<figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3b99c7e80680e09666ejpeg.jpg" alt=""/><figcaption>Reservoir pond of the Pharping hydropower project 12 km south of Kathmandu Valley. Photo: ASMIT RAJBHANDARI</figcaption></figure>It was 6:30pm on 22 May 1911, and the sun had just set in Kathmandu when King Prithvi Bir Bikram Shah arrived at Tundikhel to turn on a switch to light Nepal’s first electric lamp.Nepal was the second country in Asia to install a hydroelectric power plant, commissioned by Prime Minister Chandra Shumsher Rana, who named the project after himself: Chandra Jyoti. Chandra Shumshere had visited England eight years previously, and this was part of his grand plan to modernise Nepal with technology.Besides electricity, he established Nepal’s first college, built metal suspension bridges all over the country, <a href="https://www.nepalitimes.com/banner/a-walk-back-in-time-chandragiri-hatiban/" target="_blank" rel="noopener noreferrer">commissioned a cargo ropeway from Kathmandu to the Tarai</a>. He sent architects to Europe, and engineers and horticulturists for training to Japan. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3bc9c7e80680e09666fjpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3bf9c7e80680e096670jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c39c7e80680e096671jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c69c7e80680e096672jpeg.jpg" alt=""><figcaption> </figcaption></figure>Construction of the 500kW plant in Pharping 12km south of Kathmandu began in 1907 with British engineers, and took four years to complete. All the turbines and penstock pipes were shipped to Calcutta, brought overland to Bhimphedi and then had to be carried on porter back over the mountains to the site.Built to light <a href="https://www.nepalitimes.com/here-now/inside-story-of-nepals-rana-dynasty/" target="_blank" rel="noopener noreferrer">the palaces of the Ranas</a>, homes of courtiers and some street lights, the power station stored water from two springs, in Satmule and Sesh Narayan, in a circular reservoir. The Ranas first tested the electricity in a house in Khokana before connecting the wires tot their palaces, to ensure it was safe.Under supervision of the prime minister’s clan, the power plant was built by Tilkikram and Bakhat Bahadur from the Nepal Army, the main engineer for the power house was Kishore Narsingh Rana. Two engineers from England, ‘Barnau Puwante’ and a certain ‘Mr Linzale’, were also involved in the construction. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c99c7e80680e096673jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3cc9c7e80680e096674jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3cf9c7e80680e096675jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d29c7e80680e096676jpeg.jpg" alt=""><figcaption> </figcaption></figure>In 1911, it had been only three decades since the world’s first hydropower plant had been installed on the Fox River in Wisconsin in 1882, and a year after China built its first hydropower plant in 1912 in Yunnan province.Despite this early start, Nepal got around to setting up its second hydropower project only 28 years later, a 640kW plant in Sundarijal in 1939. For a country with such a vast potential for hydropower, it would take Nepal another half-century to produce just 1MW of electricity.Since 1911 when Pharping was built, Nepal has managed to produce only 1,400MW of power from its rivers, not even 2% of its total potential. Since most of the plants are of the run-of-the-river type, electricity production fluctuates with water level on rivers. This spring, due to a long winter drought, for instance, Nepal is importing nearly half its peak hour demand <a href="https://www.nepalitimes.com/from-the-nepali-press/more-than-half-of-nepals-electricity-imported-from-india/" target="_blank" rel="noopener noreferrer">from thermal power plants India</a>.Sadly, the history of Nepal’s oldest hydropower plant has now been almost forgotten. Although the government declared the power plant a ‘living heritage’ site in 1911, not much has been done to preserve the area. The power plant could be brought back into running condition, even as just a demonstration unit. <figure><img width="3000" height="2000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d59c7e80680e096677jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d99c7e80680e096678jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3dc9c7e80680e096679jpeg.jpg" alt=""><figcaption> </figcaption></figure>The power house, the royal guest house and other buildings here are part of Nepal’s heritage, but are crumbling. Two 250kw generators have great historical significance, but are not properly preserved, metal pipes more than 100 years old lie rusting near the <a href="https://archive.nepalitimes.com/regular-columns/Comment/storing-water-reservoir-Nepal,1042" target="_blank" rel="noopener noreferrer">reservoir</a>.For most of its functioning life, Pharping generated power for only three hours every night. Later, even when the reservoir started being used to supply drinking water to Lalitpur, it was generating electricity for one hour every evening.There is a masterplan to preserve Pharping as a Live Energy Museum with the old building renovated to house a centre for hydropower development, as well as research into <a href="https://www.nepalitimes.com/here-now/an-energy-windfall-for-nepal/" target="_blank" rel="noopener noreferrer">renewable energy sources like solar and wind</a>.None of that has taken off, but 22 May is still marked as National Energy Day to pay homage to Nepal’s hydropower potential.This story was first published on <a href="https://www.thethirdpole.net/en/" data-saferedirecturl="https://www.google.com/url?q=https://www.thethirdpole.net/en/&amp;source=gmail&amp;ust=1617686418226000&amp;usg=AFQjCNEYgYjTYeKkemPKVPByKGEFPQOeiQ">The Third Pole</a>.

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Nepal’s 1st hydroelectric plant is a museum piece

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6ee9c7e80680e092dafjpeg.jpg" alt="" width="1554" height="954"/><figcaption>The original 12th-century Laxmi-Narayan stolen in 1984. Photo: LAIN SINGH BANGDEL In Sotheby’s catalogue in 1990. Photo: ERIN L. THOMPSON The deity in the Dallas Art Museum in 2014. Photo: ERIN L. THOMPSON</figcaption></figure>The stone figure of Laxmi-Narayan had been worshipped at a shrine in Patan’s Patko Tole for 800 years. But on one night of 1984, it disappeared.The holy androgynous composite of the two deities was so important to the community that local people replaced it with a poor replica.In 1990, the <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">the 12th-century statue, which is also known as Vasudeva-Kamala</a> was spotted at the Sotheby’s auction house based in New York. After that it disappeared again until American artist <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNEspOXCRr77XIFGQB5cgNO81hoOrQ">Joy Lynn Davis</a> located it via a Google image search to the Dallas Museum of Art.The US Federal Bureau of Investigation (FBI) is finally taking possession of the 70kg figure on Tuesday, and delivering it to the Nepal Embassy in Washington on 5 March, American Art Crime Professor, <a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Erin L Thompson</a>, who has been tracking this and other stolen antiquities, told Nepali Times.“I am happy that the museum saw its retention of the work was unjust,” Thompson said. “I continue to be dismayed that museums and collectors demand the type of proof about the date and circumstances of theft that existed in this case, since this information has so often gone unrecorded elsewhere. No work of Nepali sacred art left the country legally, that is the essential fact.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f39c7e80680e092db0jpeg.jpg" alt="" width="1610" height="1130"><figcaption>The Laxmi-Narayan figure as memorialised by Joy Lynn Davis in 2015. Painting by: JOY LYNN DAVIS</figcaption></figure>Heritage activists and local communities in Nepal say the return of Laxmi-Narayan statue could be the start of a process of repatriating thousands of other religious objects from Kathmandu that are now in Western private collections or museums.“We are glad our god has been located in Dallas and is being returned, but we must also ask ourselves whether we are up to taking good care of it,” Bhairaja Shrestha, a social activist of Patko Tole <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">told Nepali Times last year</a>, adding that the community’s festivals and rituals were affected after the god was stolen.The image of the 15th-century deity was first published in Indian historian Krishna Deva’s book Images of Nepal in 1984, followed by Nepal’s art historian <a href="https://www.nepalitimes.com/here-now/bringing-our-gods-home/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/bringing-our-gods-home/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNFeA52pRTDl2zmfdFDn_q3kuxEQOQ">Lain Singh Bangdel’s book</a> Stolen Images of Nepal.<a href="http://rememberingthelost.com/repatriations/">Artist Joy Lynn Davis</a> painted Kathmandu’s shrines and depicted the stolen deities in them in gold, and held an exhibition of her work in 2015 that included a painting of the Patko Tole shrine.She says, “The day the Laxmi Narayan arrives in Nepal, I will be the happiest person—so many people and organisations have worked on this. The only way to protect them is to increase awareness about their significance. We have a lot of work to do, Laxmi-Narayan is just the beginning.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f69c7e80680e092db1jpeg.jpg" alt="" width="1330" height="992"><figcaption>Bhairaja Shreshta at the Patko Tole shrine last year, with the replica of the Laxmi-Naryan.</figcaption></figure>The Lalitpur Metropolitan Office has <a href="https://www.himalkhabar.com/news/122418" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.himalkhabar.com/news/122418&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGWCrhYsfr36aTj5vFMyePQQyKU9A">offered to pay for the shipment </a>of the Laxmi Narayan, and to restore it to its original shrine in Patku Tole after a ritual chhama puja.The Nepal Embassy in Washington has said it will start the process of sending the deity back to Nepal, and denied <a href="https://ekantipur.com/news/2021/02/28/161447682183787221.html" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://ekantipur.com/news/2021/02/28/161447682183787221.html&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNHc4H0lu6F3uy0HJKCt2LjPylD9Pg">media reports</a> that it did not have the money for air freight.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f99c7e80680e092db2jpeg.jpg" alt="" width="1422" height="942"><figcaption>The 1993 exhibition East Meets West: Sculpture from the David T. Owsley Collection at the Dallas Museum of Art where the Laxmi-Narayan can be seen at centre, right. Photo: Dallas Museum of Art</figcaption></figure>Kumar Raj Kharel, the deputy chief of mission at the embassy, told Nepali Times: “I was misquoted. We have never said that we cannot pay for the logistics, just that we cannot send it to Nepal immediately. We had to look at the cost, insurance, and fulfil the lengthy bureaucratic process of consulting with the ministries of finance, culture, foreign affairs, and the Department of Archaeology in Kathmandu before dispatching it.”Thousands of stolen statues of Nepal to date remain in the display of international museums in many parts of the world and more that are found in the US, some may have provenance and some may not.Kharel added, “We hope the repatriation of the Laxmi-Narayan to Nepal will set a precedent for locating and returning other stolen images.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6fc9c7e80680e092db3jpeg.jpg" alt="" width="1500" height="1002"><figcaption>The 12th century Laxmi-Narayan statue stolen from Patan in 1984 has been handed over to Nepal Embassy in the US. Deputy Assistant Director of FBI Timothy N Dunham and Nepal Ambassador to the US Yubaraj Khatiwada were present during the handover. Photos: AMITABH JOSHI</figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7009c7e80680e092db4jpeg.jpg" alt="" width="640" height="428"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7039c7e80680e092db5jpeg.jpg" alt="" width="1500" height="1002">He said museums and collectors with stolen antiquities from Nepal need to be responsible and abide by the UNESCO’s Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.<a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Art Crime Professor Erin Thompson</a> agrees. She says, “Every art lover in America has a responsibility to look at the art we see and ask if it is right for us to have it here.”

US museum returns stolen Nepal god

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70a79c7e80680e06008cjpeg.jpg" alt="" width="899" height="685"/>The visitor to the Taragaon Museum is surrounded by faces: from large, realistic examinations of elderly men and women to symbolic portraits in abstract styles. An exhibition titled A Portrait Story studies the genre of portraiture from all angles.The oldest exhibit is a framed photograph of Chandra Shumsher, his wife Balkumari, and two of his sons. Back in the 19th century, such portraits were a way of putting your best face forward. The means to own a camera or hire a photographer were only available to the fabulously wealthy, and portraiture was status.Read also: <a href="http://archive.nepalitimes.com/news.php?id=19789#.XiBDb_4zbIU" target="_blank" rel="noopener">The first photographs of us</a>, Kanak Mani Dixit<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70a99c7e80680e06008djpeg.jpg" alt="" width="876" height="747"><figcaption> </figcaption></figure>Fast forward to the 21st century, where almost everyone has a mobile phone with which to take a selfie and disseminate it to the world at the press of a key. The exhibition comes full circle in showcasing two social media ‘influencers’ who constantly post selfies.It may seem that flattering depiction is the only purpose of portraiture. However, the genre also exists outside this narcissistic box, and this is where artists come in. A Portrait Story features many artistic explorations of the portrait genre.Read also:<a href="https://www.nepalitimes.com/review/old-art-meets-new/" target="_blank" rel="noopener"> Old art meets new</a>, Sikuma Rai<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70ac9c7e80680e06008ejpeg.jpg" alt="" width="1456" height="1478">“Artists make a lot of portraits on commission, so these are commercial,” says co-curator of the exhibition Shivangi Bansal, “But we know of artists who make portraits just for the sake of making portraits. We wanted to see how artists are exploring this genre beyond commercial art.”Indeed, many of the portraits on display are not necessarily flattering. On the one end of the spectrum is hyper realism, where every tiny detail on a face, from a wrinkle to a missing tooth, is highlighted.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=16424#.XiBEI_4zbIU" target="_blank" rel="noopener">Art attack</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70b09c7e80680e06008fjpeg.jpg" alt="" width="1236" height="1868">At the other end is experimentation, where the details of the face become irrelevant as artists play with outside objects, light and shadows. Manish Lal Shrestha paints only a fraction of his forehead on top of a pillow in ‘Sirani’. Pramila Bajracharya paints a two-dimensional figure of a Nepali woman that seems to portray her personality. Kapil Mani Dixit has an abstract piece which does not look like a portrait at all, while Saurganga Darshandhari experiments with a portrait without a face.Contemporary artists have also experimented with digital manipulations. The picture of a Kumari with an entire temple on her head is an example, and Ishan Pariyar depicts angst with a face that is bursting out of its rope bindings.A Portrait StoryTaragaon Museum, Boudha9-23 Jan

Portraying portraiture at Taragaon

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96999c7e80680e05dc75jpeg.jpg" alt="" width="1500" height="875"/>Many of the everyday items Nepalis traditionally used in their homes are going or gone. So have the words that described them. Plastic buckets have replaced brass gagro. Linoleum floors have taken the place of sukul straw mats.Most young Nepalis do not know what petaro, sakari, chulesi, dalo, doko, theki, dhiki, dheri, kolhu, sandook or mandro mean. Nepali words that described many of these objects are now extinct. Tharu words for utensils, Gurung vocabulary for household furniture and Rai or Limbu terms for farm equipment are all endangered.Judith Conant Chase has been in Nepal for nearly 50 years, and has made it her life’s work to collect and preserve many of these traditional objects. In 2012, she set up the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Return-of-the-past,907" target="_blank" rel="noopener">Living Traditions Museum at the Amatya Sattal in the Changu Narayan</a> complex to house her collection, so it could be seen by as many Nepalis as possible. By preserving the objects she has also saved the Nepali words for them.When the earthquake struck on 25 April 2015, Kathmandu Valley’s oldest monument zone was badly damaged. Some of the 1,300-year-old Licchavi era temples went down, the museum was damaged, but the exhibits were intact (including the Tharu clay pot hanging from the rafters in the photo, right). The structure has now been rebuilt, and Chase is trying to have the museum reopened in the new year.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969b9c7e80680e05dc76jpeg.jpg" alt="" width="803" height="516">Travelling across Nepal in the 1970s, Chase admired the simplicity of people’s lives, their cheerfulness despite hardships, and the everyday handmade objects they used around the house — like the umbrella that Gurung villagers in Bhujung wove from nigalo strips and leaves, which Chase found ingenious because it also kept a farmer’s back dry while bending over to tend the fields.Maithili jewellery fascinated her, especially the sculpted silver bracelets that had strips joined into a ripple pattern. Over decades of being worn during work, the metal was weathered and polished into a shiny metallic brilliance. Doko baskets are perfectly crafted through a technique handed down from generation to generation of Gurung families, as are the felted carpets and capes of villagers in Ghandruk, and in Kathmandu the intricately carved bapa, used as a shrine in Newa homes. Another example, from Humla, was the colourful Nyinba woollen greatcoat, worn once a year during festivals (pictured overleaf).All these <a href="https://www.nepalitimes.com/review/art-of-everyday-living/" target="_blank" rel="noopener">items, lovingly preserved</a>, will be returned to their cubicles and exhibit cases once the Living Traditions Museum reopens. Chase’s book, Living Traditions of Nepal: The Beauty of Purposeful Living, is an encyclopaedic guide to the artefacts, and more.The voluminous 440-page, coffee table book is superbly illustrated and designed, and divided into sections representing the Himal, Midhills, Tarai and Kathmandu Valley. The text is arranged like extended captions, and interspersed with extracts from Chase’s journal of four decades ago.Chase decided to use her journal entries because the words recorded her feelings more accurately at the time, making the memories so much more real.One such extract, after seeing a sadhu at Pashupati on Shivaratri: ‘I feel invigorated, intoxicated, inspired, as if being in love. There is a whole way of being in the world that I had only sensed dimly… There is a feeling of a secret that everyone else knows that I am just beginning to glimpse, frustrating and enticing together.’She marvels at the ‘hanging life support system’ of Tharu homes, where food and storage items dangle from the ceiling, where protective smoke of the central fire preserved and cured stored food items. This was technology developed over centuries ‘out of a particular set of natural resource and household needs’.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969e9c7e80680e05dc77jpeg.jpg" alt="" width="308" height="400">‘The lives of the Nepali people and their art objects are elegant, inspired, vigorous, humorous, vibrant, romantic, sometimes even a bit wild,’ writes Chase. ‘They are woven, hammered, carved, turned, painted out of the hand of artists, both household and professional.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969f9c7e80680e05dc78jpeg.jpg" alt="" width="312" height="300">The Beauty of Purposeful Living: Living Traditions of Nepalby Judith Conant Chase<a href="https://serindia.com/products/the-beauty-of-purposeful-living-living-traditions-of-nepal-by-judith-conant-chase" target="_blank" rel="noopener">Serindia Publications (July, 2019)</a>Hardcover: 440 pages, $100ISBN: 978-1932476-90-3<h2>A life in the most precious place on earth</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96a09c7e80680e05dc79jpeg.jpg" alt="" width="1500" height="1125">Judith Conant Chase still remembers flying into Kathmandu in October of 1974, looking out of the window at the wrinkled terraces of rice fields, forested hills and the snowy mountains beyond, and telling herself: “This is the place.”The American had come to Nepal to try to climb a mountain in the Langtang Valley, and 45 years later she is still here. Along the way, she has done pioneering work to document Nepal’s crafts, joined an ashram, started an organic agriculture movement, collaborated on a project to market ceramic products and started a museum.“Nepal was so casual, and of the earth. It connected to nature in so many ways in the puja and the way people worshipped,” recalls Chase, who resonated with  the Hindu mantra ‘Satyam Shivam Sundaram’ — truth is God, and God is beauty.She travelled across Nepal, and while many foreigners at the time marvelled at the scenery outside, Chase was drawn to the interior of people’s homes and the everyday objects they used: wooden storage bins, straw mats, bamboo baskets, clay vessels, metal craft.Chase never rushed through the countryside. She lingered and learnt from families she stayed with, collecting beautiful objects and understanding their traditional use and significance. She kept a journal, knowing that one day she would want to write a book and perhaps set up a museum.Read Also: <a href="https://www.nepalitimes.com/review/art-of-everyday-living/" target="_blank" rel="noopener">Art of everyday living</a>, Reeti K.C.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96a39c7e80680e05dc7ajpeg.jpg" alt="" width="640" height="427">Both the museum and the book have happened. The Beauty of Purposeful Living and the Living Traditions Museum in Changu Narayan complement each other. The museum was badly damaged in the 2015 earthquake (left), has been rebuilt, and nearly five years later it is to reopen.“It was so impressive to me that there were no roads, and yet people were so capable, so self-sufficient,” Chase recalls of her travels through Nepal in the 1970s.Chase met and married <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Jim-Danisch-and-Barbara-Adams%20-passed-away-this-month,3007" target="_blank" rel="noopener">Jim Danisch </a>in a Hindu ashram in Banepa in 1984. Danisch worked on a ceramics promotion project in Thimi for the German agency, GTZ, training locals to make glazed pottery and developing a new type of kiln. The two went back to California to set up a pottery business, but soon found they were getting too old to chop firewood and cut grass, so one day Judith told Jim: “Let’s go home.”They returned to Nepal, where they worked on a farm in Kavre, and put together the Living Traditions Museum (See review, opposite.) After Jim died in 2016 in Dhulikhel, Judith continued working on her book and rebuilding the museum. All the while, the <a href="http://archive.nepalitimes.com/news.php?id=18931#.Xck2mNIza70" target="_blank" rel="noopener">organic farm in Kavre </a>demanded a lot of her time — helping villagers with pesticide and chemical-fertiliser free agriculture, preserving traditional seeds and the biodiversity of the forests.“Nepal in the monsoon is just so intoxicating. There is all this variety of words in Nepali for different types of rain, and the vegetation is so lush because of the warmth and moisture — there is extraordinary growth, which you do not have in a temperate climate,” explains Chase.In an experiment, she set aside a 1 sq m test plot in Kavre to study and classify every kind of plant that grew in it. There were 27 types, but she could identify only 18 of them. Chase thinks Nepal’s soil and fertility is so rich that artificial fertilisers are not needed — all the nutrients are already in the soil.Does it not pain her to see Nepalis not valuing nature, and the farms of Kathmandu Valley being replaced by urban sprawl? “It is not just Nepal, it is happening all over the world,” she says. “It is not exceptional, but it is tragic. Much is gone, but the vibrant traditions continue. Kathmandu Valley is one of the most precious places on earth.”

Kunda Dixit

The art of living

This year, the <a href="https://nepalitimes.com/opinion/quo-vadis-un-80-9vthn7mg">United Nations is marking its 80th anniversary</a> and it is being celebrated with special events across the world to commemorate its establishment on 24 October 1945. It has also been 75 years since the first UN adviser, the Swiss geologist Toni Hagen, was sent to Nepal to explore development opportunities. In 1950, there were no roads and Hagen walked on foot across the length and breadth of Nepal’s mountains, valleys and plains. This year also marks the 60th anniversary of the United Nations Development Program (UNDP) in Nepal, and much of Hagen’s work laid the basis for the UN’s involvement in education, health, and connectivity in Nepal’s future development. Despite frequent changes in government and political system, Nepal has made remarkable progress. The poverty rate has gone down by half in the past 30 years to 20.27% of the population. Much of it has to do with remittances from Nepalis working overseas, but it is also a result of the Nepal government’s investment in education, health care and social welfare.&nbsp; There have been special initiatives like the Prime Minister’s Employment Program that have provided jobs to nearly 800,000 people in the country’s 743 municipalities — especially in those areas with lower Human Development Index (HDI) like the far-west and the Tarai.&nbsp; This year’s HDI report by UNDP shows that Nepal’s score had risen to 0.622, whereas it was only 0.404 in 1990. In the past 33 years, the average lifespan of Nepalis has risen by 15.6 years to 70.4 years, whereas it was only 54.8 in 1990. However, the country’s HDI ranking is still 145 among the world’s 193 countries. “Yes, there has been significant improvement in living standards in the past 60 years, road connectivity has improved, the maternal mortality rate has gone down dramatically, almost everyone has phones, there are schools,” says Saru Joshi of the thinktank Nepal Policy Institute. But, she adds: “It is still difficult to get citizenship papers, especially in the name of the mother, and this has excluded many women from banking services, inheritance. After all our progress in physical infrastructure, Nepal now needs to prioritise inclusive social development.”&nbsp; Some of this is also happening. Eighteen years ago, Nabaraj Subedi, 49, of a village in Baglung decided not to join his peers &nbsp;fleeing the Maoist conflict to find work overseas. He invested Rs500,000 to buy a diesel generator and start a small furniture business.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_eeef308e19a73de507a425b2c6afc47269884549cf4c8fac07ca9a4898c8e031.jpg" data-media-id="editor_1" data-image-id="20251024071044_eeef308e19a73de507a425b2c6afc47269884549cf4c8fac07ca9a4898c8e031" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nawaraj Subedi"> <figcaption>Nawaraj Subedi, 49, proprietor of Tarakhola Furniture Factory. </figcaption> </figure>  Today, with the installation of the 380 kilowatt small hydroelectric plant, he does not need to depend on his unreliable generator to power his equipment anymore. There is now a road connecting his village, and Subedi has generated local jobs, opened a sales branch in the city, and gets orders from as far away as Pokhara and Chitwan. “My costs have gone down drastically because of the electricity, and sales have gone up because of the road connecting my furniture to markets. My business has expanded,” Subedi says. Back in 1960 in a report he prepared for the Nepal government on behalf of the United Nations, Toni Hagen had emphasised just this: investing in electricity generation and connectivity to uplift the remote rural areas of Nepal.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024081024_188ab121dc3cf2816ee71a72cb3687493eda37ab99ecc04802d647c8c9b4cd2d.jpg" data-media-id="editor_2" data-image-id="20251024081024_188ab121dc3cf2816ee71a72cb3687493eda37ab99ecc04802d647c8c9b4cd2d" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Tarakhola Furniture Factory"> <figcaption>Subedi's staff at the Tarakhola Furniture Factory.</figcaption> </figure>  Subedi’s furniture factory gets its electricity from the nearby Tarakhola Hydropower, a company set up eight years ago with financial and technical support from UNDP’s Renewable Energy for Rural Livelihood (RERL) project. &nbsp; “The project completely transformed living standards in this village,” says municipality chair Dhan Bahadur BK. “It has helped create jobs locally, there is now money to invest in education and healthcare. Households can pay their electricity fees electronically through smart billing.”&nbsp; After working with the government on rural electrification, UNDP is focussed on using that power for local employment creation. A women’s group, for example, has bought an electric-powered potato processing machine that can produce chips.&nbsp; “We are 12 of us mothers, daughters, daughters-in-law who process, package and market the potato that we grow ourselves, and it has raised our income,” says Sukmaya Roka, 57, who chairs the group.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_70b22418699178bcdd0abb0aa308796980ecd29634bcda6ff113a7624e709751.jpg" data-media-id="editor_3" data-image-id="20251024071044_70b22418699178bcdd0abb0aa308796980ecd29634bcda6ff113a7624e709751" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Sukamaya Roka"> <figcaption>Sukamaya Roka, 57, chair of Sipa Aalu Chips Utpadan Samuha from Tarakhola Rural Municipality, Baglung. </figcaption> </figure>  Today, 6.1 million households in Nepal (92.2% of total) have electricity in their homes, up from 17.9% 30 years ago. Access to electricity has not just brought lights to homes, but improved everything from productivity, quality of education, healthcare and phone connectivity.&nbsp; “To see what electricity and roads can do, just look at our municipality,” says chair Dhan Bahadur BK, “citizens have become more self-reliant, more aware of the outside world.”&nbsp; NETTLES INTO CASH&nbsp; Just a little bit of training, resource backup and local empowerment can uplift the living standards of Nepalis. The progress made in harvesting abundantly-available allo (nettles) and turning it into household products is an example. When a landslide swept away his home and farm in a flood 40 years ago, Buddhi Purja of Parbat became destitute. But he took part in a government training program supported by UNDP and Australia to harvest the wild nettles that grew on mountain slopes and turn the fabric into bags.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071048_56c440c478dffbc13911369b6f4133baf658cc3667773cdb44b7c40e006463ce.jpg" data-media-id="editor_4" data-image-id="20251024071048_56c440c478dffbc13911369b6f4133baf658cc3667773cdb44b7c40e006463ce" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Rhitu Saugat Handicraft"> <figcaption>A worker at Rhitu Saugat Handicraft making a bag out of nettles.</figcaption> </figure>  “After the landslide, we had to go hungry if we did not get a day job,” Purja recalls, “but after this training we have found that we can turn nettles into cash.” His allo bags are now hanging in tourist shops in Pokhara Lakeside and Thamel.&nbsp; The idea that nettles can be processed into useful fabric has not spread across the country, and new ecologically conscious consumers in Europe and elsewhere now import Made in Nepal nettle products.&nbsp; Purja started out with an investment of Rs500,000, and had a Rs20 million business that employed 25 workers. The Covid crisis in 2020 affected the sales, but Purja has recovered from it, sent his daughter off to study abroad, and is thinking of diversifying his product range.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251024071044_ab6d15abcbb9a643e12a384f4bc488b7e210a8c95303fbe1b2f77716d26eede9.jpg" data-media-id="editor_5" data-image-id="20251024071044_ab6d15abcbb9a643e12a384f4bc488b7e210a8c95303fbe1b2f77716d26eede9" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Buddi Purja"> <figcaption>Buddi Purja, proprietor of Rhitu Saugat Handicraft in Pokhara.</figcaption> </figure>  While UNDP’s project has made successful businessmen out of people like Purja, nationwide it has created 187,000 jobs in rural medium-scale industries. Much of what has worked in Nepal has been at the community level with decentralised projects like these that use the entrepreneurship of people like Buddhi Purja, Navaraj Subedi, and Sukmaya Roka. It is tantalising to imagine how much more progress Nepal would have made if their work could be replicated nationside and upscaled to the state-level.

Think locally, invest locally

Imagine a high-end fair trade tea brand from Nepal that has done everything right, with ethical sourcing practices and international certifications. It has built a loyal base of socially conscious, premium customers in an export market and focuses on quality over quantity. Then one day, a government in the export market introduces a new ‘listing criteria’ that requires exporting a certain amount of tea to at least three countries in the past five years. But this was never a numbers game, it was about a niche market of socially responsible tea lovers. Suddenly, fair trade tea companies are restricted from exporting tea to that country. Pretty unfair for the company, for consumers, for the tea sector. More importantly, for tea farmers and families benefiting from fair standards. The overseas labour industry is facing a similar risk as recruiters, including those that have adopted ethical standards, may soon be barred from finding workers for Malaysia. On 27 October, the Malaysian Ministry of Foreign Affairs sent letters to five countries including Nepal, Bangladesh, Burma, Pakistan and India to ‘rationalise the number of licensed private recruitment agencies permitted to facilitate recruitment and placement of workers to Malaysia’.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_050274dddc6cf10224b0ad9283eec7b3bc3c0acd650543a808a8ea473ecf40db.jpg" data-media-id="editor_0" data-image-id="20251030141040_050274dddc6cf10224b0ad9283eec7b3bc3c0acd650543a808a8ea473ecf40db" data-rendition-name="original" width="961" height="1135" loading="lazy" alt="Malaysia recruitment"></figure>  The letter includes 10 criteria for private recruiting agencies including at least five years of operating experience, deployment of 3,000 workers in the past three years of operation, experience sending workers to at least three countries, a 10,000 sq m office maintained for three years, valid licenses and good conduct certificates, five employer testimonials, and operating their own training and accommodation centres. Two conditions stand out as potentially harmful to Nepal’s ethical recruitment movement. First, although the letter cites a minimum of 3,000 workers, it says three years in the heading and five in the body text. A big enough difference to affect a significant number of recruiters from making the cut, but problematic regardless. Second, the requirement to send workers to at least three countries disproportionately impacts responsible recruiters in Nepal and elsewhere. Turning the selection of workers into a numbers game is dehumanising. Responsible recruiters deprioritise volume, focus on quality of jobs even when business sustainability comes under threat as ethical opportunities that do not require workers to pay any feed and ensure greater transparency are difficult to come by. Sending workers is further impacted by a series of external shocks. For example, in the Malaysian context Nepal banned emigration to Malaysia for two years followed by the Covid pandemic, and then Malaysia’s decision to stop the intake of foreign workers for the last two years.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_b1b88b3ae2e94c6bc077529ac6f2a4e380a385ee9a22219edfed25067c9d25a1.jpg" data-media-id="editor_1" data-image-id="20251030141040_b1b88b3ae2e94c6bc077529ac6f2a4e380a385ee9a22219edfed25067c9d25a1" data-rendition-name="original" width="595" height="841" loading="lazy" alt="Malaysia recruitment"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_2cf252908d18aaf09c875002eef2d92ab45897a56b560addd2dc02311725c8a7.jpg" data-media-id="editor_2" data-image-id="20251030141040_2cf252908d18aaf09c875002eef2d92ab45897a56b560addd2dc02311725c8a7" data-rendition-name="original" width="590" height="238" loading="lazy" alt="Malaysia recruitment"></figure>  Many ethical recruiters have focused on Malaysia because it is a more common labour market for responsible recruitment than other destinations like the Gulf. There is no credible justification to why responsible recruiters well regarded by scores of Malaysia-based multinational companies and with decades of experience should be ‘disqualified’ for not diversifying. Finding jobs for Nepalis in new markets is difficult given fierce competition, challenges identifying companies which follow the employer-pays principle, lack of networks and shortcomings in marketing strategies. These factors hit responsible recruiters harder because profit-motivated employers are often unwilling to cover the costs and fees associated with workers’ recruitment. “The volume of deployment does not determine a recruiter’s capability or the quality of services provided,” says Sujit Shrestha of the Nepal Association of Foreign Employment Agencies (NAFEA). Nepal recently scrapped the licensing renewal requirement that mandated sending at least 100 workers a year as it was impractical. The new Malaysian criteria is similar in nature, he added. The ball is now in Nepal’s court at a time when the interim government does not even have designated heads in the Foreign Ministry and the Ministry of Labour, Employment Employment and Social Security. When rumours about the Malaysian action started circulating, NAFEA had raised the issue, but was assured that this was not an attempt to set up a syndicate.  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141044_83c8a174ef116603f747d1cd254c4d353e8b855a41fb99feec54e701f5fc4c3f.jpg" data-media-id="editor_3" data-image-id="20251030141044_83c8a174ef116603f747d1cd254c4d353e8b855a41fb99feec54e701f5fc4c3f" data-rendition-name="original" width="3456" height="5184" loading="lazy" alt="Malaysia recruitment"></figure>  How will governments and recruiters in other origin countries now respond? There is precedence from Bangladesh. Dhaka-based journalist at the Daily Star, Porimol Palma who says, “Earlier, the Malaysian authorities had selected 101 Bangladeshi recruiters unilaterally, despite Bangladesh’s call for a syndicate-free recruitment mechanism.” Between 2022-2024, 450,000 Bangladeshis were recruited under this system with workers paying between $4,500 and $6,000, even though the legal limit was $750. Palma attributes part of the high fees workers had to pay were for commissions or bribes to recruitment syndicates. Adrian Pereira heads the North South Initiative in Malaysia says: “The criteria seems a bit fishy, as they do not appear to address the actual problems in the the recruitment of foreign workers. Some of the criteria seem to encourage a system of monopoly or syndicate rather than a rights-based approach. Every government has the right to set criteria for recruiters, but conventions and ILO (International Labour Organization) standards on recruitment exist. It looks like we’re back to square one.” Whether migrant origin countries including Bangladesh and Nepal accept the terms sent without reservations or push back in good faith remains to be seen. In an ideal world, a collective stance should put workers’ needs and welfare at the centre. How rational is the proposed ‘rationalising strategy’? What aspects of it are promising to curb recruitment abuse and what merits serious reconsideration? Even if the move from the Malaysian side is well-intentioned to address rampant malpractices migrant workers face, Nepal should deliberate on the conditions set, the collateral damage especially on the responsible actors and small but capable recruiters. Alternate options that might serve everyone better before rushing to respond with a chosen list by 15 November. If the proposal is accepted, how would it be done in a transparent and accountable way? It is noteworthy that Indonesia was not listed even though it has the most workers in Malaysia among the 16 countries that send migrants to Malaysia. The Responsible Business Alliance (RBA), the ILO, the International Organization for Migration (IOM), and certification programs like On the Level (OTL) also need to use their leverage to ensure that recruiters, including those they have trained or certified on ethical recruitment principles, are not penalised. This is more than just about protecting the ethical recruitment movement, but raising even more basic questions: Who can legally be a recruiter in Nepal? There are already obligations like hefty security deposit and minimum office requirements. But requirements to have building facilities with ‘accommodations’ or ‘testing centres’ are not among them. There are 1,150 plus players in Nepal’s recruitment sector, with a few hundred engaged in the Malaysian market. A unilateral selection criteria could risk foul play, or lead to unintended, unfavourable consequences. To be sure, overseas recruitment in Nepal is known for ‘settings’, corruption, dog-eat-dog competition, and collusion. The profiteering is out of control, often at the expense of workers. But the solution does not lie in stifling the industry with criteria like deployment volume, building worker accommodations or expanding office floors. The focus should instead be on enforcing rules and laws in both countries that govern the industry, and the Malaysian labour agreement that has not been renewed since October 2023. Meddling in the industry in ways that harms fair competition and ethical actors means workers suffer. The only issue that should be taking precedence is: how will Malaysia’s 10-point criteria and planned arrangement affect migrant workers? We have seen how for identical Malaysia-based jobs, one worker might pay zero while another pays up to Rs400,000, depending on the employer and recruiter. It is unclear if the 10-point selection criteria rewards the employer. As a longstanding host country for Nepali migrants, Malaysia deserves credit for nurturing the small but growing ethical recruitment industry here. Export-oriented companies in Malaysia need responsible recruitment partners and have mentored recruiters to strengthen their practices and move away from worker-paid models. The business case for ethical recruitment standards has led many recruiters in Nepal to pivot with many now in various stages of transition from traditional to hybrid or purely ethical practices. This progress needs to be acknowledged and built upon. Large, well-networked recruiters with large physical assets and high volume of workers seem to be the winners of Malaysia’s 10-point criteria after two years of waiting for the Malaysian market to reopen. Responsible recruiters endure long periods of minimal or no deployments that threatens their survival. The letter now sitting on the desk of the interim government in Nepal deepens the concern: rather than just failing to recognise or reward responsible recruiters, does the international recruitment market actually punish them? Upasana Khadka heads Migration Lab, a social enterprise aimed at making migration outcomes better for workers and their families. Labour Mobility is a regular column in Nepali Times.

Who gets to recruit for Malaysia?

Public anxiety about immigration has become a powerful political currency across many liberal democracies. In Australia, as elsewhere, legitimate concerns about housing and economic fairness can be, and increasingly are exploited by anti-democratic actors who frame migration not as a policy issue but as a cultural threat.&nbsp;
When these narratives move from online spaces to public rallies, they do more than divide opinion; they erode the social trust and pluralism on which democracy depends. Understanding how populist and far-right movements weaponise migration debates is crucial to recognising the early challenging signs of liberal democracy.
Immigration has become one of the most politically charged issues in Australia, not only because of the numbers but because of its entanglement with cost-of-living pressures, housing shortages, and rent spikes.&nbsp;
The latest Household, Income and Labour Dynamics in Australia (HILDA) <a href="https://www.unimelb.edu.au/newsroom/news/2025/september/how-we-live-latest-hilda-data-gives-insight-into-a-changing-australia">data</a> shows rising household financial stress as Australian households spending more on rent and income tax. These changes likely reflect a mix of economic and policy factors but create a lot of room for people to hold inaccurate and occasionally contradictory attitudes on these issues.&nbsp;
While net overseas migration has started to decline from its post-pandemic peak, public concern remains high, amplified by populist rhetoric. Some surveys have <a href="https://www.theguardian.com/australia-news/2025/feb/04/australians-want-less-migration-but-oppose-cutting-international-student-numbers-study-finds">revealed</a> a nuanced picture: most Australians want lower migration overall but oppose cutting international student numbers, and support targeted skilled migration to address workforce gaps.&nbsp;
As former Home Affairs Minister Clare O’Neil <a href="https://minister.homeaffairs.gov.au/ClareONeil/Pages/how-australia-broke-its-migration-system.aspx">argued</a> in 2023, Australia’s migration system is “broken and un-strategic”, not delivering for business, for migrants, or for the larger population. This is a situation that frustrates both sides of the debate and makes immigration an easy political flashpoint.
The recent <a href="https://marchforaustralia.org/">March for Australia</a> rallies turned these anxieties into street-level mobilisation. Tens of thousands <a href="https://www.bbc.com/news/articles/czjmre371l1o">protested</a> at what they called ‘mass immigration’, while far-right groups seized the opportunity to inject xenophobic slogans and calls for ‘remigration’ into the public space. These demonstrations were not only about visa caps or housing and jobs; they became performances of who is entitled to belong.&nbsp;
When immigration is framed not as a policy question but as a cultural test of Australianness, it risks shrinking the demos, the very community that democracy is meant to represent.
What made the March for Australia so striking was not only its size but its composition. Recent investigative reporting <a href="https://www.theage.com.au/politics/victoria/don-t-mention-hitler-and-you-re-sweet-the-great-march-for-australia-deception-20250909-p5mtlc.html">revealed</a> that neo-Nazi groups were not merely present at the March for Australia rallies but played a role in covertly organising them. They amplified messaging online, coordinated attendance, and sought to mask their involvement to broaden appeal.&nbsp;
This highlights that democratic erosion is rarely spontaneous; it requires actors who deliberately exploit social grievances, mistrust, and polarisation to mobilise anger for their anti-democratic ends. The banners reading ‘<a href="https://www.theguardian.com/commentisfree/2025/sep/01/how-do-i-feel-safe-after-march-for-australia-anti-immigration-protest-ntwnfb">Stop Immigration</a>’ revealed that public hostility towards migrants, <a href="https://www.afr.com/politics/federal/pressure-mounts-for-price-to-apologise-to-indian-australians-20250908-p5mt7x">particularly</a> from the Indo-Pacific, is growing.
For many migrants, these displays are more than conceptual debates about white national identity. They are experienced emotionally. Writing shortly after the rallies, Melbourne-based writer Jafrin Kabir <a href="https://www.theguardian.com/commentisfree/2025/sep/01/how-do-i-feel-safe-after-march-for-australia-anti-immigration-protest-ntwnfb">reflected</a> that she had never felt so foreign on Australian soil. She pays taxes and inflated rents, contributes skills in the national interest, cheers for the Tillies and calls Melbourne “home”, yet suddenly felt unsafe because of the origin and colour of her skin.&nbsp;
Similarly, Chinese national interviewed by media outlet <a href="https://www.scmp.com/news/china/diplomacy/article/3325127/i-feel-insecure-chinese-nationals-australia-blindsided-anti-immigration-marches">reported</a> cancelling weekend plans and feeling “blindsided” by the scale of the marches.
Scapegoating migrants especially in times of economic stress is an age-old phenomenon and is not just limited to Australia. Across the democratic world, from the United States to the UK and parts of Europe, hostility toward migrants and minorities has become a route for anti-democratic forces. Populist actors often <a href="https://www.theguardian.com/australia-news/2025/mar/27/peter-dutton-keeps-blaming-migration-for-the-housing-crisis-but-can-it-really-be-that-simple">use</a> cultural anxiety and demographic change to justify illiberal and undemocratic measures, claiming to restore order while actually dismantling checks and balances.
By analysing democratic decay, scholars like Lydia Khalil at the Lowy Institute, <a href="https://interactives.lowyinstitute.org/features/democratic-erosion/">argue</a> that democracies rarely break down at once. Instead, they incrementally weaken through vicious cycles: declining trust in institutions, entrenched division based on hate, the normalisation of political violence, and the bit by bit removal of norms and guardrails.&nbsp;
Though some of the conditions are present in Australia to be exploited by anti-democratic actors, for example, almost two-thirds of Australians believe their leaders intentionally mislead them, according to the <a href="https://www.edelman.com/au/trust/2025/trust-barometer">2025 Edelman Trust Barometer</a>, &nbsp;but their presence is not determinative.
Australia’s democratic guardrails remain strong: independent courts, transparent elections run by the AEC, and a free press continue to hold power to account. Federalism and active civil society further diffuse power and create space for contestation.&nbsp;
But if public trust continues to erode and social divisions deepen, these safeguards will come under strain. Early recognition and action are crucial to ensure that today’s street-level hostilities do not translate into institutional regression.
Preventing such outcome requires a socially embedded understanding of migration, an understanding that goes beyond simplistic optimistic and pessimistic views. Policy makers should go beyond Push-Pull models, functionalist and neoclassical and historical-structural theories.&nbsp;
Consulting the work done by <a href="https://www.guilford.com/books/The-Age-of-Migration/Haas-Castles-Miller/9781462542895#:~:text=International%20Population%20Movements%20in%20the%20Modern%20World,-Hein%20de%20Haas">Hein de Haas</a> et-el, migration should be conceptualised as an intrinsic part of broader processes of development, social transformation and globalisation rather than a 'problem to be solved'. We need more nuanced views that have an eye for the complexity of migration processes and the diversity of its causes and impacts.
Sohail Akhtar is a Melbourne- based researcher focusing on governance, public policy, and migration. He contributes to Lowy Institute Sydney.
This article was issued by the Toda Peace Institute and is being republished from <a href="https://toda.org/global-outlook/2025/is-street-level-hostility-a-challenge-to-liberal-democracy-reflections-from-australia.html">the original</a> with their permission.

Is street-level hostility a challenge to liberal democracy?

Intricately painted Buddha, Aryatara, Krishna, and Parvati gaze serenely at visitors at the Kathmandu Art Gallery under muted amber lights. Moving from one artful devotion to the next, a quiet, profound connection to the divine envelopes the visitor. This transcends art to the realm of the spiritual. &nbsp; The gallery’s latest exhibition, Masters of Devotion, features art by 22 artists all from Bhaktapur. They also include Ajay Karmacharya, Purna Prasad Hyoju, Nhuche Kaji Bajracharya, Rajani Sinkhwal, Shashi Dhar Sainju, Surya Bahadur Chitrakar and Sundar Sinkhwal from the Khowpa Paubha Chowmi Pucha. Paubha are religious and devotional art depicting deities and mandala that date back to the 7th century, when Newa artists began to paint images of the gods on cloth. For the artists who practice this craft, the art form is as meditative as it is meticulous.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251025041028_de34b51d48bcee50ae391301e2ff1890be7ecba3df7e563537c273818825aad5.jpg" data-media-id="editor_0" data-image-id="20251025041028_de34b51d48bcee50ae391301e2ff1890be7ecba3df7e563537c273818825aad5" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="art review "> </figure>  The exhibition at the newly-opened space Kathmandu Art Gallery coincides with the festival season and is a collection of extravagant works done in mineral and stone colour, sakura and gouache. The vintage art space is located at Babar Mahal Revisited and is a fitting accompaniment to the paubha featured in the exhibit.&nbsp; Sundar Sinkhwal’s vividly painted Harihara is among the more eye-catching works. “Half of the painting is Shiva and half is Vishnu, hence the name Harihar,”explains Sinkhwal. “Together with their consorts Parvati and Laxmi, I have painted Uma-Maheswor and Laxmi-Narayan.” Nandi and Garuda, the vehicles of the two gods, complete the vibrant painting.&nbsp; In contrast, for his piece titled Lakshmi, Sinkhwal shrouds his canvas in dark colours to paint Kuber, the deity revered as the custodian to the wealth in the Hindu pantheon, accompanied by two khyak apparitions —one black, the other white— both mythical creatures in Newari folklore.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251025041032_1bde6de442b742c300bb8c9278ea8886445aa8df47076fd9aa362ce1f8bef903.jpg" data-media-id="editor_1" data-image-id="20251025041032_1bde6de442b742c300bb8c9278ea8886445aa8df47076fd9aa362ce1f8bef903" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="art exhibition"> </figure>  “The black khyak is considered inauspicious, while white ones are a symbol of good luck,” explains Sinkhwal. Purna Prasad Hyoju has used mineral paint on canvas for a powerful depiction of Ardhanareswar, the composite form of Shiva and his consort Parvati.&nbsp; “I drew inspiration from the Newari Swasthani story about the separation of Shiva and Satidevi,” says Hyoju. Legend has it that Shiva, unwilling to part from his consort, reincarnated as a unified dual gender form of himself and Parvati. Hyoju has painted goddess Parvati in bright yellow, in homage to one of her other manifestations, Gauri, which means radiant.&nbsp; Meanwhile, Ratna Gopal Sinkhwal’s Kurkula Devi, done in stone pigment, is radiant on the cotton canvas. “Kurkula Devi is a tantric goddess whose traces are found in the Sadhana Mala,” says Sinkhwal. “The stone pigment is what makes the goddess look like she is gleaming.” One of Sinkhwal’s other works draws from stories in the Mahabharat to depict Bhimsen, Draupadi, Dushasan and Akash Bhairav in confrontation, expressions fierce.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251025041028_72eea52c8504eccb8b3be7cd4cef616dfb8efd821e8b1e1ae8f440f10782be11.jpg" data-media-id="editor_2" data-image-id="20251025041028_72eea52c8504eccb8b3be7cd4cef616dfb8efd821e8b1e1ae8f440f10782be11" data-rendition-name="original" width="1280" height="854" loading="lazy" alt="art exhibition"> </figure>  The opening of the exhibition last week also featured a music session, during which some of the artists sang traditional songs. Their voices joined the rhythm of the madal and melody of the harmonium, adding warmth to the crisp autumn evening.&nbsp; Each painstakingly detailed paubha reflects the artists’ devotion to divinity and mythology, as well as their heritage. Masters of Devotion showcases the work of veritable masters of their craft, and is a must-visit for art connoisseurs and devotees alike. Says the gallery’s Sangeeta Rana Thapa: “It is our honour to celebrate the artists’ work—to stand among pieces that embody both devotion and mastery, and to witness a tradition that continues to inspire us.” Masters of Devotion Kathmandu Art Gallery Baber Mahal Revisited Until 22 November

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