<figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3b99c7e80680e09666ejpeg.jpg" alt=""/><figcaption>Reservoir pond of the Pharping hydropower project 12 km south of Kathmandu Valley. Photo: ASMIT RAJBHANDARI</figcaption></figure>It was 6:30pm on 22 May 1911, and the sun had just set in Kathmandu when King Prithvi Bir Bikram Shah arrived at Tundikhel to turn on a switch to light Nepal’s first electric lamp.Nepal was the second country in Asia to install a hydroelectric power plant, commissioned by Prime Minister Chandra Shumsher Rana, who named the project after himself: Chandra Jyoti. Chandra Shumshere had visited England eight years previously, and this was part of his grand plan to modernise Nepal with technology.Besides electricity, he established Nepal’s first college, built metal suspension bridges all over the country, <a href="https://www.nepalitimes.com/banner/a-walk-back-in-time-chandragiri-hatiban/" target="_blank" rel="noopener noreferrer">commissioned a cargo ropeway from Kathmandu to the Tarai</a>. He sent architects to Europe, and engineers and horticulturists for training to Japan. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3bc9c7e80680e09666fjpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3bf9c7e80680e096670jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c39c7e80680e096671jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c69c7e80680e096672jpeg.jpg" alt=""><figcaption> </figcaption></figure>Construction of the 500kW plant in Pharping 12km south of Kathmandu began in 1907 with British engineers, and took four years to complete. All the turbines and penstock pipes were shipped to Calcutta, brought overland to Bhimphedi and then had to be carried on porter back over the mountains to the site.Built to light <a href="https://www.nepalitimes.com/here-now/inside-story-of-nepals-rana-dynasty/" target="_blank" rel="noopener noreferrer">the palaces of the Ranas</a>, homes of courtiers and some street lights, the power station stored water from two springs, in Satmule and Sesh Narayan, in a circular reservoir. The Ranas first tested the electricity in a house in Khokana before connecting the wires tot their palaces, to ensure it was safe.Under supervision of the prime minister’s clan, the power plant was built by Tilkikram and Bakhat Bahadur from the Nepal Army, the main engineer for the power house was Kishore Narsingh Rana. Two engineers from England, ‘Barnau Puwante’ and a certain ‘Mr Linzale’, were also involved in the construction. <figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3c99c7e80680e096673jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3cc9c7e80680e096674jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3cf9c7e80680e096675jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d29c7e80680e096676jpeg.jpg" alt=""><figcaption> </figcaption></figure>In 1911, it had been only three decades since the world’s first hydropower plant had been installed on the Fox River in Wisconsin in 1882, and a year after China built its first hydropower plant in 1912 in Yunnan province.Despite this early start, Nepal got around to setting up its second hydropower project only 28 years later, a 640kW plant in Sundarijal in 1939. For a country with such a vast potential for hydropower, it would take Nepal another half-century to produce just 1MW of electricity.Since 1911 when Pharping was built, Nepal has managed to produce only 1,400MW of power from its rivers, not even 2% of its total potential. Since most of the plants are of the run-of-the-river type, electricity production fluctuates with water level on rivers. This spring, due to a long winter drought, for instance, Nepal is importing nearly half its peak hour demand <a href="https://www.nepalitimes.com/from-the-nepali-press/more-than-half-of-nepals-electricity-imported-from-india/" target="_blank" rel="noopener noreferrer">from thermal power plants India</a>.Sadly, the history of Nepal’s oldest hydropower plant has now been almost forgotten. Although the government declared the power plant a ‘living heritage’ site in 1911, not much has been done to preserve the area. The power plant could be brought back into running condition, even as just a demonstration unit. <figure><img width="3000" height="2000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d59c7e80680e096677jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3d99c7e80680e096678jpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="1500" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110121140/636ce3dc9c7e80680e096679jpeg.jpg" alt=""><figcaption> </figcaption></figure>The power house, the royal guest house and other buildings here are part of Nepal’s heritage, but are crumbling. Two 250kw generators have great historical significance, but are not properly preserved, metal pipes more than 100 years old lie rusting near the <a href="https://archive.nepalitimes.com/regular-columns/Comment/storing-water-reservoir-Nepal,1042" target="_blank" rel="noopener noreferrer">reservoir</a>.For most of its functioning life, Pharping generated power for only three hours every night. Later, even when the reservoir started being used to supply drinking water to Lalitpur, it was generating electricity for one hour every evening.There is a masterplan to preserve Pharping as a Live Energy Museum with the old building renovated to house a centre for hydropower development, as well as research into <a href="https://www.nepalitimes.com/here-now/an-energy-windfall-for-nepal/" target="_blank" rel="noopener noreferrer">renewable energy sources like solar and wind</a>.None of that has taken off, but 22 May is still marked as National Energy Day to pay homage to Nepal’s hydropower potential.This story was first published on <a href="https://www.thethirdpole.net/en/" data-saferedirecturl="https://www.google.com/url?q=https://www.thethirdpole.net/en/&amp;source=gmail&amp;ust=1617686418226000&amp;usg=AFQjCNEYgYjTYeKkemPKVPByKGEFPQOeiQ">The Third Pole</a>.

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Nepal’s 1st hydroelectric plant is a museum piece

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6ee9c7e80680e092dafjpeg.jpg" alt="" width="1554" height="954"/><figcaption>The original 12th-century Laxmi-Narayan stolen in 1984. Photo: LAIN SINGH BANGDEL In Sotheby’s catalogue in 1990. Photo: ERIN L. THOMPSON The deity in the Dallas Art Museum in 2014. Photo: ERIN L. THOMPSON</figcaption></figure>The stone figure of Laxmi-Narayan had been worshipped at a shrine in Patan’s Patko Tole for 800 years. But on one night of 1984, it disappeared.The holy androgynous composite of the two deities was so important to the community that local people replaced it with a poor replica.In 1990, the <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">the 12th-century statue, which is also known as Vasudeva-Kamala</a> was spotted at the Sotheby’s auction house based in New York. After that it disappeared again until American artist <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNEspOXCRr77XIFGQB5cgNO81hoOrQ">Joy Lynn Davis</a> located it via a Google image search to the Dallas Museum of Art.The US Federal Bureau of Investigation (FBI) is finally taking possession of the 70kg figure on Tuesday, and delivering it to the Nepal Embassy in Washington on 5 March, American Art Crime Professor, <a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Erin L Thompson</a>, who has been tracking this and other stolen antiquities, told Nepali Times.“I am happy that the museum saw its retention of the work was unjust,” Thompson said. “I continue to be dismayed that museums and collectors demand the type of proof about the date and circumstances of theft that existed in this case, since this information has so often gone unrecorded elsewhere. No work of Nepali sacred art left the country legally, that is the essential fact.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f39c7e80680e092db0jpeg.jpg" alt="" width="1610" height="1130"><figcaption>The Laxmi-Narayan figure as memorialised by Joy Lynn Davis in 2015. Painting by: JOY LYNN DAVIS</figcaption></figure>Heritage activists and local communities in Nepal say the return of Laxmi-Narayan statue could be the start of a process of repatriating thousands of other religious objects from Kathmandu that are now in Western private collections or museums.“We are glad our god has been located in Dallas and is being returned, but we must also ask ourselves whether we are up to taking good care of it,” Bhairaja Shrestha, a social activist of Patko Tole <a href="https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/replicating-nepals-stolen-gods/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGZOp-uVkLUv31wf1lQZfZ8T1ohrg">told Nepali Times last year</a>, adding that the community’s festivals and rituals were affected after the god was stolen.The image of the 15th-century deity was first published in Indian historian Krishna Deva’s book Images of Nepal in 1984, followed by Nepal’s art historian <a href="https://www.nepalitimes.com/here-now/bringing-our-gods-home/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/bringing-our-gods-home/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNFeA52pRTDl2zmfdFDn_q3kuxEQOQ">Lain Singh Bangdel’s book</a> Stolen Images of Nepal.<a href="http://rememberingthelost.com/repatriations/">Artist Joy Lynn Davis</a> painted Kathmandu’s shrines and depicted the stolen deities in them in gold, and held an exhibition of her work in 2015 that included a painting of the Patko Tole shrine.She says, “The day the Laxmi Narayan arrives in Nepal, I will be the happiest person—so many people and organisations have worked on this. The only way to protect them is to increase awareness about their significance. We have a lot of work to do, Laxmi-Narayan is just the beginning.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f69c7e80680e092db1jpeg.jpg" alt="" width="1330" height="992"><figcaption>Bhairaja Shreshta at the Patko Tole shrine last year, with the replica of the Laxmi-Naryan.</figcaption></figure>The Lalitpur Metropolitan Office has <a href="https://www.himalkhabar.com/news/122418" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://www.himalkhabar.com/news/122418&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNGWCrhYsfr36aTj5vFMyePQQyKU9A">offered to pay for the shipment </a>of the Laxmi Narayan, and to restore it to its original shrine in Patku Tole after a ritual chhama puja.The Nepal Embassy in Washington has said it will start the process of sending the deity back to Nepal, and denied <a href="https://ekantipur.com/news/2021/02/28/161447682183787221.html" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://ekantipur.com/news/2021/02/28/161447682183787221.html&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNHc4H0lu6F3uy0HJKCt2LjPylD9Pg">media reports</a> that it did not have the money for air freight.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6f99c7e80680e092db2jpeg.jpg" alt="" width="1422" height="942"><figcaption>The 1993 exhibition East Meets West: Sculpture from the David T. Owsley Collection at the Dallas Museum of Art where the Laxmi-Narayan can be seen at centre, right. Photo: Dallas Museum of Art</figcaption></figure>Kumar Raj Kharel, the deputy chief of mission at the embassy, told Nepali Times: “I was misquoted. We have never said that we cannot pay for the logistics, just that we cannot send it to Nepal immediately. We had to look at the cost, insurance, and fulfil the lengthy bureaucratic process of consulting with the ministries of finance, culture, foreign affairs, and the Department of Archaeology in Kathmandu before dispatching it.”Thousands of stolen statues of Nepal to date remain in the display of international museums in many parts of the world and more that are found in the US, some may have provenance and some may not.Kharel added, “We hope the repatriation of the Laxmi-Narayan to Nepal will set a precedent for locating and returning other stolen images.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd6fc9c7e80680e092db3jpeg.jpg" alt="" width="1500" height="1002"><figcaption>The 12th century Laxmi-Narayan statue stolen from Patan in 1984 has been handed over to Nepal Embassy in the US. Deputy Assistant Director of FBI Timothy N Dunham and Nepal Ambassador to the US Yubaraj Khatiwada were present during the handover. Photos: AMITABH JOSHI</figcaption></figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7009c7e80680e092db4jpeg.jpg" alt="" width="640" height="428"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110111148/636cd7039c7e80680e092db5jpeg.jpg" alt="" width="1500" height="1002">He said museums and collectors with stolen antiquities from Nepal need to be responsible and abide by the UNESCO’s Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property.<a href="https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://hyperallergic.com/530848/stolen-deities-resurface-in-a-dallas-museum/&amp;source=gmail&amp;ust=1614733523195000&amp;usg=AFQjCNG-w4uPnw1nk_80MuQQmsrAACKjYQ">Art Crime Professor Erin Thompson</a> agrees. She says, “Every art lover in America has a responsibility to look at the art we see and ask if it is right for us to have it here.”

US museum returns stolen Nepal god

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70a79c7e80680e06008cjpeg.jpg" alt="" width="899" height="685"/>The visitor to the Taragaon Museum is surrounded by faces: from large, realistic examinations of elderly men and women to symbolic portraits in abstract styles. An exhibition titled A Portrait Story studies the genre of portraiture from all angles.The oldest exhibit is a framed photograph of Chandra Shumsher, his wife Balkumari, and two of his sons. Back in the 19th century, such portraits were a way of putting your best face forward. The means to own a camera or hire a photographer were only available to the fabulously wealthy, and portraiture was status.Read also: <a href="http://archive.nepalitimes.com/news.php?id=19789#.XiBDb_4zbIU" target="_blank" rel="noopener">The first photographs of us</a>, Kanak Mani Dixit<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70a99c7e80680e06008djpeg.jpg" alt="" width="876" height="747"><figcaption> </figcaption></figure>Fast forward to the 21st century, where almost everyone has a mobile phone with which to take a selfie and disseminate it to the world at the press of a key. The exhibition comes full circle in showcasing two social media ‘influencers’ who constantly post selfies.It may seem that flattering depiction is the only purpose of portraiture. However, the genre also exists outside this narcissistic box, and this is where artists come in. A Portrait Story features many artistic explorations of the portrait genre.Read also:<a href="https://www.nepalitimes.com/review/old-art-meets-new/" target="_blank" rel="noopener"> Old art meets new</a>, Sikuma Rai<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70ac9c7e80680e06008ejpeg.jpg" alt="" width="1456" height="1478">“Artists make a lot of portraits on commission, so these are commercial,” says co-curator of the exhibition Shivangi Bansal, “But we know of artists who make portraits just for the sake of making portraits. We wanted to see how artists are exploring this genre beyond commercial art.”Indeed, many of the portraits on display are not necessarily flattering. On the one end of the spectrum is hyper realism, where every tiny detail on a face, from a wrinkle to a missing tooth, is highlighted.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="http://archive.nepalitimes.com/news.php?id=16424#.XiBEI_4zbIU" target="_blank" rel="noopener">Art attack</a><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b70b09c7e80680e06008fjpeg.jpg" alt="" width="1236" height="1868">At the other end is experimentation, where the details of the face become irrelevant as artists play with outside objects, light and shadows. Manish Lal Shrestha paints only a fraction of his forehead on top of a pillow in ‘Sirani’. Pramila Bajracharya paints a two-dimensional figure of a Nepali woman that seems to portray her personality. Kapil Mani Dixit has an abstract piece which does not look like a portrait at all, while Saurganga Darshandhari experiments with a portrait without a face.Contemporary artists have also experimented with digital manipulations. The picture of a Kumari with an entire temple on her head is an example, and Ishan Pariyar depicts angst with a face that is bursting out of its rope bindings.A Portrait StoryTaragaon Museum, Boudha9-23 Jan

Portraying portraiture at Taragaon

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96999c7e80680e05dc75jpeg.jpg" alt="" width="1500" height="875"/>Many of the everyday items Nepalis traditionally used in their homes are going or gone. So have the words that described them. Plastic buckets have replaced brass gagro. Linoleum floors have taken the place of sukul straw mats.Most young Nepalis do not know what petaro, sakari, chulesi, dalo, doko, theki, dhiki, dheri, kolhu, sandook or mandro mean. Nepali words that described many of these objects are now extinct. Tharu words for utensils, Gurung vocabulary for household furniture and Rai or Limbu terms for farm equipment are all endangered.Judith Conant Chase has been in Nepal for nearly 50 years, and has made it her life’s work to collect and preserve many of these traditional objects. In 2012, she set up the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Return-of-the-past,907" target="_blank" rel="noopener">Living Traditions Museum at the Amatya Sattal in the Changu Narayan</a> complex to house her collection, so it could be seen by as many Nepalis as possible. By preserving the objects she has also saved the Nepali words for them.When the earthquake struck on 25 April 2015, Kathmandu Valley’s oldest monument zone was badly damaged. Some of the 1,300-year-old Licchavi era temples went down, the museum was damaged, but the exhibits were intact (including the Tharu clay pot hanging from the rafters in the photo, right). The structure has now been rebuilt, and Chase is trying to have the museum reopened in the new year.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969b9c7e80680e05dc76jpeg.jpg" alt="" width="803" height="516">Travelling across Nepal in the 1970s, Chase admired the simplicity of people’s lives, their cheerfulness despite hardships, and the everyday handmade objects they used around the house — like the umbrella that Gurung villagers in Bhujung wove from nigalo strips and leaves, which Chase found ingenious because it also kept a farmer’s back dry while bending over to tend the fields.Maithili jewellery fascinated her, especially the sculpted silver bracelets that had strips joined into a ripple pattern. Over decades of being worn during work, the metal was weathered and polished into a shiny metallic brilliance. Doko baskets are perfectly crafted through a technique handed down from generation to generation of Gurung families, as are the felted carpets and capes of villagers in Ghandruk, and in Kathmandu the intricately carved bapa, used as a shrine in Newa homes. Another example, from Humla, was the colourful Nyinba woollen greatcoat, worn once a year during festivals (pictured overleaf).All these <a href="https://www.nepalitimes.com/review/art-of-everyday-living/" target="_blank" rel="noopener">items, lovingly preserved</a>, will be returned to their cubicles and exhibit cases once the Living Traditions Museum reopens. Chase’s book, Living Traditions of Nepal: The Beauty of Purposeful Living, is an encyclopaedic guide to the artefacts, and more.The voluminous 440-page, coffee table book is superbly illustrated and designed, and divided into sections representing the Himal, Midhills, Tarai and Kathmandu Valley. The text is arranged like extended captions, and interspersed with extracts from Chase’s journal of four decades ago.Chase decided to use her journal entries because the words recorded her feelings more accurately at the time, making the memories so much more real.One such extract, after seeing a sadhu at Pashupati on Shivaratri: ‘I feel invigorated, intoxicated, inspired, as if being in love. There is a whole way of being in the world that I had only sensed dimly… There is a feeling of a secret that everyone else knows that I am just beginning to glimpse, frustrating and enticing together.’She marvels at the ‘hanging life support system’ of Tharu homes, where food and storage items dangle from the ceiling, where protective smoke of the central fire preserved and cured stored food items. This was technology developed over centuries ‘out of a particular set of natural resource and household needs’.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969e9c7e80680e05dc77jpeg.jpg" alt="" width="308" height="400">‘The lives of the Nepali people and their art objects are elegant, inspired, vigorous, humorous, vibrant, romantic, sometimes even a bit wild,’ writes Chase. ‘They are woven, hammered, carved, turned, painted out of the hand of artists, both household and professional.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a969f9c7e80680e05dc78jpeg.jpg" alt="" width="312" height="300">The Beauty of Purposeful Living: Living Traditions of Nepalby Judith Conant Chase<a href="https://serindia.com/products/the-beauty-of-purposeful-living-living-traditions-of-nepal-by-judith-conant-chase" target="_blank" rel="noopener">Serindia Publications (July, 2019)</a>Hardcover: 440 pages, $100ISBN: 978-1932476-90-3<h2>A life in the most precious place on earth</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96a09c7e80680e05dc79jpeg.jpg" alt="" width="1500" height="1125">Judith Conant Chase still remembers flying into Kathmandu in October of 1974, looking out of the window at the wrinkled terraces of rice fields, forested hills and the snowy mountains beyond, and telling herself: “This is the place.”The American had come to Nepal to try to climb a mountain in the Langtang Valley, and 45 years later she is still here. Along the way, she has done pioneering work to document Nepal’s crafts, joined an ashram, started an organic agriculture movement, collaborated on a project to market ceramic products and started a museum.“Nepal was so casual, and of the earth. It connected to nature in so many ways in the puja and the way people worshipped,” recalls Chase, who resonated with  the Hindu mantra ‘Satyam Shivam Sundaram’ — truth is God, and God is beauty.She travelled across Nepal, and while many foreigners at the time marvelled at the scenery outside, Chase was drawn to the interior of people’s homes and the everyday objects they used: wooden storage bins, straw mats, bamboo baskets, clay vessels, metal craft.Chase never rushed through the countryside. She lingered and learnt from families she stayed with, collecting beautiful objects and understanding their traditional use and significance. She kept a journal, knowing that one day she would want to write a book and perhaps set up a museum.Read Also: <a href="https://www.nepalitimes.com/review/art-of-everyday-living/" target="_blank" rel="noopener">Art of everyday living</a>, Reeti K.C.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181148/636a96a39c7e80680e05dc7ajpeg.jpg" alt="" width="640" height="427">Both the museum and the book have happened. The Beauty of Purposeful Living and the Living Traditions Museum in Changu Narayan complement each other. The museum was badly damaged in the 2015 earthquake (left), has been rebuilt, and nearly five years later it is to reopen.“It was so impressive to me that there were no roads, and yet people were so capable, so self-sufficient,” Chase recalls of her travels through Nepal in the 1970s.Chase met and married <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Jim-Danisch-and-Barbara-Adams%20-passed-away-this-month,3007" target="_blank" rel="noopener">Jim Danisch </a>in a Hindu ashram in Banepa in 1984. Danisch worked on a ceramics promotion project in Thimi for the German agency, GTZ, training locals to make glazed pottery and developing a new type of kiln. The two went back to California to set up a pottery business, but soon found they were getting too old to chop firewood and cut grass, so one day Judith told Jim: “Let’s go home.”They returned to Nepal, where they worked on a farm in Kavre, and put together the Living Traditions Museum (See review, opposite.) After Jim died in 2016 in Dhulikhel, Judith continued working on her book and rebuilding the museum. All the while, the <a href="http://archive.nepalitimes.com/news.php?id=18931#.Xck2mNIza70" target="_blank" rel="noopener">organic farm in Kavre </a>demanded a lot of her time — helping villagers with pesticide and chemical-fertiliser free agriculture, preserving traditional seeds and the biodiversity of the forests.“Nepal in the monsoon is just so intoxicating. There is all this variety of words in Nepali for different types of rain, and the vegetation is so lush because of the warmth and moisture — there is extraordinary growth, which you do not have in a temperate climate,” explains Chase.In an experiment, she set aside a 1 sq m test plot in Kavre to study and classify every kind of plant that grew in it. There were 27 types, but she could identify only 18 of them. Chase thinks Nepal’s soil and fertility is so rich that artificial fertilisers are not needed — all the nutrients are already in the soil.Does it not pain her to see Nepalis not valuing nature, and the farms of Kathmandu Valley being replaced by urban sprawl? “It is not just Nepal, it is happening all over the world,” she says. “It is not exceptional, but it is tragic. Much is gone, but the vibrant traditions continue. Kathmandu Valley is one of the most precious places on earth.”

Kunda Dixit

The art of living

As dusk fell over Kathmandu, the thunderstorm continued unabated. It had been raining continuously for 18 hours, and the forecast said it would keep raining at least till 8am on Sunday. The Bagmati roared through Chobhar Gorge in awesome rapids – the only drainage outlet for the entire Kathmandu Valley. By evening, 120mm of rain had fallen in 18 hours, more than the average for the whole of October.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_99ad9098124bec91da71ac42bbe889981fe64dda2dd3012b8bb289cf78ba4c54.jpg" data-media-id="editor_0" data-image-id="20251004161016_99ad9098124bec91da71ac42bbe889981fe64dda2dd3012b8bb289cf78ba4c54" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_59b97f3a3b2af91d3876b298963b3e68395c8b388aba6d9972c9bde1f668608d.jpg" data-media-id="editor_1" data-image-id="20251004161016_59b97f3a3b2af91d3876b298963b3e68395c8b388aba6d9972c9bde1f668608d" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_1715f4d6ff1ee87302b697d3c95df36486bea71ed279852ef606c8f5dc68439b.jpg" data-media-id="editor_2" data-image-id="20251004161016_1715f4d6ff1ee87302b697d3c95df36486bea71ed279852ef606c8f5dc68439b" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_ecd3dec69270afbd5a5c71dfa71780b6f8982984a95f3fbb83f23ee594451224.jpg" data-media-id="editor_3" data-image-id="20251004161016_ecd3dec69270afbd5a5c71dfa71780b6f8982984a95f3fbb83f23ee594451224" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004161016_53e47ae222c9f4397bcdad6d8021a711a5671fd45373fb3df2ed5c6413d58359.jpg" data-media-id="editor_4" data-image-id="20251004161016_53e47ae222c9f4397bcdad6d8021a711a5671fd45373fb3df2ed5c6413d58359" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Kathmandu floods 2025"> </figure>  Settlements along the banks of Bagmati and Vishnumati in Kathmandu have been evacuated and affected families will be temporarily sheltered in schools across the capital.&nbsp; Bagmati Province has set up a Unified Command Team for disaster management while the Home Ministry has instructed CDO and security personnel to be on duty 24/7.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004171048_7e5d10f8e0042190e54e6db6cddbd51ed9d6d9dbc0cdb087d7af3207c9eaa2d0.jpg" data-media-id="editor_5" data-image-id="20251004171048_7e5d10f8e0042190e54e6db6cddbd51ed9d6d9dbc0cdb087d7af3207c9eaa2d0" data-rendition-name="original" width="1600" height="888" loading="lazy" alt="heavy rain in Kathmandu"> <figcaption>Friday's satellite precipitation forecast for Sunday morning at 0600 showing heavy rainfall along the Chure Hills and Madhes Province south of Kathmandu. </figcaption> </figure>  The torrential rain has obstructed several highways as well as caused infrastructure damage, but no human casualties have been reported so far. Many had feared a repeat of the deadly flashfloods on 28 September 2024 in which 200 people were killed and half of Nepal's hydropower generation capacity siped out. The government has declared 5 and 6 October as a public holiday to prevent people from travelling during the Dasain festival, and to reduce risk. All highways in and out of Kathmandu closed till Monday. Flood-prone river corridor roads in Kathmandu have been closed after 6PM on Saturday. Meanwhile, all domestic flights were suspended from Kathmandu and other airports from 2PM Saturday, and most inbound international flights were diverted from 3PM onwards. Rerouted flights started arriving in kathmandu late Saturday as the core of the storm system moved east.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_bad029b05dbfda622986270a798edc6efcc2791ff34f53b9d1283554ac72c39a.jpg" data-media-id="editor_6" data-image-id="20251004151056_bad029b05dbfda622986270a798edc6efcc2791ff34f53b9d1283554ac72c39a" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_9e740929c7ef0899b0f397195695b873bba45b089bb1e11cf37dbe125d0cd60d.jpg" data-media-id="editor_7" data-image-id="20251004151052_9e740929c7ef0899b0f397195695b873bba45b089bb1e11cf37dbe125d0cd60d" data-rendition-name="original" width="2048" height="1363" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_2b75c2ea57df76dae1c470f0e460720b7d258868258789729e491ab93cb41ebd.jpg" data-media-id="editor_8" data-image-id="20251004151056_2b75c2ea57df76dae1c470f0e460720b7d258868258789729e491ab93cb41ebd" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_6c045ac30e50710bcf3ca7b6ca4ac9c45e8d8881ed39f522779c860b0d3f15c3.jpg" data-media-id="editor_9" data-image-id="20251004151056_6c045ac30e50710bcf3ca7b6ca4ac9c45e8d8881ed39f522779c860b0d3f15c3" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_9ef160b8403764495b86159661cc9a11d9d7d3b848686a631e5ec8cff0c4c38f.jpg" data-media-id="editor_10" data-image-id="20251004151052_9ef160b8403764495b86159661cc9a11d9d7d3b848686a631e5ec8cff0c4c38f" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151052_e5825bcc6666e5235d9db2d4854a19cd6536335ebaf4cd65413acc601ceee3b5.jpg" data-media-id="editor_11" data-image-id="20251004151052_e5825bcc6666e5235d9db2d4854a19cd6536335ebaf4cd65413acc601ceee3b5" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rain in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_097077400e96f571f4418cd7b57c082045d86dd9035c31c5acd7ede2bfc54349.jpg" data-media-id="editor_12" data-image-id="20251004151056_097077400e96f571f4418cd7b57c082045d86dd9035c31c5acd7ede2bfc54349" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004151056_30a4da8f384f6fe1a862e775124ae08ccf51c1db60e71e7e2d683e0f25f33546.jpg" data-media-id="editor_13" data-image-id="20251004151056_30a4da8f384f6fe1a862e775124ae08ccf51c1db60e71e7e2d683e0f25f33546" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="heavy rainfall in Kathmandu 2025"> </figure>  Madhes, Bagmati and Kosi provinces are the worst hit with Maheshpur in Rautahat district recording 270mm of rain as of 3PM on Saturday. Similarly, Gaur received 243.6mm, Kalaiya in Bara 200.6mm and Birganj 221.4mm. The Department of Meteorology did not blame climate change, but said the unusually heavy precipitation at a time when the monsoon is supposed to have ended was caused by the head-on collision between moisture-laden westerlies with the retreating monsoon.

More dark clouds over Nepal

Kathmandu: A Reader, the latest publication from Martin Chautari, is an anthology of anthropological essays exploring Kathmandu through various lenses across the 21st century. This compilation is edited by Benjamin Linder and attempts to bring modern discourses on Kathmandu and its urbanity together, in a single volume. The book is divided into three sections: the physical form of the city, the imprints it bears from past political upheavals, and the complexity in the lives of its people. The book examines these diverse aspects, leaving readers who have just witnessed the momentous events of September with anxiety, and perhaps a greater understanding of Kathmandu’s context. Urban planning expert Biresh Shah’s discourse on the Valley’s urban sprawl and its landmarks is insightful, but also prophetic when he warns about seismic risk.&nbsp; Jan Brunson’s chapter on female mobility in Kathmandu via scooters is more optimistic, suggesting small-scale, daily-life movements in Kathmandu transform the city for its various demographics — in this case young women.&nbsp; Linder himself contributes with a discourse on the toponymy of Thamel, close-reading Kathmandu’s tourist hub through the usage and understanding of its name over the ages. MYTHBUSTERS The book is a collage of pieces held together by a thread that runs through the chapters of a vibrant, bustling image of the Valley. One common theme is Linder’s attempt to expand on common understandings and urban myths about Kathmandu. Readers who have spent time in the city will relate to the many anecdotes. for example, Niels Gutschow bringing up the lack of open spaces, or Mark Liechty mentioning restaurants in Kathmandu being melting pots of cultures and castes.&nbsp; The essays here further extend these urban legends by giving historical and anthropological contexts. In-migration and the rise in land prices have led to shrinking open spaces, the creation of cosmopolitan food outlets, and even hubs for sex workers. The Bagmati cleanliness campaign extends to a past understanding of the Bagmati Civilisation. Urban myths become puzzles to be solved by connecting the various threads of discussion across the book. The sections in Kathmandu: A Reader are all by experts in their various fields and present a holistic, well-rounded picture. Yet, it is obvious there is still more ground to cover, more themes to explore — perhaps by more Nepali scholars.&nbsp; In his introduction, Linder admits that due to practical reasons, ‘many wonderful works were left on the cutting room floor’. That is a pity. Indeed, there could have been more discourse on the changing ethnic composition of Kathmandu. A close-read into the lives of people termed as ‘outsiders’ but forming a growing slice of the population would be important to also chart future trends. &nbsp; The religious importance of Kathmandu as a unique civilisational alloy forged by melding the Hindu and Buddhist faiths can be explored more too. One can imagine a future edition including an examination of the post-Covid era Kathmandu valley.&nbsp; This need to broaden the ethnographic literature on Kathmandu becomes more apparent because 11 out of the 15 essays here are written by non-Nepali scholars, including the entire section focusing on urban cultural politics. Linder explains in his introduction that this was largely due to the community of academics in Nepali urban studies being fairly small. Kathmandu: A Reader then becomes even more integral as a gateway for new authors looking to work in the space of urban research on the Valley — undergraduates in the humanities for future theses and research ideas.&nbsp; In a time when Kathmandu is littered with new exam coaching centres for medical and engineering students, an anthology like this helps remind young scholars that there is plenty of scope for qualitative research in the social sciences. Sabin Ninglekhu’s discourse on the sukumbasi and aesthetics in Kathmandu are reminders that stories and academic journeys can be inspired from one’s surroundings. Kathmandu: A Reader has a good balance between academic and lighter readings, and is almost encyclopaedic in nature. There is even content about Kathmandu’s gangsters and scooty girls — allowing readers to venture deeper into their milieu.&nbsp; Kshitiz Pratap Shah is a recent graduate in English from Ashoka University.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251002051016_c8ce28ecfd0dde4986023822b3d40360ead97d29b7f186f6494d8da67021c5a5.jpg" data-media-id="editor_0" data-image-id="20251002051016_c8ce28ecfd0dde4986023822b3d40360ead97d29b7f186f6494d8da67021c5a5" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Kathmanu a reader"> </figure>

A reader for Kathmandu

One is an archipelago, the other is landlocked. But the Philippines and Nepal have a lot in common: both are disaster-prone, their economies dependent on overseas migrant workers, both went though Maoist insurrections that failed to replace a feudal order dominated by political dynasties. And both countries suffer from rampant corruption. Twelve days after <a href="https://nepalitimes.com/news/nepal-s-new-normal" target="_blank">deadly protests toppled Nepal’s government</a> tens of thousands of Filipinos, many of them youth, also poured out into the streets demanding transparency and better government. Cars were set on fire, and more than 200 people were arrested, nearly half of them minors. The ‘Trillion Peso March Against Corruption’ was fuelled by <a href="https://www.nytimes.com/2025/09/21/world/asia/manila-philippines-rally-protest.html" target="_blank">anger over embezzlement</a> by politicians and their <a href="https://pcij.org/2025/08/31/5-reveals-from-the-flood-control-data/" target="_blank">crony contractors</a> estimated to top $17 billion in flood control infrastructure that were either never completed, or non-existent.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411108_85daed60ed5599f53235312e5b33703244bbac8640dbaf5161f90e5abe83f7eb.png" data-media-id="editor_3" data-image-id="2025100411108_85daed60ed5599f53235312e5b33703244bbac8640dbaf5161f90e5abe83f7eb" data-rendition-name="original" width="2326" height="1366" loading="lazy" alt="Phillipines anti-corruption protests"> </figure>  “We learnt from Nepal and <a href="https://www.nytimes.com/2025/09/30/world/anime-protests-flag-moldova-nepal-indonesia-gaza.html" target="_blank">Indonesia</a> how to deploy social media as a tool to spread information, we are digital natives and well connected within the country and across borders,” said <a href="https://www.linkedin.com/in/yuri-lemana-68322b183/?originalSubdomain=ph" target="_blank">Yuri Lemana</a> of the <a href="https://www.facebook.com/FOIYouthPH/" target="_blank">Youth Alliance for Freedom of Information</a>, and a part of the GenZ protests.&nbsp; “The system has failed us, unemployment is on the rise, there are shrinking opportunities for youth, and we face environmental threats. There is a realisation that our future is at stake,” Lemana added. Online groups started highlighting bribery and kickbacks in July after President Ferdinand (Bongbong) Marcos Jr himself brought up corruption in the infrastructure budget in his annual address to the nation, and launched a probe.&nbsp; The protests gained traction after powerful visuals of <a href="https://nepalitimes.com/news/international-spotlight-on-nepal" target="_blank">rallies in Indonesia and Nepal</a> circulated on digital platforms. Filipino journalists also exposed the <a href="https://www.youtube.com/watch?v=-f0MFz3vmfE" target="_blank">high-flying lifestyle of contractors</a> involved in siphoning off the infrastructure budget.&nbsp; As in Nepal, the youth protests were joined in by various radical groups. In Manila they reportedly included supporters of ex-president Rodrigo Duterte who is currently on trial at the <a href="https://www.icc-cpi.int/philippines/duterte" target="_blank">International Criminal Court (ICC)</a> in the Hague for extrajudicial killings during his ‘war on drugs’ 2011-2019. Duterte still has a lot of support, especially in the Filipino diaspora, for being tough on crime. Duterte was allied with Marcos in the 2022 elections, and his daughter Sara Duterte is currently vice-president. But the two families had a massive falling out, and the Supreme Court annulled the Lower House’s attempt to impeach the vice-president. This week in Manila, a remarkably well-informed Grab driver replayed TikTok videos of Kathmandu’s burning Parliament building to a passenger from Nepal. After his garment factory was driven out of business by cheap Chinese imports, he started driving a ride-hailing cab and was livid with successive governments not providing opportunities to ordinary people like him. Traffic was gridlocked because of flooded streets, and the driver vented out his anger: “Look at this. The streets are always flooded because of corruption. We should have done here what you did in Nepal.” Even before the protests, Senate President Francis Escudero and House Speaker Martin Romualdez had both resigned over the 'Floodgate Scandal'. Romualdez is Marcos’ cousin and is now said to be in Madrid, where his every movement is being tracked by Filipino diaspora in social media posts. The Independent Commission for Infrastructure has issued subpoenas to probe corruption in flood control projects. As in Nepal and Indonesia, much of the anger was over the offspring of politicians extravagantly flaunting their ill-gotten wealth on Instagram and TikTok. In the Philippines, the outrage is also over political clans passing on electoral seats to offspring. The 21 September protests were centred around Rizal Park and the EDSA Intersection in Manila — both symbolic for previous people’s movements against the Spanish colonialists and the 1986 uprising against the dictatorship of Ferdinand Marcos (father of the present president). “People here had seen what happened in Nepal, and were asking why we weren’t as angry as people there? Why not show our anger, too?” said one reporter who covered the protests. But, he added: “Let’s not be naive. It may have started with youth anger, but there were also people who were paid to infiltrate and instigate. We were also wary that things should not get out of hand like in Nepal.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411104_2c02ece56d29b2d8222433572d75c2dcc9bc2f3425d277a0056f393b521eecd0.png" data-media-id="editor_10" data-image-id="2025100411104_2c02ece56d29b2d8222433572d75c2dcc9bc2f3425d277a0056f393b521eecd0" data-rendition-name="original" width="1550" height="996" loading="lazy" alt="Phillipines youth protests"> <figcaption>An Instagram post of the protests in Manila with a comment relating it to the Nepal unrest two weeks earlier.</figcaption> </figure>  Seventy percent of Filipinos are Millennials and GenZ of voting age, and they were impatient with a rigged electoral system. In a clear parallel to what happened in Kathmandu two weeks earlier, radical groups, political rivals, and the general public furious with the system all joined in the protests. Catholic priests, people from all generations and professions had participated in the EDSA Uprising against Marcos in 1986. This time, it was the youth who took the lead. Joseph Francisco Ortega of the <a href="https://www.facebook.com/nationalyouthcommission/" target="_blank">Philippine National Youth Commission</a> said he understands the frustration among the youth that fuelled the unrest. The discontent is also because despite there being young legislators, they are either party-affiliated or scions of political dynasties. “If we can convince young politicians to do the right thing, then we have won half the battle,” Ortega said. “If we want to rebuild quickly and for the long term, we have to change the system from within. There is a constructive way to do this, while exercising the right to non-violent protest.” CROSS-POLLINATION The <a href="https://www.youtube.com/watch?v=6w8monPKdrc" target="_blank">violence in Manila streets</a> on 21 September was nowhere near the scale of what happened in Kathmandu on 8-9 September, but both transcended GenZ to be an outlet for pan-generational rage much like 1986 in the Philippines.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251004111012_e9cf9abfa8e35f3c074506dfdf94a262b5b311da6863cc2ec7bc3458a983df71.jpg" data-media-id="editor_13" data-image-id="20251004111012_e9cf9abfa8e35f3c074506dfdf94a262b5b311da6863cc2ec7bc3458a983df71" data-rendition-name="original" width="6566" height="4377" loading="lazy" alt="Nepal GenZ protests"> <figcaption>Angry crowd torched Parliament building among others during the 8-9 September GenZ protests in Nepal. Photo: AMIT MACHAMASI</figcaption> </figure>  “With due respect to the youth, it is not about age but about technology,” explained journalist Malou Mangahas of the <a href="https://www.facebook.com/R2KRN/" target="_blank">Right To Know, Right Now Coalition</a> who participated in the 1986 uprising against Marcos. “We were all young and angry once. We are older, but still angry, and demanding good governance, transparency and accountability.” Just like in Nepal, young Filipinos rallying against corruption were also wary of infiltration, and it was clear from the anti-Marcos graffiti who the instigators of violence were. The GenZ were mainly wearing white while the pro-Duterte crowd <a href="https://www.youtube.com/watch?v=6w8monPKdrc" target="_blank">are seen in videos</a> in black.&nbsp; The minors seem to have just joined in the melee from their street-side settlements. Rights groups have called for their release, accusing police of rough interrogation and ‘red-tagging’ as Communist provocateurs. Much of the transboundary cross-pollination of anti-government protests across Asia last month used gaming characters, memes, and anime personas like the manga cartoon One Piece flag depicting a grinning skull in a straw hat which became an icon of youth protests.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025100411100_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f.png" data-media-id="editor_16" data-image-id="2025100411100_2d09f075663678fe92d4e4dcc631ee6ad1aa8a99996f4c4a3649e4bf4d85132f" data-rendition-name="original" width="810" height="1208" loading="lazy" alt="One Piece"> <figcaption>The One Piece Flag flying during protests in Manila on 21 September. Photo:  CYBERNETICBOYLOL / WIKIPEDIA</figcaption> </figure>  Yuri Lemana adapted a saying of gaming character <a href="https://www.warhammer.com/en-WW/shop/mechanicum-archmagos-prime-2024?srsltid=AfmBOorpYg8Zk5G5WiPUS9SXTampX969gMw79sP7ZzkE1G6H5pICR4PW" target="_blank">Archmagos Cortiko</a> in <a href="https://start-warhammer.com/" target="_blank">Warhammer 40,000</a>: “Prayer has its power, but fury also has its uses. If the government tries to hide things from us, we will find a way. Fury will find a way.” Kunda Dixit is the Publisher of Nepali Times, and was a foreign correspondent based in Manila in the early 1990s.

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