<figure><img width="1000" height="716" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/6372049d9c7e80680e0b286fjpeg.jpg" alt=""/><figcaption>Image from a series by Chinese photographer Guligo Jia’s exhibition of ‘reunions’ of people with family members they lost in the war projected in the wall behind them. Here, Suman Adhikari is photographed with an old photograph of his father Muktinath Adhikari, himself and his brother. Photo: GULIGO JIA </figcaption></figure>My father Muktinath Adhikari was a science and math teacher at the Panini Sanskrit Secondary School in Duradanda in Lamjung district. I had just got into Grade 8 when my mother became ill.We had to take her to hospital in Kathmandu, carrying her in a doko. My father was so dedicated to his school that he did not come with us. It was not because he did not love her.<a href="http://archive.nepalitimes.com/news.php?id=12522#.YeVp1S8RqLc" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D12522%23.YeVp1S8RqLc&amp;source=gmail&amp;ust=1642512806496000&amp;usg=AOvVaw0lOkM1Nl9In27odcK2tW9V">Both my brothers</a> were studying with me in Kathmandu at the time. One was in college and the other was preparing for his SLC exam. I had gone home to Lamjung for winter holidays with one of them.  <figure><img width="200" height="207" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/6372049f9c7e80680e0b2870jpeg.jpg" alt=""><figcaption> </figcaption></figure>My mother had to go through two operations, and I pushed back my return to Kathmandu till 18 January 2002. My sister had also come home for the Maghe Sankranti festival. We were all home on 17 January when my grandfather and his brother came hurriedly to tell us that our father had been taken away by the Maoists.They said he was being taken for “interrogation”.He had been teaching his Grade 10 science class when a gun-wielding militia entered the room, tied a rope around his leg and led him off.We did not know what to do. On the one hand, we reasoned, our father had not done anything wrong, had not harmed anyone, so they would let him go. But we had also heard about Maoist executions and feared the worst.He had told his colleagues as was led away: “You see the situation. Whatever happens to me, manage the school well, do not damage the future of the students.” <figure><img width="1400" height="701" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204a19c7e80680e0b2871jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="2070" height="1576" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204a49c7e80680e0b2872jpeg.jpg" alt=""><figcaption> </figcaption></figure>We had no news till evening. I followed my brother to look for our Dad. When we reached near the school, someone told us the news was not good, and there was no point looking for him. I had an inkling that something terrible had happened and that no one was telling us, and I returned home. My brother came back at 7PM, and told us that <a href="http://archive.nepalitimes.com/news.php?id=17894#.YeVpZS8RqLc" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D17894%23.YeVpZS8RqLc&amp;source=gmail&amp;ust=1642512806496000&amp;usg=AOvVaw2N-_RLEZnLbI0cI4QoiUS2">our father had been killed</a>. They had taken him from the school, past our house, tied his neck to a tree with his muffler, and killed him. My family tried to shield my other brother from the news because he was preparing for his school exam. They did not allow him to even listen to the radio, but he found out anyway from my uncle who had gone to Kathmandu to fetch him. When he got home, the whole family went to the site of the crime. My mother, sister and I could not bear to look. I tried to force myself to at least catch a glimpse, but I could not. The photograph of my father’s <a href="http://archive.nepalitimes.com/news.php?id=16781#.YeVpYi8RqLc" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://archive.nepalitimes.com/news.php?id%3D16781%23.YeVpYi8RqLc&amp;source=gmail&amp;ust=1642512806496000&amp;usg=AOvVaw0aH2JvgxXsXBuNl3GQVhXh">lifeless body still tied to a tree</a> was on the cover of Himal magazine (pictured right) that week. The editor took a big risk by printing that photograph in the midst of war. Later, the picture was picked up by many other newspapers and spread through social media.Even after 20 years, I get the chills if I see that cover photograph. I cannot describe what my family went through. Our father was the sole source of support for the family. Despite his meagre earnings as a school teacher, he used to help others in the village who were in need. But when it was his family that needed support, no one stepped forward to help.In fact, they tormented us by their silence. No one spoke out. They were too afraid that they would also be killed by the Maoists. Before the murder, my aunt had told my father that many other teachers had fled the village because of threats from the Maoists and he should not put himself in danger. My father had replied: “I have never stolen one paisa from anyone, I have never wished anyone any harm, if I leave the school what will become of the future of my students?” <figure><img width="640" height="867" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111410114/637204a79c7e80680e0b2873jpeg.jpg" alt=""><figcaption> </figcaption></figure>It later emerged that the Maoists had asked all teachers to donate 25% of their salary to the revolution. My father stood by his principle that donations should be voluntary, and besides he had to also take care of his family with his salary. He had told the Maoists he would consult the others and give his response, but they did not wait for his answer.We could not even remove the body, or observe funeral rites because of the fear of Maoists. My brothers conducted some rituals at home and returned to Kathmandu.I could not leave my mother alone during such a tragic period, and besides she was not well. I had to discontinue my education, but that was nothing compared to the trauma our family had to go through. We mustered the courage to lodge an FIR at the Lamjung District Police Office. <a href="https://archive.nepalitimes.com/article/nation/Commissions-of-convenience,1530" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/nation/Commissions-of-convenience,1530&amp;source=gmail&amp;ust=1642512806496000&amp;usg=AOvVaw2a5uINM9W70AtKb3zZ1Rk0">There are two Commissions</a> to provide justice to the families of the victims of conflict like us, we even went to the National Human Rights Commission.But even after two decades, there has been no justice. The perpetrators were never caught. If this is the condition of such a high profile war crime, imagine what it is like for others who are not as well known. How will the conflict victims in remote parts of the country ever hope for truth and justice?https://www.youtube.com/watch?v=OPK1y8MSMHc&amp;feature=emb_logoThe Commission on Enforced Disappearances and the Truth and Reconciliation Commission are more interested in letting war criminals off the hook than in providing justice. The commissioners are selected on the basis of party wheeling-dealing, and it looks like their sole intention is to protect the perpetrators. And we hear that they want a <a href="https://www.nepalitimes.com/latest/nepal-runs-out-of-excuses-to-address-war-crimes/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/nepal-runs-out-of-excuses-to-address-war-crimes/&amp;source=gmail&amp;ust=1642512806497000&amp;usg=AOvVaw12XhhNJcMJn9L4BGusBJzm">blanket amnesty for all war crimes</a> by both sides in the conflict. International norms say that whether a perpetrator of a crime is to be pardoned or not is solely at the discretion of the victim. Still, they address political rallies and blatantly boast that they killed 5,000 people and those who were responsible for conflict-era crimes are walking openly in broad daylight. My father, who had no connection at all to the Maoist insurgency, was killed by them. We lost our father. Nothing will bring him back. If his murderers are not caught there is a danger <a href="https://www.nepalitimes.com/editorial/history-on-replay/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/history-on-replay/&amp;source=gmail&amp;ust=1642512806497000&amp;usg=AOvVaw1SnZqMPw1s7CMEwi7T7g2L">there will be another conflict</a> like this, and there will be other orphans like us. That is why we are still fighting for justice. I just hope no one in Nepal in future has to bear the kind of physical and mental torture that we did as a family. Twenty years later, my father appears to me in my dreams sometimes. I am so happy to see him alive. But then I wake up, and weep. I wish my dream would never end. Translated from the <a href="https://www.himalkhabar.com/news/127861?fbclid=IwAR32w5E-Totbc63ZAnwgR13Lre3VnPxI8_Vt-uf4e8RFqC6ZncnVTwb6KXQ" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.himalkhabar.com/news/127861?fbclid%3DIwAR32w5E-Totbc63ZAnwgR13Lre3VnPxI8_Vt-uf4e8RFqC6ZncnVTwb6KXQ&amp;source=gmail&amp;ust=1642512806497000&amp;usg=AOvVaw2e4nzefESDuc7Xr6JVIQUS">Nepali original</a> in <a href="http://himalkhabar.com/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://himalkhabar.com/&amp;source=gmail&amp;ust=1642512806497000&amp;usg=AOvVaw0eWk9SdO610RJSKCHi_R-5">himalkhabar.com</a>

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Nepal’s unpunished war crimes

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109151112/636bb5e29c7e80680e07bc2cjpeg.jpg" alt="" width="800" height="549"/><figcaption></figcaption></figure>On the sixth <a href="http://archive.nepalitimes.com/article/nation/dead-and-dying,3955" target="_blank" rel="noopener noreferrer">death anniversary of Nanda Prasad Adhikari</a> who was on a hunger strike demanding justice for his murdered son, his widow Ganga Maya has once more urged the government to prosecute the perpetrators.From her bed in the National Trauma Centre, where she was shifted after Bir Hospital was turned into an exclusive Covid-19 hospital, Ganga Maya has appealed to Nepal’s human rights groups and the international community to support her struggle for truth and justice.Ganga Maya and her husband started their hunger strike nine years ago, did not have solid food and were fed intravenously in hospital. She has continued with the struggle even after her husband <a href="http://archive.nepalitimes.com/regular-columns/the-deadline/sad-saga-of-adhikari-family,367" target="_blank" rel="noopener noreferrer">died on the 334th day of his fast unto death</a>.His yet-to-be-cremated body in Box No 4 inside the morgue at Tribhuvan University Teaching Hospital in Kathmandu is a stark reminder of Nepal’s failed transitional justice process.The couple’s son <a href="https://www.nepalitimes.com/banner/when-our-son-was-killed/" target="_blank" rel="noopener noreferrer">Krishna Prasad Adhikari was 17 when he was killed</a> on 4 June, 2004 when he went to visit his mother’s family just after finishing his SLC exam in Gorkha. A group of Maoists caught and tortured and killed him by stuffing him inside a sack and dragging him behind a motorcycle. They accused him of being a spy.His parents <a href="http://archive.nepalitimes.com/article/nation/Just,451" target="_blank" rel="noopener noreferrer">Nanda Prasad and Ganga Maya came to Kathmandu</a> to protest when Baburam Bhattarai was prime minister in 2012. Police got them certified as ‘mad’ and dumped them in Gorkha.The couple lodged a complaint at the Chitwan District Police Office against Chhabilal Poudel, Januka Poudel, Meghnath Poudel, Bishnu Tiwari, Subhadra Tiwari, Sita Adhikari, Kali Prasad Adhikari, Himal Adhikari, Ram Prasad Adhikari, Bhimsen Poudel and Parashuram Poudel. But when no action was taken, they returned to Kathmandu and started a hunger strike outside Bir Hospital on 12 August 2013.On 3 September of the same year, the Supreme Court ordered the couple to be force-fed and to release the details of the investigation into the complaint. On 6 September, police arrested one of the accused, Ram Prasad Adhikari, but released him 22 days later.On 13 April 2014, Chhabilal Poudel and 13 others were charged with the murder of Krishna Prasad. However, four days later the Chitwan District Court ordered the release of Chhabilal on bail. On 19 June 2015, the then appellate court of Hetauda upheld the decision of the district court.After her husband's death, <a href="https://archive.nepalitimes.com/article/nation/gangamaya-hunger-justice,4180" target="_blank" rel="noopener noreferrer">Ganga Maya continued her hunger strike alone</a>. On the 359th day, the government led by the then Prime Minister Sushil Koirala made a five-point commitment: to take the accused to court, take action even if accused were out of the country, pay for Ganga Maya's family's lifelong treatment and living expenses, provide security to Ganga Maya and her eldest son Nur Prasad and make necessary arrangements for Nanda Prasad's funeral.After the Hetauda Court upheld the Chitwan District Court's decision to release the defendants on bail, Ganga Maya filed an appeal against it in the Supreme Court on 28 June 2015. On 21 December of the same year, the Supreme Court ordered the judicial custody of Chhabilal Poudel.But when Chhabilal Poudel wasn't arrested, Ganga Maya went on a hunger strike in 2018 and on the 48th day, on 9 July 2018, Chhabilal was forced to surrender before the Supreme Court, and was sent to prison for trial.The Chitwan District Court acquitted all the accused except Rudra Acharya on 9 September. On 4 September 2019, Ganga Maya appealed against the district's decision in the Hetauda Bench of the Patan High Court, and on 11 November, the Hetauda Bench ordered the defendants to appear. However, no further hearing has been held since then.

Ganga Maya’s endless road to justice

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67a09c7e80680e0599e9jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>Tiger Mountain Pokhara Lodge has won the Conde Nast Traveler Best Ecolodge, National Geographic Global Top 50 EcoLodges and Conservation International's Ecotourism Award UK Sunday Times' top five cool pools</figcaption></figure>The guests were dressed with care as befits the end of an era. The New Year’s Eve atmosphere was buoyant but grave, with the usual eclectic Tiger Mountain mix. Old Asia-hands from Singapore and Thailand were gathered with Swiss family, British friends, Kathmandu expats, Tibetan cousins and Nepali hosts, all reflecting on the massive significance of the passing millennium. The grandeur of the Himalayan scenery matched our mood.It was 31 December 1999 and we were perched on a ridgetop above the Bijaypur Khola in Tiger Mountain Pokhara Lodge. Far beneath us, the lights of Pokhara Valley twinkled in the winter cold, and the soaring white peaks glowed pale in the moonlight. On the hillside opposite some farmers were razing their fields, and the fires spread out slowly until they formed the unmistakable shape of a giant burning cross.<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=15828#.XgmPoFUzaUk" target="_blank" rel="noopener">Jim Edwards</a> leaned against the stone column beside the Lodge’s picture window. “Perhaps we should heed such a powerful symbol,” he said quietly. Despite the cosy warmth and the blazing central fireplace, a shiver went down my spine.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67a39c7e80680e0599eajpeg.jpg" alt="" width="1280" height="902"><figcaption> </figcaption></figure>There were a few things to worry about, not least the widespread concern that the digital world would come crashing down on the stroke of midnight, which had kept our diplomatic friends on high alert in their embassies. To no avail as it turned out, but the rumours had been rife and convincing.In Nepal, the brutal insurgency was rumbling with increasing vigour throughout the country. It would be another six years before peace was achieved, a time of such trauma that it is buried deep into a collective national amnesia. The horror of the royal massacre was 18 months ahead of us and, three months after that, the 9/11 terror tragedy of the twin towers which changed our world forever.Pokhara Lodge had been shaken with an evening raid by alleged insurgents that carried off not only the terrace telescope and some staff cameras, but the bulging contents of the end-of-season tip box, which seemed rather harsh given their declared ideology. The attack was the first of relatively few direct clashes with tourism during those deeply troubled times. No one was harmed, and even the resident guests were unalarmed, confusing the red bandanas, flags and brandished khukri knives as part of a cultural show.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67a69c7e80680e0599ebjpeg.jpg" alt="" width="1280" height="921"><figcaption> </figcaption></figure>On that millennial eve, Pokhara Lodge had been operating for just over a year. The trees and wild landscaping had yet to mature around the honey-coloured stone bungalows, hand-cut from a local quarry, clustered like a local village adjacent to our community forest neighbours. The swimming pool bamboos were still in their infancy, but the peaks were already mirrored in its shimmering blue surface on a breathless morning as eagles, vultures and kites wheeled overhead.<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/hillary-centenary/" target="_blank" rel="noopener">Sir Edmund Hillary</a> had done the inauguration honours, stooping stiffly to light the votive brass lamp on the broad slate veranda one clear October day, with expansive views of the Himalaya range stretching from Dhaulagiri to Manaslu. At various stages of construction, monks and priests had blessed the hilltop site, selected by <a href="https://www.nepalitimes.com/opinion/hiking-with-jimmy/" target="_blank" rel="noopener">Colonel Jimmy</a> Roberts as the first campground on Prince Charles’ original Royal Trek in 1980.I had walked the first recce of that route for Mountain Travel with Pertemba Sherpa, a circuit now driveable down unappetising dusty rutted roads, because Colonel Jimmy’s hips were already failing him and his walking days were over. I stayed behind to manage the media that early December day 40 years ago, as the Prince of Wales strode uphill towards the silhouetted skyline tree that now bears his name, accompanied by Prince Dhirendra and a royal retinue. “The mountain views were ‘gin clear’ for all four days,” Colonel Jimmy noted in satisfaction.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67a99c7e80680e0599ecjpeg.jpg" alt="" width="640" height="860"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67ac9c7e80680e0599edjpeg.jpg" alt="" width="478" height="640"><figcaption> </figcaption></figure>As we hurtle into another shiny new decade, pondering on what lies ahead, <a href="https://www.nepalitimes.com/banner/how-will-nepal-develop-in-the-next-decade/" target="_blank" rel="noopener">hopes run high for a better prognosis</a> as we face the clean slate of the future. Our New Year resolutions this time can be more ambitious than the annual self-improvements destined to peter out by February.Nepal’s <a href="https://www.nepalitimes.com/opinion/decentralising-hydropower/" target="_blank" rel="noopener">full potential for generating hydropower</a> can happen, even as <a href="https://www.nepalitimes.com/opinion/make-or-break-decade-for-climate-action/" target="_blank" rel="noopener">glaciers retreat and river levels drop</a>, the patient queues at hitis and water taps testament to a depleting water table. The realities of rail travel are still a dream away, victim to the overwhelming odds against running rails through the world’s highest, youngest and least stable mountain chain. But <a href="https://www.nepalitimes.com/banner/designed-and-made-in-nepal/" target="_blank" rel="noopener">electric bikes</a> and cars are beginning to ply the Valley, and all sorts of innovative no-plastic and waste solutions are being trialled and adopted.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67ad9c7e80680e0599eejpeg.jpg" alt="" width="978" height="644"><figcaption> </figcaption></figure>The energy and opportunity of the much-awaited <a href="https://www.nepalitimes.com/opinion/make-sure-you-visit-nepal-in-2020/" target="_blank" rel="noopener">Visit Nepal Year 2020</a> is upon us, with a plethora of creative events, new product ideas, and even an appreciation of the old and bold who have shaped tourism in the past. Hopefully, <a href="https://www.nepalitimes.com/banner/pokhara-nepals-new-aviation-gateway/" target="_blank" rel="noopener">new international airports</a> around the country will improve our travel patterns, pushing tourists beyond the much-treaded Kathmandu-Pokhara-Chitwan triangle with new destinations that can deliver the delights of Nepali culture and adventure. Even as roads penetrate the heights and scar the hillsides, trekkers can disperse beyond the Everest-Annapurna-Langtang circuits, bringing benefits to the pristine and scarcely-visited sections east and west along the <a href="https://www.nepalitimes.com/review/nepals-grand-trek-road/" target="_blank" rel="noopener">Great Himalaya Trail</a>.At this <a href="https://www.nepalitimes.com/banner/nepal-in-2030/" target="_blank" rel="noopener">dawn of a new decade</a>, let us tune our ears to the rhythms of history, use the commitment of VNY2020 and push beyond the cliché: Plus ca change, plus c’est la meme chose. Seize the decade. A future awaits.

Lisa Choegyal

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Seize the coming decade

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46529c7e80680e04d3d0jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>'Comrade Pratista, 14, dances to the tune of a revolutionary song at a Maoist mass rally in Dang in 2001 during a Dasain ceasefire. Photo: TAKAAKI YAGISAWA/A PEOPLE WAR</figcaption></figure>Men and women in unisex combat fatigues dance energetically on stage. Their modernistic, martial moves would not look out of place in a tv reality show. But the lyrics tell a different story:It is time to sharpenthe shining khukri againThis YouTube video clip shows members of the Samana Cultural Group affiliated with the Biplav faction continuing where the mainstream Maoist party left off after the ceasefire in 2006.https://www.youtube.com/watch?v=Vpqh0qAN72sSongs like these were hits during the insurgency, when Maoist propaganda units toured the country performing and mustering public support for the revolution. In many places, it worked.But even though Nepal has gone from war to peace, from <a href="https://archive.nepalitimes.com/article/nation/nepal-from-royal-to-republic,3736" target="_blank" rel="noopener noreferrer">monarchy to republic</a>, and many of the performers have either migrated for work overseas or turned to other professions, members of the <a href="https://www.nepalitimes.com/here-now/its-a-crime-not-to-call-it-terrorism/" target="_blank" rel="noopener noreferrer">Biplav faction</a> are still singing to show that the revolution continues.The tradition of revolutionary songs did not begin with the Maoists. Ranudevi Adhikari, the first female voice on radio, sang songs against the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-rana-reign-a-recap-of-history,3751" target="_blank" rel="noopener noreferrer">Rana regime </a>that were broadcast from clandestine stations in 1949. One of them went:                Nepali, Nepali,                Let’s march forward                with the flag of revolution in our handsThe genre came to be known as janabadi, and the songs were revived during the Panchayat when four youngsters, Raamesh, Raayan, <a href="http://archive.nepalitimes.com/news.php?id=3643#.XQtmIhYzaUk" target="_blank" rel="noopener noreferrer">Manjul </a>and Arim, established a group called Ralfa.“At the time, the only songs were about love, not about the harsh life of poor people,” remembers Raayan, who today heads the Nepal Academy of Music and Dance. “Our intention was to bring awareness and to change society through music.”https://www.youtube.com/watch?v=2UMN8Sm9H-sThe group went on to create rousing songs like <a href="http://archive.nepalitimes.com/news.php?id=868#.XQtmIxYzaUk" target="_blank" rel="noopener noreferrer">Gaun Gaun Bata Utha</a> and Gariba ko Chameli, and toured Nepal singing songs protesting against the Panchayat regime and establishing the pragatishil genre, which shares many features with protest music worldwide.The lyrics mainly dealt with social inequities and injustice. The music was often martial and easy to repeat and understand because it was based on simple folk tunes. When performed as dances, the songs were deliberately non-sexual, featuring uniformed men and women.https://www.youtube.com/watch?v=Mm-NhAb2XRAThe tunes were instrumental in the success of the anti-Panchayat people’s movement of 1990 and the 2006 anti-monarchy protests. During the 1996-2006 insurgency, the messages focused on injustice and an exhortation to rise up and fight. There were krantikari (revolutionary) songs eulogising courage on the battlefield and mournful ones about martyrs.“The function of revolutionary songs was to recruit people to the revolutionary cause, and to rally the people,” recalls Mani Thapa (video below), who headed a Maoist cultural group. “They were relevant at a particular moment in history, and we don’t really sing such battle-ready songs anymore.”https://www.youtube.com/watch?v=3UnxO2TAn_QMany of the songs are now lost because they were never recorded, but also because the cause dissipated after the war. Writer and music analyst Raman Ghimire believes this is the fate of all revolutionary songs: “They are associated with a particular ideology and are only relevant as long as the movement needs them. They are never going to be popular in the mainstream.”The Maoist party’s cultural wing attracted many talented lyricists, composers and singers, but it was later dismantled. “After the ceasefire we had intense debate about which way we should go, towards peace or towards another revolution (shanti ki kranti),” remembers Laxmi Gurung (video below) who joined the Maoists out of revenge after her leftist father was disappeared by state security and her husband killed. It is her voice in dozens of revolutionary songs, including Rana Maidan Ma, in which a line says, ‘the lives of brave warriors bloom in the battlefield’.https://youtu.be/zZRtHbEGuDYLaxmi Gurung (above) joined the Maoists after her father and husband were killed. She did vocals for dozens of revolutionary songs.“More bloodshed will not be good for the country,” says Gurung now, adding that it is hard to survive as a singer in peacetime. Other members of her troupe have chosen other paths  too. Mani Thapa became a politician, while Maila Lama (video below) who sang songs exhorting guerrillas to battle, has joined the Biplov faction.Pragati Mahara of the Maoist Pratirodh Cultural Group today sings songs about social ills and transformation. “The songs about battles are a part of history,” says Mahara. “Now that our revolution is over, we are more focused on the need of the day.”https://www.youtube.com/watch?v=tfkOcWj7TJoMeanwhile, the original Ralfa generation is still active, perhaps more so than the Maoists who came after them. But even they have distanced themselves from politics. As head of a government institution, Raayan is focused on promoting Nepal’s folk art.Raamesh also shuns political affiliations, even though Ralfa’s songs were used by many political movements: first against the Panchayat, then by the Maoists, who saw them as precursors to their own revolutionary songs, and finally by political parties during the 2006 anti-monarchy protests.Raamesh is now more active as a children’s song creator. “We sing people’s songs, which speak up for the poor and disenfranchised. If anyone wants to use them for a good cause, they are welcome. But using it for vested political interests is a crime,” he says.Unlike Maoist songs, Ralfa’s numbers are evergreen because they speak of the larger causes of justice and equality. There is a lesson there in what makes a song endure, while others disappear.Jeevan Sharma, who established the Raktim Cultural Group, is among the few revolutionary singers who has gone mainstream. “The people always need a voice, and songs that speak truth to power. If they do that, songs do not need to be associated with any political party – they can have a life of their own.”Sharma’s own song of the life of the disenfranchised, Simali Chhaya ma Basera, has that long shelf-life.https://www.youtube.com/watch?v=Izb4dfqUt1ISince the Raktim Cultural Group was associated with the NCP Masaal led by Mohan Bikram Singh, Sharma’s songs were unofficially banned during the monarchy days and the composer himself was semi-underground during the Panchayat and the war years.Ironically the Maoists, who once promoted revolutionary songs, are today <a href="https://www.nepalitimes.com/opinion/creeping-control-over-the-press-in-nepal/" target="_blank" rel="noopener noreferrer">cracking down</a> on protest songs. Those who claimed to speak for people’s rights now try to ban songs like Pashupati Sharma’s Lutna Sake Loot.Raamesh himself is still writing songs, and his latest shows the fire has not gone out:                A great storm arose                To raise the fallen head of justice                Their deceitful face is now clear                Now we know they are regressive<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46559c7e80680e04d3d1jpeg.jpg" alt="" width="1500" height="985"><figcaption> </figcaption></figure><h2>Laxmi Gurung's wartime memories in pictures</h2><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-purna-gharti-another-revolutionary-artist.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46589c7e80680e04d3d2jpeg.jpg" alt="" width="150" height="100" aria-describedby="gallery-1-28728"></a><figcaption id="gallery-1-28728" class="wp-caption-text gallery-caption">Laxmi Gurung with another revolutionary singer</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-sita-acharya-and-other-party-cadres.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a465b9c7e80680e04d3d3jpeg.jpg" alt="" width="150" height="108" aria-describedby="gallery-1-28729"></a><figcaption id="gallery-1-28729" class="wp-caption-text gallery-caption">laxmi gurung with Maoist singer Sita Acharya and other party cadres</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-is-welcomed-with-flowers-at-a-village-during-her-campaign-as-a-revolutionary-singer.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a465f9c7e80680e04d3d4jpeg.jpg" alt="" width="150" height="101" aria-describedby="gallery-1-28732"></a><figcaption id="gallery-1-28732" class="wp-caption-text gallery-caption">laxmi gurung is welcomed with flowers at a village</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-during-the-Maoist-era.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46629c7e80680e04d3d5jpeg.jpg" alt="" width="150" height="101" aria-describedby="gallery-1-28733"></a><figcaption id="gallery-1-28733" class="wp-caption-text gallery-caption">Laxmi Gurung during her days as a member of Maoist Cultural troupe</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-maila-lama-a-revolutionary-artist-who-is-with-biplov-faction-today-1.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46669c7e80680e04d3d6jpeg.jpg" alt="" width="150" height="97" aria-describedby="gallery-1-28734"></a><figcaption id="gallery-1-28734" class="wp-caption-text gallery-caption">laxmi Gurung with Maila Lama, a Maoist ]artist who is with Biplov faction today</figcaption></figure><figure class="gallery-item"><a href="https://www.nepalitimes.com/wp-content/uploads/2019/06/laxmi-gurung-with-sita-acharya-another-revolutionary-singer.jpg" data-elementor-open-lightbox="default" data-elementor-lightbox-slideshow="55de498"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813114/636a46689c7e80680e04d3d7jpeg.jpg" alt="" width="150" height="103" aria-describedby="gallery-1-28730"></a><figcaption id="gallery-1-28730" class="wp-caption-text gallery-caption">Laxmi Gurung with Sita Acharya, a prominent member of Samana Cultural Group</figcaption></figure>Read also: <a style="text-indent: -15pt; background-color: #ffffff; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/issue/350/Nation/13572#.XQtlIBYzaUk">Voice of the party</a>, Govinda Luitel

Still dancing and singing for Nepal revolution

<img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710114/6368cacd9c7e80680e02f336jpeg.jpg" alt=""/>Himal Khabarpatrika 22-28 AprilInterview with civil society leader Devendra Raj Pandey on the 12th anniversary of the Democratic Movement in 2006. Himal Khabarpatrika: This week marks the triumph of the 2006 Democratic Movement. How do you recall those heady days?Devendra Raj Pandey: After 1990, people were growing frustrated with political parties and the Maoist insurgency was escalating. Yet, civil society was passive. The royal coup in 2005 gave us new energy, and we announced a civil movement for peace and democracy.Why was civil society passive? This is what happens when you have the desired political system, but the leaders do not deliver. Democracy was already restored in 1990, so we did not have to fight for it. We were disillusioned with elected leaders, but we could not ask them to step aside and let us govern the country.Why has civil society failed to create the kind of political order it envisioned? You can change the regime, but not the attitude of political leaders. After 1990 and 2006, our leaders considered money instead of people as their source of power. The general people or civil society were responsible because they stand united to overthrow authoritarian regimes, but are divided when political parties come to power. They never question the party they belong to.How has Nepal’s political course been after 2006?  Nepal was run by political cartels until recently, with a syndicate of top leaders taking all important decisions. And they were doing it not to serve the country but to cling on to power. The transition to federalism was long and bumpy, but we did not have the luxury to undo everything and start afresh. Even after three tiers of elections under the new Constitution, Madhesi, Janajati, women and Dalits have political grievances. But there is a sense of political stability, and I am hoping for new power dynamics within existing political parties and the emergence of a new political culture. <img width="456" height="410" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110710114/6368cad19c7e80680e02f337jpeg.jpg" alt="">Are you suspicious of the communist government?There is speculation that the communist government will curtail civil rights and impose authoritarianism. I do not think so. We cannot regress. Democracies are under attack, and populist ultra-rightists are emerging around the globe. Our democracy is in much better shape. The only problem is that our leaders never seem to retire or improve. A politician returns to power after 12 years, but his style and attitude does not change. It looks like I am pointing to NC President Deuba, but this is true right across the political spectrum.Has civil society been donor-driven? With financial assistance come political agendas. Soon after the restoration of democracy in 1990, the Soviet Union collapsed and several new nations were born. The Western powers invested heavily in transforming these new nations into democracies. That was when they began funding Nepal's civil society movement. If we allow them to decide our state structure, order and distribution of resources, it will be harmful to us.Why did civil society not intervene when the Maoists tried to push ethnic identity-based federalism? Civil society was polarised, too. While some supported the Maoist agenda, others tried to foil them. There was no space for neutrals like us.But none of you came up with ideas to reconcile ethno-centrism and regionalism.Who listens to ideas in Nepal? I personally believe that we must accept that the State has historically excluded Janajati, Dalit and women. If we make this acceptance a point of departure, we can negotiate to mainstream these excluded communities. But how can we even start a negotiation when you end the debate with: 'This country was created by Prithvi Narayan Shah'. A radical idea was countered by another radical idea, and there was no middle ground.How can grievances of Madhesis, Janajatis and women be addressed? They need a leadership that can articulate their voice and negotiate with the government. They do not have a leader at the moment. For example, Madhesis are being led by dishonest and opportunist leaders. It is easy for the government to coopt them. But what if Madhes explodes against its own so-called messiah? It is a responsibility of the government to foresee future crises and avert them through negotiations.What's next after the Constitution, elections and federalism?Creating three levels of government is real devolution, and the Centre should no longer try to retain the unitary system. Tax payers are concerned that the State will now have to pay for too many ministers and MPs. If our elected representatives want to address these concerns, they must renounce their sense of entitlement.The agenda of stability and prosperity seems to have struck a chord with the people?  I do not understand why we are suddenly after prosperity at a time when we have failed to deliver even development. The Prime Minister is making one grandiose promise after another. But where is the mechanism to realise these dreams. A few ministers have hit the ground running, but overall the system has not improved.

“Our leaders never retire”

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

Four international names in architecture, Shigeru Ban, Rem Koolhaas, Tadao Ando and Louis Isadore Kahn, all left their mark in Nepal. But despite their best intentions, the ambitious designs fizzled out. Ban, Koolhaas and Ando won Pritzkers, the best known international award for architecture, and Kahn could have won it had the prize been given in his lifetime. But their designs fell short of transforming Nepali architecture and did not help inspire local architects.&nbsp; Why were these four ‘starchitects’ unable to pull off their Nepal projects and enrich the country with exemplary contemporary designs? The failure, especially the violation of Kahn’s design, also raises larger questions about how much contemporary architecture is valued in Nepal.&nbsp; Whereas Sri Lanka had Geoffrey Bawa and Bangladesh had Mazharul Islam, the pioneers of contemporary architecture in Nepal have had far less public appreciation. One wonders if Nepali architecture only refers to the monuments and heritage of the past. Nepal does have examples of outstanding modern architecture such as the &nbsp;पाङ्रे घर ‘Wheel House’ and खुट्टे घर &nbsp;‘House on Legs’ by Shankar Nath Rimal in the 1960s. These are the best examples of how some Nepali designers successfully tailored modern architecture to the Nepali context.&nbsp; Ten years ago, Nepal had three architecture magazines, SPACES, praXis and Business Architecture, but none of these survived. This newspaper has prominently covered contemporary architecture, and the built environment, but these are exceptions in Nepal’s media. There have been a few encouraging signs. The 2024 exhibition Modern Encounters in Architecture in Kathmandu Valley (1945-1985) at the Taragaon Museum had many visitors and its accompanying book is a seminal document.&nbsp; In 2023, the Mountain Architecture Dialogue (MAD) that focused on examples of good-practice sustainable contemporary architecture for the mountainous terrains of Nepal was a packed event with over 300 young architects, engineers, environmentalists and architecture students. <h2>Shigeru Ban</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe.png" data-media-id="editor_0" data-image-id="2024122003128_8bb8dde080c5698c2585966bef27ce4c08e4ee488d3432b2caac98b9de762dfe" data-rendition-name="original" width="990" height="1074" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  Shigeru Ban had already built a name for himself in post-disaster construction when he came to Nepal following the 2015 earthquakes in which 500,000 people lost their homes. The basic design and its 3D-rendered images were reviewed in upbeat articles on DOMUS, Architectural Review, Dezeen, and Arch Daily.&nbsp; But his signature cardboard tubes could not handle the monsoon and the roof structure had to be re-designed with timber. Only two shelters were completed in Sindupalchok, and only one of them still stands at the Hyatt Regency grounds today, as Ban’s souvenir to Nepal.&nbsp; <h2>Rem Koolhaas</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222.png" data-media-id="editor_1" data-image-id="2024122003128_58afec9b57accfa38327af0936648c6eb2f2e11ff18f1af8ca27383dc57dc222" data-rendition-name="original" width="750" height="722" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  The designs of Dutch architect Rem Koolhaas have a specific signature: bold shapes and an intriguing architectural typology that challenges standard building blocks. Some designs even seem to defy gravity, like the CCTV headquarters in Beijing: an angular, continuous geometry of glass and steel.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d.png" data-media-id="editor_2" data-image-id="20241220031216_a18dc8a8d6b97bc6fa9d590036cf374f9dc3709c699fe5c5787304bbd05cb17d" data-rendition-name="original" width="1812" height="1168" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Rem Koolhaas' design for Ullen's School in Khumaltar.</figcaption> </figure>  Koolhaas was commissioned by Belgian billionaire Guy Ullens to design a new building for Ullens School in Khumaltar. The most prominent feature is its vertical glass block staircase. Some interior spaces have lowered windowsills, which provide ample views and daylight. But the school building has gone unremarked in Nepal. <h2>Tadao Ando</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675.png" data-media-id="editor_3" data-image-id="20241220031212_cc16bd6feb8be07a7198285b847a45d2126dc3a479e0cc7370331861fc544675" data-rendition-name="original" width="626" height="628" loading="lazy" alt="Forgotten international starchitects in Nepal"> </figure>  Doctors providing aid to victims of the Great Hanshin earthquake in 1995 in Japan requested Tadao Ando, who had donated his Pritzker money to the victims, to also make a design for a hospital in Butwal.&nbsp; Ando’s contribution would be pro-bono and the construction was funded by the Hanshin Earthquake victims and by the popular Japanese newspaper Mainichi, as a tribute to Nepali doctors. The first block that Ando designed for the Siddhartha Children and Women’s Hospital (SCWH) was the out-patient department. He quickly realised that he would not be able to pull off structures with his typical style of smooth-finished, high-quality concrete.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579.png" data-media-id="editor_4" data-image-id="20241220031216_73ec0950d52320277ccc81d4a66fa6aa6acb38141e7b7633683e4cf8179dc579" data-rendition-name="original" width="1594" height="958" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Tadao Ando's Siddhartha Children and Women Hospital in Butwal.</figcaption> </figure>  Ando wrote in the online architectural catalog Architectuul, that the two main problems with the project were costs and the availability of local technology. ‘It became a facility that has a slightly different expression from the buildings I have completed so far,’ he wrote. He designed a colonnade for the west façade that would provide shelter from harsh sunlight, and the exposed brick walls were locally manufactured bricks.&nbsp; The hospital is characterised by modernist cuboidal massing, but the outer brick façades now appear unintentionally badly weathered by monsoons. The interiors lack both sufficient natural light and natural ventilation. <h2>Louis I Kahn</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f.png" data-media-id="editor_5" data-image-id="2024122003128_612e199d62fb3e72b6b8f6a936b0fa0451d8c0aa3d831c071320bf423ee3d67f" data-rendition-name="original" width="694" height="926" loading="lazy" alt="Forgotten international starchitects in Nepal NT"> </figure>  American architect Louis I Kahn had experience of projects in South Asia, and several were under construction when he died suddenly in 1974. Amongst these were the National Assembly complex in Dhaka, the Indian Institute of Management in Ahmedabad and the Family Planning and Maternal Child Welfare Centre in Kathmandu.&nbsp; Kahn had started the USAID funded project in Nepal by developing a master plan for the government institutional zone in Kathmandu, which included a building for the Health Ministry. The building’s façade in exposed brick has deeply recessed vertical windows for shading.&nbsp; The balancing of accentuated horizontal lines in the brickwork with the verticality of the larger composition is the work of a master. The brick walls rise up into punctured parapet walls at the roof level. These square apertures ‘frame the sky’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf.png" data-media-id="editor_6" data-image-id="20241220031216_69c2e4972dbe38773e0a3a3f1129485c9c87033ee84cd454e24ae0dc772d05cf" data-rendition-name="original" width="1924" height="1242" loading="lazy" alt="Forgotten international starchitects in Nepal"> <figcaption>Louis Kahn's plan for the Ministry of Health.</figcaption> </figure>  When Kahn died, only the eastern half of the building was finished. The Western part was never built and Nepal’s bureaucrats decided that without paint, the exposed brick façade was not finished. Then in 1995, citing roof leakage and a space crunch, the Health Ministry added a floor.&nbsp; The frames-to-the-sky in the roof parapet were converted into windows and topped off with a sloping roof of corrugated steel sheets, whose only virtue was that it was cost-effective.&nbsp; Kahn’s orthogonal composition, which clean horizontal and vertical lines, was desecrated despite a public outcry and legal challenges from architects and cultural organisations. A version of this article was first published in HIMAL Southasian. Illustrations by Varun S Bapu.

Forgotten international starchitects in Nepal

If you were raised in Nepal, you must have picked up its unique set of vocabulary: आन्दोलन, चक्का जाम, बन्द, राँके जुलुस, आफ्नो मान्छे, हाम्रो दल, कर्फु and many more words connoting political protest.
We became familiar with the acrid smell of burning tyres, and eyes smarting from tear gas. And yet, everyone speaks of another revolution in the making. Not by desire, but by suffocation.
We heard speeches about नयाँ नेपाल, but the New Nepal never arrived. The governance system changed, but it did not reflect on people’s lives — except for those close to centres of power. The state is still unreachable and is not bothered about <a href="https://nepalitimes.com/here-now/matter-of-life-and-debt">victims of loan sharks</a>, cooperative scams and other injustices.
Politicians continue to speak in sound bites, but fail to deliver. They have mastered the game of pointing fingers towards an external enemy and convincing people that they are never at fault. The political narrative is so disconnected from the actual analysis of the problem that suffocation doesn’t go away after every revolution.
No genuine effort has been made to deliver at all, which is why there is a palpable sense of disillusionment in the air forcing us to seek another revolution, even if Nepal may not be able to afford it.
How has the current system successfully held power, even if the public is deeply frustrated? How is it that for three decades we continue to be led by the same faces, who have time and again, proved to us that they may be great politicians but not national leaders?
<a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal">My experience at the epicentre of politics</a> has led me to identify three cultures that have enabled political parties to keep a tight hold on power: acceptance, silence and dependency.
We accept things the way they are. We use fatalistic phrases like “नेपालमा यस्तै हो” or “नेपालको कानुन दैब जानुन”. While this resilience enables us to rise back up from devastating calamities, it is also a reason for our compliance with the status quo.
Despite so many ‘revolutions’ that have led to significant reforms, these phrases keep getting reinforced, to the point that the upcoming generations have made it their lingo.&nbsp;
This acceptance is not a symbol of law-abiding citizens, but citizens living in fear of those in power, unable to ask the whys and why-nots.
Innovation suffocates in this culture of acceptance of the status quo. This is manifested in remarks like “but we don’t have any laws for this,” or “we don’t have the capacity to implement this”. An innovator or entrepreneur therefore has to spend that energy to become a political lobbyist, often educating and convincing the bureaucracy.&nbsp;
Remember when locally assembled <a href="https://nepalitimes.com/banner/designed-and-made-in-nepal">Yatri motorbikes</a>, despite having willing customers, had to suffer to secure license numbers because of a lack of regulations? Instead of creating new laws, the government kept chanting the “We will promote Nepal-made goods” mantra, leaving entrepreneurs in a labyrinth of bureaucracy. The weight of acceptance of the law lies heavily on innovators. Fatalism is a tactic used by those in power to generate mass fear in society.
When we accept, we become silent. This is a pervasive phenomenon. We are trained to keep quiet, lest we ruffle feathers, burn bridges, or not get the help we need in future. We know, yet we don’t speak.
Read also: <a href="https://nepalitimes.com/here-now/bureaucratic-hurdles-in-researching-nepals-bureaucracy">Bureaucratic hurdles in researching Nepal's bureaucracy</a>, Daniel W Edwards
Here is one example: the 2021 census shows that the number of baby boys born for every 100 baby girls is 112. This is a clear indication of female foeticide because of boy preference in society.
Despite such horrifying realities, there is finger-pointing within the government between the Ministry of Health and Population with the Ministry of Home Affairs. At the citizen level, we know those who are involved in killing girls. Yet, we don’t speak up. The Nepal Medical Council reports state that despite this gender imbalance at birth, there is no indication of any action.
But why would anyone speak against one's own fraternity, no matter how vile the act is?
When we accept and keep quiet, we become dependent on those who yield power. From getting our government procedure completed on time to getting transfers, to accessing any of our legally protected rights as well, we are forced to depend on our networks of चिनेको मान्छे people we know by blood, village, relations, political affiliation.
The culture of dependency has been the established way in Nepal. If you drive a two-wheeler or four-wheeler, and you get into a small accident, you will be asked to sort it yourself, dialing up the most powerful person you know. It becomes a competition of who knows who.
Recently I was told that there were calls from the Ministry of Health and Population and another from the Prime Minister's Office for just one medical position in a private hospital. Each was pushing its own candidate. Guess which candidate got the position.&nbsp;
The dependency of people is not on the laws or the state, it is with people in power, a reliance on the network of somebody who knows somebody, including those not officially in power.
These cultures are deeply ingrained in our heads, and in society. Collectively they form a vicious circle that helps those in power to retain power. This is not the society we want to live in.
Then, what do we do as a collective to break away from this? How do we break away from the cultures of acceptance and silence that have created this dependency? What can we do to ensure that our children do not have to learn the jargon of आन्दोलन before they learn about the state?
These are the cultures political parties need to shed rather than use them to perpetuate their power. This is what <a href="https://nepalitimes.com/opinion/comment/an-alternative-to-alternative-politics-in-nepal">alternative politics</a> needs to be about.
Sumana Shrestha is a member of Parliament’s Education, Health and Information Technology parliamentary committee and represents the Rastriya Swatantara Party.

insurgency