After a jam packed 2006, Nepal’s nascent democracy cautiously inched forward under an interim constitution and eight parties going into government. However, there were concerns that the alliance were making no effort to listen to the needs of the Madhesi, Dalit, and indigenuos communities.&nbsp; The Madhesi were in particular incensed, because they felt that the new political system was not being fair to them.&nbsp; “Discriminated against by governments in the past, they saw that they would be denied political representation in proportion to their numbers by the interim constitution too,” wrote Kunda Dixit on the front page of issue #333.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918120928_3e8c06c7e15fe26dbe19e4631275e32504c572d44a93e57dbc7addf8b6379de0.png" data-media-id="editor_0" data-image-id="20250918120928_3e8c06c7e15fe26dbe19e4631275e32504c572d44a93e57dbc7addf8b6379de0" data-rendition-name="original" width="1954" height="1578" loading="lazy" alt="Nepal in 2007"> </figure>  Five people had been killed in unrest in Lahan, and there had been violence and looting in Birganj, Biratnagar, and Janakpur.&nbsp; The Maoists found they could not control the genie they let out of the bottle with their ethnic-based politics. The radical Janatantrik Tarai Mukti Morcha (JTMM) had splintered from the Maoists and was demanding n independent Madhes, and there were other groups that were willing to hold talks with the alliance in Kathmandu.&nbsp; Generally, the three main Madhesi demands were a federal state, proportional representation, and re-demarcation of electoral constituencies to take into account population density in the Tarai.&nbsp; “It’s time for the parties to start looking at the tarai as more than just a vote bank, and to seriously begin to redress historical wrongs,” read the editorial in #334. Yet there was speculation that dismissed the violence, as a plot by royalists to subvert CA elections, or Maoists inciting hatred between hill annd plains and pahadis to keep themselves in power.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918120928_67e0ae8b9267a6021fdcb91782e9dd12064a2a0de2d0812759bfb313ca8a587d.png" data-media-id="editor_1" data-image-id="20250918120928_67e0ae8b9267a6021fdcb91782e9dd12064a2a0de2d0812759bfb313ca8a587d" data-rendition-name="original" width="1130" height="1806" loading="lazy" alt="Nepal in 2007"> </figure>  Beyond the political demands, there also was a deeper feeling of alienation from the Nepali identity that was driving the protests in the plains. “Most importantly what Madhesi people need is acceptance and confidence in them as people of Nepal,” wrote a blogger in the active blog-space of the time. The protests ended in late August, with the government striking a deal with the Mashes Janadhikar Forum leader Upendra Yadav promising to change the country into a federal state with autonomy, and ensured proportional representation of Madhesis in all state organs. Talking to Plain Speaking columnist Prashant Jha, Yadav saw these terms as the “maximum achievement possible under the present situation,” a compromise so that polls could take place.&nbsp; However, Kishore Biswas, public face of the MJF in Kathmandu, saw Yadav as a traitor and his acceptance of the deal as a betrayal.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250918120928_bf8673ebaa7e1c3553e65f8fa419c7a806df9836f1d64305cd0df0b3e8f78272.png" data-media-id="editor_2" data-image-id="20250918120928_bf8673ebaa7e1c3553e65f8fa419c7a806df9836f1d64305cd0df0b3e8f78272" data-rendition-name="original" width="908" height="1122" loading="lazy" alt="Nepal in 2007"> </figure>  The week of the deal, bombs went off in Kathmandu, the first violence since the conflict ended. The attacks were claimed by an unknown group called Tarai Army. Madhesi groups, including the JTMM, denied any connection.&nbsp; In #380, Prashant Jha called 2007 The Year of the Madhes: “From the perspective of the madhes, 2007 has been transformative. Nepal is not the same country anymore. Nepal can never be described as just a country of mountains, even in a tourist brochure. Any party that ignores Madhesi sentiments cannot remain a national entity for long,”

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2007

The cost of preserving Nepal’s past

Nepali Times was born at the dawn of the new millennium. It started publishing online in May 2000 before the #1 print edition in the week of 19-25 July 2000. But a month before that, there was a <a href="https://himalaya.socanth.cam.ac.uk/collections/journals/nepalitimes/pdf/Nepali_Times_000.pdf">practice #0</a> which had a Publisher’s Note titled ‘The Freedom To Be Fair’ on page 1. Here is an excerpt:&nbsp; ‘It was a journalist who once said that journalists are people without any ideas, but with an ability to express them. These are cynical times, and it is people in media who are most cynical about the media. For too long journalists have taken objectivity as our main mantra, forgetting fairness.&nbsp; Objectivity is not having to make up your mind about anything, fairness is hearing all sides. Globally, and within countries society’s balance of justice is heavily skewed by the weight of the powerful. Objectivity perpetuates this status quo, fairness tries to set things right. We at Nepali Times and other publications of the Himalmedia group are committed to professionalism and high-quality journalism … upholding the freedom to be fair.’ These were heady times for Nepal’s mainstream press during the constitutional monarchy days. One had to use dialup through a modem and phone line to access the Internet. Nepal Telecom had just started its GSM mobile service, and we all proudly carried around Nokia 3310s with tiny LCD displays.&nbsp; It would be six years before Twitter started. YouTube was launched in 2005 after its former PayPal founders were caught up in the Asian Tsunami in Thailand, and found there was no platform for sharing videos. It would be another eight years before algorithms began pushing cat videos to users.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e.jpg" data-media-id="editor_1" data-image-id="20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nepali Times 2000"> <figcaption>Nepali Times #1 19-25 July 2000</figcaption> </figure>  The masthead of the <a href="https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/nepalitimes/pdf/Nepali_Times_001.pdf">#1 print edition of Nepali Times of 19-25 July 2000</a> carried the ambitious ‘Nepal’s Top Newspaper’. The Editorial titled ‘A Sign of the Times’ said in part: ‘Newspapers do more than hold the mirror to society. They are the mirror. Journalism is called history in a hurry. It is also culture, sociology, anthropology, philology, and philosophy in a hurry. Nepali Times will aspire to be a true reflection of our times…’ Indian graphic designer Rustam Vania was invited to Kathmandu in April 2000 and designed a newspaper with a fresh, modern look. His rendition of the masthead and the page template has not changed in 25 years, though much has changed in Nepal, even while a lot has remained the same. Reports and op-eds about air pollution, hydropower exports, investment, political back-stabbing from two decades ago are as relevant today as they were then. Most of the protagonists are the same people, just a little greyer and chubbier. In the first of his many thoughtful columns ‘State of the State’, C K Lal lamented the cynicism in Nepali society: ‘Nepal’s nabobs of negativism hold forth in their nay-saying nooks. Cynicism is at least a reflection of exaggerated self-worth. Despair is much worse, it is a state of having lost all hope.’ Sounds familiar?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856.jpg" data-media-id="editor_3" data-image-id="20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rewind: 2000"> <figcaption>Nepali Times #7 30 August - 5 September 2000</figcaption> </figure>  Water resources expert Dipak Gyawali argued in a commentary that it made more sense for private power producers to build reservoir projects not for export, but to make up for the dry season power shortfall. A debate even more prescient today. Manjushree Thapa's &nbsp;Nepaliterature column profiled Nepali writers with translated excerpts. The paper serialised chapters from Desmond Doig’s book In the Kingdom of the Gods. The Backside satire column featured ‘Under My Hat’ and ‘The Ass’. Nepali Times even carried a weekly horoscope, cigarette and alcohol advertisements.&nbsp; Journalism is indeed history in a hurry. Those who do not learn from it are doomed to repeat it. Browse the past 25 years of Nepali Times through the online archive on HTML and the ePaper through<a href="https://www.archivenepal.org/nepalitimes"> Archive Nepal</a>.

2000

25 years of journalism

Through the intricate lattice window on the western facade of the palace must have been from where the Malla kings of Patan looked down at the square below.&nbsp; Today, visitors to Patan Museum can sit at the exact corner and see the same square which, several centuries later, remains largely unchanged. Except for the tourists and devotees at Krishna Mandir and other temples.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea.jpg" data-media-id="editor_0" data-image-id="20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Keshav Narayan Chok. All photos: SUMAN NEPALI(Photo: suman)</figcaption> </figure>  Inside is the best-designed museum in Nepal, the work of <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Back-to-Basics-in-Bhaktapur,1377">Götz Hagmüller</a> and his team of architects, who had made Bhaktapur his home and who died in February. Hagmüller did not just restore the old palace, but also designed the museum interior and curated the exhibits. But most importantly, the team ensured that the museum would have an independent governing body that would use revenue from fees and events for the museum’s upkeep. This has given the museum a rare longevity for an institution in Nepal. Read also: <a href="https://nepalitimes.com/news/kathmandu-s-legacy-is-goetz-hagmueller-s-legacy">Kathmandu’s legacy is Götz Hagmüller’s legacy</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4.jpg" data-media-id="editor_3" data-image-id="20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  The result is more than one of Kathmandu’s most popular destinations for visitors, but a museum that serves an educational function for Nepali students, supplementing what they learn in social studies and history classes in school. The carefully curated bronze, stone and wooden figures span Nepal’s religious faiths, historical periods and geographical zones, providing a striking experience of exploration and learning. Hagmüller led the restoration project of the Keshav Narayan Chok and the dilapidated palace structure, preserving the traditional architecture of the palace while modernising it to suit modern museum necessities. Read also: <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank">Learning from Nepal's past to rebuilt its future</a>, Prakriti Kandel  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00.jpg" data-media-id="editor_5" data-image-id="20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  At a time when technology has taken over, and patience to learn through real experiences has decreased, Patan Museum is a space for young students and visitors to learn about Nepal’s glorious past, its culture, and observe intricate Nepali craftsmanship. “Patan Museum is a place of learning regarding two major aspects: heritage and art, specifically relating to Hinduism and Buddhism,” explains Suresh Man Lakhe of Patan Museum. “Students may learn about Buddha’s life in their textbooks, but the museum supplements that learning by letting them visualise his legacy.” &nbsp; Only 200 of the Museum’s expansive collection of 1,100 objects are currently on view, and they are spread across eight themed galleries. Images range from major gods of the Hindu pantheon such as Vishnu, Shiva and Ganesh to benign or fierce representations of Bodhisattvas.&nbsp; Read also: <a href="https://nepalitimes.com/banner/preserving-patan-post-earthquake">Preserving Patan post-earthquake</a>, Claire Burket  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41.jpg" data-media-id="editor_7" data-image-id="20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Dipankara Buddha</figcaption> </figure>  The section on Buddhist chaityas has clear explanatory notes about the significance of their design. No student will look at Swayambhu or Boudha after learning why the spire and cupola look the way they do. Indeed, all the exhibits have bilingual captions with comprehensive backgrounds about the myths and symbols present in the art pieces and their approximate age. This helps answer frequently asked questions from students such as the reason behind the multiple heads and hands of deities, the symbolic ornaments of Shiva and Vishnu, and the significance of the stupa design.&nbsp; The composition, medium, symbols, and expressions of bronze gilt copper repoussé are explained in detail, including the craftsmanship of the lost wax process. Read also: <a href="https://nepalitimes.com/review/bedrock-of-buddhism">Bedrock of Buddhism</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9.jpg" data-media-id="editor_9" data-image-id="20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Students can learn in detail the process of creating a repoussé mask at the Patan Museum.</figcaption> </figure>  Gallery B has explanations of Ganesh in a military avatar, ablaze with a flaming backdrop, and another of the elephantine god with six heads and six arms. He rests on snakes in one sculpture and is part of an oil lamp in another. There are nuanced variations in the depiction of Ganesh’s eyes and trunks in each of the objects. "Patan Museum, and indeed the whole Darbar Square, is a living heritage where our students learn history through the architecture, art, culture, and festivals,” says Rekha Pandey, a social studies teacher and educator at Rato Bangala Foundation. “It is ideal learning as the museum exhibits provide a multi-sensory experience that cannot be found in textbooks or lectures.” Museum staff are planning interactive worksheets and cards as learning devices with colourful and interactive worksheets ‘Let’s Discover Patan Darbar’ that allow students to navigate the historic square.&nbsp; Read also: <a href="https://nepalitimes.com/news/itumbahas-living-museum">Itumbaha's living museum</a>, Sahina Shrestha  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6.jpg" data-media-id="editor_11" data-image-id="20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>A 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s family on Mount Kailash.</figcaption> </figure>  Lakhe says the museum can expand its instructional function with a separate education department. “With additional resources devoted to education, we can focus on creating much more learning opportunities for students,” he adds. &nbsp; There is a story behind every exhibit at the Museum. Gallery B, for example, hosts a 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s divine family on Mount Kailash. This statue was stolen in 1982 and then returned by a museum in <a href="https://nepalitimes.com/here-now/how-did-a-nepali-ritual-altar-end-up-in-berlin">Berlin</a> in 1990. Another piece shows Vishnu carried by the Sunbird, a copper alloy sculpture dating back to the 17th century, adorned with metallic Garuda wings. Students can learn in detail the process of creating a repoussé mask, from an initial pencil design to the feeling of the hammer hitting the bronze sheet. Read also: <a href="https://nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e.jpg" data-media-id="editor_14" data-image-id="20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Tusha Hiti where King Siddhi Narsingh Malla used to pray and meditate in the 1640s.</figcaption> </figure>  Patan Museum provides an open-air experience, it is not limited to a building but has access to multiple courtyards including the Mul Chok and Sundari Chok with the exquisite Tusha Hiti step well, and the Bhandarkhal Tank. One of the treasures of the Patan Museum is Tusha Hiti step well where King Siddhi Narsingh Malla used to pray and meditate in the 1640s overlooking a gilded copper spout depicting a Garuda and Laxmi Narayan, and embellished by over 50 carved stone deities in thrones of carved foliage. Visitors can retrace the steps of past royals and their court treading the same stone steps that have been polished by the passage of feet and time.&nbsp; Read also: <a href="https://nepalitimes.com/review/patan-heritage-in-fantasy-fiction">Patan heritage in fantasy fiction</a>, Trishagni Sakya

A portal into Patan’s past and present

News of the consecration of the Ram Mandir in Ayodhya swept India last week, and also sent ripples across the border here in Janakpur where Lord Ram’s consort Sita was born.&nbsp; The inauguration of the shrine by <a href="https://nepalitimes.com/here-now/janakpur-to-janakpur">Indian Prime Minister Narendra Modi</a> was controversial because the temple was built on the space where the 16th century Babri Masjid once stood, and which was razed by a Hindu mob in 1992. But last week’s temple inauguration was celebrated in Janakpur as well because it is the birthplace of Sita, 500km away from Ayodhya. Indeed, the Janaki Temple dedicated to Sita here is itself a holy site for Hindus from Nepal, India and across the world. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_ed08353ab53dbe6e85ee0721239f2aef9554b19f91faa012e20d67d5eec699b2.jpg" data-media-id="editor_1" data-image-id="2024020216020_ed08353ab53dbe6e85ee0721239f2aef9554b19f91faa012e20d67d5eec699b2" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>The inner sanctum of Janaki Mandir, which houses deities from the Ramayana.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_094e274b164e8c728550a747876845c4592d9ca7fb00a1ef77905115af2868ce.jpg" data-media-id="editor_2" data-image-id="2024020216020_094e274b164e8c728550a747876845c4592d9ca7fb00a1ef77905115af2868ce" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Idols of Janak, Sunaina, Ram and Sita at Janaki Mandir that is dedicated to Lord Ram's consort.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_518c843b985d3651ea106b390f22d7a55aa099f9594a256065acf19ddd163aa7.jpg" data-media-id="editor_3" data-image-id="2024020216020_518c843b985d3651ea106b390f22d7a55aa099f9594a256065acf19ddd163aa7" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A pilgrim on his way inside the temple to offer prayers. SWORUP IMAGES</figcaption> </figure>  Janakpur is the capital of Madhes Province and the erstwhile seat of the Mithila Kingdom once ruled by King Janak, the father of Sita who features in the Hindu epic, Ramayana.&nbsp; The city near the Indian border is often overshadowed by Pashupati in Kathmandu and more popular pilgrimage sites in India, but has its own unique and rich cultural heritage and historical significance. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020301024_2aa535a25e86055fbb36428480aff6b0ecbca54489b271e2eec56cfbe8461040.png" data-media-id="editor_4" data-image-id="2024020301024_2aa535a25e86055fbb36428480aff6b0ecbca54489b271e2eec56cfbe8461040" data-rendition-name="original" width="830" height="605" loading="lazy" alt="Janakpur Sita-Ram corridor NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_df6ca98da633ab978ea7a11dbf4d5178d32da522290cbd732834da072dca6163.jpg" data-media-id="editor_5" data-image-id="2024020216020_df6ca98da633ab978ea7a11dbf4d5178d32da522290cbd732834da072dca6163" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Less imposing than Janaki Mandir, the temple dedicated to Lord Ram dates back at least to 1782.SWORUP IMAGES</figcaption> </figure>  Besides the Janaki Temple few know that Janakpur also has its own Ram Mandir, as well as numerous historic ponds and ashram that have now been meticulously restored. All this makes Janakpur an epicentre of faith and spiritualism in Nepal’s southern plains. The Janaki Temple was built as recently as 1910 by Queen Brishbhanu of Tikamgarh in India, and imitates the Mughal architecture prevalent at the time. But this structure was built over the ruins of previous temples, including one erected by Sur Kishor Das, a sadhu from India who came here in the 17th century and established a temple dedicated to Sita, also revered as a goddess.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_0260b84896a419fa025672a9ed19109790efb2da44a64482db74fb6b6881a5d3.jpg" data-media-id="editor_6" data-image-id="2024020216020_0260b84896a419fa025672a9ed19109790efb2da44a64482db74fb6b6881a5d3" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>People carry a stack of clothes at Janakpur Railway Station.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_1a22545086bb358edf6a01484c23446060cf302b5bf15b017a3c171a5e55e958.jpg" data-media-id="editor_7" data-image-id="2024020216020_1a22545086bb358edf6a01484c23446060cf302b5bf15b017a3c171a5e55e958" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Sadhus from India travel to Janakpur via the Jayanagar-Janakpur Railway.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_aa837888a5b22b08c552eb3d6ac25b6a72ec1eff0e8ddeee63ce7e8847a489ae.jpg" data-media-id="editor_8" data-image-id="2024020216020_aa837888a5b22b08c552eb3d6ac25b6a72ec1eff0e8ddeee63ce7e8847a489ae" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>People wash clothes in the Angaraj Sar near Janaki Temple.SWORUP IMAGES</figcaption> </figure>  Sita herself is believed to have had an immaculate conception and born from a furrow in the earth. She was later adopted by King Janak and is now a prominent figure in Hinduism because of her role in the Ramayana in which she was abducted by Ravana and spirited away to Lanka, only to be rescued by Lord Ram’s monkey army led by the intrepid Hanuman. Just like Lord Buddha, who was also <a href="https://nepalitimes.com/here-now/buddha-s-birthday-in-his-birthplace">born in what is now Nepal</a>, Sita has been recognised as a national luminary of Nepal. Today, Janakpur where Ram and Sita were married is celebrated as the symbol of divine love, virtue, and loyalty. The temple is also frequented by newlyweds to make offerings for a happy marriage.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_94a654fea8a32e30c14159b14228042e650aad374cbc3e2ebae98c3e3a903268.jpg" data-media-id="editor_10" data-image-id="2024020216020_94a654fea8a32e30c14159b14228042e650aad374cbc3e2ebae98c3e3a903268" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Sadhus smoke inside the premises of Ram Mandir.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_5191d485847a6efc7f325cd9b392916af0630b4e5c022ac0e4e0e792bd6d00a5.jpg" data-media-id="editor_11" data-image-id="2024020216020_5191d485847a6efc7f325cd9b392916af0630b4e5c022ac0e4e0e792bd6d00a5" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A vendor in front of Janaki Temple sells tika powder and other materials used to perform puja.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_f491c60c89113c6be846f55db861c5f20b677eccc3dd3cfc06d6f5db2a888447.jpg" data-media-id="editor_12" data-image-id="2024020216020_f491c60c89113c6be846f55db861c5f20b677eccc3dd3cfc06d6f5db2a888447" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A vendor sells puja paraphernalia in Dashrath Sagar.SWORUP IMAGES</figcaption> </figure>  Just half a kilometre away from Janaki Mandir is the temple dedicated to Lord Ram built by Chaturbhuj Giri in the 17th century, and later rebuilt by Gen Amar Singh Thapa in 1782. The temple houses an idol of Ram, including those of Panchayan, Lakshminarayan, Vishnu Dashavatar, and Surya residing on a seven-horse chariot. Legend has it that there were once more than 52 ashrams and 72 sacred ponds in Janakpur, some of which are still intact. The holy sites are visited by many <a href="https://nepalitimes.com/news/a-thousand-sadhus-and-a-hanuman">sadhus</a> in saffron robes who represent the city’s roots in Vaishnavism.&nbsp; Mornings and evenings, Janakpur is alive with bhajan chants. Each day begins with the singing of Ramacharitramanas, and the sunset prayers at the Ganga Sagar pond in the evening is a spectacle for tourists and pilgrims alike exuding a unique feeling of harmony and devotion.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_58d1926f3a73957d796ad29f634eb09c5e1a375175afad0902f367b6b36655e0.jpg" data-media-id="editor_14" data-image-id="2024020216020_58d1926f3a73957d796ad29f634eb09c5e1a375175afad0902f367b6b36655e0" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Saffron-clad women sing devotional songs at Ram Mandir.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_8dde569b14c3fe720c356289281fe323c3e8744983166606cb6a557a0df8b28a.jpg" data-media-id="editor_15" data-image-id="2024020216020_8dde569b14c3fe720c356289281fe323c3e8744983166606cb6a557a0df8b28a" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Hindu hymns are heard all day long in all parts of Janakpur.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_a3f5b996949fb5b95e6e175141c6495194088167aca97cbc6359f32ae21cf5ec.jpg" data-media-id="editor_16" data-image-id="2024020216020_a3f5b996949fb5b95e6e175141c6495194088167aca97cbc6359f32ae21cf5ec" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>The Ganga Aarati is held every evening at Ganga Sagar.SWORUP IMAGES</figcaption> </figure>  Intricate and exquisite <a href="https://nepalitimes.com/banner/vibrant-mithila-art-thrives-in-nepal">Mithila art</a> adorn walls and buildings throughout the city. The origin of this art form can be traced back to the wedding of Ram and Sita, and has since become a visual expression of local lifestyle and culture. Initially, it was practiced as a way of life and the paintings and clay reliefs created by women were confined to homes, but over the years has gained immense popularity worldwide. Janakpur’s identity as the home of Sita, and its growth as the capital of Madhes can be the catalyst for <a href="https://nepalitimes.com/opinion/the-geopolitics-of-pilgrimage">boosting religious tourism in Nepal</a>, and bring in both domestic and Indian pilgrims to the city. Janakpur already has a railway (Nepal’s only) connecting it to the Indian border that will soon be extended to Bardibas on the East-West Highway. There are a dozen daily flights to Kathmandu, and a flight to Ayodhya and other Indian cities are also planned. Janakpur is already a stopover for Indian pilgrims going to Pashupati in Kathmandu at Shivaratri and on to Muktinath, the two other important Hindu sites.&nbsp;

The Sita-Ram corridor

History is not always fair to the protagonists who find themselves caught up in it. The history of <a href="https://nepalitimes.com/banner/diary-of-a-nepali-soldier-in-france">Gurkha soldiers</a> is no exception. Brave khukuri-swinging soldiers in combat khakis and hats marching off to battle have been an iconic part of Nepal’s past. Forgotten on the pages of history, however, are their sarong-clad wives in Nepal or abroad, their struggles and their contribution. Lately, there has been an effort to correct this with welcome attempts to document the experience of Gurkha wives. Suzana Thapa Shris’s recent exhibition Gurkha Women: An Echo in the Story helped filled this gap by retelling the stories from the perspective of the wives of soldiers.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_c2517596a438db1f00d1643815a6c13815cec7d491509e897d9bed8879c5bbd4.jpg" data-media-id="editor_1" data-image-id="20231207101232_c2517596a438db1f00d1643815a6c13815cec7d491509e897d9bed8879c5bbd4" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Gurkha women 2"> </figure>  “When Gurkha soldiers were fighting wars, it was their women who single-handedly led the households, they were the silent heroes,” explains 29-year-old Thapa Shris. “With limited money and resources, they raised families and boys who grew up to be lahure themselves. Their contribution is immense.” Read also: <a href="https://nepalitimes.com/banner/beginning-of-the-end-of-the-gorkha-empire">Beginning of the end of the Gorkha Empire</a>, Alisha Sijapati After her first exhibition Bharseli Gurkhas: From Stories to Portraits which looked into the lives of Gurkha soldiers from her ancestral village of Bharse of Gulmi district, Thapa Shris felt that she also needed to put the spotlight on the wives.&nbsp; Coming from a Gurkha household herself, where her grandfather was in the Indian Army, Thapa Shris was introduced to her family’s praetorian past from a very young age. She grew up with her grandparents in Butwal, listening to the lore both from the battles as well as the home front.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_bcce9d8fe47dc7c8ede1cd1f7a6f70e1877f4f9788865cb703f9504a6e205ab2.jpg" data-media-id="editor_3" data-image-id="20231207101232_bcce9d8fe47dc7c8ede1cd1f7a6f70e1877f4f9788865cb703f9504a6e205ab2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Gurkha women 4"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_185f09e6839ab5130514dc86ade39257b97b6095f4a8a300f7c7439832624997.jpg" data-media-id="editor_4" data-image-id="20231207101232_185f09e6839ab5130514dc86ade39257b97b6095f4a8a300f7c7439832624997" data-rendition-name="original" width="1500" height="967" loading="lazy" alt="Gurkha women 3"> </figure>  Her father Bom Bahadur Thapa, a horticulturist by profession and a writer, wrote a book Bharseli Gorkhagatha ra Serofero about his ancestors. And when Thapa Shris started her project, the father-daughter duo interviewed some 50 women in their 70s and above from Baglung, Gorkha, Gulmi, Kaski, Palpa, Rupandehi, and Sunsari. They were all wives of Nepali soldiers who had served in the UK, India, <a href="https://nepalitimes.com/here-now/the-malayan-rainforest-and-its-rare-flower">Singapore and Malaya</a> (now Malaysia). “The exhibition took shape as we were looking into who these women were, their life stories and their contribution to Gurkha history,” she adds. “Their identity and contribution has been the main objective of this exhibition.” Read also: <a href="https://nepalitimes.com/banner/lest-we-forget">Lest we forget</a>, David Seddon Thapa Shris never formally learnt art, but her raw talent for portraits is there for everyone to see. Also on display at the Nepal Art Council from 25-28 November were sketches, archival pictures, visual footage of interviews, and installation art with traditional music in the background. But the highlight of the event were evocative testimonies with their respective portraits depicting two kinds of women: those left behind in Nepal and those in foreign lands where their husbands were deployed. Most struggled to make ends meet, and that too in a new place where they did not speak the local language. <div class="embed-block"><div><div style="left: 0; width: 100%; height: 0; position: relative; padding-bottom: 56.25%;"><iframe src="//cdn.iframe.ly/api/iframe?url=https%3A%2F%2Fwww.youtube.com%2Fembed%2FGAUPq7EK_vk%3Fsi%3DNtp3w8G4XbM_OSZy&key=87ca3314a9fa775b5c3a7726100694b0" style="top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;" allowfullscreen scrolling="no" allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div></div></div> “We automatically assume that Gurkha soldiers are well-off and their lives easy but that is not always the case,” explains Bom Bahadur. “There was no immediate means of communication or any channel to wire money. It was these brave women who made their way.”&nbsp; While archival footage helped the audience peek into their lives in foreign lands, an installation art of a classic Nepali knitted bag filled with envelopes depicted how in those days letters were the only medium of contact between spouses. One section was dedicated to hand photography intended to show the resilience and the kind of lives these women led. All the portraits here had wrinkled hands of the women resting on their patterned lungi.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_a97971b33334ae0e9ffca90c7feeb83e07c17af8a67753e99b6f29aab65035bd.jpg" data-media-id="editor_8" data-image-id="20231207101232_a97971b33334ae0e9ffca90c7feeb83e07c17af8a67753e99b6f29aab65035bd" data-rendition-name="original" width="1500" height="953" loading="lazy" alt="gurkha women 5"> </figure>  The exhibition also featured traditional dresses and jewellery of the Gurkha women as well as wooden utensils used by these indigenous communities in the past. Lungi, gold beruwa bangles and traditional gold asarfi rings synonymous with Lahureni were also heavily featured. “The gold came much later after the wartime,” adds Suzana.&nbsp; “One thing all the bojus said was that they were happy that they at least got to wear gold.” The father-daughter duo is now planning to transcribe all the testimonies and turn them into a book. Says Bom Bahadur: “I am glad our Gurkha women are highlighted. The fact that my daughter is working on it makes me even prouder.” &nbsp;

Pinki Sris Rana

Retelling Gurkha history

When Balaram Chitrakar was only 10, he started helping his father in a photo studio in inner city Kathmandu to develop photos in darkroom. By age 12, Chitrakar was already a bonafide photographer. By the time he finished high school in 1959, his father had handed him the keys to the studio. He attended Trichandra College during the day and developed film by night. “Perhaps because photography had become my passion it did not matter that I worked all night,” says Chitrakar, now 82. In 1967, as he finished his BSc exam Chitrakar joined the Department of Archeology’s Bir Library. But during the first few months, all he was made to do was keep written records of the documents. He realised that library users, mostly foreign researchers, had access to original texts and documents of historical importance, as a result of which they had become torn and damaged.&nbsp; So Chitrakar proposed to the Director of the Archeology Department to make duplicate copies of documents so the originals were preserved. The department accepted it and set aside Rs800 for him to buy a camera.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511090_e3d69f83f919105d3885e9a8b62ced12ba56051e38cd5b69d1f52eaa14fe2ace.jpg" data-media-id="editor_0" data-image-id="2023092511090_e3d69f83f919105d3885e9a8b62ced12ba56051e38cd5b69d1f52eaa14fe2ace" data-rendition-name="original" width="6000" height="4000" loading="lazy" alt="Microfilm archiving in Nepal"> </figure>  Chitrakar then began to make photocopies of documents, the first time this was done. Impressed with his work, the Department of Archaeology sent him to India to be trained in microfilming.&nbsp; “Microfilms had not been introduced in Nepal at the time, so I used my curiosity and made an effort during training to figure out how the practice could be brought into application back home,” Chitrakar recalls. When he returned in 1969, the Bir Library was incorporated into the Department of Archaeology’s National Archives. The Nepal government had also agreed with their German counterparts to make microfilms of Nepal’s archival documents, one copy of which would be with Nepal and the other sent to Germany.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511094_422339effd991229237231a70c2213de5d6ae2ac09850c98d32d5a88204ab209.jpg" data-media-id="editor_1" data-image-id="2023092511094_422339effd991229237231a70c2213de5d6ae2ac09850c98d32d5a88204ab209" data-rendition-name="original" width="3000" height="1981" loading="lazy" alt="Microfilming in Nepal"> <figcaption>Balarama Chitrakar with German representative Bernhard Kolver (third from right).(Photo: suman)</figcaption> </figure>  German state-of-the-art equipment, including cameras and dark rooms were used to microfilm 29,000 documents during the first phase of the five-year project. The team worked every day for five years, microfilming many old books and paintings that Patan and Bhaktapur wanted preserved.&nbsp; In 1972, King Birendra personally took an interest in Chitrakar’s work and helped him with preserving the archives. The work continued for 25 years during which 182,000 manuscripts, inscriptions, copper plates, and other objects of archaeological significance were microfilmed. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/yv8Fc2WDHPA?si=im2dd1KXGr69Af6D" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></div> Chitrakar travelled to Helambu, Langtang, Pokhara, Manakamana, Janakpur and elsewhere to preserve more archival religious documents. &nbsp; He even went to microfilm archives in Dhaka.&nbsp; By 1993 Chitrakar found there was a storage unit of microfilms but it was not temperature and humidity controlled. With his help, the Madan Puraskar Pustakalaya in Patan also began microfilming its archives.&nbsp; After 30 years, Chitrakar retired in 2001, and some of the documents he archived are 1,700 years old. But since then, the fragile microfilms themselves need to be preserved with digitisation.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511094_d660a59924507009b148c5e7a11828447a267f94cde841261b54d9e6220e93a2.jpg" data-media-id="editor_3" data-image-id="2023092511094_d660a59924507009b148c5e7a11828447a267f94cde841261b54d9e6220e93a2" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="Microfilming in Nepal"> <figcaption>Balram Chitrakar in Lumbini stydying microfiliming. </figcaption> </figure>  The microfilms Chitrakar had so painstakingly preserved are beginning to deteriorate due to ‘Vinegar Syndrome’— a chemical reaction that decays the emulsion in film. &nbsp; Microfilms have a lifespan of 100 years, but in Nepal they have begun to deteriorate in half that time. The National Archive has more than 200,000 positives and negatives of ancient texts and documents, out of which 500 are already damaged beyond repair. The Department of Archaeology submitted the Microfilm Reel Preservation Action Plan to the Ministry of Culture, Tourism and Civil Aviation in 2014 but the Ministry has not done much.&nbsp; Nepal stands to lose its archive of archaeological objects, and 82-year-old Chitrakar stands to lose his life’s work and legacy. He preserved historical documents by microfilming them which themselves now need to be preserved. “The fact that these microfilms are in a state of decay means that my entire life’s work will have gone to waste,” says Chitrakar wearily. “And what will we have left if we fail to conserve these microfilms?” &nbsp;

Memories of an archivist

Wine, women and song

Contrary to popular belief, Nepal as a nation with different boundaries was founded way before the unification by Prithvi Narayan Shah. From the time of the Gopal dynasty before the birth of Buddha and after, Nepal has seen many dynastic rulers including Kirat, Licchavi, Verma, Thakuri, and Malla, each with their significant contributions to nation-building.
Unfortunately, much of history before the Shah dynasty is not talked about. Discounting the Shahs, the Malla era is perhaps the best recorded. But even then, not much is known of its rulers before Pratap Malla.
Historians credit Jayasthiti Malla of establishing this dynasty with the unification of Kathmandu Valley. However, our documentation and archaeological research of the early Malla period is scant, and thus a king whose great deeds have created a legacy of Nepal’s culture and socio-economic foundations, is not given his due recognition.
This painting by artist Shreejan Rajbhandari is based on the research of the late historian Dilli Raman Regmi and the event is noted in Gopal Raj Vamsavali, a 14th-century hand-written manuscript of Nepal. It is an artistic tribute to a king who established the longest reigning dynasty which is still integral to Nepal’s identity today.
Jayasthiti Malla was a man of noble but obscure lineage who came from Simraongadh, Tirhut in present-day Tarai. His rise to power indicates the strong historical ties between Kathmandu Valley and the southern plains at the time.
When the Muslim sultanate of Bengal invaded Tirhut, King Harshinga Deva of Simraongadh died while trying to escape. His queen Devala Devi, who had ties with the Bhaktapur royalty, fled along with her son Jagat Singh and took refuge at the Bhaktapur palace under the protection of King Rudra Malla. But Rudra Malla died shortly after without a male hei and his infant daughter Nayak Devi was declared heir to the throne.
The young queen was married to a prince from Banaras, but he too soon died, after which Devala Devi seized the opportunity to marry her son Jagat Singh to the widowed queen, and thus became part of the Bhaktapur royal family. Nayak Devi later gave birth to a daughter, Rajala Devi, who became a full claimant to the throne.
With a son who was prince consort and an infant granddaughter who was heir apparent, the future of Bhaktapur was fragile with no strong leadership. Nepal with its many small warring kingdoms was in constant strife.
Moreover, in 1349, Kathmandu faced the first Muslim invasion by Shamsuddin Ilyas, the Sultan of Bengal. The valley was brutally attacked, looted and destroyed. The city was ransacked and temples and monuments were plundered including Swayambhu and Pashupati. The Sultan’s invasion lasted seven days and the only temple spared was Changunarayan because the invaders could not locate it.
Amidst all this chaos, Devala Devi was looking for someone with the right traits to lead and bring stability to the kingdom. She found Jayasthiti Malla and brought him to Bhaktapur after being impressed by his insight and dynamic personality.
Devala Devi then betrothed her eight-year-old granddaughter to Jayasthiti Malla in 1354. This union led to Jayasthiti Malla declaring himself the king consort of Bhaktapur after the death of Devala Devi. Eventually, he defeated the Raja of Patan, Jayarajuna and took control of the city. A stone inscription (1392) at the completion of the Kubeswor temple in Patan shows his sovereign status in the city.
The painting portrays the Tilapatra Daan puja that took place in Pashupati to celebrate the union of Kathmandu with Patan and Bhaktapur (1375). It took much effort on the part of Jayasthiti Malla to convince the leader of Kathmandu, Jayarasimha to join the union. This first-ever unification of the three kingdoms was a watershed moment in history.
Artist Shreejan Rajbhandari has done his best to portray medieval 14th-century Nepal, and is one of few depicting Jayasthiti Malla, and is a significant documentation on canvas of his reign. Jayasthiti Malla is seen performing the puja with his wife while Jayarasimha looks on with a sense of defeat. The contemporary landscape was difficult to pinpoint, so the artist had to rely on influences of the period.
The Pashupat temple being the main backdrop was drawn with some historical evidence that it was ornamented time and again by Licchavi and Thakuri kings before the Mallas. King Shivadeva III (11th century CE) was the first to have covered the roof in gold. The roof, however, has been shown bare keeping in mind the invasion of Shamsuddin Ilyas in 1349 who had stripped off all the gold. The doorway, however, is given its silver adornment assuming it was renovated as per Vamsavali III, which states that the temple was repaired and a ceremony was performed in April-May 1360.
All the women are portrayed to be of Mithila origin as most noble Mallas had wives from the Tarai. Their jewelry and clothing are of Mithila style. The men’s attire was believed to have been influenced by the Rajasthani style as the Thakuri dynasty before the Mallas were Rajputs. Which is why we see much Rajasthani influence during the Malla era as well. The musicians too are wearing Rajasthani dress, and the puja utensils are Kathmandu Valley style assuming the temple as having both Hindu and Buddhist influences.&nbsp;
The reign of king Jayasthiti Malla saw stability, unification and strength after a long period of chaos. The Malla dynasty, which had begun with King Ari Malla in the 1200s was firmly established under Jayasthiti Malla. He was king of Kathmandu Valley and its environs from 1382-1395 CE. The three cities remained united until the reign of his grandson Yaksha Malla (1482) following which the Valley was divided again. The three kingdoms were in constant strife until Prithvi Narayan Shah conglomerated a greater Nepal in 1768.&nbsp;
Besides his efforts in uniting the Valley, Jayasthiti Malla is also credited with the earliest constitution and codifying the law – Jayasthiti Paddati. This legendary compilation of traditional laws was seen as the source for Mulki Ain, in the 19th century. He also started the Gopal Raj Vamshawali, which is considered the first historically documented evidence of the Nepali state.
He instituted a job-based caste system to bring order and economic stability which is still practiced by the indigenous Newa people in Kathmandu Valley. Further economic reforms through a uniform system of weights and measurement was also established.
Also a builder of numerous temples and a promoter of art, literature and music, the nation owes much to Jayasthiti Malla, and this painting is an attempt to capture an important event in his life and in Nepal’s history.
Shaguni Singh Sakya is the Director of KGH Group and Museum of Nepali Arts (MONA) in Kathmandu where Shreejan Rajbhandari's painting will soon be on display.

History on canvas

As dusk fell over Kathmandu, the thunderstorm continued unabated. It had been raining continuously for 18 hours, and the forecast said it would keep raining at least till 8am on Sunday. The Bagmati roared through Chobhar Gorge in awesome rapids – the only drainage outlet for the entire Kathmandu Valley. By evening, 120mm of rain had fallen in 18 hours, more than the average for the whole of October.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_99ad9098124bec91da71ac42bbe889981fe64dda2dd3012b8bb289cf78ba4c54.jpg" data-media-id="editor_0" data-image-id="20251004161016_99ad9098124bec91da71ac42bbe889981fe64dda2dd3012b8bb289cf78ba4c54" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_59b97f3a3b2af91d3876b298963b3e68395c8b388aba6d9972c9bde1f668608d.jpg" data-media-id="editor_1" data-image-id="20251004161016_59b97f3a3b2af91d3876b298963b3e68395c8b388aba6d9972c9bde1f668608d" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_1715f4d6ff1ee87302b697d3c95df36486bea71ed279852ef606c8f5dc68439b.jpg" data-media-id="editor_2" data-image-id="20251004161016_1715f4d6ff1ee87302b697d3c95df36486bea71ed279852ef606c8f5dc68439b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_ecd3dec69270afbd5a5c71dfa71780b6f8982984a95f3fbb83f23ee594451224.jpg" data-media-id="editor_3" data-image-id="20251004161016_ecd3dec69270afbd5a5c71dfa71780b6f8982984a95f3fbb83f23ee594451224" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_53e47ae222c9f4397bcdad6d8021a711a5671fd45373fb3df2ed5c6413d58359.jpg" data-media-id="editor_4" data-image-id="20251004161016_53e47ae222c9f4397bcdad6d8021a711a5671fd45373fb3df2ed5c6413d58359" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>  Settlements along the banks of Bagmati and Vishnumati in Kathmandu have been evacuated and affected families will be temporarily sheltered in schools across the capital.&nbsp; Bagmati Province has set up a Unified Command Team for disaster management while the Home Ministry has instructed CDO and security personnel to be on duty 24/7.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004171048_7e5d10f8e0042190e54e6db6cddbd51ed9d6d9dbc0cdb087d7af3207c9eaa2d0.jpg" data-media-id="editor_5" data-image-id="20251004171048_7e5d10f8e0042190e54e6db6cddbd51ed9d6d9dbc0cdb087d7af3207c9eaa2d0" data-rendition-name="original" width="1600" height="888" loading="lazy" alt="heavy rain in Kathmandu"> <figcaption>Friday's satellite precipitation forecast for Sunday morning at 0600 showing heavy rainfall along the Chure Hills and Madhes Province south of Kathmandu. </figcaption> </figure>  The torrential rain has obstructed several highways as well as caused infrastructure damage, but no human casualties have been reported so far. Many had feared a repeat of the deadly flashfloods on 28 September 2024 in which 200 people were killed and half of Nepal's hydropower generation capacity siped out. The government has declared 5 and 6 October as a public holiday to prevent people from travelling during the Dasain festival, and to reduce risk. All highways in and out of Kathmandu closed till Monday. Flood-prone river corridor roads in Kathmandu have been closed after 6PM on Saturday. Meanwhile, all domestic flights were suspended from Kathmandu and other airports from 2PM Saturday, and most inbound international flights were diverted from 3PM onwards. Rerouted flights started arriving in kathmandu late Saturday as the core of the storm system moved east.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_bad029b05dbfda622986270a798edc6efcc2791ff34f53b9d1283554ac72c39a.jpg" data-media-id="editor_6" data-image-id="20251004151056_bad029b05dbfda622986270a798edc6efcc2791ff34f53b9d1283554ac72c39a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_9e740929c7ef0899b0f397195695b873bba45b089bb1e11cf37dbe125d0cd60d.jpg" data-media-id="editor_7" data-image-id="20251004151052_9e740929c7ef0899b0f397195695b873bba45b089bb1e11cf37dbe125d0cd60d" data-rendition-name="original" width="2048" height="1363" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_2b75c2ea57df76dae1c470f0e460720b7d258868258789729e491ab93cb41ebd.jpg" data-media-id="editor_8" data-image-id="20251004151056_2b75c2ea57df76dae1c470f0e460720b7d258868258789729e491ab93cb41ebd" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_6c045ac30e50710bcf3ca7b6ca4ac9c45e8d8881ed39f522779c860b0d3f15c3.jpg" data-media-id="editor_9" data-image-id="20251004151056_6c045ac30e50710bcf3ca7b6ca4ac9c45e8d8881ed39f522779c860b0d3f15c3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_9ef160b8403764495b86159661cc9a11d9d7d3b848686a631e5ec8cff0c4c38f.jpg" data-media-id="editor_10" data-image-id="20251004151052_9ef160b8403764495b86159661cc9a11d9d7d3b848686a631e5ec8cff0c4c38f" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_e5825bcc6666e5235d9db2d4854a19cd6536335ebaf4cd65413acc601ceee3b5.jpg" data-media-id="editor_11" data-image-id="20251004151052_e5825bcc6666e5235d9db2d4854a19cd6536335ebaf4cd65413acc601ceee3b5" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_097077400e96f571f4418cd7b57c082045d86dd9035c31c5acd7ede2bfc54349.jpg" data-media-id="editor_12" data-image-id="20251004151056_097077400e96f571f4418cd7b57c082045d86dd9035c31c5acd7ede2bfc54349" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_30a4da8f384f6fe1a862e775124ae08ccf51c1db60e71e7e2d683e0f25f33546.jpg" data-media-id="editor_13" data-image-id="20251004151056_30a4da8f384f6fe1a862e775124ae08ccf51c1db60e71e7e2d683e0f25f33546" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>  Madhes, Bagmati and Kosi provinces are the worst hit with Maheshpur in Rautahat district recording 270mm of rain as of 3PM on Saturday. Similarly, Gaur received 243.6mm, Kalaiya in Bara 200.6mm and Birganj 221.4mm. The Department of Meteorology did not blame climate change, but said the unusually heavy precipitation at a time when the monsoon is supposed to have ended was caused by the head-on collision between moisture-laden westerlies with the retreating monsoon.

More dark clouds over Nepal

Kathmandu: A Reader, the latest publication from Martin Chautari, is an anthology of anthropological essays exploring Kathmandu through various lenses across the 21st century. This compilation is edited by Benjamin Linder and attempts to bring modern discourses on Kathmandu and its urbanity together, in a single volume. The book is divided into three sections: the physical form of the city, the imprints it bears from past political upheavals, and the complexity in the lives of its people. The book examines these diverse aspects, leaving readers who have just witnessed the momentous events of September with anxiety, and perhaps a greater understanding of Kathmandu’s context. Urban planning expert Biresh Shah’s discourse on the Valley’s urban sprawl and its landmarks is insightful, but also prophetic when he warns about seismic risk.&nbsp; Jan Brunson’s chapter on female mobility in Kathmandu via scooters is more optimistic, suggesting small-scale, daily-life movements in Kathmandu transform the city for its various demographics — in this case young women.&nbsp; Linder himself contributes with a discourse on the toponymy of Thamel, close-reading Kathmandu’s tourist hub through the usage and understanding of its name over the ages. MYTHBUSTERS The book is a collage of pieces held together by a thread that runs through the chapters of a vibrant, bustling image of the Valley. One common theme is Linder’s attempt to expand on common understandings and urban myths about Kathmandu. Readers who have spent time in the city will relate to the many anecdotes. for example, Niels Gutschow bringing up the lack of open spaces, or Mark Liechty mentioning restaurants in Kathmandu being melting pots of cultures and castes.&nbsp; The essays here further extend these urban legends by giving historical and anthropological contexts. In-migration and the rise in land prices have led to shrinking open spaces, the creation of cosmopolitan food outlets, and even hubs for sex workers. The Bagmati cleanliness campaign extends to a past understanding of the Bagmati Civilisation. Urban myths become puzzles to be solved by connecting the various threads of discussion across the book. The sections in Kathmandu: A Reader are all by experts in their various fields and present a holistic, well-rounded picture. Yet, it is obvious there is still more ground to cover, more themes to explore — perhaps by more Nepali scholars.&nbsp; In his introduction, Linder admits that due to practical reasons, ‘many wonderful works were left on the cutting room floor’. That is a pity. Indeed, there could have been more discourse on the changing ethnic composition of Kathmandu. A close-read into the lives of people termed as ‘outsiders’ but forming a growing slice of the population would be important to also chart future trends. &nbsp; The religious importance of Kathmandu as a unique civilisational alloy forged by melding the Hindu and Buddhist faiths can be explored more too. One can imagine a future edition including an examination of the post-Covid era Kathmandu valley.&nbsp; This need to broaden the ethnographic literature on Kathmandu becomes more apparent because 11 out of the 15 essays here are written by non-Nepali scholars, including the entire section focusing on urban cultural politics. Linder explains in his introduction that this was largely due to the community of academics in Nepali urban studies being fairly small. Kathmandu: A Reader then becomes even more integral as a gateway for new authors looking to work in the space of urban research on the Valley — undergraduates in the humanities for future theses and research ideas.&nbsp; In a time when Kathmandu is littered with new exam coaching centres for medical and engineering students, an anthology like this helps remind young scholars that there is plenty of scope for qualitative research in the social sciences. Sabin Ninglekhu’s discourse on the sukumbasi and aesthetics in Kathmandu are reminders that stories and academic journeys can be inspired from one’s surroundings. Kathmandu: A Reader has a good balance between academic and lighter readings, and is almost encyclopaedic in nature. There is even content about Kathmandu’s gangsters and scooty girls — allowing readers to venture deeper into their milieu.&nbsp; Kshitiz Pratap Shah is a recent graduate in English from Ashoka University.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251002051016_c8ce28ecfd0dde4986023822b3d40360ead97d29b7f186f6494d8da67021c5a5.jpg" data-media-id="editor_0" data-image-id="20251002051016_c8ce28ecfd0dde4986023822b3d40360ead97d29b7f186f6494d8da67021c5a5" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Kathmanu a reader"> </figure>

A reader for Kathmandu

Following the <a href="https://nepalitimes.com/news/nepal-s-8-september-massacre">uprising of 8-9 September</a>, the Nepal Army commenced a series of consultations concerning the transition process, during which the potential reinstatement of the monarchy was reportedly under consideration.&nbsp; However, former King Gyanendra Shah declined to pursue this option without a consensus among the political parties. This information was conveyed by Madhav Kumar Nepal, a former Prime Minister and a notable critic of the monarchy, in a newspaper article. The former king, for his part, delivered his annual Dasain message to the nation on 28 September. He emphasised, among other points, that the younger generation constitutes the foundation of the nation’s future.&nbsp; ‘Only the patriotic spirit, energy, and innovative thinking inherent in them can guide the nation toward strength, prosperity, and self-reliance. Let us reflect upon ourselves in the mirror of our country,’ he said. ‘Our political endeavours have often focused on destruction. Now, our initiatives should aim not at ruin but at improvement.’ Seventeen years <a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal">after Nepal abolished its monarchy</a> and became a federal secular democratic republic, the monarchy still influences the country’s political scene, mainly because of the persistent weaknesses of democratic institutions. Throughout much of its modern history, Nepal’s political landscape was controlled by the monarchy. During the partyless Panchayat system (1960-1990), the palace was consistently criticised for its authoritarian rule. However, it presented itself as the defender of national unity and sovereignty, especially against Indian influence. The 1990 People’s Movement transitioned Nepal into a constitutional monarchy. However, this period was marred by persistent instability, including the outbreak of a Maoist insurgency in 1996 and a royal palace massacre five years later.&nbsp; By 2005, when <a href="https://nepalitimes.com/here-now/tell-me-what-the-common-man-is-thinking">the new king, Gyanendra</a>, assumed full control, detaining politicians and restricting press freedoms, the monarchy’s legitimacy was already under scrutiny. The mass movement of 2006 resulted in the end of royal rule, leading to the official abolition of the 240-year-old Shah dynasty in 2008. Supporters of a republic saw this as the outcome of years of activism. In contrast, royalists viewed it as the sudden dismantling of an institution they believed had united Nepal. The new political framework aimed to promote stability, prosperity, and inclusion. However, Nepal has seen over 14 different governments in 17 years. Divided by factionalism, political parties have often focused on overthrowing rivals instead of effective governance. Widespread corruption persists. Infrastructure projects frequently face delays. Millions of young Nepalis leave the country to find jobs, resulting in the loss of many of the nation’s most talented individuals. The common belief that politicians amass wealth while ordinary citizens struggle has caused deep disillusionment. This serious situation led <a href="https://nepalitimes.com/news/international-spotlight-on-nepal">Nepal’s Generation Z to protest</a> in the streets. Within this broader context, for many, the monarchy has reemerged as a symbol of stability. To some, the king signifies unity that goes beyond partisan divisions. To others, the last Hindu monarch represents cultural continuity amid secular and federalist upheavals. <a href="https://nepalitimes.com/news/nepal-s-deja-vu-on-black-friday">Royalist demonstrations in Kathmandu</a> have mobilised tens of thousands. However, electoral support remains limited. The leading pro-monarchy party, the Rastriya Prajatantra Party (RPP), secured merely about 6 percent of the vote in the 2022 elections.&nbsp; Major political parties remain steadfast in their commitment to republicanism, and Nepal’s younger, globally connected population broadly <a href="https://nepalitimes.com/opinion/a-new-dawn-for-democracy-in-nepal">identifies with democracy</a>, despite frustrations with its shortcomings. Remembrances of King Gyanendra’s authoritarian rule serve as strong reminders of why the monarchy was abolished. However, this memory is gradually being replaced by more recent events.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251002111020_c018307c7b7dda363d04be3d65f01d132c81c62bae7ed2aa1ea235a12719b251.jpg" data-media-id="editor_6" data-image-id="20251002111020_c018307c7b7dda363d04be3d65f01d132c81c62bae7ed2aa1ea235a12719b251" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="monarchy in Nepal"> <figcaption>Photo: SAROJ BAIZU</figcaption> </figure>  PUBLIC IMPATIENCE Amid dissatisfaction with political parties, a question has emerged about whether the country needs an institution that can enforce discipline. As a result, calls for the reinstatement of the king are not just about Mr Gyanendra Shah, but also reflect a broader desire for government that is stable, accountable, and respectful. The influence of the monarchy extends into regional affairs. <a href="https://nepalitimes.com/here-now/america-nepal-and-the-royal-coup-qedzifz9">During the Cold War</a>, the palace adeptly balanced relations between India and China, positioning itself as the guardian of Nepal’s sovereignty.&nbsp; It also carefully navigated pressures from the United States and the Soviet Union. Today, as Nepal faces pressures from New Delhi, Beijing and Washington, some royalists perceive the monarchy as a safeguard against external interference. The <a href="https://archive.nepalitimes.com/article/editorial/autopsy-of-a-blockade%20,2863">2015 blockade imposed by India</a> impacted Nepal’s economy and led the country to seek closer comprehensive relations with China. As a result, India has adopted a more cautious approach toward Nepal’s republican leadership.&nbsp; China is viewed as supportive of centralised authority, in contrast to Nepal’s democratic institutions. There are perceptions that the United States, previously supportive of the monarchy, may once again consider it a stable partner. Officially, India, China, the broader international community, and major donors continue to support <a href="https://nepalitimes.com/here-now/the-story-so-far">Nepal’s post-2006 political order</a>. At the same time, they observe ongoing discussions among Nepalis about the possibility of a constitutional monarchy within a democratic framework. Following the recent unrest, some Nepalis believe that restoring the monarchy could create uncertainty for India and China, given Nepal’s complex political landscape. Others suggest that worries about perceived Western influence on the interim government through international NGOs might trigger serious soul-searching in New Delhi and Beijing. Despite its limited mandate to hold elections on March 5, 2026, t<a href="https://nepalitimes.com/news/nepal-pm-set-to-expand-her-cabinet">he interim government</a>, led by former Chief Justice <a href="https://nepalitimes.com/news/madam-prime-minister-of-nepal">Sushila Karki</a>, has an opportunity to start rebuilding public trust. Although the new government continues to enjoy popularity, there is evident public impatience regarding its delays in investigating corruption and misconduct by the previous leadership, as well as the incidents of killings, looting, and arson during the protests.&nbsp; The nation has been further unsettled by whispers of an impending and potentially more significant political upheaval prior to the upcoming elections. Republicans believe that demonstrating the effectiveness of democracy is the best way to mitigate calls for a monarchy. However, if the leadership fails to address key issues such as corruption, unemployment, and institutional strengthening, it could further boost the monarchy’s influence – and potentially lead to its comeback. Sanjay Upadhya is the author oand analyst based in the Unoited States. Originally posted <a href="http://originally%20published%20at%20https//www.linkedin.com/pulse/why-monarchy-still-sways-nepals-republic-sanjay-upadhya-pe4xe" target="_blank">here.</a>

Why the monarchy still sways Nepal’s republic

One is an archipelago, the other is landlocked. But the Philippines and Nepal have a lot in common: both are disaster-prone, their economies dependent on overseas migrant workers, both went though Maoist insurrections that failed to replace a feudal order dominated by political dynasties. And both countries suffer from rampant corruption. Twelve days after <a href="https://nepalitimes.com/news/nepal-s-new-normal" target="_blank">deadly protests toppled Nepal’s government</a> tens of thousands of Filipinos, many of them youth, also poured out into the streets demanding transparency and better government. Cars were set on fire, and more than 200 people were arrested, nearly half of them minors. The ‘Trillion Peso March Against Corruption’ was fuelled by <a href="https://www.nytimes.com/2025/09/21/world/asia/manila-philippines-rally-protest.html" target="_blank">anger over embezzlement</a> by politicians and their <a href="https://pcij.org/2025/08/31/5-reveals-from-the-flood-control-data/" target="_blank">crony contractors</a> estimated to top $17 billion in flood control infrastructure that were either never completed, or non-existent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411108_85daed60ed5599f53235312e5b33703244bbac8640dbaf5161f90e5abe83f7eb.png" data-media-id="editor_3" data-image-id="2025100411108_85daed60ed5599f53235312e5b33703244bbac8640dbaf5161f90e5abe83f7eb" data-rendition-name="original" width="2326" height="1366" loading="lazy" alt="Phillipines anti-corruption protests"> </figure>  “We learnt from Nepal and <a href="https://www.nytimes.com/2025/09/30/world/anime-protests-flag-moldova-nepal-indonesia-gaza.html" target="_blank">Indonesia</a> how to deploy social media as a tool to spread information, we are digital natives and well connected within the country and across borders,” said <a href="https://www.linkedin.com/in/yuri-lemana-68322b183/?originalSubdomain=ph" target="_blank">Yuri Lemana</a> of the <a href="https://www.facebook.com/FOIYouthPH/" target="_blank">Youth Alliance for Freedom of Information</a>, and a part of the GenZ protests.&nbsp; “The system has failed us, unemployment is on the rise, there are shrinking opportunities for youth, and we face environmental threats. There is a realisation that our future is at stake,” Lemana added. Online groups started highlighting bribery and kickbacks in July after President Ferdinand (Bongbong) Marcos Jr himself brought up corruption in the infrastructure budget in his annual address to the nation, and launched a probe.&nbsp; The protests gained traction after powerful visuals of <a href="https://nepalitimes.com/news/international-spotlight-on-nepal" target="_blank">rallies in Indonesia and Nepal</a> circulated on digital platforms. Filipino journalists also exposed the <a href="https://www.youtube.com/watch?v=-f0MFz3vmfE" target="_blank">high-flying lifestyle of contractors</a> involved in siphoning off the infrastructure budget.&nbsp; As in Nepal, the youth protests were joined in by various radical groups. In Manila they reportedly included supporters of ex-president Rodrigo Duterte who is currently on trial at the <a href="https://www.icc-cpi.int/philippines/duterte" target="_blank">International Criminal Court (ICC)</a> in the Hague for extrajudicial killings during his ‘war on drugs’ 2011-2019. Duterte still has a lot of support, especially in the Filipino diaspora, for being tough on crime. Duterte was allied with Marcos in the 2022 elections, and his daughter Sara Duterte is currently vice-president. But the two families had a massive falling out, and the Supreme Court annulled the Lower House’s attempt to impeach the vice-president. This week in Manila, a remarkably well-informed Grab driver replayed TikTok videos of Kathmandu’s burning Parliament building to a passenger from Nepal. After his garment factory was driven out of business by cheap Chinese imports, he started driving a ride-hailing cab and was livid with successive governments not providing opportunities to ordinary people like him. Traffic was gridlocked because of flooded streets, and the driver vented out his anger: “Look at this. The streets are always flooded because of corruption. We should have done here what you did in Nepal.” Even before the protests, Senate President Francis Escudero and House Speaker Martin Romualdez had both resigned over the 'Floodgate Scandal'. Romualdez is Marcos’ cousin and is now said to be in Madrid, where his every movement is being tracked by Filipino diaspora in social media posts. The Independent Commission for Infrastructure has issued subpoenas to probe corruption in flood control projects. As in Nepal and Indonesia, much of the anger was over the offspring of politicians extravagantly flaunting their ill-gotten wealth on Instagram and TikTok. In the Philippines, the outrage is also over political clans passing on electoral seats to offspring. The 21 September protests were centred around Rizal Park and the EDSA Intersection in Manila — both symbolic for previous people’s movements against the Spanish colonialists and the 1986 uprising against the dictatorship of Ferdinand Marcos (father of the present president). “People here had seen what happened in Nepal, and were asking why we weren’t as angry as people there? Why not show our anger, too?” said one reporter who covered the protests. But, he added: “Let’s not be naive. It may have started with youth anger, but there were also people who were paid to infiltrate and instigate. We were also wary that things should not get out of hand like in Nepal.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411104_2c02ece56d29b2d8222433572d75c2dcc9bc2f3425d277a0056f393b521eecd0.png" data-media-id="editor_10" data-image-id="2025100411104_2c02ece56d29b2d8222433572d75c2dcc9bc2f3425d277a0056f393b521eecd0" data-rendition-name="original" width="1550" height="996" loading="lazy" alt="Phillipines youth protests"> <figcaption>An Instagram post of the protests in Manila with a comment relating it to the Nepal unrest two weeks earlier.</figcaption> </figure>  Seventy percent of Filipinos are Millennials and GenZ of voting age, and they were impatient with a rigged electoral system. In a clear parallel to what happened in Kathmandu two weeks earlier, radical groups, political rivals, and the general public furious with the system all joined in the protests. Catholic priests, people from all generations and professions had participated in the EDSA Uprising against Marcos in 1986. This time, it was the youth who took the lead. Joseph Francisco Ortega of the <a href="https://www.facebook.com/nationalyouthcommission/" target="_blank">Philippine National Youth Commission</a> said he understands the frustration among the youth that fuelled the unrest. The discontent is also because despite there being young legislators, they are either party-affiliated or scions of political dynasties. “If we can convince young politicians to do the right thing, then we have won half the battle,” Ortega said. “If we want to rebuild quickly and for the long term, we have to change the system from within. There is a constructive way to do this, while exercising the right to non-violent protest.” CROSS-POLLINATION The <a href="https://www.youtube.com/watch?v=6w8monPKdrc" target="_blank">violence in Manila streets</a> on 21 September was nowhere near the scale of what happened in Kathmandu on 8-9 September, but both transcended GenZ to be an outlet for pan-generational rage much like 1986 in the Philippines.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004111012_e9cf9abfa8e35f3c074506dfdf94a262b5b311da6863cc2ec7bc3458a983df71.jpg" data-media-id="editor_13" data-image-id="20251004111012_e9cf9abfa8e35f3c074506dfdf94a262b5b311da6863cc2ec7bc3458a983df71" data-rendition-name="original" width="6566" height="4377" loading="lazy" alt="Nepal GenZ protests"> <figcaption>Angry crowd torched Parliament building among others during the 8-9 September GenZ protests in Nepal. Photo: AMIT MACHAMASI</figcaption> </figure>  “With due respect to the youth, it is not about age but about technology,” explained journalist Malou Mangahas of the <a href="https://www.facebook.com/R2KRN/" target="_blank">Right To Know, Right Now Coalition</a> who participated in the 1986 uprising against Marcos. “We were all young and angry once. We are older, but still angry, and demanding good governance, transparency and accountability.” Just like in Nepal, young Filipinos rallying against corruption were also wary of infiltration, and it was clear from the anti-Marcos graffiti who the instigators of violence were. The GenZ were mainly wearing white while the pro-Duterte crowd <a href="https://www.youtube.com/watch?v=6w8monPKdrc" target="_blank">are seen in videos</a> in black.&nbsp; The minors seem to have just joined in the melee from their street-side settlements. Rights groups have called for their release, accusing police of rough interrogation and ‘red-tagging’ as Communist provocateurs. Much of the transboundary cross-pollination of anti-government protests across Asia last month used gaming characters, memes, and anime personas like the manga cartoon One Piece flag depicting a grinning skull in a straw hat which became an icon of youth protests.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411100_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f.png" data-media-id="editor_16" data-image-id="2025100411100_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f" data-rendition-name="original" width="810" height="1208" loading="lazy" alt="One Piece"> <figcaption>The One Piece Flag flying during protests in Manila on 21 September. Photo:  CYBERNETICBOYLOL / WIKIPEDIA</figcaption> </figure>  Yuri Lemana adapted a saying of gaming character <a href="https://www.warhammer.com/en-WW/shop/mechanicum-archmagos-prime-2024?srsltid=AfmBOorpYg8Zk5G5WiPUS9SXTampX969gMw79sP7ZzkE1G6H5pICR4PW" target="_blank">Archmagos Cortiko</a> in <a href="https://start-warhammer.com/" target="_blank">Warhammer 40,000</a>: “Prayer has its power, but fury also has its uses. If the government tries to hide things from us, we will find a way. Fury will find a way.” Kunda Dixit is the Publisher of Nepali Times, and was a foreign correspondent based in Manila in the early 1990s.

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