Seldom do we see the smaller things, read between the lines, and realise that the little, fleeting moments are what shape our realities. As we trace the light &amp; dust, Haru Art Collective’s first group exhibition at Dalai-la Art Space revisits the value of these moments. Through the works of ten artists, the exhibition <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">details our everyday</a>, ordinary lives, making viewers relate, reflect, and bask in nostalgia. One such piece is Moulik Limbu’s यादहरु सपना जस्तो लाग्छ, a dreamy blue landscape rendered in watercolor and gouache where <a href="https://nepalitimes.com/here-now/where-wild-things-are">birds and animals</a> emerge subtly through still, royal-azure leaves. As children, Limbu would stay up late with his brother, imagining fantastical creatures from the shadows outside their window, but at dawn, they would discover they were just leaves. Those quiet nights formed lasting memories that continue to tug at Limbu’s heart which he now preserves in his art. Nischal Gurung’s Familiar Echoes captures the soft emotions of togetherness. Whether it is a person or familiar <a href="about:blank">household objects</a> we often overlook, they stay with us. In काक्रा र करेन्ट, the warmth of huddling together for a meal is carefully portrayed, highlighting how closeness often unfolds in the most mundane of moments.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250721130756_b567c9b5559a81bec03ba5417b6967c1f5849b7ddf7f33b4282e8e9479d40b82.jpg" data-media-id="editor_3" data-image-id="20250721130756_b567c9b5559a81bec03ba5417b6967c1f5849b7ddf7f33b4282e8e9479d40b82" data-rendition-name="original" width="776" height="476" loading="lazy" alt="An ode to the ordinary"> <figcaption>Familiar Echoes by Nischal Gurung</figcaption> </figure>  In another piece, Anil Nepali’s work explores the haziness of distant memories. What seems like a normal painting from afar becomes increasingly blurred up close, much like how traffic lights lose clarity when seen through misty eyes. This visual metaphor mirrors Nepali’s own experience of fading recollections from home which he reconstructs through pixelated squares and muted monochrome tones. The result is a powerful reflection on the fragile, fading <a href="https://nepalitimes.com/review/etched-in-our-memory">nature of memory</a>. Viewers will see the attempt to reconnect with ancestral roots and traditional practices. The Arrival of Bun-Dyo by Kabir Kayastha, depicts the rain god Bunga Dyo during the <a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain">Rato Maytsendranath Jatra</a>. Meanwhile, Shrayam Shakya explores his lineage's deep connection with land and water in his piece, From the Ground. “The oral traditions and stories of my ancestors become the remnants of the land and the knowledge that existed,” he tells us. At the centre of his exploration is the Yaksha – a nature spirit that embodies land and governs the essence of water. For Shakya, the Yaksha is not just a mythological being but also a symbol of ancestry.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250721130728_4c1c4fb646df20bb7f72bc77dc2e71383468e0dc0a187c69e84a82f67ab49288.jpg" data-media-id="editor_6" data-image-id="20250721130728_4c1c4fb646df20bb7f72bc77dc2e71383468e0dc0a187c69e84a82f67ab49288" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="An ode to the ordinary"> <figcaption>From the Ground by Shrayam Shakya</figcaption> </figure>  Terracotta, the material he uses, reinforces this rootedness. “It is used in the architecture of hitis and is connected to the land, so it carries the essence of the theme.” As <a href="https://nepalitimes.com/review/morals-in-murals">oral histories</a> and traditions continue to fade, Shakya believes art becomes a vital archive. Jyotsna Udas explores themes of femininity in her work. She says, “In my work, I embroider objects <a href="https://nepalitimes.com/review/of-women-for-women-by-women">tied to femininity</a> – those that adorn, restrain, and define.” Using delicate strands of her own and her family’s hair, she weaves silent but powerful stories of inherited expectations, unspoken rules, and the confined spaces women are told to occupy -- a quiet testament to the strength and complexity of feminine energy. “I cut my hair short every once in a while. It makes me feel free, free from all the burdens, but I get scolded by people at home when I do, or when I dye it,” she tells us. “Long hair is still seen as the beauty standard. Hair colour is taboo. People stare. Women become self-conscious. And when people can judge just based on something as personal as hair, it makes me wonder – how much more do we have to hear in life?”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250721130736_05107d9661e5d210a6c522ed2909b1a93c6dc3f6eb46bb425737e9ce15163e79.jpg" data-media-id="editor_9" data-image-id="20250721130736_05107d9661e5d210a6c522ed2909b1a93c6dc3f6eb46bb425737e9ce15163e79" data-rendition-name="original" width="1000" height="667" loading="lazy" alt="An ode to the ordinary"> <figcaption>Not Just Hair by Jyotsna Udas</figcaption> </figure>  Sadishree Thapa’s A Room that Waits explores the subtle yet profound difference in a house that comes with the presence and absence of a person. When the person is there, it feels like home, otherwise, it is hollow. ‘A room waits, for the warmth of a presence, for the sound that you said were home,’ reads the artist's profound accompanying note. Places Where Dust Settles by Preeti Duwal captures the quiet beauty of everyday household objects, how they gather dust and the silent stories. Rojan Ghimire explores offerings and the subtle traces of life and birth, while Raunak Karanjit’s cyanotype work reflects on memory, identity, and the fading presence of a once-familiar marigold. The artists weave together objects, places, life, and memory, into layered <a href="https://nepalitimes.com/review/the-reading-compass">stories</a> shaped by our daily rhythms and reflections, and transform the familiar into the extraordinary. As we trace the light &amp; dust Till July 30 11am-7pm Dalai-la Art Space, Thamel

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An ode to the ordinary

The Kangchenjunga Trek in far-eastern Nepal is a remote and less-crowded adventure that offers raw wilderness, diverse cultures, and breathtaking terrain below the world’s third highest mountain. Kangchenjunga (8,586m) grabbed the world’s attention before Mt Everest ever did because its imposing rampart dominated the northern horizon from Darjeeling, the summer refuge for the British in India. The Kangchenjunga massif is more a mountain range rather than a peak, its high ridge stretching 25km from Nepal to Sikkim.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c.jpg" data-media-id="editor_0" data-image-id="20251211111236_1f51f10becbb6bd01248f5845c6055479201365b1357fbbc6479b6724ea2185c" data-rendition-name="original" width="938" height="726" loading="lazy" alt="Kangchenjunga trail map"></figure>  Sikkim considers the mountain sacred, and has banned mountaineering expeditions. But the various prominences of Kangchenjunga are increasingly popular for climbers via the north face in Nepal. For non-mountaineers, even the Kangchenjunga trek can be arduous, especially in winter. It is one of the last pure wilderness areas in Nepal, traversing sparsely populated valleys that are rich in biodiversity because of the high annual rainfall. Even when Nepal was a forbidden land, among the first foreign visitors was British botanist J D Hooker who explored the Nepal side of Kangchenjunga in 1850 to collect plant samples. The peak was first climbed in 1955, two years after the first ascent of Mt Everest.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd.jpg" data-media-id="editor_1" data-image-id="20251215071228_7dd4ddc943554012654df0a2f5065ed364b8349c31888ac8cbe175b4540d1dfd" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff.jpg" data-media-id="editor_2" data-image-id="2025121509128_a857e5e9cfc7fea2f5f0b060b8f6e9f6582abc1ac1fd1a60abad90a9d55adbff" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The establishment of Kangchenjunga Conservation Area in September 2006 was accompanied by tragedy when 24 people, including Nepal’s nature preservation pioneers were killed in a helicopter crash. The Conservation Area is now the only one managed completely by the local indigenous people. It has 70 varieties of orchids, 30 rhododendron types, and 15 out of 28 endemic plants of Nepal. Kangchenjunga still gets very few of the 200,000 foreign trekkers who visit Nepal every year, but improved road access in recent years is making it more popular. Trekkers have a choice of exploring the North Base Camp (Pangpema) or the South Base Camp (Yalung Glacier), or combine both for the full Kangchenjunga Circuit (map). This trek is considered strenuous, with long walking days, high altitude, and tea house accommodation that is much more basic than the Everest or Annapurna regions. Trekkers have to be fit and with prior hiking experience. Most teams take tents and camp, and carry most of their food.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7.jpg" data-media-id="editor_3" data-image-id="2025121509128_895ccc1d918f88c255dbeccea19c990bcaa792f384750559cb7257b99f177be7" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  FULL CIRCUIT Because the region is restricted, trekkers must obtain a permit and be accompanied by a licensed guide. A full circuit can take three weeks, while doing only the North or South Base Camps will take two weeks, including flying from Kathmandu to Bhadrapur and jeep to Taplejung or a rough trail to Hellok. The lower forested stretches are teeming with wildlife, and this is red panda and snow leopard country. The streams and ponds have amphibians and reptiles, some of which have not yet even been classified. The route also passes the homelands of the Limbu, Rai and Tibetan communities with the local culture and architecture more intact than in most other mountain areas of Nepal.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b.jpg" data-media-id="editor_4" data-image-id="2025121509128_90c129a639376621ece0aa067a601573f8b06d934c089a0fa929a7ce9c12018b" data-rendition-name="original" width="1280" height="597" loading="lazy" alt="Kangchenjunga in winter NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8.jpg" data-media-id="editor_5" data-image-id="2025121509128_f51e595e5a18d573365cc611dbf1a49cfb19b2b8ee40164ed500179e2a2b04f8" data-rendition-name="original" width="720" height="1280" loading="lazy" alt="Kangchenjunga in winter NT"></figure>  The best seasons to trek are spring (March–May) and autumn (September–November). There are fewer trekkers and climbers in winter, and many of the birds and wildlife have migrated down to warmer climes. Despite its beauty, trekkers should be prepared for challenges like long distances between villages, unpredictable weather, and limited emergency rescue options due to the remoteness of the area — all even more challenging in winter. Norbu Lama is an international hiking guide with www.dolpocaravantreks.com and just returned after leading a trek to Kangchenjunga Base Camps.

Kangchenjunga in winter

Ancient heritage meets dern distillery craft as the US-based The Nepali Spirit Company this month makes its global debut with Kathmandu Ayla. Inspired by Nepal’s ancient rice whiskey tradition, the product is the first of four handcrafted spirits that brings Kathmandu Valley’s 1,000-year-old ayla tradition to the world stage. “The first four products combine history, culture, and tradition and it has taken eight years to get to this launch point,” says CEO of The Nepal Spirit Company Kashish Das Shrestha, who is also publishing a book on the history of alcohol in Nepali culture. The other three ayla products are Masala Whiskey aged in Brazilian Amburana casks and spiced with black cardamom from Nepal, Annapurna Ayla, and Haku Chaku Himalayan Espresso Liqueur made with organic Nepali coffee, and chaku (dark molasses).  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85.jpg" data-media-id="editor_0" data-image-id="20251216141244_ab74945dc60ce5ff83fe7a88596fc032c18705e7cda9dc62df21694d3ad83b85" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  “I started visiting international whiskey auctions six years ago and after reading about distilling, my passion for spirits grew, and I felt the urge to tell the story of Nepal’s heritage spirits to the world,” explains Shrestha. Once poured in Nepal’s royal courts, ayla is a clear rice whiskey that is a millennia-old living heritage of Kathmandu used in rituals from birth to death and traditional life milestones of its inhabitants. Ayla is distilled to capture the classic aromas and flavors, with a soft sweet after taste. It can be enjoyed neat, sipped through meals, or enjoyed as shots. With more than 15% of Nepal’s population living and working abroad, there is a cultural demand for ayla in the diaspora from Asan to Amstredam to Australia.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78.jpg" data-media-id="editor_1" data-image-id="20251216121236_0db0ec396832736fef60b636d7012a917be65471408c81383a40613f928f9e78" data-rendition-name="original" width="1000" height="1270" loading="lazy" alt="The American Ayla NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa.jpg" data-media-id="editor_2" data-image-id="20251216141236_a84ede74c67a61e75af2f0cc1c985b4d04ff2292c6bd0bd0b841f4d2c7b593aa" data-rendition-name="original" width="1778" height="1000" loading="lazy" alt="The American Ayla NT"> </figure>  &nbsp;“We also believe ayla is a wonderful way to tell Nepal’s story to the world,” says Lilu KC Shrestha, Chief Operating Officer of the company. “We intend to use our platform to promote Nepal in any way we can, and also find ways to give back to the country. It was high time a world-class Nepali spirits brand entered the global market, and we are proud to take the lead.” Aside from the ayla itself, the bottle and packaging was conceived by New York-based designer Sahara Shrestha to reflect a complete Nepaliness. “Each bottle and box is a love letter to Nepal, and every detail is an expression of respect and appreciation of Nepali heritage and our desire to share it with the world,” says Kashish Das Shrestha. “And ayla itself is a sacred part of our culture, so we wanted to make sure the bottle reflects this reverence.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273.jpg" data-media-id="editor_3" data-image-id="20251216141244_d2746204c64802ff81453d7a8749f516bf3c62538fe3c98400a9b3978c03b273" data-rendition-name="original" width="1920" height="1475" loading="lazy" alt="The American Ayla NT"> <figcaption>Aylarita</figcaption> </figure>  The bottom of each bottle has an embossed Mandala representing the universe and its interconnectedness. A glass molding of Himalayan peaks Chomolungma and Nuptse signifies the earth and heaven. The bottle cap is a black and gold rendering of the metal plates that hang from Kathmandu’s temples. The logo of The Nepali Spirit Company is also inspired by the unti, a traditional vessel used to pour ayla. While its top is typically adorned with a peacock, the company’s design replaces it with rice stalks. This motif is also on the label of Annapurna Whiskey named in honour of both the mountain and the goddess, the giver of grain. For a new take, ayla can be paired with a lime wedge lathered in honey, cumin, and salt, or on the glass rim. It can also be mixed into cocktails to make Aylarita, Aylatini, or Aylapolitan. <a href="http://www.thenepalispirit.com/" target="_blank">www.thenepalispirit.com</a>, @TheNepaliSpirit

The American Ayla

Amber Tamang leads his group of trekkers through Lumsa village, past traditional houses with sturdy stone walls and hemlock tile roofs. He stops on the trail to point out his childhood home.&nbsp; He is taking the team to Pikey Peak (4,065 m), the ideal lookout from where on clear days eight eight-thousander peaks from Annapurna to Kangchenjunga, including Everest, are visible. Tamang, founder of the Three Jewels Adventures agency, takes his clients to lesser-known trails as part of his Lower Everest trekking route, on the way up to Pikey.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251211111236_baf0c06386d4fee07a2105020459033e959e30c269e6ece7338f4b28c0a44ba8.jpg" data-media-id="editor_0" data-image-id="20251211111236_baf0c06386d4fee07a2105020459033e959e30c269e6ece7338f4b28c0a44ba8" data-rendition-name="original" width="815" height="808" loading="lazy" alt="Pikey Peak Lumsa Trail"> </figure>  Trekkers usually do not take the Lumsa route because the quaint villages do not present as much excitement as the scenic panorama of mountains.&nbsp; But hiking through the bucolic countryside provides insight into the community’s deep Lamaist faith reflected in the chorten, mani walls, sacred inscriptions on stones, prayer flags on houses, the festivals and in the way the villagers interact with one another.&nbsp; “I wish more people would soak in the villages and their culture on their trek, rather than just wanting mountain views,” says Tamang.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251214091212_862b5098bec366ac32bde26b95a126889a5a1cf9b20eb8c7f09c1025fe293d72.jpg" data-media-id="editor_1" data-image-id="20251214091212_862b5098bec366ac32bde26b95a126889a5a1cf9b20eb8c7f09c1025fe293d72" data-rendition-name="original" width="3000" height="680" loading="lazy" alt="Pikey trek via Lumsa in winter NT 1"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251214091212_321cea9eab93e109efc09f45d1de9086b4626f84f77a9b2e4ae52b9fd4777be5.jpg" data-media-id="editor_2" data-image-id="20251214091212_321cea9eab93e109efc09f45d1de9086b4626f84f77a9b2e4ae52b9fd4777be5" data-rendition-name="original" width="2000" height="1125" loading="lazy" alt="Pikey trek via Lumsa in winter NT 1"> </figure>  Jangbu Sherpa owns the Lama Hotel in Lumsa, one of just two accommodations in the village. There is no signage along the trail advertising his business, and guests are still few and far between. So in the evenings, he calls his neighbours over to his lodge for some beer, conversation, and dancing. And on special occasions, a group welcomes guests with a traditional Syabru dance.&nbsp; “I’m working on expanding this little lodge,” he says with a smile. “Lumsa could become a buzzing stop on the trekking route.” Jangbu’s son Nima is a porter-guide, and is preparing to take a group of trekkers to Pikey Peak and the Thupten Chholing Monastery above Junbesi.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251214091216_2fea6bc873eed2de1ddf4d129a771bcefcb0e67c3526838b718b7f409b01c4d5.jpg" data-media-id="editor_4" data-image-id="20251214091216_2fea6bc873eed2de1ddf4d129a771bcefcb0e67c3526838b718b7f409b01c4d5" data-rendition-name="original" width="2000" height="1125" loading="lazy" alt="Pikey trek via Lumsa in winter NT 1"> </figure>  There is a downhill bicycle route from Pikey, and lucky trekkers might even spot red pandas on the forest canopy. “I saw a red panda with my own eyes once,” interjects Pemba Tamang, a veteran guide, from across the room. He begins listing other wildlife he has encountered enroute to Pikey — danphe pheasants, their wings resplendent in the sun, ghoral blue sheep jumping nimbly on rock cliffs, a lumbering black bear, and once, memorably, a leopard.&nbsp; Amber Tamang, Nima Sherpa, and Pemba Sherpa are among the men in Lumsa who are most often away from home, leading trekking and mountaineering expeditions. Some from the village have summited Everest multiple times. To get to Pikey Peak, drive up the BP highway to Dhap, with Numbur and Karyolung towering up the valley to the north.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251214091216_2fea6bc873eed2de1ddf4d129a771bcefcb0e67c3526838b718b7f409b01c4d5.jpg" data-media-id="editor_4" data-image-id="20251214091216_2fea6bc873eed2de1ddf4d129a771bcefcb0e67c3526838b718b7f409b01c4d5" data-rendition-name="original" width="2000" height="1125" loading="lazy" alt="Pikey trek via Lumsa in winter NT 1"> </figure>  Up in Pikey Base Camp at 3,700m is the Tunga Baje Lodge, now operated by his son Pasang Lhamu Sherpa. If they are lucky, guests will catch baje in a performance, singing and strumming his tunga.&nbsp; The trek can be made a circuit— hikers do not have to come down the same way they went up. Winter is not the best time for a Pikey hike, but the views of the mountains, especially after snowfall, are dazzling. It is best to go in early spring when forests are ablaze with rhododendron. The region is home to 32 different types of the flower.&nbsp; Says Pasang Lhamu: “Tourism is picking up, but it is tough to keep things running. I hope for stability &nbsp;so we can invest in the lodge.”&nbsp;

Going offtrek in Solu

When Winston Churchill addressed the Canadian Parliament in December 1941, he recalled that generals of Nazi-occupied France had said that England would “have her neck wrung like a chicken”. Churchill went on to quip: “Some chicken.” As the laughter and applause subsided, he added: “Some neck.” (Even longer laughter and applause) We do not know who first started calling the narrow corridor that joins India to its northeastern states a 'Chicken’s Neck', but there also was the hint of a Churcillian connotation. Akhilesh Upadhayay in his new book In the Margins of the Empires: A History of the Chicken’s Neck, uses this strip as an entry point to explore a region adjoining Nepal, Bhutan, China, Sikkim, Darjeeling, India’s northeast and the tectonics that shaped its geo-strategic terrain.&nbsp; Upadhyay’s Chicken Neck is an organic whole, connected through centuries by transboundary traders, travellers, monks, spies, missionaries, mountaineers, and more. And as infrastructure and connectivity improves, smaller countries like Nepal and Bhutan (and earlier Sikkim) are caught up in the region’s rivalries. The tri-junction of the Chicken’s Neck is a potential flashpoint that has obsessed India’s military strategists ever since Partition in 1947 and the formation of East Pakistan, and the Chinese annexation of Tibet. India found itself squeezed between Chumbi Valley in China to the north and Pakistan to the south. So, when Sikkim started acting too independent for its own good 50 years ago, India engineered its annexation and turned it into its 22nd state. The 1962 Sino-Indian war elevated its strategic importance even more. Alarm bells ring in New Delhi each time there is trouble around the Chicken’s Neck: the Naxalite uprising had to be swiftly crushed, the Indian military moved in to liberate Bangladesh, Gorkhaland and ULFA activities were dangerously nearby, Bhutan had to be appeased. Every once in a while things would flare up between India and China, as in the 2017 Doklam standoff.&nbsp; And last year’s regime change in Bangladesh has rattled New Delhi enough to deploy its Rafael fighters and BrahMos cruise missiles in the Chicken’s Neck. It is now the most densely militarised strip of real estate in this part of the world. &nbsp; As a journalist and former editor of Kathmandu Post, Upadhyay also peers at the Chicken’s Neck through Nepal’s perspective. After all, Jhapa (where the author is originally from) sits right there astride India’s strategic lifeline.&nbsp; Geopolitics is at the front and centre of the book that takes readers back to the time Nepal was a closed Himalayan kingdom.&nbsp; Nepal may be a yam between two boulders, but it may just as well be a thicker Chicken’s Neck as far as New Delhi and Beijing are concerned. Nepal’s rulers have always had to walk the tightrope between China and India. Khampa guerrillas, covertly helped by American and Indian intelligence, raided Chinese military convoys from bases in Nepal, and King Mahendra had to do some intricate diplomatic footwork. India is often described as Nepal’s closest friend, but our relations with China go back as long in terms of the Lhasa trade, Bhrikuti and Arniko, religious exchanges and people-to-people relations. While Nepali researchers are wary of touching on Chinese, Indian or American sensitivities, Upadhyay’s journalistic background means he has no qualms about tackling the subject head-on, and objectively. He spent more than a year researching the book, sniffing around Siliguri, Bagdogra, Naxalbari, Darjeeling and the villages on the Jhapa side. Then he travelled to Olangchung Gola to listen to ordinary people of the Himalayan rimlands. Despite the perception about rigid frontiers between nation states, the book hints at how absurd the notion is. The Chicken’s Neck is also a wild elephant migration corridor, disturbed by the India-Bangladesh border fence, new expressway embankments, airport runways, and expanding cities. Similarly, the people on the Nepal-tibet border used to cross over to graze yaks — this expanded the gene pools of not just the yaks but also the nomadic humans who moved with the herds.&nbsp; Despite the hard borders, trade flourishes. Upadhyay marvels that a shop in Phungling in Taplejung has embroidered saris from Siliguri and fluffy jackets from China. he finds that residents in the northeastern and southeastern tips of Nepal have more in common with kin across the border in Tibet or India than with someone from Kathmandu. Nepal was once one of the biggest trade hubs in ancient times, and our products were treated as equals in Indian border cities. People too, could move freely, especially if they were and are from bordering Tarai cities.&nbsp; Nepal’s rich history and culture was shaped by the proximity to neighbours, and despite borders it is still cemented by marriages and trade — especially in the Nepali-speaking lands to the east. Its geographical positioning makes Nepal not landlocked but land-linked, adjacent to the largest emerging economies of the world. Nepal needs to deploy its soft power with effective diplomacy to take advantage of these two empires, and not be choked by their rivalry. The book was going to press when the GenZ protests ignited in September, but Upadhyay nevertheless managed to insert the current political transition into the pages with deft editing. &nbsp;The final section of the book examines at least three possible scenarios that may unfold as South Asia continues to be shaped by great power rivalries and imperial contests that have weakened the unilateral influence of the west.&nbsp; Akhilesh Upadhyay extrapolates from the Chicken’s Neck, zooming out for a wider perspective on the Subcontinent. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025121912124_0ae772e7736a65f53a99599b5724ca133a64fdea0e61c7170ea81f9dd95c7af0.jpg" data-media-id="editor_0" data-image-id="2025121912124_0ae772e7736a65f53a99599b5724ca133a64fdea0e61c7170ea81f9dd95c7af0" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="In the Margins of Empires: A History of the Chicken’s Neck NT"> </figure>

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