Indian film director Kabir Khan is a storyteller who started out as a journalist, made documentaries, then transitioned into an acclaimed director of Bollywood mainstream cinema. Known globally for his ability to fuse political narratives with humanistic stories, Khan is in Kathmandu this week for <a href="https://filmsouthasia.org/" target="_blank">Film Southasia</a> the documentary film festival where he won his first award in 1999. Twenty-five years later, he is back as chief guest and keynote speaker at Film Southasia this week.&nbsp; That Grand Jury Award was for one of his earliest works, The Forgotten Army, a compelling narrative about the Indian National Army’s fight for independence from Britain during World War II. “It was the first award I ever got, it really got me into serious film-making,” Khan told Nepali Times. At the time he used to work as a film director with the Indian journalist <a href="https://www.youtube.com/watch?v=dviThpWKVQU" target="_blank">Saeed Naqvi</a> travelling all over the world. One visit was to Afghanistan in 2001, where an encounter with a Pakistani guerrilla fighting for the Taliban influenced his debut feature film, Kabul Express.&nbsp; Khan views his time as a documentary filmmaker as the basis, shaping his &nbsp;approach to cinema: “Documentaries teach you that what you hear on the news is not always gospel, it’s someone’s perspective.”&nbsp; This realisation influenced his cinematic language, focusing on the gaps between the evening news lineup, and the real-life stories that should have been. Entering Bollywood to make <a href="https://www.youtube.com/watch?v=NG6PUj-TUfY" target="_blank">The Forgotten Army</a>, <a href="https://www.youtube.com/watch?v=aLu_05bHj8Y" target="_blank">Kabul Express</a>, <a href="https://www.youtube.com/watch?v=7iyfUDIsC6A" target="_blank">New York</a> and the blockbuster <a href="https://www.youtube.com/watch?v=SmUl0l8qBXw" target="_blank">Ek Tha Tiger</a> was a deliberate move to get deeper into the politics of everything at a time when Indian cinema in general avoided politics. “When I started, politics was taboo in mainstream cinema,” he explains. “But coming from a documentary background, I couldn’t separate stories from their inherent politics.”&nbsp; Each of his movies carried a strong political undertone, ingrained in real-world observations. Whether crafting documentaries or mainstream dramas, Kabir Khan remains, at his core, a storyteller.&nbsp; His films are inspired by personal experiences and perspectives, and continue to bridge divides in present day India, spark conversations, and celebrate the human spirit.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024112104118_239585e19a6f5c7a0de139e26cfa04cea758bd00f32225658e9e14ae2e88a5d8.jpg" data-media-id="editor_6" data-image-id="2024112104118_239585e19a6f5c7a0de139e26cfa04cea758bd00f32225658e9e14ae2e88a5d8" data-rendition-name="original" width="878" height="1197" loading="lazy" alt="From The Forgotten Army to Bajrangi Bhaijaan NT"> </figure>  “At the end of the day, storytelling is about honesty, staying true to your own voice. If you can connect with your own story, chances are the audience will too,” he says, “I don’t consciously add politics to my films, it’s part of my worldview, my gaze on life.” Khan's films are known for a balance between humanistic narratives and larger socio-political contexts. The director says he does not intentionally look to balance them but the two are inseparable in storytelling. The approach isn’t about consciously creating characters and then fitting politics into them; rather, it’s about letting the story and characters evolve naturally.&nbsp; "A lot of it is instinct," says Khan. "I feel this is the right thing to say and hope people agree with me. It’s not about over analysing or over-constructing, it’s about going with the flow."&nbsp; This was evident in <a href="https://www.theguardian.com/film/2015/jul/19/bajrangi-bhaijaan-review-salman-khan-india-pakistan-movie" target="_blank">Bajrangi Bhaijaan</a>, where the film defied expectations, not only politically but also in the character of <a href="https://www.youtube.com/watch?v=4nwAra0mz_Q&amp;t=26s" target="_blank">Bollywood action superstar Salman Khan</a>.&nbsp; The movie looked into Indian-Pakistani relations through a story steeped in love and innocence. Despite its release while tensions were running high between the two countries in 2015, the film resonated with audiences on both sides of the border, becoming one of Bollywood’s highest-grossing films.&nbsp; “The fact that people embraced it showed they connected with its message of love and understanding,” Khan says. Asked about his most fulfilling project, Khan cites his sports biopic <a href="https://www.theguardian.com/film/2022/aug/17/nobody-gave-us-a-hope-in-hell-83-the-feelgood-film-about-indias-underdog-cricket-team" target="_blank">83</a>, based on India’s historic 1983 Cricket World Cup victory where Kapil Dev scored a record 175 not out. “It’s not just a cricket story,” he explains. “It’s about a country coming of age, gaining recognition on the global stage.” Khan worked like an investigative journalist to dig up &nbsp;lesser-known facts about the players, fans and viewers, and the result was not just a sports movie but one that celebrated both individual determination and collective triumph. Khan is deeply embedded in South Asian stories, and follows the evolving global perception of the region’s narratives. While the diaspora has amplified regional voices, he says Bollywood’s international reach remains limited.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024112104118_5c5e50ed941297c73f6f42b3508bbc3ebc8824cd052ec5914534803f4587b06d.png" data-media-id="editor_10" data-image-id="2024112104118_5c5e50ed941297c73f6f42b3508bbc3ebc8824cd052ec5914534803f4587b06d" data-rendition-name="original" width="918" height="1338" loading="lazy" alt="From The Forgotten Army to Bajrangi Bhaijaan NT"> </figure>  “Cinema is a reflection of its audience, and as our stories gain more visibility, so does our culture,” says Khan, who sees his role as a cultural ambassador for the region. “I never think about catering to an audience. As an artist, you have to make the film you want to watch,” he asserts.“I don’t shy away from expressing my views on subjects and issues in my films. If your work doesn’t reflect your ideals, what’s the point?”&nbsp; Post-Covid lockdowns, people have been streaming movies at home rather than going to cinemas, leading to declining theatre footfalls. While Khan acknowledges the challenges this poses for traditional cinema, he remains hopeful because “the collective experience of watching a film in a theatre is irreplaceable, filmmakers must offer spectacles that demand the big-screen experience”. The content of Kabir Khan’s work is also ever-evolving because film-making is a dynamic medium, each film is a reaction and portrayal of the time in which it is made.&nbsp; He says, “I’m not the same person who made New York or Ek Tha Tiger. With every film, my worldview and approach change.” Kabir Khan’s new film Chandu Champion about Paralympic boxing gold medalist <a href="https://en.wikipedia.org/wiki/Murlikant_Petkar" target="_blank">Murlikant Petkar</a>, reflects his love for real-life stories, a trait he traces back to his documentary days.&nbsp; He says, “the film’s message is one of resilience and perseverance. It's a story of the triumph of the human spirit.” How about Nepal as a location for his next film? Khan says he would not just come to Nepal to shoot a song in the stunning landscape here because the connection between the story and location is inseparable. Kabul Express could only have been shot in Afghanistan, New York could only work in New York, and Bajrangi Bhaijaan needed the two sides of Kashmir. Says Khan: ”If I ever find a story that needs to be set in Nepal and can truly bring out its character, I would love to shoot here.” <a href="https://filmsouthasia.org/film-southasia-2024-schedule/" target="_blank">Film Southasia</a> Yalamaya Kendra, Patan Dhoka 21-24 November Tickets Rs50 per film

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

thumbnail

viewImage

From The Forgotten Army to Bajrangi Bhaijaan

South Asians are coming together to celebrate the stories of this region at the biennial film festival, Film Southasia (FSA), which starts on 21 November. It coincides with the COP29 climate summit in Baku, Azerbaijan.&nbsp; This year’s four-day event showcases documentaries from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, and even one from Mongolia, although that country is in Central Asia.&nbsp; This year’s theme is Documentary in Anthropocene, with a lineup of films that explore human interaction with nature, especially in the context of climate breakdown. “The climate crisis has been the major challenge in the Anthropocene era and climate crisis respects no border. With one fourth of the world population in South Asia, we as neighbours should closely look into these issues together,” states FSA director Mitu Varma.&nbsp; While some documentaries specifically explore the impact of the climate crisis on the region’s land and people, other films highlight the interconnectedness between people and time, nature, or other people divided by borders. “Humankind practices and leads life with the concept of othering and acting as if their lives are free from the connection with nature. This year’s lineup will help retrospect the interconnectedness,” adds Varma. “But it is not all doom and gloom, the movies are also hopeful about human-nature symbiosis.”&nbsp; With over 2,000 submissions, FSA selected only 47. The carefully curated lineup will be screened at Yala Maya Kendra over next week. The FSA festival has, for over two decades, been a platform that brings South Asian filmmakers and audiences together.&nbsp; Producers and directors of 27 of the documentaries will be attending the festival and may explore cross-country collaboration on future film projects. Along with the film screenings, a Director Workshop with filmmaker Kabir Khan, and panel discussions about FSA’s slogan and the evolution and success of Nepali documentaries will also be taking place. The panel discussions and film screenings will happen simultaneously, so the attendees will have to plan their schedules accordingly. Two other master classes, and a discussion on financing and editing with industry experts will also take place in collaboration with the British Council’s WOW (Women of the World) festival and audio-visual production company KathaHaru.&nbsp; FSA also organises Travelling Film Southasia tours, in which up to 15 of the selected films are screened around the globe, mostly at universities. Says Pawas Manandhar of FSA: “We want to cultivate a sense of appreciation among the younger people for documentaries in the age of 30-second TikToks.”&nbsp; <h2>In the spotlight</h2> Hello Guyzz!  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_f98428bad27e80d73e744b03cdeb665bff145d4d58acb0c0df1691546223cec2.jpg" data-media-id="editor_0" data-image-id="20241119071132_f98428bad27e80d73e744b03cdeb665bff145d4d58acb0c0df1691546223cec2" data-rendition-name="original" width="1920" height="914" loading="lazy" alt="Hello Guyzz NT"> </figure>  One of the student films at FSA, this 24-minute long documentary features Sumita, a social media influencer in a small town in Bengal. Sumita has an alternate identity on TikTok, and straddles identities between a mundane life as a housewife and the desired life of being a successful influencer. She also harbors hopes of maybe fulfilling her long-lost dream of becoming an actor. 21 November, 12:20PM Whispers by the River Shore&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_f02e3702cf79cf5de38d8bf7381bf32e0391b7313288f1f5f4011ddcd2b3a9c8.jpg" data-media-id="editor_1" data-image-id="20241119071132_f02e3702cf79cf5de38d8bf7381bf32e0391b7313288f1f5f4011ddcd2b3a9c8" data-rendition-name="original" width="1280" height="720" loading="lazy" alt="Whispers by the River Shore NT"> </figure>  River encroachment results in a Bangladeshi family’s fortunes being swept away. This 19-minute long documentary, directed by Samiur Rahman, sheds light on the humans living in encroached land near the river. It is a story all the more relevant to Kathmandu.&nbsp; 21 November, 1:50PM When the Floods Come&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_3c9860b2ba62293e712016ba6134ebdf269853410cf56c4d582a4ba023d08375.jpg" data-media-id="editor_2" data-image-id="20241119071132_3c9860b2ba62293e712016ba6134ebdf269853410cf56c4d582a4ba023d08375" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="When the floods come NT"> </figure>  Directed by Pakistani-American Nyal Mueenuddin, this documentary won a BAFTA Award for the portrayal of the intimate stories of people affected by the 2022 flood on the Indus River. Mueenuddin has prioritised human emotion, empathy and compassion. The subject is relatable for a Nepali audience, as climate change makes the region even more vulnerable to extreme weather.&nbsp; 22 November, 10AM Nocturnes&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071128_28f8cac4679824be8709473ed44e84c25adf266095be3717b4ee9cbbb91b0477.jpg" data-media-id="editor_3" data-image-id="20241119071128_28f8cac4679824be8709473ed44e84c25adf266095be3717b4ee9cbbb91b0477" data-rendition-name="original" width="2500" height="1318" loading="lazy" alt="Nocturnes NT"> </figure>  In a remote ecological hot spot on the India-Bhutan border, director duo Anupama Srinivasan and Anirban Dutta explore the secret world of moths. This 82-minute film takes viewers to rarely-seen places where moths gather, and urges us all to retrospect about interconnections in the natural world. 22 November, 2:45PM Devi  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_b5c5753dc392a8d0f486d8a9c07b7d56ebae51e040d3d21c6ebac94b299d8557.jpg" data-media-id="editor_4" data-image-id="20241119071136_b5c5753dc392a8d0f486d8a9c07b7d56ebae51e040d3d21c6ebac94b299d8557" data-rendition-name="original" width="1920" height="906" loading="lazy" alt="Devi NT"> </figure>  This feature-length documentary by Nepali journalist and director Subina Shrestha garnered attention internationally in Hot Docs, Doc Edge and DMZ Docs. It follows the life of Devi Khadka, a rebel warrior, mother and survivor of sexual violence during the civil war. This is the first time this 80-minute film will be shown in Nepal.&nbsp; 22 November, 6PM No Monastery No Village&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_a2fc110c3116ccb1b772b7bd731bed78cfc5c2121e85d60d9ff14f30bc873382.jpg" data-media-id="editor_5" data-image-id="20241119071136_a2fc110c3116ccb1b772b7bd731bed78cfc5c2121e85d60d9ff14f30bc873382" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="No Monastery No Village NT"> </figure>  High up in the secluded village of Halji in Humla, a Glacier Lake Outburst Flood threatens a century-old monastery and the village with a population of 500. This 28-minute documentary, directed by Nepali climate activist Tashi Lhazom, highlights the faith and resilience of the villagers' fight to preserve their way of life.&nbsp; 23 November, 2PM Agent of Happiness  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_6153b4bd7c3602d44309e336f9f214ef1ba36e0208b16cd4f8363a4b38bf6f19.jpg" data-media-id="editor_6" data-image-id="20241119071136_6153b4bd7c3602d44309e336f9f214ef1ba36e0208b16cd4f8363a4b38bf6f19" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Agent of Happiness NT"> </figure>  Directed by Arun Bhattarai from Bhutan and Dorottya Zurbó from Hungary, this feature-length documentary follows a surveyor who measures happiness as per the GNH (Gross National Happiness) index in Bhutan, as he goes on a quest searching for his own happiness. This year’s opening film for FSA, this 90-minute documentary will be screened on Saturday.&nbsp; 23 November, 4:15PM Hollywoodgate  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_41dbf1181f697611d83d653cfcd013473c3b50e55d8a742de430400d6859d28a.jpg" data-media-id="editor_7" data-image-id="20241119071136_41dbf1181f697611d83d653cfcd013473c3b50e55d8a742de430400d6859d28a" data-rendition-name="original" width="1850" height="1000" loading="lazy" alt="Hollywoodgate NT"> </figure>  Director Ibrahim Nash'at documents the transformation as the US militia abandons operations in Afghanistan, and the Taliban occupy their bases and transform into a military regime. This movie was nominated for and has won internation film awards. &nbsp; 23 November, 6:30PM The World is Family  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_a52b451e30c7ed76091029a0e80ddfc610e7901f712be94840271b0dbac22f1c.jpg" data-media-id="editor_8" data-image-id="20241119071136_a52b451e30c7ed76091029a0e80ddfc610e7901f712be94840271b0dbac22f1c" data-rendition-name="original" width="1250" height="874" loading="lazy" alt="The World is Family NT"> </figure>  Born to a family of freedom fighters, director Anand Pathwardan explores his family’s connection to India’s Independence Movement. This 96-minute long documentary is a personal exploration and a window to India's past and the present. Pathwardan is a FSA alumnus.&nbsp; 24 November, 3:05PM All That Breathes  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071140_d552dde6a1ab4ef90d76559f0908fb9a0491666993c01637f65545005bc0a8bd.jpg" data-media-id="editor_9" data-image-id="20241119071140_d552dde6a1ab4ef90d76559f0908fb9a0491666993c01637f65545005bc0a8bd" data-rendition-name="original" width="1359" height="890" loading="lazy" alt="All That Breathes NT"> </figure>  This Oscar-nominated documentary tells the story of two brothers, Nadeem and Mohammad, who have dedicated their lives to protect the black kite in New Delhi. Director Shaunak Sen looks at inter-species coexistence in an urban setting in this 94-minute movie, which will be Film Southasia’s closing documentary.&nbsp; 24 November, 6PM Film Southasia 21-24 November Yala Maya Kendra Entry: Rs50 per film

Pinki Sris Rana

Documenting the Anthropocene

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111152/63721e0e9c7e80680e0bd522jpeg.jpg" alt="" width="807" height="605"/><figcaption>Behind the scenes still from Urmi with director Limbu (left) and Purna Gurung (right). Photos: ASHISH DHAKAL.</figcaption></figure>Pranay <a href="http://archive.nepalitimes.com/news.php?id=14302#.YmTykidBxpQ" target="_blank" rel="noopener noreferrer">Limbu</a>’s Urmi (उर्मि) opens with the early hours of dawn in Buddha Chok of Dharan. The sky is velvet black, crickets chirp in the background. Every once in a while, a motorcycle or a car rushes by and the screen turns momentarily bright, filled with the rattle of engines.At the centre of the shot is a lonely house, its first floor bathed in an eerie yellow falling squarely upon figures that look almost alive from a distance. Slowly, the sun creeps in from all directions, signalling the start of another day.The house gains more colour, more features. A blue signboard at the top reads, ‘Late Poet Bimal Gurung Memorial Library’ in Nepali and English. Purna Gurung, can be seen walking about inside, arranging books. He pauses occasionally, his calloused hands run across the tables and the books, eyes rippling and wandering like pools of water in the monsoon.Urmi is a story primarily of absence, where every note is sustained and every shot lingered. The protagonist is an ex-<a href="https://www.nepalitimes.com/here-now/gurkha-grandparents/" target="_blank" rel="noopener noreferrer">British Gurkha</a> coming to terms with his son’s death 28 years ago. But there is no way the grief can be truly expressed, even after all this time. Purna Gurung says so himself early in the film: “I don’t know how to explain.”Bimal Gurung, the son, was 20 when he died in a bus accident in 1991. Always abroad on duty, Purna never really got to spend time with his son and truly bond. So, he establishes the <a href="https://www.nepalitimes.com/latest/pandemic-revives-reading-culture-in-nepal/" target="_blank" rel="noopener noreferrer">library</a> in his son's name, as he was a voracious reader.Purna also visits his old teachers and friends, flips through the family album, reads Bimal’s passionate and politically charged poems – all in an attempt to understand and build the character that was his son.Shot in nine days over two years, the film is a strange blend of documentary and drama. Certain events, such as when a real estate broker from Kathmandu dressed garishly in denim struts into the library to try and buy it from Gurung, are the amalgamation of various middlemen who continue to try and coax Gurung into selling the property.“I am a businessman,” says the smooth-talking broker with a glint of malice slipping through his teeth, “I do not only think of my own benefit, I think of yours too.”But Purna Gurung is a patient man. The deep lines on his face are testament to his devotion to the memory of his son and family. “I will think about it,” he says, and in the end leaves Tolstoy’s <a href="http://www.online-literature.com/tolstoy/2738/" target="_blank" rel="noopener noreferrer">How Much Land Does a Man Need?</a> bookmarked in a story collection for the businessman to read.Another impressive dramatisation is the haunting voice that reads Bimal’s poems, punctuating the film in what feels like a series of exclamation marks. To be fair, the drama would fall flat without the interviews with Gurung himself. But without the drama, the film’s background and direction perhaps would not have been possible to convey either.The emotional climax of the film comes when Gurung wells up, saying “When I am with these books, I feel like I am with my son … his soul is in these books.” Purna trembles, and says later: “About Bimal, I have no words.”It is a risky mix, certainly, of fact and fiction – not in that the parts of the story are untrue, but only so far as they are metaphors – but Urmi is successful because of that risk taken.The word ‘उर्मि’ means a wave of sorrow and pain – and in the film, the viewer follows a father, who has recently turned 80, in search of his lost son, piecing together the images and memories others have of him. To tell this story entirely through interviews would have missed the point. How else can one show absence, that heavy abstract feeling of nothingness?Urmi was screened at the <a href="https://www.nepalitimes.com/latest/documenting-the-subcontinent-for-a-generation/" target="_blank" rel="noopener noreferrer">25th Film Southasia</a> in Yalamaya Kendra on 23 April 2022.URMI (उर्मि)Nepali | 85 minutes | 2022Directed by Pranay LimbuCinematography by Deepak BajracharyaEdited by Chandan Dutta

In the name of the son

Nepal’s only international aviation gateway, at Kathmandu airport, will cut night-time operation hours to allow construction of taxiways, and airlines have been told to curtail flights. This is expected to lead to more than normal chaos during the height of peak autumn and spring tourist seasons at an airport that is congested even at the best of times. The airport will close from 10PM to 8AM from 8 November-31 March 2025. The taxiways will now connect to the thresholds at both ends of the runway, making the airport more efficient in handling higher frequencies of landings and takeoffs. The parallel taxiway extension will allow international flights to land every 4 minutes instead of the current every 7 minutes. At present planes have to wait to land until a plane taking off backtracks along the runway.&nbsp; Kathmandu is Nepal’s only airport with international operations, and it has only one runway that is only one way in from the south over the mountains. With the taxiway improvement, the airport will be able to handle 42 aircraft landings and takeoffs per hour — double the current capacity.&nbsp; The Civil Aviation Authority of Nepal (CAAN) has been trying to entice international airlines to also start flying to and from the other two international airports at Pokhara and Bhairawa (Lumbini) by slashing landing and handling charges. But so far only Nepal Airlines operates a weekly flight to Bhairawa from Kuala Lumpur.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241018161016_046569e53d1d66cd445cc66c697c0ef724810aec9f54bdf827481e3cd6b80c32.jpg" data-media-id="editor_0" data-image-id="20241018161016_046569e53d1d66cd445cc66c697c0ef724810aec9f54bdf827481e3cd6b80c32" data-rendition-name="original" width="2356" height="1134" loading="lazy" alt="Kathmandu airport expansion"> <figcaption>Kathmandu Airport Expansion plan with extension of taxiways to the thresholds of runways 02 and 20 that will limit airport operations from 8 November 2024 - 31 March 2025. Areas in blue are existing structures, including the international terminal which in future will be the domestic airport, and the new international terminal near the north end of the runway,</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241018121028_6e17cc2ee87c1b02d78cb54905825b7aa15299b7a00f5eddb01a59579ab85c1a.jpg" data-media-id="editor_1" data-image-id="20241018121028_6e17cc2ee87c1b02d78cb54905825b7aa15299b7a00f5eddb01a59579ab85c1a" data-rendition-name="original" width="1353" height="1328" loading="lazy" alt="Kathmandu airport NT"> </figure>  CAAN has reportedly told international airlines to cut their flight frequency to Kathmandu citing the shorter operation hours and has told budget airlines to shift some of their flights to Pokhara or Bhairawa, or face cuts. Many airlines currently operate regular flights to and from Kathmandu between 10PM and 8AM: Air Arabia to Sharjah, Fly Dubai to Dubai, Jazeera Airways to Kuwait, Cathay Pacific to Hong Kong, Singapore Airlines, several Nepal Airlines flights, and one of four daily flights by Qatar Airways to Doha. Jazeera Airways, FlyDubai, and Thai AirAsia have applied and got permission from CAAN to begin regular flights to Bhairawa’s Gautam Buddha International Airport. Starting 9 November, FlyDubai will start making a stopover in Bhairawa before flying on to Kathmandu. Immigration, customs and security are all fully functional in Bhairawa. In Kathmandu, the next phase of the airport upgrade includes converting the current international terminal for domestic operations, the construction of a new international terminal where the domestic departure area is now, as well as moving the hangars and the Nepal Army Air Wing to the eastern side of the runway. The apron area will also double its parking space for widebody jets. This is part of a Airport Capacity Enhancement Project that was initially funded through a $80 million loan from the Asian Development Bank (ADB), and the entire masterplan is expected to cost $800 million. This project is the latest upgrade to Nepal’s only international airport since it saw its first flight in 1949. The current international and domestic terminals are too small to handle the current annual traffic volume of 8.5 million passengers a year that is growing at 20% a year.

Kathmandu airport to cut flight hours

As Kathmandu becomes more congested and polluted, and with remote online work becoming the norm, many professional Nepalis are planning to retire in Pokhara, or move there.&nbsp; With its stunning mountain panorama, balmy winters and proximity to a profusion of wilderness areas, builders are responding to this demand with new townhouses, housing development and apartments. One such block of flats is the 10-storey <a href="https://sungavaapartment.com/">Sungava Apartment</a> located at Phulbari above the Seti River, near the point where it flows into and under Pokhara. The imposing structure near Manipal Hospital is almost complete, and on a recent visit the site was strewn with huge boulders unearthed while digging the foundation.&nbsp; The Seti brought down these boulders during a gigantic flood that geologists estimate happened 800 years ago when a chunk of Annapurna IV broke off and ploughed into the glacier below. Today, Sungava (means ‘orchid’) sits safely on a high terrace, 100m above the blue-green Seti and commands a view of Dhaulagiri, Annapurna South, Machapuchre, Annapurna III and IV.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024102411104_5f8fc736c86ea3c08d7bef43bb727081d3cc1a2caa55ae2b441717e6044de7e9.jpg" data-media-id="editor_1" data-image-id="2024102411104_5f8fc736c86ea3c08d7bef43bb727081d3cc1a2caa55ae2b441717e6044de7e9" data-rendition-name="original" width="2016" height="1512" loading="lazy" alt="High living below the Himalaya NT"> </figure>  The soil here is conglomerate that has solidified like concrete, and the boulders were extracted by heavy earthmovers. It is intriguing to think that these metamorphic rocks as big as cars, rounded by glacial grinding, were once a part of a much higher Annapurna IV. Even for those with little interest in geology, Sungava is an ideal place to contemplate the tectonic forces that pushed these peaks into the sky to be sculpted into delicate shapes by wind, snow, earthquake and avalanche over millions of years. The view of the Himalayan panorama from Sungava’s many balconies are breathtaking when not obscured by clouds, or the haze that drifts in from across the southern border. On most days, just watching the towering pyramid of Machapuchre (Tamu name: कतासुँ क्लिको) play hide and seek with the clouds is mesmerising. There are rocks aplenty at Phulbari, and it is probably the flowers that grew along the flat terraces e that gave the place its flowery name. The boulders will hopefully be turned into a rock garden while landscaping. An nearby restaurant complex is making the best use of the stones in its design, using flat rocks as outdoor benches and tables. Sungava was designed by the husband-wife architect team of Deepak Sherchan and Jyoti Joshi of <a href="https://thedarkmermaidamarbshrestha.blogspot.com/2013/12/creative-builders-collaborative-cbc.html">Creative Builders Collaborative (CBC)</a>, which also built Heritage Plaza, Indreni Apartment and numerous other projects in Nepal. Sadbhavana retains CBC’s trademark Newari-style masonry and here it borrows from the orange brickwork of the old town of Pokhara, integrating it with modern design elements. A few of those heritage houses are still standing in Ganesh Tole and Ram Krishna Tole in Pokhara’s old quarter.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024102411108_5eb64a4885961b6d30781cefeb1e8a313da313ac5227c7a66b60f0c7d48d6fab.jpg" data-media-id="editor_3" data-image-id="2024102411108_5eb64a4885961b6d30781cefeb1e8a313da313ac5227c7a66b60f0c7d48d6fab" data-rendition-name="original" width="1362" height="595" loading="lazy" alt="High living below the Himalaya NT"> </figure>  About 400m from the apartment past a bend on the river, and down below three tiers of terraces in the canyon is a suspension bridge. Below it, the Seti is still swollen with post-monsoon flow as it tumbles away in a hurry to head down south.&nbsp; Back at the apartment, it is quiet, far away from the hubbub of Lakeside a 15 minute drive away, and in the lap of greenery. There are 52 units at Sungava and it already has a close-knit prospective community of professionals, including doctors, publishers, engineers, and businesspeople from the renewable energy and IT sectors.&nbsp; Some residents say they opted for a second home in Pokhara to make it a ‘base camp’ to explore the Annapurnas with its many hiking trails made newly accessible with new roads. With the NRN citizenship law, overseas Nepalis can now also buy the flats. &nbsp; The floor plans include options for north and south-facing 3-bedroom apartments with verandas, and the facility has underground parking has EV charging, heated pool, sauna and gym. There are still some unsold apartments with panoramic views of the mountains and one can imagine oneself at the kitchen with its huge window, humming a ditty while preparing breakfast: “खाना पकाउँ हिमाल हेरेर...”

High living below the Himalaya

When the United Nations held its Summit of the Future at its headquarters in New York in September, many world leaders, including Nepal’s Prime Minister K P Oli, highlighted the effect of climate breakdown in increasing the frequency and intensity of natural disasters. What did not get as much attention was the long term impact of the climate crisis on food production. In fact, heat stress, weather extremes and the consequences on rain-fed agriculture is already being felt worldwide, undermining the chances of the <a href="https://unstats.un.org/sdgs/">UN’s Sustainable Development Goals (SDGs)</a> being met by 2030.&nbsp; The SDG’s 17 targets commit countries like Nepal to reduce poverty and inequality, end malnutrition, protect the natural environment, and ensure that citizens all enjoy health, justice and prosperity without leaving anyone behind.&nbsp; However, besides the impact of climate breakdown on agricultural production, in Nepal the area under cultivation is impacted by urban expansion, falling productivity and the need for expensive inputs like fertiliser and pesticides.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_626413c5baf4dae407ac9579231b41daeb51510aa636b75aeb7489d94cca6a62.jpg" data-media-id="editor_1" data-image-id="20241019041052_626413c5baf4dae407ac9579231b41daeb51510aa636b75aeb7489d94cca6a62" data-rendition-name="original" width="999" height="1500" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>Kathmandu's urban sprawl is eating into its fertile cultivable lands. Photo: TAYLOR MASON</figcaption> </figure>  Now, a new study led by Nepali researcher Prajal Pradhan at the University of Groningen in The Netherlands looks at how urban agriculture may offer a solution to falling food production and meeting SDG targets. The researchers evaluated 1,450 publications exploring the contributions of urban agriculture with both positive and negative effects, and published their findings in the journal Cells Report Sustainability. Urban agriculture can help achieve 17 SDGs, positively influencing 81 targets. However, it could also undermine 51 goals.&nbsp; Read also: <a href="https://nepalitimes.com/here-now/the-vanishing-land">The vanishing land</a>, Taylor Mason “Urban agriculture offers immense potential for sustainable development, but realising this potential depends crucially on adopting practices that minimise its adverse effects while maximising its benefits,” Pradhan explains. Urban agriculture can substantially enhance urban food security, provide employment to the urban poor, serve as ground water recharge in built-up areas, and preserve open spaces that can serve as safe havens during disasters like earthquakes. However, it also presents problems like the potential health risks from contamination and the need for expensive inputs. &nbsp; “Urban agriculture plays a definitive role in advancing the SDGs, but achieving this requires tailored, context-specific solutions that address the unique challenges of different regions,” says Yuanchao Hu of Wuhan University in China and who is a researcher at the Potsdam Institute for Climate Impact Research. “But it needs equitable access and rigorous management of environmental risks.”&nbsp; Rapid urbanisation is eating into Nepal’s most fertile agricultural land, which means farming in remaining open spaces inside cities can be a viable alternative, especially as food prices rise.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_7b7c9413086226fbdc630d45acf772cfa1ced77a8970b9056ec5ec7e5226fdf8.jpg" data-media-id="editor_3" data-image-id="20241019041052_7b7c9413086226fbdc630d45acf772cfa1ced77a8970b9056ec5ec7e5226fdf8" data-rendition-name="original" width="1500" height="999" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>A vegetable patch in between new houses in Thimi. Photo: TAYLOR MASON</figcaption> </figure>  “The conversion of Nepal’s most fertile land into cities is a severe problem,” Pradhan told Nepali Times. “Crop cultivation, horticulture, agroforestry, beekeeping, livestock rearing, or aquaculture can all be farming activities within and around cities.”&nbsp; The study makes recommendations for sustainable practices that build on the positive aspects of urban agriculture while mitigating the downsides, thereby promoting more resilient cities in future. Research shows that urban agriculture has been helping many countries attain SDG targets by enhancing food security and biodiversity while helping education and preservation of open spaces.&nbsp; Indeed, many farmers from the hinterland who have settled in Kathmandu Valley or other urban areas of the country have been practicing urban agriculture, leasing neighbourhood patches or cultivating roof gardens both out of necessity because of inflation and falling income to grow their own food, and also as a fulfilling hobby. Saurav Dhakal, a sustainability advocate with Story Cycle and now research fellow at the Asian Institute of Technology in Thailand, says there are socio-economic and environmental benefits of urban agriculture. “It provides benefits to all urban dwellers, regardless of their income status,” says Dhakal, “families get fresh food, and there are many other benefits like water retention, heat regulation and biodiversity. These are all public goods, so special government incentives may be needed.” It is not unusual to see vegetable patches and even paddy fields within inner city Kathmandu where an older generation of farmers are using available fertile land and <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/rooftop-gardens-kathmandu,1415">roof gardens to produce fresh, nutritious food </a>to reduce their dependence on food items that have to be bought after being trucked in from large distances.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024101905100_1291ce98dbbb8caed8702ac4b1d469b3e13016d7ecaaf3bfd5f91c974d3c0c77.jpg" data-media-id="editor_5" data-image-id="2024101905100_1291ce98dbbb8caed8702ac4b1d469b3e13016d7ecaaf3bfd5f91c974d3c0c77" data-rendition-name="original" width="1500" height="999" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>An older generation of farmers are using any available fertile land to continue farming but it is getting more and more difficult. Photo: TAYLOR MASON </figcaption> </figure>  Nepal’s urban population grew rapidly from only 3.6% in 1991 to 25% today. There is large outmigration from the mountains to peri-urban areas of the Tarai, to Kathmandu Valley and Pokhara, with many young men then moving abroad for work. Kathmandu Valley’s population has swelled to nearly 3 million, and is growing at 6.5% a year. Dilip Shrestha, 71, used to work for Nepal Food Corporation, so he knew firsthand about inflation, shortages and vegetables with pesticide residue. So, when he designed his new house in Kathmandu, he built a spacious roof where he grows cucumber, ginger, garlic, coriander, onions, tomatoes, chili, beans, okra, pumpkin and lettuce. His family eats healthier, and he has reduced dependence on the market.&nbsp; The co-author of the Cell Reports Sustainability journal article, Daya Raj Subedi who is a PhD candidate at Beijing Forestry University, says urban agriculture also promotes inclusion and psycho-social wellbeing.&nbsp; He says, “A crucial finding of the study is the identification of opportunities and challenges associated with urban agriculture, it can promote sustainable transformation of society.” In Banepa, 55-year-old Bijaya Manandhar in her lifetime has watched the fertile farms of her neighbourhood that used to supply vegetables to Kathmandu, now completely built up with no open space left. The pandemic lockdown prompted her to turn to the family’s <a href="https://nepalitimes.com/banner/rooftop-agriculture-on-the-roof-of-the-world">ancestral livelihood by growing food</a> not on terrace farms, but on the roof terrace. Manandhar is now a part of <a href="https://nepalitimes.com/banner/rooftop-agriculture-on-the-roof-of-the-world%5C%5C">कौसी खेती र करेसाबारी क्रान्ती</a> (Rooftop Farming and Garden Revolution) which has an online membership of 52,000, and awards annual prizes to women who excel in urban agriculture.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_7257f5def8f823f35a799fa6f6825e153f2ffa406ac11325d4fe74049b79e96d.jpg" data-media-id="editor_8" data-image-id="20241019041052_7257f5def8f823f35a799fa6f6825e153f2ffa406ac11325d4fe74049b79e96d" data-rendition-name="original" width="1600" height="736" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>Rooftop farming is gaining popularity as a form of urban agriculture. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_beff1a4494ce896dd8fd383ee1f518e5448bcf7ea8bb138255391c7bcb9769ed.jpg" data-media-id="editor_9" data-image-id="20241019041052_beff1a4494ce896dd8fd383ee1f518e5448bcf7ea8bb138255391c7bcb9769ed" data-rendition-name="original" width="4000" height="3000" loading="lazy" alt="urban agriculture in Kathmandu"> </figure>  Pradhan says the challenge now is to upscale such examples of successful urban agricultural practices so they support Neal’s efforts to meet SDG targets. He adds, “Crop cultivation around cities can be protected by land use plans and regulations. Promoting community-based agriculture, including rooftop gardens, requires community engagement and public-private partnerships across the food value chain.”&nbsp; Such support would accelerate the popularity of existing rooftop farming and community gardens in Kathmandu Valley, or kitchen garden initiatives in Pokhara, and building on traditional farming practices that are preserved and integrated into urban settings like in Bhaktapur and Banepa. In Lalitpur, the Women Entrepreneurship Facilitation Center promotes urban farming enhancing both sustainability and empowerment.&nbsp; Another co-author of the report, Yuanchao Hu from China says followup research of the team will aim to identify good practices in local urban agriculture practices. He adds, “There are examples of urban agriculture that optimise sustainability, ensuring that it remains a viable solution for cities globally while countries try to meet SDG targets.” Prajal Pradhan, Daya Raj Subedi, Kshitij Dahal, Yuanchao Hu, Prakriti Gurung, Sijal Pokharel, Sagar Kafle, Biplav Khatri, Sudeeksha Basyal, Monika Gurung, and Aruna Joshi. Urban Agriculture matters for sustainable development. Cell Reports Sustainability, 1:100217, 2024. [DOI: 10.1016/j.crsus.2024.100217] Prajal Pradhan (<a href="mailto:p.pradhan@rug.nl">p.pradhan@rug.nl</a>) This article is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758.jpg" data-media-id="editor_14" data-image-id="20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758" data-rendition-name="original" width="680" height="103" loading="lazy" alt="SDG logo"> </figure>

Back to the land in the cities

The 700-year-old Lakshmi Narasingha temple in Bhaktapur houses a rare half-lion and half-human incarnation of Lord Vishnu carrying the Goddess Lakshmi. The temple was destroyed in the 1934 mega earthquake that killed 10,000 people and destroyed many monuments in Kathmandu Valley. It was rebuilt by a German project in the 1980s, but as a single-storey structure instead of its original two-tier pagoda design.&nbsp; With new findings from in-depth research, Bhaktapur municipality began re-restoring the temple in 2021, preserving its original architecture.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18.jpg" data-media-id="editor_0" data-image-id="20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “Our temples and heritage sites hold deep meaning. It is disheartening to witness how often they lose their original elements, whether by design or accident,” explains Kumar Chawal of the Consumer Committee of Bhaktapur. “There is a need to preserve our architecture and protect its historical value for future generations. Otherwise, we risk losing a vital part of our identity.” The Laksmi Narsingha restoration is similar to the Bhai Dega temple in Patan Darbar Square which also collapsed in 1934, but was rebuilt with a Moghul-style dome by the Rana government at the time. Only two months before the 2015 earthquake, heritage conservationists had started to rebuild Bhai Dega as the original three-tier based on early photographs. But priorities shifted when four other temples in the square were brought down by the 7.8M earthquake on 25 April 2015.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130.jpg" data-media-id="editor_1" data-image-id="20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  This showed how damage to monuments in Kathmandu Valley spanned from one earthquake to the next. Bhai Dega restoration remains half-complete to this day because money for its restoration ran out.&nbsp; Whereas Bhai Dega restoration was done by the Kathmandu Valley Preservation Trust with grants from western embassies and international foundations, in Bhaktapur it is the municipality itself that allocated the Rs30.7 million needed to restore the Lakshmi Narasingha temple. The expected date of completion is early 2025. The municipality and local communities are focusing on two main aspects: preserving the past and promoting localisation. The restoration team has designed a blueprint for the temple by using historical photographs and insights from older generations.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30.jpg" data-media-id="editor_2" data-image-id="20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30" data-rendition-name="original" width="1200" height="560" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “At first, the Lakshmi Narasingha temple had only one entrance, but during the demolition process, we uncovered the foundations of four doors. Now, we are restoring all of them. This is an example of how our ancient structures have changed over time, often without our knowledge,” says Chawal. “Constructing temples is not like building houses. They carry historical and spiritual values, which is why they hold a special place in our hearts,” he adds. By replicating ancient design elements and rebuilding the temple as accurately as possible to its original form, the team has stayed true to Bhaktapur’s soul. But the restoration also revived ancient techniques that were in danger of being forgotten, generating employment for woodcarvers, masons, and contractors. The community of Bhaktapur’s Gahiti neighbourhood near the famous Nyatapola Temple has also set aside specific days for locals to volunteer in the reconstruction work. This has encouraged young people to take pride in ownership of their heritage. Families have also supported the effort by donating funds for bells, the temple pinnacle, and other structural features to the temple.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6.jpg" data-media-id="editor_3" data-image-id="20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “I feel at peace knowing I have contributed my sweat to restoring this temple,” said one volunteer. “It is our duty to preserve our temples and heritage. The Nyatapola area will look magical once this temple is completed.” Community mobilisation is a long-standing tradition in Bhaktapur. In the past, locals have actively participated in the restoration of other temples in the city, such as Bhairav and Nyatapola fostering a strong sense of ownership. This collective engagement has not only been crucial in preserving the city's historical monuments but also in strengthening the bond between local communities and their heritage, says officials at the municipality. While securing funding is essential, and the municipality showed it values heritage conservation, the Lakshmi Narasingha restoration is proof that active involvement and sense of responsibility of the local community is as important, if not more. Local involvement also means that the monuments will be cared for into the future, When locals take ownership of these efforts, the restored monuments are not only protected in the present but are also cared for in the future.