I was asked to give a presentation at the <a href="https://nepalitimes.com/news/the-present-and-future-of-news">Himal Media Mela</a> on 25 July on the ethical and productive use of AI in journalism. I am using the first of this new monthly Technocrat column in Nepali Times to say what I did not have time for at my session about real dangers, real potentials, and hard-won lessons about AI, journalism, and ethics.
I’m not a natural public speaker, and a member of the audience last week told me I sounded like I was chewing gum. True, I mumble, and often lose my train of thought. But one does not need to be a great orator to get the message across. You just need to care deeply and speak the truth.
Nepali Times readers will have seen the supplement in last week’s edition in both print and online that carried a year-by-year summary from 2000 to 2025. I am told the five-member newsroom staff took weeks to put it all together.
They did a great job, but I used ChatGPT’s plus feature Deep Research to crawl 25 years of archives to produce similar content in a few hours with workable links and all the right references.&nbsp;
True, the text needed some fine tuning, but if this sort of normally exhausting human work can save time and energy then AI can be an amazing asset. &nbsp;
But many AI enthusiasts are dumbing down by using image and video generators, and wasting their credits. This is causing AI fatigue among young people on digital networking sites.
Before using AI effectively, we must first understand its true cost. The glossy marketing of AI tools hides the dark side of the deep learning machine underneath, a system built on a foundation of our work, often taken without our knowledge or consent. And you thought, all those words and sentences were AI magic!
AI is a hungry beast voraciously devouring whatever you post. Every article, every photograph, every personal post, every comment you make is raw material for training the next generation of AI models. It does not matter if you gave permission. Nobody is asking.&nbsp;
AI does not need permission to train itself using my sentences from the digital version of this column.
This is not 'fair use'. It is exploitation on an industrial scale. The very soul of our work is being strip-mined to build a technology that profits from our labour without credit, compensation, or consent.
And then there is the danger from deep fake that has moved from a niche experiment to an everyday threat. It is easy if you know the tricks for anyone to clone a voice, fake a video, or create a false event so realistic it can fool even experts.&nbsp;
Content Scrapers
AI is not a neutral force. It is a tool for scammers, a weapon to deny crimes, erase real incidents, and destroy reputations overnight. Teenage girls have been blackmailed with fake videos. In India and Bangladesh, politicians have seen their words twisted to incite chaos.
The scariest outcome is not just the production of individual fakes, it is the erosion of all trust. When ‘anything can be faked’, who can prove if they are telling the truth? The greatest risk is not that people will believe fake content, but that they will stop believing any content, undermining our shared foundation of reality.&nbsp;
As journalists, we risk becoming unwitting amplifiers of these falsehoods if we are not equipped to detect and expose them. AI is a stereotyping machine that amplifies our worst biases.&nbsp;
Prompts on platforms are sexualised, gendered, or reinforce harmful ethnic stereotypes. Many women participate in this cycle, sometimes out of curiosity, unconsciously reproducing the very biases inherent in patriarchal societies.
The faces of children are now circulating in AI-generated images worldwide, stripped of context, consent, or protection. A simple search for ‘Nepali or Indian or White girl’ on an AI image site brings up content no parent would ever want to see.&nbsp;
This is not just a privacy issue, it is a violation of dignity and safety. We make it easy for ‘content scrapers’ by posting photos and videos of our children on Tiktok.&nbsp;
Faced with these realities, we cannot afford to be silent. Indifference is not an option, it is complicity. Fortunately, there is a quiet but growing resistance among artists, musicians, and photographers. But journalists, the very people who create the facts and narratives that train AI, have been too slow to join the fight. &nbsp;
Naresh Newar is a writer on strategic communications and Artificial Intelligence and content specialist.

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Being intelligent about journalism

Nepali Times was born at the dawn of the new millennium. It started publishing online in May 2000 before the #1 print edition in the week of 19-25 July 2000. But a month before that, there was a <a href="https://himalaya.socanth.cam.ac.uk/collections/journals/nepalitimes/pdf/Nepali_Times_000.pdf">practice #0</a> which had a Publisher’s Note titled ‘The Freedom To Be Fair’ on page 1. Here is an excerpt:&nbsp; ‘It was a journalist who once said that journalists are people without any ideas, but with an ability to express them. These are cynical times, and it is people in media who are most cynical about the media. For too long journalists have taken objectivity as our main mantra, forgetting fairness.&nbsp; Objectivity is not having to make up your mind about anything, fairness is hearing all sides. Globally, and within countries society’s balance of justice is heavily skewed by the weight of the powerful. Objectivity perpetuates this status quo, fairness tries to set things right. We at Nepali Times and other publications of the Himalmedia group are committed to professionalism and high-quality journalism … upholding the freedom to be fair.’ These were heady times for Nepal’s mainstream press during the constitutional monarchy days. One had to use dialup through a modem and phone line to access the Internet. Nepal Telecom had just started its GSM mobile service, and we all proudly carried around Nokia 3310s with tiny LCD displays.&nbsp; It would be six years before Twitter started. YouTube was launched in 2005 after its former PayPal founders were caught up in the Asian Tsunami in Thailand, and found there was no platform for sharing videos. It would be another eight years before algorithms began pushing cat videos to users.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e.jpg" data-media-id="editor_1" data-image-id="20250801110848_996e922379073386e7b137498f8f5b6979fe839d808669bc732d33b60827ba4e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nepali Times 2000"> <figcaption>Nepali Times #1 19-25 July 2000</figcaption> </figure>  The masthead of the <a href="https://d1i1jdw69xsqx0.cloudfront.net/digitalhimalaya/collections/journals/nepalitimes/pdf/Nepali_Times_001.pdf">#1 print edition of Nepali Times of 19-25 July 2000</a> carried the ambitious ‘Nepal’s Top Newspaper’. The Editorial titled ‘A Sign of the Times’ said in part: ‘Newspapers do more than hold the mirror to society. They are the mirror. Journalism is called history in a hurry. It is also culture, sociology, anthropology, philology, and philosophy in a hurry. Nepali Times will aspire to be a true reflection of our times…’ Indian graphic designer Rustam Vania was invited to Kathmandu in April 2000 and designed a newspaper with a fresh, modern look. His rendition of the masthead and the page template has not changed in 25 years, though much has changed in Nepal, even while a lot has remained the same. Reports and op-eds about air pollution, hydropower exports, investment, political back-stabbing from two decades ago are as relevant today as they were then. Most of the protagonists are the same people, just a little greyer and chubbier. In the first of his many thoughtful columns ‘State of the State’, C K Lal lamented the cynicism in Nepali society: ‘Nepal’s nabobs of negativism hold forth in their nay-saying nooks. Cynicism is at least a reflection of exaggerated self-worth. Despair is much worse, it is a state of having lost all hope.’ Sounds familiar?  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856.jpg" data-media-id="editor_3" data-image-id="20250731110744_c270d9b78096edfeec71984033aae895e376a347b5cd1ba77362c8a8038b9856" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rewind: 2000"> <figcaption>Nepali Times #7 30 August - 5 September 2000</figcaption> </figure>  Water resources expert Dipak Gyawali argued in a commentary that it made more sense for private power producers to build reservoir projects not for export, but to make up for the dry season power shortfall. A debate even more prescient today. Manjushree Thapa's &nbsp;Nepaliterature column profiled Nepali writers with translated excerpts. The paper serialised chapters from Desmond Doig’s book In the Kingdom of the Gods. The Backside satire column featured ‘Under My Hat’ and ‘The Ass’. Nepali Times even carried a weekly horoscope, cigarette and alcohol advertisements.&nbsp; Journalism is indeed history in a hurry. Those who do not learn from it are doomed to repeat it. Browse the past 25 years of Nepali Times through the online archive on HTML and the ePaper through<a href="https://www.archivenepal.org/nepalitimes"> Archive Nepal</a>.

2000

25 years of journalism

The fourth Himal Media Mela on Friday, 25 July coincided with the 25th anniversary of Nepali Times, and workshops throughout the day focused on how the media can increase its reach and revenue in a rapidly evolving digital landscape. In his <a href="https://nepalitimes.com/news/journalism-reboot">opening remarks</a>, Nepali Times publisher Kunda Dixit spoke about the accelerated changes in the media sphere, and how legacy media exists in the digital space. “Big Tech has gradually dismantled the structures of content moderation,” said Dixit. “Algorithmic authoritarianism has polarised society, fuelling conflict and intolerance.” “The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism,” Dixit continued.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3.jpg" data-media-id="editor_1" data-image-id="20250725050756_cf765c9e446e9a9b325ba8562b57446112e8751b8cf8d546b5d75031a46554f3" data-rendition-name="original" width="2048" height="1385" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Welcome address by Nepali Times publisher Kunda Dixit. All photos: SUMAN NEPALI</figcaption> </figure>  However, even as operators of social media platforms are increasingly controlling how and to what degree the audience is able to connect with news and journalists, digital networks can also be a means of uniting against oppression and promoting public interest journalism. So controlling the internet because it has become violent is not the solution. Rather, Nepal should seek strict guidelines and their compliance, not by punishing journalists using irrelevant laws, as has been the case lately. “When we block platforms — along with the untruth, the truth also disappears,” noted Dixit. In her keynote, <a href="https://nepalitimes.com/news/journalism-will-never-be-out-of-fashion">Manisha Pande</a> of digital portal Newslaundry in India underscored the increased significance of journalism in the age of social media and AI. “In a democracy, journalism and access to clear, credible information is like access to clean water,” said Pande. “It is what allows people to make sensible electoral choices and it makes all the difference between a democracy and an autocracy.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01.jpg" data-media-id="editor_3" data-image-id="20250726160732_57f331e6fe568fa0b114412e69793a182e10f9f1a526ca5325fa0be2ed9f1b01" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Keynote speaker Manisha Pande of Newslaundry. </figcaption> </figure>  But the media industry finds itself in a financial crisis today, brought on by social media as well as economic collapse since before the Covid-19 pandemic. Interestingly, Newslaundry which was launched in 2012, is a 100% ad-free: no Google ads, no corporate ads, no political funding, and fully sustained by subscribers, allowing them greater independence. In an age when facts do not matter, journalism needs to be more proactive and go where the audience is. Said Pande: “We need to use the internet and social media tools we have to repackage traditional journalism in a way that is interesting to the audience.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f.jpg" data-media-id="editor_4" data-image-id="20250726160748_2041be8704d2347b2dedac87a4814dfa26b686808889f5b70371bf98d9a9842f" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> <figcaption>Networking during the Himal Media Mela 2025.</figcaption> </figure>  Designing a new digital space for journalism Echoing her sentiment was Anup Kaphle of Rest of World as he led the first session, Designing a New Digital Space for Journalism. “You have to meet your audience where they are, which is on their phones and social media,” said Kaphle, also noting that social media can be a “double-edged sword that is excellent for distribution but also vulnerable to misinformation.” Kaphle was previously Chief Editor of The Kathmandu Post, and has held Editorial positions at Buzzfeed, and The Washington Post. His talk focused on how newsrooms can evolve to thrive in the new digital media environment, and the need to accept that fact that how people consume text has fundamentally changed.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e.jpg" data-media-id="editor_5" data-image-id="20250726160744_f332b61bdf6dc7317dd960a2682f91f3aa594347c3aec2b484b5a8654207c74e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Himalkhabar editor Santa Gaha Magar with speaker Anup Kaphle of Rest of World. </figcaption> </figure>  The attention economy was a big focus of the talk. Most people are watching short form content on their phones - think TikTok, Instagram Reels, YouTube Shorts. “Every journalist should be able to go on camera and summarise their story in 30 seconds,” said Kaphle, also pointing out that building a loyal community of readers comes from consistency, quality, and trust Kaphle also emphasised the need to think about revenue, beyond the obsolete model of relying only on ads, and instead build diverse income streams, such as user generated revenue. He gave examples of the New York Times' metered paywall, where users get a certain number of free articles a month, and then The Guardian, which does not have a paywell but make convincing appeals for voluntary support from readers. There are also others that put most, or all of their content behind a hard paywall. An adjacent model is memberships, where paying members get access to events, behind-the-scenes, newsletters, or early access to content.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e.jpg" data-media-id="editor_6" data-image-id="20250726160744_a0d0029a1584fbd5367b3dc03776c16c54dd97f3a7a8164f8f0e23a1eef2ac1e" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  “More and more newsrooms are opening up to their audience, talking to them about what kind of problems they would like to be solved,” said Kaphle, adding that publications with particularly loyal audiences may also think about merchandising —— think The New Yorker totes. In the meantime, there are a few fundamental things that make a story worth paying attention to. Can stories help readers understand complex information? Do stories add unique value? Are there news needs that are not being met? Are you tracking if, and when, your audience is reading? Do you have a journalistic mission that you are transparent about? TikTok and Journalism Meanwhile, Emad Zafar, head of communication from TikTok South Asia, said that while advertising models have put pressure on journalism, TikTok has emerged as a platform that promotes more democratised content.&nbsp; That has meant that even nations that call themselves democratic have put a blanket ban on the platform, citing concerns of privacy, national security, and safety. Nepal also banned the platform in November 2023, saying the social media platform is spreading social discord, but lifted it last year.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a.jpg" data-media-id="editor_7" data-image-id="20250726160748_a21a30928e26e5f4f63f6f89f4fa7fc47cbbdeb1e94b3b31a57d720ae7ead08a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Karan Parihar of TikTok South Asia.</figcaption> </figure>  Despite being banned in numerous nations, including the most populous country in the world, the numbers that represent the platform are staggering. One in eight people across the world are on TikTok, creating 66,000 videos every minute. One billion people are on the platform every month.&nbsp; These figures make it clear why the platform is so important for journalists to get their content out to a much larger audience, said Karan Parihar of TikTok South Asia.&nbsp; Mamta Siwakoti, TikTok’s Trust and Safety Program Manager, explained the platform’s community guidelines and how journalists can use the platform, even as misinformation has become a major concern for users. TikTok has 21 fact-checking partners, which provide the platform with verified and real time information.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae.jpg" data-media-id="editor_8" data-image-id="20250726160732_407aeb7d1f657b6aac8451795da0353aad8baa9b6839930aa1cc9087395e29ae" data-rendition-name="original" width="2048" height="1367" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>TikTok’s Trust and Safety Program Manager Mamta Siwakoti.</figcaption> </figure>  “Freedom of expression needs to be balanced with human rights,” said Siwakoti. “We consult experts while creating community guidelines, so that it serves our wider purpose of safety and security of our users.” Design and niche content Swarup Nhasiju Shrestha’s Design Sense for Journalists focused on shooting high quality video stories. Nhasiju is the creative head at V-Chitra advertising agency, and has done design and layout for many Nepali newspapers. “Your objective is to stop the scroll - nobody has the time to read anymore,” said Shrestha. He listed out the main types of shots and what they do for the story. A closeup of the face shows the subject’s emotions, a wide shot gives context to what is happening, and an unusual shot can show the subject in a different perspective. Cut every second that doesn’t move the story forward.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a.jpg" data-media-id="editor_9" data-image-id="20250726160736_b44d99be23087ee79eac0bc0fff39a75e000263a4bedc80c44eb32295bf4089a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Designer Swarup Nhasiju Shrestha of V-Chitra advertising agency during his session.</figcaption> </figure>  Shrestha also emphasised the importance of audio. “The audience may forgive shaky video, but not bad audio.” As for text on videos, short sentences, in sans serif font, in black and white, is the easiest to read. Thumbnails are the new front page of a newspaper should have faces, action, and high contrast. In the meantime, a main piece of content can be split up into 3-4 minute ‘mini’ pieces that are less than a minute long. These get the most views, and can funnel viewers to the longer videos. And counterintuitively, release trailers after the main video. This way, anyone who sees a trailer and is interested, can go watch the main video right after. Also talking about high-impact video content was Sojan Prajapati of Kathmandu ko katha who started out with an aim to inform the public about culture and heritage.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91.jpg" data-media-id="editor_10" data-image-id="20250726160736_822c94baf230a97d92d3dad3f77c2db47d0d987aedac5ee62c2a4dba47479f91" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Sojan Prajapati of Kathmandu ko katha.</figcaption> </figure>  In his session, Niche Content Creation, Prajapati told the audience how he has also used his platform ‘Speak up Nepal’ on Instagram for social issues, went on to push 21 petitions to the House of Representatives, 11 of which are yet to be discussed, while four have been resolved. The main purpose of journalism should lie in reinstating hope and faith in citizens in a world which is constantly consumed by negative rather than positive news, he said. “Virality and vulnerability have a connection. There should be positive reinforcement for something good. You just have to be genuine for content creation, genuineness pays off well.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada.jpg" data-media-id="editor_11" data-image-id="20250726160748_8671ccafef079346e3fb3ae3a06129089e38be807be28d4ff63b1caec65dfada" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62.jpg" data-media-id="editor_12" data-image-id="20250726160748_9d0f6bfeda6cfc73ed16aa2cf6308a67d2e58b239ac81c4cda144fa9e0cd6e62" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> </figure>  Future of the news In the last session of the day, The Future of News, Sundeep Narwani spoke about how AI and journalism intersect, and that AI can help journalists in copyrighting, social media captions, editing and translation that help reduce the cost of human resources. Generative AI, in turn, is getting more refined as we feed it with more data. Perplexity and Gemini in particular are competing to become real time search engines.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085.jpg" data-media-id="editor_13" data-image-id="20250726160748_74c59cba8159f704dadf6fe8f53532c8cbe1ccb15387da6c0788d7d2abc51085" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="HImal Media Nepal 2025"> <figcaption>Sundeep Narwani spoke about AI and the future of journalism.</figcaption> </figure>  “Agents are beyond bots. A lot of things will become automated, making things serious and sensitive, even leading to loss of jobs,” said Narwani while also urging users to be careful of biases. Even search engines such as Google have been found to favour certain subjects while powerful figures have had the platform remove or clean their names. This was in line with a session earlier in the day where Naresh Newar showcased a fake video demonstrating the power of AI, and how it could be misused, urging media institutions to come up with guidelines, to not rely overly on these tools.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3.jpg" data-media-id="editor_14" data-image-id="20250726160736_9270a6f0c5b70d6ce5dccb78bc1d24682b28cf0008ea4aadea689eb3ecececa3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Tech writer Naresh Newar.</figcaption> </figure>  Pollster Madhu Acharya of Sharecase Data Initiative had sobering but optimistic insights. Comparing Nepal Media Survey results of the past year, Acharya deduced that tv had the most viewership in Nepal, but 20% of its revenue was coming from YouTube, while radio was the most trusted, even though it is seeing a rapid decline in audience, and those who remain are mostly older men. Newspapers, on the other hand, was still one of the most trusted sources, however, it is the source of news for only a little over 5% people. More surprisingly, it is the younger crowd between 18-24 who are reading newspapers the most. On the other hand, online outlets are the new mainstream with most readers between 35-59. Social media has the largest engagement with YouTube, Facebook and TikTok leading the race. In fact, 11.1 million Nepalis are watching YouTube daily, but these platforms have the lowest level of trust.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b.jpg" data-media-id="editor_15" data-image-id="20250726160736_c08e5abacdf87f66f21bd4f1ff05567d9dcd63271e34adce04b121dbeafdcc4b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025 NT"> <figcaption>Madhu Acharya of Sharecase Data Initiative presenting the latest findings of the Nepal Media Survey.</figcaption> </figure>

The present and future of news

हिमालमिडियाले हरेक वर्ष मनाउँदै आएको हिमाल मिडिया मेलाको यो चौथो संस्करणमा उपस्थित सबैलाई स्वागत ।&nbsp; महिनै पिछे विश्वव्यापी सूचना र सञ्चार प्रणालीले अर्को फड्को मारेको हुन्छ। विगत २ महिनामा नै एआई-संचालित उपकरणहरू अचम्मसंग फैलिएका छन।&nbsp; सामाजिक सञ्जालका प्लाटफर्महरुले पाठकहरूलाई परम्परागत समाचार प्रदायकहरूसंग जोडिदिने क्रम जानिजानि घटाउँदै छन।&nbsp; बिग टेकले कन्टे्ट मोडरेसनको संरचना एक पछि अर्को गर्दै हटाएका छन ।&nbsp; यो एल्गोरिथ्म-मय अधिनायकबादले समाजलाई ध्रुवीकृत गर्दै, द्वन्द्व र असहनसिलतालाई बढावा दिएको छ। कलम चलाउने बितिक्कै झम्टी हाल्ने, बोल्योकि क्रोध र ईर्ष्या बर्षिहाल्ने। &nbsp;पत्रकारहरुलाई शत्रु ठान्ने, “१२ भाई” भनेर चिढ्याउने, “डलरबादी” भन्दै धम्क्याउने, “पत्रुकार”को बिल्ला लगाएर ट्रोल गर्ने क्रम बढ्दै छ । तर त्यही नै डिजीटल संजालहरु फेरि उत्पीडनसँग लड्न एक्यबद्यता जुटाउने, र सार्वजनिक हितको पत्रकारिता फैलाउने माध्यम पनि हुन। त्यसैले, अब इन्टरनेट उग्र भयो भनेर त्सलाई नियन्त्रण गर्दा, प्लाटफोर्महरु ब्लक गर्दा — असत्यसंगै सत्यपनि गुम्छ ।&nbsp; कसरी डिजीटल माध्यमहरुमा उपलब्ध अवसरलाई रक्षा गर्दै सामजिक संजालमा हुने उपध्रोलाई नियमन गर्ने। नेपालमा कडा गाइडलाइन र त्यसको पालना खोजिनुपर्छ, बिद्युतिय कारोबार एन प्रयोग गरेर पत्रकारलाई सजाय दिएर होइन। अंग्रेजीमा भन्ने गरिन्छ, अहिलेको नेपालमा सान्दर्भिक होला: “The exercise of my freedom should not violate yours”. Welcome everyone to this fourth edition of Himal Media Mela. The fact that most of you have paid to be here is proof that you value these interactions at a time of accelerated change in the media sphere.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802.jpg" data-media-id="editor_0" data-image-id="20250725060748_949591d168fbf38f0e1d39b377b1cba0daeabd526ec387e64cc7eb7820ac9802" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Himal Media Mela 2025"> </figure>  On World Press Freedom Day this year, Reporters without Borders published a map of the world in which each country was colour coded in varying shades of red to match the degree of press freedom there. Most of Asia was a sea of red. Only Japan, Korea — and Nepal — stood out as lonely white islands. Even so, we in Nepal cannot take our freedoms for granted. The forces undermining democracy and freedom of expression through disinformation and fake news are the same people who are also vaccine and climate deniers, warmongers who cheer genocide, fan flames of ultra-nationalism and sectarianism. Swimming against this tide, and fighting the good fight through brave, independent journalism is Manisha Pande of Newslaundry from a neighbouring country to our south with a name that begins with the letter ‘I’.&nbsp; Manisha, we are honoured to have you here, eager to listen to you, and be inspired by your journalism. Welcome.&nbsp; This year’s Media Mela will not dwell too much on the challenges faced by journalism. We all know what they are. So, instead of talkshops, we will have workshops. How can we cover the most important stories that affect the daily lives of Nepalis in such a way that it is watched and read to build public opinion and spur policy reform?&nbsp; In an age when facts do not matter, journalism has to be more proactive and go where the audience is. यसै अवसरको उपयोग गर्दै हिमालमिडिया र यसले लिने नयाँ बाटोको विषयमा अलिकति कुरा पनि राखि हाल्छु। हिमालमिडिया अब मुनाफा वितरण नगर्ने कम्पनीको रूपमा परिणत भएको छ। यसले अझ धेरै &nbsp;व्यक्ति, संस्थाहरूसँग जोडिन र सहकार्य गर्न सहज हुन्छ भन्ने विश्वास लिएका छौँ। यो नयाँ non-profit company मार्फत् हाम्रो पत्रकारिता अझै फराकिलो हुनेछ। समावेशी बन्नेछ। An advance thank you to all the workshop speakers for your time, thank you everyone for participating, and thank you to TikTok for powering this year’s Himal Media Mela. There was a social media post the other day in which someone said (and I quote): “Himal Media Mela powered by TikTok? TikTok requires no attention span, while Himal articles require substantial attention span. This is a bit like a Diabetic Convention powered by Lumbini Chini Karkhana.” जे भएपनि, अन्तमा: आजको कार्यशालाहरुले हामी मिडियाकर्मीहरूलाई एउटा नौलो मौका दिने अपेक्षा राखेका छौँ – कसरी डिजिटल औजारले पत्रकारलाई दिएको उपायहरु सिक्न । धैर्य गरेर सुनिदिनु भएकोमा धन्यबाद। एक पटक फेरि सबै सहभागीहरूमा हार्दिक नमन र स्वागत।&nbsp;

Kunda Dixit

Journalism Reboot

Nepali Times: When did you feel the need for a digital portal like Newslaundry, and how are you doing things differently?
Manisha Pande: Newslaundry started in 2012 to do exactly what our name suggests: take the media to the cleaners. The media holds everyone accountable — from politicians to bureaucrats to film stars — but who holds the media accountable? We wanted to turn the spotlight inward: expose propaganda, track corporate and political influence, unpack ownership patterns, and make the fourth pillar of democracy answerable. 
Over time, we’ve grown into a platform known not just for media critique, but also for ground reportage and hard-hitting investigative journalism. What sets us apart is that we’re 100% ad-free: no Google ads, no corporate ads, no political funding. We’re fully powered by our subscribers, and I’m proud to say we’re the only truly successful subscription-driven news platform in India.
Does this mean that Newslaundry can now also be regarded as ‘mainstream’ media?
The idea of mainstream and alternate is perhaps redundant now in the age of the Internet. A small YouTube channel reporting on a district is mainstream for the people living there. But in terms of an important stop for credible information, perspective and context I think we’re right up there with what you’d call mainstream. But our ad-free model is as alternate as it gets. You won’t find that in legacy media.
How do you ensure that your voice is heard and taken seriously above the din of other social media platforms?
We stick to the fundamentals of good journalism: fairness, balance, rigour, and giving all sides a voice. But we use the tools of the digital age to deliver it. We speak the language of a newer audience without talking down to them or taking ourselves too seriously. We use podcasts, longform videos, even reels — formats that feel fresh but what we do essentially is rooted in old-school journalistic values. That’s what sets us apart from the noise and click-chasing chaos of social media.
The business model of mainstream media is in trouble, how have you adapted your engagement with readers in terms of content and revenue?
Yes it is and this is precisely why we have a model that has wholesale rejected advertisements. This means a lot of advocacy with our readers and listeners — telling them why it’s important to pay for news in a democracy. Everything we do is powered with the message that it’s possible to bring stories in public interest only when the public pays for news. Our motto is Pay To Keep News Free — and we’re constantly drilling that message. Like I just did here.
And you did it quite effectively. And how do you handle excessive and abusive trolling?
I think it’s pretty clear when someone engages with you in bad faith, I find it easy to ignore that. But I make sure I learn from criticism on the Internet that is genuinely engaging with our work, and there is plenty of that too. Ignore the abuse, but learn from your audience that wants you to do better — that’s how I keep it sane.
Is there still scope for journalists among all those content creators out there?
Yes absolutely. Journalism will never be out of fashion. Increasingly, there’s a hunger for information and context, and we are best poised to serve it.

“Journalism will never be out of fashion…”

More than 300 media practitioners from 40 countries will be in Kathmandu this week for the <a href="https://globalvoicesonline.org/">Global Voices</a> Summit 2024 for two days of deliberations on challenges and opportunities in the new digital media space. &nbsp; This is the <a href="https://globalvoices.org/about/annual-summits/">ninth Summit</a> of Global Voices on 6-7 December in which journalists, translators, activists, technologists, policymakers and development experts discuss issues related to free expression and language diversity.&nbsp; <a href="https://globalvoices.org/">Global Voices</a> was founded 20 years ago as an international multilingual community of editors and journalists, translators and human rights activists to use the Internet to tell stories that build understanding across borders.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_01c2f2ccaae529abfced7db24a88364cd22a85321ea3e10736088883f8693eba.png" data-media-id="editor_3" data-image-id="20241203091216_01c2f2ccaae529abfced7db24a88364cd22a85321ea3e10736088883f8693eba" data-rendition-name="original" width="1415" height="666" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  Its content is translated and shared in the media across the world in 52 languages, including Nepali. Participants will also examine threats to media freedom in authoritarian regimes, including those with elected autocrats, and also discuss political activism and climate justice. “Throughout the two days we will examine threats like transnational repression and digital authoritarianism, explore open knowledge initiatives in a fragmenting internet,” says <a href="https://summit2024.globalvoices.org/author/georgia-popplewell/">Georgia Popplewell</a>, a journalist from Trinidad and Tobago who is Managing Director of Global Voices. Since 2006, <a href="https://globalvoicesonline.org/about/annual-summits/">Global Voices Summits</a> have brought together innovative digital activists and citizen media networks from around the world. Past Summits were held in London, New Delhi, Budapest, Santiago de Chile, Nairobi, Cebu City, and Colombo. Nepali Times has partnered with Global Voices for the Kathmandu Summit.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241206101236_a3407dcc4408d6ba76d2b6e44c2cb52d0b16951249d4cc910ceb38a058a992ed.jpg" data-media-id="editor_6" data-image-id="20241206101236_a3407dcc4408d6ba76d2b6e44c2cb52d0b16951249d4cc910ceb38a058a992ed" data-rendition-name="original" width="1600" height="738" loading="lazy" alt="global voices in Kathmandu"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_c4c4b0abd65c038466da9956432b8aecb1cd833fc565a45926a4ddf269902577.png" data-media-id="editor_7" data-image-id="20241203091216_c4c4b0abd65c038466da9956432b8aecb1cd833fc565a45926a4ddf269902577" data-rendition-name="original" width="1251" height="775" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  “For each Summit, we seek a location that is of strategic importance for citizen media, and consider the country’s press freedom record and ease of access for visitors of different nationalities,” Popplewell added. “Nepal is home to a dynamic and diverse media landscape, which has managed to grow in the context of a fraught transition to democracy. &nbsp;The rest of the world has much to learn from the opportunities and challenges that Nepal's many online communities have experienced.” The packed <a href="https://gv2024.sched.com/list/simple/">Summit agenda</a> will kick off on Thursday with a plenary panel on The Past, Present and Future of Digital Conversations in Nepal with Ujjwal Acharya of Journalism Academy and Nepali Times publisher Kunda Dixit. Other conversations will be on topics like blogging, digital connectivity, AI and deep fakes, state control of internet content and multilingual media.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091220_8d059c15a1bdc534c666cb8944c3944d05f5424a14c3fae00ccfc6e1dc94bfd4.jpg" data-media-id="editor_9" data-image-id="20241203091220_8d059c15a1bdc534c666cb8944c3944d05f5424a14c3fae00ccfc6e1dc94bfd4" data-rendition-name="original" width="1200" height="754" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>  News stories from Nepal are regularly translated across the languages of Global Voices, and the service also carries <a href="https://globalvoices.org/-/world/south-asia/nepal/">off-beat stories from Nepal</a>. Recent ones include why <a href="https://globalvoices.org/2024/12/01/the-journey-of-the-esperanto-movement-in-nepal-over-the-past-eight-decades/">Esperanto is so popular in Nepal</a>, the <a href="https://globalvoices.org/2024/11/25/in-a-nepali-village-residents-struggle-to-reconcile-traditional-artisanship-with-modernization/">vanishing craft of bamboo baskets</a>, and <a href="https://globalvoices.org/2024/11/18/scores-of-nepalis-tricked-into-joining-the-russian-army/">Nepalis tricked into joining the Russian Army</a>. Summit sessions will be available online and highlights posted on <a href="https://twitter.com/globalvoices">X</a>, <a href="https://www.instagram.com/globalvoicesonline/">Instagram</a>, <a href="https://www.facebook.com/globalvoicesonline?fref=ts">Facebook</a> and <a href="https://mstdn.social/@globalvoices/">Mastodon</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241203091216_3a8d608d4536081c1db5ce2832c6f51efa7f72b3390ccfea43c000a45c6e9471.png" data-media-id="editor_18" data-image-id="20241203091216_3a8d608d4536081c1db5ce2832c6f51efa7f72b3390ccfea43c000a45c6e9471" data-rendition-name="original" width="800" height="600" loading="lazy" alt="Global Voices conference in Kathmandu"> </figure>

Global Voices Summit in Kathmandu

Power corrupts, and absolute power corrupts absolutely. When the other pillars of democracy fail to act as check and balance, the press has to step in to hold power to account. 
Which is why authoritarian and elected autocrats around the world who have co-opted the judiciary, legislature and executive are now targeting the media. Journalists are <a href="https://nepalitimes.com/editorial/in-a-surveillance-state">surveilled</a>, threatened and even murdered for doing their job. 
The ill-gotten wealth of demagogues is mostly derived from licensing the exploitation of natural resources. Often, it is only <a href="https://nepalitimes.com/here-now/investing-in-investigative-journalism">investigative journalists</a> who stand in the way of greed and ambition.
UNESCO’s theme for World Press Freedom Day this year is ‘Press for the Planet’. Climate breakdown, mining, or illegal logging are no longer just ‘environmental’ features — they are stories of political crime.
Nepal is one of the most <a href="https://nepalitimes.com/news/nepal-should-be-open-for-south-asia">open societies in Asia</a> at present. But it was not always like this. Nepal has had its dark periods: 1960-90, 2005, 2016. Even at present, it is not smooth sailing for the mass media here. 
Successive governments in the eight years since the new Constitution have tried to squeeze the press. People posting on Facebook have been arrested, YouTubers taken to court, and last year the government banned TikTok.
<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">Censorship in instalments</a> is a way to test the waters to see if the backlash from freedom activists can be handled before imposing stricter restrictions. 
Local reporters, who do not have the protection enjoyed by more high-profile journalists in the capital, are threatened and gagged from reporting on activities that harm nature and livelihoods. 
Rabi Lamichhane has been under a cloud ever since he was Home Minister last year. A former tv anchor, Lamichhane is open about his contempt for the mainstream press, which he calls the ‘Dirty Dozen’.
Soon after becoming minister this time, he directed local officials to monitor news and social media posts in all 77 districts to keep track of content critical of the government.
He was forced to withdraw this daft idea after a backlash, but is now employing other channels to hit at Big Media mainly through portals, police and the investigation bureau he commands. The man obviously has much to hide, and is blaming the messenger.
Mayors Balen Shah in Kathmandu and Harka Sampang in Dharan who were propelled to office by social media propagation of their populist personas have shown thin skins, and a disdain for journalists critical of their methods. 
The draft Media Council Bill will allow a government secretary to select its chair and members. The Council is supposed to ‘advise’ the government in formulating media policies and code of conduct, much like a fox guarding the chicken coop.
Journalism in Nepal is already in crisis because of the collapse of the business model of <a href="https://nepalitimes.com/news/the-new-news-age">legacy media</a>. Just when we need an independent press to safeguard freedoms, it is more exposed to corporate and political pressure. There is a steady erosion of democracy in South Asia with varying degrees of censorship. Nepal has flourished as a place for the meeting of the minds, where nationals of neighbouring countries come for free and open discussion. But that space could close if journalists here do not fully defend our constitutionally-guaranteed freedom of expression.
Some of our neighbours have decided that democracy and a free press keep them economically backward, and have adopted the East Asian authoritarian model. We in Nepal have tried strongman rule before, and it failed quite spectacularly. 
Media has an agenda-setting role in a democracy. It amplifies the public voice so people are empowered to demand action from elected officials against wrongdoing. Lack of accountability lies at the root of everyday problems like underdevelopment, lack of jobs, air pollution, or environmental degradation.
The current wildfire emergency in this country is a result of decades of official neglect, political apathy and fatalism. 
Journalists reporting on the <a href="https://nepalitimes.com/here-now/climate-crisis-drought-food-deficit-migration">climate crisis</a>, natural resource exploitation or biodiversity loss have shown great courage and sacrifice to get the truth out. Many have been killed. Others have been threatened and silenced. Climate deniers troll science journalists. 
Here in Nepal,<a href="https://nepalitimes.com/here-now/a-nation-built-on-sand"> illegal sand mining</a>, quarrying and logging have destroyed ecosystems. The climate emergency is now magnifying the impact of such wanton destruction on Nepal’s economy. 
Disasters like <a href="https://nepalitimes.com/banner/nepal-valley-suffers-quadruple-disaster">Melamchi</a> and <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">Sikkim</a> could hit cascade projects along the Marsyangdi, Sun Kosi and Arun rivers. Journalists cannot just wait for disasters to strike any more, they must warn of them.
This week, even as smoke from wildfires blanketed the country, the Tarai is reeling under a heat wave. Jhapa was 43°C with 40% humidity, that is very near the lethal wet bulb temperature. 
What media chooses not to report, what to report on and how much prominence is given to it determines whether action is taken in time to mitigate danger. 
These ‘environmental’ stories are political stories: 
<ul><li>The government banned plastic bags three times but had to lift it because of lobbying by powerful pellet importers.</li><li>Air pollution can be reduced by incentivising electric transport, but there are vested interests in the fossil lobby.</li><li>Nijgad is not an airport project, it is a logging concession controlled by political cronies. </li></ul>
The job of a free press is not just to name and shame crooks, but also to restore the people’s faith in <a href="https://nepalitimes.com/here-now/populism-vs-pluralism">democracy and pluralism</a>. It is the democratic system with freedom of speech and fair elections to reward performance that makes this system work. 
We may have no expectations from our tried, tested and failed politicians, but let us not blame the system that they have abused.

Sonia Awale

Press under Pressure

Namaste, journalists, climate experts and friends of the planet! The third edition of the Himal Media Mela is going to be held on 3rd May 2024, Friday, at Yala Maya Kendra, Patan Dhoka, Lalitpur. This year, the theme is 'Journalism for the Planet', in keeping with UNESCO's theme for World Press Freedom Day 2024 - 'A press for the planet: journalism in the face of the environmental crisis'.&nbsp; We are excited to announce that we are offering workshops and knowledge sharing sessions that are interactive and for smaller groups this time. Sub-events will be held two at a time so please carefully comb through <a href="https://docs.google.com/forms/d/e/1FAIpQLSeveKsuPezOER4EK1Zz8mOjHyoRD1ACpFsThtksUz4b1WB2YQ/viewform?pli=1">this form</a> and let us know which ones you will be attending, so that we can save you a seat. Do have a look at the sessions and select your preferences here: <a href="https://t.co/xI5VbMAP3n" target="_blank">https://shorturl.at/pS239</a> This one-day conference will packed with events from 9AM until 6PM, with lunch provided and breaks in between. But do stay on for the closing reception (drinks, snacks and networking) after 6 PM. Seats are limited, so we will take your filling this form as your confirmation, along with your payment (see details below): Entry Ticket: Rs. 500 Payment to be made in advance via eSewa to: Samrat Tamrakar 9841359603 Thank you for your interest and participation! Looking forward to seeing you for another successful Media Mela where we share valuable insights with each other and grow together. Best, Team Himalmedia  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240429100448_2250035690fc50a6d31f29de73759209122976dc2bd82fc63ad88a3e68be5b1e.jpg" data-media-id="editor_2" data-image-id="20240429100448_2250035690fc50a6d31f29de73759209122976dc2bd82fc63ad88a3e68be5b1e" data-rendition-name="original" width="680" height="680" loading="lazy" alt="Himal Media Mela 2024 registration"> </figure>

Himal Media Mela 2024 registration

This northern Thai city had a carnival atmosphere last week as 280 international digital media people descended on its university ground for the <a href="https://www.splicemedia.com/beta-2023" target="_blank">Splice Beta 2023</a> festival. Funders of startups, those starting new media ventures, content creators, journalists, editors, and entrepreneurs gathered to share experiences about how to survive and thrive in the new media landscape. This year’s special focus was on users, figuring out their special needs and how new media can be financially sustainable by providing them the information they need.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231114061140_6d599ad4d1e5d3b1976483dd10451b2ff68485ae90e0e9cd5b75756e873c527f.jpg" data-media-id="editor_1" data-image-id="20231114061140_6d599ad4d1e5d3b1976483dd10451b2ff68485ae90e0e9cd5b75756e873c527f" data-rendition-name="original" width="1333" height="1000" loading="lazy" alt="Splice Beta 2023 NT"> <figcaption>Philip Smith of Journalism Growth Lab at his session on measuring impact of startups.</figcaption> </figure>  “The elephant in the room is the user,” explained <a href="https://www.instagram.com/alansoon73/?img_index=1" target="_blank">Alan Soon</a> of &nbsp;<a href="https://www.splicemedia.com/" target="_blank">Splice</a> Media. “The work of media startups and creators is meaningless if it isn’t valuable for the user of that information.” He added: “The future of media is not news-centred, ad-driven and content-based. It is user-centred, demand-driven and interest-based.” In his session on defining success of a media startup, Philip Smith of Journalism Growth Lab underlined the importance of measuring genuine impact. “Many startups fail because they are putting information out there that nobody wants,” he said, admitting that in countries where media freedoms are curtailed, reach may be difficult to quantify.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231114061140_a270dfcde9f5ea117ccfb601fd6c6157a60efb50a7dc133ef6faa0284ae39735.png" data-media-id="editor_4" data-image-id="20231114061140_a270dfcde9f5ea117ccfb601fd6c6157a60efb50a7dc133ef6faa0284ae39735" data-rendition-name="original" width="1382" height="744" loading="lazy" alt="Splice Beta 2023 NT"> <figcaption>Roman Gautam and Neha Rajbhandari of Himal Southasian explain the 35-year-old magazine's newsletter and membership program.</figcaption> </figure>  “Ultimately, whatever you do has to work well as a business and the viability of the venture has to be clear from the very start,” Smith told a packed audience. &nbsp; The two-day festival at Chiang Mai University’s Faculty of Mass Communications had workshops, training and coaching classes on podcasting, fundraising for startups, newsletters and membership programs, AI, and combatting disinformation. &nbsp; Some 150 media companies from 57 countries attended the festival, with many of them using the event for networking and knowledge sharing. &nbsp;&nbsp; “We are not talking about the future of journalism, the future is already here,” said Splice co-founder <a href="https://www.instagram.com/rishadismyname/?img_index=1">Rishad Patel</a>. “Journalism isn’t in trouble, the traditional ad-driven mass media model is.” &nbsp; The Philippine digital news portal Rappler won the $32,000 AI in Journalism Challenge at the Splice Beta Journalism Festival. The competition had shortlisted 12 newsrooms from all over the world in August out of 113 applicants which wanted to use AI tools more productively to turn their stories into user-friendly formats.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231114061140_d03d6563c902a4352f4c770c44b249a9e2cb69ccc454a0ebfb6fc5aba88786c8.png" data-media-id="editor_6" data-image-id="20231114061140_d03d6563c902a4352f4c770c44b249a9e2cb69ccc454a0ebfb6fc5aba88786c8" data-rendition-name="original" width="1066" height="926" loading="lazy" alt="Splice Beta 2023 NT"> </figure>  Rappler, which was founded by Nobel Prize-winning Philippine journalist Maria Ressa, was deemed by a panel of judges to have developed the most creative use of AI to turn its investigative stories into visual content more appealing to its young users. Rappler’s AI product is known by its acronym TLDR (Too Long, Didn’t read) and transforms its text-based news stories into interactive infographics, charts, photos and video capsules optimised for social media posts. At a demonstration last week at Splice Beta in Chiang Mai, Rappler came ahead of other online newsrooms like Brazil’s Agencia Publica, The Conversation from Indonesia, Zamaneh Media based in The Netherlands, and Cuestion Publica of Colombia. Zamaneh Media is an independent newsroom based in Amsterdam which is part of the Network of Exiled Media Outlets (NEMO) that was also a participant at the Chiang Mai festival last week and includes the Burmese media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20231114061140_e07bf835fec4456941ff04ad27b6cb8c9db09fa07d01d551787217012a115259.png" data-media-id="editor_7" data-image-id="20231114061140_e07bf835fec4456941ff04ad27b6cb8c9db09fa07d01d551787217012a115259" data-rendition-name="original" width="1196" height="1150" loading="lazy" alt="Splice Beta 2023 NT"> </figure>  “This is an important event for the media operating in exile to empower each other with knowledge-sharing so that we &nbsp;can inform the world about the countries they are from,” said Sudeshna Chanda of Zamaneh.&nbsp; The Splice Beta festival coincided with news from Kathmandu last week that the popular Nepali online media outlets Setopati had decided to adopt a premium subscription model for its content due to falling revenue from advertising. On Monday, Nepal’s governing coalition cabinet<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok"> decided to ban the wildly popular Tiktok platform</a>, saying it was inciting social disharmony. &nbsp;&nbsp; Nepali participants at the festival included journalists from Himalmedia, Herne Katha and Himal Southasian.

The future of journalism is already here

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

French citizen Louis arrived in Nepal for the first time earlier this year, planning to <a href="https://nepalitimes.com/banner/the-abcs-of-a-winter-trek-in-nepal">trek the Annapurna Circuit </a>before heading down to Bardia to hopefully catch a glimpse of some<a href="https://nepalitimes.com/news/nepal-counting-its-tigers"> tigers</a>. Before he began his journey from Besisahar, Louis (who only revealed his first name) had imagined breathing crisp mountain air, and following the melodious gurgle of the Marsyangdi.&nbsp; Instead, he had to breathe fumes and dust all the way to Chame. Louis says he masked his face with a handkerchief: “It was not what I expected, this is not right.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080304080_f03fce1527cf8a63178e4e82589a1a7096c8cfa28893ca4a5f7fe82d91a6e38a.jpg" data-media-id="editor_2" data-image-id="2025080304080_f03fce1527cf8a63178e4e82589a1a7096c8cfa28893ca4a5f7fe82d91a6e38a" data-rendition-name="original" width="2419" height="1814" loading="lazy" alt="Manang trails NT 1"> </figure>  Many other trekkers are similarly disappointed as roads have been built along what used to be <a href="https://nepalitimes.com/banner/a-walk-back-in-time-chandragiri-hatiban">walking trails</a>. Manang and Humla are the last remote regions in the Himalaya to be connected to the national road network. &nbsp;Construction of the 87km Besisahar-Manang road began in 1994, but was stalled during <a href="https://nepalitimes.com/news/14-years-after-conflict-no-closure-in-nepal">the Maoist conflic</a>t, and finally finished in 2012.&nbsp; Most of it has not yet been blacktopped, and sections have been carved out of vertical cliff faces, making them treacherous. But it has allowed road access to Manang, a journey that previously took a week on foot.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080304084_32b3ca875a0df9f1dd42dbe915e6f6a2cd4f2e53f1cf2d3ee5cbdb3435905000.jpg" data-media-id="editor_5" data-image-id="2025080304084_32b3ca875a0df9f1dd42dbe915e6f6a2cd4f2e53f1cf2d3ee5cbdb3435905000" data-rendition-name="original" width="2400" height="1505" loading="lazy" alt="Manang trails NT 1"> </figure>  While the <a href="https://nepalitimes.com/opinion/the-road-out-of-nepal">road has improved access</a>, it has impacted on<a href="https://nepalitimes.com/here-now/trekking-in-the-time-of-climate-change"> trekking tourism </a>— the mainstay of Manang’s economy. The number of tourists visiting the scenic valley behind the Annapurnas grew from 21,245 in 2023 to 30,866 in 2024. The Annapurna Circuit is known for unique sights like <a href="https://archive.nepalitimes.com/news.php?id=9194">Tilicho</a>, one of the highest lakes in the world, the Thorong La pass that connects Manang to Mustang, and the valley’s own rich cultural heritage. Thorong La at 5,416m is the highest hiking pass in the world, and was used by locals for trade with Mustang before it became a <a href="https://nepalitimes.com/opinion/comment/lift-restrictions-on-upper-mustang">popular trekking route</a>. &nbsp; “For guests, the excitement of reaching Thorong La is now overshadowed by their disappointment of having to journey through dusty roads to get there,” says Manang lodge-owner Ongma Gurung. “That is the complaint we get the most.” <a href="https://nepalitimes.com/banner/tourism-that-treads-lightly-on-the-land">Local tourism </a>operators are trying to get the government to build alternative foot trails. But there have been delays due to a lack of budget.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080304084_c5f76e398182785bb17846a148e3ca89de5687b4623580f8e2d725a7a287edfa.jpg" data-media-id="editor_11" data-image-id="2025080304084_c5f76e398182785bb17846a148e3ca89de5687b4623580f8e2d725a7a287edfa" data-rendition-name="original" width="2419" height="1762" loading="lazy" alt="Manang trails"> </figure>  The Naso Rural Municipality has identified other routes along the Annapurna Circuit in Chyamche, Tal, and Khotro so trekkers can bypass heavy vehicles involved in the construction of the Manang-Marsyangdi Hydropower Project. “But the local government cannot do everything,” admits the chair Dhan Bahadur Gurung. “And for leaders in Kathmandu, Manang is out of sight and out of mind.” Munindra Jung Gurung represents Manang in the Gandaki Provincial Assembly, and says he has raised the issue in <a href="https://nepalitimes.com/news/pokhara-s-tourism-woes">Pokhara</a>. He is hopeful there will be a hearing. To be sure, the road is not all bad news. Locals benefit, the number of visitors has grown, and trekkers can now also save time and use it to explore <a href="https://archive.nepalitimes.com/news.php?id=5960">side valleys in Manang</a>, visiting the villages like Nar and Phu. Annapurna Conservation Area (ACA) chief Rabin Kadariya concedes that the road to Upper Manang was crucial to connect the remote region with the rest of Nepal, but adds: “We have built an alternative trail connecting Talgaun, and we will consult local communities about their priorities on other hiking trails.”&nbsp;

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