A state-of-the-art Conservation Center was inaugurated at <a href="https://nepalitimes.com/here-now/u-thant-kenzo-tange-and-the-buddhas-birthplace">the Lumbini Museum </a>officially on 11 May, a day before <a href="https://nepalitimes.com/news/buddha-jayanti">Buddha Jayanti</a>. The new facility is located at the museum in <a href="https://nepalitimes.com/banner/the-buddha-was-born-in-lumbini">the sacred birthplace of Buddha</a>, a UNESCO World Heritage Site, and safeguards centuries-old Buddhist artifacts and architecture for future generations. <a href="https://lumbinimuseum.org/the-museum/">Lumbini Museum</a> is world’s only contemporary museum dedicated to both Buddha and his birthplace. Designed by renowned Japanese architect Tange, the museum’s once-neglected structures have now been revitalised by Nepali and international experts.&nbsp; The museum’s <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">modernist architecture</a>, now preserved alongside sacred artifacts, offers a rare blend of spiritual sanctity and architectural heritage.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250513120512_d30c20d4ae0d397a8dbcd683fafb15a35223ed94ea36f575719e9fc5d487274a.jpg" data-media-id="editor_5" data-image-id="20250513120512_d30c20d4ae0d397a8dbcd683fafb15a35223ed94ea36f575719e9fc5d487274a" data-rendition-name="original" width="4898" height="3265" loading="lazy" alt="Preserving Lumbini's past"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250513120512_bd599dddb2d703b925cda079ea174abd3944f0a366d4ba557c60e8cca387679f.jpg" data-media-id="editor_6" data-image-id="20250513120512_bd599dddb2d703b925cda079ea174abd3944f0a366d4ba557c60e8cca387679f" data-rendition-name="original" width="4898" height="3265" loading="lazy" alt="Preserving Lumbini's past"> </figure>  The new Conservation scenery is equipped with diagnostic tools, climate-controlled storage, and dedicated restoration workspaces. It is a specialised facility designed to serve as a hub for <a href="https://nepalitimes.com/review/kathmandu-s-liquid-landscape">scientific preservation</a>, conservation, and the study of the region’s <a href="https://nepalitimes.com/banner/the-historic-kathmandu-beneath-our-feet">archaeological treasures</a>, ranging from terracotta and stone sculptures to architectural relics dating back over two millennia. The lab also aims to train <a href="https://nepalitimes.com/opinion/borderlines/nepal-s-soft-power-is-its-heritage?%2F=">local heritage</a> professionals and students, fostering long-term sustainability in <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">cultural preservation</a>. The Center is expected to draw scholars, pilgrims, and visitors from around the world. “This lab is more than just a facility, it’s part of a larger effort to build conservation expertise in the country,” said Jason Meeks, Deputy Chief of Mission U.S. Embassy in Nepal. “Training programs for local professionals and students will ensure that this work continues well into the future.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250513120512_797554bc97a4c8f7892e5eea160d0a96bff1e9fbbb9ca6bf6b5b473eaf9c7398.jpg" data-media-id="editor_11" data-image-id="20250513120512_797554bc97a4c8f7892e5eea160d0a96bff1e9fbbb9ca6bf6b5b473eaf9c7398" data-rendition-name="original" width="4898" height="3265" loading="lazy" alt="Preserving Lumbini's past"> </figure>  The project is a collaborative initiative involving The Buddha Foundation, the U.S. Embassy’s Ambassadors Fund for Cultural Preservation, Lumbini Development Trust (LDT), Department of Archaeology (DoA), and Anupam Heritage Lab (AHL). Speaking at the launch, Minister for Culture, Tourism and Civil Aviation, Badri Pandey, emphasised that the Conservation Center will not only strengthen Nepal’s capacity in <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">heritage conservation </a>and education but also pave the way for Nepal to emerge as a regional leader in the field.

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Preserving Lumbini's past

The 700-year-old Lakshmi Narasingha temple in Bhaktapur houses a rare half-lion and half-human incarnation of Lord Vishnu carrying the Goddess Lakshmi. The temple was destroyed in the 1934 mega earthquake that killed 10,000 people and destroyed many monuments in Kathmandu Valley. It was rebuilt by a German project in the 1980s, but as a single-storey structure instead of its original two-tier pagoda design.&nbsp; With new findings from in-depth research, Bhaktapur municipality began re-restoring the temple in 2021, preserving its original architecture.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18.jpg" data-media-id="editor_0" data-image-id="20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “Our temples and heritage sites hold deep meaning. It is disheartening to witness how often they lose their original elements, whether by design or accident,” explains Kumar Chawal of the Consumer Committee of Bhaktapur. “There is a need to preserve our architecture and protect its historical value for future generations. Otherwise, we risk losing a vital part of our identity.” The Laksmi Narsingha restoration is similar to the Bhai Dega temple in Patan Darbar Square which also collapsed in 1934, but was rebuilt with a Moghul-style dome by the Rana government at the time. Only two months before the 2015 earthquake, heritage conservationists had started to rebuild Bhai Dega as the original three-tier based on early photographs. But priorities shifted when four other temples in the square were brought down by the 7.8M earthquake on 25 April 2015.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130.jpg" data-media-id="editor_1" data-image-id="20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  This showed how damage to monuments in Kathmandu Valley spanned from one earthquake to the next. Bhai Dega restoration remains half-complete to this day because money for its restoration ran out.&nbsp; Whereas Bhai Dega restoration was done by the Kathmandu Valley Preservation Trust with grants from western embassies and international foundations, in Bhaktapur it is the municipality itself that allocated the Rs30.7 million needed to restore the Lakshmi Narasingha temple. The expected date of completion is early 2025. The municipality and local communities are focusing on two main aspects: preserving the past and promoting localisation. The restoration team has designed a blueprint for the temple by using historical photographs and insights from older generations.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30.jpg" data-media-id="editor_2" data-image-id="20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30" data-rendition-name="original" width="1200" height="560" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “At first, the Lakshmi Narasingha temple had only one entrance, but during the demolition process, we uncovered the foundations of four doors. Now, we are restoring all of them. This is an example of how our ancient structures have changed over time, often without our knowledge,” says Chawal. “Constructing temples is not like building houses. They carry historical and spiritual values, which is why they hold a special place in our hearts,” he adds. By replicating ancient design elements and rebuilding the temple as accurately as possible to its original form, the team has stayed true to Bhaktapur’s soul. But the restoration also revived ancient techniques that were in danger of being forgotten, generating employment for woodcarvers, masons, and contractors. The community of Bhaktapur’s Gahiti neighbourhood near the famous Nyatapola Temple has also set aside specific days for locals to volunteer in the reconstruction work. This has encouraged young people to take pride in ownership of their heritage. Families have also supported the effort by donating funds for bells, the temple pinnacle, and other structural features to the temple.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6.jpg" data-media-id="editor_3" data-image-id="20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “I feel at peace knowing I have contributed my sweat to restoring this temple,” said one volunteer. “It is our duty to preserve our temples and heritage. The Nyatapola area will look magical once this temple is completed.” Community mobilisation is a long-standing tradition in Bhaktapur. In the past, locals have actively participated in the restoration of other temples in the city, such as Bhairav and Nyatapola fostering a strong sense of ownership. This collective engagement has not only been crucial in preserving the city's historical monuments but also in strengthening the bond between local communities and their heritage, says officials at the municipality. While securing funding is essential, and the municipality showed it values heritage conservation, the Lakshmi Narasingha restoration is proof that active involvement and sense of responsibility of the local community is as important, if not more. Local involvement also means that the monuments will be cared for into the future, When locals take ownership of these efforts, the restored monuments are not only protected in the present but are also cared for in the future.

In with the old in Nepal

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c779c7e80680e0bd493jpeg.jpg" alt="" width="4096" height="2731"/><figcaption>Photos: AMIT MACHAMASI.</figcaption></figure>Prem Lal Shilpakar of in Bhaktapur was eleven when he first worked on the chariot for the ancient <a href="https://www.nepalitimes.com/banner/the-tug-of-tradition/">Biska Jatra</a>. The chariot, which is one of the main attractions of the festival worshipping the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-boy-gods-of-kathmandu,4158">gods Bhairav</a> and Bhadrakali, is an engineering marvel.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c7b9c7e80680e0bd494jpeg.jpg" alt="" width="960" height="720"><figcaption>Prem Lal Shilpakar. Photo: HIMAL KHABAR.</figcaption></figure>The <a href="http://archive.nepalitimes.com/news.php?id=9445#.YlOL8tNBxH0">three-storey pagoda style chariot</a> stands 10m tall, and is supported by four wooden wheels 2.5m in diameter, all fastened together without any nails or metal hooks.“I used to come with my father and grandfather every day and help,” recalls Shilpakar who has been involved in the construction of the chariot for over 50 years.Bisket Jatra begins every year in the month of Chaitra. The first day of the jatra, known as Dhwo kwabijyaigu or ‘the god carried downwards’, this year was on 10 April, and saw <a href="https://www.nepalitimes.com/banner/biska-celebrations-begin-in-bhaktapur/">throngs of devotees</a> gather in Bhaktapur to join in the festivities.Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/makers-of-machhindranath,2204">Makers of Machhindranath</a>, Cynthia CooTaking place over nine days and attended by devotees from the three cities of the Valley, the celebrations start four days before 1 Baisakh, which is Nepali New Year, and end four days after, with the chariot, Bhailakha, being pulled by locals in front of the <a href="https://www.nepalitimes.com/banner/a-new-nyatapola/">Nyatapola Temple</a> on both days.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c7f9c7e80680e0bd495jpeg.jpg" alt="" width="4096" height="2731"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c839c7e80680e0bd496jpeg.jpg" alt="" width="4096" height="2731"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c879c7e80680e0bd497jpeg.jpg" alt="" width="2250" height="1892">Shilpakar has been in charge of the construction of the Bhailakha for the past couple of years, which begins two months before the jatra and involves all castes, with Shilpakars building the structures, Chitrakars adding colour and paints, Nakarmis installing the roof, and Manandhars tying the ropes of the chariot.This year six artisans over the age of 40 built the Bhailakha. One of them was the 75-year-old Lal Bahadur Tamakhu, who is a farmer for ten months in a year and spends the remaining two building the chariot.“It is God's work,” he says. “Doing it gives me great pleasure and enjoyment, and we also get to make some money.”Prem Lal Shilpakar used to be paid 60 paisa a day when he started working on the chariot. Last year workers were paid Rs1,500 a day. But chariot-making is no walk in the park.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c8a9c7e80680e0bd498jpeg.jpg" alt="" width="960" height="720"><figcaption>Lal Bahadur Tamakhu. Photo: HIMAL KHABAR.</figcaption></figure>“Since the chariot is <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/makers-of-machhindranath,2204">built with wood</a> which was already part of the construction in previous years, it is difficult to find people with the right experience,” he says. There is much care and attention involved, Shilpakar adds, as new wood is only used to replace decayed or damaged pieces. The current Bhailakha has timber that is more than 65 years old in its structure.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c8d9c7e80680e0bd499jpeg.jpg" alt="" width="960" height="720"><figcaption></figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c909c7e80680e0bd49ajpeg.jpg" alt="" width="960" height="720">Lal Bahadur Tamakhu shows the ropes for the Bhailakha. Photo: HIMAL KHABAR.But an increasing number of <a href="https://www.nepalitimes.com/banner/who-looted-nepals-gods/">younger people are moving away</a> from this ancestral craft. At present, few artisans are as experienced as Prem Lal Shilpakar in the construction, but his own sons do not share his passion or enthusiasm.“I worry what will happen when I cannot work anymore,” he laments. “If the younger generation does not step up, this craft, this knowledge will disappear with me.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c939c7e80680e0bd49bjpeg.jpg" alt="" width="4096" height="2731"><figcaption></figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c979c7e80680e0bd49cjpeg.jpg" alt="" width="4096" height="2731">Many local traditions and heritage in Kathmandu now risk facing the same fate with the <a href="https://www.nepalitimes.com/banner/no-country-for-young-men/">younger generation moving overseas</a> for studies and work. But Aash Bahadur Lakhey Ghising Deu, who joined the Bhailakha artisans three years ago, is rather hopeful and says it is up to the people to keep them thriving.He adds: “It is a tradition <a href="http://archive.nepalitimes.com/news.php?id=15607#.YlON8tNBxH0">passed down through generations</a>. If we don’t do it, who will?”Translated from the <a href="https://www.himalkhabar.com/news/129169">Himal Khabar original</a> by Aria Parasai.Read more: <a href="http://archive.nepalitimes.com/news.php?id=18013#.YlOKbdNBxH0">Whose heritage is it  anyway?</a> Marit Bakke

The tug of tradition

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720da99c7e80680e0b78d7jpeg.jpg" alt="" width="640" height="427"/><figcaption>Photo: LIEW YU WEI/NEPALI TIMES ARCHIVE</figcaption></figure>Many great cities and civilisations in world history have collapsed, their populations forced to relocate, when their water systems ran dry. But in Kathmandu Valley, the <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/">hiti </a>water supply systems built centuries ago were so robust that its cities never suffered a shortage.In the 6th century CE, Kathmandu was the only city in the world that had mastered the technology to sustainably provide drinking water to its inhabitants deep in core residential areas. Free flowing, <a href="https://www.nepalitimes.com/here-now/solution-to-kathmandus-water-crisis/">safe drinking water</a> was available in the city round the clock, throughout the year.Read more: <a href="https://www.nepalitimes.com/latest/saving-nepals-hiti-heritage/">Saving Nepal’s hiti heritage</a>, Nepali TimesGenerations of rulers, merchants and community leaders built a network of ponds, canals, underground filtration systems and artistic hiti conduits as a public service. Since ancient times, kings to common citizens regarded <a href="https://www.nepalitimes.com/here-now/day-to-worship-water-in-kathmandu/">water as a public utility</a>.Making water accessible to all living beings, human, plant and animal, was considered a social and religious duty. Many mandatorily offered water to the gods as part of the daily ritual worship.Kathmandu Valley, surrounded by a densely forested rim of mountains, provide the ideal geographical condition for natural flow of water downwards from vast <a href="http://archive.nepalitimes.com/article/nation/dont-wait-for-melamchi-nepal,3765">rainwater</a> catchment zones.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720dab9c7e80680e0b78d8jpeg.jpg" alt="" width="4032" height="3024"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720dae9c7e80680e0b78d9jpeg.jpg" alt="" width="2612" height="1629"><figcaption> </figcaption></figure>The hiti system taps into natural subsurface aquifer deposits, and channels that water to the end-point conduit. The system takes advantage of elevation difference for natural purification and a controlled flow of water based on gravitational force alone.“Considering that 70% of the terrain in Nepal is mountainous, the geography of the hills and valleys is naturally suitable for a water supply technology that depends on gravity alone, not requiring the input of any form of external energy,” explains civil engineer and researcher Hrishav Raj Joshi. “This was leveraged to its fullest when our ancestors designed the hiti system more than 1,500 years ago.”This indigenous technology reached its peak during the Lichhavi period (ca. 200-879 CE). The Mallas (1200-1769 CE) largely expanded the hiti system.  One of the oldest documented hiti, Mani Hiti in Mangal Bazar, built in 570 CE by an influential Bharavi, is still functioning today with very little maintenance and human intervention.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720db29c7e80680e0b78dajpeg.jpg" alt="" width="4032" height="3024"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720db69c7e80680e0b78dbjpeg.jpg" alt="" width="4032" height="3024"><figcaption> </figcaption></figure>Sushil Shrestha, who has two decades of experience in restoring hiti and ponds, explains why the system lasts many centuries, with minimal cleaning and minor periodic maintenance requirements.He says, “All components of the hiti system were built using locally available skills and materials like soil, wood, bricks and stone. This ensured self-sufficiency, sustainability and longevity.”The builders applied an ingenious biological intervention to keep the channels and spouts running sustainably over centuries.  The drainage, when blocked, was cleaned with live frogs and snakes were sent down the narrow drains, and their wriggling motion as they forced their way out of the lower end of the drain, would clear up the obstruction.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720db99c7e80680e0b78dcjpeg.jpg" alt="" width="14042" height="9934"><figcaption> </figcaption></figure><a href="https://www.nepalitimes.com/banner/restoring-rest-houses-to-revive-culture/">Public open spaces</a> played an important socio-cultural role in Kathmandu's urban fabric. The classic Nepal Bhasa song <a href="https://www.youtube.com/watch?v=h8ZIGdUKJTM">Rajamati Kumati</a>, mentions three different hiti in Kathmandu. The beautiful Rajmati slips and falls while fetching water from one of these stone spouts.Adding beautiful images of different gods to the hiti gave it aesthetic value, as well as religious significance. This protected the structure from intentional harm.Most hiti had an <a href="https://www.nepalitimes.com/here-now/day-to-worship-water-in-kathmandu/">intangible support system</a> called<a href="https://www.nepalitimes.com/banner/street-vs-guthi-bill/"> guthi </a>– an association of individuals and families from a community created to undertake a specific social and cultural activity – that took care of its annual cleaning and maintenance of the water supply network.The Guthi usually had a large endowment of agricultural land, the returns from which payed for its activities adequately. Unfortunately, most Guthis have died away, also leading to the disappearance of many hiti.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720dc09c7e80680e0b78ddjpeg.jpg" alt="" width="1500" height="2000"><figcaption> </figcaption></figure>The <a href="https://www.nepalitimes.com/here-now/dont-just-blame-god-for-floods-and-landslides/">uncontrolled and unplanned urbanisation</a> Kathmandu in the last few decades is threatening the existence of this age-old system. Most public open spaces in and around the Valley that functioned as the rainwater catchment areas are now encroached upon or heavily concretised. The underground structures for piping in and filtering the water have mostly been destroyed by haphazard construction.This led to the<a href="https://www.nepalitimes.com/here-now/water-of-the-ages/"> rapid deterioration and dysfunction</a> of the stone spouts, resulting in an acute water shortage in neighbourhoods. This is further underscored by the recent natural disaster in the headworks of the <a href="https://www.nepalitimes.com/banner/still-chasing-the-melamchi-mirage/">Melamchi drinking water supply mega project</a>, construction of which began about 20 years ago at a cost of $464 million.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101140/63720dc49c7e80680e0b78dejpeg.jpg" alt="" width="640" height="427"><figcaption> </figcaption></figure>Supriya Shrestha, the current Miss Nepal Earth, has been working on the restoration of an ancient hiti in Dhobi Chaur in Kathmandu in collaboration with the local government. The numerous spouts there were a source of livelihood for the Dhobi community, whose traditional occupation is laundry.Says Shrestha, “Reviving a few hiti in Dhobi Chaur can lead to a massive movement across Kathmandu Valley so communities rehabilitate hiti in their own areas. This can eventually lead to a<a href="https://www.nepalitimes.com/banner/resurrecting-rani-pokhari-right/"> shift of public opinion to preserve the remaining spouts</a>, restoring the ones that have dried up, and building new ones as a sustainable, cost-effective solution to Kathmandu’s worsening drinking water problem. Reviving the hiti can supplement the city’s modern water supply system, which has fallen short of the demand manifold for a long time.”The author is a conservation activist. <a href="mailto:alokstuladhar@gmail.com">alokstuladhar@gmail.com</a>Read more: <a href="https://www.nepalitimes.com/here-now/water-of-the-ages/">Water of the ages</a>, Alok Siddhi Tuladhar

Kathmandu’s ancient water spouts still functioning

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13489c7e80680e0a9915jpeg.jpg" alt="" width="3360" height="2240"/><figcaption>All photos: MONIKA DEUPALA</figcaption></figure>A vast circle is crammed with densely packed houses stacked on top of one another. Drawn in black ink, their edges merge as they jostle in space.The narrow strips between the houses have fluid shadows, but in the middle of this urban universe is a white hole. “That is a doughnut,” says a visitor, at the Siddhartha Art Gallery where artist Sujan Dangol’s meticulous line drawings are on display at the <a href="https://www.siddharthaartgallery.com/exhibition-events/342-tale-of-a-city-invitation">Tales of a City exhibition</a> till the end of the month.“I cannot impose my concepts or ideas on viewers, their interpretation is just as genuine and appropriate because they view it subjectively as their own background, thoughts and feelings come into play,” Dangol explains in his studio in Koteshwor. Light bounces off his round glasses as the 40-year-old artist's gaze turns to the large window on his left.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d134b9c7e80680e0a9916jpeg.jpg" alt="" width="3024" height="4032"><figcaption> </figcaption></figure>The studio is an open space with sofas, bookstands and tables about. In one corner is a large painting — “A friend is working on that one,” Dangol says — and metal and clay sculptures sit on various shelves. He is dressed in a long, brown corduroy shirt, and his hand hangs above a work in progress: another large canvas, nearly filled to the brim with tiny houses and streets.It is clear that the drawings depict the tremendous transformation that has turned Kathmandu Valley’s rich urban-agro civilisation into <a href="http://archive.nepalitimes.com/news.php?id=19765#.YZDL21VByJA">a concrete jungle</a>. Dangol’s sketches represent dizzying, densely packed towns with teetering temples and dilapidated homes, almost like a cartoon, or satire.For Dangol, art is a three-point collaboration between an artist, the object and the viewers who exist in the space between the abstract and the real. The experience is incomplete even when only one of the three is missing. The drawings feel at once familiar and foreign — the sprawling urbanscape is part of our daily lives, but they have also acquired an almost metaphysical aspect.A giant vajra, for example, looks as though wrapped in a shawl of windows and roofs — and Dangol invites the viewers to fill in the gaps, recognise and rediscover their own stories.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d134e9c7e80680e0a9917jpeg.jpg" alt="" width="3360" height="2240">Sujan Dangol grew up in Mahabouddha near the Kathmandu Darbar Square when the historical towns of this emerald valley were still located along ridges with the slopes down to the rivers below devoted to agriculture.“I still remember the sights, sounds and smells of eating rice on the balcony during the minpachas holiday in winter,” adds Dangol, lamenting that today none of the things he used to enjoy as a child are accessible or possible.The concrete canopy of houses block out the sun, there are no public open spaces for children to run around in, there is the ever-present din of the city’s perpetual motion machine.These feelings of loss and nostalgia permeate all of Dangol’s exhibits. The artworks are rigorous and complex: each cityscape is meticulously drawn in pen and ink, filled with stark emotional and intellectual intensity. He recreates history and architecture in a visual language that is uniquely his, built on the bedrock of his own memories and infused with elements of <a href="https://www.nepalitimes.com/banner/the-legend-behind-the-myth-of-indra-jatra/">folklore</a>.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13529c7e80680e0a9918jpeg.jpg" alt="" width="1475" height="1125"><figcaption> </figcaption></figure>Big Bell is a rendition of the one that stands in <a href="https://www.nepalitimes.com/here-now/good-as-old-after-two-earthquakes/">Patan Darbar Square</a>, but its base is crammed with little houses and temples. Dark hills stretch behind, and at the feet of the monument are slabs that look like funeral ghat with black blobs spread about them.It is an ominous piece, foreboding. The sun casts a shadow behind itself and, on closer look, the roofs are bare and have holes in them with wooden beams poking out. The bell itself looks weary, the roof above it is worn out, and it is almost like a deep sigh escapes this 38x48 inch-frame with an overwhelming sense of loss.The other drawings evoke similar pathos. Carved Malla-era windows stand next to neoclassical doors, and somewhere in the middle are tall, flat and bare walls. But between them the galli is quiet and temple eaves have come undone. The ever-watchful eyes on the stupas look aged and tired, perhaps by the desolation they have witnessed.With the touch of pen and ink, Dangol reinvents a visual vernacular of memory and loss. But Dangol does not want the messaging to be too direct or blatant. He says: “I am not a heavily conceptual artist … if I start a piece with too much intention, it disrupts my workflow.”https://youtu.be/eF4hwcbBhsAProud of his Newa heritage, Dangol aspires to develop a new grammar for Nepali contemporary art that builds on the culture and skills that he grew up around and the relics of which are still present. There is no western influence here: the styles are borrowed from gardeners, woodcarvers, tailors, masons and brick-layers, and also the struts, carved windows and exteriors of abandoned buildings.“The cross-hatching in my drawings are inspired by my wife’s straw mats,” says Dangol. Miniature installations featuring straw mats and seeds by his wife, Sharmila Shrestha are also on exhibit in Tales of a City.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13559c7e80680e0a9919jpeg.jpg" alt="" width="3360" height="2240">Sujan Dangol traces the origin of this series to 2012, when as his graduation installation he built a city of 1,500 cardboard boxes and cartons of various brand names in the Nepal Art Council. The installation was complete with streets and roads that people could walk through and interact with. Architecture and heritage have since heavily influenced his art and outlook.“It takes over 500 or 1,000 years to build and develop an urban civilisation, and nurture its language, heritage, culture and <a href="https://www.nepalitimes.com/banner/exploring-nepals-culinary-diversity/">cuisine</a>,” says Dangol. “But when I look at Kathmandu today, I am saddened by the changes in the last 20-30 years, and especially following the 2015 <a href="https://www.nepalitimes.com/banner/lessons-not-learned-from-2015/">earthquake</a>. This is not normal. Development and progress should be gradual, not disorganised.”Houses, says Dangol, are not just places of residence. The traditional brick, timber and tiles of the buildings with their carved wooden columns, windows and doors represent an <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/saving-the-intangible,3303">invaluable legacy and expression</a> of craft, history, experience and expectations that span generations.“Individual houses are just as important as temples,” he says. And a street of houses has a collective ambience, so <a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/">heritage conservation</a> must look beyond just monuments to these ordinary neighbourhoods and their old dwellings that are being torn down to be replaced with concrete.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13599c7e80680e0a991ajpeg.jpg" alt="" width="1500" height="1000"><figcaption> </figcaption></figure>The bahal, falcha and hiti are being overrun with selfishness and greed, the accelerated consumerism and obsession with money do not value the history and heritage of Swoinga, Kathmandu Valley.Being passionate about literature, art and architecture, Dangol says depicting these changes in his drawings is an outlet for his aggravation with the accelerated and irreversible change happening all around.One particularly gloomy drawing is Kalki that depicts the deity, one of the ten avatar of Vishnu, with fiery hair and wings, riding a leaping horse above a city as contrails swirl behind him. Kalki looks straight at the viewer with a deeply unsettling expression on his face — the rage in his eyes is shared by his horse which has a chain of skulls looping around his neck.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d135e9c7e80680e0a991bjpeg.jpg" alt="" width="849" height="1125"><figcaption> </figcaption></figure>Kalki is associated with destruction, and is the prophesied incarnation of Vishnu at the end of the current Kali Yug cycle of existence in Hindu cosmology. The destruction is followed by Satya Yug, when the chaos and darkness end.This is an important metaphor in Dangol’s drawing: destruction looming over a city, heritage on the verge of extinction. But, at the same time, Kalki is also the harbinger of cleansing and renewal.The exhibition ‘Tale of a City’ is open until 29 November at Siddhartha Art Gallery, Baber Mahal Revisted, Kathmandu.Read also: <a href="https://archive.nepalitimes.com/news.php?id=18013#.YZDNdlVByJA">Whose heritage is it anyway?</a>, Marit Bakke<a href="http://archive.nepalitimes.com/article/nation/a-time-to-every-purpose-occupation,3023">A time to every purpose</a>, Sahina Shrestha<a href="https://www.nepalitimes.com/banner/restoring-a-piece-of-nepals-history/">Restoring a piece of Nepal's history</a>, Sahina Shrestha

Between the lines with Sujan Dangol

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Nepal is graduating to become a developing country on 24 November 2026 after half-century in the Least Developed Country (LDC) category. By 2030, the country hopes to transition to middle-income status.&nbsp; Everone from Prime Minister K P Oli have boasted that this is a matter of national pride, and will have a multiplier impact on trade and economy.&nbsp; But will it make any difference to the average Nepali? Not unless improved governance <a href="https://nepalitimes.com/news/why-invest-in-nepal">spurs investment and creates jobs</a>.&nbsp; Countries need to meet at least two of the three criteria in two consecutive triennial reviews to be eligible for graduation from LDC. Nepal has consistently met the thresholds for the Human Assets Index (HAI) and the Economic and Environmental Vulnerability Index (EVI) in 2015, 2018, and 2021. But Nepal was recommended for graduation before meeting the per capita <a href="https://nepalitimes.com/banner/nepals-great-income-divide">Gross National Income (GNI)</a> threshold of $1,306. “A major implication of LDC graduation is the loss of preferential market access available through Generalised System of Preferences (GSP) and other arrangements,” explains economist Sameer Khatiwada. “But over two-thirds of <a href="https://nepalitimes.com/news/nepal-doesnt-produce-its-2-biggest-export-items">Nepal’s exports</a> are to India, and the preferential market access to India is through a bilateral trade agreement. This has nothing to do with our LDC status.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250815060832_f5eabe7628a8cdf84f33b25d7cef3c4dc8913a26d8e5b253ea52a36e176b8a85.jpg" data-media-id="editor_3" data-image-id="20250815060832_f5eabe7628a8cdf84f33b25d7cef3c4dc8913a26d8e5b253ea52a36e176b8a85" data-rendition-name="original" width="640" height="470" loading="lazy" alt="LDC graduation "> </figure>  Furthermore, a provision under the South Asian Free Trade Area (SAFTA) allows Nepal to export to India duty-free if the items are at least 30% value-added. Nepali traders take advantage of this by re-exporting edible oils without meeting that requirement, falsely boosting Nepal’s exports.“ Following graduation from LDC, the value addition threshold might increase to 40%,” says Kalpana Khanal of the Policy Research Institute. “This is supposed to work to our advantage, because on paper value addition inherently means <a href="https://nepalitimes.com/multimedia/staying-home-to-create-jobs">job creation at home</a>.” But Nepal’s exports to other major destinations will face <a href="https://nepalitimes.com/news/nepal-and-the-us-india-tariff-tiff">tariff increases</a> with the graduation. A South Asia Watch on Trade, Economics and Environment (SWATEE) study shows that while tariff increase in the US market is relatively low (see page 5) it is considerably higher in Europe. The International Trade Centre (ITC) in a 2022 study also estimated that graduation could result in a 4.3% decline in Nepal’s projected exports, but this is excluding the impact of changes in ‘rules of origin’ provisions in preference-granting countries such as the UK and Europe.&nbsp; Nepal’s top export to these preference-granting countries is <a href="https://archive.nepalitimes.com/news.php?id=1482">carpets</a>, and will not be impacted, but other items such as textiles and apparel will be heavily affected due to higher cost of production. The impact will felt mostly by small and medium enterprises which represent the largest share of exports to LDC-specific preference-granting countries. As for the service exports, Nepal never really made use of the World Trade Organization’s LDC services waiver anyway, hence the effect will be minimal, if any. There is also concern about Nepal’s graduation at a time when the global economy is topsy-turvy, amidst <a href="https://nepalitimes.com/opinion/turning-point-in-us-india-relations">tariff wars and conflicts</a>. This affects Nepalis abroad directly and may impact <a href="https://nepalitimes.com/news/more-remittance-more-than-remittance">remittances </a>which hit $11 billion in 2024. In comparison, Nepal only received $350 million in foreign loans and grants last year.&nbsp; Tourism arrivals have finally reached pre-pandemic levels, but bad publicity about pollution, poor infrastructure and bureaucratic hurdles hinder further growth. Manufacturing continues to struggle, while hydropower and the IT sector have taken off.&nbsp; “Look at data -- <a href="https://nepalitimes.com/news/tourism-needs-a-new-push">tourism arrivals</a> are up, spending is up, IT exports are up, <a href="https://nepalitimes.com/news/why-nepal-needs-to-restore-ev-tax-subsidy">EV sales </a>are up, Europe still needs 85-90 million skilled workers. We are sitting on $16 billion in cash reserves, our balance of payment, foreign exchange reserve, tax to GDP ratio, credit flow are all positive, we have to build on these factors,” says Sujeev Shakya of the Nepal Economic Forum. He adds: “Our mindset creates negativity to promote rent-seeking behaviour, but this cynicism will go away after 2026 with LDC graduation. We must deal with data, look at trends, and projects which will bring in <a href="https://nepalitimes.com/from-the-nepali-press/why-there-is-no-foreign-investment-in-nepal">international investments</a>.” Khanal agrees that investment is not dependent on<a href="https://archive.nepalitimes.com/regular-columns/backside/Nepal-not-the-least-developed-country,306"> LDC status</a>. The factors that that affect investment are policy stability, a strong legal framework, market potential and ease of doing business. She adds, “That is where our focus needs to be, and we need to retain <a href="https://nepalitimes.com/diaspora-diaries/migrant-worker-returns-to-create-work-at-home?fbclid=IwAR09xJfsClCwn8uRVAmz28CU658vdKpuyDwB_b1sNlvKtAFFnSldnA0JS2g">Nepalis with jobs at home</a> for our sustained growth.” After 2026, financing support from donors and aid agencies could be affected and Nepal will no longer be able to access Least Developed Countries Fund (LDCF) to adapt to the impacts of climate change. But the Global Environment Fund and Green Climate Fund will still be available.“ LDC status does not determine bilateral development aid, that is usually driven by broader <a href="https://nepalitimes.com/here-now/looking-beyond-two-boulders">geopolitical considerations</a>,” says Sameer Khatiwada. “The World Bank and Asian Development Bank, which provide concessional loans to Nepal, it is determined mainly by per capita income, not LDC status.” &nbsp;However, Nepal may lose some concessional terms for loans. Nepal is currently a lower-middle-income country as per the World Bank in the bracket for GNI between $1,036 and $4,045. The country is already receiving more loans than grants and in July the World Bank increased its interest rate on loans by 100% from 0.75 to 1.5%. “All this means that the impact of LDC graduation for Nepal might not be as earth-shattering as some tend to think. Countries that have recently graduated, such as Botswana and the Maldives, have shows that graduation is just a step in a country’s development path,” says Khatiwada. Sujeev Shakya also sees the glass as half full, explaining that LDC graduation is just a stepping stone if Nepal has the right policies in place. He adds, “Nepal’s biggest advantage is our<a href="https://nepalitimes.com/opinion/investing-in-people"> working age population</a> and we have investments coming in. These aided by how adaptive we are as a society are the very foundations on which Nepal will grow.”

Not poor, but not rich

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

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