<figure><img width="1496" height="1146" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8aea9c7e80680e06b26bjpeg.jpg" alt=""/><figcaption>Min Bajracharya’s iconic photograph of Durga Thapa, 22, as she leapt up during a victory rally on 9 April 1990 to shout “Long live democracy!” All photos: MIN RATNA BAJRACHARYA</figcaption></figure>She leaps up from a sea of protesters, hands outstretched and fingers reddened with vermilion in a double V-for-victory sign. “Long live democracy,” she yells as others, mostly seated men, look on.It is the morning of 9 April 1990. After month long pro-democracy protests on the streets of Kathmandu, King Birendra the previous night had finally given in, announcing that multi-party democracy would be restored – paving the way for Nepal to change  from an absolute to a constitutional monarchy.<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/untold-story-of-photojournalist-min-ratna-bajracharya,2890" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/Nepali-Times-Buzz/untold-story-of-photojournalist-min-ratna-bajracharya,2890&amp;source=gmail&amp;ust=1586492846270000&amp;usg=AFQjCNFueBBSVgwp2xg5uIo7eSA6Ke0Vcw">Min Bajracharya</a>, then a 18-year-old aspiring photojournalist, had been closely following the street protests, taking photos of demonstrators, political leaders from banned parties like the Nepali Congress, Nepal Communist Party (ML) and other leftist entities.“I went wherever the protests went,” Bajracharya remembers. “I had a youthful passion and energy for what I was doing.” <figure><img width="938" height="832" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8aed9c7e80680e06b26cjpeg.jpg" alt=""><figcaption>Durga Thapa (now KC) was back on the streets during demostrations for peace and democracy in 2006.</figcaption></figure>There was a victory rally at the Khula Manch, the formerly underground leaders like Krishna Prasad Bhattarai, Ganesh Man Singh and Man Mohan Adhikari were on stage. As Bhattarai gave a rousing speech, Bajracharya noticed a young student spring up from the crowd, he turned his camera away from the podium to her and took a couple of photographs. “Those were the days before digital so I had to be economical with my film,” recalls Bajracharya, who took the picture with his Nikon F-2 and a 105mm lens.It was only later that afternoon, after he developed the colour prints, that this one photograph caught his eye. His journalistic instinct told him that he had captured a momentous occasion. However, the news outlets in Kathmandu only wanted photographs of political leaders or of crowds. <figure><img width="738" height="560" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8af09c7e80680e06b26djpeg.jpg" alt=""><figcaption>Min Bajracharya’s photograph of Ganesh Man Singh and Man Mohan Adhikari after King Birendra restored multi-party democracy thirty years ago this week.</figcaption></figure>“The Nepali Congress wanted photos of Kishunji, and the Communists wanted pictures of Man Mohan Adhikari. This was the beginning of the age of mission journalism,” Bajracharya recalls. “But I knew this particular picture was different. It documented an event, it was motivated solely by journalism, not influenced by partisanship.” It was only two years later, when a German journalist looking through his photographs of the protests picked the photo for the cover of his book, Dawn of Democracy published by the Human Rights Protection Forum that the image became public. The photograph went around after that, republished without credit, permission or payment. Bajracharya is glad that his photo is still a visual symbol of the political upheaval Nepal had experienced in 1990. Bajracharya later became the staff photographer for Himal Khabarpatrika and Nepali Times publishing many powerful photographs of the conflict years, the <a href="http://archive.nepalitimes.com/issue/46" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/issue/46&amp;source=gmail&amp;ust=1586492846270000&amp;usg=AFQjCNF-N_bGuWg1Gi1zU0PCTz1Fb-yi8g">royal massacre of 2001</a> and <a href="http://archive.nepalitimes.com/issue/235" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/issue/235&amp;source=gmail&amp;ust=1586492846270000&amp;usg=AFQjCNEUdh_pivllSbX3bQT3zNe8v-YcVA">King Gyanendra’s coup</a>. <figure><img width="747" height="500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8af29c7e80680e06b26ejpeg.jpg" alt=""><figcaption>Women of Patan on the streets in a pro-democracy rally in April 1990.</figcaption></figure>When the peace and democracy movement erupted in the <a href="http://archive.nepalitimes.com/news.php?id=11741#.Xo6ezS8w0Wo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D11741%23.Xo6ezS8w0Wo&amp;source=gmail&amp;ust=1586492846270000&amp;usg=AFQjCNFrfbQcUCJukMbn7KTOKe8YKp5Feg">Kathmandu Spring</a> of 2006, Kunda Dixit, the editor of Nepali Times asked Bajracharya if he knew what had become of the young woman in his famous photograph. Min Bajracharya finally tracked her down and it was to find her once more on the streets shouting “Long live democracy.” Sixteen years after his iconic photo, Bajracharya <a href="http://archive.nepalitimes.com/news.php?id=11694#.Xo6cii8w0Wo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D11694%23.Xo6cii8w0Wo&amp;source=gmail&amp;ust=1586492846270000&amp;usg=AFQjCNG132z5t26uWhQPxjB--2tnH3QJfw">took another photograph of Durga Thapa</a> leading a pro-democracy protest. She was by then 38, a <a href="http://archive.nepalitimes.com/news.php?id=14212#.Xo6cIS8w0Wo" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D14212%23.Xo6cIS8w0Wo&amp;source=gmail&amp;ust=1586492846271000&amp;usg=AFQjCNHtVUWlYo7MlP2_i-6dyUob_qWOIw">civil servant</a>, and has a son. He photographed her again, this time with a Nikon D-100 digital camera with a 24-85 mm lens. That protest was a turning point in the 2006 movement since it was first time government employees joined the demonstrations against King Gyanendra, and Durga Thapa (now KC) was leading it as a Nepali Congress activist. <figure><img width="373" height="529" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8af49c7e80680e06b26fjpeg.jpg" alt=""><figcaption>The victory rally at Khula Manch on 9 April 1990.</figcaption></figure><figure><img width="721" height="477" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8af69c7e80680e06b270jpeg.jpg" alt=""><figcaption>Police baton charging demonstrators in Bhaktapur during pro-democracy protests in April 1990.</figcaption></figure>Min Bajracharya is proud of the famous photograph that also made him famous. But he is saddened by the need for Nepal’s citizens to keep struggling for democracy over and over again. Thirty years later, he still has vivid memories of what he saw and photographed on the night of 8 April 1990 when police, who were unaware of King Birendra’s proclamation on national television to restore democracy, fired on jubilant protesters in Kathmandu, killing many.He can still hear the crack of bullets ricocheting off the houses. “Many people lost their lives needlessly. I am still haunted by what I witnessed that night.”Photo journalist Min Bajracharya. Photo: NABIN BARAL<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110912118/636b8af89c7e80680e06b271jpeg.jpg" alt="" width="154" height="164">

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One moment 30 years ago today

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70349c7e80680e060066jpeg.jpg" alt="" width="2250" height="1267"/><figcaption>Photo: KUNDA DIXIT</figcaption></figure>Many conversations these days about <a href="https://www.nepalitimes.com/banner/nepal-in-the-2020s/" target="_blank" rel="noopener">the coming 2020s decade</a> for Nepal, somehow always turns to a debate about our past.Usually it is the fatalists and those who have profited by sending <a href="https://www.nepalitimes.com/banner/why-nepalis-are-flocking-to-okinawa/" target="_blank" rel="noopener">Nepali workers</a> and <a href="https://www.nepalitimes.com/banner/migration-certificate/" target="_blank" rel="noopener">students abroad</a> who use the lost opportunities about the past to make a case to justify their business. They make it a point to run down Nepal and its vast potential to move ahead in order to justify their argument that the best option is to leave.Few still romanticise the past because that is where they had their space and comfort. Historical wrongs have taken place here, as they have all over the world. There are do-able ways to correct these injustices to ensure that we can coexist peacefully into the future. But for many, village life was that past and life in the city here and around the world is the future.Attempts to get the discussion back to the future and the potential that Nepal has for growth and prosperity, often drift back into needless comparisons with other countries. Nepal can, should and needs to learn from other countries, but it is a bit like comparing apples and oranges.The USA was partly built by slaves and the British enriched themselves by exploiting colonies. We do not have oil like the Gulf. We do not have a relatively homogenous society like Japan. What are we comparing, then when we compare Tokha to Tokyo, or Dhumbarahi to Dubai?It is not helpful to take one narrow example and to extrapolate to generalise it as the universal development principle. Many study tours that Nepalis have taken are quite futile because they actually end up in raising a greater sense of helplessness.The Nepali resolution for <a href="https://www.nepalitimes.com/banner/how-will-nepal-develop-in-the-next-decade/" target="_blank" rel="noopener">the 2020 decade</a> has to be to built more on what we can be and not so much on the way we were. Lessons are useful, but what good is it to organise a donors’ meeting when we are actually seeking investments?How useful are lessons on Leninism from the Soviet era? What is the use of planning for <a href="https://www.nepalitimes.com/banner/from-a-fossil-past-to-an-electric-future/" target="_blank" rel="noopener">a fossil economy</a> when the path ahead is <a href="https://www.nepalitimes.com/banner/nepals-electric-transport-future-is-here/" target="_blank" rel="noopener">clean and renewable energy</a>? The world must resolve not to repeat the <a href="https://www.nepalitimes.com/opinion/make-or-break-decade-for-climate-action/" target="_blank" rel="noopener">failure of the Madrid Climate Summit</a>. The coming decade has to be about innovation and creativity that will benefit many more people who have been left behind.A new decade has begun with many parts of Australia burning, <a href="https://www.nepalitimes.com/latest/us-iran-war-could-wreck-nepal-economy/" target="_blank" rel="noopener">the Persian Gulf</a> is in a hair trigger, Europe and the UK have started divorce proceedings, and large cities in the most populated areas of the world like Jakarta and Venice are going underwater.Yet, many Nepali migrants have chosen these very countries as where the grass is greener. Yes Nepal is plagued with political uncertainty, <a href="https://www.nepalitimes.com/editorial/a-klepto-republic/" target="_blank" rel="noopener">corruption</a>, nepotism, and <a href="https://www.nepalitimes.com/here-now/air-pollution-is-more-dangerous-than-smoking/" target="_blank" rel="noopener">bad air quality</a>. For Nepalis who migrated to New South Wales, it must feel like from the frying pan into the fire. In the USA many Nepali Americans face the possibility of being drafted into an escalating war.If we stopped focusing on the past, making irrelevant comparisons, we could actually begin to look at Nepal’s future more objectively. For example, Nepal is an upstream country. This word is often not used to describe Nepal and what its comparative advantage could be. Being an upper riparian has numerous advantages and opens up all kinds of possibilities.A country of 30 million is not small. And Nepal is not poor, just poorly governed. So let us stop describing ourselves as “a small and poor country”. <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/need-to-prepare-for-ageing-society,3624" target="_blank" rel="noopener">Having a young population</a> is not a liability but a historic opportunity that is the envy of rapidly-ageing countries like <a href="https://archive.nepalitimes.com/article/nation/nepalis-from-chitwan-to-chidoya,4110" target="_blank" rel="noopener">Japan</a>.One thing we will need while moving ahead is to restore our faith in ourselves.  Recently, climbing the steps of Swayambhu a fellow-walker remarked, “If people went to work with the same faith as they do when they go to temples, Nepal would surely develop.”Anil Chitrakar is President of <a href="http://www.siddharthinc.com/">Siddharthinc.</a>

Anil Chitrakar

Back to the future in Nepal

<img width="840" height="500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141152/636a5f659c7e80680e056e28jpeg.jpg" alt=""/>Two Nepali students caught up in intensifying protests in Hong Kong have been arrested by Police in the former British territory.Jenny Rai and Rosemary Limbu were arrested during protests on Tuesday to coincide with the 70th anniversary of the Chinese Communist Party.  They are reportedly being kept at Hunghom and Cheg Sa police stations. The Hong Kong protest against the extradition bill broke out in June with violent clashes with Police using tear gas, rubber bullets and pepper spray. Many protesters ended up injured.Nepal Federation of Indigenous Nationalities Hong Kong said the students’ families have not been permitted to visit the detainees even after 36 hours. It demanded that the students be treated as per international law, and also encouraged Nepalis to stay away from illegal activities. In August, fake notices and death threats were sent to workers from India, Pakistan and Nepal warning them not to take part in protests.  <img width="1466" height="2048" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141152/636a5f679c7e80680e056e29jpeg.jpg" alt="">Earlier in September, MTR chief Jacob Kam was called out for his statement on using <a href="https://nepalitimes.atavist.com/tunnel-vision" target="_blank" rel="noopener">Gurkhas</a> as railway enforcers. He said Gurkhas were ideal for the public transport network targeted by protesters because they would be neutral and not understand foul language in Cantonese. The language barrier can develop an advantage in controlling protests, Kam was quoted as saying in the South China Morning Post.Kam stated,<a href="https://www.scmp.com/news/hong-kong/politics/article/3027269/mtr-chief-jacob-kam-takes-heat-plan-use-gurkhas-railway"> “The Gurkha colleagues’ security work experience and training will make the whole process more efficient and safer for everyone. When we feel the situation requires police assistance, we will ask for it.”</a> There are about 80,000 Nepalis living in Hong Kong, many of them <a href="http://archive.nepalitimes.com/article/nation/young-Nepalis-eager-to-come-home,2686" target="_blank" rel="noopener">descendants of former servicemen in the British Gurkhas</a>.

Two Nepalis held in Hong Kong protest

The Kangchenjunga Trek in far-eastern Nepal is a remote and less-crowded adventure that offers raw wilderness, diverse cultures, and breathtaking terrain below the world’s third highest mountain. Kangchenjunga (8,586m) grabbed the world’s attention before Mt Everest ever did because its imposing rampart dominated the northern horizon from Darjeeling, the summer refuge for the British in India. The Kangchenjunga massif is more a mountain range rather than a peak, its high ridge stretching 25km from Nepal to Sikkim.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c.jpg" data-media-id="editor_0" data-image-id="20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c" data-rendition-name="original" width="938" height="726" loading="lazy" alt="Kangchenjunga trail map"></figure>  Sikkim considers the mountain sacred, and has banned mountaineering expeditions. But the various prominences of Kangchenjunga are increasingly popular for climbers via the north face in Nepal. For non-mountaineers, even the Kangchenjunga trek can be arduous, especially in winter. It is one of the last pure wilderness areas in Nepal, traversing sparsely populated valleys that are rich in biodiversity because of the high annual rainfall. Even when Nepal was a forbidden land, among the first foreign visitors was British botanist J D Hooker who explored the Nepal side of Kangchenjunga in 1850 to collect plant samples. The peak was first climbed in 1955, two years after the first ascent of Mt Everest.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd.jpg" data-media-id="editor_1" data-image-id="20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff.jpg" data-media-id="editor_2" data-image-id="2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The establishment of Kangchenjunga Conservation Area in September 2006 was accompanied by tragedy when 24 people, including Nepal’s nature preservation pioneers were killed in a helicopter crash. The Conservation Area is now the only one managed completely by the local indigenous people. It has 70 varieties of orchids, 30 rhododendron types, and 15 out of 28 endemic plants of Nepal. Kangchenjunga still gets very few of the 200,000 foreign trekkers who visit Nepal every year, but improved road access in recent years is making it more popular. Trekkers have a choice of exploring the North Base Camp (Pangpema) or the South Base Camp (Yalung Glacier), or combine both for the full Kangchenjunga Circuit (map). This trek is considered strenuous, with long walking days, high altitude, and tea house accommodation that is much more basic than the Everest or Annapurna regions. Trekkers have to be fit and with prior hiking experience. Most teams take tents and camp, and carry most of their food.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7.jpg" data-media-id="editor_3" data-image-id="2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  FULL CIRCUIT Because the region is restricted, trekkers must obtain a permit and be accompanied by a licensed guide. A full circuit can take three weeks, while doing only the North or South Base Camps will take two weeks, including flying from Kathmandu to Bhadrapur and jeep to Taplejung or a rough trail to Hellok. The lower forested stretches are teeming with wildlife, and this is red panda and snow leopard country. The streams and ponds have amphibians and reptiles, some of which have not yet even been classified. The route also passes the homelands of the Limbu, Rai and Tibetan communities with the local culture and architecture more intact than in most other mountain areas of Nepal.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b.jpg" data-media-id="editor_4" data-image-id="2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8.jpg" data-media-id="editor_5" data-image-id="2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The best seasons to trek are spring (March–May) and autumn (September–November). There are fewer trekkers and climbers in winter, and many of the birds and wildlife have migrated down to warmer climes. Despite its beauty, trekkers should be prepared for challenges like long distances between villages, unpredictable weather, and limited emergency rescue options due to the remoteness of the area — all even more challenging in winter. Norbu Lama is an international hiking guide with www.dolpocaravantreks.com and just returned after leading a trek to Kangchenjunga Base Camps.

Kangchenjunga in winter

Nepal’s month-long cricket carnival ended on a sunny Saturday in Kathmandu with a final game in which the Lumbini Lions dominated the Sudurpaschim Royals with both bat and ball.&nbsp; The Royals were bowled out for an embarrassing 85, thanks to Namibian Ruben Trumplemann’s three wickets for three runs, and captain Rohit Paudel’s hat-trick in the eleventh over. Only opener Ishan Pandey’s 33 run-innings was of any note.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121315120_ced9258f9503a03fe53760d5ff420136ea9cfbaf3001512399ec5cafeef25364.jpg" data-media-id="editor_0" data-image-id="2025121315120_ced9258f9503a03fe53760d5ff420136ea9cfbaf3001512399ec5cafeef25364" data-rendition-name="original" width="1366" height="909" loading="lazy" alt="NPL 2"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141232_0b712b438a97b49747029e4b3884b0eeba8ec0ff0bfbc5fd3d61cbb2002a16c2.jpg" data-media-id="editor_1" data-image-id="20251213141232_0b712b438a97b49747029e4b3884b0eeba8ec0ff0bfbc5fd3d61cbb2002a16c2" data-rendition-name="original" width="1345" height="1000" loading="lazy" alt="NPL 2"> </figure>  The Lions came out with virtually no pressure on them, and Dinesh Adhikari’s 42 off 13 including 27 off the first over bowled by Dipendra Singh Airee won the match. Rohit Paudel came in to finish the match calmly, with 11 overs to spare, scoring two stylish fours and a six before holing out with the Lions on 83.&nbsp; The Lions took comically long to get the final two runs to win the game, losing one more wicket. But it was merely a matter of time, and a single ended the Royal’s misery.&nbsp; As dusk fell, the big fluffy lion mascot was on the field dapping up the Lions as red fireworks went off and Lumbini fans leaped from their seats in the packed stands.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141232_ba4c4fde1865c583cf324d253563a0fc96002c31e8381ee85850f71c67515ea9.jpg" data-media-id="editor_2" data-image-id="20251213141232_ba4c4fde1865c583cf324d253563a0fc96002c31e8381ee85850f71c67515ea9" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="NPL 2"> </figure>  This capped off an incredible run from the Lions who had finished dead last in NPL Season 1, and had only one win and three losses after four games. They won the remaining three, finishing fourth, barely qualifying.&nbsp; This meant that they had to play an eliminator last week against the Kathmandu Gorkhas and then a qualifier against the popular Biratnagar Kings, whose squad included Sandeep Lamichhane, Faf du Plessis, and Martin Guptill. They won both in style. For the Royals, however, this was the second disappointing final in a row after being the best team in the group stage in both seasons of the NPL. National team batsman Binod Bhandari had had an excellent tournament for the Royals, but was in tears at having come this far again and fallen short.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213141228_a90fd0afaeec366416efe314464d6b1152bd9cca011346b77914c2037b6b156e.jpg" data-media-id="editor_3" data-image-id="20251213141228_a90fd0afaeec366416efe314464d6b1152bd9cca011346b77914c2037b6b156e" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="NPL 2"> </figure>  Despite the final being disappointingly less action-packed for the neutral viewer, the final marked the second successful execution of the NPL. The addition of seats and floodlights at the TU Cricket Stadium overlooking Kathmandu made evening games possible and improved the experience for fans.&nbsp; The floodlights also made for some gorgeous photography as the sun set behind Chandragiri, illuminating the Himalaya to the north in gradually fading shades of orange.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251205041256_280bea0db1d097c88d478f5ba7197b5e2faa05623ebf9c0438af46d85bdb891e.jpg" data-media-id="editor_4" data-image-id="20251205041256_280bea0db1d097c88d478f5ba7197b5e2faa05623ebf9c0438af46d85bdb891e" data-rendition-name="original" width="1366" height="911" loading="lazy" alt="Cricket carnival NT"> <figcaption>Photo: SUMAN NEPALI</figcaption> </figure>  Adam Rossington’s 323 runs, including a century, and Sandeep Lamichhane’s 17 wickets were the standout individual performances across the tournament in the past month.&nbsp; The tournament brought out characters much loved by the vociferous crowd, including ‘Taklu’ Irish commentator Andrew Leonard who worked in a Dhaka Topi, British presenter Jess Crowe who donned a Sari for the final, and Chitwan Rhinos’ charismatic mascot Mr Gaida who entertained the crowd with enthusiastic nonstop dancing.&nbsp; The tournament was such a draw that the university grounds looked like a carnival with food and merchandise stalls. The capacity 10,000 stadium drew such a crowd that Kathmandu streets were relatively quiet on Saturday with people also watching the game live on tv at home.&nbsp; Kathmandu’s residents were genuinely delighted at being able to talk about <a href="https://nepalitimes.com/here-now/cricket-carnival">a Nepali cricket tournament</a>, and not about the Indian or English Premier Leagues. And while everyone appreciated the cricket no matter who was playing, fans showed up for their provinces in loud numbers.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251205041256_e96211da042ec3043940f2feca4cd59dd00351af41a4ca029169871f69f51957.jpg" data-media-id="editor_6" data-image-id="20251205041256_e96211da042ec3043940f2feca4cd59dd00351af41a4ca029169871f69f51957" data-rendition-name="original" width="1366" height="911" loading="lazy" alt="Cricket carnival NT"> <figcaption>Photo: SUMAN NEPALI</figcaption> </figure>  The organisers having proven themselves, future NPLs may need more stadiums in other provinces, even better overseas players.&nbsp; Sambhav Sirohiya of the Kathmandu Media Group ambitiously tweeted that he believes that the league could already become the second most valuable franchise cricket league NEXT SEASON, especially if the government would loosen up its regulations of advertising, especially that of alcohol. Nepali cricketers and fans are now better prepared for the T20 World Cup in India and Sri Lanka in February, with the experience of playing in the NPL and with the access to world-class cricket talent and seeing how they go about excelling at the sport.&nbsp;

Lumbini gets the lion’s share

Ancient heritage meets dern distillery craft as the US-based The Nepali Spirit Company this month makes its global debut with Kathmandu Ayla. Inspired by Nepal’s ancient rice whiskey tradition, the product is the first of four handcrafted spirits that brings Kathmandu Valley’s 1,000-year-old ayla tradition to the world stage. “The first four products combine history, culture, and tradition and it has taken eight years to get to this launch point,” says CEO of The Nepal Spirit Company Kashish Das Shrestha, who is also publishing a book on the history of alcohol in Nepali culture. The other three ayla products are Masala Whiskey aged in Brazilian Amburana casks and spiced with black cardamom from Nepal, Annapurna Ayla, and Haku Chaku Himalayan Espresso Liqueur made with organic Nepali coffee, and chaku (dark molasses).  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85.jpg" data-media-id="editor_0" data-image-id="20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  “I started visiting international whiskey auctions six years ago and after reading about distilling, my passion for spirits grew, and I felt the urge to tell the story of Nepal’s heritage spirits to the world,” explains Shrestha. Once poured in Nepal’s royal courts, ayla is a clear rice whiskey that is a millennia-old living heritage of Kathmandu used in rituals from birth to death and traditional life milestones of its inhabitants. Ayla is distilled to capture the classic aromas and flavors, with a soft sweet after taste. It can be enjoyed neat, sipped through meals, or enjoyed as shots. With more than 15% of Nepal’s population living and working abroad, there is a cultural demand for ayla in the diaspora from Asan to Amstredam to Australia.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78.jpg" data-media-id="editor_1" data-image-id="20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78" data-rendition-name="original" width="1000" height="1270" loading="lazy" alt="The American Ayla NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa.jpg" data-media-id="editor_2" data-image-id="20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa" data-rendition-name="original" width="1778" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  &nbsp;“We also believe ayla is a wonderful way to tell Nepal’s story to the world,” says Lilu KC Shrestha, Chief Operating Officer of the company. “We intend to use our platform to promote Nepal in any way we can, and also find ways to give back to the country. It was high time a world-class Nepali spirits brand entered the global market, and we are proud to take the lead.” Aside from the ayla itself, the bottle and packaging was conceived by New York-based designer Sahara Shrestha to reflect a complete Nepaliness. “Each bottle and box is a love letter to Nepal, and every detail is an expression of respect and appreciation of Nepali heritage and our desire to share it with the world,” says Kashish Das Shrestha. “And ayla itself is a sacred part of our culture, so we wanted to make sure the bottle reflects this reverence.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273.jpg" data-media-id="editor_3" data-image-id="20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273" data-rendition-name="original" width="1920" height="1475" loading="lazy" alt="The American Ayla NT"> <figcaption>Aylarita</figcaption> </figure>  The bottom of each bottle has an embossed Mandala representing the universe and its interconnectedness. A glass molding of Himalayan peaks Chomolungma and Nuptse signifies the earth and heaven. The bottle cap is a black and gold rendering of the metal plates that hang from Kathmandu’s temples. The logo of The Nepali Spirit Company is also inspired by the unti, a traditional vessel used to pour ayla. While its top is typically adorned with a peacock, the company’s design replaces it with rice stalks. This motif is also on the label of Annapurna Whiskey named in honour of both the mountain and the goddess, the giver of grain. For a new take, ayla can be paired with a lime wedge lathered in honey, cumin, and salt, or on the glass rim. It can also be mixed into cocktails to make Aylarita, Aylatini, or Aylapolitan. <a href="http://www.thenepalispirit.com/" target="_blank">www.thenepalispirit.com</a>, @TheNepaliSpirit

The American Ayla

People like myself were too young during the decade of the Maoist War to remember its horrors. We often wonder what life was truly like back then. Perhaps the closest we have come to experiencing a national crisis of that scale – with the protests, violence, curfews, and political maneuvering – was the GenZ movement in September. How did people cope? What did they fear? What was it like in the cities and &nbsp;villages? How was it that the king still held so much power? What motivated the guerrillas? And, how did &nbsp;ordinary people adjust and endure the war? My curiosity about the war that ended 20 years ago &nbsp;was met with a rollercoaster of emotions with Monica Rana’s debut novel, The Paths We Choose. The novel is not a retelling of events from the vantage of leaders, rebels. It is not about the violence, but a carefully curated perspective of ordinary people caught up in it. It is a glimpse into how the war altered or defined their paths. This is the 'People’s War' from the people’s own perspective. Readers are immediately invested into the lives of two central characters, the sister duo, Sumnima and Rita. The elder radiating from the beginning with her brave and cunning aura, and the latter, more timid and obedient, much of her time absorbed in awe of her sister. The writer’s language flows as effortlessly as the sisters’ strides up the hills to steal mangoes from Dhire Dai’s trees, only to race back down to Rato Mato, carrying us through their journey into adolescence. Amidst the rolling hills, mango trees, life is filled with laughter, adventures, and everyday banter, scenes so serene that they carry an unsettling calm that hints at what lies ahead. Village life is not all painted in romantic hues. The stark reality of poverty, subsistence, and contrast with the comfort of city living are never far away. Amidst these reminders, there runs a humbling truth: happiness once rested on small things, not on the material excess that define urban life. As the pages turn, the title begins to resonate: two sisters, once bound by the same bloodline, shared dreams, and the same roof, are caught in the crosshairs of war and forced onto separate paths. One by choice, and the other by necessity. The story unfolds with the seasons: the relentless monsoon rains, the scorching heat of summer, and a liberating winter that carries bittersweet truths. The year is 2001, as the insurgency intensifies. Against this backdrop, the cousins’ lives diverge. Sumnima is drawn into the rebels’ ranks to 'fight for equality and freedom', while Rita is uprooted, carried across distances, and placed in Seto Bangala as a helping hand among the higher-ups, in her family’s desperate attempt to secure her a better life after their village is reduced to a 'ghost city' by violent attacks. There are betrayals and beginnings, high palaces and humble hills, royals and rurals, identity and ideology, loss and lament, distance and discovery. Through upheavals, tears, and struggles, one thing remains constant: both sisters wonder about the other. They care. They long to reconnect. They hold fast to the dream they once shared to open a guesthouse in their village someday. A dream to simply live with no fear. To be free. To be happy. And, to be together. The writing illuminates vital themes: innocent people caught up in strife, the vast chasm of class from royals dining on silver plates to villagers back home hiding their last grain to save it from looters. And discrimination so stark it was as if people carried labels on their foreheads, marked by caste, skin colour, and gender. The sisters eventually reunite, but their journey is not an easy one, and what lies ahead is far from the future either of them once imagined. One might romanticise it as fate, or might recoil at the harsh reality Monica Rana lays bare: it is often the innocent who bear the heaviest burdens of war. Civilians are trapped between warring sides, enduring hunger, displacement, and violence through no fault of their own. Wars continue to rage across the world. Though the novel does not particularly focus on exposing the horrifying depths of war crimes, it remains a timeless reminder of what the Palestinian poet Mahmoud Darwish once said: “The war will end, and leaders will shake hands. The old woman will keep waiting for her martyred son. And those children will keep waiting for their hero father. I don’t know who sold our homeland, but I saw who paid the price.” &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251213031240_2f7c62e392a430082c1627719e014f82b857118e226299e1590d74503387ae93.jpg" data-media-id="editor_0" data-image-id="20251213031240_2f7c62e392a430082c1627719e014f82b857118e226299e1590d74503387ae93" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The paths we choose book review"> </figure>