<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c5f9c7e80680e0bd48bjpeg.jpg" alt="" width="3024" height="2160"/><figcaption>Photo: SHAMBHAVI BASNET</figcaption></figure>At Café Soma of Baluwatar on a recent morning, <a href="http://archive.nepalitimes.com/news.php?id=7205#.Yk_iGchByUk" target="_blank" rel="noopener noreferrer">Manjushree Thapa</a> is sitting by herself at a table and is recognisable even from a distance. Not just because she looks exactly like her pictures on Google Images, but because she has an orange notebook in front of her.Pen in hand, she is writing cursive words in blue ink, words that must either be coming out of her in spades, or maybe trickling down like water from ancient stone spouts. Nevertheless, they were words that must have been important to this Nepali writer in the English language.There is much to learn about Manjushree Thapa from an Internet search. The <a href="https://www.nepalitimes.com/opinion/onward/">columns</a> she wrote for Nepali Times twenty years ago are fascinating profiles and translations of Nepali writers and poets. The columns introduced the best of Nepal’s literature to the outside world.Now, the Toronto-based writer is introducing her English writing to Nepal. The Nepali translation of the 2016 book All Of Us in Our Own Lives by Ujjwal Prasai and published by Shangri-la Books was launched on Friday in Lalitpur.‘What differs between my current writing process and when I started to write in my twenties is that I must now figure out the pragmatics of the writing life,’ Manjushree wrote last year in an article for <a href="https://www.recordnepal.com/manjushree-thapa-it-never-gets-easier-but-i-love-writing">The Record</a>. She called herself an ‘engaged writer’, and I ask her what she meant.“In Nepal, writers are not just given the space to pronounce on things, but are also expected to. They were part of the first democracy movement, the democracy movements in 1979, 1989, and the conflict years,” she explains. “We were all very much part of speaking out against injustice, or about atrocities or whatever was going on. Engaged writing is a very established tradition.”Manjushree considers herself to be a part of the post-1990 generation where everyone was involved in the process of learning about each other and the country. She says, “A lot of the castes,  communities that had been somehow embarrassed about their past had begun to assert themselves. Now, there isn’t a big existential search for a soul in the way that my generation experienced it. Then, for me, it became inseparable with my own personal search for what it means to live in Nepal, and what it means to be a Nepali. There has been such a strong push for change over my lifetime and things are changing so fast that one of the things it means to be a Nepali is to be totally open to see where things are going to go. For me, this search of self-discovery and self-redefinition is very much central to what it means to be a Nepali.”<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=6836#.Yk_i2shByUk" target="_blank" rel="noopener noreferrer">Manjushree Thapa</a> is eight novels old. She does not look her age, her skin glows in the morning sun and spurts of laughter resonate in the cafe’s corners. Yet, she confesses that no matter how much experience you have with it, writing does not get easier with time and every book is a creative challenge on its own.There is something confessional and self-aware in Manjushree’s words, in a way similar to her own books, and the way she talks about them.  She talks about the ethical and aesthetic responsibilities of being a writer.“As a Nepali writer, I can write about Nepalis. Or I could be writing about people who have lived experiences different from mine. I feel that becomes ethically challenging. Not that you should never do it. But if you’re going to do it, you need to really put in the amount of work it takes, to really understand someone else’s experiences,” she says.“If you want to write about characters who are not part of your immediate lived experience, then, aesthetically, you need to give them the same complexity, the same beauty, the same importance and value as you would anyone else, and not caricature people, or stereotype. That’s an aesthetic consideration that is very much linked to ethics.”Especially as a writer in the English language, she says, authors already tend to have more privilege because the audience is more international. Perhaps for Manjushree Thapa, some part of the ethical and aesthetic consideration is also part of her decision to provide creative license for translating <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/our-own-lives,3165" target="_blank" rel="noopener noreferrer">All Of Us in Our Own Lives</a> into Nepali.“When the novel first came out in English it had a few responses, but not much. Now, once it reaches its target audience, I want to see what the response is going to be,” says Manjushree about the novel that is set around the world of development assistance in Nepal for which the discourse does exist, but mostly not in the language Manjushree writes in.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111144/63721c639c7e80680e0bd48cjpeg.jpg" alt="" width="840" height="628"><figcaption> </figcaption></figure>“For many years, I’d been wanting to write about the aid world in Nepal because it’s so omnipresent, so important,” she says. “I wanted it to be about how people who seem to have very separate lives can bump against each other and change each others’ lives. This idea of interdependence.”Indeed, All Of Us in Our Own Lives starts with characters who seem far apart with considerable space and indents in between. Ava lives her fortified life away from Nepal, whereas Sapana and Chandra weave their dreams of stars and the moon, and also their futures in a rural Nepal.Gyanu makes his living in the <a href="https://www.nepalitimes.com/here-now/shared-stories-shattered-dreams/" target="_blank" rel="noopener noreferrer">desert of the Gulf</a>, and Indira is a member of that significant segment other of the urban Nepali population: the working housewife. But as the story progresses and the lives of these characters collide, the gaps become smaller. Spaces remove themselves and the characters see how their lives affect others, and how we go on to live our own lives, severing the ties that we had with each other.By the end of the novel, the world feels different again, disparate for some characters as they move away from each other, but stable for some who find solace in the company of others, more so in the company of their own self. Yet, the trace that one person leaves on another is still there. The ripple of even the simplest of interactions remains.Reading Manjushree’s writing is like swimming in a clear, blue pond. Each page is dip into the waters that readers immerse themselves in as the characters introduce themselves. Every sentence has a purpose. Every scene is an imaginary stage that author creates in the reader’s mind.The reader becomes a part of the experience, living the story as their own.But what of Ujjwal Prasai’s Nepali version of the novel? Is some of it lost in <a href="https://www.nepalitimes.com/banner/taking-nepali-literature-to-the-world/" target="_blank" rel="noopener noreferrer">translation</a>? “A lot of the sections are actually stronger in Nepali than they were in the English,” she replies. “It’s like the story has been returned to the language it should have been written in originally. It suddenly comes to life. Ujjwal has put a lot of work into it.”We circle back to Manjushree’s ‘pragmatics of the writing life’, and I ask her to explain it. She pauses for a while before replying: “There are several aspects to writing. One is the actual nuts and bolts -- the money. But outside of that, there’s an interesting process of protecting your creativity. Nepal is a densely social place.”“There’s a lot going on, particularly if you are at all interested in social and political issues. I still struggle with this, because, in a way, all of my inspiration comes from this society. All of my neuroses”, she laughs. “But it’s very hard to protect the working time and the creative space because it’s not a society that values individual time.”But so much creativity is also being able to read, she says, and it is not as easy in Nepal. “But, on the other hand, in Toronto there isn’t a, sort of, inspiration everywhere. It’s not ideal there either. I feel my source of inspiration is very far away when I’m writing from there, but I have time and space and mental peace to write. It’s a balance I haven’t quite worked out.”Manjushree Thapa signs my copy of All Of Us In Our Lives with the same blue cursive hand-writing and a creased smile. I drive my dirty, black scooty back into the streets of Kathmandu, thinking about impending deadlines, protecting my creative space, and the ripple of the intersection of our lives.The Nepali translation of All Of Us in Our Own Lives by Ujjwal Prasai, is titled ‘एक्लै एक्लै’ by Shangri-la Books.

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Manjushree Thapa’s novel now in Nepali

20 Reviews in 20 Years

I'm so old that I remember a time — back in the hoary 1990s — when you couldn’t expect flair, or at times even fluency, from Nepal’s English-language media.My grasp of the Nepali language was poor then. I had to rely entirely on the English-language media to understand my society. This put me at a distinct disadvantage vis-à-vis my peers who could read the Nepali-language press. They  understood not only what was happening in the nation, but how everyone—and they—felt about it. Their intellectual lives were rich with nuances I could not begin to grasp.The Nepali Times stands as testament that those days are gone. Thanks to this paper, The Kathmandu Post, and more recent publications such as The Record, English-language media has finally come of age in Nepal. And we are all more intelligent for it.Nepali society has always suffered from a cultural chasm between those who are fluent in the national languages and those who are limited to English. The former group is grounded in the complex lived reality of this society, and can draw upon local histories, languages, knowledge bases, and intelligence systems to understand and analyze the contemporary moment. The latter group has money.English has been a hothouse language here -- the language of diplomats, aid industrialists, expatriates, foreign academics, travelers, and a handful of nationals educated in private schools or, like me, abroad. Together, these people wield vast power.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77f59c7e80680e064668jpeg.jpg" alt="" width="544" height="1000"/><figcaption>#124 20 - 26 december 2002</figcaption></figure>It would seem obvious that they try to learn the national languages, but this has not been the case. Neither has it been easy. When I decided to learn Nepali, I took year-long lessons and diligently pored over shelves of Nepali-language literature. (I then began to translate what I was reading for a biweekly column in this newspaper.) This investment of time and effort paid off for me: reading the work of my peers in the original language has enriched my own writing.To expect everyone to do the same is unrealistic. What the country needed — and has now produced — was a critical mass of bilingual Nepalis to help bridge the chasm between English and the national languages. This could happen only after the 1990s, with the proliferation of English-medium schools and, crucially, with the right to free expression.Today, when I read the Nepali Times , I do so for the multifaceted examination of a complex society. I read <a href="https://www.nepalitimes.com/author/muna-gurung/" target="_blank" rel="noopener">Muna Gurung’s interviews with contemporary women writers</a> whose work I crave to read. I linger over Diwakar Chhetri’s smart, stylish cartoons. I scan through the listings to pick out cultural events that interest me. I read about the latest political fiasco and ongoing outrages, and, inevitably, I marvel at The Ass: how does the Donkey  maintain such a robust sense of humour after all these years?I also always stop to appreciate the diversity of voices in the Nepali Times, and in particular, the vibrant presence of women writers, reporters, columnists, and editors. It is the presence of all of these women that has always made this paper feel like home to me.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77f79c7e80680e064669jpeg.jpg" alt="" width="640" height="474">This, truly, is something the paper can teach the Nepali media, which, like Nepal’s polity itself, suffers from a vast overrepresentation of men, particularly of the so-called high castes. The resulting group-think, echo-chamber uniformity, and insularity do great harm in politics. In the media, they prevent the public discourse from reflecting Nepal’s extraordinary diversity of experience.Freedom of expression — so late to arrive in Nepal, so hard won, so very precious—only strengthens from vigorous exercise. As in many other parts of the world, in Nepal, the polity is giving in to authoritarian impulses. It falls on Nepal’s media to defend the rights and freedoms of citizens. This is best done when all of the media—in all languages — speaks out in its diversity.Onward.Manjushree Thapa wrote the fortnightly ‘Nepaliterature’ column in Nepali Times 2000-2004 with translations of Nepali-language writers.

Onward

A fierce advocate for justice for the world’s most powerless people, with a brilliant mind and a deeply empathetic heart: this is how friends, family, and colleagues remember Tejshree Thapa (pictured below, right), who passed away this week in New York City at age 52 after succumbing to a sudden illness. She left peacefully in the presence of family, surrounded by love.Born in Kathmandu in 1966, Tej (as she was known to family and friends) attended the National Cathedral School in Washington DC, and graduated from Wellesley College with a Bachelor of Arts in Philosophy before obtaining a Juris Doctorate from Cornell University in 1993.Her career in human rights began with a job with the first-ever UN Special Rapporteur on Violence against Women. She worked for the organisation in Sri Lanka during the Civil War, helping research and write a report on gender-based violence worldwide for the UN Commission on Human Rights.Tej then went on to work for almost ten years in the International Criminal Tribunal for the Former Yugoslavia, based in <a href="http://archive.nepalitimes.com/news.php?id=6161#.XJrh_C0Q0Wo">The Hague</a>, where she worked in the prosecutor’s office, researching and documenting crimes of sexual violence under international law.At the tribunal, Tej was the primary investigator and researcher on a landmark case that resulted in the prosecution, conviction, and eventual imprisonment of eight paramilitary leaders and supporters from the town of Foca in eastern Bosnia.This was the first such prosecution and conviction exclusively for sexual violence crimes under international criminal law. In addition to sexual violence cases, Tej also worked on other cases at the tribunal, including the case against Slobodan Milosevic. This work required travel to the Balkan states, which was a further exposure to war and conflict.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110811118/636a2af99c7e80680e045948jpeg.jpg" alt="" width="1405" height="2267"/>Tej then joined Human Rights Watch as a researcher, and later senior researcher, on South Asia, focusing in her initial years on the civil war conflicts in Sri Lanka and in her home country, Nepal. Based on her team’s research on Sri Lanka, Human Rights Watch produced one of the most comprehensive documentations of LTTE (Liberation Tigers of Tamil Eelam) forced recruitment of child soldiers.In Nepal, based on her team’s research, the organisation produced one of the first international reports on the range of violations committed by both sides to the armed conflict. Tej also led research into allegations of sexual violence during Nepal’s armed conflict: her team’s research on this topic led to the publication of the first international report covering sexual violence during the Nepali conflict.Tejshree Thapa wrote frequent op-eds for Nepali Times on human rights issues. Most recently, Tej was one of the first human rights workers to tell the world about the horrific plight of the Rohingya, fleeing persecution by security forces in Myanmar.Tej is survived by her 18-year-old daughter, Maya Thapa-Ó’Faoláin, whose brilliant and empathetic nature counts as an important legacy of her mother. Tej’s parents <a href="https://en.wikipedia.org/wiki/Bhekh_Bahadur_Thapa">Bhekh Bahadur Thapa</a> and <a href="https://www.nphfoundation.org/team/dr-rita-thapa/">Rita Thapa</a>, <a href="http://bhaskarmemorialfoundation.org.np/about/">the family</a> of her late brother <a href="http://archive.nepalitimes.com/blogs/thebrief/2013/06/23/bhaskar-thapa-49/">Bhaskar Thapa</a>, and the family of her sister Manjushree Thapa, are proud of Tej as an independent woman with an uncompromising vision of justice.She was an exceptional daughter of Nepal whose good work changed the lives of many, far beyond Nepal.Selection of op-eds in Nepali Times by Tejshree Thapa:<a href="https://www.nepalitimes.com/banner/nepali-mothers-and-an-irish-daughter/">Nepali mothers and an Irish daughter</a><a href="https://archive.nepalitimes.com/regular-columns/GUEST-COLUMN/responsibilities-at-home-and-abroad-HRC-Nepal,1040">Responsibility at home and abroad</a><a href="http://archive.nepalitimes.com/news.php?id=872#.XJrfYC0Q0Wo">A dirty war</a>

Tejshree Thapa: fierce advocate for justice

Nepal has shut down dozens of social media platforms in a move that is widely seen as an effort to tax the revenue they generate in the country, and to control content critical of government. The sites were blocked as of midnight on Thursday, 4 September and affects all Meta products including WhatsApp and Messenger, Threads, and others. Although YouTube, Google and X are also on the government’s list, they were still working as of Friday midday.&nbsp; The government says it took the action after repeated warnings to the platforms to open offices in Nepal, a Cabinet decision last month setting a deadline, as well as a 17 August Supreme Court ruling also requiring them to register and pay requisite taxes. However, the Bill cited in the ban, ‘The Operation, Use, and Regulation of Social Media in Nepal’ has not yet been passed by Parliament. Some social media platforms which were already paying taxes in Nepal even though they are not officially registered, have also been blocked. The move is the latest in <a href="https://nepalitimes.com/news/big-beautiful-bills" target="_blank">a slew of draft legislations</a> designed to undermine Nepal’s open society. A Bill amending the Print and Publications Act would allow district bureaucrats to shut down media. Another draft Bill would allow political appointees to head a new Media Council with the power to revoke the licenses of journalists.&nbsp; A counter-intelligence Bill would let just about anyone in government to arbitrarily tap phones, read emails and trail citizens. On Wednesday the government announced new immigration requirements that would allow it to track the movement of all foreigners in the country. Yet another draft Bill has been set to Parliament to dissolve the <a href="https://archive.nepalitimes.com/news.php?id=10675" target="_blank">Social Welfare Council (SWC)</a> and move registration and monitoring of non-governmental organisations, nonprofits and charities to the Ministry of Social Welfare. Seen in this light, the blockage of social media platforms this week is seen as the latest government attempt to constrict freedom of press. Nepal is one of the few remaining open societies in Asia, and now appears to be drifting towards authoritarianism. The government’s sudden shutdown of social media has been greeted with howls of protest on platforms that still remain open, like Viber and TikTok, as well as in Nepal’s mainstream press. Even senior members of the ruling UML-NC coalition have sharply criticised the move, asking if the government is trying to “turn Nepal into North Korea”.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025090508098_a2ab330e403e8418a7006cd5e915607382628dd6984524332bf7b99c74743656.jpg" data-media-id="editor_2" data-image-id="2025090508098_a2ab330e403e8418a7006cd5e915607382628dd6984524332bf7b99c74743656" data-rendition-name="original" width="4280" height="5187" loading="lazy" alt="social media ban in Nepal"> </figure>  The Regional Director of the New York-based Committee to Protect Journalists (CPJ) Beh Lih Yi said in a statement: ‘Nepal’s sweeping ban on social media sets a dangerous precedent for press freedom. Blocking online news platforms vital to journalists will undermine reporting and the public’s right to information. The government must immediately rescind this order and restore access to social media platforms, which are essential tools for exercising press freedom.’ Besides undermining press freedom, blocking social media platforms will also hurt commerce and the economy since so many small and medium business trade through Instagram, Facebook and other platforms. Nepal’s vibrant social media has also been a boost or citizens to assert identity, build solidarity against injustice and play an adversarial role when the mainstream media does not do it. Social media platforms have also become the tenuous link for Nepali families scattered across the world to keep in touch with each other — its importance growing with the increasing size of the diaspora. The government wants social media platforms to register, pay taxes and remove posts on their sites that ‘undermine the national interest and Nepal’s territorial integrity, disturb social and religious harmony’.&nbsp; In response, rights activists have said while there is need for the government to regulate extreme content and hate speech, officials appear to be more intent on clamping down on free speech and trying to force platforms to share the revenue. On Friday, the government had allowed WhatsApp back online, but there were reports that it had instructed the Nepal Telecommunication Authority (NTA) to instruct mobile and internet service providers to block by Friday night all platforms, including Facebook, Instagram, Messenger, WhatsApp, X (Twitter), YouTube, LinkedIn, Reddit, Threads, Snapchat, Pinterest, Signal, Clubhouse, Rumble.&nbsp; Platforms that have registered and are allowed include TikTok, Viber, Nimbuzz, Popo Live, WeTalk, Global Diary and the Nepali portal Hamro Patro. TikTok was banned last year for ‘disturbing social harmony’ and it was lifted after the platform registered its office in Nepal. But even while it was banned, many users simply switched to VPN. Telegram was also banned for ‘financial crimes’ and it has since also been allowed back. NTA officials confirmed that some Asia-Pacific regional offices of platforms, including Meta had been in touch overnight inquiring about the registration process.&nbsp; Nepal is not alone in regulating social media. China bans most Western platforms, Russia and Turkey regulate their and require platforms to locate their data servers in the country. Gulf countries allow social media but keep a tight control on dissent.&nbsp; Experts have said even the government will not dare close down YouTube since so many Nepali individuals and companies make money with posts on that platform, and closing it would also impact on Google and Gmail. Facebook had also just launched a monetisation scheme for videos and reels, and Nepalis uploading content would lose revenue.&nbsp; Blocking the platforms has already hit content creators, influencers and cut small businesses from reaching customers. A survey of social media use in Nepal by Sharecast Initiative showed that 94% of those with smart phones used YouTube, followed by Facebook (92%) while TikTok was in the 50-60% range. X and Instagram were in the single digits. A YouTube ban will also hurt the mainstream media since up to 20% of the revenue of Nepal’s main tv channels came through YouTube. Some 11.1 million Nepalis watch YouTube content every day, the survey showed. ‘For global giants like Meta or Google, Nepal is a small market, and they may not even flinch — but for millions of Nepalis, these platforms are central to daily life, livelihoods, and connections across the world,’ wrote AI consultant Naresh Newar in a LinkedIn post. Some experts said the government’s sweeping ban on social media networks was untenable and the government would be forced to rollback sooner or later. Said editor Shiva Gaunle: “The platforms had given citizens a voice and broken the monopoly of the government, legislators, the courts and journalists over public opinion. This is an effort to reassert that monopoly, but Nepal can never be turned into a North Korea.”

Protest grows against Nepal’s social media ban

<a href="https://www.youtube.com/watch?v=x2fZXyjsE28" target="_blank">Yog Narendra Malla</a> became king at age 18, and ruled Patan from 1684-1705 — his reign marked by a cultural and architectural renaissance of the city state. He put up a statue of himself in the palace square with a little bronze bird sitting on the guardian serpent above his head. It is said he told his subjects that he would look after their welfare till the day the bird flew off. During<a href="https://nepalitimes.com/here-now/lessons-not-learned-from-2015-o2etq6zu"> the 2015 earthquake</a>, the pedestal collapsed and the statue was damaged. The bird was lost, only to be located in a pile of debris and reinstated when the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/piece-by-piece-patan-darbar-square-reconstruction,3782" target="_blank">statue was consecrated</a> two years later. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/x2fZXyjsE28?si=jYfIb4p6zCLXYQ1T" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> History remembers Yog Narendra Malla as a wise king, but like most<a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home"> royalty of the day</a>, he had a weakness for women. He is supposed to have consorted with 30 queens and numerous concubines. At least 33 of them self-immolated themselves on the king's funeral pyre when he died, adhering to the prevailing <a href="https://archive.nepalitimes.com/article/review/Jhola,947">practice of sati</a>. When Yog Narendra Malla’s favourite queen found out that he was carrying on with yet another woman, she got the local community of the Kwelachhi neighbourhood to stage a shadow sex play to quite literally expose his unfaithfulness. Actors enacted the explicit exploits of the king and his mistress, a bright butter lamp projecting the moving shadows of their lovemaking on a thin white drape to entertain those gathered in the square below. The queen made sure that the show was designed to face the home of the king’s paramour to shame them both. She also paid for a group to chant a bhajan with lyrics that ridiculed the king’s extramarital affair. The Jhyalcha Guthi community trust that the queen set up three-and-half century ago is still active to this day, and performs the annual shadow play in the same building in Kwelachhi the day before <a href="https://nepalitimes.com/banner/the-legend-behind-the-myth-of-indra-jatra">Indra Jatra </a>every year. This year’s show is on Friday evening, 5 September. The opening lines of the chants that accompany the play are the same words approved by the queen all those years ago: “Raja Yog Narendra ya aparadh…” (King Yog Narendra’s crime…) The community leader of the Kwelachhi neighbourhood, 62-year-old Baburaja Awale, explains the importance of the event: “This Jhyalcha is our<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/saving-the-intangible,3303"> intangible heritage</a> and oral history. We do not have a written format, it has been passed down from generation to generation. Every word of the bhajan is the story of King Yog Narendra Malla.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250904070952_249e85b32cbd99bb8515151557e0ec1a65d44a34ef1aacabaaeb469622d12664.jpg" data-media-id="editor_8" data-image-id="20250904070952_249e85b32cbd99bb8515151557e0ec1a65d44a34ef1aacabaaeb469622d12664" data-rendition-name="original" width="1750" height="1167" loading="lazy" alt="Sex and the city of Patan"> <figcaption>The statue of Yog Narendra Malla being reinstated after it toppled in the 2015 earthquake. Photo: GOPEN RAI/ NEPALI TIMES ARCHIVE</figcaption> </figure>  Jhyalcha Pyankha, as the ceremony is called, starts with a puja for the Bhimsen — the god of wealth and prosperity, a popular <a href="https://nepalitimes.com/here-now/the-homecoming-of-nepal-s-gods">deity in Patan</a> who has a temple dedicated just to him in the palace square. This is immediately followed by a bhajan of Bhairab performed with <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-house,670">traditional Newa musical instruments</a>. Community members serve snacks consisting of samay baji beaten rice, water buffalo chunks, soybean, green veggies, lentils, ginger, garlic and aila liquor. “In the first act of the shadow play, the man initiates the lovemaking, and in the third it is the woman,” says Laxmi Lal Awale, also a member of the trust that organises the show. The shadow action is all uncensored, but interspersed with <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">scenes of everyday life</a>: the woman is spinning a thread, the king is going about his royal chores, and the two sit down to share sanacha fermented pickle that is popular this time of year. <div class="embed-block"><iframe width="560" height="315" src="https://www.youtube.com/embed/qZ3twuG1wNQ?si=yRfkoC3A-X9cIl8r" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> “Back then, there was no tv, films or YouTube, and yet we managed to stage the shadow play using our own resourcefulness,” says Baburaja Awale. “It is important to continue the tradition.” The challenge now is to ensure that the<a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain"> younger generation takes over</a>, learning the lyrics of the ancient bhajan. The dafa khala group that performs all over Patan during festivals and religious events is now training teenagers to play the musical instruments and act in the shadow play. The Jhyalcha was staged even after the 2015 earthquake when the falcha where the bhajan is performed collapsed and they made-do in a tin shed. The structure was later rebuilt with a grant from the group, Photo Circle. Lalitpur Metropolitan City sets aside a budget of Rs50,000 to organise the Jhyalcha Pyankha every year, but this is not enough and is supplemented by individual donations. The performers including musicians and actors are all volunteers, and take part in it because it is their community duty. The erotic shadow play was way ahead of its time, not just in its graphic content but the use of contemporary local technology as well as improvisation and pure imagination. Says Laxmi Lal: “Whatever its origin in the legend of King Yog Narendra Malla and his queen, Jhyalcha also served as a medium of <a href="https://nepalitimes.com/here-now/lets-talk-about-it">sex education</a>. In the past, women were discouraged from watching the shadow play, but today everyone is welcome, we all watch it together.” Jhyalcha Pyankha Kwelachhi, Chyasal, Patan 7PM onwards Friday, 5 September

Sex and the city of Patan

Unlike many countries, there is not much incentive in Nepal for the private sector to fund charities and non-profits. Donations and grants are not tax-deductible.
Yet there are corporate entities that have Corporate Social Responsibility (CSR) in their portfolio of activities through foundations that they have set up. Some do it loudly to gain public relations mileage, while others are quiet about their <a href="https://nepalitimes.com/opinion/comment/norway-supports-himalayan-climate-research?mdrv=www.nepalitimes.com&amp;=1">generous support</a>.
The CSR outlay of factories and manufacturing companies is regulated by Industrial Enterprise Act (IEA), while the Nepal Rastra Bank oversees grants banks and financial institutions contribute and requires them to set aside 1% of their net profit for CSR activities.
The guideline requires banks and financial institutions to donate to activities covering education, health, environment and financial literacy, among others. Recently, the Supreme Court directed the government to formulate a Bill in the parliament to standardise and regulate the private sector’s CSR activities.
“We receive guidelines from Nepal Rastra Bank and follow them,” says Pranisha Shrestha who heads the CSR Department at NMB Bank. “We have got a notice about updates on those guidelines, and we will adapt accordingly.”
<a href="https://nepalitimes.com/news/greening-nepal-s-tourism">Environmental sustainability </a>is one of the important components of CSR for Nepali companies, and there have been many initiatives aimed at urban renewal. One of the most visible is of the telecommunication company Ncell, which is among Nepal’s largest taxpayers.
Five years ago, Ncell adopted a 6km stretch of the Ring Road from Ekantakuna to Koteswor-Kalanki, planting 12,000 saplings. They have now grown into<a href="https://nepalitimes.com/opinion/seeing-the-forest-and-trees-in-nepal"> a thick forest</a> along the embankment of the road.
Not only is the lush greenery in an overbuilt part of Lalitpur soothing to the eye, it also helps in reducing temperature within <a href="https://nepalitimes.com/news/in-the-heat-of-the-moment-5xcycyot">the urban heat bubble</a>, and also contributes to reducing air pollution and traffic noise.
“We started a pilot project along 600m of the Ekantakuna section of the Ring Road during the pandemic,” recalls Bishakha Lakshmi Khadka, Director of Corporate Communications and Sustainability at Ncell. “It went really well, and after that we extended the<a href="https://nepalitimes.com/here-now/saving-cities-with-trees"> tree planting</a> and upkeep to Kalanki.”
Sustainability also means making younger Nepalis aware of <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>and environmental sustainability, which is why Ncell has also undertaken a Green School initiative in and around Kathmandu Valley. Besides its One-Tree-One-Youth and 1 Million Trees campaigns, the initiative also aims at behavior change about littering with its waste hackathon in schools.
“The young students can be catalysts with a multiplier effect beyond their schools to society at large, and it has inter-generational impact into the future,” explains Khadka.
Indeed, while <a href="https://nepalitimes.com/banner/tree-mendous">Nepal has doubled its forest cover </a>in the past 30 years to 46% of the country’s area, urban centres like Kathmandu do not have much open spaces and greenery left. And that is where companies like Ncell, Jawalakhel Group of Industries, and others have focused on CSRs.
NMB Bank also runs financial literacy programs for youth where they can learn more about social media safeguards, digital payment systems, with a focus on safety and security. Such training not only helps build skills for the future but also protects young Nepalis from online crime.
“<a href="https://nepalitimes.com/opinion/protecting-children-from-anti-social-media">Threats to young minds through social media</a> use are growing as platforms feed algorithm-driven content,” says Shrestha. “We felt media and digital literacy are important in all seven provinces not just to protect young people, but also give them the confidence to use digital financial systems.”
The bank has a special focus on women in leadership programs, and provides scholarships provided in schools across Nepal on environment and sustainability in higher education. Health is another sector where private companies have worked with donating medical equipment, sponsoring health camps and conducting blood donation drives.
CSR or PR?
Other companies heavily involved in CSR include NIMB Bank which contributes to heritage conservation and education, Buddha Air helps farmers in Morang to increase productivity, VOITH with its motto ‘Little things We Do’ provides scholarships to students and has gifted &nbsp;vehicles to hospitals and nature conservation groups, Dwarika’s Hotel promotes organic farming and zero waste initiatives, heritage conservation and helps revive traditional handicrafts.
Although some CSR activities have been criticised for masquerading as PR and for greenwashing, many Nepali companies are actually contributing to improve the situation for individuals in need and underserved communities.
It also brings a sense of accountability to the corporate sector so they look beyond shareholder profit with greater involvement in the public good. In Nepal, where government delivery mechanisms are not up to speed in the social sector and environmental sustainability, CSR is a vehicle for public-private partnerships.
Collaboration with the government is an important aspect of these initiatives since that allows localised campaigns to be scaled up by showing what is possible. For example, the three Metropolitan Cities of the Valley and other private companies are trying to emulate what Ncell has achieved on the Ring Road.
“The Ring Road plantation project has been massively successful,” says Khadka “We were recognised by the Lalitpur Metropolitan City and the Forestry Department for adding greenery to what would have been just an asphalt strip.”

Corporates responsible to society

This is the 72nd episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab providing a platform to share experiences of living, working and studying abroad. My father ran a store and that is where I spent all my time till Grade 6. Doing my homework. Serving customers. I then moved to my maternal grandparents’ house because I used to get along with my cousin who was a year older than me. We did everything together, and were best friends. We took turns studying: I was a night owl, and he was an early riser. Before I went to bed after studying all night, I woke him up. My mother was 44 when I was born, the same year my eldest brother got married. My sister-in-law becoming a part of our family was how my mother referenced my age. I liked making money, and was always a hustler. In Grade 7, I learnt to handle a tractor and helped my brother-in-law to plough, earning Rs10 a day. As I got better, he paid me more. By Grade 9, I was already making Rs500 per day, but had to slow down to prepare for my exams. From an early age I knew I did not want a 9-5 job. There just wasn’t enough money in it. I wanted to get into business, and compared my brother who worked in the post office and what businessmen made. It did not help that my brother was honest, and never took bribes. A friend and I made money selling cheap Chinese phones at a premium to our friends. We blasted music on the phones and pretended that we were giving them a discount. After SLC, I started teaching math and other subjects. I was soon a shareholder in the same school and in the evening I was involved in our family’s floriculture business, growing amaranth and marigold for garlands.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250831020844_1b54b999d67122a50c4c7e6204cc737bcc99bf2a68db6499a4566a7f61a880b4.jpg" data-media-id="editor_0" data-image-id="20250831020844_1b54b999d67122a50c4c7e6204cc737bcc99bf2a68db6499a4566a7f61a880b4" data-rendition-name="original" width="955" height="1314" loading="lazy" alt="Diaspora Diaries 72"> </figure>  It was then that a friend suggested we learn the Korean language. We could be earning significantly higher in Korea for similar efforts. I had no plans to go abroad but he convinced me. I did not know anything about Korea, and was scolded at the language institute when I asked someone to point Korea on the map.&nbsp; It was only there that I learnt you had to pass an exam for the Korean Employment Permit System (EPS), and pay for language classes. After a week, I decided it was not for me and dropped out. But my friend convinced me to give it one more try. I did not prepare much for the exam, and it was no surprise that I failed. But it was just by one mark, and people would pity me for failing “just by one mark”. It was a brand of failure. It hurt my ego. I had to turn things around by taking the exams seriously, and locked myself up to study hard.&nbsp; Even when we had visitors, my wife told them I was not home. If I was not in my room learning Korean, I would be with a group of ten of us test-takers comparing notes and practicing late into the night. The exam was difficult, but this time I passed, the only one in my group who did.&nbsp; As someone who never liked the idea of doing a job, I still had my doubts about going to Korea. It did not help that one of my acquaintances had returned a month after he had left, and he discouraged me from migrating given that I was already making good money in Nepal.&nbsp; But my wife suggested that I give it a shot since I had worked so hard for it. And if it really turned out not to be my cup of tea, I could always return. What did I have to lose, I thought, at least I would get to visit Korea. My job there was in an electrical company that made circuit boards. I worked all day, earned good money. In the evenings, I kept myself busy with my real estate business back in Nepal. I had learnt the tricks of the trade from fellow real estate agents back home, but at the time did not have the capital to invest.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250831020848_941e961e2045058f255ad89884b51faa7d2365c68236e5cbe573d63d769ac6c5.jpg" data-media-id="editor_1" data-image-id="20250831020848_941e961e2045058f255ad89884b51faa7d2365c68236e5cbe573d63d769ac6c5" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Diaspora Diaries 72"> </figure>  In Korea, it helped that I had salary records that allowed me to get loans from financial institutions both in Korea and in Nepal. Ultimately, I started earning more from my real estate deals in Nepal than from my job in Korea. This was all thanks to my ability to take loans because of the EPS scheme. My wife has been managing the flower business while I was away. My finances grew stronger over the eight years I was in Korea. I paid off the loans that I had borrowed to buy land. But real estate did not satisfy me entirely. I wondered: what is my brand? What will I be known for? What is my contribution to society? Real estate is for wealth, but that is about it. I needed to sell one piece of land and use the revenue to start a venture. I took classes in business, and returned to Nepal six months ago and got back to my family’s ancestral roots in floriculture. In Nepal too, I am continuing the entrepreneurship training I had started in Korea with the Bridge International. Such exposure helps us reflect on our business such as our branding, vision, and proactive aspects like the importance of strong recordkeeping.&nbsp; I am now working to upgrade and expand my floriculture business. With a friend who is still in Korea I am building a cooling room to increase the shelf-life of flowers and other produce and set up a market in my village where others can sell their produce. Floriculture is our primary business, but it is seasonal and earns good money only during festivals like Tihar.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250831020848_a008ffeba13896e6918f68ff6e687c8fe11140d86a96f1ec11690547f2bcd415.jpg" data-media-id="editor_2" data-image-id="20250831020848_a008ffeba13896e6918f68ff6e687c8fe11140d86a96f1ec11690547f2bcd415" data-rendition-name="original" width="1280" height="720" loading="lazy" alt="Diaspora Diaries 72"> </figure>  So, I grow tomatoes to ensure year-round earnings. I also am engaged in other businesses like real estate and online shopping. I work round the clock in Nepal — a strong work ethic is something I picked up in Korea.&nbsp; My Korean bosses would work alongside us, that motivated us. I work just as hard in Nepal as I did in Korea. People here often ask me why I am pushing myself so hard. But making garlands comes easy to me, it is work my forebears were involved in. My childhood memories are about plucking flowers with my sister. I have a comparative advantage in this work. It comes naturally to me, it is easy and I enjoy it. And sometimes, if there are too many garlands to make, I can multitask while holding meetings. My fingers just fly. I am good at this job, but my wife is even better and faster.&nbsp; When there is too much load, we can also outsource the work. To be known as the flower guy would be great personal branding. The मखमली guy. Or the सयपत्री guy. I decided to come home for just this with a one-way ticket. “अब पासा: जाँदैन ल्हासा!” &nbsp;

manjushree-thapa