Closer to home, Nepal is surrounded by nuclear-armed countries which are not exactly friendly with each other. India has frequent border skirmishes with Pakistan and China, and Nepali soldiers serve in the Indian Army.&nbsp; Amitav Ghosh in his 1999 book Countdown following the Indian nuclear test wrote that even tactical use of nuclear weapons could result in fallout carried by prevailing winds to Himalaya glaciers that could turn Asia’s rivers radioactive and contaminate aquifers. &nbsp; If Middle East tensions escalate into a nuclear confrontation, it will endanger 2 million Nepalis who work there and most will have to return home for safety. Nepali students were killed by Hamas in Israel, and continue to die for Russia in Ukraine.&nbsp; The staunchest critic of nuclear weapons was the architect of the first atomic bomb himself. The book recounts how after the Japanese surrender, Oppenheimer met President Truman and said he felt he had “blood in his hands”. Truman told aides later he never again wanted to see that “son of a bitch … cry-baby scientist”. &nbsp; Oppenheimer used his newfound fame as a celebrity scientist to slow the nuclear arms race. ‘He tried valiantly to divert us from the bomb culture by containing the nuclear threat he helped to set loose,’ the authors write in Prometheus.&nbsp; Read also: <a href="https://nepalitimes.com/here-now/what-the-movie-oppenheimer-missed">What the movie Oppenheimer missed</a>, Katsuhiro Asagiri But at the height of the anti-Communist McCarthy purges in the 1950s, Oppenheimer was singled out for his peace initiatives in &nbsp;hearings designed to silence and humiliate the scientist.&nbsp; “Oppenheimer became the chief celebrity victim of the McCarthyite witch-hunts. And today around the globe we seem to be experiencing similar xenophobia about immigrants, ethnic and religious minorities and workers disrupted by technology and globalisation,” Bird says in his interview (overleaf).&nbsp; The dense 700-page biography reads like a political thriller that starts with Oppenheimer’s precocious childhood. He is so fascinated by rocks and minerals that the New York Mineralogical Club invites him to deliver a lecture not knowing he is only a 12-year-old boy. He is miserable at Harvard and Cambridge, his mental well-being is put to a test and he is diagnosed with schizophrenia. But he flourishes in Göttingen in Germany where he learns quantum physics. Back in America, his Berkeley department becomes the centre of fundamental research into atomic physics. He supports leftist causes but never joins the Communist Party.&nbsp; Today, there is a theoretical debate about which is worse: all out nuclear war, or climate breakdown. &nbsp;One has more immediate and irreversible implications than the other, but the fact is that both are manmade threats and we have it in our power to remove them.&nbsp; Read : <a href="https://nepalitimes.com/opinion/comment/ukraines-lessons-for-sandwiched-nations-like-nepal">Ukraine's lessons for sandwiched nations like Nepal</a>, Bhaskar Koirala Harnessing atomic energy was always a double edged sword. Besides the bomb, many energy planners are pushing for nuclear reactors to be climate-friendly. But atomic reactors have a problem with radioactive waste disposal, and the dangers of Chernobyl or &nbsp;Fukushima type meltdowns.&nbsp; The future may be in fusion reactors, the same physics that drove the thermonuclear bomb that Oppenheimer so staunchly opposed. Fusion is cleaner energy with water as the only by-product.&nbsp; “It is becoming increasingly likely that the problem will not be resolved with renewable energy – which is growing too slowly to make a significant difference – or expensive technologies like carbon capture and sequestration and green hydrogen,” says Nouriel Roubini of New York University’s Stern School of Business. “Instead, we may see a fusion energy revolution, provided that a commercial reactor can be built in the next 15 years.” Oppenheimer said that the only defense against nuclear terrorism was the elimination of nuclear weapons, and in the age of nuclear arms race he was also worried about mankind’s moral survival. His friend, a fellow theoretical physicist Isidor Isaac Rabi said, ‘You drop a bomb and it falls on the just and the unjust.’ In Japan, surviving hibakusha and their descendants continue to suffer genetic defects. In the South Pacific, Kazakhstan and other nuclear test sites, many still suffer devastating health consequences from fallout. The Los Alamos site itself led to inter-generational sickness from radioactive fallout for 15,000 Navajo people living downwind. They were not warned before the test, and they have been forgotten since.&nbsp; American Prometheus reminds us of the urgent need for nuclear arms control in a volatile world. Bird and Sherwin have narrated the moral dilemma and persecution of the inventor of a fearful weapon, coming generations will have to grapple with ways to keep prevent its use. Read also: <a href="https://nepalitimes.com/editorial/year-of-reckoning">Year of reckoning</a>, Editorial  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024021515028_d560d5d86980d0c3493c75fd1e4e7e2bb3a91c490d2641329aea2901d6564482.jpg" data-media-id="editor_4" data-image-id="2024021515028_d560d5d86980d0c3493c75fd1e4e7e2bb3a91c490d2641329aea2901d6564482" data-rendition-name="original" width="1136" height="669" loading="lazy" alt="American Prometheus NT"> </figure>

The destroyer of worlds

There has been a feast of new books covering Nepali cuisine and recipes in recent years: A Taste of Nepal, The Rana Cookbook, Nepali Home Cooking &amp; Healthy Living, Timmur. The list goes on. Rohini “Dolly” Rana, the author of The Rana Cookbook: Recipes from the Palaces of Nepal, has now come out with yet another book, The Nepal Cook Book: 108 Regional Recipes. And unlike her previous collection which focused on the royal cuisine of her Rana clan, this one spreads across Nepal to extol the country’s culinary diversity. Rana’s second book is not just a sequel to Rana recipes, but also a sort of supplement to Timmur, Prashant Khanal’s food tour of 12 of Nepal’s main ethnic groups. The Nepal Cook Book divides up the world of Nepali cuisine into chapters: Sherpa, Tamang, Magar, Gurung, Thakuri-Brahmin-Chhetri, Thakali and Newar, and sticks to the more iconic dishes of each.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215130232_04e711975456065799a8753c8521f56ff15e2493e87bfca73da9839598dcfeed.jpg" data-media-id="editor_0" data-image-id="20240215130232_04e711975456065799a8753c8521f56ff15e2493e87bfca73da9839598dcfeed" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Nepal Cook Book NT"> </figure>  The book is lavishly designed and mouth-wateringly illustrated, reminding us that Nepal’s natural and ethnic diversity is also reflected in its cuisine, with influences from north, south, east and west that have also evolved within Nepal into homegrown dishes. Like Timmur, The Nepal Cook Book is an important effort to document the diversity of Nepal's cuisine, which is being eroded steadily by Dal Bhat hegemony. Each chapter is visually rich, showing not just professional food photography but also the fabric, utensils and even jewelry of &nbsp;the ethnic groups featured.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215130232_0187516b9050411596bb560dab9bdf7fe7046faa1e52104af2618d93be7482c5.jpg" data-media-id="editor_1" data-image-id="20240215130232_0187516b9050411596bb560dab9bdf7fe7046faa1e52104af2618d93be7482c5" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nepal Cook Book NT"> </figure>  Ethnic cuisine tends to be difficult to replicate because ingredients are not available or its preparation needs practice. But Dolly Rana has simplified the process so that the preparation of Tamang Batuk, Sherpa Thukpa, Tharu Dhikari, for example, seem to be a piece of cake, as it were. When Nepalis stop at ‘Thakali’ restaurants along the highway in Mugling, they are usually looking for a Dal Bhat eatery that is just cleaner and the food tastier than other places. But it is from the Thakali chapter in The Nepal Cook Book that we find out how inaccurate this stereotype is. Original Thakali recipes from Mustang have buckwheat Dhindo, Kanchemba Fried Buckwheat Fingers, Yak Sukuti, and Timur Chope. And Dolly Rana gives us step-by-step instructions to prepare them so that the amateur chef will not be intimidated.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215130232_bbaf2bb25409a88e55986b690cac7a7950317495c9f32030562dda9cb84ecbea.jpg" data-media-id="editor_2" data-image-id="20240215130232_bbaf2bb25409a88e55986b690cac7a7950317495c9f32030562dda9cb84ecbea" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Nepal Cook Book NT"> <figcaption>Kanchemba</figcaption> </figure>  Few know that the most popular dish among the Magar community is the Sutkeri Kukhura Ko Jhol. Unlike what its name suggests, this is not a dish made of the mother hen, but a nutritious broth especially prepared for nursing mothers. The Gurung have gone a step further and marinated their chicken into a pickle so that it does not spoil on long journeys in the days before refrigeration. And the closest Nepal’s cuisine comes to preparing crustaceans is the Tharu Ghoongi snail dish. The most elaborate chapter is on more mainstream Thakuri-Brahmin-Chhetri food, but even here we find speciality dishes that some of us may not be familiar with: Koiralo Ko Achar (nothing to do with the clan of Nepal’s former prime ministers) is a pickle made of ebony buds, or Bhang Ko Achar made from hemp seeds, roasted so they are not narcotic.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215130232_618ff5f15de30ffc9773f9219a445019186105e5f746f3192ed4f4ee647ad4ab.jpg" data-media-id="editor_3" data-image-id="20240215130232_618ff5f15de30ffc9773f9219a445019186105e5f746f3192ed4f4ee647ad4ab" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Nepal Cook Book NT"> </figure>  Besides the chapters on ethnic cuisines, The Nepal Cook Book also has helpful sections on indigenous spices (jimbu and timur), and Nepali fermented foods (kinema, gundruk, tama, yangben). And there is even an explanation about the significance of the number 108 in Vedic cosmology which is why Dolly has chosen that many recipes for her book.&nbsp; She explains in her foreword: ‘I hope that with this auspicious number, my book will succeed in offering a higher level of insight into Nepalese cuisine and culture.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240215130228_d58dbf754ba202a9e610b01506a79d10daf76ce43ad9eae37147824675659ace.jpg" data-media-id="editor_4" data-image-id="20240215130228_d58dbf754ba202a9e610b01506a79d10daf76ce43ad9eae37147824675659ace" data-rendition-name="original" width="782" height="534" loading="lazy" alt="The Nepal Cook Book"> </figure>

Nepal cook book

All Nepalis take pride in the fact that the Buddha was born in Nepal, but few may know that Kathmandu Valley has the longest uninterrupted Buddhist tradition. Legend has it that the Mauryan Emperor Ashoka visited the Valley and married his daughter Charumati to a Patan nobility 2,000 years ago. The stupas of Chabahil and Pim Baha date back to that period. Buddhism has been preserved and continuously practiced in Kathmandu Valley since then to this day. Because of Kathmandu Valley’s relative isolation, the monastic tradition survived here while it was destroyed by waves of Muslim invasion in north India. The centres of learning and worship safeguarded Theravada practices, while evolving into the unique Vajrayana traditions that are the characteristic of Newar Buddhism that then travelled north into Tibet, China and up to Japan, assimilating local influences along the way. It was in the Valley’s monastic sites, known as baha, that rituals and tantric practices of Newar Buddhism thrive to this day. Seven of Kathmandu Valley’s temple complexes are in UNESCO’s list of World Heritage Sites, and Itumbaha is one of five main Newar Buddhist monastic enclaves in Kathmandu. Read also: <a href="https://www.nepalitimes.com/news/itumbahas-living-museum">Itumbaha's living museum</a>, Sahina Shrestha The World Monument Watch has included Itumbaha in its list of most endangered sites. A visit to the square shows why: while the courtyard and temple are intact, it is now surrounded by concrete high-rises of inner city Kathmandu.&nbsp; Itumbaha has existed for at least 800 years, and many of the carved wooden struts and columns, steles and votive structures survived earthquakes, invasions and political upheavals. Indeed, Itumbaha is only one of only three monastic structures in Kathmandu Valley that have preserved their original architecture for so long.&nbsp; The monastery is a part of the community and its rituals and activities are managed by the local sangha made of non-celibate priests, and the leadership in itself has been passed down through the generations.&nbsp; Because of its importance, Itumbaha was selected for urgent protection in 2003, and work started in restoring the collapsed south wing of the courtyard by Kathmandu Valley Preservation Trust (KVPT) with support from the German Embassy and the local community. The eastern wing was subsequently restored with support from the World Monument Fund. Read also: <a href="http://archive.nepalitimes.com/news.php?id=604">Polishing up the past</a>, Nepali Times The historical and cultural importance of Itumbaha and its meticulous rehabilitation from 2002- 2016 is now documented in a new book launched by KVPT last week: Restoration of Itumbaha. The book has contributions from a star cast of heritage conservationists and architects like Niels Gutschow, Thomas Schrom, Rohit Ranjitkar and contributions by other local and international experts. Alexander von Rospatt of Berkeley has a longish chapter on the monastic traditions of Itumbaha and explains why its intangible heritage is the reason the place is such a culturally vibrant shrine to this day. Gutschow documents in great detail the restoration work, with revealing before and after illustrations. One of the elaborately carved wooden tympanum was stolen in 2003 and has never been found. It was probably sold by art dealers to collectors or museums. Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Legends-of-pragya-paramita,3281">The legends of Pragya Paramita</a>, Shuvechchhya Pradhan As a part of the effort to protect existing artefacts and to spread awareness about heritage theft, a small room in the southwest corner of the courtyard is housing a museum that is being <a href="https://nepalitimes.com/news/itumbahas-living-museum">upgraded with support from the Rubin Museum</a>. The Itumbaha Initiative did not even try to fight the tidal wave of concrete that engulfed the historic heart of Kathmandu in the past decades. There was no legal way to stop private property owners to go high, and neither was there the political will to implement zoning laws. Gutschow notes: ‘Entering the courtyard one experiences a world of its own, a confined sanctuary with a horizon below the eaves. Rising the eyes only one is aware of the other world, contemporary Kathmandu … (with its) aggressive environment.’ And that is the message of this book: that Kathmandu’s best treasures like Itumbaha are hidden away. Finding them needs work. One has to walk down narrow alleys with cantilevered high-rises that block out the sky, through the fumes, noise and crowds of Asan Tole, to enter the Kayagunani square and from there cross the threshold of the inner courtyard and then the sanctum sanctorum. Read also: <a href="https://www.nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal Centuries of history speak from the corners, cobble stones are polished by the feet of ages, the bricks are eroded with time, chaityas encrusted with vermilion dot the courtyard.&nbsp; Restoration of Itumbaha is a documentation of the heritage and conservation of this priceless secret jewel of Kathmandu, and the book can serve as a useful guide for first time visitors and frequenters alike.&nbsp; Once is not enough because there is so much history and culture crammed into such a small space. Best to take the book along, sit in the square and let the architectural drawings, pre-restoration images and progress of pilgrims immerse you in Itumbaha's universe.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230728060712_e361648b29caa0a50bc6b0d014cbaacbcdfe2ddad3cd70133f31fc3b5beb88a8.jpg" data-media-id="editor_5" data-image-id="20230728060712_e361648b29caa0a50bc6b0d014cbaacbcdfe2ddad3cd70133f31fc3b5beb88a8" data-rendition-name="original" width="3000" height="1500" loading="lazy" alt="Page 9 book details NT"> </figure>  Read also: <a href="https://www.nepalitimes.com/banner/faith-stolen-lost-in-nepal-found-in-america?fbclid=IwAR339kc1dVacPz-FtNvJMdX7wBCk68KWkYD9EYasJsPphlbsQdwG-cfMkSg">Faith Stolen: Lost in Nepal, found in America</a>, Lost Arts of Nepal

Bedrock of Buddhism

Who better than Rohit Ranjitkar, Nepal’s foremost heritage architect, to put together this voluminous documentation of the repair, restoration and rebuilding of Kathmandu Valley’s monuments after the 2015 earthquake. Monuments of the Kathmandu Valley: Before &amp; After the 2015 Earthquake is a sort of post mortem of how the historic temples, shrines, monasteries, stupas, rest houses and Rana palaces were rebuilt from the ground up – with both good and bad examples. But it is a tribute to Ranjitkar and his colleagues that restoration has been sensitively done, reusing salvaged material, and employing modern items only when necessary for structural purposes. Cement was not used, and stainless steel dowels only inserted inside stone columns to make them safe.&nbsp; Ranjitkar is director of the Kathmandu Valley Preservation Trust (KVPT), and within minutes of the earthquake at 11:56 on 25 April 2015, he was out on Patan Darbar Square, helping rescue not just those trapped under the rubble but also mobilising Patan’s community to carry valuable stone carvings, wooden columns and fallen bronze idols for safekeeping in the nearby Patan Museum.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_c3165c450933eb0f523acf1fa726d0e354e68a516d87a91de72829e12b2f27d7.jpg" data-media-id="editor_0" data-image-id="2023072110074_c3165c450933eb0f523acf1fa726d0e354e68a516d87a91de72829e12b2f27d7" data-rendition-name="original" width="960" height="640" loading="lazy" alt="Rebuilding better than before NT"> </figure>  In the week after the earthquake, he stopped Nepal Army bulldozers from clearing the debris from the 12th century Hari Shankar temple and the 400-year-old Char Narayan temple so items could be retrieved. Many of these were classified and restored to the exact place on the temples. In the store room of &nbsp;Patan Museum were artifacts from the 1934 earthquake which were also put back in their right places.&nbsp; Destructive earthquakes happen every 80 years or so in Nepal and this allows the skills, craft and knowledge of restoration to pass from one generation to the next. This book is a part of that tradition.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_024da2a4ae2ba5c95bb08767a5d4b27b88bcf6a2a2a03ef05a92c8e4a4286d2c.jpg" data-media-id="editor_1" data-image-id="2023072110074_024da2a4ae2ba5c95bb08767a5d4b27b88bcf6a2a2a03ef05a92c8e4a4286d2c" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="2015 and present NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110078_07d8487a9232d6ace1d1a3be01a6a7bc72f8f5b3763c9e09cb744220e187e6e6.jpg" data-media-id="editor_2" data-image-id="2023072110078_07d8487a9232d6ace1d1a3be01a6a7bc72f8f5b3763c9e09cb744220e187e6e6" data-rendition-name="original" width="1000" height="669" loading="lazy" alt="Rebuilding better than before NT"> </figure>  Ranjitkar provides numerous examples of damaged wooden struts and tympanum that were replaced, repaired, and missing pieces recarved from scratch. The 625-page volume is lavishly illustrated with photographs and drawings of the reconstruction process. This makes the book itself a treasure house of information.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110078_563614fcf5090e03daf43531a3ece74a2b9be6454cf12b6cd6a173aa9f5e77d8.jpg" data-media-id="editor_3" data-image-id="2023072110078_563614fcf5090e03daf43531a3ece74a2b9be6454cf12b6cd6a173aa9f5e77d8" data-rendition-name="original" width="1000" height="951" loading="lazy" alt="Jagannath sketch"> </figure>  High on top of the Taleju in Patan, KVPT did not just rebuild the titled cupola but corrected faulty reconstruction after 1934. The book includes details of the rebuilding of the Machindranath Temple in Bungmati, the Indrayani Temple (below) built in 1792, Kasthamandap, Boudhanath stupa.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_521dc33e26ccee0ab5eff1ff095d101b4c14cbc4a37b78936d1f6077d4814ab5.jpg" data-media-id="editor_4" data-image-id="2023072110074_521dc33e26ccee0ab5eff1ff095d101b4c14cbc4a37b78936d1f6077d4814ab5" data-rendition-name="original" width="1000" height="668" loading="lazy" alt="Rebuilding better than before NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_3f86551605f5ec6ba2c27c456b804d3554030329649c10c0b68695da49ab77eb.jpg" data-media-id="editor_5" data-image-id="2023072110074_3f86551605f5ec6ba2c27c456b804d3554030329649c10c0b68695da49ab77eb" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Rebuilding better than before NT"> </figure>  In Bhaktapur, Ranjitkar shows &nbsp;how a watercolour painting by Henry Ambrose Oldfield in 1853 was used to restore the west façade of the Malati Chok not only to pre-2015, not even pre-1934 but to its original design in the 19th century.&nbsp; Monuments of the Kathmandu Valley does not just feature the restoration of Malla-era structures, but also former Rana palaces that now serve as government buildings like Singha Darbar, Rastra Bank, Harihar Bhavan or Keshar Mahal. Ranjitkar gives examples of mistakes like the 1832 Lagan Silkhana that was demolished after damage. We are sure there are many other examples of how restoration could have been done better, but this book is mostly about the ones well done. <h2>Restoration of a King</h2> The cover of Monuments of the Kathmandu Valley: Before &amp; After the 2015 Earthquake has the dramatic and hitherto unpublished photograph (right) of Patan Darbar Square while the temple structures were coming down in a cloud of brown dust.&nbsp; The image was taken by James Kirk at exactly 11:56 on 25 April 2015, and shows the 350-year-old bronze statue of King Yognarendra Malla falling from its pedestal as flocks of frightened pigeons circle above the dust cloud.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110070_0c32b837a1a62ec4a2cfefb67f7885c279f2eeacf249dbc406bbdcfda704fcc9.jpg" data-media-id="editor_6" data-image-id="2023072110070_0c32b837a1a62ec4a2cfefb67f7885c279f2eeacf249dbc406bbdcfda704fcc9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Restoration of a king NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_f0e64b42bab652f4c1aab5b7ef343fd49bc42b4ada0424863e12c844514229a4.jpg" data-media-id="editor_7" data-image-id="2023072110074_f0e64b42bab652f4c1aab5b7ef343fd49bc42b4ada0424863e12c844514229a4" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Restoration of a king NT"> </figure>  &nbsp;Kirk took another photo at 12:33. By then the dust has settled, and the statue is lying on its side, with a ‘top-less’ South Taleju in the background. There is already someone trying to dig through the rubble of the Hari Narayan temple to rescue people trapped underneath.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110070_c4f2745f6da695d72506cbe83550dab02e4b296a683f921fcb40bb2bca52f75a.jpg" data-media-id="editor_8" data-image-id="2023072110070_c4f2745f6da695d72506cbe83550dab02e4b296a683f921fcb40bb2bca52f75a" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Restoration of a king NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110070_624dffc791430e7f6e046a4056a31fff96b325dcb6eebc58a053d54e9f1358b9.jpg" data-media-id="editor_9" data-image-id="2023072110070_624dffc791430e7f6e046a4056a31fff96b325dcb6eebc58a053d54e9f1358b9" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Restoration of a king NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721100716_54baebd3651092231970c654d0babf9edaaae6ba59f25089830b133e204fe63d.jpg" data-media-id="editor_10" data-image-id="20230721100716_54baebd3651092231970c654d0babf9edaaae6ba59f25089830b133e204fe63d" data-rendition-name="original" width="1750" height="1465" loading="lazy" alt="Restoration of a king NT"> </figure>  King Yognarendra Malla’s statue was damaged, but looks as if it is kneeling in prayer. The face did not even have a scratch. The king and his consorts were repaired and consecrated on top of the column in 2017. Even the gilded copper bird finial, which was lost and &nbsp;miraculously found was replaced on top of the serpent. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110078_f5fbc8754184fbd5a05056ae93d12ae5445f5f214d260563a08811663735ef45.jpg" data-media-id="editor_11" data-image-id="2023072110078_f5fbc8754184fbd5a05056ae93d12ae5445f5f214d260563a08811663735ef45" data-rendition-name="original" width="999" height="750" loading="lazy" alt="Rebuilding better than before NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110078_75ef64548c8de35cf4497ba97961e0b1c6650dcb1f90f6f979fb6183d3657cfe.jpg" data-media-id="editor_12" data-image-id="2023072110078_75ef64548c8de35cf4497ba97961e0b1c6650dcb1f90f6f979fb6183d3657cfe" data-rendition-name="original" width="1000" height="706" loading="lazy" alt="Rebuilding better than before NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721100728_323655d03a94bdef9e17709caaf547501aac2e6c9c17f5662f258c073cfd4b54.jpg" data-media-id="editor_13" data-image-id="20230721100728_323655d03a94bdef9e17709caaf547501aac2e6c9c17f5662f258c073cfd4b54" data-rendition-name="original" width="1000" height="1000" loading="lazy" alt="Yogendra Malla"> </figure>  <h2>&nbsp;REINCARNATION</h2> The Charnarayan temple built in 1566 in Patan Darbar Square collapsed in a cloud of dust.&nbsp; The first photograph by Suresh Lakhe taken at 12:01 shows the square engulfed in dust. Five minutes later, people are standing at the centre of the square as the ground swayed, and structures collapsed around them. Pigeons wheeled overhead.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721090756_95b7359387aa2bf3456d412f13bdbba39c4ed6da767392572d2e2a1b78f986a8.jpg" data-media-id="editor_14" data-image-id="20230721090756_95b7359387aa2bf3456d412f13bdbba39c4ed6da767392572d2e2a1b78f986a8" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Reincarnation NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721090756_07d3503758e7152df470bb2a514ccf95e755ab673b056ba984fe4019c1e68c6c.jpg" data-media-id="editor_15" data-image-id="20230721090756_07d3503758e7152df470bb2a514ccf95e755ab673b056ba984fe4019c1e68c6c" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Reincarnation NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721090756_cc75d8468d2eddb167ab15fa7add71802495df6f59572aadc05db2544b46c408.jpg" data-media-id="editor_16" data-image-id="20230721090756_cc75d8468d2eddb167ab15fa7add71802495df6f59572aadc05db2544b46c408" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Reincarnation NT"> </figure>  &nbsp;The last photo taken in 2019 shows the temple meticulously restored by KVPT from the foundation up, using local material like yellow mud mortar, and &nbsp;traditional building techniques.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721090756_9436d09379a7ca1258be665ef0a10fef098fcf5245de778bdaf3aac5c07bef6b.jpg" data-media-id="editor_17" data-image-id="20230721090756_9436d09379a7ca1258be665ef0a10fef098fcf5245de778bdaf3aac5c07bef6b" data-rendition-name="original" width="1000" height="750" loading="lazy" alt="Reincarnation NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230721150736_fd0a53230e6bdc860666fc8cc84bfbb22adc7e1720b573437ababd103ddf3601.jpg" data-media-id="editor_18" data-image-id="20230721150736_fd0a53230e6bdc860666fc8cc84bfbb22adc7e1720b573437ababd103ddf3601" data-rendition-name="original" width="2194" height="1415" loading="lazy" alt="Book Launch"> <figcaption>The book by Rohit Ranjitkar (extreme right) being launched by the former head of the National Reconstruction Authority Sushil Gyewali, Director General of the Department of Archaeology Damodar Gautam and American Ambassador Dean R Thompson. Photo: MADAN PURASKAR PUSTAKALAYA </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023072110074_b732aa116e67e555e8583b7804b7f874252dc826ddafd32564827e3cce31d974.jpg" data-media-id="editor_19" data-image-id="2023072110074_b732aa116e67e555e8583b7804b7f874252dc826ddafd32564827e3cce31d974" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="Rebuilding better than before book details NT"> </figure>  The book was launched on 21 July in Yalamaya Kendra, Patan Dhoka.&nbsp;

Rebuilding better than before

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

When Rastriya Swatantra Party (RSP) president Rabi Lamichhane was arrested in October on charges of defrauding depositors of cooperatives, the party’s vice president Swarnim Wagle gifted him Fareed Zakaria’s book, Age of Revolutions.
Since then, Lamichhane has been shunted around from Kathmandu to Pokhara to Chitwan and back to Pokhara to attend police investigations and court proceedings. He was being flown to Birganj via Kathmandu on Buddha Air on Monday. There is another pending case in Janakpur.
Human rights groups and civil society have criticised the government for hounding Lamichhane with inhumane treatment that borders on physical torture. The two parties in the coalition, Nepali Congress (NC) and the UML, see Lamichhane’s RSP as a potentially formidable challenge to their power.
Even if the fraud charges against Lamichhane are true, the Nepali public is increasingly looking at the government’s actions through the police and courts as political vendetta.
Despite all the travelling, sometimes by plane and often by road at night, Lamichhane appears to be in high spirits, waving to supporters who often gather if they know he is going to be driven around. A social media video shows him giving high fives to fellow passengers on a recent flight to Pokhara.&nbsp;
In the past weeks, streets in Pokhara have erupted with parallel protests by Lamichhane’s supporters as well as depositors of cooperatives who lost their savings to the scam.&nbsp;
Although family visits are allowed, prison officials in Pokhara told Nepali Times that not many people visit Lamichhane these days. He added, “When he does get visitors, he asks them to bring him books.”
Lamichhane is currently Nepal’s most high-profile public figure in custody, and highlights the stark difference between how influential prisoners are treated compared to ordinary inmates.
There are six prison cells at Kaski District Police Office’s two-story detention centre, three on each floor. And while authorities pack prisoners into already overcrowded cells, Lamichhane has an entire room on the second floor to himself.&nbsp;
He has also been allowed to call his family every few days. Other prisoners are not permitted phone calls except for emergencies.
Meanwhile, Lamichhane’s former business partner Chhabilal Joshi, an ex-Deputy Inspector General of Police with whom he established his Gorkha Media Network, is in custody under the same charges in the prison cell next to him.
Lamichhane is accused of siphoning off depositors' money to the tv network in which he was part-owner and anchor. &nbsp;
Both Lamichhane and Joshi are able to buy food from the police canteen instead of being served the regular meal like other prisoners. Joshi has also given his statement to authorities in Rupandehi and Kathmandu for his alleged role in the scam. Lamichhane is yet to be presented in Kathmandu for questioning.
While he was in custody at the Kathmandu District Police Complex, Joshi expressed his desire to sleep in a police officer’s office, reportedly assuring authorities that he would not run away and he was entitled to certain facilities as a former officer of the law.
“He seemed to be under the impression that he is still a police officer,” says a source at the Kathmandu District Police. “We made it clear to him that as someone accused of a crime, he was not entitled to special treatment.”
Former ministers Balkrishna Khand and Top Bahadur Rayamajhi, and ex-home secretary Tek Narayan Pandey, who were arrested in connection with the fake refugee scam last year, were similarly housed in the offices of law enforcement officials instead of prison cells. Khand has since been released after six months in jail.
While there is no legal provision to keep high-ranking officials in separate detention centres when they are arrested, authorities granting them special facilities is not uncommon. Law enforcement officials say VIP detainees expect preferential treatment while in police custody.
Among those is former Kosi Province minister Lila Ballav Adhikari, who was arrested from Biratnagar on 10 November over his alleged involvement in human trafficking and brought to Kathmandu. Adhikari had flown to Japan without government approval with three individuals on 29 October to attend a cultural conference, but had been sent back to Nepal from Narita.&nbsp;
His three companions were arrested at Kathmandu airport upon their arrival, but Adhikari was able to exit unscathed from the VIP lounge. Adhikari had resigned as the Kosi Province Minister for Internal Affairs and Law when it became public that his companions had been taken into custody, and was himself arrested shortly after. He has since been cleared by the courts.
Throughout his detention, Adhikari was kept separately from other inmates. Senior Superintendent of Police (SSP) Basant Rajouri, head of the Bhadrakali complex, says that while there is no separate detention area for VIPs, some detainees are kept separately depending on the nature of their crime.
However, sources say that arrangements were made for retired judges and others to visit Adhikari frequently worked at the office of a Deputy Superintendent of Police (DSP) during his time in custody.&nbsp;
“He used to constantly pester the authorities to let him sit outside in the sun, and to be able to use the police officer’s shower area,” added an officer.
Adhikari was released on 25 November after the government prosecutor’s office decided not to charge him in a move that was seen to expose the government’s double standards.
Over at Kathmandu’s Dilli Bazar Prison, former Kist Bank CEO Kamal Gyawali emerges from his prison cell into the courtyard of the prison’s ‘Ka (क)’ block every morning with a thick book in his hands, ready to give his daily sermon.
With his long beard, Gyawali, who is serving a prison sentence for banking fraud, looks the part of a religious guru as he implores his rapt listeners to “walk the right path, abandon bad thoughts and turn to scripture and spirituality”.&nbsp;
Afterward, the attendees gather to discuss politics and current affairs. Inmates at his daily sermons at the prison include other high-profile detainees, including former MP Ichchha Raj Tamang, who is in jail for money laundering and cooperatives fraud, former joint secretary Chudamani Sharma, who was convicted of corruption, as well as NC leader Chandra Bahadur Lama and Krishna Bahadur Upreti of the UML both of whom are on trial for embezzling billions of rupees.
Victims of the cooperatives scam that former lawmaker Tamang was involved in have made trips to the prison and requested visits, but he has refused to meet with any of them.
“Tamang often complains that the state has prevented him from returning the money to the victims by locking him up,” says a police officer at the Dili Bazar jail.
“All you hear every day from the VIP prisoners is that they have been framed,” adds the officer. “No one admits that they were involved in misdeeds.”
But while most high-profile prisoners complain about prison conditions, one exception is former provincial lawmaker Deepak Manange, who is serving a sentence at Dilli Bazar Jail for attempted murder.
“He is the happiest prisoner here,” says a warden. “Unlike the others, he doesn’t claim to have been framed, in fact he doesn’t seem to care that he is in prison.”
Manange is detained in the ‘Kha (ख)’ block of the prison complex, which he renovated at his own expense. The block previously housed female prisoners, but Manange used his influence to transfer them elsewhere. He faces no shortage of visitors, who range from political leaders to people from the underworld.
Along with Manange, other well-known prisoners in this block include Nepal Telecom Managing Director Sunil Poudel, and former executive director of the Surakshan Printing Centre Bikal Poudel, who are serving time for corruption.
Former prisoners at Dilli Bazar prison include ex-ministers Khum Bahadur Khadka and Shyam Sundar Gupta, NC leader Ganesh Lama, Maoist MP Balkrishna Dhungel, Nagarik Unmukti Party leader Resham Chaudhary, as well as former IGs Ramesh Chand Thakuri, Om Bikram Rana, and Hem Bahadur Gurung.
Section 54 of Nepal’s Prison Act assigns each prison’s internal administration the
responsibility of governing its prisoners, which means the more favourable the jail management is, the more comfortable it is for prisoners.
Dilli Bazar prison has been the prison of choice for many high-ranking prisoners, especially those convicted of white collar crimes, due to its more accommodating administrators. The prison, which has the capacity to house 700 inmates, is also less crowded than other jails.
Anuj Bhattarai, spokesperson of the Department of Prison Management, says that there is no legal classification in Nepal for felons to be assigned prisons based on the nature of their crimes.
“That Dilli Bazar Jail has a higher number of prisoners convicted of crimes like corruption is most likely a coincidence,” says Bhattarai. “There is no provision for influential people to be able to choose where they will be incarcerated.”&nbsp;
Translated by Shristi Karki from the Nepali original published in himalkhabar.com

What Nepal’s VIP prisoners do in jail

As soon as she milks her cow, 52-year-old Punam B K is off, pedaling her bicycle furiously along the highway with a blue milk can in the front basket.&nbsp; By the time she arrives at the Jaya Shiva Ganesh Dairy Producers Cooperative in Gopalganj village, others are already there, their bicycles parked on the roadside. The farmers are all holding on to their blue milk cans, and are chatting away.&nbsp; “We keep what is needed for the family, and sell whatever remains here at the cooperative,” says B K, as the volume, fat and non-fat solid content of her milk is measured. It is then poured into a bigger vat to be mixed with milk from other farmers. B K collects her receipt with the value of her milk, and prepares to head home. The farmers are reimbursed on a quarterly basis.&nbsp; Read also: <a href="https://nepalitimes.com/multimedia/a-family-that-works-together-stays-together">A family that works together stays together</a>, Sahina Shrestha “Everyone around here has at least a cow or buffalo to provide milk for the family, the cowdung is used for fertiliser, and we can bring whatever is left over to the cooperative,” says B K who, like the others, brings her milk by bicycle twice a day, once in the morning and again in the evening.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241210081232_0df32c0f6a572aef83eca02dc7a86f75ea5dbc88dc6c2390d42a44ab3cc93395.jpg" data-media-id="editor_1" data-image-id="20241210081232_0df32c0f6a572aef83eca02dc7a86f75ea5dbc88dc6c2390d42a44ab3cc93395" data-rendition-name="original" width="1700" height="1275" loading="lazy" alt="dairy farmers in Chitwan"> </figure>  All this may seem like nothing special, just an ordinary farmer selling her milk. But it has to be seen in the context of dairy farmers overcoming subsistence and increasing household income. Nearly 200,000 dairy farmers from over 1,200 cooperatives have not been paid by the government-run DDC for their milk for a year or more.&nbsp; The DDC has fixed a quota for buying milk from cooperatives that limits production even during the peak winter months. Farmers in Chitwan are so fed up, they have staged demonstrations in Kathmandu and even poured milk on the East-West Highway in protest.&nbsp; Punam B K’s milk ends up in Bhawani Dairy, a milk processing plant in Chitwan that buys milk from various cooperatives in the district. It was established six years ago by three entrepreneur cousins Devrath Baral, Drishya Baral and Subash Paudel and is now being supported by the Commercial Agriculture for Smallholders and Agribusiness (CASA) project.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241210081232_4e3c65390b9c5345f807b10cbb8c36b006ef6d3cb972e07b5067f4b2db2be32e.jpg" data-media-id="editor_2" data-image-id="20241210081232_4e3c65390b9c5345f807b10cbb8c36b006ef6d3cb972e07b5067f4b2db2be32e" data-rendition-name="original" width="1500" height="1102" loading="lazy" alt="dairy farmers in Chitwan"> </figure>  This UK-funded project implemented by Swisscontact in Nepal has been supporting agro-businesses in 23 countries in Asia and Africa. They focus on improving the capacity of private dairy and vegetable farmers to find markets and build a sustainable supply chain for their produce. It helps dairies like the one in Chitwan with branding and marketing, as well to track business through a Dairy Management System (DMS) digital database.&nbsp; Bhawani Dairy also got support to conduct orientation for cooperative farmers to learn about new ways to boost productivity with breeding, cowshed management and hygiene maintenance. Many commercial farmers in Chitwan, some with up to 60 cows and buffaloes, have benefited.&nbsp; B K says she only has six cows, so not everything she hears at the orientation about increasing cowshed area is applicable. “We are just happy our milk is not wasted, and we can earn some cash from the surplus,” she says.&nbsp; Bhawani Dairy’s clientele is based entirely in Chitwan and in towns along the East-West Highway. But building on its success here, the company is looking to expand nationwide and target the Kathmandu market. Being a perishable product, the <a href="https://nepalitimes.com/opinion/so-far-so-good/nepal-s-milk-heartland-rebounds">diary business is challenging</a>. Businesses also need investment and technical support to diversify into value-added milk products like cheese, yoghurt, ice cream or powdered milk.&nbsp; “For now, the best thing we as a dairy business can do for farmers is to buy their milk at a decent price and pay them in time,” says Drishya Baral of Bhawani Dairy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241210081232_6c06efb5674dbcd8679015af543bfda87030755383a13c9269e272af28e85953.jpg" data-media-id="editor_4" data-image-id="20241210081232_6c06efb5674dbcd8679015af543bfda87030755383a13c9269e272af28e85953" data-rendition-name="original" width="1700" height="1275" loading="lazy" alt="dairy farmers in Chitwan"> </figure>  Another agro-industry supported by CASA since 2018 is Himalayan Supervores, a venture that sources farm produce to supply vegetables and other foods to restaurants and hotels in the city, and even export Halal-certified produce to Gulf countries.&nbsp; CASA helped with cold chain management system to keep vegetable produce fresh so that the products earn trust about quality in the national and international market. Himalayan Supervores is already exporting to UAE and Qatar, and is targeting other Gulf countries next. “The guidance provided by the international expert was invaluable, we could not have bought that knowledge even with money,” says Nelson Shrestha of Himalayan Supervores. “It was not about fancy hardware, but how to minimise wastage, increase productivity, save time and money.”&nbsp; Though Himalayan Supervores collects vegetables from vegetable cooperatives, it indirectly works with a network of thousands of cooperative farmers. Its catchment area therefore is enormous, and it has enhanced their knowledge about organic farming methods, bio-pesticides, and the right way to handle and package vegetables. CASA’s most recent tie-up is with Pokhara-based Poshilo Foods, which specialises in increasing the shelf-life of local nutritional food items. During the Covid lockdown <a href="https://www.instagram.com/p3bparajuli/">Prithwi Kallyan Parajuli</a> saw an opportunity to supply nutritional foods that stayed longer, and set up Poshilo.&nbsp; It took traditional satu flour made from dry-roasted pulse, added more nutrients, and packaged it. Four flavours of satu with nutrient values differentiated for various age groups now line the shelves of supermarket chains like KK Mart, Saleways. Poshilo is now exploring the export market in India.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241210081232_a8dbea8c8d45ac4eff6c37fb47da7ff461989c662ba86d207a008381101acdcf.jpg" data-media-id="editor_6" data-image-id="20241210081232_a8dbea8c8d45ac4eff6c37fb47da7ff461989c662ba86d207a008381101acdcf" data-rendition-name="original" width="1700" height="1275" loading="lazy" alt="dairy farmers in Chitwan"> </figure>  In the five years of helping Nepali agribusinesses, CASA has already teamed up with 35 established companies. Parajuli heaps fulsome praise on the catalytic support and guidance he got early on, not just for product design, but to explore market viability, branding and marketing.&nbsp; He has participated in government-led programs before, but says those are one-off and focus only on technical solutions and do not pay much attention to the important back-end work with management and sales.&nbsp; Says Devrath Baral of Bhawani Dairy in Chitwan: “We would probably have eventually got to where we are now, but it would have taken years longer without CASA. And now we can share our experience with other agribusinesses in Nepal.”

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