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The cost of preserving Nepal’s past

Nepali Times was born at the dawn of the new millennium. It started publishing online in May 2000 before the #1 print edition in the week of 19-25 July 2000. But a month before that, there was a <a href="https://himalaya.socanth.cam.ac.uk/collections/journals/nepalitimes/pdf/Nepali_Times_000.pdf">practice #0</a> which had a Publisher’s Note titled ‘The Freedom To Be Fair’ on page 1. Here is an excerpt:&nbsp; ‘It was a journalist who once said that journalists are people without any ideas, but with an ability to express them. These are cynical times, and it is people in media who are most cynical about the media. For too long journalists have taken objectivity as our main mantra, forgetting fairness.&nbsp; Objectivity is not having to make up your mind about anything, fairness is hearing all sides. Globally, and within countries society’s balance of justice is heavily skewed by the weight of the powerful. Objectivity perpetuates this status quo, fairness tries to set things right. We at Nepali Times and other publications of the Himalmedia group are committed to professionalism and high-quality journalism … upholding the freedom to be fair.’ These were heady times for Nepal’s mainstream press during the constitutional monarchy days. One had to use dialup through a modem and phone line to access the Internet. Nepal Telecom had just started its GSM mobile service, and we all proudly carried around Nokia 3310s with tiny LCD displays.&nbsp; It would be six years before Twitter started. YouTube was launched in 2005 after its former PayPal founders were caught up in the Asian Tsunami in Thailand, and found there was no platform for sharing videos. It would be another eight years before algorithms began pushing cat videos to users.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e.jpg" data-media-id="editor_1" data-image-id="20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nepali Times 2000"> <figcaption>Nepali Times #1 19-25 July 2000</figcaption> </figure>  The masthead of the <a href="https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/nepalitimes/pdf/Nepali_Times_001.pdf">#1 print edition of Nepali Times of 19-25 July 2000</a> carried the ambitious ‘Nepal’s Top Newspaper’. The Editorial titled ‘A Sign of the Times’ said in part: ‘Newspapers do more than hold the mirror to society. They are the mirror. Journalism is called history in a hurry. It is also culture, sociology, anthropology, philology, and philosophy in a hurry. Nepali Times will aspire to be a true reflection of our times…’ Indian graphic designer Rustam Vania was invited to Kathmandu in April 2000 and designed a newspaper with a fresh, modern look. His rendition of the masthead and the page template has not changed in 25 years, though much has changed in Nepal, even while a lot has remained the same. Reports and op-eds about air pollution, hydropower exports, investment, political back-stabbing from two decades ago are as relevant today as they were then. Most of the protagonists are the same people, just a little greyer and chubbier. In the first of his many thoughtful columns ‘State of the State’, C K Lal lamented the cynicism in Nepali society: ‘Nepal’s nabobs of negativism hold forth in their nay-saying nooks. Cynicism is at least a reflection of exaggerated self-worth. Despair is much worse, it is a state of having lost all hope.’ Sounds familiar?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856.jpg" data-media-id="editor_3" data-image-id="20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rewind: 2000"> <figcaption>Nepali Times #7 30 August - 5 September 2000</figcaption> </figure>  Water resources expert Dipak Gyawali argued in a commentary that it made more sense for private power producers to build reservoir projects not for export, but to make up for the dry season power shortfall. A debate even more prescient today. Manjushree Thapa's &nbsp;Nepaliterature column profiled Nepali writers with translated excerpts. The paper serialised chapters from Desmond Doig’s book In the Kingdom of the Gods. The Backside satire column featured ‘Under My Hat’ and ‘The Ass’. Nepali Times even carried a weekly horoscope, cigarette and alcohol advertisements.&nbsp; Journalism is indeed history in a hurry. Those who do not learn from it are doomed to repeat it. Browse the past 25 years of Nepali Times through the online archive on HTML and the ePaper through<a href="https://www.archivenepal.org/nepalitimes"> Archive Nepal</a>.

2000

25 years of journalism

Through the intricate lattice window on the western facade of the palace must have been from where the Malla kings of Patan looked down at the square below.&nbsp; Today, visitors to Patan Museum can sit at the exact corner and see the same square which, several centuries later, remains largely unchanged. Except for the tourists and devotees at Krishna Mandir and other temples.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea.jpg" data-media-id="editor_0" data-image-id="20240329060316_31791a3a564ecaf85ad9e9ee52488bff034a5336f6561a0df2cb6d8e740cacea" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Keshav Narayan Chok. All photos: SUMAN NEPALI(Photo: suman)</figcaption> </figure>  Inside is the best-designed museum in Nepal, the work of <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Back-to-Basics-in-Bhaktapur,1377">Götz Hagmüller</a> and his team of architects, who had made Bhaktapur his home and who died in February. Hagmüller did not just restore the old palace, but also designed the museum interior and curated the exhibits. But most importantly, the team ensured that the museum would have an independent governing body that would use revenue from fees and events for the museum’s upkeep. This has given the museum a rare longevity for an institution in Nepal. Read also: <a href="https://nepalitimes.com/news/kathmandu-s-legacy-is-goetz-hagmueller-s-legacy">Kathmandu’s legacy is Götz Hagmüller’s legacy</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4.jpg" data-media-id="editor_3" data-image-id="20240329060316_460c6ade80ae4064d3f761de57b7a004f9b755645db3185366754b1d2ffe82e4" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  The result is more than one of Kathmandu’s most popular destinations for visitors, but a museum that serves an educational function for Nepali students, supplementing what they learn in social studies and history classes in school. The carefully curated bronze, stone and wooden figures span Nepal’s religious faiths, historical periods and geographical zones, providing a striking experience of exploration and learning. Hagmüller led the restoration project of the Keshav Narayan Chok and the dilapidated palace structure, preserving the traditional architecture of the palace while modernising it to suit modern museum necessities. Read also: <a href="https://www.nepalitimes.com/banner/learning-from-nepals-past-to-rebuild-its-future/" target="_blank">Learning from Nepal's past to rebuilt its future</a>, Prakriti Kandel  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00.jpg" data-media-id="editor_5" data-image-id="20240329060316_bfc89739080a1339c9db8a83c7bc332aea37893f6cd9cb506b1a369ac9a68d00" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> </figure>  At a time when technology has taken over, and patience to learn through real experiences has decreased, Patan Museum is a space for young students and visitors to learn about Nepal’s glorious past, its culture, and observe intricate Nepali craftsmanship. “Patan Museum is a place of learning regarding two major aspects: heritage and art, specifically relating to Hinduism and Buddhism,” explains Suresh Man Lakhe of Patan Museum. “Students may learn about Buddha’s life in their textbooks, but the museum supplements that learning by letting them visualise his legacy.” &nbsp; Only 200 of the Museum’s expansive collection of 1,100 objects are currently on view, and they are spread across eight themed galleries. Images range from major gods of the Hindu pantheon such as Vishnu, Shiva and Ganesh to benign or fierce representations of Bodhisattvas.&nbsp; Read also: <a href="https://nepalitimes.com/banner/preserving-patan-post-earthquake">Preserving Patan post-earthquake</a>, Claire Burket  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41.jpg" data-media-id="editor_7" data-image-id="20240329060316_40b0b223afe15566e200ac14f69a527eacc736b040f5b5d982930aa601c51b41" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Dipankara Buddha</figcaption> </figure>  The section on Buddhist chaityas has clear explanatory notes about the significance of their design. No student will look at Swayambhu or Boudha after learning why the spire and cupola look the way they do. Indeed, all the exhibits have bilingual captions with comprehensive backgrounds about the myths and symbols present in the art pieces and their approximate age. This helps answer frequently asked questions from students such as the reason behind the multiple heads and hands of deities, the symbolic ornaments of Shiva and Vishnu, and the significance of the stupa design.&nbsp; The composition, medium, symbols, and expressions of bronze gilt copper repoussé are explained in detail, including the craftsmanship of the lost wax process. Read also: <a href="https://nepalitimes.com/review/bedrock-of-buddhism">Bedrock of Buddhism</a>, Kunda Dixit  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9.jpg" data-media-id="editor_9" data-image-id="20240329060316_8e1bcf9bace65f4b7ba2c8b05cf92337b1f54d12776ebc0841bd179b56faf7a9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Students can learn in detail the process of creating a repoussé mask at the Patan Museum.</figcaption> </figure>  Gallery B has explanations of Ganesh in a military avatar, ablaze with a flaming backdrop, and another of the elephantine god with six heads and six arms. He rests on snakes in one sculpture and is part of an oil lamp in another. There are nuanced variations in the depiction of Ganesh’s eyes and trunks in each of the objects. "Patan Museum, and indeed the whole Darbar Square, is a living heritage where our students learn history through the architecture, art, culture, and festivals,” says Rekha Pandey, a social studies teacher and educator at Rato Bangala Foundation. “It is ideal learning as the museum exhibits provide a multi-sensory experience that cannot be found in textbooks or lectures.” Museum staff are planning interactive worksheets and cards as learning devices with colourful and interactive worksheets ‘Let’s Discover Patan Darbar’ that allow students to navigate the historic square.&nbsp; Read also: <a href="https://nepalitimes.com/news/itumbahas-living-museum">Itumbaha's living museum</a>, Sahina Shrestha  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6.jpg" data-media-id="editor_11" data-image-id="20240329060316_1d6a101fa7f8c593070171abbf2866b73497ac3a10f5660bb716f1aa85da9aa6" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>A 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s family on Mount Kailash.</figcaption> </figure>  Lakhe says the museum can expand its instructional function with a separate education department. “With additional resources devoted to education, we can focus on creating much more learning opportunities for students,” he adds. &nbsp; There is a story behind every exhibit at the Museum. Gallery B, for example, hosts a 12th-century limestone sculpture of Uma-Maheswar depicting Shiva’s divine family on Mount Kailash. This statue was stolen in 1982 and then returned by a museum in <a href="https://nepalitimes.com/here-now/how-did-a-nepali-ritual-altar-end-up-in-berlin">Berlin</a> in 1990. Another piece shows Vishnu carried by the Sunbird, a copper alloy sculpture dating back to the 17th century, adorned with metallic Garuda wings. Students can learn in detail the process of creating a repoussé mask, from an initial pencil design to the feeling of the hammer hitting the bronze sheet. Read also: <a href="https://nepalitimes.com/review/remembering-nepals-lost-and-the-found">Remembering Nepal's lost and the found</a>, Ashish Dhakal  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e.jpg" data-media-id="editor_14" data-image-id="20240329060316_4431f200938cef4be6b390dbde827c0973d85c2ab36dcc1669e6b9dc92319f3e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="A portal into Patan’s past and present Page 6-7 #1025 NT"> <figcaption>Tusha Hiti where King Siddhi Narsingh Malla used to pray and meditate in the 1640s.</figcaption> </figure>  Patan Museum provides an open-air experience, it is not limited to a building but has access to multiple courtyards including the Mul Chok and Sundari Chok with the exquisite Tusha Hiti step well, and the Bhandarkhal Tank. One of the treasures of the Patan Museum is Tusha Hiti step well where King Siddhi Narsingh Malla used to pray and meditate in the 1640s overlooking a gilded copper spout depicting a Garuda and Laxmi Narayan, and embellished by over 50 carved stone deities in thrones of carved foliage. Visitors can retrace the steps of past royals and their court treading the same stone steps that have been polished by the passage of feet and time.&nbsp; Read also: <a href="https://nepalitimes.com/review/patan-heritage-in-fantasy-fiction">Patan heritage in fantasy fiction</a>, Trishagni Sakya

A portal into Patan’s past and present

News of the consecration of the Ram Mandir in Ayodhya swept India last week, and also sent ripples across the border here in Janakpur where Lord Ram’s consort Sita was born.&nbsp; The inauguration of the shrine by <a href="https://nepalitimes.com/here-now/janakpur-to-janakpur">Indian Prime Minister Narendra Modi</a> was controversial because the temple was built on the space where the 16th century Babri Masjid once stood, and which was razed by a Hindu mob in 1992. But last week’s temple inauguration was celebrated in Janakpur as well because it is the birthplace of Sita, 500km away from Ayodhya. Indeed, the Janaki Temple dedicated to Sita here is itself a holy site for Hindus from Nepal, India and across the world. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_ed08353ab53dbe6e85ee0721239f2aef9554b19f91faa012e20d67d5eec699b2.jpg" data-media-id="editor_1" data-image-id="2024020216020_ed08353ab53dbe6e85ee0721239f2aef9554b19f91faa012e20d67d5eec699b2" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>The inner sanctum of Janaki Mandir, which houses deities from the Ramayana.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_094e274b164e8c728550a747876845c4592d9ca7fb00a1ef77905115af2868ce.jpg" data-media-id="editor_2" data-image-id="2024020216020_094e274b164e8c728550a747876845c4592d9ca7fb00a1ef77905115af2868ce" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Idols of Janak, Sunaina, Ram and Sita at Janaki Mandir that is dedicated to Lord Ram's consort.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_518c843b985d3651ea106b390f22d7a55aa099f9594a256065acf19ddd163aa7.jpg" data-media-id="editor_3" data-image-id="2024020216020_518c843b985d3651ea106b390f22d7a55aa099f9594a256065acf19ddd163aa7" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A pilgrim on his way inside the temple to offer prayers. SWORUP IMAGES</figcaption> </figure>  Janakpur is the capital of Madhes Province and the erstwhile seat of the Mithila Kingdom once ruled by King Janak, the father of Sita who features in the Hindu epic, Ramayana.&nbsp; The city near the Indian border is often overshadowed by Pashupati in Kathmandu and more popular pilgrimage sites in India, but has its own unique and rich cultural heritage and historical significance. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020301024_2aa535a25e86055fbb36428480aff6b0ecbca54489b271e2eec56cfbe8461040.png" data-media-id="editor_4" data-image-id="2024020301024_2aa535a25e86055fbb36428480aff6b0ecbca54489b271e2eec56cfbe8461040" data-rendition-name="original" width="830" height="605" loading="lazy" alt="Janakpur Sita-Ram corridor NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_df6ca98da633ab978ea7a11dbf4d5178d32da522290cbd732834da072dca6163.jpg" data-media-id="editor_5" data-image-id="2024020216020_df6ca98da633ab978ea7a11dbf4d5178d32da522290cbd732834da072dca6163" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Less imposing than Janaki Mandir, the temple dedicated to Lord Ram dates back at least to 1782.SWORUP IMAGES</figcaption> </figure>  Besides the Janaki Temple few know that Janakpur also has its own Ram Mandir, as well as numerous historic ponds and ashram that have now been meticulously restored. All this makes Janakpur an epicentre of faith and spiritualism in Nepal’s southern plains. The Janaki Temple was built as recently as 1910 by Queen Brishbhanu of Tikamgarh in India, and imitates the Mughal architecture prevalent at the time. But this structure was built over the ruins of previous temples, including one erected by Sur Kishor Das, a sadhu from India who came here in the 17th century and established a temple dedicated to Sita, also revered as a goddess.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_0260b84896a419fa025672a9ed19109790efb2da44a64482db74fb6b6881a5d3.jpg" data-media-id="editor_6" data-image-id="2024020216020_0260b84896a419fa025672a9ed19109790efb2da44a64482db74fb6b6881a5d3" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>People carry a stack of clothes at Janakpur Railway Station.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_1a22545086bb358edf6a01484c23446060cf302b5bf15b017a3c171a5e55e958.jpg" data-media-id="editor_7" data-image-id="2024020216020_1a22545086bb358edf6a01484c23446060cf302b5bf15b017a3c171a5e55e958" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Sadhus from India travel to Janakpur via the Jayanagar-Janakpur Railway.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_aa837888a5b22b08c552eb3d6ac25b6a72ec1eff0e8ddeee63ce7e8847a489ae.jpg" data-media-id="editor_8" data-image-id="2024020216020_aa837888a5b22b08c552eb3d6ac25b6a72ec1eff0e8ddeee63ce7e8847a489ae" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>People wash clothes in the Angaraj Sar near Janaki Temple.SWORUP IMAGES</figcaption> </figure>  Sita herself is believed to have had an immaculate conception and born from a furrow in the earth. She was later adopted by King Janak and is now a prominent figure in Hinduism because of her role in the Ramayana in which she was abducted by Ravana and spirited away to Lanka, only to be rescued by Lord Ram’s monkey army led by the intrepid Hanuman. Just like Lord Buddha, who was also <a href="https://nepalitimes.com/here-now/buddha-s-birthday-in-his-birthplace">born in what is now Nepal</a>, Sita has been recognised as a national luminary of Nepal. Today, Janakpur where Ram and Sita were married is celebrated as the symbol of divine love, virtue, and loyalty. The temple is also frequented by newlyweds to make offerings for a happy marriage.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_94a654fea8a32e30c14159b14228042e650aad374cbc3e2ebae98c3e3a903268.jpg" data-media-id="editor_10" data-image-id="2024020216020_94a654fea8a32e30c14159b14228042e650aad374cbc3e2ebae98c3e3a903268" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Sadhus smoke inside the premises of Ram Mandir.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_5191d485847a6efc7f325cd9b392916af0630b4e5c022ac0e4e0e792bd6d00a5.jpg" data-media-id="editor_11" data-image-id="2024020216020_5191d485847a6efc7f325cd9b392916af0630b4e5c022ac0e4e0e792bd6d00a5" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A vendor in front of Janaki Temple sells tika powder and other materials used to perform puja.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_f491c60c89113c6be846f55db861c5f20b677eccc3dd3cfc06d6f5db2a888447.jpg" data-media-id="editor_12" data-image-id="2024020216020_f491c60c89113c6be846f55db861c5f20b677eccc3dd3cfc06d6f5db2a888447" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>A vendor sells puja paraphernalia in Dashrath Sagar.SWORUP IMAGES</figcaption> </figure>  Just half a kilometre away from Janaki Mandir is the temple dedicated to Lord Ram built by Chaturbhuj Giri in the 17th century, and later rebuilt by Gen Amar Singh Thapa in 1782. The temple houses an idol of Ram, including those of Panchayan, Lakshminarayan, Vishnu Dashavatar, and Surya residing on a seven-horse chariot. Legend has it that there were once more than 52 ashrams and 72 sacred ponds in Janakpur, some of which are still intact. The holy sites are visited by many <a href="https://nepalitimes.com/news/a-thousand-sadhus-and-a-hanuman">sadhus</a> in saffron robes who represent the city’s roots in Vaishnavism.&nbsp; Mornings and evenings, Janakpur is alive with bhajan chants. Each day begins with the singing of Ramacharitramanas, and the sunset prayers at the Ganga Sagar pond in the evening is a spectacle for tourists and pilgrims alike exuding a unique feeling of harmony and devotion.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_58d1926f3a73957d796ad29f634eb09c5e1a375175afad0902f367b6b36655e0.jpg" data-media-id="editor_14" data-image-id="2024020216020_58d1926f3a73957d796ad29f634eb09c5e1a375175afad0902f367b6b36655e0" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Saffron-clad women sing devotional songs at Ram Mandir.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_8dde569b14c3fe720c356289281fe323c3e8744983166606cb6a557a0df8b28a.jpg" data-media-id="editor_15" data-image-id="2024020216020_8dde569b14c3fe720c356289281fe323c3e8744983166606cb6a557a0df8b28a" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>Hindu hymns are heard all day long in all parts of Janakpur.SWORUP IMAGES</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024020216020_a3f5b996949fb5b95e6e175141c6495194088167aca97cbc6359f32ae21cf5ec.jpg" data-media-id="editor_16" data-image-id="2024020216020_a3f5b996949fb5b95e6e175141c6495194088167aca97cbc6359f32ae21cf5ec" data-rendition-name="original" width="2000" height="1335" loading="lazy" alt="Janakpur Sita Ram corridor NT"> <figcaption>The Ganga Aarati is held every evening at Ganga Sagar.SWORUP IMAGES</figcaption> </figure>  Intricate and exquisite <a href="https://nepalitimes.com/banner/vibrant-mithila-art-thrives-in-nepal">Mithila art</a> adorn walls and buildings throughout the city. The origin of this art form can be traced back to the wedding of Ram and Sita, and has since become a visual expression of local lifestyle and culture. Initially, it was practiced as a way of life and the paintings and clay reliefs created by women were confined to homes, but over the years has gained immense popularity worldwide. Janakpur’s identity as the home of Sita, and its growth as the capital of Madhes can be the catalyst for <a href="https://nepalitimes.com/opinion/the-geopolitics-of-pilgrimage">boosting religious tourism in Nepal</a>, and bring in both domestic and Indian pilgrims to the city. Janakpur already has a railway (Nepal’s only) connecting it to the Indian border that will soon be extended to Bardibas on the East-West Highway. There are a dozen daily flights to Kathmandu, and a flight to Ayodhya and other Indian cities are also planned. Janakpur is already a stopover for Indian pilgrims going to Pashupati in Kathmandu at Shivaratri and on to Muktinath, the two other important Hindu sites.&nbsp;

The Sita-Ram corridor

History is not always fair to the protagonists who find themselves caught up in it. The history of <a href="https://nepalitimes.com/banner/diary-of-a-nepali-soldier-in-france">Gurkha soldiers</a> is no exception. Brave khukuri-swinging soldiers in combat khakis and hats marching off to battle have been an iconic part of Nepal’s past. Forgotten on the pages of history, however, are their sarong-clad wives in Nepal or abroad, their struggles and their contribution. Lately, there has been an effort to correct this with welcome attempts to document the experience of Gurkha wives. Suzana Thapa Shris’s recent exhibition Gurkha Women: An Echo in the Story helped filled this gap by retelling the stories from the perspective of the wives of soldiers.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_c2517596a438db1f00d1643815a6c13815cec7d491509e897d9bed8879c5bbd4.jpg" data-media-id="editor_1" data-image-id="20231207101232_c2517596a438db1f00d1643815a6c13815cec7d491509e897d9bed8879c5bbd4" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Gurkha women 2"> </figure>  “When Gurkha soldiers were fighting wars, it was their women who single-handedly led the households, they were the silent heroes,” explains 29-year-old Thapa Shris. “With limited money and resources, they raised families and boys who grew up to be lahure themselves. Their contribution is immense.” Read also: <a href="https://nepalitimes.com/banner/beginning-of-the-end-of-the-gorkha-empire">Beginning of the end of the Gorkha Empire</a>, Alisha Sijapati After her first exhibition Bharseli Gurkhas: From Stories to Portraits which looked into the lives of Gurkha soldiers from her ancestral village of Bharse of Gulmi district, Thapa Shris felt that she also needed to put the spotlight on the wives.&nbsp; Coming from a Gurkha household herself, where her grandfather was in the Indian Army, Thapa Shris was introduced to her family’s praetorian past from a very young age. She grew up with her grandparents in Butwal, listening to the lore both from the battles as well as the home front.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_bcce9d8fe47dc7c8ede1cd1f7a6f70e1877f4f9788865cb703f9504a6e205ab2.jpg" data-media-id="editor_3" data-image-id="20231207101232_bcce9d8fe47dc7c8ede1cd1f7a6f70e1877f4f9788865cb703f9504a6e205ab2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Gurkha women 4"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_185f09e6839ab5130514dc86ade39257b97b6095f4a8a300f7c7439832624997.jpg" data-media-id="editor_4" data-image-id="20231207101232_185f09e6839ab5130514dc86ade39257b97b6095f4a8a300f7c7439832624997" data-rendition-name="original" width="1500" height="967" loading="lazy" alt="Gurkha women 3"> </figure>  Her father Bom Bahadur Thapa, a horticulturist by profession and a writer, wrote a book Bharseli Gorkhagatha ra Serofero about his ancestors. And when Thapa Shris started her project, the father-daughter duo interviewed some 50 women in their 70s and above from Baglung, Gorkha, Gulmi, Kaski, Palpa, Rupandehi, and Sunsari. They were all wives of Nepali soldiers who had served in the UK, India, <a href="https://nepalitimes.com/here-now/the-malayan-rainforest-and-its-rare-flower">Singapore and Malaya</a> (now Malaysia). “The exhibition took shape as we were looking into who these women were, their life stories and their contribution to Gurkha history,” she adds. “Their identity and contribution has been the main objective of this exhibition.” Read also: <a href="https://nepalitimes.com/banner/lest-we-forget">Lest we forget</a>, David Seddon Thapa Shris never formally learnt art, but her raw talent for portraits is there for everyone to see. Also on display at the Nepal Art Council from 25-28 November were sketches, archival pictures, visual footage of interviews, and installation art with traditional music in the background. But the highlight of the event were evocative testimonies with their respective portraits depicting two kinds of women: those left behind in Nepal and those in foreign lands where their husbands were deployed. Most struggled to make ends meet, and that too in a new place where they did not speak the local language. <div class="embed-block"><div><div style="left: 0; width: 100%; height: 0; position: relative; padding-bottom: 56.25%;"><iframe src="//cdn.iframe.ly/api/iframe?url=https%3A%2F%2Fwww.youtube.com%2Fembed%2FGAUPq7EK_vk%3Fsi%3DNtp3w8G4XbM_OSZy&key=87ca3314a9fa775b5c3a7726100694b0" style="top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;" allowfullscreen scrolling="no" allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div></div></div> “We automatically assume that Gurkha soldiers are well-off and their lives easy but that is not always the case,” explains Bom Bahadur. “There was no immediate means of communication or any channel to wire money. It was these brave women who made their way.”&nbsp; While archival footage helped the audience peek into their lives in foreign lands, an installation art of a classic Nepali knitted bag filled with envelopes depicted how in those days letters were the only medium of contact between spouses. One section was dedicated to hand photography intended to show the resilience and the kind of lives these women led. All the portraits here had wrinkled hands of the women resting on their patterned lungi.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231207101232_a97971b33334ae0e9ffca90c7feeb83e07c17af8a67753e99b6f29aab65035bd.jpg" data-media-id="editor_8" data-image-id="20231207101232_a97971b33334ae0e9ffca90c7feeb83e07c17af8a67753e99b6f29aab65035bd" data-rendition-name="original" width="1500" height="953" loading="lazy" alt="gurkha women 5"> </figure>  The exhibition also featured traditional dresses and jewellery of the Gurkha women as well as wooden utensils used by these indigenous communities in the past. Lungi, gold beruwa bangles and traditional gold asarfi rings synonymous with Lahureni were also heavily featured. “The gold came much later after the wartime,” adds Suzana.&nbsp; “One thing all the bojus said was that they were happy that they at least got to wear gold.” The father-daughter duo is now planning to transcribe all the testimonies and turn them into a book. Says Bom Bahadur: “I am glad our Gurkha women are highlighted. The fact that my daughter is working on it makes me even prouder.” &nbsp;

Pinki Sris Rana

Retelling Gurkha history

When Balaram Chitrakar was only 10, he started helping his father in a photo studio in inner city Kathmandu to develop photos in darkroom. By age 12, Chitrakar was already a bonafide photographer. By the time he finished high school in 1959, his father had handed him the keys to the studio. He attended Trichandra College during the day and developed film by night. “Perhaps because photography had become my passion it did not matter that I worked all night,” says Chitrakar, now 82. In 1967, as he finished his BSc exam Chitrakar joined the Department of Archeology’s Bir Library. But during the first few months, all he was made to do was keep written records of the documents. He realised that library users, mostly foreign researchers, had access to original texts and documents of historical importance, as a result of which they had become torn and damaged.&nbsp; So Chitrakar proposed to the Director of the Archeology Department to make duplicate copies of documents so the originals were preserved. The department accepted it and set aside Rs800 for him to buy a camera.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511090_e3d69f83f919105d3885e9a8b62ced12ba56051e38cd5b69d1f52eaa14fe2ace.jpg" data-media-id="editor_0" data-image-id="2023092511090_e3d69f83f919105d3885e9a8b62ced12ba56051e38cd5b69d1f52eaa14fe2ace" data-rendition-name="original" width="6000" height="4000" loading="lazy" alt="Microfilm archiving in Nepal"> </figure>  Chitrakar then began to make photocopies of documents, the first time this was done. Impressed with his work, the Department of Archaeology sent him to India to be trained in microfilming.&nbsp; “Microfilms had not been introduced in Nepal at the time, so I used my curiosity and made an effort during training to figure out how the practice could be brought into application back home,” Chitrakar recalls. When he returned in 1969, the Bir Library was incorporated into the Department of Archaeology’s National Archives. The Nepal government had also agreed with their German counterparts to make microfilms of Nepal’s archival documents, one copy of which would be with Nepal and the other sent to Germany.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511094_422339effd991229237231a70c2213de5d6ae2ac09850c98d32d5a88204ab209.jpg" data-media-id="editor_1" data-image-id="2023092511094_422339effd991229237231a70c2213de5d6ae2ac09850c98d32d5a88204ab209" data-rendition-name="original" width="3000" height="1981" loading="lazy" alt="Microfilming in Nepal"> <figcaption>Balarama Chitrakar with German representative Bernhard Kolver (third from right).(Photo: suman)</figcaption> </figure>  German state-of-the-art equipment, including cameras and dark rooms were used to microfilm 29,000 documents during the first phase of the five-year project. The team worked every day for five years, microfilming many old books and paintings that Patan and Bhaktapur wanted preserved.&nbsp; In 1972, King Birendra personally took an interest in Chitrakar’s work and helped him with preserving the archives. The work continued for 25 years during which 182,000 manuscripts, inscriptions, copper plates, and other objects of archaeological significance were microfilmed. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/yv8Fc2WDHPA?si=im2dd1KXGr69Af6D" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe></div> Chitrakar travelled to Helambu, Langtang, Pokhara, Manakamana, Janakpur and elsewhere to preserve more archival religious documents. &nbsp; He even went to microfilm archives in Dhaka.&nbsp; By 1993 Chitrakar found there was a storage unit of microfilms but it was not temperature and humidity controlled. With his help, the Madan Puraskar Pustakalaya in Patan also began microfilming its archives.&nbsp; After 30 years, Chitrakar retired in 2001, and some of the documents he archived are 1,700 years old. But since then, the fragile microfilms themselves need to be preserved with digitisation.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023092511094_d660a59924507009b148c5e7a11828447a267f94cde841261b54d9e6220e93a2.jpg" data-media-id="editor_3" data-image-id="2023092511094_d660a59924507009b148c5e7a11828447a267f94cde841261b54d9e6220e93a2" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="Microfilming in Nepal"> <figcaption>Balram Chitrakar in Lumbini stydying microfiliming. </figcaption> </figure>  The microfilms Chitrakar had so painstakingly preserved are beginning to deteriorate due to ‘Vinegar Syndrome’— a chemical reaction that decays the emulsion in film. &nbsp; Microfilms have a lifespan of 100 years, but in Nepal they have begun to deteriorate in half that time. The National Archive has more than 200,000 positives and negatives of ancient texts and documents, out of which 500 are already damaged beyond repair. The Department of Archaeology submitted the Microfilm Reel Preservation Action Plan to the Ministry of Culture, Tourism and Civil Aviation in 2014 but the Ministry has not done much.&nbsp; Nepal stands to lose its archive of archaeological objects, and 82-year-old Chitrakar stands to lose his life’s work and legacy. He preserved historical documents by microfilming them which themselves now need to be preserved. “The fact that these microfilms are in a state of decay means that my entire life’s work will have gone to waste,” says Chitrakar wearily. “And what will we have left if we fail to conserve these microfilms?” &nbsp;

Memories of an archivist

Wine, women and song

Contrary to popular belief, Nepal as a nation with different boundaries was founded way before the unification by Prithvi Narayan Shah. From the time of the Gopal dynasty before the birth of Buddha and after, Nepal has seen many dynastic rulers including Kirat, Licchavi, Verma, Thakuri, and Malla, each with their significant contributions to nation-building.
Unfortunately, much of history before the Shah dynasty is not talked about. Discounting the Shahs, the Malla era is perhaps the best recorded. But even then, not much is known of its rulers before Pratap Malla.
Historians credit Jayasthiti Malla of establishing this dynasty with the unification of Kathmandu Valley. However, our documentation and archaeological research of the early Malla period is scant, and thus a king whose great deeds have created a legacy of Nepal’s culture and socio-economic foundations, is not given his due recognition.
This painting by artist Shreejan Rajbhandari is based on the research of the late historian Dilli Raman Regmi and the event is noted in Gopal Raj Vamsavali, a 14th-century hand-written manuscript of Nepal. It is an artistic tribute to a king who established the longest reigning dynasty which is still integral to Nepal’s identity today.
Jayasthiti Malla was a man of noble but obscure lineage who came from Simraongadh, Tirhut in present-day Tarai. His rise to power indicates the strong historical ties between Kathmandu Valley and the southern plains at the time.
When the Muslim sultanate of Bengal invaded Tirhut, King Harshinga Deva of Simraongadh died while trying to escape. His queen Devala Devi, who had ties with the Bhaktapur royalty, fled along with her son Jagat Singh and took refuge at the Bhaktapur palace under the protection of King Rudra Malla. But Rudra Malla died shortly after without a male hei and his infant daughter Nayak Devi was declared heir to the throne.
The young queen was married to a prince from Banaras, but he too soon died, after which Devala Devi seized the opportunity to marry her son Jagat Singh to the widowed queen, and thus became part of the Bhaktapur royal family. Nayak Devi later gave birth to a daughter, Rajala Devi, who became a full claimant to the throne.
With a son who was prince consort and an infant granddaughter who was heir apparent, the future of Bhaktapur was fragile with no strong leadership. Nepal with its many small warring kingdoms was in constant strife.
Moreover, in 1349, Kathmandu faced the first Muslim invasion by Shamsuddin Ilyas, the Sultan of Bengal. The valley was brutally attacked, looted and destroyed. The city was ransacked and temples and monuments were plundered including Swayambhu and Pashupati. The Sultan’s invasion lasted seven days and the only temple spared was Changunarayan because the invaders could not locate it.
Amidst all this chaos, Devala Devi was looking for someone with the right traits to lead and bring stability to the kingdom. She found Jayasthiti Malla and brought him to Bhaktapur after being impressed by his insight and dynamic personality.
Devala Devi then betrothed her eight-year-old granddaughter to Jayasthiti Malla in 1354. This union led to Jayasthiti Malla declaring himself the king consort of Bhaktapur after the death of Devala Devi. Eventually, he defeated the Raja of Patan, Jayarajuna and took control of the city. A stone inscription (1392) at the completion of the Kubeswor temple in Patan shows his sovereign status in the city.
The painting portrays the Tilapatra Daan puja that took place in Pashupati to celebrate the union of Kathmandu with Patan and Bhaktapur (1375). It took much effort on the part of Jayasthiti Malla to convince the leader of Kathmandu, Jayarasimha to join the union. This first-ever unification of the three kingdoms was a watershed moment in history.
Artist Shreejan Rajbhandari has done his best to portray medieval 14th-century Nepal, and is one of few depicting Jayasthiti Malla, and is a significant documentation on canvas of his reign. Jayasthiti Malla is seen performing the puja with his wife while Jayarasimha looks on with a sense of defeat. The contemporary landscape was difficult to pinpoint, so the artist had to rely on influences of the period.
The Pashupat temple being the main backdrop was drawn with some historical evidence that it was ornamented time and again by Licchavi and Thakuri kings before the Mallas. King Shivadeva III (11th century CE) was the first to have covered the roof in gold. The roof, however, has been shown bare keeping in mind the invasion of Shamsuddin Ilyas in 1349 who had stripped off all the gold. The doorway, however, is given its silver adornment assuming it was renovated as per Vamsavali III, which states that the temple was repaired and a ceremony was performed in April-May 1360.
All the women are portrayed to be of Mithila origin as most noble Mallas had wives from the Tarai. Their jewelry and clothing are of Mithila style. The men’s attire was believed to have been influenced by the Rajasthani style as the Thakuri dynasty before the Mallas were Rajputs. Which is why we see much Rajasthani influence during the Malla era as well. The musicians too are wearing Rajasthani dress, and the puja utensils are Kathmandu Valley style assuming the temple as having both Hindu and Buddhist influences.&nbsp;
The reign of king Jayasthiti Malla saw stability, unification and strength after a long period of chaos. The Malla dynasty, which had begun with King Ari Malla in the 1200s was firmly established under Jayasthiti Malla. He was king of Kathmandu Valley and its environs from 1382-1395 CE. The three cities remained united until the reign of his grandson Yaksha Malla (1482) following which the Valley was divided again. The three kingdoms were in constant strife until Prithvi Narayan Shah conglomerated a greater Nepal in 1768.&nbsp;
Besides his efforts in uniting the Valley, Jayasthiti Malla is also credited with the earliest constitution and codifying the law – Jayasthiti Paddati. This legendary compilation of traditional laws was seen as the source for Mulki Ain, in the 19th century. He also started the Gopal Raj Vamshawali, which is considered the first historically documented evidence of the Nepali state.
He instituted a job-based caste system to bring order and economic stability which is still practiced by the indigenous Newa people in Kathmandu Valley. Further economic reforms through a uniform system of weights and measurement was also established.
Also a builder of numerous temples and a promoter of art, literature and music, the nation owes much to Jayasthiti Malla, and this painting is an attempt to capture an important event in his life and in Nepal’s history.
Shaguni Singh Sakya is the Director of KGH Group and Museum of Nepali Arts (MONA) in Kathmandu where Shreejan Rajbhandari's painting will soon be on display.

History on canvas

The 2015 earthquake damaged more than 750 heritage structures in Nepal. Many collapsed entirely to the ground, including the 900-year-old Maru Sattal, or Kasthamandap.&nbsp; There was much controversy about how to rebuild the structure, and restoration was entrusted to the citizen-led Kasthamandap Reconstruction Committee. With few architectural records of the original Kasthamandap, restoring it from scratch was not easy. Fortunately, the German architect Wolfgang Korn had published minutely detailed measurements of the structure in his 1976 book Traditional Architecture of the Kathmandu Valley.&nbsp; Korn’s drawings proved invaluable in accurately recreating this historic building from which Kathmandu borrows its name. Korn’s original sketches, along with other architectural studies of Nepal’s many monuments are preserved at Nepal Architecture Archive (NAA). The NAA is an initiative of the Saraf Foundation, which is also behind the unique Taragaon Next in Boudha. The idea about setting up the archive goes back to 2009 when Arun Saraf and his wife Namita met architects Niels Gutschow and Erich Theophile at the Yak &amp; Yeti bar to have a spirited conversation about conservation. Read also: <a href="https://www.nepalitimes.com/news/saving-nepal-s-archives-from-oblivion">Saving Nepal’s archives from oblivion</a>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023042105048_c962dd66e0e96741f699cdd6fb56f93625cc6db8e2d1ea88b8c9ea856619b0bd.jpg" data-media-id="editor_1" data-image-id="2023042105048_c962dd66e0e96741f699cdd6fb56f93625cc6db8e2d1ea88b8c9ea856619b0bd" data-rendition-name="original" width="5184" height="3456" loading="lazy" alt="An archive of Nepali Heritage"> </figure>  Over the years, the talk turned serious and focussed on the need to document, preserve and ‘re-activate’ Kathmandu Valley’s historic landscape, through restoration and research, and with a special focus on indigenous heritage.&nbsp; When the Saraf Foundation began to restore the dilapidated Taragaon structure in 2013, it also began to acquire documents, sketches and photographs that related to Nepal’s religious and social architecture and vernacular landscape.&nbsp; “It was a much more organic process,” recalls Namita Saraf, co-founder of the Saraf Foundation and Director of Taragaon Next. “We had the building here, and did not want to tear down its beautiful architecture.”&nbsp; Then Niels Gutschow curated an exhibition there in 2014 and it seemed like a good idea to use the space to store and showcase Nepal’s architectural heritage. Read also: <a href="https://archive.nepalitimes.com/article/interview/james-Nye-in-Nepal,4186">Digitising archives, sharing knowledge</a>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023042105048_032e93a852ee81a1cd2e62ad8afa63d1ff029795cd5563cfe8b2a69c978058e9.jpg" data-media-id="editor_3" data-image-id="2023042105048_032e93a852ee81a1cd2e62ad8afa63d1ff029795cd5563cfe8b2a69c978058e9" data-rendition-name="original" width="4029" height="2686" loading="lazy" alt="An archive of Nepali Heritage"> </figure>  Initially, the Foundation collected material for an exhibition that would re-open Taragaon to the world. There were 150 documents from various European and American scholars who had come to Nepal starting in the 1950s with different projects. Arun Saraf remembers a scholar friend who left 10 cartons of papers for safekeeping until he returned. “He did not come back. A year passed, then another, and we added the papers to our archive,” he says. The collection continued to grow, and by 2015 nearly 2,000 archival material were housed at the Saraf Foundation, including architectural drawings, maps, sketches, photographs, slides, negatives, beta tapes, books, research documents, reference documents, proposals, feasibility studies, unpublished reports, diaries, manuscripts and digital materials.&nbsp; The collection now needed a more definitive home, and a room was quickly set on the fourth floor of the Hyatt Regency hotel. &nbsp; Read also: <a href="https://www.nepalitimes.com/here-now/adventures-of-a-lone-archivist/" target="_blank">Adventures of a lone archivist</a>, Alisha Sijapati  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023042105048_347ba89a2e80f9e6243e1dc0c31e7326cbef3980b51507a977da8f40914d83df.jpg" data-media-id="editor_5" data-image-id="2023042105048_347ba89a2e80f9e6243e1dc0c31e7326cbef3980b51507a977da8f40914d83df" data-rendition-name="original" width="3325" height="4987" loading="lazy" alt="An archive of Nepali Heritage"> </figure>  Today, the unassuming double doors at the end of a corridor open into another long corridor lined with traditional pots on one side and carved window brackets on the other. The corridor leads into another room: the Nepal Architecture Archive.&nbsp; There are no windows, and it is a scholar’s dream to be in such a room, among books and papers, smelling of antiquity and yesterday’s world. The walls are lined with framed maps, paintings and sketches, alongside custom-made moveable chests and drawers. An intricately carved wooden window sits surrounded by original drawings and reproductions of chaitya, temple and the façade of a traditional Newa house.&nbsp; On the adjacent wall is a door from Thimi, possibly from a temple and salvaged from a demolition site in 1995. This door is nearly 2.5m tall and of unique design with sharp geometric patterns. A figure of Hanuman is carved on the top-centre, and directly underneath are nails in a multi-pronged group. The archivist Asmita Nepal’s workstation is at the centre of the room. Her computer is surrounded by books and sheets of paper. She explains that archiving is more than simply filing or storing information and materials: there are often stories to tell about each object. “Archives are usually seen as repositories of static data, and thus rarely explored,” says Nepal, “but they provide a space to create a movement of knowledge, across time and space.”&nbsp; The NAA receives a range of diverse material regularly, which undergo a digital scanning process, online references, and copyright adjustment according to international standards. Eka Resources helped to set a foundation for the NAA’s digitisation and standardisation processes, and the materials are now accessible to the public on written requests.&nbsp; Read also: <a href="https://www.nepalitimes.com/here-now/making-nepal-s-history-colourful">Making Nepal’s history colourful</a>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230421050412_ba2b2a2dbcacd0fa4a31b414b8bd41d1af73d23558f4e4aa9d59011794cd0a3a.jpg" data-media-id="editor_7" data-image-id="20230421050412_ba2b2a2dbcacd0fa4a31b414b8bd41d1af73d23558f4e4aa9d59011794cd0a3a" data-rendition-name="original" width="4012" height="2675" loading="lazy" alt="An archive of Nepali Heritage"> </figure>  “We are not hoarding,” says Arun Saraf, “we are making sure that these important documents and testimonies of our past have a home.” Either the foundation approaches scholars, or the scholars approach the foundation, but the aim of archiving is the same: to preserve research works on Nepal and to put them in public domain so that future scholars may easily access them.&nbsp; Scholars whose work currently held at the NAA include Niels Gutschow, Wolfgang Korn, Jørgen Rahbek Thomsen &amp; Jens Wærum (from the Danish Architects team), John Harrison, Andreas Brandt, Robert Powell, Konstanty Gutschow, Thomas Kelly, Tiziano Terzani, Axel Weller, Klaus Kunzmann, Klaus Kette, Franz Frei, Ulrich Burscher, Thomas Turscher, Raimund Wuldz, and Peter Herrle.&nbsp; There are around 80,000 individual documents, drawings and photographs, excepting slides. While European and American scholars currently have more representation, the NAA is also actively seeking scholars from Nepal and the region for its expanding collection. Read also: <a href="http://www.nepalitimes.com/blogs/thebrief/2015/05/17/documenting-loss/" target="blank">Documenting Loss</a>, Stéphane Huët  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2023042105048_0157e5b59999a3fe44f7a81dc64b31a9202387f92b0ed390e67d1ea174c66979.jpg" data-media-id="editor_9" data-image-id="2023042105048_0157e5b59999a3fe44f7a81dc64b31a9202387f92b0ed390e67d1ea174c66979" data-rendition-name="original" width="3765" height="2510" loading="lazy" alt="An archive of Nepali Heritage"> </figure>  “Being an archivist is so much more than managing the collection. Beyond cataloguing, recording, arranging, it involves also knowing the collection inside-out,” Asmita Nepal explains. “An archivist studies the material beyond its tangible aspects, its story, its maker, background, patron and journey.”&nbsp; It is a lengthy and dynamic process, and requires patience and passion. The NAA’s mission is that these documents must be within the reach of Nepal’s communities. It aims to democratise scholarship so Nepalis themselves better understand the country’s history and heritage. Preservation is the priority since the materials themselves are so fragile. “This gives us as a people the opportunity to decide together what should be kept safe for the future generations. Why take apart something that has value? Why destroy it?”remarks Arun Saraf.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20230421150456_d8664680150e17ffa296b5fd2ea9c257d0e05006f8d8c4e0cb3f41e93c818f74.jpg" data-media-id="editor_10" data-image-id="20230421150456_d8664680150e17ffa296b5fd2ea9c257d0e05006f8d8c4e0cb3f41e93c818f74" data-rendition-name="original" width="1600" height="1066" loading="lazy" alt="sarafs and korn"> <figcaption>Arun and Namita Saraf (left) in conversation with Wolfgang Korn (right) at the Foundation's recent Taragaon Lecture Series #9 held in March 2023. Photo: TARAGAON NEXT.</figcaption> </figure>  The foundation also organises Lecture Series by scholars. Taragaon Next also has a new permanent exhibition co-curated by Sujan Chitrakar ‘Archiving for the Future: An Intersection of Heritage and Architecture’ which displays several objects, documents, paintings and instruments from the NAA, keeping with this theme of making Nepal’s architectural and academic past accessible. “We are just custodians and trying to get more people to care about this as we do,” says Namita Saraf. “Archiving may sound boring, but in fact it is fun and fulfilling work.” &nbsp; Read also: <a href="http://nepalitimes.com/article/nation/data-mapping-the-aftermath-of-earthquake,2218" target="blank">Mapping the aftermath</a>, Ayesha Shakya

Ashish Dhakal

An archive of Nepali heritage

After a week of violent and destructive protests, Nepal’s President Ram Chandra Poudel on Friday appointed <a href="https://archive.nepalitimes.com/regular-columns/Legalese/justice-in-chief,804">former Chief Justice Sushila Karki</a> as a caretaker Prime Minister to lead an interim citizens' government.&nbsp; Poudel had been in <a href="https://nepalitimes.com/news/what-next-nepal">closed-door discussions since Thursday</a> with youth members who spearheaded the protests, constitutional experts, the House Speaker, and the Army Chief. There was a consensus on the choice of Karki as candidate for interim prime minister, but her swearing-in was stalled due to a disagreement about Constitutional processes for her appointment.&nbsp; Youth delegates and Karki demanded that Parliament be dissolved before the appointment of the caretaker prime minister, while President Poudel had been arguing that Parliament would be automatically dissolved once the new council of ministers announced elections. Representing the GenZ movement, <a href="https://nepalitimes.com/here-now/who-or-what-is-hami-nepal">Sudan Gurung</a> (pictured, below) is said to have insisted that dissolution of Parliament first was non-negotiable because he did not trust the political parties. He is said to have added that he would call his supporters out into the streets, and the President relented. The military’s warning earlier that an emergency would be declared if there was no agreement tonight clinched it.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091216098_cdd409c5824b578a04f05a43280e3f475d92bf7123d3a4565b4d720768fcc1b3.jpg" data-media-id="editor_3" data-image-id="2025091216098_cdd409c5824b578a04f05a43280e3f475d92bf7123d3a4565b4d720768fcc1b3" data-rendition-name="original" width="1080" height="600" loading="lazy" alt="Sudan Gurung"> <figcaption>Sudan Gurung of Hami Nepali during negotiations.</figcaption> </figure>  With this, Karki becomes Nepal’s first female prime minister, exactly a decade after she became the <a href="https://archive.nepalitimes.com/article/interview/a-woman-is-as-capable-sushila-karki,3375">country’s first female chief justice in 2016</a>.&nbsp; Nepalis, still shocked by the <a href="https://nepalitimes.com/news/nepal-s-8-september-massacre">death and destruction of the past week</a>, heaved a sigh of relief at the announcement, which was greeted as a victory of youth power for political reform led by the GenZ movement. Its initial anti-corruption protest on 8-9 September <a href="https://nepalitimes.com/news/kathmandu-burns-despite-pm-resignation">spiralled out of control into violence and arson</a> nationwide that claimed at least 51 lives. Several other candidates were floated for the caretaker prime minister’s post. Kathmandu Mayor Balen Shah and former head of the electricity utility Kulman Ghising were being considered, but both declined possibly because they want to contest the next national elections. Given her experience in the judiciary and zero tolerance for corruption, Karki was the favourite of various groups within the GenZ campaign.&nbsp; The site of the negotiations moved to the official residence of the president in Shital Niwas from the Nepal Army Headquarters on Thursday. The Army had come under criticism on social media and from civil society for detaining the President and not letting him speak or be a part of the negotiation.&nbsp; This fuelled public perception that the military had a soft spot for a return of the monarchy. There were widespread rumours on Thursday that king Gyanendra, who was ousted after the abolition of the monarchy in 2008, was trying to stage a comeback by piggybacking on the agitation. Writing on X, senior journalist Kishore Nepal revealed that the Chief of Army Staff Ashokraj Sigdel had allegedly asked Poudel to step aside and pave the way for the military to negotiate, to which the President is said to have replied: “I will not resign. Kill me instead and blame it on the protesters. Then you can do whatever you like.” Live broadcast of swearing in of Sushila Karki:&nbsp; <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/53go4OxuOa0?si=Zd89QGIAX8-7Bm75" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091219094_41b0f97a5925ab6969e1413636bf073ae43262893a55d9c177cb1312dea52f0d.jpg" data-media-id="editor_8" data-image-id="2025091219094_41b0f97a5925ab6969e1413636bf073ae43262893a55d9c177cb1312dea52f0d" data-rendition-name="original" width="1280" height="851" loading="lazy" alt="Sushila Karki swearing in"> <figcaption>President ram Chandra Poudel swearing in Sushila Karki as the 42nd Prime Minister of Nepal.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091303098_8f2b6f98898c4cd73c271caa51b8e29d679a7385c249380aeb96d7cc2c3f6dba.png" data-media-id="editor_9" data-image-id="2025091303098_8f2b6f98898c4cd73c271caa51b8e29d679a7385c249380aeb96d7cc2c3f6dba" data-rendition-name="original" width="1480" height="924" loading="lazy" alt="Sushila Karki PM"> <figcaption>GenZ representatives with new Prime Minister Sushila Karki after her swearing in.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091301098_470dbca4f4d34ca4533ce4d160045ffe8e525e98380f6f1e20eb24a6236c6029.jpg" data-media-id="editor_10" data-image-id="2025091301098_470dbca4f4d34ca4533ce4d160045ffe8e525e98380f6f1e20eb24a6236c6029" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Sushila Karki PM"> <figcaption>Sushila Karki with supporters including Genz representative Sudan Gurung of Hami Nepal and Sumana Shrestha of Rastriya Swatantra Party.</figcaption> </figure>  COURAGE AND INTEGRITY Sushila Karki served as the chief justice between 11 July 2016 to 6 June 2017, and has been known for her frugal ways. She was a firebrand judge unafraid to ruffle powerful feathers, and as chief justice was behind ruling to impeach for abuse of office a powerful head of Nepal’s anti-graft body in 2016. She wrote that he had ‘<a href="https://archive.nepalitimes.com/regular-columns/Legalese/the-end-of-karkistocracy,827">neither the moral character nor qualifications for the post</a>’. Even before she became Chief Justice, Karki was one of the two judges on the bench that convicted the sitting Minister for Information and Communication, Jaya Prakash Gupta, of corruption in 2012. Then in 2016, a bench including Karki ruled against granting amnesty to former Maoist lawmaker and convicted murderer Bal Krishna Dhungel. Karki was born on 7 June 1952 in Biratnagar. She completed her undergraduate studies at Mahendra Morang College in 1972 before obtaining a postgraduate degree in political science from Banaras Hindu University in India three years later. This was followed by a Bachelor's in Law in 1978 from Tribhuvan University, and she started her law career as an advocate a year later. In 1985, Karki worked as a teacher at Mahendra Multiple Campus in Dharan, and was jailed for participating in the 1990 People’s Movement to overthrow the Panchayat absolute monarchy. She became a senior Advocate at the Nepal Bar Association in 2008 and was appointed an Ad-Hoc Justice at the Supreme Court in January 2009.&nbsp; On Thursday, there were supporters for other candidates for the post sloganeering against Karki’s nomination outside the Army Headquarters. Some on social media were also skeptical of her connection to the Nepali Congress (NC) party. Growing up in Biratnagar Karki was close to the family of B P Koirala, Nepal’s first elected prime minister in 1960. Her husband Durga Subedi was part of a group of underground Congress activists who hijacked a Royal Nepal Airlines plane in 1973, flying it to India to snatch cash belonging to Nepal Rastra Bank in the cargo hold.&nbsp; The money was used for the party’s pro-democracy campaign. Karki has no love lost for the political establishment. In April 2017, the governing coalition under Maoist Prime Minister Pushpa Kamal Dahal <a href="https://archive.nepalitimes.com/article/editorial/lady-justice-sushila-karki,3693">submitted an impeachment motion against her</a> after the Supreme Court overturned his decision to install a favoured police chief, violating succession based on seniority. It was a political move backed by Dahal’s coalition partner Sher Bahadur Deuba of the NC who was waiting to become prime minister for the 4th time. CHALLENGES AHEAD With Karki now in charge of the interim government, she has the daunting task of forming a council of ministers made up of amorphous and disparate groups from the GenZ, technocrats, and current politicians. Karki has said she will not prevent members of her cabinet from contesting elections, which means those with electoral aspirations like Kulman Ghising, Balen Shah and Sumana Shrestha could be asked to join. Karki has her work cut out as she has to get her team members to pull in the same direction to hold free and fair elections. She also has to make sure she has the support of the military without giving the generals too much say, while also smartly maneuvering Nepal’s precarious geopolitical ties with its giant neighbours, China and India. But most of all, the new prime minister must lay the foundations to not just physically rebuild the judiciary, executive and legislature but also ensure that elections will produce a more accountable and efficient government. Read also: <a href="https://nepalitimes.com/editorial/trial-by-fire">Trial By Fire</a>, Editorial

Madam Prime Minister of Nepal

One Friday night last month, we were swapping stories about Vipassana, a rigorous <a href="https://nepalitimes.com/opinion/comment/practicing-mindfulness-in-schools?fbclid=IwAR2X1T9SNG1tWe61UPqMUgHjOWNZ4U1foJyURLJMrjYAsUdr4u_mz1rmC1U">meditation</a> technique of silent observation, over dinner. We spoke of its ten days of noble silence, of respiration, observation, and sensation.&nbsp; I told them about my first retreat in Lumbini last year when my mind kept getting distracted: ‘What is happening in the outside world? Is <a href="https://nepalitimes.com/here-now/those-were-the-days-knea0341">K P Oli still prime minister</a>? When I emerged ten days later, he was still PM. During my second Vipassana in February this year, I reassured my mind that nothing dramatic could unfold in ten days. Still, my gut knew this country was always one headline away from <a href="https://nepalitimes.com/editorial/trial-by-fire">revolution</a>. By my third retreat, I was confident, even cocky.&nbsp; At that dinner, I joked: “What could possibly change? If Oli survived my first two meditation retreats, the world can hold steady for a third.” I should’ve known better. On 1 September, I was back at Shivapuri for the second time, my third retreat, with no expectations — only hope that ten days of noble silence would peel yet another layer from my mind.&nbsp; Vipassana is a paradox: brutally difficult, yet infinitely generous. It is the tool needed to tame and know your unconscious mind, and to know yourself even a little through it is a profound achievement. My room at Z House had the best view of the Kathmandu Valley. I developed a ritual: press my hands against my cheeks and stare down at the city. The city below looks chaotic, but somehow beautiful in its stubbornness, where pollution and pride coexist. From up there, it looked like no one was free, trapped in their egos, pettiness and misery.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250913090920_9e77930ed911289c05a731605157f402c06249347e33964dc59c58d32dc2a6d6.jpg" data-media-id="editor_3" data-image-id="20250913090920_9e77930ed911289c05a731605157f402c06249347e33964dc59c58d32dc2a6d6" data-rendition-name="original" width="3000" height="1300" loading="lazy" alt="Vipassana during Nepal revolution"> <figcaption>Those undergoing Vipassana in Sundarijal had no idea of the chaos and mayhem the country was undergoing. Photos: AARSALA ADHIKARI(Photo: Sonia Awale)</figcaption> </figure>  Then, softer thoughts of Metta and compassion would emerge. If only every single person could sit in silence and know their breath, just once. Blessed with ten days of Dhamma teachings on universal law, I imagined our 334 patriarchal parliamentarians and the <a href="https://nepalitimes.com/editorial/house-of-cards?%2F">Oli, Deuba, Prachanda trinity</a>. UNSEEN CHAOS On the seventh and the eighth days of Vipassana (8–9 September) there was <a href="https://nepalitimes.com/news/kathmandu-burns-despite-pm-resignation">black smoke rising from the Valley </a>below. Why were people burning all that garbage? There was no traffic on the straight road down from Budanilkantha. There were gunshots, and I assumed locals were shooting at marauding monkeys. I mistook the sound of helicopters at night for flights circling after takeoff.&nbsp; On the ninth day and in the morning of the tenth, it rained heavily. I tried to spot Dharara like I did every day, but the city was shrouded in a blanket of thick black smog. Even after two days of heavy rain, the smoke had not been washed down. This did not make sense, but my mind had returned to the safe harbour of my meditation. Nothing to see here. On the morning of 9/11, the tenth day, as we emerged from silence, the hall outside filled with chatter. Many people left, weeping, overwhelmed by the experience of the past ten days. We joked about our hardships and dreamt of delicious food, feeling a wave of accomplishment after a documentary about how Vipassana had transformed Tihar Jail in New Delhi.&nbsp; The hall radiated with inspiration and hope. Then, as the film ended an assistant teacher made an announcement: “There are serious protests going on in the Valley. K P Oli has resigned as prime minister. There are no cabinet ministers. The military has taken over, and a curfew has been imposed.”&nbsp; The news hit like a lightning bolt. Mental tranquility gave way to gasps of “What the f**k?” In the main Dhamma Hall, some women erupted in applause. We had spent ten days cultivating Metta, only to step out and realise the world had erupted into chaos. We huddled, trying to piece together fragments of what was happening. The Valley was <a href="https://nepalitimes.com/here-now/nepal-turmoil-will-hit-tourism">still covered in black smoke</a>, the main road was still quiet. A neighbour turned up the radio, reporting deaths, destruction and curfew.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250913050944_ce09e04207ef5eb72ea55800b76df0c16a9d46a3eea957a4ecb0d67e978c2595.jpg" data-media-id="editor_7" data-image-id="20250913050944_ce09e04207ef5eb72ea55800b76df0c16a9d46a3eea957a4ecb0d67e978c2595" data-rendition-name="original" width="1440" height="1200" loading="lazy" alt="Meme doing the rounds on social media"> <figcaption>Meme doing the rounds on social media. </figcaption> </figure>  A first-time meditator, Shivani Karn, overheard a neighbour from wall cross telling his son that people had been shot and that he should not go to school any more. She had wanted to flee the Centre, but stayed on. Stranded foreigners from Argentina to China were bewildered and terrified. Volunteers debriefed us, recounting the shocking details: buildings burning, ministers’ houses ransacked, Oli fleeing, Deuba and his wife beaten up. The leaders were all in the Shivapuri barracks up the mountain. Over 15,000 inmates had broken out of prison. It was a catastrophe unfolding in real time. The city felt ripped out from a nightmare. In the common space, people complained about <a href="https://nepalitimes.com/news/nepal-s-gen-z-protest-turns-deadly">corruption and the ban on social media</a>. But an understanding emerged: both those in power and those who grant it are bound by the law of cause and effect. Driving down from Shivapuri on the morning of 12 September, my heart sank. The smog I had seen was smoke from still smouldering buildings. It was not garbage burning, but the rage of the people. Those were not people scaring away monkeys, but guns that killed innocent lives. The sound of aircraft were actually helicopters rescuing politicians.&nbsp; We drove past Singha Darbar, a charred ruin. Another Vipassana meditator, Anjali Baidya, shared a chilling memory. She recalled being 12 years old in 1973, watching from her home in Makhan Tole as Singha Durbar first caught fire. History had repeated itself 52 years later.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250910140912_e6bf05bfe95f519e05ab8d9016587211b241340fd23a0f9ae728e74747fc5f29.jpg" data-media-id="editor_9" data-image-id="20250910140912_e6bf05bfe95f519e05ab8d9016587211b241340fd23a0f9ae728e74747fc5f29" data-rendition-name="original" width="8064" height="6048" loading="lazy" alt="Nepal in ashes"> <figcaption>Singha Darba, the seat of the government, set ablaze on 9th September. Photo: KAMAL PRASAI</figcaption> </figure>  One Bhatbhateni supermarket after another were scorched, police stations, government offices, once symbols of everyday life. There were soldiers everywhere, not police. &nbsp;Amidst the devastation, a deeper truth settled in. This, too, was Anicca — impermanence. Anicca teaches us that all things are constantly changing, including our thoughts, emotions, and physical sensations. Political systems, power structures, national crises are all transitory. This understanding is crucial for healing. When we cling to the idea that a leader, political system or ourselves are permanent, we set ourselves up for disappointment and anger when it inevitably changes. The Dhamma teaches that responsibility is shared. The anger and fear on the streets are similar to feelings many carry inside. We Nepalis have intergenerational trauma. What I saw was not an abstraction: the gunshots and chaos echoed the terrifying nights of 1 February 2005 in Panauti, a grim replay of the fear I knew as a child at Malpi school, huddling with friends for safety.&nbsp; Read also: <a href="https://nepalitimes.com/news/what-next-nepal">What next, Nepal?</a>, Shristi Karki Our national history is a series of ruptures that become personal landmarks. I was nine years old at my aunt’s birthday party on 1 June 2001, when the celebration was abruptly called off and we were sent home into the silent shock of a royal massacre.&nbsp; This pattern must be broken, and it starts now. The path to national healing must begin with individual healing. We can learn from the story of Angulimala, a violent figure who was transformed by the Buddha’s compassion. The Buddha walked steadily toward him and said, “I have stopped, Angulimala. You must stop too.” Angulimala realised the truth, renounced violence, and was enlightened. Cycles of anger and conflict can be softened and transformed. Nepal’s long-term well-being depends on our ability to approach the Dhamma as a pragmatic tool. Inner calm can help us process collective trauma. By cultivating forgiveness and compassion, we can create a stability that begins within. True healing begins when we stop externalising our pain or intellectualising our emotions, and start nurturing our own inner peace. As the dust settles, the true noise begins: the roar within. We are left with a stark choice: remain trapped in this endless loop of rage, or we can deliberately choose to stop. The Dhamma is not some philosophy for a meditation centre; it is the raw truth of our applied wisdom. <a href="https://nepalitimes.com/news/madam-prime-minister-of-nepal">Sushila Karki, Nepal’s first female prime minister</a>, may have emerged as a new ‘messiah’ but we must begin to take responsibility and accountability. Change cannot come from chaos, it is a conscious effort we must make precisely when it feels most impossible.&nbsp; The path forward is not through the streets, but inward — into the ruins of our own self-righteousness. The disparity and deep-seated grudges are the quiet kindling that have brought this new revolution. The rage on the streets is about suppressed dignity, and a burning hunger for justice.&nbsp; It is time to check the recesses of our minds and hearts, sit down, breathe, and to ask: “When do we stop running, and when do we start healing?”&nbsp; Alisha Sijapati is a writer specialising in cultural heritage, and a former Nepali Times correspondent.

Vipassana during a revolution

Violent protests on Monday and Tuesday in Nepal got unprecedented worldwide publicity for Nepal — but not of the kind it would have wanted at the peak of the autumn tourism season which sees more than a third of annual arrivals. Videos on tv and online about the death, destruction and mayhem in Kathmandu have led to some cancellations, especially with scenes of burning internationally branded hotel chains. Thousands of passengers have been stranded in Kathmandu and in destination cities with the 24 hour closure of Nepal’s only international airport. The Nepali diaspora coming home early for the Dasain-Tihar holidays were also impacted.&nbsp; However, despite the unprecedented nature of events this week and the continuing political uncertainty, tourism officials are confident that Nepal will make it through like it did after past crises. Even during the height of the Maoist war, tourists and trekkers were not harmed. “The tourism industry has been through a lot in recent years, such as conflict, pandemic and earthquake. We have always managed to recover, and have learned a lot about how to bounce back,” says Deepak Raj Joshi, CEO of the Nepal Tourism Board. “However, having such situations again and again really hurts our credibility as a destination.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250912130952_31a707c5bec9f2ce4968bcec95a3a1e9beb25d6f20772cb7d081d0d1fd4d0dd4.jpg" data-media-id="editor_0" data-image-id="20250912130952_31a707c5bec9f2ce4968bcec95a3a1e9beb25d6f20772cb7d081d0d1fd4d0dd4" data-rendition-name="original" width="4160" height="2773" loading="lazy" alt="Nepal turmoil will hit tourism"> </figure>  Nepal was just bouncing back from the slump brought on by a series of upheavals starting with the earthquake and the Covid-19 lockdowns. The number of international visitors had finally reached pre-pandemic levels, recording 736,562 arrivals from January to August 2025. A series of new hotels including international brands such as Hilton, Marriott and Holiday Inns came up across the country. With the Nepal Army stepping in to stabilise the situation starting Tuesday night and through Wednesday and Thursday, the streets are calmer. Kathmandu airport is back in operation, but arriving passengers have to drive past the charred hulks of government buildings and torched cars. At present there are up to 35,000 foreign tourists in Nepal, many already trekking in the Everest and Annapurna regions. Some of them are in Pokhara, Chitwan and Lumbini.&nbsp; “Many are carrying on with what they came to Nepal to do,” says Joshi, adding that since the airport is open their current situation will steadily resolve itself as the backlog of passengers are handled in the coming week. NTB has organised shuttle services between the airport and hotels for tourists, and these buses had passes to ply even during the 10AM-5PM and 7PM-6AM curfew hours on Thursday. Once a more normal state has been reached, NTB plans to work with the private sector to put out the message that Nepal is back in business and has always been safe for tourists. Indeed, no tourists have been harmed during the protests, and they have not been targeted in past conflicts either. At a hotel in Pokhara protestors backed off when they were told that there were foreign guests, and any disturbance would hurt Nepal internationally. The mob left after breaking a few glasses and some vases and torching swimming pool towels. Foreign Investment However, the negative impact of the protests in the short and long term are undeniable. Visuals of a burning Hilton Hotel has been a powerful deterrent, not just for tourism but also for foreign investors thinking of setting up in a country already infamous for corruption and an unfriendly investment climate. “This will likely deter investors who are interested in building an environment for high-end tourists,” cautions Joshi. The last available Doing Business report by the World Bank that included Nepal was in 2020 where Nepal ranked 94th out of 190 countries, a significant jump from its previous position.Pokhara also saw several governmental buildings including a ward office being vandalised and set on fire. Four hotels and establishments linked to politicians -- Mantra Thakali, Hotel Sarowar, Hotel Pokhara Goodwill, and the recently opened Bagaincha Resort were all attacked. According to Mani Raj Lamichhane, NTB’s Gandaki Province head, most of the violence happened around Pokhara’s New Road area, with a few incidents in Lakeside popular with tourists. “Tourists had already been evacuated when the hotels were attacked, and they are now at Lakeside, waiting for buses to ferry them to the airport,” he adds. A Himalaya Airlines flight from Lhasa that could not land in Kathmandu after the airport was closed on Tuesday afternoon was diverted to Pokhara with 65 passengers. The plane flew back to Kathmandu last night. Lamichhane is not so pessimistic about the future. He says, “Nepal has these situations periodically. We lost the tourists that would have come yesterday, and as we were just going into the season we might lose 10-15% of our business. But we are telling tourists to keep their bookings on hold instead of cancelling them.”He adds: “We really have to put the message out there that despite the violence, tourists are safe and they are left alone to enjoy Nepal’s sights.”

Nepal turmoil will hit tourism

After prolonged negotiations over the weekend, Nepal’s new <a href="https://nepalitimes.com/news/madam-prime-minister-of-nepal">Prime Minister Sushila Karki</a> on Monday appointed three members to her Council of Ministers, but the youth group that put her in power does not like her choice. The GenZ group that initiated the movement that toppled Nepal’s government accused Karki of not being consulted about the choice of Om Prakash Aryal, a lawyer who was helping with negotiating with the Army, as the Home and Law Minister.&nbsp; GenZ’s purported leader <a href="https://nepalitimes.com/here-now/who-or-what-is-hami-nepal">Sudan Gurung</a> led a group of his supporters and families of youth killed in <a href="https://nepalitimes.com/news/raising-nepal-from-the-ashes">last week’s demonstration</a> at a midnight protest outside the prime minister’s residence, demanding Karki’s resignation unless she listened to them. Aryal is also a legal adviser to Kathmandu Mayor Balen Shah, who has supported the GenZ movement but refused their offer to lead the interim government.&nbsp; The other two ministers include former Finance Secretary Rameshore Khanal as Finance Minister, and the popular former chief of the Nepal Electricity Authority (NEA) Kulman Ghising as the Energy Minister, Urban Development Minister, and Minister of Physical Infrastructure and Transport. They were sworn in on Monday. While Prime Minister Karki has said she wants competent and honest technocrats in the Council of Ministers, GenZ has been pushing for candidates that do not seem to meet her criteria — including a military officer and Mayor Balen Shah’s candidate.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025091511090_f7db633bbf56c5e2a43b6cd248e522365f56cd34578d65cdeca243c65d807f6d.jpg" data-media-id="editor_3" data-image-id="2025091511090_f7db633bbf56c5e2a43b6cd248e522365f56cd34578d65cdeca243c65d807f6d" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="new ministers being sworn in"> </figure>  Karki’s list is said to include retired Lt Gen Balananda Sharma, &nbsp;Magsaysay Award winner Mahabir Pun of the National Innovation Centre, former Education Minister Sumana Shrestha who quit RSP on Sunday and Dharan Mayor Harka Sampang. Karki met the government machinery on Sunday at her Singha Darbar office. Speaking without a prepared text, she admitted that there had been a “huge loss” not just to government buildings but also to official and court records during the 9 September arson attacks. “I am ashamed to say that there has been a systematic targeting of sensitive and essential government institutions, we will track down the perpetrators and investigate them,” she said. Karki also assured officials that she had no intention of staying on as prime minister beyond 5 March, the date she has set for early elections. She added: “The destruction by criminal elements has added to our challenges, but we have to choose but to unite and rebuild. This movement was about ending corruption, improving governance and equality. Help me achieve those goals.” <h2>KNOW YOUR MINISTERS</h2> Om Prakash Aryal Home Minister, Minister of Law  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915110916_6bbaa39c523979ea1a3e85bd496232fa0dcb6152718ede106078bb5f3d069c3c.jpg" data-media-id="editor_4" data-image-id="20250915110916_6bbaa39c523979ea1a3e85bd496232fa0dcb6152718ede106078bb5f3d069c3c" data-rendition-name="original" width="960" height="955" loading="lazy" alt="Om Prakash Aryal"> <figcaption>Om Prakash Aryal</figcaption> </figure>  Back in 2016, <a href="https://archive.nepalitimes.com/article/nation/do-gooders-to-watch-out-for,3435">Om Prakash Aryal</a> filed a writ petition against the appointment of all powerful Lokman Singh Karki to the Commission for the Investigation of Abuse of Authority (CIAA), paving way for the impeachment of the head of the anti-graft body together with Prime Minister Sushila Karki, who was then Chief Justice. An advocate at the Supreme Court, Aryal gained widespread fame for his work in Public Interest Litigation. Most recently, earlier this year he filed a petition against then Prime Minister K P Oli and Minister for Land Management Bala Ram Adhikari, among others, for their alleged role in the non-implementation of Supreme Court order in the Giribandhu tea estate land scam in eastern Nepal. Aryal came from Gulmi to Kathmandu to be a singer, but ended up pursuing a career in law instead. Aryal also served four years in the National Human Rights Commission (NHRC), and was based in Geneva with the International Commission of Jurists (ICJ). Rameshore Khanal Finance Minister  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915110916_1655aeec3a17a048663b95c0dec3ab302300c51d61f6aed682b17fe5c1532c58.jpg" data-media-id="editor_6" data-image-id="20250915110916_1655aeec3a17a048663b95c0dec3ab302300c51d61f6aed682b17fe5c1532c58" data-rendition-name="original" width="1000" height="666" loading="lazy" alt="Finance Minister"> <figcaption>Rameshore Khanal</figcaption> </figure>  Former Finance Secretary Rameshore Khanal has over 30 years of experience in the civil service, and led reforms in government accounting and reporting, public procurements, tax policy and administration. He also served as Chair of the Board in Agricultural Development Bank and was Board Director in Nepal Rastra Bank, Rastriya Banijya Bank, Nepal Telecom Company, and Nepal Airlines. He also served as an economic adviser to Baburam Bhattarai when he was prime minister in 2013. In October last year, <a href="https://nepalitimes.com/news/nepal-in-the-red">he led the government formed</a> the High Level Economic Reforms Recommendation Commission. The 440-page recommendation released last month included review of the fixed exchange rate with India and the provision for national political parties to receive grants so candidates did not have to depend on business donors at election time. He has announced that he is not going to take a salary, official residence, body guard or official car for himself. Kulman Ghising Energy, Water Resources and Irrigation Minister, Urban Development Minister, and Minister of Physical Infrastructure and Transport  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915110920_7704ba4dd27f06d423852bc9792610cc89acdbee6ff0b380904479c095d328ab.jpg" data-media-id="editor_8" data-image-id="20250915110920_7704ba4dd27f06d423852bc9792610cc89acdbee6ff0b380904479c095d328ab" data-rendition-name="original" width="1057" height="769" loading="lazy" alt="Kulman Ghising"> <figcaption>Kulman Ghising</figcaption> </figure>  The man credited for ending 18-hour-a-day loadshedding in Nepal was also considered for the post of Prime Minister before Sushila Karki was chosen by the GenZ movement on Friday. Ghising is a two-time CEO of Nepal Electricity Authority (NEA) before <a href="https://nepalitimes.com/news/sacking-of-nea-chief-exposes-cronyism">his tenure was cut short</a> by the Oli-led governing coalition earlier this year and replaced by Hitendra Dev Shakya. Ghising’s removal was seen as being politically motivated, and outraged the public and commentators. Many expected Ghising to open his own party ahead of the 2027 elections two years later, but is seen to be close to the Maoist-Centre party. After being appointed NEA chief in 2016, Ghising cut off the dedicated electricity feeds to industries, and redistributed the saved power to the public — ending long power cuts. But he also imported electricity from India to ensure 24-hour supply during the winter dry season to meet demand. Several new hydropower plants came into operation during his tenure, and today Nepal had an electricity surplus.&nbsp; OTHER APPOINTMENTS Elsewhere, Sabita Bhandari Baral has been appointed Nepal’s first female Attorney General.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250915110920_4d60704a1e69309fdfb49a195f538c32159f27748fd2be88693c609ddb98d380.jpg" data-media-id="editor_10" data-image-id="20250915110920_4d60704a1e69309fdfb49a195f538c32159f27748fd2be88693c609ddb98d380" data-rendition-name="original" width="730" height="506" loading="lazy" alt="Female attorney general"> <figcaption>Sabita Bhandari Baral</figcaption> </figure>  By Sunday, total casualties of the nationwide GenZ protests has reached 72. Prime Minister Karki has declared that bereaved families of those killed in the protests will be compensated while hundreds of those still receiving treatment in hospitals will be treated for free. &nbsp;

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