The <a href="https://www.instagram.com/p/DQtSOT6ilFC/?img_index=1">post on Instagram </a>has an image of Sudan Gurung. Over the top is the message: ‘We wont let this year’s election happen if Gen Z’s demands are Ignored’. The account’s bio is ‘Uniting Nepalese Through Independent Investigative Research.’ Post like these have become a template for the information ecosystem in the aftermath of the GenZ revolt in September. Social media feeds are saturated with content that uses multimodality of captions, video, audio, to convey alarm and warnings about how GenZ aspirations are being subverted. Research by MIT showed that on X false news reaches 1,500 people six times faster than the truth. Fake news goes ‘farther, faster, deeper, and more broadly than the truth’, researchers concluded. Narratives compete on platforms, and users gravitate to the shock-value of the news and not to factual precision or nuance.&nbsp; “On social media misinformation easily mutates into disinformation,” says media literacy trainer Deepak Adhikari. “The news we see on social media are often out of context, with little information that misinforms more than inform.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251203121236_6daaeaf8ed255fda4a431d0419d9ae1a0908259af14529835034ce48653064a9.jpg" data-media-id="editor_1" data-image-id="20251203121236_6daaeaf8ed255fda4a431d0419d9ae1a0908259af14529835034ce48653064a9" data-rendition-name="original" width="1501" height="1000" loading="lazy" alt="Doomscrolling democracy NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251203121232_8a7a41b8bd1892137d1dd97fd1c1408d2879ff96fa69a4d6d5acff7239869d4b.png" data-media-id="editor_2" data-image-id="20251203121232_8a7a41b8bd1892137d1dd97fd1c1408d2879ff96fa69a4d6d5acff7239869d4b" data-rendition-name="original" width="1601" height="340" loading="lazy" alt="GenZ instagram"> </figure>  Indeed, today’s ‘Post-Truth Society’ is characterised by a media environment where users give more credibility to their pre-existing beliefs and emotion rather than objective facts or subjective nuance. Post-Truth does not refer to what comes after the truth, but rather a cultural or information environment where pre-held personal beliefs shape public opinion, not facts.&nbsp; Rumour, bias and propaganda have always been a part of the informationsphere, but what makes it different today is the velocity at which falsehood spreads. The news cycle is short, and before content can be verified the damage is already done.&nbsp; Adhikari says that pre- and post-publication fact checking can be a potential antidote. However, when a video with misleading content goes viral, and even after fact-checkers catch up to correct it, the fear-mongering, anger or hate has already spread.&nbsp; In Nepal’s social media, apparently everyone is tarred as guilty, or funded by a foreign government. Calls to dismantle federalism, restore the monarchy, or teach political leaders a lesson by supporting authoritarian alternatives are no longer fringe ideas discussed in private. They circulate routinely in the algorithmic streams legitimised not by evidence but sentiment. When misinformation becomes the default, nostalgia for a mythical prosperous past begins to look like a rational response. While these positions are not new, their algorithmic amplification gives them perceived legitimacy that makes it hard to estimate, or far exceed, their actual political support. “We have not highlighted the achievements of our multiparty democratic system, and the new generation has not experienced authoritarianism,” Adhikari explains. “Therefore statements like federalism is expensive and the monarchy was better have taken up space, because the evidence of the counter narrative is underreported.” There is a positive side to social media. The GenZ movement took on momentum, and the protestors organised and supported each other through the very platforms that are now full of content that can potentially derail the democracy they wanted to strengthen. Just like it was trendy to be revolutionary during the protests, it is now trendy to be skeptical and to distrust the very people who were installed in the interim government through online voting. Such is the architecture of social media: it rewards immediate reaction over reflection, and due to its interface design, it not only shows what could be relevant ‘for you’ but also tells you what others are thinking about that. The role of the mainstream press as the traditional gatekeeper of information has been superseded by the digital sphere — both in access and sharing. This poses new challenges because social media content may not be news, and just because a page claims to be a news site that does not mean it is journalism. Social media feeds are not chronological newspapers but an algorithmic marketplace. TikTok, Instagram, Facebook, YouTube all rely on recommender systems, now powered by AI to keep users on their platforms for as long as possible. The feeds then collapse the distinction between credible news, speculation, parody, and deliberate disinformation, especially in a politically volatile environment.&nbsp; Everything appears in the same vertical stream, formatted with similar fonts, voiceovers, and music, making a platter of content that they know you are most likely to consume. For Nepali users, this has created personalised and parallel political realities. Two people living in the same household may open TikTok and encounter completely different idea of the problems and solutions of Nepal. One is fed content in favour of elections in March, while another pushes conspiracy theories about anti-GenZ activities aided and abetted by foreign powers. None of these feeds reflect the whole picture. Each reflects what the algorithm has learnt will capture user attention. Academics have long found that social media sites do thousands of A B testing to silently optimise which colors, captions, or video formats users respond to most intensely.&nbsp; Tests help design the most addictive feeds. Interface interference allows platforms to limit discoverability of certain features such as the ‘Logout’ and ‘Privacy’ settings so the system remembers users preference for the next time they are scrolling the platform. When faced with such infocalypse, we have the option to withdraw and not engage with our feeds or our phones. But billions of dollars have been spent by Big Tech to keep us hooked. We need more structural revisions that integrate the need of a safer online environment. Media and digital literacy must be woven into both formal education and public institutions. It cannot be an optional topic or a workshop for a select few.&nbsp; Students must learn how algorithms work, how misinformation spreads, and how to verify information before sharing it. Adults need community-level programs that help them navigate the online world that now shapes politics.&nbsp; Content creators also must be held accountable. Profiles posing as news sites must also be brought under the same scrutiny as the mainstream press. Directives for social media journalism, a section in the Press Council’s Journalism Code of Conduct can be introduced as provisions that foster transparency and ethical journalism practices on social media. Creators should pledge to verify facts, cite sources, and clearly label opinion or commentary. While this will not entirely curb disinformation, it can be the first step towards a digital public sphere that can host democratic dialogue with nuance and facts.&nbsp; Says Adhikari: “Journalism doesn’t exist in a vacuum, and our knowledge space, academia, think tanks, research centres, archives, are scaffolding to support journalism, and we must make them stronger. The role of journalism can be to humanise the news and journalists can be storytellers, but the responsibility of the information ecosystem does not rely on journalists alone.” Ayusha Chalise is a communication and development scholar specialising in how politics is experienced in the digital space.

Ayusha Chalise

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Doomscrolling democracy

&nbsp;Nepal has finally become famous the world over for something else besides Mt Everest — the GenZ Movement. The 8 September protests in Kathmandu may have been triggered by what happened in Jakarta a week previously, but it inspired street uprisings all over the world. This week, Mexico’s GenZ are clashing with riot police. Last month, the president of Madagascar fled to Dubai. <a href="https://nepalitimes.com/here-now/nepal-genzs-inspired-filipinos" target="_blank">Philippines</a>, Morocco, Peru, Timor Leste all have seen similar anti-government protests against corruption, nepotism and poor governance. A Himalayan republic, a Latin American federation, a Southeast Asian archipelago, or a North African kingdom may have little in common, their histories, religions, languages, and political systems are worlds apart. But <a href="https://www.nytimes.com/2025/10/19/world/gen-z-revolutions-protests-louvre-heist-gaza.html" target="_blank">the common thread</a> running through these demonstrations were the simulacra and symbols spread on social media platforms.&nbsp; The young crowds marching through the streets of these countries were holding up the same icons. They painted the same images on cardboard, waved the same flags, stitched the same badges on their backpacks. They chanted &nbsp;the same references from the same corners of the internet.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_2ff7cf4ce7a9590359ed18753f4977648a6db83e95dd62d602a3f81e9eec42c4.jpg" data-media-id="editor_2" data-image-id="20251122031128_2ff7cf4ce7a9590359ed18753f4977648a6db83e95dd62d602a3f81e9eec42c4" data-rendition-name="original" width="1250" height="1047" loading="lazy" alt="Meme movements"> <figcaption> One Piece reference meme on Instagram, 115K likes(Photo: Shristi Karki)</figcaption> </figure>  To anyone who did not grow up online, this looks random. To anyone who did, it feels like the most obvious thing in the world. A new kind of global identity has formed — one that cuts across nationalities and cultures. In Nepal older relatives mock the ‘जेन्जी’. My neighbour asked me if ‘GenZ’ was a new political party.&nbsp; Around the world, when youth-led protests appear, reporters and politicians ask the same question: ‘Who is the leader?’ The answer is the same: there is no leader.&nbsp; Some names come up more prominently, as people did during <a href="https://nepalitimes.com/here-now/nepal-s-historic-youth-dissensus?fbclid=IwY2xjawNPQnZleHRuA2FlbQIxMQABHk5Nazeqz3K9aNddXa-dQfCbwtId0nLclQwHzIYhTfg8tzGWXZMBJ5pjm5Qx_aem_a5JoyT1FRqzCVtnnPM7zUw" target="_blank">the Nepali protests</a>: Sudan Gurung. Miraj Dhungana, Rakshya Bam and other organisers who appeared in livestreams and interviews. But look closely and the leader is hiding in plain sight. The leader is not a person. The leader is the internet meme.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_b2319eb8d7abec7ed5e12baf1a53e0a27cfd7a49ee15c058c47cdf2603a7fa8a.png" data-media-id="editor_4" data-image-id="20251122031128_b2319eb8d7abec7ed5e12baf1a53e0a27cfd7a49ee15c058c47cdf2603a7fa8a" data-rendition-name="original" width="662" height="1038" loading="lazy" alt="Meme movements"> <figcaption>Aurafarming, 233K likes(Photo: Shristi Karki)</figcaption> </figure>  <a href="https://nepalitimes.com/here-now/nepal-s-meme-revolution" target="_blank">Memes today</a> are doing the quiet organising work that pamphlets and party cells once did. They offer identity, coordinate action, level power differences, and they do it without any central command. This is not because memes cause revolts. It is because memes are the connective tissue of a generation that grew up on the same visual language, the same jokes, the same references, and the same sense of shared digital childhood. Older generations did not share cultural symbols in the same way. Whether they read a certain comic book or watched the same cartoon depended on class, religion, caste, the country, or neighbourhood they grew up in. These divisions created stratified cultural memories.&nbsp; Today, an entire global cohort has been raised on the same visual media. The same YouTube creators. The same TikTok jokes. The same anime storylines. It is truly what McLuhan predicted the Global Village would be.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_136d009a48d8f8daee82ada1b220e0b0c8ec482b52dcd44e0942e2185a70421b.png" data-media-id="editor_6" data-image-id="20251122031128_136d009a48d8f8daee82ada1b220e0b0c8ec482b52dcd44e0942e2185a70421b" data-rendition-name="original" width="738" height="1012" loading="lazy" alt="Meme movements"> <figcaption>Masked K P Oli, 63K likes(Photo: Shristi Karki)</figcaption> </figure>  This has also created the perfect environment for <a href="https://observer.co.uk/news/international/article/revolution-20-frances-political-future-could-be-won-or-lost-by-bots-and-memes" target="_blank">memes to become political tools</a>. They are instantly recognisable, emotionally charged, and open for remixing. They allow young people to signal their values without stating them. They compress identity, anger, humour, and belonging into something that the rest of the world dismisses as unserious. The perfect example of a GenZ meme is the famous skull and crossbones in protest flags from Kathmandu to Manila to Mexico City. The Strawhat Pirates from the <a href="https://www.france24.com/en/asia-pacific/20251006-one-piece-manga-revolt-morocco-indonesia-nepal-madagascar" target="_blank">anime One Piece</a>, is a show with over 1,000 episodes and a global fanbase that spans continents. One Piece follows Luffy, a justice driven pirate who travels across a world ruled by corrupt older elites who hoard power and suppress dissent.&nbsp; It is not hard to see why that story resonates with young people who feel locked out of political systems built by generations before them. I even printed stacks of my own flyer that explained memetic warfare using Minecraft visuals and handed them out in the crowd. Each one linked to a Telegram group with the Strawhat Pirates logo called MemePack HQ.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031144_1b12e920be6e312e1dc8768d318c1d1332e32694293b48984089867e7e525a27.jpg" data-media-id="editor_9" data-image-id="20251122031144_1b12e920be6e312e1dc8768d318c1d1332e32694293b48984089867e7e525a27" data-rendition-name="original" width="1100" height="1000" loading="lazy" alt="Meme Movements"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_08b720667a9ff36537e58992c8a8030b090900847de5eecd479bbb3fc727349d.png" data-media-id="editor_10" data-image-id="20251122031128_08b720667a9ff36537e58992c8a8030b090900847de5eecd479bbb3fc727349d" data-rendition-name="original" width="696" height="1004" loading="lazy" alt="Meme movements"> <figcaption>Indonesia-Nepal comparison, 17.7K likes(Photo: Shristi Karki)</figcaption> </figure>  CULTURE EXPOSURE The Strawhat logo is not the only symbol making people protest. That would be like saying video games cause real world violence. Instead, the logo works like a modern version of mythology. It packs meaning for those who understand it. It represents loyalty, rebellion, chosen family, and resistance against unfair structures. It works as a rallying flag because it is already a shared story. And unlike older myths, it is accessible regardless of religion, caste, language, or national identity. Across Nepal, the Strawhat symbol has shown up on posters, badges, and protest outfits. But it is only one piece of a larger ecosystem of youth symbols. From Nepali meme pages remixing political speeches into ironic audios, to posts that place politicians into familiar pop culture formats, to clips that exaggerate the absurdity of daily life under slow moving governance, these are not just jokes. These are narrative units. Each post is a tiny story with its own punchline and its own political edge. Each TikTok video or meme functions like a religious shlok, a short piece of narrative that carries layers of meaning depending on who consumes it. Someone who has spent years studying a religion, in this case, inside GenZ online culture will recognise the symbols instantly. Someone outside this world will only see noise. This creates a literacy divide that is not about formal education but cultural exposure.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f.png" data-media-id="editor_11" data-image-id="20251122031128_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f" data-rendition-name="original" width="810" height="1208" loading="lazy" alt="Meme movements"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_d591c4dc857864cc833ffc6baece3f4c2798bbaf70b557f965463fc8f802900e.png" data-media-id="editor_12" data-image-id="20251122031128_d591c4dc857864cc833ffc6baece3f4c2798bbaf70b557f965463fc8f802900e" data-rendition-name="original" width="568" height="1124" loading="lazy" alt="Meme movements"> </figure>  Protesting youth spent countless hours scrolling, interpreting, remixing, and responding to content. They built a shared symbolic universe across borders without planning to. This is why their political movements feel leaderless. They are not following individuals. They are following stories that define what justice looks like. Stories that define who the villain is. Stories that define how to respond when power is abused. In Nepal, memes about broken roads, delayed passports, political inheritance networks, and bureaucratic absurdity circulated for months before they became slogans or chants. By the time people took to the streets, the narrative groundwork had already been completed by thousands of posts liked and shared in private. The protests did not emerge from nowhere. They emerge from years of digital storytelling. Which is why the government’s ban on 26 digital platforms on 5 September became such a rallying force. The platforms that distribute these memes are not neutral, they are actually designed to maximise engagement because engagement translates to ad revenue. Right now, there is an engineer in Silicon Valley getting paid an enormous salary to find the perfect colour shade for a singular pixel on your screen so that you linger for fractions of a second longer.&nbsp; Algorithms reward content that trigger emotion. Sometimes the emotion is delight. Sometimes it is envy. Often it is anger. When rage becomes a business model, movements built inside these systems can feel powerful but unstable. The platforms democratise attention but centralise emotion. They allow anyone to broadcast, yet they shape the emotional tone of what becomes viral.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251122031128_f22baab05910305ea435045824b25b796d5630715e2e17c3f3c0991e8371843c.png" data-media-id="editor_13" data-image-id="20251122031128_f22baab05910305ea435045824b25b796d5630715e2e17c3f3c0991e8371843c" data-rendition-name="original" width="974" height="1156" loading="lazy" alt="Meme movements"> </figure>  GenZ sits inside this tension. Empowered by the ability to speak without gatekeepers. Trapped inside systems that monetise their attention and amplify their frustration. This is why these leaderless online movements feel both organic and volatile. The algorithm filters which stories rise and which fade. It becomes an unintentional political actor. Not elected. Not accountable. Yet influencing millions. When the state is no longer the primary distributor of information, and when the algorithm becomes the new filter of reality, the public is left with a new responsibility. We have to learn to read memes the way past generations learned to read pamphlets or manifestos. A 15 second video can carry more political weight than a two hour speech. A symbol on cardboard might represent a decade of digital storytelling. Older generations often dismiss these images as childish. They are actually literacy markers of a new political class, one that does not wait for leaders. A political class fluent in remixing power, raised on global stories that feel more honest than the institutions they inherited. The youth did not create these platforms. They inherited them. But through memes they found a new language, one that lets them organise without permission. One that lets them build solidarity without needing meetings or manifestos. One that allows them to resist systems that feel too old to reform. It is time to take that seriously. Nobel Rimal is a researcher of digital culture and political communication who studied and participated in the meme driven mobilisations during the Nepal protests&nbsp;

Meme movements

In 2025, we stand at a crossroads in <a href="https://nepalitimes.com/opinion/comment/surveying-nepal-s-digital-landscape">the digital era</a>. Our platforms have become the new public squares, but rather than fostering democracy and dignity, many are optimised for manipulation, division, and profit. The Council on Technology and Social Cohesion's <a href="https://toda.org/assets/files/research/blueprint-on-prosocial-tech-design-governance.pdf">Blueprint on Prosocial Tech Design Governance</a> offers a systems-level response to this crisis. Digital harms are not accidental. They stem from deliberate choices embedded in how platforms are built and monetised. Infinite scroll, addictive recommendation systems, and deceptive patterns are not technical inevitabilities—they are design policies that reward engagement over truth, attention over well-being, and outrage over dialogue.&nbsp; These <a href="https://nepalitimes.com/banner/avoiding-the-quicksand-of-social-media">antisocial designs</a> have proven devastating: eroding mental health, fuelling polarisation, spreading disinformation, and concentrating power in a handful of corporate actors. Tech companies blame users for<a href="https://nepalitimes.com/here-now/ghiblification-is-more-than-cute-pixels"> harmful content online</a>, avoiding their own responsibility in how they design platforms. The Blueprint shifts the focus from downstream content moderation to upstream focus on platform design. No technology has a neutral design. Companies chose what their platform will allow you to do, prevent you from doing, and what the design will persuade, incentivise, amplify, highlight, or manipulate people to do or not do online. Like building codes in architecture, the report proposes a tiered certification system for prosocial tech, outlining five levels of increasing ambition—from minimum safety standards to fully participatory, socially cohesive platforms. This is not window-dressing. It is a structural intervention to address the root causes of harmful tech designs. Read also: <a href="https://nepalitimes.com/opinion/comment/tech-and-transition-in-nepal">Tech and transition in Nepal</a>, Ashutosh Mani Dixit Tier 1 begins with establishing baseline protections: Safety by Design, Privacy by Design, and User Agency by Design. These are not abstract ideals but concrete practices that give users control over what they see, how they are tracked, and whether manipulative features are opt-in rather than default. Tier 2 scales up with low-barrier user experience tools like empathy-oriented reaction buttons, friction to slow down impulsive posting, and prompts to reflect before sharing. In Tier 3, prosocial algorithms that highlight areas of common ground and diverse ideas replace engagement-maximising recommender systems that offer news feeds skewed toward polarising topics. Tier 4 introduces civic tech and deliberative platforms explicitly built for democratic engagement, and Tier 5 pushes for middleware solutions that restore data sovereignty and interoperability. The report highlights the need for research to understand how platform design impacts society and open data standards for measuring social trust and cohesion. It calls for mandated platform audits, researcher safe harbours, and public infrastructure to enable independent scrutiny of algorithmic systems and user experiences. Without these safeguards, crucial insight into systemic harms—such as <a href="https://nepalitimes.com/opinion/comment/inoculation-against-misinformation">manipulation, bias, and disinformation</a>—remains inaccessible. The paper offers a set of prosocial metrics on three areas of social cohesion. This includes individual agency and well-being, or the ability of users to make informed choices and participate meaningfully, social trust and intergroup pluralism referring to the quality of interaction across diverse social, cultural, and political groups, and public trust or the strength of relationship between users and public institutions. Meanwhile, market forces drive antisocial and deceptive tech design. Venture capital (VC) funding is the main source of financing for many major <a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal?fbclid=IwAR1_tBjAAj53rRCQrGx_vI2P4hts45NzXMo_702l3DmbVLzqCRUhBk68NJk_aem_ASUp6z3b9O_dvca3JUWg_kmf-Si29rn0_X_piNB9GqRu6q28Sjr3GOwfppZg8y2qeQw">tech platforms</a>, especially in their early and growth stages. It significantly entrenches antisocial tech design, expecting rapid scaling, high returns, and market dominance—often at the expense of ethical development. Market concentration inhibits innovation and confines users within systems that prioritise profit over well-being. Numerous large technology companies function as monopolies, employing opaque strategies and dominating value chains.&nbsp; Such technology monopolies pose significant challenges for smaller, prosocial platforms seeking growth. When a limited number of tech giants control infrastructure, data, and user attention, smaller platforms with ethical, inclusive, or democratic designs encounter difficulties in achieving visibility and viability. The report recommends shifting market forces by codifying liability for platform-induced harms, enforcing antitrust to level the playing field for ethical alternatives, and identifying a range of options for funding and monetising prosocial tech startups.&nbsp; Too often piecemeal tech regulation has failed to show the flood of toxicity online. Using a system’s approach, the report offers a comprehensive plan to make prosocial tech not only possible, but competitive and sustainable. Just as we expect bridges to be safe and banks to be audited, the Blueprint insists we treat <a href="https://nepalitimes.com/opinion/makeshift/addressing-nepals-digital-divide">digital infrastructure</a> with the same seriousness. Platforms should not be allowed to profit from harm while hiding behind the myth of neutrality. At its core, the Blueprint argues that platform design is social engineering. Platforms that currently amplify outrage could, with the right design and incentives, foster empathy, cooperation, and truth. Now the question is political will. Will regulators adopt tiered certifications that reward responsibility? Will investors fund platforms that prioritise well-being over profit? Will designers centre the needs of marginalised communities in their user experience decisions? The Blueprint gives us the tools. The next step is collective action for governments, technologists, and civil society alike.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025070914078_7cf29b08f9f355820f578caa88b07ef9bdf244eb9e55daf658a9861cb575e5e0.jpg" data-media-id="editor_8" data-image-id="2025070914078_7cf29b08f9f355820f578caa88b07ef9bdf244eb9e55daf658a9861cb575e5e0" data-rendition-name="original" width="651" height="845" loading="lazy" alt="Rethinking Digital Platform Design"> </figure>  This article was issued by the Toda Peace Institute and is being republished from <a href="https://toda.org/global-outlook/2025/rethinking-digital-platform-design-a-systems-approach.html">the original</a> with their permission. Lisa Schirch is Research Fellow with the Toda Peace Institute and is on the faculty at the University of Notre Dame in the Keough School of Global Affairs. Schirch is the author of eleven books, including <a href="https://www.routledge.com/Social-Media-Impacts-on-Conflict-and-Democracy-The-Techtonic-Shift/Schirch/p/book/9780367541057">Social Media Impacts on Conflict and Democracy: The Tech-tonic Shift</a>.

Rethinking Digital Platform Design

<img width="1360" height="680" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372037e9c7e80680e0b2811jpeg.jpg" alt=""/>Ours is the Age of Angst. It is an era of anger, apprehension, fear, confusion, division, polarization, and an increasing distrust in and disdain for institutions. Thanks to the proliferation of digital technologies, we are both spectators and gladiators. We can switch roles in the blink of an eye, whizzing back and forth between the audience seats and the dry, dusty arena. Social media platforms have become the Colosseum of the twenty-first century. In these digital arenas – small and large, local and international – <a href="https://www.nepalitimes.com/latest/the-social-media-contagion/" target="_blank" rel="noopener noreferrer">a new fight is staged almost every day</a>, and though the contenders tend to change often, the language of loathing and mistrust remains constant. But whereas the ancient Romans were entertained by their brutal and bloody spectacles, we moderns are only made angrier by ours.The etymology of the word is important. Anger comes from the Old Norse angr, which connotes distress, affliction, sorrow, agony, hurt. Anger is directly related to pain of a kind that so many of us, East and West, now feel, though we might not express it in those terms. Underlying the shouting matches and pervasive silences, driving them, is the simple truth that we are hurting.Not that long ago, the world felt like a different place. In the late 1990s and early 2000s, optimism abounded. But it was an optimism that verged dangerously on complacency. History, many commentators maintained, could move in only one direction: linear, forward. Its arc would inevitably bend toward justice. Back then, we easily used expressions such as ‘being on the right side of history’. The underlying assumption was that tomorrow would be more democratic, inclusive, egalitarian, and interconnected than yesterday.The biggest optimists of those days were the techno-visionaries. Their buoyancy knew no bounds. Whenever they left Silicon Valley and took part in international conferences or cultural and literary festivals, they confidently assured us that information had become pure gold. It was all we needed to build a better future. With more information, and then even more, people would surely make the right political choices. The speedy spread of information would topple dictatorships and bring about much-needed social change.Sound and furyThe <a href="https://www.nepalitimes.com/opinion/nepals-e-conomy-rapidly-goes-digital/" target="_blank" rel="noopener noreferrer">growth of digital platforms</a> would carry democratic ideals to the farthest corners of the world. Even those countries that were lagging behind in democratisation would sooner or later have to join ‘the civilised world’. At the beginning of the Arab Spring, this mood was so prevalent that many took it for granted that Facebook was having a positive impact on the world. Pundits and experts <a href="https://www.theatlantic.com/technology/archive/2010/06/evaluating-irans-twitter-revolution/58337/">hailed</a> the post-election uprising in Iran in 2009 as the ‘Twitter Revolution’.Around the same time, a young Egyptian couple <a href="https://abcnews.go.com/Technology/Egypt_Christiane_Amanpour/egyptian-names-baby-facebook-sites-role-revolution/story?id=12964978">named</a> their newborn daughter ‘Facebook’. A few months later, a family in Israel <a href="https://www.bbc.com/news/world-middle-east-13417930">named</a> their third child ‘Like’. I often think about those kids, Facebook in Egypt and Like in Israel. What kind of a world have we given them?The spread of information of course neither guaranteed nor generated democracy. Today, there is far too much information (let alone random misinformation and malicious, systemic disinformation), but very little knowledge and even less wisdom. They are completely different things, and in focusing solely on information, we have neglected knowledge and abandoned wisdom.Information is about speed, discrete snippets of data, numbers. Between ‘numbers’ and ‘numbness’ there is more than rhythm and rhyme. When we are bombarded with so much information, we do not process what we read or what we hear. A constant overload of information gives us the illusion that we have knowledge about anything and almost everything.Little by little, we have forgotten how to say, ‘I don’t know.’ If we are unfamiliar with an issue, we can easily Google it, and in the next five to ten minutes we will be able to come up with something to say about it. And if we take a few more minutes, we can even convince ourselves that we are experts – even though those snippets of information do not amount to knowledge.How can we decrease the amount of information we deal with on a daily basis, but increase our knowledge and ultimately our wisdom? For knowledge, we need to slow down and beware of dogmas, not least our own. We need to get up and leave the audience seats and the dry, dusty arenas. Knowledge requires books, reading across disciplines, slow journalism, in-depth analyses, nuanced conversations, avoiding hasty judgment. And wisdom requires us to unite the mind and the heart. For wisdom, we need not only purely rational analysis but also emotional intelligence, empathy, a sense of humility, and compassion.We need to hear each other’s stories and pay attention to the silences.The Roots of WisdomAt the beginning of the pandemic, when Londoners were allowed to go out for walks in public parks, I started noticing signs placed here and there. ‘When all this is over, how do you want the world to be different?’ they asked. Beneath the question, passersby had scribbled their own answers, using their own pens. Someone had written, ‘When all this is over, I want to live in a world where I can be heard.’It is a sad irony that in an age when we were all supposed to have a voice thanks to digital platforms and the inevitable, unstoppable spread of liberal democracy, almost the opposite has happened. Millions of people around the world feel voiceless. Amid the deafening cacophony, they know that they are not being heard.Our daily lives are replete with negative emotions that we do not know how to process or where to channel. But we do not like to talk about it, certainly not in the United Kingdom, my adopted land, where expressing emotion is considered a sign of weakness. And certainly not in my homeland, Turkey, where many absurdly presuppose that women are emotional beings whereas men are more rational.Human beings of all ages and genders are emotional creatures. When we connect with each other, we do so through stories and emotions. What we believe in or fight for depends on stories and emotions. And what we remember and take with us even when we are uprooted and deracinated, we remember through stories and emotions.I have always regarded every emotion as a source of raw energy, like a mineral that can be processed into various forms, a metal that can be sculpted into different shapes. Rather than trying to suppress our emotions, it seems healthier, and perhaps a little wiser, to recognize their existence, talk about them openly, and create inclusive spaces where we can understand and explore how our mental health is strained.It is okay not to be okay in an age such as ours. It is okay to feel worried or displeased in the face of all that is happening. The crucial question is not whether we are angry or distressed, fearful or frustrated, but what we will do with these feelings. Can we turn raw emotions into something positive and constructive, both for ourselves as individuals and for our communities and societies?Liquid TimesAt the end of the day, if there is one thing that is far more destructive than any emotion, it is the lack of all emotion: Numbness. Indifference. Lethargy of the spirit. The moment we become so desensitized to the deluge of information that we barely register what is happening in another part of the world, or just next door, is the moment we are completely severed and disconnected from each other. And that is a far more dangerous threshold. We are at a crossroads. The decisions that we make today will have long-lasting consequences for the planet, for our societies, and for our individual and collective mental health. This might be the Age of Angst, but from here to the Age of Apathy is but a short and fateful step. We need to make sure we do not take it.Many years ago, when I lived and wrote my novels in Istanbul, I was interviewed by an American scholar who was in the city researching ‘Women Writers in the Middle East’. We had a nice conversation, and in passing, with a soft, amiable smile, she told me that it was understandable for me to be a feminist: I was Turkish, and I was in Turkey. The way she spoke made it clear that she saw no reason why she should be a feminist: she was from America, a country where women’s rights had already been achieved, and where democracy was solid, stable, and safe.Yet ever since 2016, this dualistic view of the world has become incoherent. After Brexit, the election of Donald Trump, the rise of <a href="https://www.nepalitimes.com/editorial/the-message-is-the-medium/" target="_blank" rel="noopener noreferrer">populist nationalism </a> across Europe and beyond, the erosion of liberal democracy, and the emergence of ‘illiberal democracies’ flirting with authoritarianism, this deep-rooted duality has lost its purchase in the minds of even its staunchest advocates.Now we know that there is no such thing as ‘solid’ countries. We are all living through liquid times, to use a term <a href="https://www.wiley.com/en-us/Liquid+Modernity-p-9780745624099">coined</a> by the late sociologist and political thinker Zygmunt Bauman. History does not necessarily advance in a linear way. If these are liquid times, it feels like the current has accelerated with the pandemic, the climate crisis, and the widening and deepening of inequalities – social, digital, racial, gender, class-based.This is a moment when we need global sisterhood, global solidarity. We need feminism everywhere, just as we need to care about human rights and freedom of speech and minority rights everywhere. Whether we are dentists, students, engineers, or poets, whatever we do and wherever we live, we do not have the luxury of apathy. From the possibility of another pandemic to <a href="https://www.nepalitimes.com/banner/climate-change-is-a-disaster-in-the-nepal-himalaya/" target="_blank" rel="noopener noreferrer">environmental catastrophe</a>,  from cyber-terrorism to refugee crises, we have massive global challenges ahead, none of which can be solved with the rhetoric of nationalism, isolationism, tribalism, or group narcissism.We must connect with nature and understand our responsibility to our planet. We must connect with each other and strive to become engaged, involved, knowledgeable, and wise citizens. Connecting is our only way forward.While stories bring us together, untold stories and entrenched silences keep us apart. Our voices might not be heard by those in power. But we are not powerless, and we are not voiceless. We are capable of changing the world. © Project SyndicateElif Shafak is one of Turkey’s bestselling writers. Her books include <a href="http://www.elifsafak.com.tr/books/23">The Bastard of Istanbul</a> (Viking, 2006), <a href="http://www.elifsafak.com.tr/books/31">Three Daughters of Eve</a> (Bloomsbury Publishing, 2019), and, most recently, <a href="https://www.elifsafak.com.tr/book/the-island-of-missing-trees">The Island of Missing Trees</a> (Viking, 2021).

The Alchemy of Angst

Violations of Nepal’s airspace during WWII

In 2025, Nepal’s Ministry of Tourism <a href="https://nepalitimes.com/news/the-everest-industry" target="_blank">added six new 8,000m peaks </a>to those listed on its website. These are subsidiary summits of <a href="https://explorersweb.com/kangchenjungas-challenging-confusing-subpeaks/" target="_blank">Kangchenjunga</a> and <a href="https://explorersweb.com/through-the-unknown-to-the-impossible-lhotse-middle/" target="_blank">Lhotse</a>, which some view as insufficiently independent to be called separate peaks. In 2024, the international mountaineering federation (UIAA) responded to a request by the Nepal Mountaineering Association (NMA) and the government to officially recognise these peaks. While recognising that ‘there is no one definition of a “mountain” or a “peak” or a “top” or “point” in topographic terms’, and encouraging further debate the UIAA’s opinion was that the 8,000m peaks should continue to the ‘Classic 14’, first completed by Reinhold Messner in 1986. The degree of prominence and isolation of <a href="https://www.climbing.com/news/new-8000-meter-mountains-nepal/?scope=initial" target="_blank">the six new peaks </a>varies, with Yalung Kang having the strongest claim to being a separate peak with a prominence of 135m, but they are all separate enough to be included on some peak-bagging lists. The UIAA’s own list of 4,000m summits in the European Alps includes Punta Giordani with a prominence of only 6m. Whatever the case for the six peaks being geographically separate mountains, they represent significant climbing challenges. They are not minor tops that can simply be ‘bagged’ on route to a main summit. In the case of <a href="https://explorersweb.com/through-the-unknown-to-the-impossible-lhotse-middle/" target="_blank">Lhotse Middle and Lhotse Shar</a>, no one has ever managed to traverse between them and Lhotse itself.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260107080144_881321a6e46818beb7bbd4fe6f21589d89d19bf77ae8218474d373ef7ab0c431.png" data-media-id="editor_5" data-image-id="20260107080144_881321a6e46818beb7bbd4fe6f21589d89d19bf77ae8218474d373ef7ab0c431" data-rendition-name="original" width="2888" height="1590" loading="lazy" alt="New 8,000ers"><figcaption>Nepal’s 8 existing 8,000ers: Chomolungma 8,848.86, Kangchenjunga 8,586, Lhotse 8,516, Makalu 8,485, Manaslu 8,163, Dhaulagiri 8,167, Annapurna 8,091, Cho Oyu 8,201. Photo: GOOGLE EARTH PRO</figcaption></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260107080144_27bf905c1a559c46819dc96ca33d22c27fc301d415fc034f26b8acd105c12da7.png" data-media-id="editor_6" data-image-id="20260107080144_27bf905c1a559c46819dc96ca33d22c27fc301d415fc034f26b8acd105c12da7" data-rendition-name="original" width="1750" height="976" loading="lazy" alt="New 8,000ers"><figcaption>Nepal has listed six additional 8,000ers: Yalung Kang (8,505, Yalung Kang West 8,077, Kanchenjunga Central (8,473, Kanchenjunga South 8,476, Lhotse Middle 8,410, and Lhotse Shar 8,400. Photo: KUNDA DIXIT</figcaption></figure>  Several fine routes have already been climbed on these mountains, such as Slovenians Andrej Štremfelj and Marko Prezelj’s alpine style ascent of the South-West Ridge of Kangchenjunga South. The six peaks have not yet achieved universal acceptance, but it is possible that climbing an expanded list of 20 eight-thousanders could become a new mountaineering challenge, just as the 14 classic peaks are today. It is therefore interesting to analyse who is currently closest to achieving this goal, using data from The Himalayan Database and other Internet research. The first conclusion of my analysis is that these six additional peaks have received far less attention than the classic 14 eight-thousanders. One of them, Yalung Kang West, has never been climbed or even attempted: probably because it is a subsidiary peak of <a href="https://explorersweb.com/kangchenjungas-challenging-confusing-subpeaks/" target="_blank">Yalung Kang</a> which is itself a subsidiary peak. The other five peaks have seen a total of 138 ascents. Just 101 people have ever climbed one or more of the additional peaks, which compares with 354 people who climbed Everest on a single day: 23 May 2019. Russian Evgeni Vinogradski is unique in having climbed five of the six new peaks. He has also climbed six of the classic 8,000ers, giving him a total of 11 out of the 20 peaks on the expanded list. Vinogradski is now 80 and is unlikely to increase this total. Several other former Soviet climbers have climbed three of the new peaks, having participated in the 1989 traverse of the four main summits of Kangchenjunga. This includes two legends of Soviet climbing: Kazakh Anatoli Boukreev and Ukrainian Sergey Bershov, each of whom has climbed 13 out of the 20 peaks on the extended list. Boukreev died attempting Annapurna in 1997. Bershov, one of the only men to have ever climbed Lhotse South Face, is now 78 and, although he was in good form when I met him in Chamonix last summer, he is unlikely to further extend his tally. The addition of the new peaks does not take any of these climbers beyond the total of 14 peaks achieved by the 76 climbers who have completed the classic ‘Himalayan Crown’. Of those who have climbed all 14 classic eight-thousanders, only one, <a href="https://nepalitimes.com/here-now/um-hong-gil-s-project-impossible" target="_blank">Korean Um Hong-Gil</a>, has climbed any of the six additional peaks.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260107080144_5651fc6445f5e5fd838f28e1eac1da45da136b309a4a00db1e4aafa7d4836251.png" data-media-id="editor_9" data-image-id="20260107080144_5651fc6445f5e5fd838f28e1eac1da45da136b309a4a00db1e4aafa7d4836251" data-rendition-name="original" width="2142" height="1310" loading="lazy" alt="New 8,000ers"><figcaption>Only one mountaineer, Korean Um Hong-Gil, has climbed any of the six additional peaks.</figcaption></figure>  Um climbed both Lhotse Shar and Yalung Kang, giving him a total of 16 summits. He required four attempts to climb Lhotse Shar, including one attempt in which he turned back just 100m from the summit following the deaths of two teammates. He finally succeeded in 2007 via a route up the Lhotse South Face. If a race to climb all 20 eight-thousanders were to begin, Um is currently in the lead. <a href="https://www.himalayandatabase.com/" target="_blank">The Himalayan Database</a> also lists two additional mountains in Nepal not included among the peaks announced by the Ministry of Tourism: Annapurna Central and Annapurna East. If these are included, bringing the total to 22 peaks, a few additional climbers deserve mention. Poles Piotr Pustelnik and the great Jerzy Kukuczka have both climbed all 14 classic eight-thousanders as well as Annapurna East, giving them 15 out of 22. Swiss climber Erhard Loretan climbed all 14 as well, and both Annapurna subsidiary summits, giving him a total of 16 out of 22 peaks. Annapurna East has a greater prominence than some of the 6 new peaks proposed by Nepal, but Broad Peak Central in the Karakoram has the greatest prominence of any subsidiary 8000m summit. Kukuczka has also climbed Broad Peak Central, so if the list is extended to 23 peaks, he has 16, equal with Loretan and Um. Then, there is a case for Shishapangma Central in China, which further complicates the task of coming up with a definite extended list. At the moment, these subsidiary summits are not attracting a lot of attention: of the 138 summit climbs on them, only 12 occurred in the last 25 years and none since 2011. Most climbers like to have some wide recognition of a target before investing time and money in trying to achieve it, and this may make it hard to build interest. But as completing the classic 8,000m peaks starts to become a rather frequent occurrence, some may be attracted to the longer list. If this new challenge catches on, as the Ministry of Tourism presumably hopes, how long will it be before someone passes Um Hong-Gil’s total and how long before someone climbs all 20 or 22 or 23 summits? <a href="https://nepalitimes.com/opinion/comment/dispelling-myths-about-climbing" target="_blank">Edward Morgan</a> is a British author and climber based in Switzerland. His first book, Lhotse South Face - The Wall of Legends, has been published in several languages and his second book, Chasing Mallory's Dream is due out in the UK this year.

New 8,000ers may restart peak-grabbing race

One of the few Newa towns situated outside Kathmandu Valley, Panauti still evokes the feeling of a place frozen in time.&nbsp; Largely untouched by haphazard urbanisation, this town 32km east of Kathmandu used to be a kingdom revered for the sacred confluence of the Punyamati and Rosi rivers.&nbsp; The Bramhayani temple is the site of a 12 yearly Makar Mela which is attended by devotees from as far away as India.&nbsp; Panauti’s crumbling monuments were restored in the 1990s by the French government. Temples, resting places, traditional homes were rebuilt and locals trained to revive their craft. Panauti and France marked 50 years of cooperation in September.&nbsp; However, the priceless murals on the temple walls are fading and need urgent restitution. Now, these crumbling wall paintings are meticulously documented in the Wall Paintings of Panauti and Their Context.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260106090116_31f6acf06ef879037fec8274b85153eab4468566abf71616490679bf8468b85d.jpg" data-media-id="editor_0" data-image-id="20260106090116_31f6acf06ef879037fec8274b85153eab4468566abf71616490679bf8468b85d" data-rendition-name="original" width="1596" height="1074" loading="lazy" alt="Panauti murals"> </figure>  In his foreword, French researcher Gérard Toffin writes about some of the earliest wall paintings from the Malla period in Kathmandu, including a 17th century mural depicting the procession of Rato Machhindranath which has since been restored.&nbsp; Several other pieces still exist but in a pitiful state, defaced by scratches. ‘They were painted on a plaster coating made of soil, husks, or limestone, which were applied to the bricks making up the walls,’ Toffin notes.&nbsp; The book delves into the cult of Asta Matrika among Newa of all castes and classes, the first of which is Bramhayani. These all-pervading deities are linked to Shaktism which focuses on the importance of the female principle and together, combine the forces of life, sex and fertility with that of death and eros. The deities are painted on the wall, carved on the stone or moulded into metallic statues.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260106090120_836efd2b0a569d8ec0fb2c6651a29b8f2dd8f8f75b72e27bb86b0bfc0ad8461f.jpg" data-media-id="editor_1" data-image-id="20260106090120_836efd2b0a569d8ec0fb2c6651a29b8f2dd8f8f75b72e27bb86b0bfc0ad8461f" data-rendition-name="original" width="1074" height="1434" loading="lazy" alt="Panauti murals"> </figure>  Riddhi Baba Pradhan, former director general of the Department of Archaeology who oversaw the restoration of Panauti 30 years ago, writes that a colourful wall painting depicting Buddha's past life at the Chabahil Chaitya built or restored during the reign of Lichhavi king Vrisdev in the 3rd century might be the earliest mural in Nepal. As for Panauti, a fragment from a 400-year-old scroll which illustrates a scene of Triveni Ghat with Dalinchok Hill in the background is likely the oldest. But that relic is currently at the Virginia Museum of Fine Arts in the United States.&nbsp; Pradhan recalls first encountering wall paintings inside Bramhayani temple which were deteriorated by smoke, leaky roof, dust, vermilion, sprinkles of animal blood and lack of maintenance. The team led by chemist Bhimvar Singh Thapa treated the wall paintings and some of the details were recovered including the paintings of Astamatrika and Asta Bhairav on the east, west and southern walls.&nbsp; PAINTINGS ARE NOT VISIBLE The murals were painted during the reign of the last Malla King of Bhaktapur Ranjit Malla and Queen Viswalaxmi Devi 300 years ago. But 40 years after the restoration, Pradhan notes that the murals are again in poor condition: ‘The paintings are not visible, the plaster is severely damaged and the surface has peeled off … electrical wires hang haphazardly inside the temple.’ The second lot of murals at Ghat Sattal are thought to have been commissioned during the late Malla period or the beginning of the Shah dynasty. Exterior walls depict incarnations of Lord Vishnu as well as Sesh Narayan, Ganesh, a scene of Samundra Manthan, of angels Maya, Moha, Ganga. Their attributes, dresses, ornaments, facial expressions, body postures are all skilfully represented but in a deteriorated condition.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260106090116_88d06703ae23a271905d81f35056d41df92cbbc4b9966fac3f34821659e585a8.jpg" data-media-id="editor_2" data-image-id="20260106090116_88d06703ae23a271905d81f35056d41df92cbbc4b9966fac3f34821659e585a8" data-rendition-name="original" width="588" height="862" loading="lazy" alt="Panauti murals "> </figure>  The wall paintings of Bramhayani Dyochhen are 90% degraded even though they were restored and repaired 40 years ago by the Panauti Integrated Project. Compared to other artefacts, wall paintings are more delicate to external factors, and if not preserved an important part of Nepal’s heritage will be lost.&nbsp; Furthermore, most of the wall paintings in Nepal are temperas, and not frescos. Tempera is painted with water-soluble mineral or vegetable pigments fixed with glue on the cow dung clay plaster on the brick walls. While Nepal’s focus has been on the repatriation of stolen artefacts from abroad, religious and cultural objects within the country like the Panauti murals need urgent attention.&nbsp; This slim publication by Panauti Municipality is an important call to begin the work before it is too late.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260101120124_d0efa1e57b2710a206beb37c7e934ac34e694afc278985934eac2fc52124a92c.jpg" data-media-id="editor_3" data-image-id="20260101120124_d0efa1e57b2710a206beb37c7e934ac34e694afc278985934eac2fc52124a92c" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Wall Paintings of Panauti"> </figure>

Saving Panauti's murals

The American military action in Venezuela and the abduction of President Nicholas Maduro may redefine Nepal’s geopolitics as it juggles between three world powers, India, China and the United States.&nbsp;
Nepal’s interim government is busy preparing for elections on 5 March, and it was late issuing a statement on the American intervention in Venezuela, but the country may have to re-evaluate how it deals with its immediate neighbours and the global power.
“How does Nepal avoid being the next Ukraine or Venezuela? Small countries shouldn’t go around irritating big neighbours. And when big neighbours really get upset, they usually put up a moral fig leaf justifying their miltary action,” says energy economist Dipak Gyawali. “What we see with Venezuela today is bereft of such moral content, essentially banditry which in today’s day and age is unacceptable. Neither the rising new powers nor much of the Global South will take this lying down.”
International relations experts have said that there is now a new world order in which rules-based diplomacy has been thrown out of the window, and the world has been carved into America leading the western hemisphere, Russia is allowed to do what it wants in Ukraine and Europe, and China’s sphere of influence is now the Indo-Pacific.
Foreign affairs expert Nischal Pandey says there is a lesson for smaller nations like Nepal: “We have to be aware of the sensitivities of the major powers in the vicinity.”
There is also a lesson for smaller resource-rich countries not to give an excuse for intervention with poor governance and political instability due to inequity. In Venezuela’s case it was throttling democracy and not using its immense oil-wealth to uplift its people.
Nevertheless, the Trump administration’s abduction of a sitting president of a foreign government regardless of the dictatorial nature of his regime and Venezuela’s volatile internal politics, is illegal and breaches the international order that has been in place since after World War II and its devastation on humanity.
While Trump’s intervention in Venezuela, and threats against Colombia, Cuba and Greenland have brought international condemnation, here in Nepal it has not been taken as seriously as it should.
Says Amish Mulmi, author of the book All Roads Lead North: Nepal's Turn to China: “Some of the reaction on social media has been that of glee over the fall of a dictatorial Communist government on the other side of the world. However, the government statement about fully respecting the principles of sovereignty and the Charter of the United Nations is a strong statement that makes clear Nepal's position on the matter.”
“The abduction of Maduro is a clear sign of Trump's America ensuring its sphere of influence through might and a warning to toe the line,” Mulmi adds. “It also infringes on the sanctity of borders and the preservation of sovereignty. Trump's actions reek strongly of a bygone era of imperialistic control and resource capture.”
Venezuela has 17% of the world’s reserves of crude oil, even though refining this heavy tar-like oil will be costly, and is possible in only a few places including Texas.
“This has to do with a larger political economy of oil, the unravelling of pax Americana and the post-World war II order. This is USA’s heavy-handed response to remain on the top as well as to partly solve its debt of $39 trillion,” explains Gyawali. “But this is not going to help: China is far ahead, Russia has recovered from its 1990s low point, and manufacturing capital has moved away from America. So controlling only financial capital - and using military power so brazenly - is not going to work.”
The might also be specific lessons for Nepal as a smaller country with vast water resources. While water, unlike oil, is renewable, India’s interest in Nepal’s hydro resources cannot be ignored. Ironically, America’s capture of Venezuelan oil reserves could exacerbate climate breakdown and the melting of Himalayan glaciers, which will put Nepal’s water resources in jeopardy in the coming decades.
The only way to deal with this for Nepal and downstream India will be to build reservoirs on rivers to store monsoon precipitation, and that makes water a strategic commodity for the future.&nbsp;
“If we continue in the current mode of hydropower-biased water resources development ignoring irrigation, flood control, navigation, fisheries, tourism and other benefits, India will get the free benefit of regulated water while we pay the upstream environmental and social costs. History will blame our elected leaders for having undersold our resources,” adds Gyawali, who served as water resource minister in the early 2000s.
As for a larger geopolitical lesson: “We in Nepal are fortunate in having not one threatening hegemon but two superpowers India and China: they don’t agree with each other, but do agree on a peaceful Nepal for their own security. However, our current political leaders are irritating both the neighbours, unlike since the centuries past when our rulers looked solely after Nepal’s core interests and our neighbours knew that.”
American intervention in Venezuela also calls for strengthening of our institutions and diplomatic outreach. Nepal has been a non-aligned state, and for all its history has tried to follow a policy of equidistance between India and China. The difference with Venezuela is that Nepal has to deal with two giant neighbours, and not just one.
Says Mulmi: “It is no more only about balancing great power relations but also about benefiting from them. But that will be increasingly difficult as international law and the principles of sovereignty are encroached upon.”

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