Min Bahadur Bham’s latest feature <a href="https://www.youtube.com/watch?v=N2EXOwDgrIg&amp;t=25s">Shambhala </a>was the first Nepali film to be selected for the main competition at the Berlinale this year, ushering in a new era for Nepali cinema.&nbsp; Thinley Lhamo won the<a href="https://www.youtube.com/watch?v=0iCvN6jHVMQ&amp;t=973s"> Boccalino d'Oro Prize for Best Acting Performance </a>at the 77th Locarno International Film Festival in Switzerland last week for her role as Pema – the first not just for Nepal but for the whole of South Asia.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240826120816_53c0a88de3fd8d09e2b96702059fc1b2405d337d03dfbb6e8fc7566049a21cbc.jpg" data-media-id="editor_2" data-image-id="20240826120816_53c0a88de3fd8d09e2b96702059fc1b2405d337d03dfbb6e8fc7566049a21cbc" data-rendition-name="original" width="904" height="1200" loading="lazy" alt="Thinley Lhamo best acting award for Shambhala NT2"> <figcaption>Thinley Lhamo after winning the Boccalino d'Oro Prize for Best Acting Performance at the 77th Locarno International Film Festival in Switzerland last week. Photo: SHAMBHALA /FACEBOOK</figcaption> </figure>  &nbsp;Shambhala was shot in Dolpo and is the story of Pema, who is married to Tashi and is also an accompanying spouse to her monk brother-in-law Karma. Tashi leaves for a trip to Lhasa, and Pema finds out she is pregnant. The legitimacy of the child is questioned, so Pema travels to find Tashi, an ultimate journey of self-discovery and liberation. “I didn’t believe I had done enough work to be called an actor, but the award definitely gives me confidence and assurance to be one,” Lhamo, 27, told Nepali Times on return from Switzerland. &nbsp; Polyandry used to be common among Nepal’s Himalayan communities, and is also a familiar theme in Hindu mythology. A woman taking on brothers as spouses was traditionally seen as a sensible way to keep small land holdings intact, prevent families from breaking apart, and save women from the stigma of widowhood.&nbsp; Like Pema, Thinley Lhamo’s personal life has also been a journey of self-discovery. As an artsy child, she always participated in extracurricular activities at boarding school in Boudha. She once dreamt of being a flight attendant, but realised she wanted to do something in the creative field. Her passion for dancing and singing led to her affiliation with <a href="https://www.facebook.com/groups/133059852287/">the Nepal Tibet Opera Association</a> (NTOA), she modelled and that brought her roles in the Nepali films ‘<a href="https://www.imdb.com/title/tt7230362/">Naka</a>’ and ‘<a href="https://www.imdb.com/title/tt8205082/">Hari</a>’ in 2018. She enjoyed the process but it also spoiled her because the films just fell into her lap. “I had no stage presence before joining the Nepal Tibet Opera Association and I used to make a lot of weird expressions while performing,” laughs Lhamo. “From controlling my expressions during the performance to travelling long distances to perform, and it all helped me adapt to the world of film.” There was a lull in film-making and Lhamo did a stint at an NGOs, but was on the lookout for a more meaningful acting role. When she heard about Shambhala being produced, she signed up for Anup Baral’s acting workshop to hone her skills. That helped during the audition for the part of Pema, but working with a perfectionist <a href="https://www.imdb.com/name/nm5336883/">director Min Bahadur Bham</a> where her character had to carry the entire film on her shoulders was tough. She quips: “The movie starts with Pema, continues with Pema and ends with Pema.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240826120840_0bb4eb60444089cea6072b26faadb9fe3fca1d4bb1697c7a56f41dbb4b152e18.jpg" data-media-id="editor_7" data-image-id="20240826120840_0bb4eb60444089cea6072b26faadb9fe3fca1d4bb1697c7a56f41dbb4b152e18" data-rendition-name="original" width="3024" height="1964" loading="lazy" alt="Thinley Lhamo as Pema in Shambala NT 2"> </figure>  It is a star-studded cast with <a href="https://www.imdb.com/name/nm6358251/bio/?ref_=nm_ov_bio_sm">Tenzing Dalha</a>, <a href="https://www.imdb.com/name/nm9661987/?ref_=fn_al_nm_1">Sonam Topden</a> and <a href="https://www.imdb.com/name/nm4542007/?ref_=fn_al_nm_1">Karma Shakya,</a> but Lhamo soon got over the initial nervousness to give her character her best. Switching between Nepali and English she said, “I was mostly worried about portraying Pema earnestly, and to do justice to her character.” Despite early success, Lhamo is down-to-earth and also self-deprecating about her horse-riding ability. The entire crew spent two months acclimatising to the terrain and culture in Dolpo before actual filming started. And part of Lhamo’s training was to learn to ride her co-star horse properly.&nbsp; The actress also had to practice climbing slopes knee-deep in snow, and perform at elevations of 5,500m on Dolpo’s high passes. Some of the film crew got altitude sickness and had to be medevaced. But all this was not as difficult as the emotions she had to muster in some of the more gut-wrenching scenes in Shambhala. Lhamo says she learnt a lot from her more seasoned co-actors. “There were parts where I could have done better and there is always room for improvement but I believe I have done my part in playing Pema with empathy and honesty.” Bham himself is thrilled with the recognition his film has got in Berlin and now in Locarno. He said: “The best actress award means international recognition for Nepali cinema, and is inspirational for intelligent and aspiring young Nepali actresses from the Himalaya like Thinley Lhamo.” The film will be in theatres in Kathmandu from 13 September. Watch the trailer <a href="https://www.youtube.com/watch?v=7mz5WLB5l_A&amp;t=2s">here</a>.

Pinki Sris Rana

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Nepal’s star shines in Locarno

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a45439c7e80680e04d377jpeg.jpg" alt="" width="2052" height="1368"/><figcaption>Protesters walked from Pulchowk to Maitighar on Wednesday to silently demonstrate against the arrest of Pranesh Gautam, who was jailed this week for reviewing the movie Bir Bikram 2. Photos: MONIKA DEUPALA</figcaption></figure>The Kathmandu District Court has ordered that YouTuber Pranesh Gautam, who was arrested for his review of the movie Bir Bikram 2, be kept in custody for one more day. Gautam was arrested on 7 June and is charged with violating the Electronics Transaction Act.Gautam uploaded his satirical review of the movie on YouTube channel Meme Nepal. He compared the film to the Hindi movie Sholay, criticised the acting of the film’s stars, and called the direction weak.Read also: <a href="https://www.nepalitimes.com/opinion/nepal-has-press-freedom-but-no-freedom-after-press/" target="_blank" rel="noopener">Nepal has press, but no freedom after press</a>, Shashank ShresthaThe director-producer of the movie, Milan Chams, filed a police complaint against Gautam two weeks ago, claiming the video negatively impacted the movie's sales and the director and actors' reputation. The police arrested Gautam, and filed a case under the Electronic Transaction Act.Cyber law expert and advocate Baburam Aryal calls this an extreme misuse of power. "This shows that the police administration is not adhering to the law," he says. "This is an example of how the administration can misuse power. Such an action by the police is a travesty in a democratic society. Such acts decrease the creative potential of a society and push the country towards dictatorship."Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/zip-up/" target="_blank" rel="noopener">Zip up</a>, Rameshwor Bohora<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/long-shadows/" target="_blank" rel="noopener">Long shadows</a>, Sewa Bhattarai<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a45469c7e80680e04d378jpeg.jpg" alt="" width="2106" height="1404"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a454a9c7e80680e04d379jpeg.jpg" alt="" width="2129" height="1419"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a454d9c7e80680e04d37ajpeg.jpg" alt="" width="2052" height="1368"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a45519c7e80680e04d37bjpeg.jpg" alt="" width="2106" height="1404">Nepali Congress MP Gagan Thapa called it wrong to file a case against a comedy video. "Absurdist humour is taken as normal all over the world," he tweeted. "It is unfortunate that Pranesh Gautam was charged with cyber crime for a satire video, and it is against freedom of speech. Criticism is the main pillar of democracy, let us protect it."Nepal's Constitution guarantees freedom of expression as a fundamental right. Other laws address misuse of speech through slander and libel, so there should be no reason to resort to using the Electronic Transaction Act.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/gagging-the-press-in-installments/" target="_blank" rel="noopener">Gagging the press in installments</a>, Sewa Bhattarai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/opinion/creeping-control-over-the-press-in-nepal/" target="_blank" rel="noopener">Creeping control over the press in Nepal</a>, Ajay PradhanCitizens are free to react to subjects of public interest and to comment on other people's creative outputs. Being arrested on the basis of such comments is nothing more than a way for the police to intimidate critics. Advocate Aryal claims that since a movie is a 'product,' it is not considered slander to review it, since only negative comments made on a personal level can be libellous.However, the Producers' Association accuses Gautam of undermining the movie industry. A group of people from the industry, including producer Akash Adhikari, actor Bhuwan KC and media-person Naresh Bhattarai, visited the Metropolitan Crime Department in Teku to support Chams.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/suppressed/" target="_blank" rel="noopener">Suppressed</a>, Om Astha Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/strongman-rule/" target="_blank" rel="noopener">Strongman rule</a>, Om Astha RaiChams had promised to withdraw the case if Meme Nepal is shut down, but is now demanding Rs10 million to withdraw the case.Bir Bikram 2 was released on 17 May, and Gautam reviewed the movie five days later. After complaints from the movie producers, Meme Nepal removed the video from YouTube.

Scripted arrest

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022110813110/636a45319c7e80680e04d372jpeg.jpg" alt="" width="1276" height="732"/><figcaption>Pranesh Gautam of meme Nepal</figcaption></figure>Earlier this month, vlogger Pranesh Gautam uploaded a tongue-in-cheek review of the movie, Bir Bikram 2 which matched his stand-up sensibilities. It was loud, brash, irreverent.On the basis a complaint from the film’s producer director Milan Chams, police arrested Gautam on Friday and he has been languishing in a jail cell for the past four days. His crime: trying to be funny on the Internet.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/scripted-arrest/" target="_blank" rel="noopener">Scripted arrest</a>, Masta KCThe video review followed the regular trope of any satire on YouTube – Nostalgia critic, Kanan Gill, Angry Joe show – nitpicky, brazen and with absurdist humour, all hallmarks of success for a video review. Pranesh Gautam must have hoped that the review would get him his publishing channel Meme Nepal, the elusive virality content creators seek. It got him in jail.Gautam forgot one critical part of the equation: You can no longer speak your mind in Nepal. Maybe you can, as long as you do not offend or disagree with anyone. What are the limits of satire? No one knows.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/gagging-the-press-in-installments/" target="_blank" rel="noopener">Gagging the press in installments</a>, Sewa Bhattarai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/opinion/creeping-control-over-the-press-in-nepal/" target="_blank" rel="noopener">Creeping control over the press in Nepal</a>, Ajay PradhanWhat Milan Chams is doing is emblematic of how little our society understands right to free expression. He is trying to undermine a right that is fair and constitutional just because he did not like the messaging.Free speech is a two way street, it protects both the ‘good’ and the ‘bad’. To ensure the right things are said we must also provide the stage for the bad. Subjective censorship is a slippery slope. Once we begin silencing opinion just because we do not agree with it, there is no end to it.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/here-now/zip-up/" target="_blank" rel="noopener">Zip up</a>, Rameshwor Bohora<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/long-shadows/" target="_blank" rel="noopener">Long shadows</a>, Sewa BhattaraiObviously, hate speech, obscenity, incitement to violence, and the whole legal list of things not protected by free speech do exist. But at its core, we all have the freedom to express ourselves, no matter how poorly or eloquently. It is a freedom that sees the best and worst of it exercised on the Internet, and there has been an increasingly worrying trend to limit speech under this administration.The proposed IT Bill, amendments to the Penal Code and the new Media Council Bill all show a creeping and steady infringement on freedom of expression in Nepal. There is an attempt to stifle dissent and alternative opinion with jail time and fines under the guise of discipline and ‘sensitivity’.A report by Freedom Forum found 104 incidents of violations in 2018 alone with multiple journalists and editors being booked under the Electronic Transactions Act – a law created for monitoring online banking transactions. Currently, the IT bill allows the government to sentence the accused to 5 years in jail and up to Rs150,000 fine for ‘improper’ social media posts. What constitutes ‘improper’ is so broad, anyone can be hauled in.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/suppressed/" target="_blank" rel="noopener">Suppressed</a>, Om Astha Rai<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/strongman-rule/" target="_blank" rel="noopener">Strongman rule</a>, Om Astha RaiPranesh Gautam’s review was booked as a ‘cybercrime’ and under the Electronic Transactions Act. While there is a laundry list of grievances, Milan Cham’s team has publicly stated that it seeks to “teach a lesson to such miscreants”. It even demanded that the Meme Nepal brand be scrapped before any negotiation could occur.This was hardly a cybercrime, more likely it was a Orwellian Thought Crime. And how about Chams’ supporters openly abusing Meme Nepal and Gautam by saying ‘M**ji harulai thikka paryo’. Should these Internet posts not be subjected to the same scrutiny?No one sets out to make a bad movie. As a content-maker myself, I get it. To find a little known, part-time comedian ripping your movie to shreds when it is so early in its release can be maddening and heartbreaking. But what is also true is that artists must have thick skins, not everyone will like what we make, and audiences can be pretty ruthless.If Gautam’s review in Meme Nepal did pan Bir Bikram 2 and it threatened Nepal’s entire film industry as has been claimed, it just exposes just how weak must be an industry that an absurdist review can wreck it.How we react to Gautam’s unlawful incarceration matters because of the precedent it sets. To allow this case to be ruled in favour of Chams’ team would basically send a message that in Nepal you can express your views as long as someone does not disagree.The review was not perfect, but that is not reason to silence the reviewer. The explicit language and the over-the-top display was not my cup of tea, but was Pranesh Gatuam entitled to make it? Absolutely.The Human Rights Measurement Initiative recently released a report showing declining Freedom of Opinion and Expression in Nepal (3.9 out of 10) and called it ‘very concerning’. Pranesh was arrested the very same day.Shashank Shrestha is a content creator and co-founder of Kathaharu and KookyDunk.

Nepal has press freedom, but no freedom after press

<img width="683" height="1024" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101152/636a27049c7e80680e043a4bjpeg.jpg" alt=""/>In an industry prone to profit from escapism, Nepali cinema has suddenly started coming out with movies that portray the reality of life with all its ugly truths.The latest is <a href="https://www.imdb.com/title/tt8622286/" target="_blank" rel="noopener">Bulbul</a>, a film with a straightforward plot, ordinary characters and portraying contemporary Nepal where issues like gender, patriarchy, migration, joblessness, health care, and the struggle to survive are all intertwined.This is not about 2 hours of dancers gyrating to the pulse of masala film songs, but a chronicle of the life of Ranakala (<a href="https://www.imdb.com/name/nm8758984/" target="_blank" rel="noopener">Swastima Khadka</a>) who drives a tempo in Kathmandu’s busy and narrow streets. Her husband went to Saudi Arabia to work, but has not returned for six years and cannot send money home. She lives in a dingy flat taking care of her paralysed father-in-law. Ranakala has a daughter too, but has placed her child in a boarding school so that she can have a brighter future.Read also: <a href="https://www.nepalitimes.com/review/tom-dick-and-hari/" target="_blank" rel="noopener">Tom, Dick and Hari</a>, Ayush NiroulaBulbul is written and directed by Binod Paudel, principal of Oscar International College of Film Studies which has produced quite a few film-makers of the New Wave of Nepali Cinema. <img width="1280" height="720" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101152/636a27069c7e80680e043a4cjpeg.jpg" alt="">A lead character like Ranakala is a novelty in Nepali films, which usually have exaggerated personas, unrealistic romances and facile characters. In Ranakala, however, director Paudel taps into the story of struggle and the complex emotions of a Nepali woman's life.Bulbul has a character driven plot, and Swastima Khadka's authentic portrayal of Ranakala is refreshing and captivates. Her hardships are writ large in her sombre expressions and sharp dialogues which give us a nuanced, all-round portrait of her complex psychology. One can't help but root for this simple, independent girl as she makes a living in a difficult city. She is fierce at her job, tender as a mother, understanding as a friend, struggling as a wife. But overall Ranakala embodies the female shakti.  Since <a href="https://www.nepalitimes.com/opinion/changing-the-headlines-on-migration/" target="_blank" rel="noopener">migration</a> has become such an important facet of the lives of Nepalis today, it is inevitable that it figures prominently in contemporary <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-saili-wave-hemant-rana,3561" target="_blank" rel="noopener">Nepali music videos</a> and movies. But in Bulbul, Paudel tackles a new figure in the equation -- the impact of migration on the wives men leave behind at home.Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-saili-wave-hemant-rana,3561" target="_blank" rel="noopener">The Saili Wave</a>, Sahina Shresthahttps://www.youtube.com/watch?v=KXONssqFatQRanakala speaks to her husband through ear pods as she drives her tempo, pleading that he come home, speaking frankly about their relationship. Paudel is subtle, but searing as he shows us the toll migration is taking on women – a tale repeated hundreds of thousands of times in homes across Nepal.The supporting cast is also competently natural, elevating the movie's authenticity. <a href="https://www.imdb.com/name/nm9936603/" target="_blank" rel="noopener">Mukunda Bhushal</a> as Chopendra provides both comic relief and  is refreshing as an anti-hero character that veers from the traditional perception of a lead actor in Nepali movies. Ranakala's co-drivers demonstrate a camaraderie that sustains them through difficult times, perhaps through the knowledge that they are suffering together.Ranakala's dismal habitation and its overwhelming silence, always with a backdrop of monsoon rain, poignantly accentuate her lonely struggle. Bulbul gets more intense as the plot thickens, as unpredictably as life often does. We don't know what will happen to Ranakala and what decisions she will make, but we want to understand her psyche because Paudel builds our intimacy with her in a way that makes us co-travellers in her life.Bulbul does not have any unnecessary drama, it is a candid immersion into contemporary Nepal through a woman’s eyes. Paudel has redefined what a heroine is in Nepali cinema: not just a pretty lady dancing to a superficial romance, but an individual trying to stay afloat after being thrown off the deep end of life.

Bulbul

<img width="1200" height="675" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107111148/6368e2f29c7e80680e033356jpeg.jpg" alt=""/>Hari, a name in the same league as Ram, Shyam or Sita in terms of originality, is nevertheless a resoundingly unique character. It is ironic that the writers, directors and producers in Nepal’s film industry these days churn out such inventive names, only for the audiences to discover it is the same old formula. And bland ones at that.Hari is a film about an eponymous character, a man as simple as his name, but a deceptively complex film and a rich, delicious treat. Hari is a manager at a cooperative in Kathmandu with three other employees. Even though he is their boss, he doesn't feel respected. Guarded, and a little wound up, he lives with his mother and follows her word to the tee.He doesn’t drink alcohol, and doesn't eat anything with onion, garlic or meat in it. He stops at every temple on his way to work and back, and is superstitious. One day, a bird shits on him. And that’s when the story finds momentum. Was it a pigeon, or a crow? Was it good luck, or an omen? Good and bad things happen alternatively to Hari, but we cannot be sure.This is a character-driven drama. Given the plot lines of Nepali cinema, Hari is a revelation – revolving perfectly around its central character. It is a story is generated by the fault-lines in his psyche, the great divide of what he is and what he wants deep within his self. It is an existential film and every other character either pushes or pulls on this central thread. There are no extraneous characters, scenes, or dialogue that are ham-fisted for a lame laugh, or an action set or a song-and-dance piece.  <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/Narrating-stories-of-nepal,3082" target="_blank" rel="noopener">A severe dearth of memorable cinematic experience in Nepal</a> means that anything that comes close will demand hyperbole. And perhaps it is not a perfect film, but features an expert use of cinematic tools. Its exquisite cinematography and minimalistic art direction brim with purpose. Full credit to Director of Photography Chintan Raj Bhandari, and the superb acting of an inimitable <a href="https://www.imdb.com/name/nm6674416/?ref_=fn_al_nm_1" target="_blank" rel="noopener">Bipin Karki</a>, who continues to challenge literally every other actor in the industry to do better.The open ending, however, is supposed to leave the audience with some questions. Instead, it falls flat. For a film as intricately crafted as this one, the need to meander into a needlessly convoluted plot is a disappointing one.But eventually the viewer can forgive and forget. Some stand-out moments in the film are so dope, for the lack of a better word, that they will be remembered for years. Hari is an engaging, and often hilarious movie that manages to subvert some well-known tropes of good filmmaking.No dream sequences, they say? Hari is full of them. Show, don’t tell? Hari narrates almost the entirety of his story. Be careful with that fourth wall! Hari breaks it like a boss. And yet, it comes out the other side a great film. It is somewhat devastating that more than likely we won’t be seeing something like this in Nepali cinema again in a long time. Highly recommended.https://www.youtube.com/watch?v=ladYWMXx53s

Tom, Dick and Hari

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

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