Kathmandu’s other jazz festival, KatJazz, returns for its sixth iteration this month, blending contemporary tunes with the rich traditional music of Nepal and beyond. This eight-day music fest starts on 22 April and concludes with a grand celebration of a finale on the UNESCO recognised International Jazz Day on 30 April. The very first KatJazz in 2017 had jazz education as its objective. The festival has come a long way since and has been integral in further lifting Nepal’s jazz scene, perfectly aligning with the theme this year ‘The Jazz Trail to Kathmandu: Past Voices. Global Sounds. Future Harmonies.’ “This festival is a two-way thing. It brings Western jazz music to Nepal but it simultaneously puts Nepal’s music to world music,” says Abhisek Bhadra, academic director of Kathmandu Jazz Conservatory (KJC), co-organiser of the festival.&nbsp; This year’s lineup features 15 international and 12 Nepali musicians as well as 11 women musicians of KJC Rajamati Choir. “Our emphasis has been on local artists and the collaboration that will take place between the ensemble,” adds Bhadra.&nbsp; The ‘Taking the Lead: The Diverse Voices of Women in Jazz’ session scheduled for 27 April is set to be the highlight of the entire festival. The session will celebrate female musicians in the jazz scene with performances from Juliana Rodrigues, Enji and Maria Fajardo. The artists have all worked extensively, blending jazz with the traditional and folk music of their homelands. Says Abhisek Bhadra: “We are celebrating contemporary jazz music while acknowledging and appreciating traditional music of Nepal and elsewhere.” &nbsp; Read also: <a href="https://nepalitimes.com/review/jazzing-up-the-mandu-for-20-years">Jazzing up the ‘Mandu for 20 years</a>, Aïsha MacDougall <h2>Ben van den Dungen Quartet &nbsp; (The Netherlands)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110428_3f2422989e2c43c002aed73545f7e411557af406286338f37011c3334d8352e6.jpg" data-media-id="editor_1" data-image-id="20240421110428_3f2422989e2c43c002aed73545f7e411557af406286338f37011c3334d8352e6" data-rendition-name="original" width="2000" height="1133" loading="lazy" alt="Ben van den Dungen Quartet"> </figure>  Ben van den Dungen is an acclaimed Dutch Jazz saxophonist who started his concert career in the early 1980s and has since performed in 6,000 concerts in 70 different countries. His band, Ben van den Dungen Quartet, has regularly toured South America, Russia, Indonesia, South Korea, China, India and Europe.&nbsp; At KatJazz, the quartet is paying tribute to the legendary saxophonist John Coltrane, one of the most influential saxophonists of all time. In this dazzling ode, they present a contemporary interpretation of a repertoire that has rightly been labelled as 'classics'. Ben van den Dungen – Saxophone | Miguel Rodriguez – Piano | Steve Zwanink – Bass | Mitchel Damen – Drums <h2>Enji&nbsp;</h2> <h2>(Mongolia/Germany)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110432_e4450b10ff9a05f5cd70cd02e96b9acfa2ea78da9e4b54f50695c22e8a4d293b.jpg" data-media-id="editor_2" data-image-id="20240421110432_e4450b10ff9a05f5cd70cd02e96b9acfa2ea78da9e4b54f50695c22e8a4d293b" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Enji"> </figure>  Enkhjargal Erkhembayar ‘Enji’ is a Mongolian-born Jazz singer and songwriter. As such, there is a touch of Mongolian folk to her music. Enji’s previous album, 'Ursgal,' received acclaim from The New York Times, The Washington Post and The Guardian, making it to the Best Jazz Albums of 2023. She was also invited to perform for COLORS in Berlin. For this year’s lineup, she is joined by Martin Zenker on double bass and Paul Brandle on guitar, adding new dimensions to her already extraordinary sound. Enji - Voice | Martin Zenker - Bass |Paul Brandle - Guitar Read also: <a href="https://nepalitimes.com/here-now/bass-and-no-treble">Bass and No Treble</a>, Sajeet M Rajbhandari <h2>Gyan Residency</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110432_1e921a7a3312bd71d0950142c655c7a71ff2abbfb63b20e2205f774d2a582dce.jpg" data-media-id="editor_4" data-image-id="20240421110432_1e921a7a3312bd71d0950142c655c7a71ff2abbfb63b20e2205f774d2a582dce" data-rendition-name="original" width="1000" height="1468" loading="lazy" alt="Gyan Residency"> </figure>  The Gyan-KJC Residency, a crucial part of the KatJazz festivals, has been providing a space for collaborative dialogue through music. This year, it brings together Nepali maestros Shree KC (dhrupad vocals), Santosh Bhakta Shrestha (esraj), and Jagannath Dhaugoda (tabla), alongside international artists from Chile (Tomas Carrasco, Moa Edmunds), Brazil (Juliana Rodrigues), Spain (Javier Galiana, Javi Delgado, Guillermo Martín-Viana, Pedro Cortejosa), Mongolia (Enji Erkhem), and Nepali folk musicians, including Pushpa Palanchoke. Before 22 April, these participating artists will discuss Hindustani music, Nepali folk, and Western music in workshops aimed at deepening the understanding of Hindustani music among Western performers and vice-versa, fostering cross-cultural learning. In the next phase from 23-25 April, all the artists will collaborate and put together a blended music piece which will be showcased at the Gyan-KJC Residency concert on 30 April at Moksh in Jhamsikhel.&nbsp; <h2>Jhuma Limbu and Raithane Music&nbsp;</h2> <h2>(Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110436_d8598c4ceaa57272816d15a9d77c9f8ecf174f3e1a36df270737016d6b7b4ff3.jpg" data-media-id="editor_5" data-image-id="20240421110436_d8598c4ceaa57272816d15a9d77c9f8ecf174f3e1a36df270737016d6b7b4ff3" data-rendition-name="original" width="2000" height="1125" loading="lazy" alt="Jhuma Limbu"> </figure>  With over two decades of experience in the Nepali music industry, Jhuma Limbu is a highly skilled folk singer renowned for her performances across diverse genres including cultural, folk, playback, patriotic, and modern music. Limbu is dedicated to preserving and promoting Nepal's rich indigenous musical traditions. This concert is a fundraiser for her ongoing album-recording project in collaboration with Chilean musicians Tomás Carrasco and Moa Edmunds, and Nepali producer, keyboardist and arranger Abhisek Bhadra. Jhuma Limbu - Voice | Manice Gandarva - Sarangi | Tomás Carrasco - Flutes | Moa Edmunds - Guitar | Abhisek Bhadra - Piano | Sudhir Acharya - Percussion | Javier Delgado - Upright Bass Read also: <a href="https://nepalitimes.com/here-now/orchestrating-cross-cultural-collaboration">Orchestrating cross-cultural collaboration</a>, Tayama Rai <h2>Juliana Rodrigues&nbsp;</h2> <h2>(Brazil)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110436_94f1cfbe5ec5e59a7930ef9482b9786a2b0dad9f7bc35bae1c0849d9e28170d4.jpg" data-media-id="editor_7" data-image-id="20240421110436_94f1cfbe5ec5e59a7930ef9482b9786a2b0dad9f7bc35bae1c0849d9e28170d4" data-rendition-name="original" width="1750" height="745" loading="lazy" alt="Juliana Rodrigues"> </figure>  A pianist and composer from Sao Paulo, Juliana Rodrigues has released two albums, Vive and Mnemosine, showcasing her unique and diverse musical background. Her team of three performs with excellent cohesion, bringing her compositions to life with a repertoire of rhythms, phrasing, and collective improvisation.&nbsp; Rodrigues is also a member of the women-only samba group Dona da Rua, which recently released singles Filha da Luta and Que Venha em Mim. She has performed at Sala São Paulo, Festival Jazz al Este, Instrumental SESC Brasil, Savassi Festival, and Sonamos Latinoamérica. Juliana Rodrigues - Piano | Rajat Rai - Bass | Prajwal B.K. (Punku) - Drums <h2>Samyog Regmi and Co. (Nepal/Spain)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110432_b1e551e11fa610c40a01c8ba51544fa8b8d91998faf649ca437d0e197ad4d62d.jpg" data-media-id="editor_8" data-image-id="20240421110432_b1e551e11fa610c40a01c8ba51544fa8b8d91998faf649ca437d0e197ad4d62d" data-rendition-name="original" width="1000" height="997" loading="lazy" alt="Samyog Regmi"> </figure>  Samyog Regmi, born in Nepal, was immersed in diverse musical influences from an early age, including local traditional music, jazz, and Eastern classical music. An alumni of the Kathmandu Jazz Conservatory (KJC), Regmi pursued musical studies in the Netherlands. His compositions span various ensembles, including his quintet (a group of five playing music/ singing together), septet (a group of seven playing music/ singing together), and the Conservatory of Amsterdam Big Band.&nbsp; Recently, Samyog released his album Unpopular Opinion. At KatJazz 2024, get ready to witness his musical craft accompanied by international artists from Chile and Spain. Guillermo Martín-Viana (Spain) - &nbsp;Drums | Tomás Carrasco (Chile) - &nbsp;Flute/Sax &nbsp;| &nbsp;Pedro Cortejosa (Spain) - Saxophone | Javi Delgado (Spain) - Upright Bass <h2>Versados Despistados Quartet&nbsp;</h2> <h2>(Spain)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240421110448_71b6459b542f238634cf7f154404667f9988999f3b671d330e4dd93b369c7818.jpg" data-media-id="editor_9" data-image-id="20240421110448_71b6459b542f238634cf7f154404667f9988999f3b671d330e4dd93b369c7818" data-rendition-name="original" width="4100" height="1050" loading="lazy" alt="Versados Despistados Quartet"> </figure>  The four Andalusian (south of Spain) musicians that make up Versados Despistados Quartet have been in the national and international scene for years. With their own voice and classic jazz instrumentation, this quartet explores the fusion between different forms of Andalusian and Afro-American music. Featuring Pedro Cortejosa on saxophone, Javier Galiana on piano, Javier Delgado on double bass, and Guillermo Martín-Viana on drums, Versados Despistados, which translates to ‘versed scatterbrains’ takes the audience on a dynamic journey of sound with freshness and a sense of humor that catches one by surprise. Pedro Cortejosa - Tenor saxophone | Javier Galiana - Piano | Javier Delgado - Double Bass | Guillermo Martín-Viana - Drums Read also: <a href="https://nepalitimes.com/review/in-nepal-east-meets-west-musically">In Nepal, East meets West musically</a>, Shrijan Pandey <h2>SCHEDULE</h2> Piano Explorations with Javi Galiana and Juliana Rodrigues&nbsp; Monday, 22 April&nbsp; 7PM onwards&nbsp; Rs800 Alliance Française, Pulchok&nbsp; Samyog Regmi and Co.&nbsp; Tuesday, 23 April 7PM onwards&nbsp; Rs800 Jazz Upstairs, Lazimpat&nbsp; A Tribute to Coltrane by Ben Van Den Dungen Quartet&nbsp; Wednesday, 24 April&nbsp; 7PM onwards&nbsp; Rs800&nbsp; Dhokaima cafe, Patandhoka&nbsp; Enji (Enkhjargal Erkhembayar) Thursday, 25 April&nbsp; 7PM onwards&nbsp; Rs800&nbsp; Moksh, Jhamsikhel&nbsp; Versados Despistados&nbsp; Friday, 26 April&nbsp; 7PM onwards&nbsp; Rs800 EDN Sanepa&nbsp; Taking the Lead: The Diverse Voices of Women in Jazz with Juliana Rodrigues, Enji, Maria Fajardo&nbsp; Saturday, 27 April&nbsp; 6PM onwards&nbsp; Rs1000 Yellow House, Sanepa&nbsp; Jhuma Limbu and Raithane Music Monday, 29 April 7PM onwards&nbsp; Rs1000 Mandala Theatre, Thapagaun International Jazz Day Concert Tuesday, 30 April&nbsp; 7PM onwards &nbsp; Rs1200 Moksh, Jhamsikhel&nbsp;

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Jazzing up Kathmandu again

It is festival season here in Nepal. Along with Dasain, Tihar and Chhat there is also Kathmandu’s very own international jazz festival. This year, Surya Nepal Jazzmandu, the music festival that put Nepal on the planetary jazz map, turns 19. With a brand-new ensemble of musicians from all over the world, it might just be the event to help one do away with Dasain blues and warm up for the festival of lights. “It stemmed from the love of jazz we have,” says Samir Chettri of Nepali jazz band Cadenza Collective, who is part of the organising team. “Many Nepalis cannot afford to go abroad and check out concerts, so we thought why not bring international musicians here.” Artists this year include Plurism, Under the Surface, Lucile Chriqui, Palouse Forro, Himalayan Highway, Samundra Band, Dhrubesh/Friends of Sukarma, Nick Aggs &amp; Cadenza Collective as well as other eastern classical musicians. Jazz has come a long way from the cobbled streets of New Orleans in the late 19th century, it has evolved into Latin jazz, gypsy jazz, Afro-Cuban jazz, and even Nepali jazz. But even though the art form has branched out, improvisation is still its heart and soul.&nbsp; “Jazz is never constant, it is evolving. Culture is important in jazz,” explains Chettri. When the festival was first held in Kathmandu in 2002, very few in Nepal had heard of jazz. Today, Nepalis not only make up half of the audience in the concerts, there are local jazz musicians ready to represent Nepal. There are now jazz schools and students performing jazz. Every year with a host of new artists, the festival infuses new styles and trends into the local jazz scene while showcasing Nepal’s best in jazz. Says Chhetri: “At the heart of the festival, we want to celebrate music and inspire a new generation of musicians.” &nbsp;&nbsp; <h2>Plurism (Switzerland/South Africa)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_cb84ae7f832ef16a8f29b34edcb813eb38e164c76b5eaf4c1d2184f8fb22224a.jpg" data-media-id="editor_0" data-image-id="20231102051124_cb84ae7f832ef16a8f29b34edcb813eb38e164c76b5eaf4c1d2184f8fb22224a" data-rendition-name="original" width="3000" height="2000" loading="lazy" alt="Jazzmandu 2023"> </figure>  Plurism sees Swiss drummer and band leader Dominic Egli combine forces with the esteemed South African trumpeter Feya Faku and a stellar cast of musicians with a shared friendship as well as musical sensibility. Plurism is anchored in Egli’s intense curiosity about the many colours of African rhythm. The nostalgic sensitivity of his playing is grounded by the bass of Xaver Rüegg, with Faku displaying his uncanny temperament on the trumpet, Mthunzi Mvubu with prolific vocabulary is on the alto saxophone and Sisonke Xonti’s audacious yet vulnerable style on the tenor saxophone. Plurism remains complex yet simple, explosive yet tender, down-to-earth yet otherworldly, with the musicians always drawing out more from each other and the audience. Feya Faku – Trumpet and flugelhorn | Mthunzi Mvubu – Alto saxophone &nbsp; Sisonke Xonti – Tenor saxophone | Xaver Ruegg – Bass | Dominic Egli – Drums and cymbals <h2>Lucile Chriqui (France)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_f9b3a6ba8890eb21bd03f3bd349644da85a20301831fe86e7e7c1bb7e02f656b.jpg" data-media-id="editor_1" data-image-id="20231102051124_f9b3a6ba8890eb21bd03f3bd349644da85a20301831fe86e7e7c1bb7e02f656b" data-rendition-name="original" width="2000" height="1334" loading="lazy" alt="Jazzmandu 2023"> </figure>  Lucile Chriqui, an award-winning singer-songwriter, is one of the brightest new talents in French Jazz. Blessed with natural musical and vocal flair, she honed her craft training under the American jazz singer Sara Lazarus and the French violinist Didier Lockwood, among others. Her list of collaborators includes rising names in international jazz such as Philippe Baden Powell, Munir Hossn, and Nils Frechilla, and she even shared the stage with renowned French singer Camille Dalmais. She has also worked on numerous stage and film productions, including collaboration with the composer Chassol on music for the Netflix series “En place”. Lucile’s music melds influences from Cuba, Andalusia, Brazil, and more, with daring harmonies that define an inimitable style. Lucile Chriqui – Vocals | Bruno Schorp – Bass | Arthur Links – Guitar | Gaetan Diaz – Drum <h2>Nick Aggs &amp; Cadenza Collective (Australia/Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_5d6066f9053da401b6f25abafba52a7aeee8968d161458bede9734cc106d654e.jpg" data-media-id="editor_2" data-image-id="20231102051124_5d6066f9053da401b6f25abafba52a7aeee8968d161458bede9734cc106d654e" data-rendition-name="original" width="2250" height="1604" loading="lazy" alt="Jazzmandu 2023"> </figure>  The Cadenza Collective, headed by the drummer and composer Navin Chettri, is one of the most unique and eclectic bands to emerge from Kathmandu. The group moves seamlessly across jazz, afro-funk, and Nepali folk music, creating a genre-bending sound that’s irresistible to the ears. The Cadenza Collective is joined by the Australian saxophonist and composer Nick Aggs. Hailing from Brisbane, and a key member of the acclaimed Australian fusion band Afro Dizzi Act, Aggs has fronted numerous musical ensembles and performed around the world, collaborating with esteemed musicians such as percussionist Trilok Gurtu, guitarist Jesse Van Ruller, kora virtuoso Jali Buba Kuyateh and many others. The Cadenza Collective already has seven albums of original music to its name—the latest is Himalayan Songlines—and is working on a new single due out soon after Jazzmandu.&nbsp; Navin Chettri – Drums, percussion and vocals | Nick Aggs – Saxophone Rajat Rai – Guitar | Samir Chettri – Bass <h2>Himalayan Highway (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_e0b2a85c0c6afd8ceb8f231dfbe55658df451fc7f5fbac8642338e616de41c84.jpg" data-media-id="editor_3" data-image-id="20231102051124_e0b2a85c0c6afd8ceb8f231dfbe55658df451fc7f5fbac8642338e616de41c84" data-rendition-name="original" width="1944" height="2520" loading="lazy" alt="Jazzmandu 2023"> </figure>  A Nepali-American instrumental fusion band formed in Kathmandu, Himalayan Highway weaves together American Bluegrass and old-time Nepali folk music. Inspired by unexpected similarities in the two traditions, the band’s members put a fresh spin on traditional tunes, with infectious harmonies and catchy beats that bring a unique new collaboration to the global music scene.&nbsp; Prince Nepali – Sarangi | Zoe Levitt – Mandolin Anish Tamang – Guitar | Yuson Maharjan – Percussion&nbsp; <h2>Palouse Forro (USA)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_f9a2414e455e976e959abe5792e04f59d3880f68b8da7c15afdd12787dcdc03d.jpg" data-media-id="editor_4" data-image-id="20231102051124_f9a2414e455e976e959abe5792e04f59d3880f68b8da7c15afdd12787dcdc03d" data-rendition-name="original" width="2250" height="1457" loading="lazy" alt="Jazzmandu 2023"> </figure>  Drawing its name from its home base in the Palouse region of the northwestern United States and the forró music of northeastern Brazil, the Palouse Forró brings to the world a much-beloved Brazilian genre that is yet to get its international due. The band is led by American accordion player Adrian Crookston, who has played with forró ensembles such as Gente Boa, Xaxado Mission, and Forró de Quintal, and has taken his music to audiences across the United States, Europe, South America, and Asia. Adrian Crookston – Accordion and vocals Navin Chettri – Drums | Rajat Rai – Guitar <h2>Under the Surface (Netherlands)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_616277fbf48f67c8354e88742a3fc72079bf40d7e6e0b11d7c7b92d7aa48f861.jpg" data-media-id="editor_5" data-image-id="20231102051124_616277fbf48f67c8354e88742a3fc72079bf40d7e6e0b11d7c7b92d7aa48f861" data-rendition-name="original" width="2250" height="2812" loading="lazy" alt="Jazzmandu 2023"> </figure>  Under the Surface is an extraordinary combination of three generations of Dutch musicians seeking communion in improvisation. Sanne Rambag’s voice rhymes, whispers and sings over the melodic lines of Bram Stadhouders’ guitar and the subtle percussion style of Joost Lijbaart, transporting listeners into an almost dreamlike new reality. Their music offers both intellectual and emotional pleasure, springing from unshackled improvisation yet far from abstract, adopting surprising forms akin to thoughtful composition. Their eponymous debut album, released to great acclaim in 2017, was nominated for the Edison, an annual Dutch award for outstanding musical achievement. The group’s live album Trinity, from 2019, captures the essence of a sound they have shared with audiences at major festivals across Europe, Asia, South America, Africa, and the Middle East.&nbsp; Joost Lijbaart – Drums and percussion | Sanne Rambags – Vocals Bram Stadhouders – Guitar and electronics <h2>Samundra Band (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_32a9090130f97fabf3d9d2a4aa39ce9380183e111f19a6a24933c1c523155cd1.jpg" data-media-id="editor_6" data-image-id="20231102051124_32a9090130f97fabf3d9d2a4aa39ce9380183e111f19a6a24933c1c523155cd1" data-rendition-name="original" width="2250" height="1776" loading="lazy" alt="Jazzmandu 2023"> </figure>  Formed in 2004, Samundra celebrates and safeguards the Gandharba community’s long tradition of performing Nepali folk music. Holding firm to typical folk instruments, the ensemble plays age-old Nepali tunes recomposed in new forms, updating cherished old music for contemporary tastes. Anil Gandharba – sarangi | Subash Gandharba – bansuri Pujan Gandharba – madal | Ramkrishna Gandharba – arbajo Buddha Gandharba – kartal <h2>Eastern Classical Musicians (Nepal)</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231102051124_1994ff06190b57547f1dd5618c06657fcc120f763295fe77e1c6f93ed4950e47.jpg" data-media-id="editor_7" data-image-id="20231102051124_1994ff06190b57547f1dd5618c06657fcc120f763295fe77e1c6f93ed4950e47" data-rendition-name="original" width="2250" height="1260" loading="lazy" alt="Jazzmandu 2023"> </figure>  Jonisha Poudel – Vocals As a gifted exponent of khayal, the preeminent genre of Hindustani classical music, Jonisha Poudel has already made a deep mark at a young age. Trained under the guidance of Shree K.C., one of Nepal’s most respected khayal and dhrupad vocalists, she has won multiple honours and performed at many prestigious classical music festivals.&nbsp; Santosh Bhakta – Ishraj Santosh Bhakta Shrestha has dedicated himself to the ishraj for two and a half decades and has achieved tremendous mastery of this classical instrument. A pupil of Mohan Joshi, Shrestha has performed and toured in Nepal and abroad and has contributed to hundreds of recordings. Dhan Bahadur Gurung – Flute Dhan Bahadur Gurung began his training in the flute at the Kalanidhi School of Music – the same school where he is a teacher today. He has honed his skill with the legendary Ustaad Hariprasad Chaurasia and was selected as the best &nbsp;flautist in the Shastriya Sangeet Samiti competition in 2008. <h2>SCHEDULE</h2> Concert for Students Thursday, 2 November 11am-1:30pm Venue: St. Xaviers School, Jawlakhel Entry by invitation only. &nbsp; Grooving at Upstairs Thursday, 2 November 7pm-9pm Venue: Jazz Upstairs, Lazimpat Rs900 Gates open at 6:30pm Valley Jams Friday, 3 November 7pm-9pm Rs700 Gates open at 6:30pm and close at 7pm. Venues: Jazz Upstairs, Lazimpat Electric Pagoda, Thamel Evoke, Jhamsikhel EDN, Sanepa Jazz Bazaar Date: Saturday, 4 November Time: 3pm-10pm Venue: Gokarna Forest Resort Price: Rs1,500 Gates open 2pm and close at 7pm. &nbsp; Sounds Of Latin Jazz Monday, 6 November 7pm-9pm Venue: Mulchok, Baber Mahal Revisited Rs1,800 Gates open at 6pm and close at 8pm. Masterclasses Tuesday, 7 November 11am-1:30pm Venues: The Music Room, Bhatbhateni Yalamaya Kendra, Patan Dhoka FREE ENTRY (limited seating) &nbsp; Jazz At Patan Tuesday, 7 November 7pm-9pm Venue: Yalamaya Kendra, Patan Dhoka Rs1,800 Gates open at 6:30pm and close at 8pm. Seated by 6:45pm. Jazzmandu Finale Wednesday, 8 November 5:30pm-10pm Venue: Hotel Yak &amp; Yeti, Darbar Marg Rs1,500 Gates open at 4:30pm and close at 8pm.

Just Jazz in Kathmandu

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c129c7e80680e0c95fajpeg.jpg" alt="" width="1024" height="683"/>The wait is over: the annual Surya Nepal Kathmandu Jazz Festival is back in town after a two-year Covid hiatus, spreading the message of peace and compassion through music.Begun in 2002 and founded by Chhedup Bomzan of The Jazz Upstairs Bar and Navin Chettri, drummer and vocalist of Cadenza, ‘Jazzmandu’ is in its 18th year and keeps alive its aim to bring quality jazz to Nepal, transcending cultural boundaries with world-famous musicians getting together in Kathmandu for a week of entertainment this festive season.Just as jazz incorporates elements from folk and traditional music, adding unique melodies and modulations, Surya Nepal Jazzmandu 2022 showcases the best that the genre has to offer in a vibrant cultural exchange.Line-up includes the Jamie Baum Sextet from the USA, Jin Jim from Germany, Catia Werneck from Brazil and France, and Yumi Ito from Switzerland. Nepal’s very own Jonisha Poudel, Cadenza Collective and Samundra Band will also perform.Read also: <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/jazzing-up-in-kathmandu,3316">Jazz it up ‘Mandu</a>, Sahina Shrestha<a href="http://archive.nepalitimes.com/news.php?id=4306#.W9Ktg3szbIV">All that Jazz</a>Over the years, the jazz festival has been putting Nepal on the world music map, bringing the exquisite international sounds of jazz to Nepalis and taking Nepali musicians to the world. Twenty years ago, there were only a handful of jazz musicians in Nepal, but now aspirant instrumentalists queue to learn the style at the Kathmandu Jazz Conservatory. Here too, jazz has developed into a dazzling form of art, with its own distinct identity.The festival promises to enrich lives, promote creativity, encourage sharing of international sounds and ideas, pushing the limits and boundaries of musical expectations, nurturing the talents of Nepali musicians.“I hope that over the years, Jazzmandu has had a positive impact on our youth and evolving music culture,” says Nabin Chhetri, artistic director of Surya Nepal Jazzmandu 2022 and member of Cadenza. “We have a special free concert just for young students every year and this year we are also bringing back the Jazz for the Next Generation music competition.”There is also a three-day free sound workshop from 10 to 12 October with a sound engineer from Switzerland. The theme this year is ‘Music for unity, peace and compassion’ and the festival runs from 13-19 October across many venues in the Valley.<hr/><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c169c7e80680e0c95fbjpeg.jpg" alt="" width="2560" height="1811">The Jamie Baum Sextet (USA)Widely considered among the top jazz flutists and composers in the world, Jamie brings to Jazzmandu some of the most compelling musicians from the New York jazz scene today.Jamie’s passion for South Asian music was heightened over several tours in the region between 2001 and 2009, including two visits to Jazzmandu. She wrote “Honouring Nepal: The Shiva Suite”, commissioned by the Rubin Museum of Himalayan Art, to pay tribute to Nepal after the 2015 earthquake and performed at the Monterey Jazz Festival in 2016. Now, “The Shiva Suite” is coming to Nepal for the first time.<a href="https://jamiebaum.com/">www.jamiebaum.com</a>Jamie Baum – flute, compositionsKenny Warren – trumpetBrad Shepik – guitarZack Lober – bassJulian Shore – pianoJeff Hirshfield – drumsCatia Werneck (Brazil/France)Born into a family of musicians in Rio de Janeiro, Catia began to sing and play from a young age before touring abroad and moving to Paris to further her career. Starting with an early collaboration in France with the Boto Novos Tempos collective, she has gone on to tour across the world and perform at major international jazz festivals.She continues to perform and record in Brazil, showcasing her mastery and creativity in the styles of bossa nova, samba, jongo (a forerunner to samba), and more.<a href="https://jazzmandu.org/_wp_link_placeholder">www.catiawerneck.com</a>Catia Werneck – vocalsNoé Chantraine – piano/keyboardsBenjamin Asnar – bassNavin Chettri – drums<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c199c7e80680e0c95fcjpeg.jpg" alt="" width="2560" height="1811"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c1c9c7e80680e0c95fdjpeg.jpg" alt="" width="2000" height="1600">Yumi Ito (Switzerland)The destruction of Earth, the committal of a friend to a psychiatric hospital, the death of her unknown neighbour from heroin use — Yumi weaves into her music stories about society that matter, no matter how large or small, how bright or dark.Her sound — an amalgam of jazz, art-pop, electronica, free improvisation and neo-classical music — might seem tricky but really isn’t: the musician, composer, producer and arranger navigates a clear stylistic path of her own making, always telling a story along the way.<a href="https://www.yumiito.ch/">www.yumiito.ch</a>Yumi Ito – vocals, compositionsKuba Dworak – bassIago Fernandez – drumsJin Jim (Germany)“Vertical lift-off” is how the broadcaster NDR described Jin Jim’s meteoric rise on the German jazz scene. In 2013, the same year Jin Jim was founded, the band was voted by the public into the finals of the JazzTube Festival in Bonn.Jin Jim’s sound is powered by a mix of latin, jazz and rock influences that create a rhythmically complex yet harmonically accessible whole.<a href="https://jinjim.com/">www.jinjim.com</a>Daniel Manrique Smith – C/alto/ bass fluteJohann May – guitarBen Tai Trawinski – double bassNico Stallmann – drums<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c209c7e80680e0c95fejpeg.jpg" alt="" width="1024" height="683"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c239c7e80680e0c95ffjpeg.jpg" alt="" width="2560" height="1707">Cadenza Collective (Nepal)With a signature blend of jazz, afro-funk and Nepali folk music, Cadenza Collective plays music that’s irresistible for your ears and your booty. Led by the drummer and composer Navin Chettri, the group boasts a hard-driving performance style and has amassed six albums of original music.In addition to pumping up the improvised music scene in Nepal, Cadenza has played across the world and collaborated with a stellar list of both Western and traditional Nepali musicians.<a href="http://www.cadenzacollective.com/">www.cadenzacollective.com</a>Navin Chettri – lead vocals/ drums/percussionPravin Chettri – alto saxophone/vocalsRajat Rai – guitar/vocalsSamir Chettri – bass/vocalsSamundra Band (Nepal)Formed in 2004, Samundra celebrates and safeguards the Gandharba community’s long tradition of performing Nepali folk music. Holding firm to typical folk instruments, the ensemble plays age-old Nepali tunes recomposed in new forms, updating cherished old music for contemporary tastes.<a href="http://www.samundraband.blogspot.com/">www.samundraband.blogspot.com</a>Anil Gandharba – sarangiSubash Gandharba – bansuriPujan Gandharba – madalRamkrishnaGandharba – arbajoBuddha Gandharba – kartal<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c269c7e80680e0c9600jpeg.jpg" alt="" width="2560" height="2022"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111414110/63723c2a9c7e80680e0c9601jpeg.jpg" alt="" width="2560" height="1811">Jonisha Poudel (Nepal)As a gifted exponent of khayal, the preeminent genre of Hindustani classical music, Jonisha Poudel has already made a deep mark at a young age. Trained under the guidance of Shree K.C., one of Nepal’s most respected khayal and dhrupad vocalists, she has won multiple honours and performed at many prestigious classical music festivals.Her talent ranges beyond classical music as well: she has recorded hit songs for the Nepali film industry and been the lead vocalist for the band Vastu.<a href="https://www.facebook.com/Jonishapoudelofficial/">www.facebook.com/jonishapoudelofficial</a>Jonisha Poudel – vocalsSantosh Bhakta – ishrajShree K.C. – harmoniumNimesh Kapali – tabla<hr/>Jazz for the Next GenerationConcert for Young Students / Music CompetitionDate: Thursday, 13 OctoberTime: 11:00am – 1:30pmVenue: Malpi College, GairidharaEntry by invitation only! Groovin’ at UpstairsDate: Thursday, 13 OctoberTime: 7:00pm – 9:00pmVenue: Jazz Upstairs, LazimpatPrice: Rs700Gates open at 6:30pm.Cadenza Collective gather new and old friends for an explosive jam at Kathmandu's most storied jazz club. Valley JamsDate: Friday, 14 OctoberTime: 7:00pm – 9:00pmPrice: Rs700Gates open at 6:30pm and close at 7:00pm.Venues:Jazz Upstairs, Lazimpat – Jamie Baum Sextet (USA)Electric Pagoda, Thamel – Jin Jim (Germany)Evoke, Jhamsikhel – Catia Werneck (Brazil /France)Maitri Marg – Yumi Ito (Switzerland)Visiting Jazzmandu 2022 acts perform intimate sets at venues across the Kathmandu Valley. Jazz BazaarDate: Saturday, 15 OctoberTime: 3:00pm – 10:00pmVenue: Gokarna Forest ResortPrice: Rs1500Gates open at 2:00pm and close at 7:00pm.A day and night of incredible music under an open sky at the lush Gokarna Forest Resort.Sounds of Brazilian Jazz &amp; Nepali Afro-FunkDate: Monday, 17 OctoberTime: 7:00pm – 9:00pmVenue: Aloft, ThamelPrice: Rs1700Gates open at 6:00pm and close at 8:00pm.A classy evening in Thamel with music spanning Brazil, West Africa and Nepal. Jazz at PatanDate: Tuesday, 18 OctoberTime: 7:00pm – 9:00pmVenue: Yalamaya Kendra, Patan DhokaPrice: Rs1700Gates open at 6:30pm and close at 8:00pm.Please be seated by 6:45pm.Nepali classical music fuses with jazz on a magical night in the old city of Patan. Jazzmandu FinaleDate: Wednesday, 19 OctoberTime: 5:30pm – 10:00pmVenue: Hotel Yak &amp; Yeti, Durbar MargPrice: Rs1500Gates open at 4:30pm and close at 8:00pm.The full festival line-up comes together for one last jam to close out Jazzmandu 2022.

And all that Jazzmandu

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171136/636934009c7e80680e03dfcfjpeg.jpg" alt="" width="800" height="1074"/><figcaption>All Photos: Jazzmandu facebook</figcaption></figure>The 16th edition of Nepal’s first and only jazz festival Surya Nepal Jazzmandu 2018 began on 1 November with a free concert for school children at Alliance Française, Jhamsikhel. The rhythm and instruments may have been unfamiliar, but the students enjoyed the lively music, dancing to the beat – proving jazz is indeed universal.They sang along and whistled to international music, from Brazilian beats to European melodies, as musicians interacted with them. The day ended with a performance by Cadenza, the group which first brought Jazzmandu to Nepal, at their home base Jazz Upstairs.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171136/636934039c7e80680e03dfd0jpeg.jpg" alt="" width="1400" height="1126">The following day had jazz gigs at various venues around town. Adrien Brandeis performed piano-led soulful melodies at Manny’s Eatery &amp; Tapas Bar, while Dave Feusi and The Groove Gang presented groove jazz, building their rhythms around saxophones. At Jazz Upstairs, Cynthia Abraham’s husky voice and Eduardo Mendonca’s Brazilian bass gelled well to wow the audiences. Nick’s Cousins presented jazz with a punch of rock at House of Music, a show geared at audiences who enjoy exploratory jazz.The next day was for large stages and group revelries. Free shuttle buses departed to Gokarna Forest resort where musicians wowed crowds at the edge of the forest on 3 November. True to Jazzmandu’s goals, the day showcased not just international artists, but also gave them something to take back and learn about Nepali music, as international artists jammed with a team of sarangi players from Nepal.Read also:<a href="https://www.nepalitimes.com/here-now/kathmandu-and-all-that-jazz/" target="_blank" rel="noopener">Kathmandu, and all that jazz …</a>, Sewa Bhattarai<a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/jazzing-up-in-kathmandu,3316" target="_blank" rel="noopener">Jazz it up in 'Mandu</a>, Sahina Shrestha<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171136/636934069c7e80680e03dfd1jpeg.jpg" alt="" width="640" height="897">On 5 November, the day Nepal worshipped crows, audiences got a South American flavour of jazz, with ‘Sounds of Latin Jazz’ at Dhokaima Cafe. The exuberant audience enjoyed the loud and vibrant music with enthusiastic applause.Students of jazz were able to interact with visiting musicians at the Kathmandu Jazz Conservatory, where vocal and instrumental workshops were held. Like the concert for schoolchildren, this event was also free but with limited seating.“One of Jazzmandu’s main concerns is promoting music education and cross-cultural understanding of music,” says organiser Samir Chettri, also a member of Cadenza. “We have always made these opportunities accessible to those who are interested, and we hope to develop an appreciation for international styles of music through these programmes.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171136/636934099c7e80680e03dfd2jpeg.jpg" alt="" width="800" height="874">Kantipur Temple House saw true jazz style fusion as Cynthia Abraham and Maria Fajardo sang soulfully to the tunes of Rabin Lal Shrestha’s tabla, and other eastern classical instruments. An attentive crowd quietly savoured jazz becoming more vibrant with the infusion of eastern classical music.Jazzmandu bid adieu to its 16th year with a finale timed for Dog Day on 6 November at the Yak &amp; Yeti. The week-long extravaganza ended with all the performers coming together for a rousing evening of entertainment. Like every year, Jazzmandu entertained audiences while raising the bar for contemporary music in Nepal.Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/jazz-comes-to-town,2670" target="_blank" rel="noopener">Fuel up on jazz</a>, Madeline Zutt<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Enriching-and-exclusive-jazzmandu-Kathmandu,3984" target="_blank" rel="noopener">Enriching-and exclusive?</a>, Rubeena D Shrestha<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171136/6369340c9c7e80680e03dfd3jpeg.jpg" alt="" width="1400" height="934">

Jazzmandu Finale

Bhogendra Kathayat successfully defended his PhD thesis at Tribhuvan University, and the very next night he was at Tribhuvan International Airport.&nbsp; No, not to emigrate, but to captain a Nepal Airlines Airbus A330 on a 7-hour flight to Narita. Capt Kathayat, 41, is now the only PhD airline pilot in Nepal, and one of a handful actively flying internationally. Read also: <a href="https://archive.nepalitimes.com/page/women-standing-above-the-ground">Standing above the crowd</a>, Ayesha Shakya Born in the village of Sanischare in Morang to a farming family, it was a hard life. Money was always short, and the four siblings went to a village school with mud floors.&nbsp; Kathayat excelled in his studies, earning a scholarship after topping the entrance exam out of 1,000 students for admission into<a href="https://nepalitimes.com/banner/tri-chandras-run-down-state-is-a-microcosm-of-nepal"> Tri Chandra College in Kathmandu</a>. Always good in maths, he passed his MSc in Physics with flying colours – which may be why he took up flying next.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024082213088_f1f4ffbfff44f8701cf6808495375afecc6f978632e5c1090af614ed5ccf2b45.png" data-media-id="editor_2" data-image-id="2024082213088_f1f4ffbfff44f8701cf6808495375afecc6f978632e5c1090af614ed5ccf2b45" data-rendition-name="original" width="1298" height="1316" loading="lazy" alt="doctor-pilot Capt Kathayat NT1"> </figure>  This was 2006, <a href="https://archive.nepalitimes.com/news.php?id=10616#.YV7B7tVBypp">the conflict</a> had just ended, and Nepal Airlines announced a scheme for pilot training. His parents did not have the collateral to afford the Rs3.4 million loan to pay for flight school. But Kathayat managed to borrow from relatives, and was off to Kota Bahru in Malaysia.&nbsp; When he returned after a year to join Nepal Airlines, Kathayat was flying Twin Otters but did not even have a driving license because he could not afford a car or motorcycle. He was a Himalayan bush pilot for the next seven years, flying in challenging weather and terrain to remote airfields carved out of mountainsides.&nbsp; Read also: <a href="https://nepalitimes.com/banner/60-years-of-living-dangerously">60 years of living dangerously</a>, Kunda Dixit In 2015, <a href="https://nepalitimes.com/latest/jet-closure-benefits-nepal-airlines">Nepal Airlines</a> bought two Airbus A320s, and Capt Kathayat was off to Toulouse – leaping straight from Twin Otters to twin jets. But it was easier for him than for colleagues who had been flying 757s, because Boeing and Airbus have different philosophies of flying. After being on 320s for three years, Kathayat upgraded to the bigger Airbus A330s, but still does not have a car license and arrived for this interview in a Honda Unicorn. “Although I felt like aviation was in my blood, there was this nagging sense that my education was incomplete,” Capt Kathayat recalls. Meeting Nepal’s foremost atmospheric scientist Arnico Panday on a flight, he was convinced that Nepal needed more scientific research into<a href="https://nepalitimes.com/here-now/air-pollution-is-more-dangerous-than-smoking"> air pollution</a>. Since Panday is an aviation buff himself, they devised a way to use decades of visibility data from Nepal’s airports to come up with policy-level solutions to <a href="https://nepalitimes.com/business/making-monsoon-flying-safer-in-nepal">improve aviation safety</a> as well as public health.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822120848_523fef9cb91959c2b39f2798fbbd066d9d55f4c9778ff692dd957cb58cdd827e.png" data-media-id="editor_8" data-image-id="20240822120848_523fef9cb91959c2b39f2798fbbd066d9d55f4c9778ff692dd957cb58cdd827e" data-rendition-name="original" width="1922" height="1062" loading="lazy" alt="doctor-pilot Capt Kathayat NT3"> <figcaption>Capt Kathayat(right) and Arnico Panday(left)</figcaption> </figure>  Capt Kathayat used long layovers in Dubai, Doha and Tokyo to pore over historical airport data from Bhairawa and Kathmandu to look into how domestic and crossborder pollution sources, humidity, or aerosols affected the optical property of suspended particulates. He also analysed seasonal and time of day variations. The results were predictable: the number of days with <a href="https://nepalitimes.com/editorial/good-cop-bad-cop">heavy smog in Kathmandu</a> increased steeply after 2000. The days when planes could land under visual flight rules (VFR) had gone down in Bhairawa, especially as winter fog had become thicker, more frequent and long-lasting.&nbsp; Kathayat’s PhD thesis also carries recommendations. Bhairawa may not always be useful as an alternate airport for big jets in winter because it is fogged up when Kathmandu visibility is also below minima. Bhairawa will need a Cat II Instrument Landing System (ILS).&nbsp; The long-term solutions are to control pollution at source, and in Kathmandu that means vehicular emission, open garbage fires, cross residue burning, and in Bhairawa reducing industrial and crop burning. But for both airports, visibility will remain marginal unless pollution is controlled in north India. Capt Kathayat’s PhD adviser,<a href="https://nepalitimes.com/banner/arnico-panday-the-political-scientist"> Arnico Panday who is also a member of the opposition RSP</a>, is a proud mentor. He says: “Capt Bhogendra is the hardest working student I have ever supervised, and his topic is very relevant for aviation safety and efficient flight operations.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240822120856_f455cfac962eada84c53b588575b80051845107ab83371509d9eab6648fe03e8.png" data-media-id="editor_11" data-image-id="20240822120856_f455cfac962eada84c53b588575b80051845107ab83371509d9eab6648fe03e8" data-rendition-name="original" width="1636" height="1302" loading="lazy" alt="doctor-pilot CaptKathayat NT 4"> <figcaption>Arnico Panday, Capt Kathayat, and his Phd supervisor Narayan Chapagain after his Phd thesis defence </figcaption> </figure>  At a time when most <a href="https://nepalitimes.com/news/brain-gain-into-brain-drain">young Nepalis are cynical about the country’s future</a>, this doctor-pilot is an example of how, given the opportunity, even Nepalis from the humblest beginnings can rise up. Says Capt Kathayat: “It is fashionable nowadays to be negative about the government, but I keep reminding myself that I would not be where I am today without government subsidies, government scholarships and the opportunity that a government-owned airline provided me.” Yes, and plus a lot of hard work and perseverance.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024082306084_adf00d94a8d7229ab1ef05fe5862dfc3203e7f9a9a36b4df30ae328005c2368b.jpg" data-media-id="editor_13" data-image-id="2024082306084_adf00d94a8d7229ab1ef05fe5862dfc3203e7f9a9a36b4df30ae328005c2368b" data-rendition-name="original" width="996" height="2048" loading="lazy" alt="Nepal's flying doctor"> </figure>

Nepal’s flying doctor

Bidya Prasad Pant was a junior ophthalmic assistant at <a href="https://getaeyehospital.org.np/">Geta Eye Hospital</a> in Dhangadi when a 70-year-old man, blinded by cataract, was brought in by a relative who carried him for a week in a bamboo basket from Bajhang.&nbsp; Back then in 1984, the charity-funded hospital only performed cataract operations when its Nordic surgeons were visiting. So the man had to be turned away. &nbsp; “It made me feel helpless, my inability to help the man touched me deeply. I made up my mind to be an eye surgeon myself,” Pant told us just before flying to Copenhagen to receive this year’s Boberg-Ans Award from the Danish Ophthalmological Society on 27 September for 'significant contribution to the dissemination and advancement of cataract surgery in the developing world'. In the past 40 years, Pant has done over 200,000 eye surgeries in Nepal, Burma, and around the world. He possibly holds the record for most eye surgeries: 312 in one day and 16,005 in one year. Read also: <a href="https://nepalitimes.com/here-now/myopia">MYOPIA</a>, Yugeshwor Koirala Pant shuns publicity, and agreed to this interview after repeated requests. His is an extraordinary journey of determination, perseverance -- and vision. The cheapest and fastest way to become a doctor those days was to go to Russia. Pant left his wife with three children at home and went to Russia in 1992 and graduated in 1999 from Rostov-on-Don, specialising in eye surgery. He was then invited by his surgeon colleague from Geta, Dag Riise, to Hamar in Norway to get further training in ocular operations. The conflict was raging in Nepal, and Riise offered Pant a job in Hamar, but he refused. Pant did not just return to Nepal, but came back to Dhangadi to rejoin Geta.&nbsp; Riise regarded Pant as his “Nepali son” and the family invited him for his funeral in 2013 after he drowned at age 81 during a skiing accident. Back in Nepal, Pant devoted his life to expanding Geta, which offered free surgeries to patients from Nepal and India.&nbsp; Bidya Pant was trained as his surgical assistant by Albert Kolstad who founded Geta Eye Hospital in 1982 as a WHO and Norwegian government project. Kolstad’s wife Sissel Halden remembers Pant as a “gifted young man”. She adds: “My husband noticed his potential immediately. Bidya was smart, a fast learner and he started doing cataract surgery under supervision. His work as a surgeon was outstanding.” Read also:<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/dhanvantari-miracle-men-sanduk-ruit-cataract-surgery,751"> The miracle men</a>, Buddha Basnyat  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240905100948_59cd6d0dbb32d14d337909ac270880f223547bc7a112271a2a4e4c1cd1fc4cb2.jpg" data-media-id="editor_3" data-image-id="20240905100948_59cd6d0dbb32d14d337909ac270880f223547bc7a112271a2a4e4c1cd1fc4cb2" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Bidya Prasad Pant eye surgeon NT 2"> <figcaption>Bidya Prasad Pant has performed over 200,000 ocular surgeries in the last 40 years, including in Burma, Ethiopia, Nepal and with Orbis Flying Eye Hospital.</figcaption> </figure>  When an Indian diplomat visiting Dhangadi noticed that 85% of the patients at Geta were from India, the embassy helped build an annexe to the hospital. More surgeons were trained, and at one point the hospital was performing 45,000 surgeries a year. <a href="https://helpmesee.org/meet-dr-bidya-pant-from-nepal/">Pant worked with HelpMeSee </a>to perform free surgeries in Nepal, and also on board<a href="https://www.orbis.org/en/news/2020/10-facts-flying-eye-hospital"> DC-10s of Orbis</a>, the flying eye hospital hopping to airports all over Africa, Asia and Latin America.&nbsp; Since 2014, Pant has been doing free eye surgeries for<a href="https://dak.org.au/"> Australia's DAK Foundation</a> in developing countries, and he and his team have performed 300,000 operations just in Burma. &nbsp; The need is still great because of the backlog of ageing patients, and greater ultraviolet solar radiation risk at higher altitudes due to the thinning of the stratospheric ozone layer. Cataract is the cause of more than half the blindness worldwide, and this will increase by 70% in the next 25 years.&nbsp; Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/sanduk-%C2%ADruit-%C2%ADtil-ganga,2574">New vision for Nepal</a>, Stéphane Huët One of the neediest places is the Burmese hinterland near Mandalay where Pant leads a team of surgeons at Tipitaka Chalupala Eye Hospital and Monastery. “When I first went to Yangon in 2013 there were people waiting up to six months in queue for eye surgery,” recalls Pant. Burmese Nepalis were excited a doctor from Nepal was doing the operations. When his father died last year in Dhangadi, Pant’s Burmese patients collected more than $4,500 as donation, which he promptly handed over to the monastery.&nbsp; Pant was not just operating, but also helping Burmese surgeons to be trained at Kathmandu’s <a href="https://tilganga.org/">Tilganga </a>and other hospitals.&nbsp; For his work in Burma, Pant was recognised by the British Medical Journal with the Surgical Team of the Year award, and the International Association of Preventive Blindness (IAPB) Eye Health Hero Award in 2017. &nbsp; Read also: <a href="https://nepalitimes.com/banner/nepals-far-sighted-eye-care">Nepal's far-sighted eye care</a>, Sonia Awale

Nepali surgeon with a vision for the world

More than 2.5 million Nepalis left the country just in the last three years to study and work abroad. In the past year alone, <a href="https://nepalitimes.com/news/push-factors-driving-nepalis-out">nearly 900,000 students and migrant workers flew out of Kathmandu airport</a>. These figures do not include those who crossed over to India.&nbsp;
There were, of course, returnees in that period, but it is estimated that up to 16% of Nepal’s population at any given time is outside the country. Most of them are 20-35 years old, which means an estimated q<a href="https://nepalitimes.com/news/nepals-demographic-window-is-closing">uarter of all Nepalis in that age group are abroad</a>.&nbsp;
It is mandatory for students going overseas to get a certificate from the Ministry of Education, and last year alone 112,593 were issued -- nearly double the pre-Covid figure (graph, below).
Before leaving, Nepali students officially exchanged Rs117 billion last year into hard currency to pay for their education costs. The actual figure through unregulated channels is probably higher.
<div class="embed-block"><iframe title="MORE NO OBJECTIONS" aria-label="Column Chart" id="datawrapper-chart-OBL1y" src="https://datawrapper.dwcdn.net/OBL1y/2/" scrolling="no" frameborder="0" style="width: 0; min-width: 100% !important; border: none;" height="600" data-external="1"></iframe><script type="text/javascript">!function(){"use strict";window.addEventListener("message",(function(a){if(void 0!==a.data["datawrapper-height"]){var e=document.querySelectorAll("iframe");for(var t in a.data["datawrapper-height"])for(var r=0;r<e.length;r++)if(e[r].contentWindow===a.source){var i=a.data["datawrapper-height"][t]+"px";e[r].style.height=i}}}))}(); </script>All graphs: RAMESH KUMAR</div>
<div class="embed-block"><iframe title="$ in, $ out" aria-label="Column Chart" id="datawrapper-chart-gUPnY" src="https://datawrapper.dwcdn.net/gUPnY/4/" scrolling="no" frameborder="0" style="width: 0; min-width: 100% !important; border: none;" height="600" data-external="1"></iframe><script type="text/javascript">!function(){"use strict";window.addEventListener("message",(function(a){if(void 0!==a.data["datawrapper-height"]){var e=document.querySelectorAll("iframe");for(var t in a.data["datawrapper-height"])for(var r=0;r<e.length;r++)if(e[r].contentWindow===a.source){var i=a.data["datawrapper-height"][t]+"px";e[r].style.height=i}}}))}(); </script></div>
Meanwhile, the 4 million <a href="https://nepalitimes.com/opinion/guest-editorial/the-migration-myth">Nepali migrant workers</a> in Malaysia, Qatar, Saudi Arabia, UAE, Kuwait, Korea, Europe and elsewhere sent back through banking channels Rs1.47 trillion in remittances ($11 billion) last year. Actual figures are higher.
“The great irony is that while poorer Nepalis toil in the Gulf and Malaysia to increase our foreign exchange reserves, middle and upper class families are exchanging a part of that money to pay for college fees, travel and medical care abroad,” points out migration researcher Ganesh Gurung.
The numbers going to Australia and Canada dropped last year because of visa restrictions. But that has been more than made up by a 30% uptick in <a href="https://nepalitimes.com/here-now/nepal-s-hard-working-students-overseas">Nepali students</a> going to the US (11,261) and UK (13,339) compared to last year.
But by far the largest number of students are going to <a href="https://nepalitimes.com/banner/why-nepalis-are-flocking-to-okinawa">Japan</a> (34,731) which is also an increase of 30% over the previous year (map, below). Numbers going to <a href="https://nepalitimes.com/news/yo-man-ta-mero-nepali-ho">South Korea</a> doubled in one year to 6,889.&nbsp;
Nepalis go to 66 countries for higher studies, with <a href="https://nepalitimes.com/here-now/looking-for-the-nepali-dream">Denmark</a>, Finland and France becoming more popular, although the numbers are still much lower than the top six.
Till recently, Nepalis were the third largest number of foreign students in Australia. They were number three also in Canada. Nepalis were among the top ten in the US.
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It is no secret that many young Nepalis leaving on student visas <a href="https://nepalitimes.com/banner/migration-certificate">intend to emigrate permanently</a>.&nbsp;
Countries in the Global North experiencing declining populations know this, but find it a convenient way to allow controlled entry for much-needed workers in the service or tech sectors.
“Many young Nepalis plan to settle in first-world countries eventually, or to return only after 10-20 years,” affirms migration expert Ganesh Gurung.&nbsp;
“Destination countries benefit too, they are getting a new generation of cheap labour without having spent anything on raising or educating them. What’s more, they also earn university fees. It’s a way for them to allow calibrated migration,” he adds.
Nearly half the students coming out of 10+2 schools opt to go <a href="https://archive.nepalitimes.com/regular-columns/Between-the-lines/More-Nepali-students-settle-overseas,528">abroad for higher education</a>, leading to a significant drop in college enrolment across Nepal.&nbsp;
Just like migrant workers are a safety valve that lets the government off the hook from providing jobs at home, students going abroad allows the state to dodge its responsibility to improve higher education quality here.&nbsp;
Indeed, some argue that better universities and colleges in Nepal would not lessen the exodus of young Nepalis, because many of them intend to emigrate for good.&nbsp;
“Yes, student visas have become a means to an end, <a href="https://nepalitimes.com/editorial/hardworking-students">the goal is to work and settle</a>,” says Narottam Aryal of King’s College in Kathmandu. “But more alarming than the figures of students leaving is that we are taking it so casually, calling it normal."&nbsp;
He adds: “Let us not worry about people who will leave anyway, but focus on the students who will stay if Nepal’s higher education is system is redesigned, repurposed and reformed to foster an entrepreneurial mindset so they benefit the country.”&nbsp;
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The method of education in state-run colleges and universities are still stuck in the era of rote learning taught by under-motivated teachers using outdated curricula, regurgitating memorised answers at exam time. The university environment is politicised and there are frequent disruptions with delayed exam results.
One way to change this is twinning with international universities, but for this there has to be a less xenophobic and transparent government machinery that is open to new methods.
“Accreditations, partnerships and exchanges with institutions around the world will open up opportunities for students,” says Aryal. “The government should welcome foreign universities, they will force us to raise the standard of our education.”
Information technology and <a href="https://nepalitimes.com/here-now/grass-is-greener-overseas-for-nepals-doctors">medicine</a> are among the most lucrative options for Nepali students abroad. Institutions of higher learning in Nepal itself could specialise in inter-disciplinary liberal arts, social studies, agriculture and the environment, public health, hospitality, or heritage studies.&nbsp;
Youth are also leaving because there is no guarantee of jobs even when they get a higher degree here. <a href="https://nepalitimes.com/editorial/brain-drain-into-brain-gain">The informal sector</a> is still the biggest employer, and job options in private companies and civil service are limited.&nbsp;
Ganesh Gurung says the education sector must adapt to the changing labour market such that Nepal produces skilled human resources in the areas with high demand like <a href="https://nepalitimes.com/here-now/nursing-grievances-against-the-state">nursing</a>.
He adds, “The focus must be on our strengths. The economy can be revived by making the best use of Nepal’s natural beauty to generate jobs in the hospitality industry, and turn it into a <a href="https://nepalitimes.com/news/go-away">destination for international retirees</a>.”&nbsp;

Brain gain into brain drain

A flash debris flow just after noon on 16 August had damaged half the village of Thame in the Everest region, but no human casualties have been reported.&nbsp; Experts and residents have said <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">rapid melting of the Himalaya</a> due to climate breakdown was the cause of this and more frequent flash floods on Nepal glacier-fed rivers in the past years. Read also: <a href="https://nepalitimes.com/here-now/nepal-s-mountains-are-melting">Nepal’s mountains are melting</a>, Alton C Byers  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817040812_b5c90a2ec0cdf7aede204f3912c646f2a30b8fbb668548f8f6ba832c47e6a608.png" data-media-id="editor_2" data-image-id="20240817040812_b5c90a2ec0cdf7aede204f3912c646f2a30b8fbb668548f8f6ba832c47e6a608" data-rendition-name="original" width="1050" height="535" loading="lazy" alt="Thame flash flood NT 2"> <figcaption>Friday afternoon after the flood hit Thame.</figcaption> </figure>  Early reports said five lodges, a school, a health clinic and 12 homes were damaged in Thame, which usually has a population of 300 Sherpa people who depend mostly on trekking and mountaineering for their livelihood. One person who was trapped in one of the buildings is said to be missing.&nbsp; Thame was hit by an even more devastating <a href="https://www.researchgate.net/figure/Dig-Tsho-4-400-m-as1-the-pear-shaped-glacial-lake-lies-embedded-in-the-uppermost_fig12_271811212" target="_blank">glacial lake outburst flood on 4 August 1985</a> when the Dig Tso lake burst after an avalanche from the east face of the 6,940m high Tengi Rau fell into the lake. Twelve people were killed then, a hydropower plant was destroyed and part of the Everest trekking trail was washed away. Thame also suffered extensive damage in the 2015 earthquake.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817030856_ab024c339325d46527245315cdf1682da699499c8b2532388f4d8d93e76d0c72.png" data-media-id="editor_4" data-image-id="20240817030856_ab024c339325d46527245315cdf1682da699499c8b2532388f4d8d93e76d0c72" data-rendition-name="original" width="1182" height="774" loading="lazy" alt="4 August 1985 Dig Tso lake glacial lake outburst flood NT"> <figcaption>The glacial lake outburst flood in 1985. </figcaption> </figure>  Dig Tso has again filled up in the past decades due to glacial melt and could have burst again, experts say. There was heavy rain in the catchment area of the Bhote Kosi this week, and this could have also swept down melted glacial moraine from further up the mountain.&nbsp; “Unfortunately, those of us who have done the least to contribute to this man-made climate change are the ones facing the worst consequences,” said Dawa Steven Sherpa, mountaineer and tourism entrepreneur. “When will we learn that for many of us, <a href="https://nepalitimes.com/banner/the-climate-crisis-is-a-water-crisis-in-the-himalaya">the threats of climate change</a> are not in some distant future but are already happening?” Read also: <a href="https://nepalitimes.com/news/living-with-climate-anxiety">Living with climate anxiety</a>, Rastraraj Bhandari <div class="embed-block"><div><div style="left: 0; width: 100%; height: 0; position: relative; padding-bottom: 56.25%;"><iframe src="//cdn.iframe.ly/api/iframe?url=https%3A%2F%2Fwww.youtube.com%2Fembed%2FkYJ95MCRpWY%3Fsi%3DEuyCEbZPK8Eew368&key=87ca3314a9fa775b5c3a7726100694b0" style="top: 0; left: 0; width: 100%; height: 100%; position: absolute; border: 0;" allowfullscreen scrolling="no" allow="accelerometer *; clipboard-write *; encrypted-media *; gyroscope *; picture-in-picture *; web-share *;"></iframe></div></div></div> Thame is on the former trade route between Nepal’s Khumbu region and Tibet across the 5,806m high Nangpa La pass. After The Chinese annexation of Tibet, the trade route was closed and the Sherpa people turned from being traders to mountaineering guides. There are several other smaller glacial lakes upstream from Thame, and a team from the National Disaster Risk Reduction and Management Authority (NDRRMA) flew to the valley on Saturday morning to find the actual cause. “We weren’t aware that the lakes were at the risk of bursting but we suspect it might have been Dig Tso again, or one of them,” Ward chair Pasang Galzen Sherpa. Dig is a highland yak pasture below the lakes, and it is not known if any livestock of herders were affected.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817040812_08b1a13e9e5cff070775f7b91aa46e1c57298a26e56f7ddf8e75586020fff596.png" data-media-id="editor_8" data-image-id="20240817040812_08b1a13e9e5cff070775f7b91aa46e1c57298a26e56f7ddf8e75586020fff596" data-rendition-name="original" width="1070" height="1610" loading="lazy" alt="Glacial outburst Thame flash flood NT 3"> </figure>  The sudden flood in Thame Khola at about 1:30PM on Friday gave locals just enough time to flee to safer higher ground. The trekking off-season meant this Sherpa village of 45 families at about 3,800m in Khumbu Valley was relatively empty. Thame is also the staging point for the Renzo La traverse from Thame to Gokyo Valley. Read also: <a href="https://nepalitimes.com/banner/tracing-past-glacial-floods-in-kangchenjunga">Tracing past glacial floods in Kangchenjunga</a>, Alton C Byers  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240817040816_72a0727d11706de3e845caf759a3356f47c5751f72535d4d2bd7ecc3baa31a42.png" data-media-id="editor_10" data-image-id="20240817040816_72a0727d11706de3e845caf759a3356f47c5751f72535d4d2bd7ecc3baa31a42" data-rendition-name="original" width="1300" height="926" loading="lazy" alt="Thame flash flood NT 4"> </figure>  The District Administration Office of Khotang issued an alert about a flash flood downstream on the Dudh Kosi into which the Bhote Kosi flows. The District Police Office, Halesi Tuwachung Municipality, Aiselukharka Rural Municipality and Rawabensi Rural Municipality have asked people to move to higher ground, but no casualties or major damage was reported overnight. Nepal Police in Thambuche and Namche and a team from the Nepal Army have been deployed in the flood-damaged areas. Helicopter flights were prevented from reaching the site on Friday due to bad weather.

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