Three incidents in one week: a detained traveller in Shanghai, a revived claim on Sindh, and a currency note from Kathmandu, reveal a South Asia where small symbols now carry the weight of territorial claims. The danger lies not in armies but in imaginations sharpened into weapons.&nbsp;
It began without spectacle, as many troubles in the subcontinent often do: quietly, almost indifferently, as though history were clearing its throat. A week steeped in a kind of comic solemnity, its events unfolding with the grave absurdity of men arguing over shadows cast on an old, uneven map. One could almost hear the creaking of history’s machinery, answering its own summons, as if reluctant to surrender its favourite mischiefs.
The first murmur, faint but unmistakable, came from Shanghai, where a young woman from Arunachal Pradesh found herself <a href="https://www.bbc.com/news/articles/c8e9kz127w0o" target="_blank">detained</a> beneath the cold fluorescence of an airport hall. Chinese officials questioned her not-so-gently, an initiation into that peculiar fraternity of those whose identities are disputed not because of who they are, but because of where the lines on someone else’s map would prefer them to be.
And barely had that echo settled when <a href="https://www.ndtv.com/india-news/sindh-may-return-to-india-rajnath-singhs-borders-may-change-remark-9686581" target="_blank">India’s Defence Minister</a>, with the ease of a man accustomed to speaking into the certainties of a friendly crowd, remarked that “Sindh may return to India one day.” He said it with the offhand confidence of a politician who knows mythic geography plays well at home.&nbsp;
But the remark, dropped into the region’s already crowded pool of dreams, loyalties, and inherited grievances, spread outward in ripples – provoking <a href="https://www.telegraphindia.com/world/islamabad-labels-rajnath-singhs-sindh-remarks-delusional-and-expansionist/cid/2134548#goog_rewarded" target="_blank">denunciations</a>, apprehensions, and that familiar tightening of breath that accompanies any suggestion that the past might yet attempt a resurrection. In Pakistan, the words landed not as rhetoric but as portent, dredging up every anxiety sharpened by partition, war, and the belief that memory in South Asia, once stirred, is never quite satiated.
Then Nepal, with its quiet talent for announcing its displeasures through objects rather than declarations, unveiled its <a href="https://www.business-standard.com/external-affairs-defence-security/news/nepal-issues-100-bank-note-with-revised-map-comprising-disputed-areas-125112700551_1.html" target="_blank">new currency notes</a>: each one bearing the imprint of its 2020 political map.&nbsp;
<a href="https://nepalforeignaffairs.com/authenticity-of-lipulekh-border-pass/" target="_blank">Lipulekh, Kalapani, Limpiyadhura</a> – names that have become ritual incantations in the theatre of Himalayan disputes, contested frontiers now printed in neat, official ink. The release was explained as routine. Nothing in this region is ever routine. The moment a boundary is drawn on money, it becomes more than a border. It becomes an assertion, a reminder, a pre-emptive negotiation.
Three events, scattered like windblown leaves across the subcontinent’s restless topography. None catastrophic, none decisive, yet each carrying the faint odour of things unresolved, things forgotten until the moment they are not.&nbsp;
The humour is thin, the unease is thick. They were small gestures: a passport, a proclamation, a banknote, but in South Asia, small gestures have a way of expanding into quarrels no one quite intended and no one quite knows how to end.
Beneath these small episodes lies the harder truth. The subcontinent has slipped into an era where symbols, not armies, do the fighting. Maps, murals, visas, banknotes, toponyms, remarks: each now carries the weight that artillery once did. The provocations are miniature, the meanings are immense. And the region reacts to each with a suspicion that borders on reflex.
China understands this vulnerability better than anyone and does not need to invent South Asia’s sensitivities. It merely needs to press on the ones that already exist. China’s refusal to accept an Arunachal Pradesh passport is not clerical fussiness, it is a demonstration of a worldview.&nbsp;
By turning a lone traveller into a pawn of territorial narrative, <a href="https://www.newsweek.com/china-india-arunachal-pradesh-zangnan-tibet-territorial-dispute-1884895" target="_blank">Beijing enforces its claim to “South Tibet”</a> without firing a shot, and normalises its cartographic imagination through mundane encounters, where the humiliation is individual but the message is national.
It is sovereignty-by-bureaucracy, a slow, grinding assertion that does not need tanks to leave a bruise. The frontier now lives in the immigration cubicle, not just the mountain pass.
India’s '<a href="https://timesofindia.indiatimes.com/india/sindh-may-return-to-india-rajnath-says-borders-can-change-cites-civilisational-link/articleshow/125520334.cms" target="_blank">Sindh may return</a>' remark sits at the opposite pole. It neither denies the sovereignty of others nor confines itself within current boundaries. Instead, it breathes life into an older geography, one that extends far beyond India’s present outline. For Delhi, this is heritage. For Pakistan, heresy. For the region, it is another sign of a political climate in which myth, memory, and maps are all too easily woven into public rhetoric. And rhetoric, once spoken, becomes the shadow of intent.
Nepal’s cartographic gesture is its own form of resistance. It asserts that <a href="https://dkiapcss.edu/wp-content/uploads/2025/08/CH-09-South-Asias-Strategic-Edge_TEKWANI-SAMPATH_10.71236CSFU4789.pdf" target="_blank">small states</a>, too, possess symbolic weapons. A currency note bearing a disputed frontier is not merely a piece of paper, it is a refusal. And refusal, in South Asia, quickly acquires the density of principle.
To understand why these gestures resonate so forcefully, one must return to the deeper architecture on which they fall. The subcontinent carries not one historical geography but three. There is the civilisational past: epics, empires, pilgrimage routes, whose outlines stretch far beyond the borders of modern sovereignty. There is the colonial cartography layered atop it, drawn hurriedly and indifferently by men who never intended to inhabit the lands they demarcated. And there is the postcolonial state, fragile in identity and jealous of territory, inheriting maps it never drew and histories it cannot fully escape.
GEOGRAPHIES COLLIDE
Where these three geographies collide, symbols expand. A remark becomes a blueprint. A detention becomes a claim. A banknote becomes an argument.&nbsp;
All this might have been manageable had the region built institutions strong enough to absorb the shocks. But South Asia built almost none. SAARC remains an empty frame. Meanwhile, India’s crucial bilateral ties, like those with Nepal and Bangladesh, oscillate wildly with the whims of domestic politics. No mechanism exists to catch the fallout of symbolic friction before it hardens into political posture.
This vulnerability is most pronounced around India, which, as the region’s largest power, sits at the centre of the <a href="https://www.hindustantimes.com/india/rss-calls-akhand-bharat-a-cultural-concept-not-a-political-one/story-EcuzYTNZHpqENlmawbPYYP.html" target="_blank">symbolic storm</a>. New Delhi’s own symbolic gestures, often framed as cultural heritage or historical homage presented with a wink, are increasingly read by its neighbours as strategic ambitions cloaked in the language of civilisational memory.&nbsp;
The recent mural of <a href="https://www.tbsnews.net/features/panorama/akhand-bharat-whats-map-645286" target="_blank">Akhand Bharat</a> in the new Parliament building is a case in point. The mural’s outline, invoking a civilisational geography stretching across today’s neighbouring sovereign states, was never going to remain a cultural gesture alone. Imagined maps, however metaphorical, cast <a href="https://edition.cnn.com/2023/06/13/india/india-akhand-bharat-map-parliament-intl-hnk#:~:text=To%20India's%20neighbors%2C%20%E2%80%9CAkhand%20Bharat,according%20to%20The%20Kathmandu%20Post." target="_blank">real shadows</a>.
And the ripples did not take long to appear. Nepal hardened its cartography. As a smaller state with a long history of negotiating Indian influence, Kathmandu often has to turn to symbolic gestures to assert its autonomy. The idea of ‘Greater Nepal’, referring to <a href="http://www.historyjournal.net/article/42/2-2-17-612.pdf" target="_blank">pre-Sugauli Treaty boundaries</a> that once stretched into what is now Indian territory, surfaces periodically, not necessarily because the government seeks territorial revision, but because symbols offer a way to resist the gravitational pull of an imperious neighbor.
In <a href="https://www.aa.com.tr/en/asia-pacific/bangladesh-seeks-explanation-over-indias-new-parliament-map/2914993#:~:text=In%20late%20May%2C%20Indian%20Prime%20Minister%20Narendra,*%20Bangladesh%20*%20Sri%20Lanka%20*%20Myanmar" target="_blank">Dhaka</a>, where anxieties over the <a href="https://blogs.library.columbia.edu/global-studies/2020/12/10/citizenship-amendment-act-caa-and-national-register-of-citizens-nrc/" target="_blank">National Register of Citizens (NRC)</a>, and <a href="https://www.thehindu.com/news/national/bangladeshi-migrants-are-like-termites-amit-shah/article25017064.ece" target="_blank">recent rhetoric around migration</a> are never far from the surface, the mural was seen by many commentators not as a cultural artefact, but as a visual echo of a political rhetoric that questions the very legitimacy of post-Partition borders.
China, perceptive and opportunistic, seized on the atmosphere to escalate its own symbolic manoeuvres. Every Indian invocation of civilisational memory becomes another opening for Beijing to apply pressure. China, too, draws from its own civilisational memory in framing the border question. Its claim over Arunachal Pradesh rests not only on strategic logic but on a narrative that casts the region as historically tied to Tibet.
The <a href="https://www.scmp.com/news/china/politics/article/3310209/china-reasserts-india-border-claims-fresh-list-standard-place-names" target="_blank">renaming of towns</a>, the issuing of <a href="https://www.deccanherald.com/world/what-are-stapled-visas-that-china-has-been-issuing-to-citizens-of-india-1242356.html" target="_blank">stapled visas</a>, and the symbolic <a href="https://www.bbc.com/news/world-asia-66892705" target="_blank">refusal to stamp Indian passports</a> from the state are all actions that gesture toward a deeper historical claim. Each is designed less to provoke than to remind: a steady drumbeat that keeps the dispute perpetually alive. It is a strategy of perpetual, low-grade friction, one mirrored in different forms by nearly every state in the region. In such an ecosystem, symbols do not travel alone. They accumulate, accrete and attach themselves to <a href="https://frontline.thehindu.com/world-affairs/south-asia-anti-india-sentiments-rise-in-neighbourhood-bangaldesh-sri-lanka-nepal-maldives/article68049487.ece" target="_blank">older injuries.</a> They become the whisper that prefaces the quarrel.
The danger is not a conventional war. The danger is something more insidious: symbolic escalation without restraint, without vocabulary, without exit.
Trust erodes quietly. Diplomacy shrinks to damage control. Domestic politics grows drunk on manufactured outrage. External powers deepen their footholds. Negotiation becomes surrender. The symbolic becomes structural. What begins as an irritant becomes orthodoxy. And orthodoxy, once declared, becomes unalterable.
South Asia has survived wars, partitions, insurgencies, and occupations. What it may not survive is the constant abrasion of its <a href="https://www.sas.upenn.edu/~dludden/Sjoshi04.htm#:~:text=The%20region%20continues%20to%20be%20configured%20through,and%20most%20powerful%20state%20in%20the%20region." target="_blank">own imagination</a>.&nbsp;
A map becomes an accusation. A mural becomes a warning. A passport becomes a verdict. A remark becomes prophecy. The politics of small hurts calcifies into the politics of large anxieties. And every actor, large or small, finds itself boxed in by its own symbols.
Somewhere, in the fluorescence of another airport hall, a young woman stands again before an officer who informs her that her identity belongs elsewhere, that her map is incorrect, that her belonging has been misfiled in the registry of another nation. She does not know that she is the site of a quarrel larger than herself. She does not need to. Her uncertainty is enough to sustain it. She is not the crisis. She is merely its silhouette.
The crisis is the map in his mind. And the larger maps behind him, painted, printed, circulated, applauded, contested, and consecrated across a region that cannot decide whether its borders are memories or mandates. Until the subcontinent learns to treat symbols with discipline rather than indulgence, it will remain at war with itself, not through armies but through shadows.
And shadows, once they begin to move, rarely stop where one expects.
Shyam Tekwani is a professor and columnist specialising in security affairs. This article first appeared in <a href="https://thewire.in/south-asia/when-maps-begin-to-move" target="_blank">The Wire</a>.

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When maps move

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d269c7e80680e0b78acjpeg.jpg" alt="" width="4032" height="3024"/><figcaption>Maps as abstraction of geometry — literal 'land measurement', as in the case of these two paintings that show aerial view of Kathmandu Valley. Krishna Manandhar, "Overlapping Series, 1985" and "Overlapping Series,1972". Oil on canvas. Photo: ASHISH DHAKAL.</figcaption></figure>At one of the five <a href="https://www.nepalitimes.com/here-now/redefining-art-at-kathmandu-triennale-2077/">Kathmandu Triennale 2077</a> venues, artists from all over the world have converged with diverse expressions of cartography.Curated by the team of exhibition curators, Sheelasha Rajbhandari, Hit Man Gurung and Cosmin Costinas, this show of map art ranges from the cosmic to the subconscious, literary to abstract, and ties together the themes of roots, kinship, freedom and exploration.On entering the Bahadur Shah Baithak in Patan, the first display is Liu Kuo-Sung’s ink, acrylic and collage on paper, titled The Ring B (pictured below). A section of the world spreads across the bottom half of the frame, over which a rising circle is flanked on both sides by crescent moons. And at the top, like on a banner, is Planet Earth against a black field.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d2a9c7e80680e0b78adjpeg.jpg" alt="" width="4624" height="3472"><figcaption> </figcaption></figure>In 1972, the crew of Apollo 17 took <a href="https://www.nasa.gov/content/blue-marble-image-of-the-earth-from-apollo-17" target="_blank" rel="noopener noreferrer">the famous Blue Marble image of the Earth</a>, which inspired Liu to create The Ring B a year later. This painting juxtaposes the earth shaped by the millennia of human imagination with a photograph taken from 29,000km away in space. Human traditions, myths and history approach the actual image for a cosmic rendezvous.Meanwhile on the wall opposite sits Untitled by Mary Dhapalany, from Ramingining, Northern Territory in Australia (detail pictured below, left). A weaver and an actress, Dhapalany work is rooted in the Yolŋu’s traditional nganiyal (woven mats) that have deep ritual, ceremonial and practical significance.Untitled is an iridescent pandanus mat with five spiralling circles. On the wall, these look like eyes, or waves, upon which travel knowledge and stories from one generation to another, intricately weaving the complex threads of family, relations, territories and bodies. And as each loop joins and encloses another, nothing and no one is left behind.Then comes Urgen Dorje Sherpa’s 100 Peaceful and Wrathful Mahayoga Deities Mandala (detail pictured below, right), a large thanka on the right that is the visual representation of the Bardo – ‘liminal state of existence between death and rebirth’.The mandala rises laterally instead of the usual circular structure, as seen from above, and depicts the tantra concerning life and death.This is a guide for departed souls to a swift and positive rebirth – another ‘map’ that transcends to show us a geography beyond what is tangible. Together, the three artworks set the tone for the rest of the exhibition, punctuated only by changing landscape and styles.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d2e9c7e80680e0b78aejpeg.jpg" alt="" width="2000" height="2664"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d319c7e80680e0b78afjpeg.jpg" alt="" width="2000" height="2664">We are invited to look beyond the contemporary worldview of maps as the affirmation or rejection of<a href="https://www.nepalitimes.com/latest/politics-and-history-of-nepals-kalapani-claim/" target="_blank" rel="noopener noreferrer"> people’s expansionist ambitions</a>. Cartography is borne of the desire for exploration and discovery – turning the pages of an atlas, poring over the colours, running fingers along lines and the words to travel to previously remote and unknown places.At the exhibition, these places fly out of the pages of books (Youdhistir Maharjan’s Without a Map series) and memories (Uma Shankar Shah’s Railway Station of Janakpur and NJJR) and draw attention to the un- and re-learning to understand one’s own culture and contours of geography.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d359c7e80680e0b78b0jpeg.jpg" alt="" width="3472" height="4624">One such piece is Silata (pictured above), an instrument for divination used in Himalayan <a href="https://www.nepalitimes.com/banner/a-future-written-in-the-stars/" target="_blank" rel="noopener noreferrer">astrological practices</a>. The various quadrants are examined to read and calculate an individual’s past, present and future.The practice may now feel obsolete, yet it is strikingly familiar to many Nepalis who most likely had a cheena drawn at birth depicting the dimensions of the universe and their place in it.Silata is among the several pieces in the exhibition that remind us that maps are not limited to the ground beneath our feet. Untitled (WTEIA2) by Daniel Boyd references to the stick-charts of the Marshall Islands used by indigenous communities for seafaring.These depicted the positions of islands, but were never taken on voyages. Instead, they were memorised, creating a vastly different form of knowledge transmission.The pieces by Nikau Hindin represent Māori skymaps based on the positions of celestial bodies. On a more abstract side, Wing Poso’s Interior is a powdered herbs, Styrofoam and steel installation depicting the interconnectedness of the microscopic and macroscopic world, of physics and philosophy, individual lives and the universe.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d389c7e80680e0b78b1jpeg.jpg" alt="" width="2000" height="2664">Nepali Power by Köken Ergun and Tashi Lama (pictured above) is a collaboration between Istanbul, Kathmandu and Bhaktapur, inspired by the <a href="https://www.nepalitimes.com/latest/bri-and-trans-himalayan-connectivity/">Belt and Road Initiative (BRI)</a> set forth by China in 2013 to build global connectivity. The vibrant triptych hangs gloriously in the middle of the room, depicting rich possibilities and precautions.On one panel, water flows from the Himalaya, replenishing South- and Southeast Asia, as electricity travels along transmission lines. Others reference the environmental and political consequences, with scales running along in loops like snares. In the middle hangs ‘Nepali Power’: whether an authentic slogan or heavy propaganda, it is left to interpretation.On the floor below in a room that feels like a railway carriage or a caravan (pictured below), is Nyima Dorjee Bhotia’s Where the Fox Settles. The collection of photographs, archival materials, travel documents, a transistor and an abacus, and other artefacts create a real cabinet of collective history.Based in the village of <a href="http://archive.nepalitimes.com/news.php?id=19241#.YinfCjhByJA" target="_blank" rel="noopener noreferrer">Walung</a> in north-eastern Nepal, this archaeological exploration recounts <a href="https://www.nepalitimes.com/banner/human-face-of-a-himalayan-climate-crisis/" target="_blank" rel="noopener noreferrer">Himalayan stories</a> in a global context – set next to the figurative map of the French Army’s losses in the Russian campaign 1812-13, 1869, and The Man of Commerce by AF McKay. The latter quite literally transposes the human anatomy as a ‘cartographic metaphor’ to describe railway lines and economic exchange across America and to Europe.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d3c9c7e80680e0b78b2jpeg.jpg" alt="" width="3280" height="2464">The theme of decolonisation and anti-imperialism runs deep in the exhibition, re-evaluating the misinterpreted evolutionary principle of the ‘survival of the fittest’ that justifies genocides throughout history.The European worldview that led to enslavement and exploitation, erasing traditions, generations of history and practices is carefully dissected rather than mechanically reiterated. It mirrors Nepal’s own exclusion of <a href="https://www.nepalitimes.com/latest/how-art-empowers-nepals-women/" target="_blank" rel="noopener noreferrer">indigenous communities</a>.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d3f9c7e80680e0b78b3jpeg.jpg" alt="" width="4032" height="3024"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d439c7e80680e0b78b4jpeg.jpg" alt="" width="4032" height="3024"><figcaption> </figcaption></figure>The language of map-making has seen many transformations throughout history, moving from a limited, flat point of view to spherical and colour-coded, with mathematical and imaginary lines criss-crossing.But what is a map, really? How can the limitless expanse of our imagination and experience be bound? And how can fences and walls supersede nature’s rivers and mountains?This exhibition is an expression of a borderless globe, where unique and diverse ideas find companions. Visitors are made startlingly aware that Nepal is no longer isolated, no longer insular. The <a href="https://www.nepalitimes.com/here-now/thamels-new-art-street/" target="_blank" rel="noopener noreferrer">artistic voices</a> here are part of the true Theatrum Orbis Terrarum – ‘Theatre of the Orb of the World.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720d479c7e80680e0b78b5jpeg.jpg" alt="" width="2400" height="1688">Read also:<a href="https://www.nepalitimes.com/here-now/nepal-art-debut-in-venice/"> Nepal art debut in Venice</a>Kathmandu Triennale 207711 February - 31 March 2022All venues open 7 days a week except Sundari Chok in Patan (closes at 2:30PM on Monday, closed on Tuesday)Bahadur Shah Baithak, 10AM - 6 PMPatan Museum, 10:30AM - 4:30PM Nepal Art Council, 10AM - 6PMSiddhartha Art Gallery, 11AM - 5PMTaragaon Museum, 10 AM - 6PMPlease wear masks.

Ashish Dhakal

Atlas of art in a world in motion

After a week of to-and-fro that culminated in all-night bargaining, two populist young figures in Nepali politics agreed at 4AM on Sunday to join forces ahead of elections in March. Rabi Lamichhane of the RSP, who came out of jail a week ago, has forged an alliance with Kathmandu mayor Balen Shah. Both are keen to ride on the GenZ wave that radically changed the direction of Nepal’s politics that has been dominated by three mainstream parties for the past three decades. Under the 7-point deal, Lamichhane will still head the RSP, while Shah has been promised prime ministership if the party wins a majority in the federal elections. Shah will also be the parliamentary party leader. The RSP will keep its name and election symbol. “Agreements must be made not on the basis of what leaders want, but on what the country needs,” Lamichhane wrote on social media announcing the alliance. The RSP chair is said to have put his own prime ministerial aspirations on hold to ensure the Kathmandu Mayor's support for the March polls. This is an alliance of convenience. Lamichhane requires the backing from Shah’s youth voters to face the legacy parties, while the mayor needs a political platform. Ultimately the prospect of leading not just Kathmandu but Nepal itself appears to have been the deciding factor for Balen Shah. The Kathmandu mayor is reportedly keen to contest the election from Jhapa against former prime minister K P Oli in his constituency.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251228041212_1b26fd7f14e418a9bdb827a7b733914c08183c36b4a93694fc1aefda9f45d85a.jpg" data-media-id="editor_0" data-image-id="20251228041212_1b26fd7f14e418a9bdb827a7b733914c08183c36b4a93694fc1aefda9f45d85a" data-rendition-name="original" width="900" height="900" loading="lazy" alt="Balen-Rabi alliance"> <figcaption>Photo: BALEN SHAH, RABI LAMICHHANE / FACEBOOK</figcaption> </figure>  The two have much in common. Lamichhane, a former tv anchor, returned from the United States and launched the RSP as an alternative party four months before elections in 2022. He served as Home Minister twice in Pushpa Kamal Dahal's coalition government before being jailed for defrauding cooperatives depositers. He made a jail break during the September protests, returned to prison voluntarily, and was released on bail last week. Balen Shah stood as an independent candidate for mayor of Kathmandu in local elections in 2022, and was catapulted to victory because of anti-incumbent protest votes among urban youth.&nbsp; Both campaigned on social media, pushing a populist anti-corruption agenda and against the governance failure of the three establishment parties — the same logic that drove the GenZ protests in September that escalated into violence and brought down the UML-NC coalition. Even as government buildings smouldered on 10 September, GenZ members were strongly urging Balen Shah to be the interim prime minister, but when he declined they voted on Discord for former chief justice Sushila Karki.&nbsp; With just over two months to go for elections on 5 March, Prime Minister Karki has been trying desperately to get the mainstream parties on board. She has met twice with the top leaders of the UML, NC and the NCP. All three parties have been dealing with internal power struggles, and the UML appears to be the most reluctant to face elections.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251228051212_d42944e014b278d6864270b74f924ac842d6f7a68d5bd6817148d120522ba60b.jpg" data-media-id="editor_1" data-image-id="20251228051212_d42944e014b278d6864270b74f924ac842d6f7a68d5bd6817148d120522ba60b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Sushila Karki with political leaders"> <figcaption>Prime Minister Sushila Karki has been meeting with leaders of the mainstream parties to get them on board for the election. Photo: PMO</figcaption> </figure>  The UML’s former prime minister K P Oli has refused summons by the Judicial Inquiry Commission charged with investigating the massacre of protesters on 8 September and the arson and vandalism the next day. Then home minister Ramesh Lekhak is scheduled to give his deposition to the Commission this week. The legacy parties appear to be taking the threat from the Rabi-Balen partnership strongly, and have been trying to forge an electoral alliance so they do not compete against each other.&nbsp; They are relying on traditional vote banks among the rural electorate, and calculate that alternative forces will cancel themselves out. They could also be hoping that Balen Shah’s erratic behaviour and Rabi Lamichhane’s prison conviction will put voters off. A total of 837,094 first-time voters have been registered in Nepal ahead of the elections.&nbsp; The Kathmandu mayor is an engineer and rap artist, and had till now been reclusive, preferring to post on social media rather than face the press. His late-night online posts have been impulsive: like the one urging that Singha Darbar be burnt down, or another one recently in which he used the f-word against the US, China, India and the mainstream parties. He later deleted both posts.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251228041212_a2f87881e36fb40b82bf77e1b07003aaf36b91e2a9eb5da096f1e562654c31e3.jpg" data-media-id="editor_2" data-image-id="20251228041212_a2f87881e36fb40b82bf77e1b07003aaf36b91e2a9eb5da096f1e562654c31e3" data-rendition-name="original" width="1112" height="1440" loading="lazy" alt="Balen Rabi agreement NT"> <figcaption>The seven-point agreement between Shah and Lamichhane. </figcaption> </figure>  Lamichane and Shah had also been negotiating with Energy Minister Kulman Ghising’s newly-forced Ujyalo Nepal Party, but the bargaining did not go well because Ghising refused to fight elections under the RSP banner. If the three had been successful in coming together, it would have been a formidable alliance. There are misgivings about the RSP-Balen Shah deal, even among some GenZ who see the two prominent men dividing up the power structure as just the kind of political culture they wanted to reform. Many are already predicting exactly the kind of clash of egos between the two alpha males that characterised Nepali politics since the restoration of democracy in 1990. In the coming days, as with most political change in Nepal, there will be much speculation about the geopolitics behind the Rabi-Balen deal. Balen Shah’s angry post against India-US-China as well as his past nationalistic pronouncements on Nepal’s territorial dispute with India over Kalapani will be recalled, while Beijing has misgivings about the antecedents of some GenZ figures. Dharan-mayor Harka Sampang, who has also formed his own political party, has already pronounced the Rabi-Balen deal as being “foreign backed”.

Old vs New in Nepal in 2026

Everyone in the world is running some kind of race. Some chase recognition. Some chase money. Others run simply to stay ahead of others. But there are some who run for others. They are not trying to overtake anyone, they do not do it for fame, they are not getting paid to do it. But they run to pay for the upliftment of those less privileged. Bal Joshi, 41, is originally from Surkhet. His father was involved in the democratic movement during the days of absolute monarchy and he remembers frequent police searches of the house. And with his father in hiding, the young Joshi had to take care of the family. When the family’s small shop failed, his mother took the young Bal and his brother back to the village, and that is where he completed his education, walking four hours roundtrip every day between home and school. He ran most of the way, and without realising it he has been running ever since. Life was hard. Rent, food, education. His mother struggled constantly. There were days when there was no money even to buy kerosene for the stove. At one point, he sold his calculator, worth Rs 300, for just Rs 80 to get by.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251229031252_edb16b64a3d362a8dc86870bfa5deaad03a84e67d47f37cfd0bb5a8e584691fe.jpg" data-media-id="editor_0" data-image-id="20251229031252_edb16b64a3d362a8dc86870bfa5deaad03a84e67d47f37cfd0bb5a8e584691fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Running for dear life NT"> </figure>  At 15, Joshi moved to Nepalganj to continue his education. He initially stayed with his uncles, but eventually began living on his own. The transition to city life was difficult, and he experienced significant economic hardship while trying to pursue his studies. There were times when he struggled to meet basic needs, and at one point he sold his calculator just to get by. When he was 17, after hearing that his father was seriously ill, Joshi travelled to Gujarat to bring him back home. His father died soon after, and Joshi took on responsibility for supporting his family. It was his mother who taught him that despite scarcity, life had to be lived with dignity. Joshi started working at a newspaper at the age of 16 as a proofreader, and later became a journalist. During the Maoist war when children were being orphaned as a result of violence by both sides, he became active in the Sahara Group, and at 19, he began managing an orphanage that took in conflict-affected children. In Bajhang, after the army killed a man on suspicion of being a Maoist, his wife jumped into the Seti River and ended her life. Their two children were taken into army custody. During the rescue process, Joshi met Sunaina Adhikari of the ICRC and back in Nepalganj they decided to get married. The conflict was still raging in western Nepal in 2005, when Joshi went to the United States. In Maryland, he initially worked at a Bengali-owned Subway outlet, spending long hours on his feet behind the counter. He changed jobs frequently, financing his education along the way, and ultimately graduated with a degree in finance in 2008. He joined Hancock Whitney Bank in Texas, and has risen up the ranks to be Senior Vice President. A colleague inspired him to run as a way to stay healthy. But it soon turned into something more meaningful — running more than a dozen 50km marathons for charity.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251229031252_165a6d935860cf6707178aa2ac7395733883158f425bbe0ebed125529d601f61.jpg" data-media-id="editor_1" data-image-id="20251229031252_165a6d935860cf6707178aa2ac7395733883158f425bbe0ebed125529d601f61" data-rendition-name="original" width="999" height="1500" loading="lazy" alt="Running for dear life NT"> </figure>  Last year, Joshi returned to Nepal to run the Everest Marathon, and raised $42,000 which he donated to <a href="https://onestepfoundation.org/" target="_blank">One Step Foundation</a> which works on health care, child welfare and cultural preservation in Nepal and around the world. In June this year, Joshi and his family climbed Kilimanjaro, raising $19,000 for 80 HIV-affected orphaned children in Tanzania. During the Diwali festival he ran 220km in Nevada’s Red Canyon and raised $25,000 for cataract surgeries through the the <a href="https://www.theruitfoundation.org/" target="_blank">Ruit Foundation</a> in Nepal for cataract surgeries.&nbsp; Joshi does not run competitions, and is not trying to break any records. His motto is: “My race, my pace.”&nbsp; Turning his childhood scarcity into helping others, he says: “We all share sunlight, rain, air, and soil, nothing is truly just your own. I grew up without shoes, and I am fortunate to be able to distribute shoes to those who walk barefoot.” We ask Bal Joshi what (and where) next? His answer: the <a href="https://www.worldmarathonchallenge.com/" target="_blank">World Marathon Challenge</a> that will go around the world to run seven marathons in seven continents in seven days beginning in Antarctica at end-January.&nbsp; Joshi aims to run wearing the daura suruwal and Nepal’s flag as to show where he comes from, and how far in life he has come.

Running for dear life

A day after Rabi Lamichhane and Balen Shah <a href="https://nepalitimes.com/news/old-vs-new-in-nepal-in-2026-z6l4fgrd">came together to form an electoral alliance</a>, Kulman Ghising has also joined forces with the two leaders, merging his Ujyalo Nepal Party with the RSP.&nbsp; Following last-minute negotiations before Monday’s midnight deadline for parties to file their list of candidates for the Proportional Representation (PR) seats, Lamichhane and Ujyalo Nepal chair Anup Kumar Upadhyay signed a seven-point agreement to unify the two parties, with Balen Shah as witness.&nbsp; Per the deal, Ghising will be the vice-chair of the RSP, joining DP Aryal and Swarnim Wagle as the party’s seconds-in-command. The earlier agreement between Lamichhane and Shah retained Lamichhane as RSP chief, and promised Shah prime ministership if the party wins a majority in Parliament in March.&nbsp; Ghising’s team reportedly has a 17% share on the list of PR candidates filed by the RSP at the Election Commission. Balen has also fielded his own picks, and together the party has the likes of cricketer Gyandenra Malla, actress Reema Biswokarma, rights activist Mohna Ansari, climate activist Tashi Lhazom, and singer Prakash Saput as PR candidates. Ghising had held multiple rounds of talks with the RSP chair and the Kathmandu Mayor to discuss possible collaborations, but had failed to reach a power-sharing agreement. On Monday, Ghising had met with Lamichhane heeding a last-ditch effort from GenZ leaders, in particular Sudan Gurung, as they tried for the final time to get the interim Minister on board with Lamichhane and Shah before the PR list submission deadline.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025123004128_99e23ae7b6a042e71d271e3e74f7527086a7bb55779e6781bc9e7b711c8303e7.jpg" data-media-id="editor_1" data-image-id="2025123004128_99e23ae7b6a042e71d271e3e74f7527086a7bb55779e6781bc9e7b711c8303e7" data-rendition-name="original" width="1595" height="1087" loading="lazy" alt="Sudan Kulman Balen"> <figcaption>Photo: SUDAN GURUNG / FACEBOOK</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025123004128_d9f530704ab4c6e27eebf51f8e9fb55fed1d4281c99d089d06455cc7448bfda7.jpg" data-media-id="editor_2" data-image-id="2025123004128_d9f530704ab4c6e27eebf51f8e9fb55fed1d4281c99d089d06455cc7448bfda7" data-rendition-name="original" width="1026" height="1084" loading="lazy" alt="Balen and Sudan NT"> <figcaption>Photo: BALEN SHAH / FACEBOOK</figcaption> </figure>  The three are now set to make a formidable team to challenge mainstream parties at the polls. News of this alliance has been welcome to Nepalis who are looking for any alternatives to break the stronghold of the Oli-Deuba-Dahal trio over Nepali politics in recent history.&nbsp; But they will also carry each other’s baggage.&nbsp; Lamichhane, who was jailed for defrauding cooperatives depositors last year, was welcomed back as RSP party chair with open arms after he was released on bail last week. And while he has maintained his base of loyal supporters, he was subject to widespread criticism after he walked out of detention amid the jailbreak during the September protests, prompting his eventual voluntary return to prison.&nbsp; His party’s silencing and expulsion of critics within the RSP has also drawn direct comparison with the leadership structure of Nepal’s mainstream parties. Prominent leaders like Sumana Shrestha have left the party over disagreements with leadership.&nbsp; Meanwhile, Balen’s impassioned campaign resonated with Nepalis disillusioned with establishment leaders during the 2022 election and made him mayor of Kathmandu. The mayor’s direct, no-holds-barred style of communication and commentary has attained him much support beyond his constituency.&nbsp; But his unyielding, often unempathetic leadership style and policies— like his dismissal of street vendors and informal businesses during his drive to free up Kathmandu’s footpaths— have also earned him detractors. His recent outburst on social media in November that included expletives against both of Nepal’s neighbours and the US, as well as Nepal’s three main parties and the RSP was also widely criticised.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251230041212_fc2088daf32bac93541ebf25ca07725d75a721ae83440749ac8fa09d8fe308f2.jpg" data-media-id="editor_3" data-image-id="20251230041212_fc2088daf32bac93541ebf25ca07725d75a721ae83440749ac8fa09d8fe308f2" data-rendition-name="original" width="890" height="1255" loading="lazy" alt="Agreement NT"> <figcaption>The seven-point agreement between RSP and Ujyalo Nepal Party.</figcaption> </figure>  Ghising, credited with ending Nepal’s prolonged load-shedding during his tenure as the chief of Nepal Electricity Authority, has a reputation of getting the job done. His public goodwill earned him a seat on Prime Minister Sushila Karki’s interim Cabinet following the youth protest.&nbsp; But he has also been under scrutiny for funds misappropriation as well as controversial power purchase agreements during his tenure as NEA chief. Ghising had foregone the leadership position at his Ujyalo party, preferring to play the role of patron until closer to the election date, but was nonetheless criticised for his political and electoral aspirations while being a member of the transitional government. It now remains to be seen if and when Ghising will step away from his position in the interim Cabinet and begin campaigning with his new partners.&nbsp; As it stands, the involvement of prominent GenZ figures in bringing together Ghising, Shah, and Lamichhane has established youth leaders as major players in Nepal’s post-September political landscape. These leaders will have significant pull with young and first-time voters. But not all young leaders are impressed with this new triumvirate. Some have pointed out that the unity between these three leaders is no different from the political opportunism and quid-pro-quo power-sharing culture established and followed by Nepal’s mainstream leadership for the last three decades which culminated into the GenZ movement of September.

Kulman follows Balen to RSP

Koreana Coffee Guff begins with a scene where Narayan Wagle, the editor-turned-farmer, appears in reverse cameo, as a character in a novel. He has just landed at Incheon in the dead of winter.&nbsp; The opening premise reminds one of Tolstoy’s saying about how stories begin either when someone goes on a journey, or when a stranger comes to town. ‘The winds of each city are its original inheritance, shaped by its local language, its specific topography and the buffets of the airborne wings of birds and airplanes,’ Wagle writes.&nbsp; The author is both on a journey and a stranger to the town. The word ‘stranger’ might need to be redefined here, as he has visited Korea several times before. But if every journey is new, then he is a stranger of sorts — stranger to the people he meets for the first time in the book, stranger to the reader who will encounter him for the first time like I did in high school reading the English translation of his 2005 Madan Puraskar winning novel Palpasa Cafe.&nbsp; Koreana is non-fiction, and was first published in 2017 in Nepali, and recently rendered into English by Prawin Adhikari, who specialises in translating Nepali works into English in such a way that they do not read like translations at all.&nbsp; Even so, I turned to a few chapters from the original text, curious to see how ideas have morphed. Take Wagle’s journey to Ansan Mountain. It is the same mountain, but something different happens in the two languages. The inexplicable feeling is that the translation has to conquer the mountain itself. At its best, the book gives the reader a peek into Wagle’s mind, his internal monologues, his writing ideas, his thoughts on the people around him, his deep yearning and respect for nature, his exploration of Seoul and Korea, where he is attending the Asian Literary Creative Writing Workshop in 2017.&nbsp; BACK TO THE LAND ‘All cities appear the same everywhere,’ he writes of Seoul, speaking of how ‘development’ has masked the original charm of a city rebuilt after war. In recent years, Wagle has moved on from being the editor of Kantipur, to activism, and has now returned to his ancestral land in Tanahu to farm.&nbsp; Clues to this metamorphosis can be detected in this book, which was written nearly ten years ago and before his transition. Wagle used to write a column called Coffee Guff, and the book carries that conversational style.&nbsp; But not all monologues land. Thoughts rooted in a specific time and space like the hike to Ansan where the author reflects on buildings, birds, and trees feel connected with a context and background. Then there are those that bring in a new metaphor, a new reflection, a new connection in almost each new sentence which make it difficult to follow the author’s stream of consciousness.&nbsp; Halfway into the book, we finally meet the writers who have come from different parts of Asia for the workshop. Not speaking a common language, the writers have to rely on interpreters and Google, which turns their exchanges into quirky moments of laughter.&nbsp; Writers are an important part of the book, the lens through which Wagle invites us to see the world. Poets Manjul from Nepal and Shiva Ryu from Korea make guest appearances. Through two Korean writers who share the surname Kim, we get a glimpse into Korean history and society, and how writing is intertwined with politics.&nbsp; This Korea is different from the Kpop idols and skincare routine that has dominated recent imagination of the divided peninsular nation. Wagle writes, ‘Literature attempts to unite, politics impedes it. They are being continuously thwarted by the conflicts ongoing in the nation’s politics.’&nbsp; One of the Kims is Kim Min-jung (김민정), author of The World’s Most Expensive Novel, that explores what it means to be a writer in Korea.&nbsp; Reading Koreana feels like a hike through a jungle. If one is able to move past the tangled and stretched monologues, the book can hold moments of awe and wonder. But there is always a desire for a clearer trail to follow. &nbsp;&nbsp; Narayan Wagle’s characteristic witticism is there aplenty, his observations are astute. Writers exploring their craft and readers curious of what is churning inside Wagle’s mind will find treats -- sometimes well-crafted, other times to be searched between the lines. &nbsp; Alfa M Shakya is a writer, researcher, and podcaster. She runs and hosts ‘How’d You Create That?’, an art podcast about the creative process.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251230071252_5503c9fb08d62adb328d8f817b353604429559d3d9c6542edf3663c3f8c554e5.jpg" data-media-id="editor_0" data-image-id="20251230071252_5503c9fb08d62adb328d8f817b353604429559d3d9c6542edf3663c3f8c554e5" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Korean coffee guff English translation review"> </figure>

cartography

When maps move

Atlas of art in a world in motion

Old vs New in Nepal in 2026

Running for dear life

Kulman follows Balen to RSP

Coffee guff from Korea