<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058c39c7e80680e0ce1bcjpeg.jpg" alt="" width="1500" height="1000"/><figcaption>All photos: RABIN NGHEMA LAMA</figcaption></figure>Sameer Gurung, 30, who goes by the alias Green Brain, believes in the uniting power of football, and will be watching the matches in the 2022 FIFA World Cup in Qatar with the rest of the world. But knowing about the <a href="https://www.nepalitimes.com/banner/pay-qatars-world-cup-workers-2/" target="_blank" rel="noopener noreferrer">abuse and death of migrant workers</a>, including from Nepal, the artist in him was bursting to come out.Gurung felt that a world infatuated with ‘beautiful game’ does not know enough of what went on behind the scenes in building the stadiums in the desert.“The 90 minutes of a matchbreaks barriers, brings players from various backgrounds, nationalities, race and ethnicity together on the same field, playing for the same goal,” explains Gurung. “But people have no idea of what it took to have those games. We pretend not to notice and go on with our lives.”Gurung expresses this frustration through gigantic wall murals in Kathmandu under the title Chyatiyeko Yatartha ('torn reality') in which the artist uses torn clippings, with song lyrics and three-storey high messages addressing government apathy. It is at once discomforting and revealing."The abuse faced by migrant workers is intolerable, but I am neither a public speaker, nor do I protest in the streets," he says. "All I have as a medium of expression is art and, this way, sitting in my room, I can give voice to my discontent."<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058c79c7e80680e0ce1bdjpeg.jpg" alt="" width="6000" height="3375">Read also: <a href="https://www.nepalitimes.com/banner/human-rights-referees-blow-whistle-on-world-cup-fouls/">Rights referees blow whistle on World Cup fouls</a>, Kunda DixitChyatiyeko Yatartha is Green Brain's second solo project. With it, he wanted to raise the concern through gigantic street graffiti to reach the public, especially Nepal’s youth.His first series, Buda Paka, in February drew attention to preserving the heritage and culture of Nepal. Drawn on the wall of a building in Asan, the artwork showed a man carrying a kharpan on his shoulders as he walks through an old street as brick walls, carved windows, doors and shop fronts curve before him. The idea here was to remind the youth to preserve and promote the hard work of the older generation, so that the culture and heritage may survive into the future.His affinity to layers of meanings, that viewers slowly unravel one at a time, is reflected also in his chosen name, which he picked in 2017. For him, green is more than just the colour of nature. "Green is life and positivity which I relate to," he explains. A fluorescent green hue is present in all his work, which also relate to the local heritage, culture and activism."As for the Brain in my name," he adds, "that's because I am fascinated by people's thoughts, and how we become our thought."<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058cc9c7e80680e0ce1bejpeg.jpg" alt="" width="3895" height="5842">Gurung's love for art goes all the way back to Grade 2 in school when he would draw patterns on the margins of notebooks, often competing with friends to see who would draw better, faster."I always had an inkling for art," he recalls, and when he completed his SLC, he went to a tattoo artist to see if he could train under them for three months before +2 classes kicked in."But the artist said I was a little too young then," Gurung adds, "saying I should wait until I had completed high school."He realised he was not made for jobs, and entertained the idea of leaving Nepal. His brothers are based in France and he has a few friends in Australia, and he thought he ought to do the same. Go somewhere, just anywhere.But because he did not have the grades, he did not want to limit himself to menial jobs just for survival abroad. So he returned to open a tattoo shop with a friend. At first he practiced on close friends who allowed him to gain some practice on their skin.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058d09c7e80680e0ce1bfjpeg.jpg" alt="" width="1500" height="1000">When his friend left for Australia two years later, Gurung closed the shop and started teaching himself other different forms of art, including digital."I did not want to rush overseas because it was evident that I would not get the space and freedom to be creative, as I would have to worry about working hard just for survival," he explains. "At least here in Nepal I have my family for support. More importantly, Nepal is quite magical, so I threw myself into art."He participated in various commercial art projects in this time, including the work of French-Tunisian artist eL Seed, who is famous for championing the art of ‘calligraffiti’, a mixture of Arabic calligraphy and graffiti. Titled 'Like Her', the project in Giranchaur in Sindhupalchok was unveiled in 2021 and depicted the words of Yogmaya Neupane (“There is nothing between us, nothing at all. Your eyes have tears, just like my own.”), a pioneer poet and revolutionary who spoke against the Rana regime and committed jal-samadhi by jumping together with 67 disciples into the Arun River in 1941.'Like Her' explored the role of women in rebuilding villages destroyed by the 2015 earthquake. The 170m long installation covered the rooftops and connected each house to another, linking the voices of the women, sharing their wisdom, strength and resilience.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058d49c7e80680e0ce1c0jpeg.jpg" alt="" width="2048" height="1149">Chyatiyeko Yatartha too is richly detailed, and a call to attention. The centre-piece is the World Cup trophy and Lusail Stadium, where the final match will take place on 18 December. They drip at one corner under the scorching desert heat, like beads of sweat and tears of the tens of thousands of migrant workers who toiled to build them."The Government also hopefully will take this more seriously and ensure their protection such that abuses are minimised in the future," he adds. "If we don’t raise our voices for our fellow citizens, what incentive will there be for the host country governments to act?"While Human Rights Watch (HRW) and other activist groups launched a global campaign #PayUpFIFA in May, calling on FIFA to compensate migrant workers involved in building stadiums and other infrastructure and to avoid the legacy of what they call a ‘World Cup of Shame’, Qatari Labour Minister on 2 November rejected such calls, calling them publicity stunts and accusing Qatar’s critics of racism.Read also: <a href="https://www.nepalitimes.com/banner/qatar-refuses-payoffs-to-world-cup-stadium-workers/" target="_blank" rel="noopener noreferrer">Qatar refuses payoffs to World Cup</a> <a href="https://www.nepalitimes.com/banner/qatar-refuses-payoffs-to-world-cup-stadium-workers/" target="_blank" rel="noopener noreferrer">workers</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022120710128/639058d79c7e80680e0ce1c1jpeg.jpg" alt="" width="6000" height="4000">Chyatiyeko Yathartha is Gurung’s way of protesting abuse and deaths of workers in Qatar and how the families are still not compensated, and he is working with a Scottish colleague on a 8x10m art piece that has taken six months to complete.He says, "This is how we channel our rage. What has happened cannot be undone, but in the future, hopefully, migrant workers can have a better experience abroad."The project was not without hiccups. Gurung had initially wanted to set up the artwork at the busy Sorha Khutte junction near Thamel. But the neighbor of a multi-storeyed building refused the graffiti to be painted. A friend in Lalitpur offered the wall of their house.A <a href="https://youtu.be/6IC22EfiQFw" target="_blank" rel="noopener noreferrer">documentary on the painting</a> process will take the mural to a wider audience and raise awareness of the reality of migrant workers, and was launched on Green Brain’s YouTube channel on 18 November."Imagine if a worker from the West had died in Qatar, the outrage it would spark, the investigations that would take place,” says Gurung. "So many Asians have died over the years in Qatar but no one cares. I am not sure what my art will do, but at least I did my small bit.”Read also:<a href="https://www.nepalitimes.com/opinion/labour-rights-legacy-of-the-fifa-world-cup/" target="_blank" rel="noopener noreferrer"> Labour rights legacy of the FIFA World Cup</a>, Meenakshi Ganguly and Mohna Ansari

Ashish Dhakal

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Art as a call to action

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813118/636a47229c7e80680e04d416jpeg.jpg" alt="" width="2436" height="1624"/><figcaption>Photo: Sworup Ranjit</figcaption></figure>Boston-based Nepali artist Sneha Shrestha once laid out an installation on the floor so that people could walk all over it. She did not want her art to be unapproachable.Now, she is taken on the most democratic art form of them all: graffiti, for which the whole city is a gallery, is free for everyone. What makes Shrestha's graffiti stand out is that she creates Devnagari calligraphy using the walls and sides of 10-storey buildings as her canvas.Read also: <a href="https://www.nepalitimes.com/banner/nepal-mandal-in-manhattan/" target="_blank" rel="noopener">Nepal Mandal in Manhattan</a>, Kanak Mani Dixithttps://vimeo.com/274748954During a summer break in Kathmandu this week, Shrestha admitted that she never intended to become an artist, but she grew up loving art. Her mother, an educator, used to convert English children's books into Nepali, and also illustrate them.  Shrestha used to watch her mother enjoy that process of creation, and actively started sketching herself.When she went to college in Gettysburg University, she studied humanities, but also took art classes and by the time she graduated she had taken enough art classes to be a double major. She then joined the non-profit Artists for Humanity, and did photography. Her principal subject was the work of her colleague and graffiti artist Rob Gibbs.Shrestha saw Gibbs' work, and started experimenting with Devnagari calligraphy. "I liked that you don't have to pay to see graffiti. It's a public form of art which is available to anyone who wants to see it, unlike exclusive galleries. I realised that calligraphy in Nepali could be beautiful, and I started painting a Devanagari style which is completely my own."<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813118/636a47259c7e80680e04d417jpeg.jpg" alt="" width="1000" height="1500"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813118/636a47279c7e80680e04d418jpeg.jpg" alt="" width="640" height="853"><figcaption> </figcaption></figure>Shrestha's works now adorn walls and buildings in Boston, are currently being exhibited at Museum of Fine Arts there, and she has done work for Facebook and Reebok. She writes down letters, words, and poems in Nepali and Sanskrit, and her favourite one is a mural at an MIT  (Massachusetts Institute of Technology) building where she quotes Laxmi Prasad Devkota: Manis thulo dilale hunchha, jatale hundaina (a person's greatness is defined by  his heart, not by his caste.)"There are so many ways I could relate to that line, and it was relevant at that particular space," explains Shrestha. "MIT is one of the most selective institutions in the whole world, who defines what success means in that context? In a meritocratic world that values high earning, what is the success rating of someone like me, an artist? I think you define your own success, and it is not defined by where you come from."Read also: <a href="https://www.nepalitimes.com/banner/the-craft-of-art/" target="_blank" rel="noopener">The craft of art</a>, Sewa BhattaraiShrestha imbues her art with Nepalis aesthetics using a lot of orange and blue. "The orange comes from marigolds which are so intrinsic to Nepal. It reminds me of my favourite festival tihar," says Shrestha, who needs a lot of equipment to realise her artistic vision - painting materials that she lugs around on big backpacks, ladders, and sometimes even a cherry-picker that raises her high up on the sides of buildings.She is proud of doing all the physically rigorous work herself, even getting a license to operate the crane. When she is not creating art, she engages in helping other artists at the Lakshmi Mittal and Family South Asia Institute at Harvard University which gives fellowships to South Asian artists.Shrestha opened Nepal's first children's  art museum back in 2013, and is engaged in it whenever she is back in Nepal. Other times, her mother and other staff take care of business as usual, curating artworks appropriate for children, holding art workshops, and letting children experiment with art.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813118/636a472a9c7e80680e04d419jpeg.jpg" alt="" width="640" height="853"><figcaption> </figcaption></figure>"I never had that space growing up, where I could experiment with fun learning. So I would like to create that for children, where they can be creative and develop self confidence. Here, art is not seen as a skill but a medium of self expression," she says.Shrestha also creates her iconic graffiti here in Kathmandu when she can, but it is not as easy as in the US. "When I started making murals in 2013, I was harassed because I was a woman. There were many questions and even more catcalls," she remembers. "I understand the limitations, but I also wish there were more women doing street art in Nepal."Read also: <a href="https://www.nepalitimes.com/review/art-of-everyday-living/" target="_blank" rel="noopener">Art of everyday living</a>, Reeti KChttps://www.youtube.com/watch?v=9Yyfu3dcVLEAfter all, Shrestha herself is inspired by a woman: her mother. She uses her mother's name Kalpana (which means imagination) as her own artistic pseudonym.She adds: "In my artwork I sign my name as Imagine. It is a way for me to honour my mother, and remember all that she inspired me to achieve."<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813118/636a472d9c7e80680e04d41ajpeg.jpg" alt="" width="1500" height="1125"><figcaption> </figcaption></figure>Sneha's work can be viewed on instagram @imagine876Read also: <a href="https://www.nepalitimes.com/banner/nepali-art-going-places/" target="_blank" rel="noopener">Nepali art going places</a>, Kunda Dixit

Nepali calligrapher at large

Nepal’s cricket team first beat powerhouse West Indies in two out of three matches in September, the first time it won a match and then a series against a test-playing nation.&nbsp; Then the Rhinos played six qualifiers in Oman for the 2026 T20 World Cup which is being held in India and Sri Lanka from 7 February to 8 March next year. The national team qualified comfortably with two games to spare, and won all six matches anyway. In the three months before the World Cup, cricketers will play the second season of the Nepal Premier League from 17 November to 13 December.&nbsp; After a hugely successful first season, steady upgrades have been made. The flood-lit Tribhuvan University Cricket Ground has been fitted with 15,000 seats, even though this takes away from the festival-like atmosphere of fans on their feet on the grassy slope.&nbsp; Last season, matches began at noon and three in the afternoon. Late-evening matches in winter under flood lights will increase attendance and viewership.&nbsp; There is also now technology that will display how far a six was hit and how fast a ball was bowled. Foreign players who will play in the league include Chris Lynn, D’arcy Short, Ravi Bopara, and Sohail Tanvir, all good ex-international players that people have heard of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215.jpg" data-media-id="editor_0" data-image-id="20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215" data-rendition-name="original" width="1365" height="1803" loading="lazy" alt="Nepal cricket"> <figcaption>Aasif Sheikh drives through the covers on his way to 69 off 41 vs Samoa.</figcaption> </figure>  But the most important point of the Nepal Premier League will be to prepare and experiment for the World Cup, which starts less than two months after the NPL ends. Team Nepal will be extra eager to play well, given that the matches are happening in South Asia and Nepali fans can make the trip.&nbsp; Head coach Stuart Law will be watching each NPL match keenly, to gain more insight into how to best use his current starters.&nbsp; As each of the eight teams are only allowed a maximum of four foreign players in their starting eleven, Law and Nepali fans will also be scouting new talent who will be hungry to emerge and prove themselves to earn a place in the World Cup Squad.&nbsp; ALL-ROUNDERS One of the most unusual features of the current Nepali squad is how many all-rounders there are. Kushal Bhurtel, Rohit Paudel, Kushal Malla, Gulshan Jha, and Dipendra Singh Airee are all regular starters, and they all bat and bowl. Opener Aasif Sheikh is also the wicketkeeper.&nbsp; Airee, of course, is also an excellent fielder. In the first five games of the qualifiers, he got a record five runouts with direct hits, and was on a roll with a run in every single game. This depth means that almost always seven players bowl for Nepal, and the wealth of options keeps the opponent batting order guessing, but it may create hesitancy within the team in tough situations against stronger teams.&nbsp; Countries at the top level of the sport tend to have more specialists. Perhaps Stuart Law might want to tell Bhurtel to really focus on his batting, or Airee to hone his bowling, which seems to be their strengths. The team would be better off with them performing one aspect consistently well than being hit or miss with both. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3.jpg" data-media-id="editor_1" data-image-id="20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3" data-rendition-name="original" width="957" height="1269" loading="lazy" alt="Nepal cricket"> <figcaption>Lalit Rajbhansi with tricky left arm spin, 3/13 vs Samoa.</figcaption> </figure>  POWERPLAYS The Nepali team likes batting first. It chased only against Japan, but they struggle to put up really competitive scores of say, above 170 unless two batsmen do really well.&nbsp; In the second match against the West Indies, Aasif Sheikh’s 68 and Sundeep Jora’s 63 set up Nepal at 173/6. Against Samoa, Aasif Sheikh had 69 and Airee had 53, before Lokesh Bam’s fierce 39 off 12 featuring 4 sixes set up 211/4.&nbsp; Besides these games, Nepal tends to score up to 150 batting first. To the experienced teams that Nepal will face at the world cup, this is not at all an intimidating score. One reason is that Nepal just cannot seem to get going in the first six powerplay overs, when there are limited fielders on the boundaries.&nbsp; A solution to this might be to promote Gulshan Jha up the order. Although Jha has also been an excellent batter in the end overs, using him at three or four might help set up a more productive powerplay and bigger scores. He should try it out with the Karnali Yaks.&nbsp; Despite all the controversy that comes with Sandip Lamichhane, and his strange decision to sit out the West Indies series minutes before the first match started, his output with the ball is undeniable.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678.jpg" data-media-id="editor_2" data-image-id="20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678" data-rendition-name="original" width="1499" height="1000" loading="lazy" alt="Nepal cricket"> <figcaption>Nepalis turn out to support the team vs Samoa at Al Ameret Stadium in Oman.</figcaption> </figure>  He took wickets in each of the six qualifiers, most notably five vital ones in the match against Qatar that Nepal won by five runs. Lamichhane also gives away very few runs, which cuts some of the more part-time bowlers some slack.&nbsp; Airee is also economical, and his 3/22 was vital in the one-run win against the UAE. Together with Lamichhane the duo constricted the opposition in the middle overs. Veteran Sompal Kami has not been as productive with the ball, and gave away a lot of runs in the series against the West Indies.&nbsp; This is a weakness, because Kami does not contribute with the bat much. While his experience is valuable to ground the young Nepali team, Stuart Law should look out for fast bowlers during the NPL to help balance out quality spinners.&nbsp; One of the most impressive and professional parts of Nepal’s winning streak has been the attention to detail. The players have been generally excellent in the field, giving away very few runs due to wides or no balls. They had three run outs against the UAE and two against Qatar and Japan and in the first game against the West Indies.&nbsp; The fielders seem much calmer and focused when executing difficult catches, a welcome change from past complacency. This attention to detail makes the difference in narrow games and keeps morale high.&nbsp; The Nepali team has performed well, but besides the narrowly-beaten UAE, all the matches were against teams ranked lower in the world T20 rankings. And the series against the West Indies was against a weakened team. In the world cup, Nepal will be facing much stronger teams and will lack the element of surprise it had in the 2024 World Cup.&nbsp; If Nepal wants to keep improving, it now has to be able to dominate teams like Kuwait and Oman. It also should set up more series with associate nations like Scotland, Ireland, Namibia and The Netherlands. This will help accurately gauge the team’s progress and expose its weaknesses.

Nepal’s prospects at World Cup 2026

With the holidays over and elections only four months away, Nepal’s interim government led by Prime Minister Sushila Karki is trying to get down to brass tacks. But it is not easy.
On Wednesday, Karki held the first three-way meeting between GenZ representatives, political parties and the government. Despite some acrimony, there was near unanimity about creating the environment for elections on 5 March. 
Only the UML is holding out, still not taking responsibility for the 8 September massacre, and calling for the reinstatement of Parliament. GenZ delegates poured their wrath on the unrepentant UML, but were themselves talking at cross purposes on the demand for a directly-elected executive. 
Karki was on the defensive, her exasperation spilling over: “How do we undo the damage done by corruption, exploitation, and discrimination over the last 35 years in a single month?” 
She is reported to have added, “There is a tendency to not allow this government to work, and then turn around to criticise it for not achieving anything. We are trying our best, and will fulfil our goal of elections no matter what.” 
The Wednesday meeting does seem to have turned the attention of old parties towards elections, and spurred the GenZ and others with political ambition to form parties.
With the deadline for party registration looming, several like-minded individuals and collectives are coalescing, or trying to. The Election Commission is already reviewing applications from more than a dozen new political parties. 
Kathmandu Mayor Balen Shah has held talks with RSP members, but his popularity on social media is not matched by public visibility and accessibility. Intriguingly, Shah and his supporters on social media have been publicly asking for the resignation of Home Minister Om Aryal for not arresting members of the UML-NC government for the 8 September killings. Aryal used to be Mayor Shah’s legal adviser.
Sudan Gurung of GenZ, ex-RSP Sumana Shrestha, and Energy Minister Kulman Ghising are all shopping for existing or new political parties to join. 
The RSP with its alternative anti-corruption agenda would be the logical choice, but there is a question mark over the role of its head Rabi Lamichhane, who is back in jail on charges of embezzlement.
LARGER CABINET
This week, Karki expanded her Cabinet for the third time by inducting Sudha Sharma Gautam as Minister for Health and activist Bablu Gupta as the Minister for Youth and Sports. 
Recommended by GenZ members, Gupta, 28, is the youngest Minister in Karki’s team. But, as has become the norm with this electoral government, two other controversial nominations fell through. Khagendra Sunar was dropped as Minister for Labour because of several ongoing criminal charges, including for assault and inflammatory speech. And Ganapati Lal Shrestha for Minister of Land Management declined at the last moment after he was not given the Tourism and Culture portfolio as preferred. 
Critics say there is a lack of due diligence on the part of Karki’s advisers in selecting candidates. Last month, Sangeeta Mishra who was nominated for Health Minister was dropped after it turned out that she was under investigation at the CIAA. However, Kulman Ghising also had complaints filed at the anti-corruption body, but was still given three portfolios. 
Then the nomination of Tashi Lhazom was withdrawn after an online controversy over her citizenship. There was also outrage on social media about Mishra and Lhazom being singled out for their ethnicity and gender.
Internal leaks making her choices prematurely public has made Karki’s team overcautious about Cabinet expansion. It is also distracting her from her main goal — to hold credible elections by striking a balance between the political parties and GenZ groups.
After a preliminary hearing on 16 writ petitions against the House dissolution and appointment of new government, the Supreme Court on Wednesday refused to issue an interim order.
“The formation of the government is unconstitutional, and a government formed unconstitutionally is not allowed to make any decisions, until the final hearing,” stated advocate Surendra Bhandari. 
The UML, still smarting from the September protests, is trying to put a spanner in the works of the election government. The GenZ, meanwhile, still do not have a consensus over fundamental demands prior to elections. Combined, these two factors portend a precarious future.

Future imperfect

A little more than one month into its six-month term, Nepal's interim government recalled ambassadors from 11 countries: China, Japan, Malaysia, Qatar, Saudi Arabia, Israel, Russia, Spain, Germany, the UK, the US, and Japan.&nbsp;
Mostly appointed by previous governments, they have to return to Kathmandu by 6 November. The envoys who were retained, even if they were political appointees, tended to be women or from various ethnic minorities.
The recall has met with criticism back home. Prime Minister Sushila Karki is blamed for borrowing a page out of its predecessors’ playbook. Although it was a symbolically inclusive move in a diplomatic corps dominated by established groups, the government may have got its timing wrong.
On Sunday, however, the Supreme Court issued an interim order against government decision to recall the 11 ambassadors. The court questioned the neccesssity and justification of such a move, concerned that it could affect Nepal's relations with the host countries.&nbsp;
Karki has said <a href="https://nepalitimes.com/news/future-imperfect">her priority is to hold elections in March</a>, and by recalling Nepal’s emissaries from important capitals like Washington, London, Bonn, Tokyo, Abu Dhabi and Kuala Lumpur her government has cut channels of communication and support from development partners and with the international community.&nbsp;
Nepal’s anti-corruption GenZ protest and the devolution of the youth movement into <a href="https://nepalitimes.com/here-now/relocate-reallocate-recover">arson, looting, and violence</a> after the targeted killing of protestors in September put the nation in the international spotlight. And the interest was especially keen in neighbouring New Delhi and Beijing.&nbsp;
The Nepal unrest has sparked similar protests across the world from <a href="https://nepalitimes.com/here-now/nepal-genzs-inspired-filipinos">the Philippines</a> to East Timor, Madagascar and Peru. But there is also worry in India where exposure of #nepokids on social media as well as corruption in high places could instigate copycat youth unrest.
And in China, there is still a lingering memory of the deadly protests in 1989 Tiananmen Square. But the Chinese also suspect that some in the GenZ movement have links to free-Tibet. &nbsp;
Foreign policy experts in Nepal reject conspiracy theories about foreign backing for the GenZ, characterising it as mostly triggered by home-grown outrage over chronic corruption of the governing elite.&nbsp;
Throughout its history Nepal has always had to balance the geo-strategic interests of its neighbours: the British in India and the Chinese Empire, and more recently independent India and Communist China.
When former PM K P Oli resigned, he had <a href="https://nepalitimes.com/opinion/comment/when-xi-meets-modi-and-oli">just returned from a visit to Beijing</a> and was a week away from making an official visit to India. A new Nepali prime minister typically makes the first visit to India, but Oli broke that tradition last year by going to China to sign the Belt and Road Initiative (BRI) framework agreement.
"Oli was China's trusted partner supporting <a href="https://nepalitimes.com/news/china-syndrome">Nepal’s participation in BRI</a> and SCO (Shanghai Cooperation Organization)," says geopolitical analyst Sanjay Upadhya. "Now, some in Beijing are apprehensive that there is external support for the youth protests that contributed to Oli’s sudden departure. It is perceived as a strategic setback for China."
Despite an ongoing dispute with India over a 364 sq km border territory, Nepal is heavily dependent economically on India with which it has an open border.&nbsp;
Rulers in Kathmandu have usually leaned over backwards to be closer to China to counterbalance India’s gravitational pull following a strategy of ‘equidistance’ between the two giant neighbours.&nbsp;
Growing American and Western disinterest in the region is making India and China more assertive towards smaller nations. Educator Dovan Rai says, “China is also becoming more aggressive and trying to show its presence in and around South Asia.”
She adds, “Nepal is an important neighbour for China, especially considering issues it regards as sensitive, like the Dalai Lama and Tibet.”
Indeed, the Chinese are said to be suspicious about the links that the <a href="https://nepalitimes.com/here-now/nepal-s-historic-youth-dissensus">GenZ movement</a> was infiltrated by elements linked with Free Tibet or with US-based interests.&nbsp;
What must have especially raised eyebrows at the Chinese Embassy in Kathmandu was that the Dalai Lama’s office in exile in India congratulated Sushila Karki — the first time in history it has sent such a greeting to a new prime minister of Nepal.&nbsp;
Although Nepal’s two neighbours do not see eye-to-eye, both agree and are worried about instability in Nepal, and if it might trigger a refugee crisis, empower extremist factions, or attract Western interference.&nbsp;
Nepal’s September protests were preceded and succeeded by similar movements in the region and around the world. In light of this global eruption of youth frustration, and desire to lead from the front, the hardline governments of Nepal’s two neighbours are undoubtedly wary of the possibility of similar unrest within their own borders.&nbsp;
‘India advocates democratic legitimacy, while China prioritises control and predictability. Recent upheavals demonstrate that neither democracy nor stability alone suffices for sustainable nationhood,’ Upadhya wrote in a recent blog.
With early elections scheduled for 5 March, <a href="https://nepalitimes.com/news/one-month-later">the main challenge for Karki’s transition government</a> is to maintain dialogue and establish consensus between youth groups, political parties, and other agitating forces to participate in polls — all while ensuring there is no covert external influence.&nbsp;
Indeed, with <a href="https://nepalitimes.com/here-now/nepals-democracy-keeps-doubting-itself">Nepal’s democracy</a> at stake as well as new political forces with competing interests set to battle it out in a new political landscape, experts warn that there could be powers that will want to fish in troubled waters.&nbsp;
Explains Dovan Rai: “Along with soft power, foreign countries including our neighbours could intervene in the online information space to promote their interests in Nepal. Fake narratives and disinformation could be spread &nbsp;through digital platforms. We must be careful and vigilant about our digital space.”

Neighbourhood watch on Nepal

The autumn mountaineering season is not over yet, and already there have been 12 fatalities on Himalayan peaks in Nepal.
Of the 1,450 climbing permits issued, 436 were for Mt Ama Dablam (6,812m), 374 for Mt Manaslu (8,163m) and 186 for Himlung Himal (7,126m). There were deaths on all three mountains.
The death of two French climbers on Ama Dablam happened before unseasonal blizzards hit the mountains. But Cyclone Montha from the Bay of Bengal brought on high winds and up to 1m of snow in the peak trekking and mountaineering season.
This increased avalanche conditions, and made helicopter evacuation of stranded and injured climbers difficult. Lower down the mountains, more than 1,000 trekkers from Nepal and around the world were stuck in the Annapurnas, Manaslu circuit and the Khumbu.
However, there have also been allegations that it was not just the weather that delayed rescues. Multiple levels of bureaucracy and the need for flight permits to restricted areas like Manang and Manaslu critically delayed evacuation flights.
Italian climbers Farronato Stefano and Caputo Alessandro were found dead in their tent at Panbari Himal Camp I (6,887m) in the Manaslu area. They had been trapped by heavy snowfall since 28 October, and their bodies were found on 4 November by a team from the expedition organisers, Sherpa Alpine Trekking Service. The team was made up of high level mountain guides and expedition leader Valter Perlino.
The team had been climbing to Camp 3 but decided to descend to base camp because of thrombosis in Perlino’s left foot. The two climbers who would eventually get trapped decided to break at Camp I, a decision that would prove fatal after the projected six-day snowfall arrived two days early.
“They were sleeping in a tent and were buried under 2.5 metres of compacted snow. It happened during the night between Thursday and Friday. While they were sleeping, absurd,” said Perlino.
A deadly incident took place the morning of 3 November, when five foreigners and two Nepalis died in an avalanche on Yalung Ri at 5,630m in the Rolwaling. They were part of a larger group of 15 that were acclimatising for an attempt on the nearby Dolma Khang (6,332m).
Local authorities in Gauri Shankar Conservation Area say calls were immediately made to helicopter companies as well as various ministries in Kathmandu that have to issue permits to fly to the region bordering China.
But the permits for rescue flights to Rolwaling Valley were delayed by eight hours. Rescue flights in these areas require permission from the Ministry of Tourism, the Ministry of Defence, the Home Ministry, and the Civil Aviation Authority of Nepal (CAAN).
Experts say this should be exempted in times of emergency when time is of the essence. CAAN spokesperson Pratap Babu Tiwari claimed to not know of the avalanche on Yalung Ri and deflected questions to the permission department.&nbsp;
There was a similar tragedy on Himlung Himal in Manang as well. Australian Chin-Tark Chan, 49, was climbing with 8K Expeditions and fell ill on 27 October at about 6,800m, developing snow blindness and loss of mobility. The guides immediately called the US insurance company Global Rescue for authorisation of a longline rescue.
Global Rescue refused, saying a rescue at that height would violate Nepal’s aviation rules and put the pilot at unacceptable risk. They asked the guides to transport Chan to Camp 3 at 6,400m to a permitted altitude. Seeing it was a life-or-death situation for its client, 8K called in an aerial rescue anyway, but the helicopter could not land due to bad weather. Chan died slightly below Camp 3 on 29 October.
Global Rescue said in a statement that it was ready to send in a helicopter after Chan had been transported to Camp 3, but several hours were lost for that attempt, and the weather did not get better in the next few days.
To underscore just how dangerous helicopter rescues in the Himalaya can be in bad weather, a chopper from Altitude Air skidded off the helipad at Lobuche below Mt Everest while trying to rescue trekkers in whiteout conditions.&nbsp;
CAAN announced a ban on flights during blizzards or dense fog. While rescue missions are often heroic and courageous, they should not be foolhardy if conditions are unsafe and the risk to pilots and rescuers too high. This autumn was a lesson for future expeditions and for the Nepal government.&nbsp;
The Italian duo on Panbari were caught out by snow that arrived two days ahead of schedule, but the group on Yalung Ri should have postponed their ascent after multiple warnings from the Department of Hydrology and Meteorology to avoid high altitudes.

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