Contrary to popular belief, Nepal as a nation with different boundaries was founded way before the unification by Prithvi Narayan Shah. From the time of the Gopal dynasty before the birth of Buddha and after, Nepal has seen many dynastic rulers including Kirat, Licchavi, Verma, Thakuri, and Malla, each with their significant contributions to nation-building.
Unfortunately, much of history before the Shah dynasty is not talked about. Discounting the Shahs, the Malla era is perhaps the best recorded. But even then, not much is known of its rulers before Pratap Malla.
Historians credit Jayasthiti Malla of establishing this dynasty with the unification of Kathmandu Valley. However, our documentation and archaeological research of the early Malla period is scant, and thus a king whose great deeds have created a legacy of Nepal’s culture and socio-economic foundations, is not given his due recognition.
This painting by artist Shreejan Rajbhandari is based on the research of the late historian Dilli Raman Regmi and the event is noted in Gopal Raj Vamsavali, a 14th-century hand-written manuscript of Nepal. It is an artistic tribute to a king who established the longest reigning dynasty which is still integral to Nepal’s identity today.
Jayasthiti Malla was a man of noble but obscure lineage who came from Simraongadh, Tirhut in present-day Tarai. His rise to power indicates the strong historical ties between Kathmandu Valley and the southern plains at the time.
When the Muslim sultanate of Bengal invaded Tirhut, King Harshinga Deva of Simraongadh died while trying to escape. His queen Devala Devi, who had ties with the Bhaktapur royalty, fled along with her son Jagat Singh and took refuge at the Bhaktapur palace under the protection of King Rudra Malla. But Rudra Malla died shortly after without a male hei and his infant daughter Nayak Devi was declared heir to the throne.
The young queen was married to a prince from Banaras, but he too soon died, after which Devala Devi seized the opportunity to marry her son Jagat Singh to the widowed queen, and thus became part of the Bhaktapur royal family. Nayak Devi later gave birth to a daughter, Rajala Devi, who became a full claimant to the throne.
With a son who was prince consort and an infant granddaughter who was heir apparent, the future of Bhaktapur was fragile with no strong leadership. Nepal with its many small warring kingdoms was in constant strife.
Moreover, in 1349, Kathmandu faced the first Muslim invasion by Shamsuddin Ilyas, the Sultan of Bengal. The valley was brutally attacked, looted and destroyed. The city was ransacked and temples and monuments were plundered including Swayambhu and Pashupati. The Sultan’s invasion lasted seven days and the only temple spared was Changunarayan because the invaders could not locate it.
Amidst all this chaos, Devala Devi was looking for someone with the right traits to lead and bring stability to the kingdom. She found Jayasthiti Malla and brought him to Bhaktapur after being impressed by his insight and dynamic personality.
Devala Devi then betrothed her eight-year-old granddaughter to Jayasthiti Malla in 1354. This union led to Jayasthiti Malla declaring himself the king consort of Bhaktapur after the death of Devala Devi. Eventually, he defeated the Raja of Patan, Jayarajuna and took control of the city. A stone inscription (1392) at the completion of the Kubeswor temple in Patan shows his sovereign status in the city.
The painting portrays the Tilapatra Daan puja that took place in Pashupati to celebrate the union of Kathmandu with Patan and Bhaktapur (1375). It took much effort on the part of Jayasthiti Malla to convince the leader of Kathmandu, Jayarasimha to join the union. This first-ever unification of the three kingdoms was a watershed moment in history.
Artist Shreejan Rajbhandari has done his best to portray medieval 14th-century Nepal, and is one of few depicting Jayasthiti Malla, and is a significant documentation on canvas of his reign. Jayasthiti Malla is seen performing the puja with his wife while Jayarasimha looks on with a sense of defeat. The contemporary landscape was difficult to pinpoint, so the artist had to rely on influences of the period.
The Pashupat temple being the main backdrop was drawn with some historical evidence that it was ornamented time and again by Licchavi and Thakuri kings before the Mallas. King Shivadeva III (11th century CE) was the first to have covered the roof in gold. The roof, however, has been shown bare keeping in mind the invasion of Shamsuddin Ilyas in 1349 who had stripped off all the gold. The doorway, however, is given its silver adornment assuming it was renovated as per Vamsavali III, which states that the temple was repaired and a ceremony was performed in April-May 1360.
All the women are portrayed to be of Mithila origin as most noble Mallas had wives from the Tarai. Their jewelry and clothing are of Mithila style. The men’s attire was believed to have been influenced by the Rajasthani style as the Thakuri dynasty before the Mallas were Rajputs. Which is why we see much Rajasthani influence during the Malla era as well. The musicians too are wearing Rajasthani dress, and the puja utensils are Kathmandu Valley style assuming the temple as having both Hindu and Buddhist influences.&nbsp;
The reign of king Jayasthiti Malla saw stability, unification and strength after a long period of chaos. The Malla dynasty, which had begun with King Ari Malla in the 1200s was firmly established under Jayasthiti Malla. He was king of Kathmandu Valley and its environs from 1382-1395 CE. The three cities remained united until the reign of his grandson Yaksha Malla (1482) following which the Valley was divided again. The three kingdoms were in constant strife until Prithvi Narayan Shah conglomerated a greater Nepal in 1768.&nbsp;
Besides his efforts in uniting the Valley, Jayasthiti Malla is also credited with the earliest constitution and codifying the law – Jayasthiti Paddati. This legendary compilation of traditional laws was seen as the source for Mulki Ain, in the 19th century. He also started the Gopal Raj Vamshawali, which is considered the first historically documented evidence of the Nepali state.
He instituted a job-based caste system to bring order and economic stability which is still practiced by the indigenous Newa people in Kathmandu Valley. Further economic reforms through a uniform system of weights and measurement was also established.
Also a builder of numerous temples and a promoter of art, literature and music, the nation owes much to Jayasthiti Malla, and this painting is an attempt to capture an important event in his life and in Nepal’s history.
Shaguni Singh Sakya is the Director of KGH Group and Museum of Nepali Arts (MONA) in Kathmandu where Shreejan Rajbhandari's painting will soon be on display.

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

History on canvas

Beginning of the end of the Gorkha Empire

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baef49c7e80680e078024jpeg.jpg" alt="" width="1803" height="1201"/><figcaption>Statue of Jang Bahadur Rana in Tundikhel in the 1972. Photo: Daniel W Edwards</figcaption></figure>For thousands of years, adulatory statues have been installed and, at one time or another, defaced or removed. Even since the early 1900s, statues in Russia, France, Hungary, Greenland, Canada, Brazil, South Africa, Mongolia and other countries, have been either toppled by protesters or dismantled by government edict.We are consumed by statues as they are visibly symbolic reference points. But were we to seriously research the background of those represented in the statues, many of us may be surprised.The births of many modern nations had been initiated by the arrival of ‘western’ interlopers. Nepal’s founding monarch Prithvi Narayan Shah is said to have quipped that they brought bazaar (trade), bible (religion) and banduk (guns to motivate obedience), leaving an undoubtedly confounding legacy. His statue at Singha Darbar intersection, with an index finger symbolising unity, was nearly toppled in 2006.It would be difficult to find a name or representation of one from any culture whom we could comfortably absolve of atrocities. Thus, unless one prefers statues of only Mother Theresa, Chief Dan George, Albert Einstein, Greta Thunberg or Gandhi (though even that has been disfigured in London recently) almost any other historical statue will inevitably be of people who have had binary actions and effects (think Genghis Khan, Mao Zedong, Simon Bolivar, Kwame Nkrumah, and even Nobel laureates like Mandela and Aung San Suu Kyi).Many of the memorials erected have been for multipolar, compartmentalised characters with a record of welcome changes for some, but blood on their hands for others. One who helped liberate a country only to then abet massive programs of executions and famine to bring people to accept a ‘utopian reform’ (Lenin and Mongolia).Another, intimately involved in liberating a continent while simultaneously allowing a famine to overtake millions on another continent (Churchill and Europe, and India). And the righteous ones with contradictory legacies in surreptitiously saving multiple thousands of persecuted citizens while simultaneously supporting the vile regime’s bureaucracy.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baef79c7e80680e078025jpeg.jpg" alt="" width="991" height="656"><figcaption> </figcaption></figure>Spurred by the Black Lives Matter movement, demonstrations, protest marches and various forms of damaging and destroying statues have spread across the world.Collectively, we accept many aspects of dissatisfaction, because much of it is too obscure or wickedly complicated to pursue by all, but those dedicated to extensive research and pursuit of solutions.Focus therefore shifts to visible, physical representations of systemic weaknesses, especially during increased societal tension. Each concrete symbol then demolished energises those wishing to similarly act. Yet, statues are not the only simulacra of histories forgotten or revived.Around the world, roads, canals and railroads have been built wholly or partially through slave or indentured labour. Yet, we continue to tour on them without a thought. Historical ruins, palaces and temples have been constructed with bonded labourers, thousands of whom have perished in the process. Yet, we travel great distances to behold and marvel at the beauty of such structures, few of which have any signs of contriteness.Fashionable clothing is fabricated in sweatshops by poor underpaid women and children in hazardous environments. Yet we, whilst browsing on Robsonstrasse, remain oblivious to this. Why do these not elicit the same fervor for change as statues?I am not judging the correctness of attacking statues. No person who has used offensive language, communicated negatively about or expressed hatred of particular peoples, caused misery, famine, death and destruction deserves a podium.Then there were those who did unforgivable things from which, in the end, they personally profited. It is reasonable to assume that their decisions were calculated with knowledge of the consequences: Adolf Hitler, Joseph Stalin, Pol Pot, Enver Hoxha ... the more infamous of the most egregious tyrants.Targets for mass killings and enslavement included those who were indigenous, or from a different religious, ethnic, racial, economic or political group. So, for those enmeshed in the purposeful planning, commitment and/or oversight of major atrocities, I have no sympathy. Yet many in between, such as Castro, Kagame and MBS, have been implicated in contradictory liabilities.Difficulties start when considering people who were basically well-intentioned within incredibly complex contexts, wherein their weighing of best alternatives sometimes resulted in decisions with deleterious impacts. So, were these errors of character, of fact, or of process?Were people purposely targeted and were people harmed or killed or allowed to die? Did they anticipate that there may be many people injured or killed? Would the then available alternative options have caused even more deaths and destruction?<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109141144/636baefa9c7e80680e078026jpeg.jpg" alt="" width="2016" height="1224"><figcaption> </figcaption></figure>In every age and culture there have indeed always been upright people opposing maltreatment of others. Yet disenfranchisement, hatred, vindictiveness and exploitation have continued. Viewed in a historical sense, it can be said that we have not sufficiently learned from the past.If we want to be part of a generation that makes an extraordinary effort to improve lives, we must demonstrate maturity in our ethics, morals and obligations to human rights with people of every race, religion, ethnicity, nationality, language and culture. Protesters should decide: if the statue is an affront to current values, would it be best to deface it, bury it in a harbour or melt it down for scrap.But if we never see those statues again, many among us may remain oblivious to gross wrongs committed, and those responsible for them. Or, would it serve a higher edifying purpose to leave it in place with an explanatory plaque, or remove it to a museum for posterity’s historicising?Rather than a statue to one who in the future might become embroiled in controversy, explanatory signs could be a proactive cultural option to memorialise a tragedy or famous event.London Mayor Sadiq Khan recently set up a Commission for Diversity in the Public Realm to recommend which statues in London should be removed. Discrete options already in practice elsewhere include Coronation Park in Delhi, where statues of former officials from the colonial era have been relocated. In Berlin’s Spandau Zitadel special museum visitors can touch most of the objects relegated to a protected indoor display. In Nepal, statues of Ranas in heroic poses on their steeds have been relegated to obscure corners of Tundikhel. Statues of the Shahs were similarly removed in 2006.As far as names of such flawed benefactors on buildings, cities, and streets, these could indeed be exchanged for contextually more appealing and appropriate names. Alternatively, more societies can shift to a culture withoutmonuments to their heroes.As Rabindranath Tagore said in 1917: “Because each nation has its own history of thieving and lies and broken faith, therefore there can flourish only international suspicion and jealousy, and international moral shame becomes anaemic to a degree of ludicrousness.”Altering, dismembering or stomping on statues or other representations, protesters transform their frustrations onto a rehumanised embodiment of their focus. But by doing this, are they not exemplifying a moral reaction obverse to their own desired ethical behaviour by others?Toxic outrage may force the elimination of symbols of racism or other atrocities, but in the long term it can only be deliberate policy and regulatory improvements in governance, education and civic action that would gradually change the culture of attitudes and behaviours.I prefer decisions with an understanding of the antecedents of the disliked person, and of the effects of any actions which may elude the preferred education of future generations.As Israel’s Prime Minister Golda Meir said in 1975, “One cannot and must not try to erase the past merely because it does not fit the present”.Rather we must take advantage of history, including unsavoury history, and keep it visible so as to enable enhanced learning from past misdeeds and errors by showing measured, humane, non-violent responses.Young and old alike must learn that there is not just day and night, but dawn and twilight as well.Iván G Somlai is Director of <a href="http://ethnobureaucratica.weebly.com/" data-saferedirecturl="https://www.google.com/url?q=http://ethnobureaucratica.weebly.com/&amp;source=gmail&amp;ust=1595908271105000&amp;usg=AFQjCNEAAYBkY4vUCdH7dyy0yT5DpY8aKw">EthnoBureaucratica</a> based in Canada, and was a former consultant with Nepal’s Ministries of Health, Industry, and Tourism.<a href="http://ethnobureaucratica.weebly.com/" data-saferedirecturl="https://www.google.com/url?q=http://ethnobureaucratica.weebly.com/&amp;source=gmail&amp;ust=1595908271106000&amp;usg=AFQjCNEDX9-IUfFgvMsBWNP-B4BwsbePaw">http://ethnobureaucratica.weebly.com</a>Ivan.Somlai@INSEAD.edu

Air-brushing history by toppling statues

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum