This article originally appeared in <a href="https://www.thenation.com/issue/may-2024-issue/">the May 2024 issue of The Nation</a> magazine. My first glimpse of Kagbeni in Mustang came with a mix of relief, elation, and a cold foreboding. I had been walking north with my Nepali guide, sturdy 50-year-old Manoj Tamang out of Pokhara, for four days. Dhaulagiri at 8,167m looming to the west and the Annapurna massif to the east, until we had put them behind us.&nbsp; Read also: <a href="https://nepalitimes.com/news/soon-monsoon">Soon, monsoon</a>, Anita Bhetwal Now in their rain shadow on the north side of the Himalaya, the landscape quickly turned from alpine to arid high-mountain grassland and desert. We would spend two nights and a full day in Kagbeni at 2,804m before continuing up to Jharkot and Muktinath (3,800m), still the ‘foothills’ by Himalayan standards. Hence the relief, especially for my 56-year-old back and legs which were no match for Manoj’s. As for the elation, it came not only from the vista of Kagbeni’s terraced fields and orchards appearing, like some miraculous oasis, at the foot of barren cliffs and snowless mountainsides.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030540_48e8edcc734cc1dd82514c3d142ad8027b57fe9fd6af2186be6623b39bc90ca6.jpg" data-media-id="editor_2" data-image-id="20240518030540_48e8edcc734cc1dd82514c3d142ad8027b57fe9fd6af2186be6623b39bc90ca6" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Kagbeni"> <figcaption>A view of Kagbeni, looking north up the Kali Gandaki valley.</figcaption> </figure>  Since the 12th century, Kagbeni has been the “gateway” to the ancient Kingdom of Lo, known today as Upper Mustang, a restricted area on Nepal’s border with China. Yet today’s Mustang, as <a href="https://doi.org/10.1080/14672715.2023.2174891">recent scholarship</a> by the anthropologist Emily Amburgey and others has shown, is no idyllic Shangri-la, thanks to its mix of poverty, uneven development, government neglect, out-migration of the young, and, increasingly, symptoms of climate change (like those snowless mountains during my January visit). Indeed, the foreboding came when I remembered why I was there. Last August, Kagbeni suffered a devastating flood—brought on by extreme rainfall—the likes of which no one living there had ever experienced. I wanted to see the damage and the recovery effort for myself—and I wanted to hear from local people about what climate change means for their lives and communities in the <a href="https://hkh.icimod.org/hi-wise/hi-wise-report/">fast-warming Himalaya</a>. * Kagbeni is built along both banks of the Kag Khola river where it flows into the Kali Gandaki from the east. The original 12th century town, with its traditional flat-roofed mud houses and its medieval monastery and fort, lies on the north side, and the newer part of town to the south.&nbsp; The confluence of the two rivers, sacred to both Hindus and Buddhists, has made Kagbeni an important stop on the age-old pilgrimage route to the ancient Muktinath temple complex farther up the Kag Khola Gorge. The area is now heavily touristed thanks to a major road completed in 2008. That first afternoon, I made my way along the new town’s main street until it opened suddenly onto what still looked, five months after the flood, like a war zone. The grey rubble of rock, sand, and dried-mud debris, a block wide and a story high, stretched a good 200 yards along both sides of the narrow river.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030540_a02fc741e3dd0e6c639460c046d8fc29a7fd953be48ab0ff731a7f5cee272621.jpg" data-media-id="editor_5" data-image-id="20240518030540_a02fc741e3dd0e6c639460c046d8fc29a7fd953be48ab0ff731a7f5cee272621" data-rendition-name="original" width="2048" height="1536" loading="lazy" alt="Kagbeni flood"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030544_60cfb13b9bbcd268a6dfe68cdab45678260fc5156e32c3bf0e74a00043b06791.jpg" data-media-id="editor_6" data-image-id="20240518030544_60cfb13b9bbcd268a6dfe68cdab45678260fc5156e32c3bf0e74a00043b06791" data-rendition-name="original" width="2048" height="1536" loading="lazy" alt="Kagbeni flood"> </figure>  &nbsp;The floods that sweep down these river gorges do not just carry water, they consist of a thick, heavy flow of cement-like silt, mud, and rock that levels everything in its path and raises the riverbed by many feet. Think of it not as sea-level rise but riverbed rise, putting homes, schools, stupas and temples, infrastructure, and fields in greater peril with each new flood, which comes more often as global warming alters the South Asian monsoon. Rinzin Namgyal Gurung, the Kagbeni rural municipality chair, laid out the extent of the flood damage for me in an email: eight buildings completely destroyed, including a hotel, a government ward office, a health centre, and a police station, and 19 that suffered partial damage, including the monastery and the secondary school.&nbsp; In all, 27 buildings designated as residential or hotels were destroyed or damaged, plus nine ‘crucial public structures’ (water supply and treatment, irrigation canals, sewers, electricity stations, bridges, and river retaining walls) ‘were also severely affected’. This is a town of just 600 people. Gurung also listed the full extent of recovery funding and assistance the town received from Nepal’s national government: “Ministry of Home Affairs, 10 heavy tents and 15 blankets.” Assistance received so far from international NGOs: none. In the absence of such aid, the Mustang community in Nepal and abroad, has stepped up with a grassroots fundraising campaign. As Mustang faces another monsoon season, the question of longer-term survival is on some people’s minds. * Laxmi Gurung is 49 years old and was born in Kagbeni, where her ancestors have lived for eons. She was away in Kathmandu when I visited Kagbeni, but I caught up with her the following week in the capital’s Swayambhu neighborhood. Laxmi and her brother, a former local-government chairperson, own and run Kagbeni’s Hotel Mustang Gateway and its iconic <a href="https://www.facebook.com/yacdonald/">YacDonald’s restaurant</a>.&nbsp; Together, they founded the Fama Foundation to help preserve Mustang’s traditional culture as the region rapidly develops. Educated at universities in India and New Zealand, Laxmi attended COP28, the latest United Nations Climate Change Conference, in Dubai last December with Nepal’s delegation to advocate for the establishment of a ‘loss and damage’ fund at the UN. Last year’s August flood had damaged the hotel and restaurant, sending a car through a wall.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030544_e746e002560e33596c8c9beea4fe1210d0ff8f0aa697fd82e55426b049aecc46.jpg" data-media-id="editor_8" data-image-id="20240518030544_e746e002560e33596c8c9beea4fe1210d0ff8f0aa697fd82e55426b049aecc46" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Kagbeni flood loss and damage"> <figcaption>Laxmi Gurung's hotel and restaurant was damaged in the Kagbeni flood. She says the 'loss and damage' fund cannot pay for everything that is lost.</figcaption> </figure>  Laxmi described that night in harrowing detail: the intensity of the rain, unlike anything Kagbeni had experienced in the past (the old town’s mud houses, which have survived centuries in the region’s arid climate, are now dissolving under the recent downpours), the warning calls from villages upriver, which saved lives (Kagbeni had no fatalities), the unforgettable sound of heavy debris crashing into buildings in the darkness and of buildings collapsing, the agonising wait to see the damage in first daylight.&nbsp; “It was the longest night,” Laxmi said. But it was the flood’s aftermath that was the most revelatory. “The next day we see everywhere heaps of mud. And we don’t know what to do. Everybody is crying,” Laxmi said.&nbsp; Houses and belongings were buried under the debris, while some items were carried down the Kali Gandaki as far as Lete, 25 miles away. “All the people, from Lubrak, from Muktinath, every village from Upper Mustang to Lower Mustang came with something in hand to help Kagbeni, to move the debris. They came personally to help us, and they also contributed financial help. Mustang is an example that community exists.” “From the government, we still have not got any relief funds,” Laxmi said. Nepal’s Home Ministry and a variety of NGOs “came and watched—they see, they study, and [are] gone.” Pointing out that Kagbeni’s carbon emissions, like Nepal’s as a whole, are negligible, Laxmi asked, “Why are we the ones who suffer a lot? Our memories, heritage, structures, landscapes: gone. And who is to blame for this? Should we blame ourselves? We should get compensation. But who will listen to us? We are a small community, a small mountain village, in one corner of—beyond the Himalaya. Even Nepal’s government believes we are beyond the Himalaya, and we have been neglected.” When asked about her advocacy in Dubai for loss-and-damage funding, and if there are losses that cannot be compensated, she said: “The financial help can establish new houses, infrastructures, but our heritage, our ancestors’ properties, we cannot rebuild. The loss of memories, values, culture, customs cannot be repaid.” * Yungdrung Tsewang Gurung, 36, is a freelance researcher, conservationist, and photographer from Lubrak, a tiny village a few miles south of Kagbeni. Dating back to the 12th century, it has 14 households and is the last village in Mustang entirely following the pre-Buddhist Tibetan Bön religion. Working with Amburgey and other scholars, Yungdrung has researched the effects of climate and social change in Mustang. In June 2021, his family’s small ancestral home in Lubrak was destroyed by a major flood. They have since built a new house higher up the steep mountainside, and he has documented and reported <a href="https://nepalitimes.com/banner/mustang-forced-to-adapt-to-climate-crisis">for the Nepali Times</a> on how Lubrak is shifting ground as the floods and rising riverbed overwhelm its ancestral fields and now threaten the heart of the village itself. “Knowingly or not knowingly, local people are already struggling,” Yungdrung said. “In Lubrak, my family was living with the threat of when the flood would happen and we would lose our house. In 2021, it happened overnight. And when we see the snow melting and how the rain pattern is changing, and flood is one of the outcomes, we cannot do much. In our village, most of the old traditional things are already damaged, and we do not have [many options for a] livelihood.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030548_4296e553e89fe3a46fdf156b47e9c0409d40a78f20eaf30df2d23222b9dcf6d2.jpg" data-media-id="editor_10" data-image-id="20240518030548_4296e553e89fe3a46fdf156b47e9c0409d40a78f20eaf30df2d23222b9dcf6d2" data-rendition-name="original" width="1125" height="1500" loading="lazy" alt="Kagbeni flood victim"> <figcaption>Yungdrung Tsewang Gurung, of Lubrak village, at Paradise Trekkers Home in Kagbeni in January 2024.</figcaption> </figure>  The people of Lubrak are actively discussing whether, how, and where to relocate as a community—a prospect complicated by the fact that, under recent national policy, the community's ancestral land is now owned by the Nepali government. “We cannot build and claim that it belongs to us, like our parents and older generations,” Yungdrung said.&nbsp; His family was the first in Lubrak to lose its home, and the plot on which they rebuilt was allocated through the village’s traditional community decision-making process. But now their ownership, and the village’s ability to relocate on ancestral land, is uncertain.&nbsp; “We do not fit in the Nepal government’s policy,” Yungdrung said. “How can we survive here?” Kagbeni now faces the same issue. Nepal’s central government recently overruled a local decision to allocate community land to flood victims for building new homes. “As authorised land documents remain unavailable, the affected individuals and local authorities are actively pursuing procedures to acquire land from the government,” explained Rinzin Namgyal Gurung, the chairperson. * Asked what would happen if there were suddenly a significant amount of loss-and-damage funding for Mustang, if it would make a difference or if there was a mechanism through which to use the money, Yungdrung did not sound confident.&nbsp; “I don’t see a way through, directly,” he said. “The political situation is not stable. Many people at different political levels will benefit from it, and many NGOs are influenced by political parties. So for now, even if you say in 2024 there will be lots of grants for loss and damage, I don’t think it will reach the ground level. It won’t reach the people who actually suffer.” There’s a simplistic narrative about loss-and-damage funding, which took a long-overdue stride forward at COP28. It suggests that if wealthy Global North nations create a pot of money to compensate the most vulnerable developing countries, among which Nepal ranks in the global top 10, that it will address the problem.&nbsp; It is as if, where the culpable rich nations once said, “They’ll adapt,” the thinking now goes, “We’ll compensate them.” In other words: We’ll help pay for your losses (“Here, will this pocket change do?”) while we keep burning the world, melting your glaciers, and wrecking your monsoon.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030544_90c475a58da9022888aa9eb21e8a34f2b0b4fb62dce33d65fb80564b004c288f.jpg" data-media-id="editor_11" data-image-id="20240518030544_90c475a58da9022888aa9eb21e8a34f2b0b4fb62dce33d65fb80564b004c288f" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Kagbeni flood"> <figcaption>Buildings damaged by the August 2023 flood in Kagbeni, as seen in January 2024.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240518030548_0e74d4aa22d583f175cd44f26320733b40c246d5da073941becf1afa140064f2.jpg" data-media-id="editor_12" data-image-id="20240518030548_0e74d4aa22d583f175cd44f26320733b40c246d5da073941becf1afa140064f2" data-rendition-name="original" width="2000" height="1500" loading="lazy" alt="Kagbeni flood"> <figcaption>Damage and debris from the August 2023 flood in Kagbeni, as seen in January 2024.</figcaption> </figure>  Full loss-and-damage funding for poor countries is a moral and geopolitical imperative. Debt cancellation for developing nations might be a start. But it’s a naïve ‘first world’ fantasy to think that a government like Nepal’s has the capacity to implement climate relief and adaptation measures at scale, however much money is spent, without deep political and structural reforms (as any number of Nepali experts will tell you). What the United States, Europe, and the world’s other advanced economies truly owe the Global South goes well beyond compensation—especially when money itself cannot compensate for what is lost. We owe them nothing less than to break the grip of fossil fuels on our economic and political systems and end the use of coal, oil, and gas <a href="https://www.ecoequity.org/2024/02/after-dubai/">as fast—and as equitably</a>—as possible. That will require a political mobilisation like nothing we’ve yet seen, one that is still, at this late date, nowhere in sight. What, then, do you say to a person like Laxmi Gurung as she looks you in the eye? I had no adequate words. But maybe we should be looking to her for answers. In Kathmandu, I asked Laxmi if she thinks her community will ever abandon Kagbeni or whether her people will stay and fight, come what may. “The day we got the flood,” she told me, emotion in her voice, “we became strong. We said, ‘We should fight.’ We all are traumatised, we feel scared to stay in Kagbeni, but we thought, ‘No, this is our place, this is our home. No matter what, we should fight.’ So we all get together, and then the community all came. Then we began to say, ‘Oh, if we stand, everybody is with us. Why not stand?’” <a href="https://wenstephenson.com/">Wen Stephenson</a> is a veteran journalist, essayist, and climate-justice activist. A frequent contributor to <a href="https://www.thenation.com/authors/wen-stephenson/">The Nation</a> and <a href="https://thebaffler.com/authors/wen-stephenson">The Baffler</a>, he is the author of <a href="https://www.penguinrandomhouse.com/books/250727/what-were-fighting-for-now-is-each-other-by-wen-stephenson/">What We’re Fighting for Now Is Each Other: Dispatches From the Front Lines of Climate Justice</a> (2015). His forthcoming book, Learning to Live in the Dark: Essays in a Time of Catastrophe, will be published next year.

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What is lost cannot be repaid

The hallmark of <a href="https://nepalitimes.com/banner/mustang-forced-to-adapt-to-climate-crisis">climate breakdown in the Himalaya</a> is that it does not rain when and where it is supposed to, but pours at the wrong time in areas it ought not to. The trans-Himalayan Mustang region has had successive snowless winters but has experienced heavy monsoon downpours most characteristic of the southern foothills. But local and national governments seem ill-prepared to deal with this anomaly. The lack of readiness was seen in <a href="https://nepalitimes.com/editorial/smoke-screen">unprecedented wildfires in March-April</a>, which was partly due to a long winter drought. Soon, the monsoon will be upon us and the government appears to be doing little more than quantifying the death and destruction from floods and landslides. On 13 August 2023, Namyak Gurung of Kagbeni in Mustang saw a <a href="https://nepalitimes.com/here-now/remembering-the-seti-disaster">flash flood </a>that he had never seen in his 50-year life. Cloudbursts the day before set off landslides that dammed the Kag Khola, a tributary of the Kali Gandaki. &nbsp; The lake burst, destroying 30 of the 125 houses in the village. A police station, monasteries, bridges, a hospital, and a school were damaged. No one was killed because there were warning calls from people upstream. Nearly a year later, Kagbeni still looks like a war zone and the people dread the coming rainy season.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024052105050_0d7573f0ee787c01a56237486f98b6f2230ca3d3b6a9c778ce16841ba753e94c.jpg" data-media-id="editor_3" data-image-id="2024052105050_0d7573f0ee787c01a56237486f98b6f2230ca3d3b6a9c778ce16841ba753e94c" data-rendition-name="original" width="1536" height="2048" loading="lazy" alt="Kagbeni flood"> </figure>  “I couldn’t leave the place of my ancestors," says Namyak who has relocated to his brother’s place after his two-storied building was destroyed. “I’m now building my new house a long way above the river. But I keep getting nightmares of another flood.”&nbsp; Tenzing Gurung, 36, was rescued from the second floor of her lodge in Kagbeni. Grey sand and boulders still cover the yard and the river now runs through what used to be the gate to her lodge. “I had never thought something like this could happen here,” says Tenzing. “We are scared, but where can we go?” The flood also damaged the local Janashanti Secondary School where two of Tenzing’s sons study. The school needs immediate relocation, but nothing has been done. “I just pray that the next flood doesn’t happen when my sons are in school,” adds Tenzing. Mustang and Manag districts are supposed to be in the Himalayan rainshadow, but <a href="https://nepalitimes.com/here-now/himalayan-floods-a-sign-of-worse-to-come">precipitation patterns are changing</a>. Light monsoon rains have turned into destructive torrents followed by long periods of drought. In June 2021, Manang got all of its average annual rainfall of 300mm in just one week. A wall of water, mud, boulders and logs rushed down the Marsyangdi River, washing away the highway, bridges, settlements and other infrastructure in Taal and Chame villages. “We have seen that the trans-Himalayan regions are now getting more rain than before, the whole rainfall pattern has changed,” says meteorologist Rajendra Sharma of the National Disaster Risk Reduction and Management Authority (NDRRMA). He adds: “In the past, when it rained in Mustang, it happened gently over a period of time but now, we get everything in a day or two. Such heavy downpours increase the risk of floods and landslides.”&nbsp; In the last 10 years, a total of 1,500 floods, 2,500 landslides, and 1,549 high rainfall events occurred across the country and killed 2,141 people, second only to the 2015 Nepal earthquake. Yet the state appears ill-prepared to prevent the <a href="https://nepalitimes.com/news/lost-and-damaged">loss of life and damage</a> — even though not all the destruction can be blamed solely on climate breakdown.&nbsp; “From the Manang and Melamchi floods in 2021 to last year’s Mustang, all of these are weather-related disasters, and the rate of these incidents has increased due to climate change,” says climate expert Dharma Upreti. Although climatologists do not directly blame individual disasters on climate change, they say there is a correlation between rising global temperatures, higher sea surface temperatures contributing to more water vapour in the atmosphere.&nbsp; The Himalaya is also heating faster than the global average due to a phenomenon called ‘Elevation Dependent Warming’. Melting mountains also pose the additional risk of glacial lake outbursts and avalanches.&nbsp; The South Asian Climate Outlook Forum (SASCOF) has projected above-normal rainfall for Nepal this monsoon. And with less than a month before the onset of the rains, Nepal is not prepared. And here in Kagbeni, people have still not recovered from last year’s disaster. The NDRRMA’s primary focus is post-disaster humanitarian aid and relief such as stockpiling food, medicines, tents, electricity supply and connectivity — <a href="https://nepalitimes.com/editorial/disastrous-preparedness">not so much on preparedness</a>. “We do not have sufficient resources to manage damage caused by disasters year after year, the local government should step up,” says NDRRMA chief Anil Pokhrel. The lack of preparedness and coordination between line agencies means slow response to floods. Local governments are first responders, but do not have the financial support or technical know-how to deal with disasters on their own. Says district administrator Hom Bahadur Thapa Magar in Kagbeni: “Another monsoon is coming, and given what happened last year, we urgently need to build embankments but we do not have the resources or manpower to do so.”

Soon, monsoon

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a95439c7e80680e05dbf9jpeg.jpg" alt="" width="3500" height="2625"/><figcaption>Franz Frei at his exhibition in Taragaon Museum. Photo: KUNDA DIXIT</figcaption></figure>For decades, Franz Frei’s drawings used for adult literacy classes in Dolakha sat in his late mother’s attic in Switzerland. Now 43 years later, the former Swiss Development Cooperation employee has brought the drawings back to Nepal.As students, Ulrich Burtscher, Thomas Türtscher and Raimund Wulz made meticulous colour-coded architectural drawings of <a href="http://archive.nepalitimes.com/news.php?id=4988#.Xb-8z9Iza70">Ghyaru village in Manang</a>, detailing their elevation, water supply, building use and shop density. After 30 years, the trio has returned to Nepal the sectional drawings of the slope and scale of the buildings and their relationships to each other, along with sketches and photographs.After decades of being scattered across Europe, such archival material that provide valuable insight into Nepal’s culture is being brought back by former researchers and students. This return of knowledge is an initiative of <a href="https://archive.nepalitimes.com/article/review/towers-in-stone-niels-gutschow,1762">Niels Gutschow</a>, an architectural historian and adviser at the Saraf Foundation, who himself worked at the <a href="http://archive.nepalitimes.com/news.php?id=19496#.Xb-8k9Iza70">Bhaktapur Development Project</a> in the 1980s.It was Gutschow who convinced Frei to dust off the metal canister he had custom-made in Patan to carry his original drawings when he left Nepal in 1977. The zinc cylinder, which resembles a time capsule, is now in the Taragaon Museum with its decades-old baggage tag of Swissair and the drawings still intact. The canister is spot-lit at the centre of Frei’s exhibited works, surrounded by the artefacts it held in safekeeping for over 40 years.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a95479c7e80680e05dbfajpeg.jpg" alt="" width="569" height="657">“How many chickens do you see?” When asked this in 1976, villagers responded, “One”. Frei then realised that the ovoid blob on the far right of the chart was not a chicken but an abstraction of a 3D reality into a perspective -- a concept introduced to Europe in the 15th century. Frei learnt from these mistakes and took pains to avoid repeating such miscommunication. The Saraf Foundation is working to procure, exhibit, archive and digitise such research material of foreign artists, photographers, architects and anthropologists who worked in Nepal in the second half of the 20th century.Frei came to Nepal in 1976 as staff of the Swiss-funded <a href="http://archive.nepalitimes.com/news.php?id=496#.Xb-9ONIza70">Integrated Hill Development Project</a> in Dandapakhar village of Dolakha, to conduct adult literacy classes for Tamangs in the area. He made black ink sketches to illustrate Devnagari words, but soon realised the villagers did not ‘see’ images in a way Western experts took for granted. Lines in the pictures and perspective reduction were not understood, and Frei’s sketches were utterly confusing to his grown-up students, some of whom looked at them upside-down.This reminds Frei of the story of how pygmies from dense Congolese rainforest, when brought to the open savanna in Kenya mistook a distant herd of buffaloes for insects. Having never looked that far  before, the vast depth of field that people in the plains took for granted was magic to the pygmy – as they approached the buffalo, the ‘insects’ grew bigger and bigger.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a95499c7e80680e05dbfbjpeg.jpg" alt="" width="2232" height="2556"><figcaption> </figcaption></figure>Similarly, a malaria prevention initiative projected images of mosquitoes on the wall to illustrate to villagers how the disease is transmitted. After the slideshow, the people were glad they would never be afflicted with malaria because “we don’t have such big mosquitoes here”.Frei uses the anecdotes to critique his own work in Nepal, and how he found out how pictorial literacy is learnt. Later, he started using stylised depictions of everyday objects using the drawing techniques of local thangka painters as reference.In Manang, architecture students Burtscher, Türtscher and Wulz had no common language to communicate with the Manang-pa with only a compass and tape measure drew the physical environment. Nearly 30 years later, they are valuable records of the ‘anonymous architecture’ of a <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Manang-will-prosper-from-its-new-road,2749">Manang village before tourists and the road arrived. </a>Gutschow had to use all his powers of persuasion to get Burtscher to part with his drawings and bring them back to Nepal. Eventually, recognising how their work has developed a cultural significance, the trio agreed to surrender their drawings for safekeeping – admittedly keeping their favourites.Klaus Kette worked on several survey missions in Mustang as an artist and his work is striking, allowing visitors to grasp the feeling of a place, recognition of a face, even if the lines that make the impressions are imprecise, gnarly whirls of movement. We journey through city streets, stop at landmarks, experience unknown interiors, survey remote landscapes, and come face to face with strangers.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a954c9c7e80680e05dbfcjpeg.jpg" alt="" width="843" height="603"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a954f9c7e80680e05dbfdjpeg.jpg" alt="" width="1031" height="730"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181140/636a95529c7e80680e05dbfejpeg.jpg" alt="" width="1009" height="725"><figcaption> </figcaption></figure>In Kette’s swirling hand, in the Austrian trio’s maps, or in Frei’s Dolakha drawings we see what we know. Beyond that, when our eyes open there is magic and wonder. These young scholars depicted a hidden world – and whether we see it as magic depends on the rules and lines of perception behind our own ways of seeing.At the very least, the works have come home.The Taragaon Museum Lecture Series-7 Exhibition Till 14 November at <a href="http://taragaonmuseum.com/">Taragaon Museum</a><a href="http://taragaonmuseum.com/">http://taragaonmuseum.com/  </a><a href="http://thesaraffoundation.org/">The Saraf Foundation</a>

Early Nepal drawings come full circle

Here in Dho Valley, in the arid mountains of northwestern Nepal, the only sounds used to be tinkling yak bells and the flapping of wind on prayer flags. Now, there is another one: the throb of internal combustion engines.
Chinese motorcycles roar down the dusty trails of once quiet Dho, and the growl of an excavator can be heard from across the valley. It will not be long before the Sumo pickups arrive from the district headquarter in Dunai, which itself was recently connected to Nepal’s road network.
During his <a href="https://www.nepalitimes.com/banner/president-xi-in-kathmandu/" target="_blank">state visit to Nepal last week, Chinese President Xi Jinping</a> said Nepal would go from being landlocked to‘land-linked’, and promised to help build better road access across the Himalaya from Nepal to China. This is what ‘better connectivity’ looks like here at ground zero in Dolpo.
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One of Nepal’s priorities for trans-Himalayan connectivity is the Kali Gandaki Corridor from the Tarai, through Mustang to the Korala checkpoint at the Chinese border. The new road from Marim Pass on the Tibet border to Dunai has now reached Dho and Chharkha.
On parts of the road that are already motorable, motorbikes &nbsp;noisly overtake trekking groups spewing clouds of dust as they climb the trails. Neither the trekkers nor lodge owners are happy.
“They go so fast, they are noisy and irritating. It is dangerous for school children and older people — it will kill someone one day,” grumbles Tenzin Gurung, a monk at the Sitcho gomba.
Across the road however, a younger trader is excited about the road since it will provide easier access to the market and bring down the cost of food.
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Such ambivalence has accompanied Nepal’s rapid road-building spree in other parts of the country like <a href="https://archive.nepalitimes.com/article/nation/Nation-road-from-nowhere-to-nowhere,549" target="_blank">Tsum</a>, Manang and Mustang. But perhaps nowhere has the change from no-road to road been as dramatic as here in <a href="https://www.nepalitimes.com/banner/dazzling-dolpo/" target="_blank">Dolpo,</a> which was the last district in Nepal &nbsp;not linked by road.
Over on the other side of Mo La pass, at 5,021m, an excavator is clearing a switchback down the rocky slope that follows the trekking trail, which itself followed the ancient trading route from Dolpo to Mustang.
Read also:<a href="https://www.nepalitimes.com/banner/bon-voyage/" target="_blank"> Bon voyage,</a> Sonam Choekyi Lama
“The weather is challenging, it is windy and cold on the pass, and we have to bring the diesel up by mule from Mustang,” says excavator operator Padam Bahadur.
Those who own lodges and depend on trekking groups for income are opposed to the road. Even if it is built, they say it should not destroy the traditional trading routes and trekking trails.
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Says Sonam Lama, an architect who fought a losing battle to prevent the road to his native Tsum Valley: “These hiking trails should not be replaced by roads. We should try to find an alternative motorable road.”
The dozers are also ploughing across holy chorten and mani walls. The excavator driver, who is from Piuthan, says he had to “relocate” a mani wall because it was obstructing the road alignment determined by the surveyor.
Read Also: &nbsp;<a href="https://nepalitimes.atavist.com/stairway-to-heaven" target="_blank">Stairway to Heaven</a>, Kunda Dixit
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Villagers in Chharkha ask why Dolpo should not follow the example of Kagbeni, where the road to Lo Manthang bypassed the old cobble-stone streets of the town to preserve its heritage. Indeed, Dolpo seems to be making the same mistake as other parts of Nepal.
With little oversight by local or national governments, it looks like change is too big and too quick for Dolpo to handle.
“There is no reason why the road had to follow the trekking trails, go through the villages and destroy our holy shrines,” says Ramprasad Sherchan, owner of the Muktinath Hotel in Kagbeni. However, Sherchan now sees potential for more trekkers going to Dolpo via Mustang since the district will be more accessible.

New High Way to Dolpo

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

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