<figure><img width="1280" height="960" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0b24b0ad905ca02f027jpeg.jpg" alt=""/><figcaption>Bhawana Gurung interviews a resident of Matatirtha in Kathmandu.</figcaption></figure>The first person infected with SARS-CoV-2 was in Wuhan as far back as December 2019, but it was not until late January that there was international concern, and it was finally declared a pandemic in February. In the thick of it was Nepali journalist Bibek Bhandari, working at Shanghai-based <a href="http://www.sixthtone.com/" data-saferedirecturl="https://www.google.com/url?q=http://www.sixthtone.com/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEyXl1wLmco9a86gmJVpF_TG2dDuA">Sixth Tone</a> as news editor. “My last day in the office was on 23 January before the weeklong Lunar New Year holiday,” Bhandari recalls. “It was cold and drizzling when I left work that evening. We had already been <a href="http://www.sixthtone.com/news/1005221/coronavirus-latest-updates-%28jan.-16-31%29" data-saferedirecturl="https://www.google.com/url?q=http://www.sixthtone.com/news/1005221/coronavirus-latest-updates-%2528jan.-16-31%2529&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEGDCAT1cN1u7we7DEoWZxGZhE3YA">writing</a> extensively about the novel coronavirus, and the holidays were grim.”   Shanghai was not just deserted, but there was an air of despair and fear hanging over the city. Bhandari and his colleagues covering the holiday shift were told to work from home. “We were all living in the unknown, trying to figure out what the news the next day would bring,” says Bhandari, who flew to Nepal in February and was supposed to go back on 31 March. By then, Nepal was in lockdown and all flights halted. He was stuck in Kathmandu till September. In Nepal itself, journalists were also forced to adapt. Bhawana Gurung and Asha Thapa decided to use the lockdown period to start a podcast from their home to disseminate health information. “As soon as we heard about Covid-19, we felt there was a gap in lifesaving information. We thought a podcast would be an effective medium,” says Gurung who runs <a href="https://anchor.fm/sankatma-sathi" data-saferedirecturl="https://www.google.com/url?q=https://anchor.fm/sankatma-sathi&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNExmzRbJyWJMVvPu39tfjXv-XZbog">Sankatma Sathi</a> with Thapa, about safety during the pandemic. <figure><img width="963" height="722" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0b54b0ad905ca02f028jpeg.jpg" alt=""><figcaption> </figcaption></figure>“We recorded our first episode in bed, on the phone,” laughs Thapa, who spent the first five months of the lockdown at her home in Matatirtha, producing stories from her neighbourhood. The podcast, targeted at a rural Nepali audience, was soon hooked up by 20 community radio stations.But working from home comes with its own challenges. “In the beginning it was fun because I could work from bed, but eventually, you’re always staring at your four walls, especially if you live alone,” says Gurung.In India, however, the opposite was true for Hashim (who goes by his first name), a journalist with <a href="https://dataleads.co.in/" data-saferedirecturl="https://www.google.com/url?q=https://dataleads.co.in/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHWX9flIbBzzIG0b3gNLrxg9ownXQ">Data Leads</a> in New Delhi. He says, “Everyone is not privileged. If you’re living in a one-BHK (one bedroom, hall and kitchen) apartment in Noida with six family members, it can be challenging.”Hashim was also filming tutorials for journalists on reporting from home, which required him to turn his home into a makeshift studio. “You’re constantly asking everyone to quiet down during recordings and online meetings. It can take a toll on your family,” he says. “And if you’re freelancing, it is hard to sell a story without the Covid angle.”In India, <a href="https://www.ha-asia.com/covering-and-surviving-covid-19-in-india/" data-saferedirecturl="https://www.google.com/url?q=https://www.ha-asia.com/covering-and-surviving-covid-19-in-india/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNE1T2XsUnR47IkDsTlxMN6AkMxMKw">44 journalists died</a> due to the virus, which made Hashim himself aware of his own mortality. He has not left his Delhi neighbourhood for six months as he continues to mine data for journalistic videos from home, while skipping to stay fit. “I’m exercising for the first time in my life,” he says on WhatsApp. <figure><img width="1080" height="608" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0b74b0ad905ca02f029jpeg.jpg" alt=""><figcaption> </figcaption></figure>Locked away in his apartment in Kuala Lumpur for four months, Bhutanese journalist Jigmey Thinley was running up and down the stairs of his condo as the gym was closed. He was working for the <a href="https://aibd.org.my/" data-saferedirecturl="https://www.google.com/url?q=https://aibd.org.my/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEYZIvhgqXDRLEZbWWd_awIgE82kw">Asia-Pacific Institute for Broadcasting Development</a> in Malaysia when the pandemic hit, and decided it was time to head home.He arrived home in Thimphu in September, as Bhutan relaxed the lockdown temporarily.  But as a new <a href="https://www.livemint.com/news/india/seven-day-nationwide-lockdown-in-bhutan-from-today-11608681983042.html" data-saferedirecturl="https://www.google.com/url?q=https://www.livemint.com/news/india/seven-day-nationwide-lockdown-in-bhutan-from-today-11608681983042.html&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNGfDWnon-gRAhWKMIOFjKr9j0iEkQ">national lockdown</a> came into effect in Bhutan on 23 December in response to a second wave, Thinley and his colleagues found that they could no longer go home after work. <figure><img width="1080" height="972" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0ba4b0ad905ca02f02ajpeg.jpg" alt=""><figcaption> </figcaption></figure>“We stay at the office these days. We all brought our own bedding. We’ve turned our offices into working rooms-cum-bedrooms,” says Thinley, now General Manager of News and Current Affairs at <a href="http://www.bbs.bt/news/" data-saferedirecturl="https://www.google.com/url?q=http://www.bbs.bt/news/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHuI5qlLZdFiy7Hx0yYyi9rPfibsA">Bhutan Broadcasting Service</a>.Logistic adjustments have been a universal experience for journalists elsewhere in Asia in 2020. Ruth Cabal works for CNN in Manila and had to manage from a temporary studio at home in the initial days of reporting COVID-19.“I live with my brother so he set up the camera with my phone and all,” says Cabal. “My Viber app served as the teleprompter because the scripts from the producer would be posted there.”Also a professor at the University of Philippines, Cabal says her broadcasts were punctuated by signal hiccups. She also had to do her own make-up while broadcasting from home and the coffees that constantly accompanied her in the live studio, was missing. <figure><img width="1231" height="998" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0bd4b0ad905ca02f02bjpeg.jpg" alt=""><figcaption> </figcaption></figure>But the media industry has adapted well to the situation, she says, “When there’s a typhoon, a civilian stays away, but the opposite is true for journalists. We go to where the typhoon is supposed to make landfall. These are the kind of events journalists are trained for.” The ‘infodemic’ and disinformation that accompanied the pandemic have been other major challenges for the media industry, as online time went up globally.“During the lockdown, getting access to information is difficult. While we focus on the pandemic, there are many other, equally important issues that we could miss out on,” says Bhutan’s Jigmey Thinley.Which is why the pandemic has made the job of journalists all the more important, Ruth Cabal says, adding: “It is up to journalists to properly vet information and be aggressive in trying to interview the right people to give accurate information.”While the medium they work in may be different, journalists across Asia have been driving towards the same goal: sharing information that brings relief and hope to the public, sometimes at the cost of their own psychological and physical wellbeing. “It’s probably one of the biggest stories of our times globally. This means that a lot of <a href="https://www.nepalitimes.com/here-now/pandemic-stress-grips-nepals-journalists/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/pandemic-stress-grips-nepals-journalists/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHFgQL8nmcwYjAtPBYpKqk6ZDX7pg">journalists</a> may have had to work relentlessly and with limited resources. We’ve heard stories about burnouts and then some pretty disheartening news about the layoffs,” says Bibek Bhandari, the Nepali journalist in Shanghai.Even with all the challenges, those doing crisis coverage have tried to find comfort in their vocation.“We did a lot of learning and creating together with colleagues, who went on to become good friends by the end of lockdown,” says podcaster Bhawana Gurung. “It’s been a year of tracing common grounds to heal — for our audience as well as for ourselves.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0bf4b0ad905ca02f02cjpeg.jpg" alt="" width="800" height="1000">Shanghai-based journalist Bibek Bhandari.

Pratibha Tuladhar

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Journalists reflect on a year of crisis coverage

<figure><img width="1280" height="960" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9cc9c7e80680e0878dejpeg.jpg" alt=""/><figcaption>Bhawana Gurung interviews a resident of Matatirtha in Kathmandu.</figcaption></figure>The first person infected with SARS-CoV-2 was in Wuhan as far back as December 2019, but it was not until late January that there was international concern, and it was finally declared a pandemic in February. In the thick of it was Nepali journalist Bibek Bhandari, working at Shanghai-based <a href="http://www.sixthtone.com/" data-saferedirecturl="https://www.google.com/url?q=http://www.sixthtone.com/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEyXl1wLmco9a86gmJVpF_TG2dDuA">Sixth Tone</a> as news editor. “My last day in the office was on 23 January before the weeklong Lunar New Year holiday,” Bhandari recalls. “It was cold and drizzling when I left work that evening. We had already been <a href="http://www.sixthtone.com/news/1005221/coronavirus-latest-updates-%28jan.-16-31%29" data-saferedirecturl="https://www.google.com/url?q=http://www.sixthtone.com/news/1005221/coronavirus-latest-updates-%2528jan.-16-31%2529&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEGDCAT1cN1u7we7DEoWZxGZhE3YA">writing</a> extensively about the novel coronavirus, and the holidays were grim.”   Shanghai was not just deserted, but there was an air of despair and fear hanging over the city. Bhandari and his colleagues covering the holiday shift were told to work from home. “We were all living in the unknown, trying to figure out what the news the next day would bring,” says Bhandari, who flew to Nepal in February and was supposed to go back on 31 March. By then, Nepal was in lockdown and all flights halted. He was stuck in Kathmandu till September. In Nepal itself, journalists were also forced to adapt. Bhawana Gurung and Asha Thapa decided to use the lockdown period to start a podcast from their home to disseminate health information. “As soon as we heard about Covid-19, we felt there was a gap in lifesaving information. We thought a podcast would be an effective medium,” says Gurung who runs <a href="https://anchor.fm/sankatma-sathi" data-saferedirecturl="https://www.google.com/url?q=https://anchor.fm/sankatma-sathi&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNExmzRbJyWJMVvPu39tfjXv-XZbog">Sankatma Sathi</a> with Thapa, about safety during the pandemic. <figure><img width="963" height="722" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9cf9c7e80680e0878dfjpeg.jpg" alt=""><figcaption> </figcaption></figure>“We recorded our first episode in bed, on the phone,” laughs Thapa, who spent the first five months of the lockdown at her home in Matatirtha, producing stories from her neighbourhood. The podcast, targeted at a rural Nepali audience, was soon hooked up by 20 community radio stations.But working from home comes with its own challenges. “In the beginning it was fun because I could work from bed, but eventually, you’re always staring at your four walls, especially if you live alone,” says Gurung.In India, however, the opposite was true for Hashim (who goes by his first name), a journalist with <a href="https://dataleads.co.in/" data-saferedirecturl="https://www.google.com/url?q=https://dataleads.co.in/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHWX9flIbBzzIG0b3gNLrxg9ownXQ">Data Leads</a> in New Delhi. He says, “Everyone is not privileged. If you’re living in a one-BHK (one bedroom, hall and kitchen) apartment in Noida with six family members, it can be challenging.”Hashim was also filming tutorials for journalists on reporting from home, which required him to turn his home into a makeshift studio. “You’re constantly asking everyone to quiet down during recordings and online meetings. It can take a toll on your family,” he says. “And if you’re freelancing, it is hard to sell a story without the Covid angle.”In India, <a href="https://www.ha-asia.com/covering-and-surviving-covid-19-in-india/" data-saferedirecturl="https://www.google.com/url?q=https://www.ha-asia.com/covering-and-surviving-covid-19-in-india/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNE1T2XsUnR47IkDsTlxMN6AkMxMKw">44 journalists died</a> due to the virus, which made Hashim himself aware of his own mortality. He has not left his Delhi neighbourhood for six months as he continues to mine data for journalistic videos from home, while skipping to stay fit. “I’m exercising for the first time in my life,” he says on WhatsApp. <figure><img width="1080" height="608" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9d29c7e80680e0878e0jpeg.jpg" alt=""><figcaption> </figcaption></figure>Locked away in his apartment in Kuala Lumpur for four months, Bhutanese journalist Jigmey Thinley was running up and down the stairs of his condo as the gym was closed. He was working for the <a href="https://aibd.org.my/" data-saferedirecturl="https://www.google.com/url?q=https://aibd.org.my/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNEYZIvhgqXDRLEZbWWd_awIgE82kw">Asia-Pacific Institute for Broadcasting Development</a> in Malaysia when the pandemic hit, and decided it was time to head home.He arrived home in Thimphu in September, as Bhutan relaxed the lockdown temporarily.  But as a new <a href="https://www.livemint.com/news/india/seven-day-nationwide-lockdown-in-bhutan-from-today-11608681983042.html" data-saferedirecturl="https://www.google.com/url?q=https://www.livemint.com/news/india/seven-day-nationwide-lockdown-in-bhutan-from-today-11608681983042.html&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNGfDWnon-gRAhWKMIOFjKr9j0iEkQ">national lockdown</a> came into effect in Bhutan on 23 December in response to a second wave, Thinley and his colleagues found that they could no longer go home after work. <figure><img width="1080" height="972" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9d59c7e80680e0878e1jpeg.jpg" alt=""><figcaption> </figcaption></figure>“We stay at the office these days. We all brought our own bedding. We’ve turned our offices into working rooms-cum-bedrooms,” says Thinley, now General Manager of News and Current Affairs at <a href="http://www.bbs.bt/news/" data-saferedirecturl="https://www.google.com/url?q=http://www.bbs.bt/news/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHuI5qlLZdFiy7Hx0yYyi9rPfibsA">Bhutan Broadcasting Service</a>.Logistic adjustments have been a universal experience for journalists elsewhere in Asia in 2020. Ruth Cabal works for CNN in Manila and had to manage from a temporary studio at home in the initial days of reporting COVID-19.“I live with my brother so he set up the camera with my phone and all,” says Cabal. “My Viber app served as the teleprompter because the scripts from the producer would be posted there.”Also a professor at the University of Philippines, Cabal says her broadcasts were punctuated by signal hiccups. She also had to do her own make-up while broadcasting from home and the coffees that constantly accompanied her in the live studio, was missing. <figure><img width="1231" height="998" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9d79c7e80680e0878e2jpeg.jpg" alt=""><figcaption> </figcaption></figure>But the media industry has adapted well to the situation, she says, “When there’s a typhoon, a civilian stays away, but the opposite is true for journalists. We go to where the typhoon is supposed to make landfall. These are the kind of events journalists are trained for.” The ‘infodemic’ and disinformation that accompanied the pandemic have been other major challenges for the media industry, as online time went up globally.“During the lockdown, getting access to information is difficult. While we focus on the pandemic, there are many other, equally important issues that we could miss out on,” says Bhutan’s Jigmey Thinley.Which is why the pandemic has made the job of journalists all the more important, Ruth Cabal says, adding: “It is up to journalists to properly vet information and be aggressive in trying to interview the right people to give accurate information.”While the medium they work in may be different, journalists across Asia have been driving towards the same goal: sharing information that brings relief and hope to the public, sometimes at the cost of their own psychological and physical wellbeing. “It’s probably one of the biggest stories of our times globally. This means that a lot of <a href="https://www.nepalitimes.com/here-now/pandemic-stress-grips-nepals-journalists/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/here-now/pandemic-stress-grips-nepals-journalists/&amp;source=gmail&amp;ust=1609221912718000&amp;usg=AFQjCNHFgQL8nmcwYjAtPBYpKqk6ZDX7pg">journalists</a> may have had to work relentlessly and with limited resources. We’ve heard stories about burnouts and then some pretty disheartening news about the layoffs,” says Bibek Bhandari, the Nepali journalist in Shanghai.Even with all the challenges, those doing crisis coverage have tried to find comfort in their vocation.“We did a lot of learning and creating together with colleagues, who went on to become good friends by the end of lockdown,” says podcaster Bhawana Gurung. “It’s been a year of tracing common grounds to heal — for our audience as well as for ourselves.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636be9da9c7e80680e0878e3jpeg.jpg" alt="" width="800" height="1000">Shanghai-based journalist Bibek Bhandari.

Sahina Shrestha, Digital Products Strategist<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77e29c7e80680e064662jpeg.jpg" alt="" width="2208" height="1562"/>As the results of the<a href="https://www.nepalitimes.com/banner/mobile-nepal-is-hooked-on-youtube/" target="_blank" rel="noopener noreferrer"> Sharecast Initiative Nepal Survey 2020</a> featured in this issue show, Nepal is going digital in a big way. There is a dramatic increase in ownership of mobile devices, a vast amount of video content is being uploaded on YouTube and Facebook, and internet use is set to grow further with demand for smartphones and data plans.Following this trend, Nepal’s media companies are also opening up to the use of digital tools in storytelling. There has been an explosion of news and entertainment portals and YouTube channels. It is fair to say that the Nepali Times was one of the pioneers of online journalism in Nepal. It was ahead of the pack in 2000 when it started a digital edition even before making a splash with its first print copy. Over the years, even as the hardcopy version took precedence, we made sure to experiment with data visualisation, audio-visual content and interactive graphics. After the 2015 earthquake, Nepali Times adopted a digital-first policy, uploading content online before a version appeared on Friday in print. Today, as more of our audience meet us online, we are rethinking not only our product but also our business model. Journalism worldwide is increasingly dependent on and being influenced by the likes of Facebook, Google and Twitter. These are no longer ‘just platforms’ for our content. On the one hand we compete with them for audience and ad revenue, and on the other we rely on them for technologies and dissemination.With shrinking budgets and revenue pressures, ‘legacy’ newsrooms like that of Nepali Times are being forced to think innovatively with the resources we have. As a traditional news organisation seeking innovation, growth opportunities and sustainability, we will continue to explore new platforms to distribute content and grow audiences. We will continue to work around the algorithms and experiment with social- and mobile-optimised formats that are shareable and quick to ingest.I am glad to be back at Nepali Times in this new position just as the paper marks its millennial milestone and am looking forward to streamlining a new media strategy for the future.Sonia Awale, Associate Editor<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77e69c7e80680e064663jpeg.jpg" alt="" width="2032" height="1480">Welcome to this 1000th print edition of the Nepali Times weekly that also celebrates the 8 March International Women’s Day. It has been a two-decade long journey, during which my predecessors who have transitioned through this newsroom have witnessed history first-hand: the war, the 2001 palace massacre, the royal-military coup of 2005, restoration of democracy, a prolonged political transition, the earthquake, the Blockade and finally federal elections in 2017.The earthquake struck on my first week as an intern at the Nepali Times five years ago. Reporting on the aftermath of the disaster was like being thrown off the deep end. In 2017, after completing my master’s in digital journalism, I returned to the paper with a focus on covering health, environment and the climate crisis.Unlike other newsrooms, the Nepali Times does not have much hierarchy, and we are not rigid about beats. I was involved in the team that redesigned the online edition of the Nepali Times, which has seen a three-fold increase in reader numbers in the last three years. We have tried to bring the newsroom and the audience closer, refined our multimedia content and come up with original, in-depth coverage of a Nepal outside Kathmandu.    For the past two decades, the Nepali Times newsroom has pursued context and process, rather than simply covering events. This gives the hard copy edition a longer shelf-life, and the archives impart research value to Nepal-related topics that will be useful into the future.Every week,<a href="https://www.nepalitimes.com/" target="_blank" rel="noopener noreferrer"> www.nepalitimes.com</a> has more than 100,000 unique visitors, most of whom have bookmarked the homepage and begin browsing there, instead of clicking on story links on social media. The average reader spends five minutes per page, which is remarkable in an age of short attention spans.  Nearly half of the Nepali Times’ readership online is women, mostly in the 25-34 age group. Contrary to common perception, more than 80% of readers are Nepali, and 35% reside in Nepal. Most diaspora readers work and study in the United States, India, the UK, Australia and the Gulf, in that order.Thank you, readers for being with us the past 1,000 times. We in the Nepali Times  newsroom look forward to the next 20 years of making sense of the three-pronged crises of democracy, media and climate that Nepal and the world face today – and trying to find solutions.Alisha Sijapati, CorrespondentStarting when I was six years old, my grandmother had me read the headlines from the Nepali newspapers out loud to her every morning. She enjoyed hearing me read the news and as I became a better reader, I read whole articles to her. My interest in journalism developed from this morning practice that we still share.My career as a journalist started with internships first at The Himalayan Times and then at Himal Southasian. The journey of a trainee journalist is not always rosy, but these experiences taught me a lot. Later, as a full-time reporter at The Kathmandu Post, I was on the culture beat, but also had the opportunity to do business reporting and some investigative stories.Leaving a large daily for the smaller newsroom of the Nepali Times has been a big change for me. This place is a breath of fresh air. There is a calmness here even during frantic deadline pressure, and as media becomes faster paced the way our newsroom operates has lessons for everyone.In preparation for this 1000th issue of the Nepali Times, my colleagues and I flipped through the archives of the paper, and I got a glimpse of its underlying philosophy of 'solution journalism'.This means not limiting ourselves to a description of the problem, but looking beyond the current difficulty and searching for answers. It may take the form of analysis or profiles of people who have overcome obstacles despite tremendous odds. The Nepali Times has consistently and doggedly pursued issues that matter, always holding out for a better future and suggesting how we might get there.After seven years in journalism, there are some important understandings that I take with me from one newsroom to another. I believe that we journalists work for our readers and viewers and that we must be accountable to and sensitive towards those we write about even as we strive to uncover wrongdoings through honest and unbiased reporting.Monika Deupala, Photojournalist<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77e99c7e80680e064664jpeg.jpg" alt="" width="1985" height="1330">Two years ago, during my internship at the Nepali Times, my editor told me: “You have the eye to see things others don’t.” That was the first time anyone had recognised my passion for photography.Soon, I was a Nepali Times staffer, but while shooting events I saw how few of us women were out there taking pictures. This is a problem. In a competitive field, the gender gap manifests in people not taking women as seriously. I am still not very confident in crowds.There are advantages, too: being women gives us access that many male colleagues would find difficult. But it will take time to make people understand that female photographers are good on their own merit, and not because of their gender.Back in high school, I was part of a class group that monitored the daily newspapers. We had to arrange them in rows before morning assembly. I was not much of a reader, but was intrigued by the photographs. I told my teacher I wanted to be a photojournalist, and he frowned, asking if I thought it was a profession for a woman. But I pursued my goal. I took a media course in college, bought my first DSLR, and honed my camera skills during class assignments.The last two years at the Nepali Times have been a journey of self-exploration for me. I understand my abilities now beyond limitations, and have more confidence travelling alone to new places and talking to strangers I am photographing. This paper has shown me what true professionalism is.Sanghamitra Subba, Reporter<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101148/636b77ec9c7e80680e064665jpeg.jpg" alt="" width="2376" height="1493">Fresh into my first job, I entered the welcoming, sunny and dog-filled newsroom of the Nepali Times. I came in as an intern, bright-eyed and ready to learn from the editors and reporters whose work I had admired as a student rifling through the colourful newspaper every Friday in the library.Into my first week, I was invited to join a journalism dialogue between graduate students from India, Pakistan and Nepal. Those three days provided a crash-course in crossborder journalism, and fired my interest in reporting. This was the first of many amazing opportunities that I have had working at Nepali Times.With the freedom to pursue the topics that I wanted to and the generous encouragement of newsroom colleagues, I covered everything from community homestays in Panauti to multiethnic marriages. At every step, I received the generous guidance of seniors, who taught me everything they knew about being an effective interviewer, editing videos and most importantly, maintaining composure during even the most challenging assignments.This women-dominated newsroom has been both a source of inspiration and a reliable support system. While my peers struggle to find their footing in other jobs, I have a positive work environment that has helped me grow as a multimedia reporter, and as a woman finding my way in the world.

Newswomen

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

India and Pakistan are twins separated at birth. Tensions between them have been at a hair trigger ever since independence and has erupted into full scale conflict at least four times in the past 80 years.
The 22 April terrorist attack in Kashmir that killed 25 Indian tourists and a Nepali citizen, threatens to escalate tension between the two nuclear-armed nations. India has squarely blamed Pakistan for the attacks, and Prime Minister Narendra Modi has given his military “operational freedom” to respond. Pakistan has said it has credible intelligence of an Indian military strike and its officials have promised a “full spectrum” response — a code for a <a href="https://nepalitimes.com/editorial/thinking-the-thinkable">nuclear retaliation</a>.
For Nepal, the killing of its national in the Pahalgam attack comes as another stark reminder that in conflicts from Afghanistan to Iraq, from <a href="https://nepalitimes.com/opinion/how-to-agree-an-armistice-in-ukraine">Ukraine</a> to Israel, <a href="https://nepalitimes.com/news/10-nepalis-from-one-town-fighting-in-ukraine">Nepalis are getting caught in the crossfire</a>. The last time full-scale fighting broke out between <a href="https://nepalitimes.com/opinion/peacemongers-at-india-pakistan-border">India and Pakistan</a> on Kargil in 1999, at least 22<a href="https://nepalitimes.com/here-now/india-s-trial-by-fire-for-soldiers-from-nepal?%27%5C%22="> Nepalis fighting for the Indian Army</a> were killed in action.
Three of Nepal’s immediate neighbours (China, India, Pakistan) have nuclear weapons, and they do not have good relations. With China supplying weapons, <a href="https://nepalitimes.com/editorial/war-and-warming">missile technology</a> and other support to Pakistan, this triangular friction could set off a regional conflagration.&nbsp;
<a href="https://www.nature.com/articles/s43016-022-00573-0" target="_blank">Research at Rutgers University</a> has calculated that even a week-long tactical nuclear exchange between India and Pakistan would throw up so much smoke and debris into the atmosphere that it would block out the sun for years, and lead to a collapse of the <a href="https://nepalitimes.com/news/grow-nourish-sustain-together-world-food-day">global food system</a>. This does not take into account the radioactive fallout that prevailing winds would blow up to <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">the Himalaya</a>, contaminating glaciers that are the sources of <a href="https://nepalitimes.com/here-now/saving-what-is-left-of-himalayan-rivers">Asia’s main rivers</a>.
The impact of <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>on High Asia was already ringing alarm bells about its <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">shrinking ice cap</a> reducing the dry season flow of water downstream. Water was going to be the next strategic commodity, geopolitical experts warned, and the next wars in Asia would be over water.
That water war is already happening. India retaliated to the Kashmir attack by suspending the <a href="https://www.nytimes.com/2025/04/24/world/asia/india-pakistan-indus-waters-treaty.html" target="_blank">Indus Waters Treaty</a> of 1960 mediated by the World Bank that has withstood at least three wars between India and Pakistan. The treaty gives India control over the three eastern tributaries of the Indus (<a href="https://en.wikipedia.org/wiki/Beas_River" target="_blank">Beas</a>, <a href="https://en.wikipedia.org/wiki/Ravi_River" target="_blank">Ravi</a> and <a href="https://en.wikipedia.org/wiki/Sutlej" target="_blank">Sutlej</a>), while Pakistan got water from the Indus and two of its western tributaries (<a href="https://en.wikipedia.org/wiki/Indus_River" target="_blank">Indus</a>, <a href="https://en.wikipedia.org/wiki/Chenab_River" target="_blank">Chenab</a> and <a href="https://en.wikipedia.org/wiki/Jhelum_River" target="_blank">Jhelum</a>.
Pakistan was assured of 70% of the annual flow, and India could use a reasonable amount of water for<a href="https://archive.nepalitimes.com/news.php?id=15231"> irrigation and hydropower</a>. &nbsp;Within days of its threat, India stopped water flowing down to Pakistan from the Chenab river and is reportedly preparing to do the same on the Jhelum.
The sabre-rattling has reached a crescendo. Besides threats and counter-threats there are also symbolic drills, with the Indian Air Force practicing landing on an expressway in Uttar Pradesh by its Rafale, Su-30 and Jaguar fighter jets to demonstrate ‘operational readiness’. In response Pakistan test-fired its Abdali ballistic missile that can carry a nuclear warhead and has a range of 450km.&nbsp;
The danger is that with ultra-nationalist rhetoric and the beating the war drums by both sides, India’s government and Pakistan’s military may have to ‘do something’ to appease domestic public opinion. But any tactical strike, an artillery exchange, or territorial incursion could quickly escalate out of control.
Expecting an Indian retaliation for the Pahalgam killings, Pakistan is using<a href="https://nepalitimes.com/opinion/interfaith-collaboration-for-nuclear-disarmament"> nuclear deterrence </a>and warning of “catastrophic consequences”. The two neighbours came close to a nuclear exchange in 2019 after an attack on the Indian military in Kashmir, and prompt international intervention led by the United States cooled tensions.&nbsp;
This time, the <a href="https://nepalitimes.com/news/trump-shock-wave-hits-nepal">Trump administration</a> is too distracted and not as engaged. Pakistan has denied it was responsible for the terrorist attack and called on Washington to stop a possible Indian retaliation. India and Pakistan have stopped overflights by each other’s airlines, and some international carriers have even stopped flying over Pakistan fearing an air war.
Washington, Beijing, the UN and the EU have all urged restraint. Iran, which has good relations with both India and Pakistan has sent its foreign minister to urge both countries not to go into a tit-for-tat war. Iran has its own nuclear flashpoint to worry about with tensions in Israel, &nbsp;Yemen and Syria.
India and Pakistan both share similar problems of joblessness, <a href="https://nepalitimes.com/here-now/why-nepal-s-poverty-rate-is-stuck">poverty </a>and <a href="https://nepalitimes.com/here-now/climate-change-new-threat-to-nepal-s-rhinos">environmental threats</a>. Neither side needs the threat of a senseless war, and we in the neighbourhood do not need it either.&nbsp;
Kunda Dixit
This Editorial is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.

Nukes in the neighbourhood

Most Nepalis thought they had seen the last of it after <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the 25 April 7.8 magnitude </a>earthquake ten years ago. But the Himalaya had more surprises in store. On 12 May, another 7.3 magnitude tremor that some said was an aftershock, but was strong enough to itself be a major earthquake, struck Dolakha.&nbsp; Not many people had heard of Singati till then — a cluster of houses by the Tama Kosi River along a narrow gorge that is the roadhead to Rolwaling Valley.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d.jpg" data-media-id="editor_1" data-image-id="20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e.jpg" data-media-id="editor_2" data-image-id="20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  It was here that dozens were killed on 25 April in the first earthquake. Hundreds of <a href="https://archive.nepalitimes.com/article/nation/Singati-rising-from-rubble-rebuilding,3703">Singati survivors</a> had lined up for food and relief supplies in the morning of 12 May when the second earthquake triggered a rock slide that buried a nearby camp. At least 50 people were killed. &nbsp; Three hours later, a US Marine Corps UH-1Y Venom helicopter landed in a nearby cornfield to pick up the wounded, and flew off. The aircraft lost contact with air traffic control in Kathmandu and its wreckage was located high on Kalinchok four days later. Six American servicemen, two Nepal Army soldiers, and five wounded civilians from Singati were killed. Today, Singati bears little physical scar of the multiple tragedies that struck the town ten years ago. Most <a href="https://nepalitimes.com/multimedia/bungamati-builds-back">houses have been rebuilt</a> as urban-style concrete structures, and Singati has become an economic hub on the road leading up to several hydropower plants and a<a href="https://nepalitimes.com/banner/off-the-beaten-trek-in-nepal"> popular trekking destination</a>.&nbsp; The town looks less like a village and more like a suburb of the Dolakha district headquarter of Charikot, 47km away.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2.jpg" data-media-id="editor_6" data-image-id="20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e.jpg" data-media-id="editor_7" data-image-id="20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  “The demand for construction material, cement, iron rods and bricks peaked after the earthquakes,” says Suresh Khadka, who owns a hardware business here and now supplies material to the 456MW Upper Tama Kosi hydropower project that is undergoing repairs after it was damaged by a landslide last year. The demand for cement boomed since most residents believe, not necessarily correctly, that <a href="https://nepalitimes.com/banner/in-a-disastrous-state">cement houses are safer</a>. Although Khadka did well selling construction material after the earthquake, he worries that most new structures do not follow seismic-resistant building codes.&nbsp; The construction boom financed by bank loans has in turn forced many from Singati to <a href="https://nepalitimes.com/banner/making-overseas-migration-better">migrate overseas for work</a> so they can service their debt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2.jpg" data-media-id="editor_10" data-image-id="20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Suresh Khadka</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83.jpg" data-media-id="editor_11" data-image-id="20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Phu Doma Sherpa (right)</figcaption> </figure>  “My family had no choice but to borrow money to rebuild our home since the government compensation was not enough, and ten years later we are still paying off the loan,” says Phu Doma Sherpa, 60. Because of the shortage of qualified masons and proper seismic engineering, <a href="https://nepalitimes.com/here-now/structural-problems">many of the buildings are of questionable building standards </a>and the traditional architecture has been abandoned, admits Kul Bahadur Budathoki, deputy chair of the municipality. “But these buildings were more expensive than what the government grants could cover, many people here are heavily in debt and the men have <a href="https://nepalitimes.com/here-now/every-day-is-closer-to-pay-day">migrated to the Gulf to pay their loans</a>,” Budathoki says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480.jpg" data-media-id="editor_14" data-image-id="20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480" data-rendition-name="original" width="1501" height="1079" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Kul Bahadur Budathoki</figcaption> </figure>  Singati is in a multi-hazard zone. The <a href="https://archive.nepalitimes.com/article/nation/Singati,3091">12 May 2015 earthquake </a>could have led to the collapse of Nepal’s largest glacial lake, <a href="https://nepalitimes.com/here-now/stairway-to-heaven">Tso Rolpa</a>, upstream. Due to global warming, the glacier has turned into an expanding lake 3.5km long, and its collapse would have unleashed a catastrophic Himalayan tsunami down the Tama Kosi Valley, with Singati directly in its path. Singati has literally risen from the ashes of 2015, with its residents beginning to recover from the trauma and financial toll. But it is not out of danger as <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>magnifies the risk from future earthquakes.

Climate magnifies earthquake risk in Nepal village

The streets of Patan are alive this month with lavender jacaranda trees under rain-washed skies as <a href="https://nepalitimes.com/banner/the-red-god-rises-again-in-patan">the chariot of Rato Matsyendranath</a> is pulled across town. This is the festival of the rain god, and inevitably the heavens opened up and pre-monsoon showers pelted the chariot as it started being pulled in Pulchok last week. Thousands of devotees, onlookers and the chariot procession organisers thronged the streets on the first day last week. The rhythmic cymbals and drums exuded a vibrant energy as the enormous four wheels turned and the chariot lurched.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688.jpg" data-media-id="editor_1" data-image-id="2025051007050_81df97744db16f732a419dc1f1579d235ce3df37642b078f50b83bd4bd026688" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  The<a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Red-rain-god,3141"> red rain god</a> has Hindu and Buddhist antecedents, alternatively called Bungadya and<a href="https://nepalitimes.com/here-now/kathmandu-s-gravity-defying-chariot-festival"> Karunamaya</a> — reflecting Kathmandu Valley’s syncretic mixture of the two religions.&nbsp; “Bungadya is a profoundly <a href="https://nepalitimes.com/opinion/12-full-opinion/marketing-the-intangible">intangible form of heritage</a>,” explains heritage expert Monalisa Maharjan. “It embodies traditional knowledge,<a href="https://nepalitimes.com/multimedia/reviving-nepal-s-craft"> artisanal skills passed down through generations</a>. Local communities and specific families have specified roles in being custodians of the heritage, ensuring their survival over the centuries.” There are many legends and stories about this annual tradition. Lichhavi king Narendra Dev is supposed to have brought Rato Matsyendranath from Assam to Kathmandu Valley to convince Guru Gorakhnath to lift a spell that created a two-year drought in Kathmandu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a.jpg" data-media-id="editor_6" data-image-id="20250510050520_347a9a398f8a9abc4a7fb4e2774fde8264cccbdce8bdab23851ab3f0e73c3e8a" data-rendition-name="original" width="1503" height="1000" loading="lazy" alt="Divine chariot"> </figure>  Matsyendranath was Gorakhnath’s mentor, and upon seeing him, the serpents were released, unleashing the rains. The chariot festival honours the return of this life-giving rain. The deity is seen as an icon for thriving agriculture, t<a href="https://nepalitimes.com/here-now/before-the-next-monsoon">he arrival of monsoon</a> showers, and the welfare of the community. Read also: <a href="https://nepalitimes.com/opinion/the-reign-of-the-god-of-rain">The reign of the god of rain</a>, Vidhu Prakash Kayastha Till this day, the Rato Matsyendranath festival is no ordinary celebration. Patan does not sleep for a month as the chariot is pulled through various neighbourhoods. It unfolds at a state level with the president (formerly the king) attending the climax of the Bhoto Jatra in Jawalakhel later this month.&nbsp; The intergenerational transmission of tradition is unique in the world, and the reason the festival is one of the most vibrant cultural expressions that thrives despite inroads of modernity. The other unique aspect is that it is a transnational festival, binding Patan with Guwahati in the Indian state of Assam.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a.jpg" data-media-id="editor_9" data-image-id="2025051005058_8bc685ada13045d863b28e3eed91c931da2b510714586af6fd7eb5d1e298a24a" data-rendition-name="original" width="1000" height="1503" loading="lazy" alt="Divine chariot"> </figure>  “Unlike Nepal, where the deity commands grandeur and devotion, many in Assam are unaware of Rato Matsyendranath,” says Khagen Sharma of Gauhati University, which convened <a href="https://nepalitimes.com/news/nepal-assam-connection-revived">a symposium in February in Guwahati on the rain god</a>. Attending was a delegation led by Lalitpur Mayor Chiribabu Maharjan, organisers of the festival, and builders of the chariot. After the symposium, a committee was formed to explore and revive the tradition in Assam as well. Although the team had planned to visit Nepal this month, logistical challenges delayed the trip. Still, there are plans to build a Guru Matsyendranath statue in Assam to reestablish regular worship practices in the Guwahati shrine.&nbsp; The vines used to build the chariot in Patan are sourced from the jungles of Assam. But Sharma notes that in recent years unclear regulations have blocked the official import of the vines, although they are still brought to Nepal informally. The <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/makers-of-machhindranath,2204">chariot making</a> has also had a taste of modernisation in recent times. In the past, even a single nail or piece of steel was avoided. But over time, the wooden structure, particularly the shaft between the wheels, has been replaced with bronze. When that too proved unstable, metal clamps were introduced, which have become a pragmatic compromise.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93.jpg" data-media-id="editor_12" data-image-id="20250510050524_b2a819a5791612f14c81d30fc393dbd3f99f0c64b90a9110e8b0855d944bfa93" data-rendition-name="original" width="1500" height="998" loading="lazy" alt="Divine chariot"> </figure>  Another welcome change is the focus on safety. Builders climbing the chariot’s tower now wear harnesses and there are efforts in crowd control. The most visible change in recent years has been the involvement of Patan’s enthusiastic youth in the festival — the tradition is now passing to a new generation. Says Matsyendranath expert Vidhu Kayastha: “There is more energy, the young people in red t-shirts this year were very organised, these modern touches aren’t diluting our culture, they’re keeping it alive in new forms.” He adds, “We are <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home">reconnecting with our roots</a>, we have more resources, more awareness than ever before. We must not be swept away by western values that may not serve us, and in some ways, cause more harm than good. We must revive our own culture.”&nbsp;