<figure><img width="1500" height="990" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151116/636a655c9c7e80680e059925jpeg.jpg" alt=""/><figcaption>Alam gagged by police officer. Photo: SUVRA KANTI DAS</figcaption></figure>On Day of the Imprisoned Writer 2018, Indian author <a href="https://www.nepalitimes.com/latest/arundhati-and-shahidul-write-to-each-other/">Arundhati Roy penned an open letter to Shahidul Alam</a>, the renowned Bangladeshi photojournalist who had been incarcerated for over 100 days. ‘Dear Shahidul,’ Roy wrote, ‘I believe the tide will turn. It will. It must. This foolish, shortsighted cruelty will give way to something kinder and more visionary.’Shahidul Alam replies in his book, The Tide Will Turn, a photography and text collection lovingly named after Roy’s letter. Combining sketches from fellow inmates, historical work by Bangladeshi photographers, reflections and political commentary, The Tide Will Turn does more than document Alam’s time in jail and his views: it serves as a curated collection of political art and writing, acting as a critique of autocracy.Alam was arrested and detained on 5 August 2018, shortly after a televised Al-Jazeera interview where he criticised Bangladesh's Sheikh Hasina government for its response to protests by young students demanding road safety. The months after saw a worldwide campaign for his release with mass exhibitions, petitions, demonstrations and letters from prominent figures. <figure><img width="1698" height="1254" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151116/636a65609c7e80680e059926jpeg.jpg" alt=""><figcaption> </figcaption></figure>In Nepal, journalists and students <a href="https://www.nepalitimes.com/latest/freeshahidulalam/">protested in front of the Bangladesh Embassy</a> in Kathmandu and lit up the city’s walls with projections of quotes and photographs by Alam during the visit to the Nepal capital by Sheikh Hasina for a South Asian leaders’ summit.Alam, still imprisoned, was awarded the <a href="https://www.nepalitimes.com/banner/shahidul-alam-photo-kathmandu-award/">Photo Kathmandu Award of Excellence</a> on 26 October 2018, both to celebrate the immense impact he has had on generations of Nepali journalists and photographers and as a clear sign of solidarity with one of South Asia’s most prominent photojournalists.‘There is a Bangla saying – “Apnake dhonnobad janie choto korbo na” (I will not belittle you by thanking you),’ Alam writes in his preface. ‘This book is my way of making amends.’Alam dedicates the first part to the prisoners in Keraniganj Jail in Dhaka. Without a camera to document his stay, he uses vivid writing to capture images of his detainment: the surroundings, the guards, his inmates and their stories, and the sparrows he made friends with.The chapter also includes notes, sketches, a mural and even a radio made by inmates who were concerned that Alam ‘a journalist, did not have access to news’. The chapter can almost be read as a standalone, a poignant reflection on <a href="https://www.nepalitimes.com/banner/shahidul-alam-100th-day-in-jail/">his 107-day incarceration</a>.The longest section of the book provides a detailed historical commentary on Bengali photography, touching on artists who have captured some of the most striking images to come out of Bangladesh, as well as on Alam’s own work. It includes one of his earliest series, which focuses on former sex worker Hazera Beagum.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151116/636a65639c7e80680e059927jpeg.jpg" alt="" width="1500" height="978">When Shahidul Alam first met Hazera Beagum in 1996, she was a sex worker. Beagum at her orphanage in Adabor Market in Dhaka in December 2014 (pictured right). Photos: SHAHIDUL ALAM<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151116/636a65669c7e80680e059928jpeg.jpg" alt="" width="1185" height="1140">The photographs show Beagum first in 1996 and then in 2014, now running her own orphanage and ensuring that all her children receive an education. With photospreads of select iconic images, the chapter also makes for a stunning collection of Bangladeshi art over a century.The third section of The Tide Will Turn centres entirely on Bangladeshi politics. Alam uses the 1971 Liberation War as a starting point to discuss identity, secularism and the failures of the government, detailing his own experience with the 2013 Dhaka garment factory collapse and the killing of Bangladeshi-American secular blogger Avijit Roy. There is an underlying critique of autocracy running through the book, but it is this chapter that really reveals to us <a href="https://www.nepalitimes.com/banner/the-death-of-democracy/">Alam’s commitment to free speech and democracy</a>.The Tide Will Turn is best summed up by Alam himself in his letter to Arundhati Roy: ‘The tide will turn, and the nameless, faceless people will rise. They will rise against the entire state machinery.’ This deep conviction that underlies his stunning photography makes for a book that leaves readers with much to ponder.The Tide Will TurnShahidul AlamGöttingen, Germany, Steidl, 2019184 pages, 111 images, Hardback€ 28.00ISBN: 978-3-95829-693-0www.steidl.de<a href="https://steidl.de/Books/The-Tide-Will-Turn-1224303445.html"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151116/636a656a9c7e80680e059929jpeg.jpg" alt="" width="2328" height="3030"></a>

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A photojournalist's powerful portrait from prison

<figure><img width="1024" height="683" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101132/636a22909c7e80680e041795jpeg.jpg" alt=""/><figcaption>Arundhati Roy with Maati Ke Laal in her flat in Delhi. Photo: SHAHIDUL ALAM/DRIK/MAJORITY WORLD</figcaption></figure>Indian author Arundhati Roy <a href="https://pen-international.org/news/arundhati-roy-writes-to-shahidul-alam-day-of-the-imprisoned-writer-2018">wrote a letter</a> to imprisoned Bangladeshi <a href="https://www.theguardian.com/world/gallery/2018/oct/15/jailed-bangladesh-photojournalist-shahidul-alam">photographer Shahidul Alam</a> on the 100th day of his incarceration on 14 November, which was also the <a href="https://pen-international.org/">PEN International</a>’s Day of the Imprisoned Writer, 2018. Alam was <a href="https://www.theguardian.com/world/2018/nov/20/bangladeshi-activist-shahidul-alam-released-from-prison">released on bail</a> on 20 November, and he wrote back to Arundhati. Nepali Times brings you both letters below:  --Dear Shahidul,It’s been more than a 100 days now since they took you away. Times aren’t easy in your country or in mine, so when we first heard that unknown men had abducted you from your home, of course we feared the worst. Were you going to be ‘encountered’ (our word in India for extra-judicial murder by security forces) or killed by ‘non-state actors’? Would your body be found in an alley, or floating in some shallow pond on the outskirts of Dhaka? When your arrest was announced and you surfaced alive in a police station, our first reaction was one of sheer joy.Am I really writing to you? Perhaps not. If I were, I wouldn’t need to say very much beyond, ‘Dearest Shahidul, no matter how lonely your prison cell, know that we have our eyes on you. We are looking out for you.’Read also: <a href="https://www.nepalitimes.com/banner/shahidul-alam-100th-day-in-jail/" target="_blank" rel="noopener">Shahidul Alam 100th day in Jail</a>If I were really writing to you I wouldn’t need to tell you how your work, your photographs and your words, has, over decades, inscribed a vivid map of humankind in our part of the world—its pain, its joy, its violence, its sorrow and desolation, its stupidity, its cruelty, its sheer, crazy complicatedness—onto our consciousness. Your work is lit up, made luminous, as much by love as it is by a probing, questioning anger born of witnessing at first hand the things that you have witnessed. Those who have imprisoned you have not remotely understood what it is that you do. We can only hope, for their sake, that someday they will.Your arrest is meant to be a warning to your fellow citizens: ‘If we can do this to Shahidul Alam, think of what we can do to the rest of you—all you nameless, faceless, ordinary people. Watch. And be afraid.’The formal charge against you is that you have criticised your country in your (alleged) Facebook posts. You have been arrested under the Section 57 of Bangladesh’s infamous Information and Communications Technology Act (ICT) which authorizes ‘the prosecution of any person who publishes, in electronic form, material that is fake and obscene; defamatory; tends to deprave and corrupt its audience; causes or may cause deterioration in law and order; prejudices the image of the state or a person; or causes or may cause hurt to religious belief’.Read also: <a href="https://www.nepalitimes.com/banner/shahidul-alam-photo-kathmandu-award/" target="_blank" rel="noopener">Shahidul Alam Photo Kathmandu award</a>, Alisha SettWhat sort of law is this, this absurd, indiscriminate, catch-all, fishing trawler type of law? What place does it have in a country that calls itself a democracy? Who has the right to decide what the correct ‘image of the state’ is, and should be? Is there only one legally approved and acceptable image of Bangladesh? Section 57 potentially criminalizes all forms of speech except blatant sycophancy. It’s an attack, not on intellectuals, but on intelligence itself. We hear that over the last five years more than 1200 journalists in Bangladesh have been charged under it, and that 400 trials are already underway.In India too, this sort of attack on our intelligence is becoming normalized. Our equivalent of Bangladesh’s ICT Act is the Unlawful Activities Prevention Act under which hundreds of people including students, activists, lawyers and academics are being arrested in wave after wave. The cases against them, like the one against you, are flimsy and ludicrous. Even the police know that they are likely to be acquitted by higher courts. But the hope is that by then, their spirits will have been broken by years in prison. The process is the punishment.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">#FreeShahidulAlam</a>So, as I write this letter to you, dear Shahidul, I am tempted to add, dear Sudha, dear Saibaba, dear Surendra, dear Shoma, dear Mahesh, dear Sudhir, dear Rona, dear Arun, dear Vernon, and also, dear Tariq, dear Aijaz, dear Aamir, dear Kopa, dear Kamla, dear Madavi, dear Maase, dear Raju, dear hundreds and hundreds of others.How is it possible for people to defend themselves against laws like these? It’s like having to prove one’s innocence before a panel of certified paranoics. Every argument only serves to magnify their paranoia and heighten their delusions.As both our countries hurtle towards general elections, we know that we can expect more arrests, more lynching, more killing, more bloggers hacked to death, more orchestrated ethnic, religious and caste conflagrations— more false-flag “terrorist” strikes, more assassinations of journalists and writers. Elections, we know, means fire in the ducts.Read also: <a href="https://www.nepalitimes.com/banner/the-death-of-democracy/" target="_blank" rel="noopener">The death of democracy</a>, Aditya Adhikari Your Prime Minister, who claims to be a secular democrat, has announced that she will build 500 mosques with the billion dollars the Government of Saudi Arabia has donated to Bangladesh. These mosques are supposedly meant to disseminate the ‘correct’ kind of Islam.Here in India, our rulers have dropped all pretense of the secularism and socialism that are enshrined in our constitution. In order to distract attention from the catastrophic failures of governance and deepening popular resentment, as institution after institution—our courts, universities, banks, intelligence agencies—is pushed into crisis, the ruling power, (not the Government, but its holding company, the Rashtriya Swayamsevak Sangh,) is alternately cajoling and threatening the Supreme Court to pass an order clearing the decks for the construction of a giant Hindu temple on the site where the Babri Masjid once stood before it was demolished by a rampaging mob. It’s amazing how politicians’ piety peaks and troughs with election cycles.This is what we are up against, these neat definitions of the perfect nation, the perfect man, the perfect citizen, the perfect Hindu, the perfect Muslim. The postscript to this is the perfect majority and the satanic minority. The people of Europe and the Soviet Union have lived through the devastation that these sorts of ideas caused. They have suffered the matchless terror of neatness. Only recently Europe marked the 80th anniversary of Kristallnacht—the event that marked the beginning of the Holocaust. There too it all began quite slowly. There too it began with elections. And there too the old murmurs have started up again.Here we’re going to witness our own scorched-earth elections in the coming days. They will use their fishing-trawler laws, they will jump at shadows to decimate the opposition.Fortunately, we are an irredeemably untidy people. And hopefully we will stand up to them in our diverse and untidy ways.Dear Shahidul, I believe the tide will turn. It will. It must. This foolish, shortsighted cruelty will give way to something kinder and more visionary. This particular malaise, this bout of ill-health that has engulfed our planet will pass.I hope to see you in Dhaka very soon.With loveArundhati <figure><img width="700" height="400" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108101132/636a22929c7e80680e041796jpeg.jpg" alt=""><figcaption>Shahidul Alam is released from the prision.</figcaption></figure>Dearest Arundhati,It was a letter I read and reread long before it appeared before my eyes. It was through layers of metal bars that I strained to listen to Rahnuma’s words. At over 130 decibels, the noise made by us screaming prisoners, straining to hear and be heard, was akin to a crowded stadium or a fire siren. As she repeated her words over and over again, I faintly heard, Arundhati. Letter. It was just over a hundred days that I had been incarcerated. A hundred days since I’d slept on my own bed, fed my fish, cycled down the streets of Dhaka. A hundred days since I’d pressed my shutter as I searched for that elusive light.Those words, screamed out but barely heard was the nourishment I needed. Did you write it by hand? What was the paper like? In this digital age, you probably used a keyboard. What font had you used? What point size? And the words. Words that you so gracefully string together. I relished the imagined words. Your words. I missed words as I missed my bed, my fish and Rahnuma’s touch. When they asked me what I needed in jail, books were on top of my list. The first lot of books came in. Mujib’s prison diaries, Schendel’s History of Bangladesh, and the book you’d given me when we last met, The Ministry of Utmost Happiness. I’d been meaning to read it ever since we said goodbye in Delhi, but our lives had been taken over by the immediacy of our struggles. Now I had the time.I imagined other letters. The one Shiv Viswanathan had written when Binayak Sen had been sentenced for sedition, or the one Rahgu Rai wrote asking that I be freed. But this one was not to a prime minister. It had been written for me. To me. There are no pigeons in Keraniganj, and sparrows are perhaps too small to carry letters. As I fed them from my window, I could imagine one carrying across a tiny wad of paper, carefully tied to its feet. Paper I would unfold gently, smoothing the creases. It would have been a letter I had read before it was written.I could read your letter, not because I remember you sitting across your wooden table in your open kitchen. Not because I remember you rubbing noses with Maati Ke Laal as she interrupted our chat, insisting on not being ignored. Not because of Sanjay’s book on Kashmir, which we had opened together. My reading relied on our shared legacies, on our collective griefs, on the struggles we both face as autocrats rule our lands. You have Kashmir and we have the Chittagong Hill Tracts. You have ‘encounters’ and we have ‘crossfire’. ‘Goom’ we both share. We both live in what are called democracies, though we know we lack voice.Your book weaves complex characters, the absurdities and the beauty that is India. It finds the calm within the chaos. A moment of kindness, within the grotesque injustice. I look around me and see hijras in the high security cells in Surjamukhi. Occasionally they walk out, their bright saris, glowing amidst the drab clothes of other prisoners. They remind me of your Anjum. Of your Saddam, as I see Koutuk da feeding the cats, making his way to those pretentiously named jail buildings, Jamuna, Meghna, Korotowa and Padma, seeking out the one that might have missed its meal. As I speak to prisoners falsely charged, and left to rot in a legal system that lets people be forgotten, and the Sharbahara man Tipu Biswas, his eyes glowing with passion, insisting on justice even in jail, I am reminded of  your Musa, defiant against the odds.It was here in Keraniganj that I met Badal Farazi, wrongfully charged by Indian courts, and eventually sent to Bangladesh. Ten years in jail for a crime, the courts knew he could not have committed. My government too scared to speak against this utter wrongness of Indian justice. Too scared to upset the big brother. Keraniganj was where top terror Joseph had been. Released through a presidential pardon, whisked away in the middle of the night and sent overseas. In my case it had taken six attempts before bail had finally been granted. They had tried to block my bail just as they had tried to stop me from sleeping on a bed, or getting access to a doctor. Even after bail was granted, they had tried to prevent my release. But we triumphed in the end, and we held hands and sang songs as I left the jail gate. The case still hangs over my head and the threat of bail being withdrawn is the threat they hope will silence my tongue, my pen and my camera. But the ink in our pens still run. The keyboards still clatter.Yesterday we were in Dhakeswari Mandir. It was Taposh and Haimanti’s daughter Riddhi’s ‘mukhe bhat’, her first solid food. As they lit candles and circled the tulshi plant, I wondered if they would dig up the temple because they had heard of a mosque underneath. One more mosque to add to the 500 our prime minister has promised using Saudi money.They swore in the new cabinet yesterday ‘I will faithfully discharge the duties upon which I am about to enter according to law: That I will bear true faith and allegiance to Bangladesh: And that I will not allow my personal interest to influence the discharge of my duties as a member of Parliament.’ Given that their very means of being there was based on an election where every rule had been flouted, the constitution abused, to protect their personal interest, this oath was particularly perverse. A slap on our face with sandals, a terrible insult in South Asia. They will sit in their duty-free cars, flags waving. They, the biggest lawbreakers in the land, will sit on boards of banks and schools. They will pass the new laws. They took their oath as a mother of four was writhing in hospital, gang-raped by party faithful, for having the audacity of voting the ‘wrong’ way.But yes, Arundhati, the tide will turn, and the nameless, faceless people will rise. They will rise against the entire state machinery, now reduced to servility. They will rise as they did in ’71. They, who never clamoured for muktijoddha honours, who never claimed benefits for their children, who never wore Mujib coats in public. They, their children and their children’s children, will rise to bring back the core principles they had fought for. We will have secularism. We will have democracy. We will have social equality. We will win back this land.I’ll see you in Dhaka. A humongous hug awaits.Love,Shahidul Dhaka. 7th January 2019First published in <a href="http://www.newagebd.net/article/61212/they-will-rise-shahidul-alam-replies-to-arundhati-roy">The New Age</a>

Arundhati and Shahidul write to each other

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933ba9c7e80680e03dfb6jpeg.jpg" alt="" width="1500" height="1000"/>On the 100th day of incarceration of <a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">Bangladeshi photographer Shahidul Alam</a>, 34 prominent South Asians including Arundhati Roy, Shabana Azmi, Amitav Ghosh, Mohammad Hanif, Nepal's former Chief Justice Sushila Karki, among others have signed a letter to Prime Minister Hasina Wazed demanding his immediate release.The letter states: 'As well-wishers of Bangladesh and supporters of its 166 million citizens’ struggle for dignity, social justice and prosperity, we are distressed by the continued imprisonment of photographer and cultural activist <a href="https://www.youtube.com/watch?v=tCpmlkiqbf4" target="_blank" rel="noopener">Shahidul Alam</a>.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933be9c7e80680e03dfb7jpeg.jpg" alt="" width="5760" height="3840">The internationally renowned <a href="https://www.nepalitimes.com/banner/shahidul-alam-photo-kathmandu-award/" target="_blank" rel="noopener">photographer and mentor to many Nepali photojournalists </a>was forcefully taken from his home on 5 August and has been held at Dhaka Central Jail for the last 100 days. He is accused of ‘hurting the image of the nation’ while reporting on protests by young students demanding road safety. He has been denied bail five times.Read also:<a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">#FreeShahidulAlam</a><a href="https://www.nepalitimes.com/banner/the-death-of-democracy/" target="_blank" rel="noopener">The death of democracy</a>, Aditya Adhikari The letter notes: 'Shahidul Alam is a Bangladeshi citizen, but the rest of us in South Asia are also proud to call him our own, for the values of truth, justice and social equality he promotes.'<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933c29c7e80680e03dfb8jpeg.jpg" alt="" width="1500" height="908"><figcaption>Portrait taken by Shahidul Alam of Nepal's former Chief Justice Sushila Karki for an interview in Nepali Times. Karki was one of the signatories to a joint letterto Bangladesh Prime Minister Sheikh Hasina Wazed, demanding his release. Photo: SHAHIDUL ALAM/DRIK.</figcaption></figure>Other distinguished persons who have joined this appeal include singer/songwriter Moushumi Bhowmik (Kolkata), political scientist Jayadeva Uyangoda (Colombo), poet/critic Sankha Ghosh (Kolkata), historian/writer Ramchandra Guha (Bangalore), photographer Raghu Rai (Delhi), artist Salima Hashmi (Lahore) photographer Dayanita Singh (Delhi), Manjushree Thapa and Kanak Mani dixit (Kathmandu) among others.The signatories adds: 'It is clear to us that the case of <a href="https://www.nepalitimes.com/banner/the-death-of-democracy/" target="_blank" rel="noopener">Shahidul Alam is being used as a means to suppress criticism</a> by others in civil society. His arrest and continued detention appear to be manifestation of an intolerant political atmosphere, an attempt to threaten and silence the voice of Bangladeshi citizens.'Read also: <a href="https://www.nepalitimes.com/banner/shahidul-alam-photo-kathmandu-award/" target="_blank" rel="noopener">Shahidul Alam Photo Kathmandu award</a>, Alisha Sett<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171132/636933c49c7e80680e03dfb9jpeg.jpg" alt="" width="2000" height="1334"><figcaption>Photo of Arundhati Roy that Shahidul Alam took. Photo: SHAHIDUL ALAM/DRIK.</figcaption></figure>Full text of letter with list of signatories:H.E. Sheikh Hasina Wazed Prime Minister of Bangladesh Prime Minister’s Office Dhaka, Bangladesh 13 November 2018 Subject: Appeal for release of Shahidul Alam on 100th day in custody Your Excellency: As well-wishers of Bangladesh and supporters of its 166 million citizens’ struggle for dignity, social justice and prosperity, we are distressed by the continued imprisonment of photographer and cultural activist Shahidul Alam. Since the founding of the nation in 1971, the people of Bangladesh have led by example, fighting poverty, ending social injustices and being standard-bearers of participatory development. This advance has been made possible by the democratic spirit of the people, who have challenged military rulers and autocrats alike. As well-wishers of Bangladesh, we fear that these gains are in danger due to the rising political intolerance and denial of fundamental freedoms. Shahidul Alam is a Bangladeshi citizen, but the rest of us in South Asia are also proud to call him our own, for the values of truth, justice and social equality he promotes. His work and activism are respected all over our region and beyond, with innumerable friends who admire his concern for the voiceless and marginalised. One example is his latest work highlighting the tragedy of the Rohingya people, who have been given refuge in Bangladesh by your Government. Since Shahidul Alam was forcefully taken from his home on the 5th of August, he was remanded first in Detective Branch custody for seven days and, then held at Dhaka Central Jail at Keraniganj. He is accused of ‘hurting the image of the nation’ while reporting on protests by young students demanding road safety. It is clear to us that the case of Shahidul Alam is being used as a means to suppress criticism by others in civil society. His arrest and continued detention appear to be manifestation of an intolerant political atmosphere, an attempt to threaten and silence the voice of Bangladeshi citizens. With the country preparing for general elections, this is a time when there should be more space for debate and discussion, not less. As believers in the rule of law, we are shocked to learn that government lawyers continue to oppose Shahidul Alam’s release on bail using various stratagems and delays intended to deprive him of his fundamental rights to liberty and due process. Across South Asia, politicians and citizens have fought for the right to speak, and to write, and it is astonishing to us that a government today, especially one which seeks to harness technology for progress, should choose to use a law to proscribe online speech to jail a citizen.Sincerely,<ol><li dir="ltr">Akram Khan, London</li> <li dir="ltr">Amar Kanwar, New Delhi</li> <li dir="ltr">Amitav Ghosh, Goa</li> <li dir="ltr">Anish Kapoor, London</li> <li dir="ltr">Aparna Sen, Kolkata</li> <li dir="ltr">Arundhati Roy, New Delhi</li> <li dir="ltr">Ashok Vajpeyi, New Delhi</li> <li dir="ltr">Buddhadeb Dasgupta, Kolkata</li> <li dir="ltr">Dayanita Singh, New Delhi</li> <li dir="ltr">Ina Puri, Kolkata</li> <li dir="ltr">Jayadeva Uyangoda, Colombo</li> <li dir="ltr">Kanak Mani Dixit, Kathmandu</li> <li dir="ltr">Laila Tyabji, New Delhi;</li> <li dir="ltr">Manjushree Thapa, Toronto</li> <li dir="ltr">Mohammed Hanif, Karachi</li> <li dir="ltr">Moushumi Bhowmik, Kolkata</li> <li dir="ltr">Nandita Das, Kolkata</li> <li dir="ltr">Nimalka Fernando, Colombo</li> <li dir="ltr">Patricia Mukhim, Shillong</li> <li dir="ltr">Pooja Sood, New Delhi</li> <li dir="ltr">Rachana Singh, New Delhi</li> <li dir="ltr">Raghu Rai, New Delhi</li> <li dir="ltr">Rajdeep Sardesai, New Delhi</li> <li dir="ltr">Ramchandra Guha, Bangalore</li> <li dir="ltr">Romilla Thapar, New Delhi  </li> <li dir="ltr">Salima Hashmi, Lahore</li> <li dir="ltr">Sanjay Kak, New Delhi</li> <li dir="ltr">Sanjoy Hazarika, Shillong</li> <li dir="ltr">Sankha Ghosh, Kolkata</li> <li dir="ltr">Shabana Azmi, Mumbai</li> <li dir="ltr">Sushila Karki, Kathmandu</li> <li dir="ltr">Vijay Prashad, New Delhi</li> <li dir="ltr">Vikram Seth, New Delhi</li> <li dir="ltr">Vrinda Grover, New Delhi</li></ol>https://www.youtube.com/watch?v=tCpmlkiqbf4

Shahidul Alam 100th day in jail

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930669c7e80680e03c0f7jpeg.jpg" alt="" width="1500" height="1000"/><figcaption>Photo: PRAVEEN CHETTRI</figcaption></figure><a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/best-years-of-their-lives-migrant-workers,3722" target="_blank" rel="noopener">Shahidul Alam</a>, the acclaimed Bangladeshi photographer, activist and prisoner of conscience was awarded the <a href="https://www.nepalitimes.com/banner/photo-returns-to-kathmandu/" target="_blank" rel="noopener">Photo Kathmandu</a> Award of Excellence at Patan Museum on Friday.He was <a href="https://www.nepalitimes.com/banner/the-death-of-democracy/" target="_blank" rel="noopener">detained and arrested by the Bangladeshi government</a> on 5 August 2018 for 'disseminating false, confusing and provocative statements that caused a deterioration in the law and order situation of the state, hurt the image of the state and hurt the sentiment of young students that instigated them to create social instability and engage in destructive activities' through a Facebook live video.Alam has been in incarceration without hope of bail for the past 82 days. However, it has been widely acknowledged that Alam’s documentation of the protests and his frank interview on Al Jazeera, critical of the Awami League government’s lack of action, are what motivated the Hasina-Wazed government to pursue prolonged detention for one of the father-figures of Southasian photography.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930699c7e80680e03c0f8jpeg.jpg" alt="" width="1500" height="1000"><figcaption>Photos:CHEMI DORJE</figcaption></figure>Kanak Mani Dixit, founder of Himal Southasian, who traveled to Dhaka recently, said at the event that Alam’s imprisonment is part of Prime Minister Hasina Wazed’s vindictive agenda to instill fear in social activists across the country before the state elections in December 2018. Coming at this crucial time, this prestigious award stands as a testimony against the silencing of one of Southasia’s most prominent photojournalists.The award acknowledges Alam’s “'instrumental contribution towards the development of Nepali photography and journalism', and his role as an enabler of Photo Kathmandu. The jury made up of Bikas Rauniar (senior Nepali photojournalist), Bikas Karki (President of Photojournalists Club Nepal and Photo Editor of Annapurna Post) and Sagar Shrestha (President of National Forum of Photojournalists), said the decision was unanimous.Alam is a renowned institution builder in the photography community recognised for founding Pathshala Southasian Media Institute, Chobi Mela International Festival of Photography, Majority World and the Drik Picture Library. The school, festival, agency and archive combined have been foundational to the development of photographic artists across the subcontinent. These novel initiatives have also contributed to giving photographers from the global south their rightful place as equals in the international media, an industry notorious for its Western bias. Alam has traveled the world demanding fair pay, fair representation, and fair access. This is why Nobel Laureates as prominent as Amartya Sen and Archbishop Desmond Tutu have been <a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">demanding his unconditional release</a>.https://www.youtube.com/watch?v=SmR_8qo9mBQBut how did a Bangladeshi make such a deep impact in Nepal? In a short video made for the occasion, several generations of Nepali journalists and photographers spoke about the immense impact Alam had on their personal and professional development. Bikas Rauniar remembered when Alam succeeded in bringing the World Press Photo exhibition to Kathmandu in September 2002. This was a difficult feat because such an expensive international show had never been accessible to a Nepali public before. Several others like Uma Bista and Arpan Shrestha spoke about the critical educational opportunities and occasions for international exposure that Alam provided.Nayantara Gurung Kakshapati, co-founder of Photo Kathmandu, met Alam in 2007, at the opening of 'A People’s War', a photobook trilogy launched at the end of the Maoist War. Alam has taught her that working in countries where resource crunches and political pressures were inevitable requires courage, persistence, kindness and passion. Their dialogue has continued over a decade and during this time Photo Circle, the festival’s parent organisation that has been active for over eleven years, has imbibed much of its ethos through Alam’s examples. The way in which their exhibitions blend into the city through nurturing neighborhood participation and discussion is a key tenet of Chobi Mela, the region’s first festival of photography founded by Alam.In his absence, Gurung Kakshapati invited Alam’s students, colleagues and supporters on stage to accept the award. The 35 people who walked forward represented a cross-section of Nepali, Indian and Bangladeshi artists. Holding masks of Alam’s face over their faces, they stood together in silence. The collective solidarity visible in this moment was indicative of the depth of Alam’s influence.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/6369306d9c7e80680e03c0f9jpeg.jpg" alt="" width="640" height="427">Munem Wasif, an artist and longtime-colleague of Alam, said a few words on behalf of the Bangladeshi community when Gurung Kakshapati presented the award. Choking with emotion at having to fill the shoes of his mentor, Wasif spoke of the many lessons he had learned: “This year marks 30 years of Drik, and 20 years of Pathshala and Chobi Mela. There are many people like me who have grown up with these institutions… and showed how to see beyond ourselves. Shahidul taught us how to be rooted while also having global ambitions”.Alam is also a prolific writer and penned these lines: 'There is no government I know that does not champion democracy and human rights in its rhetoric but also actively suppress both in its practice. It’s best to recognise that reality and work within it rather than fantasise on some ideal solution that has no relevance to everyday art practice. So we use the tactics of judo wrestlers, using the opponent’s weight and turning it to our advantage. We use fulcrums and gravity and capitalise on the inherent inertia of the establishment. We are nimble and fleeting. As Ali might have done, we flit like the butterfly and sting like the bee.'Alisha Settled is co-founder of Kashmir Photo Collective and Deputy Course Director for Critical Theory, Aesthetics and Practice at Jnanapravaha, Mumbai.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171120/636930719c7e80680e03c0fajpeg.jpg" alt="" width="1500" height="1000">Read also:<a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">#FreeShahidulAlam</a><a href="https://www.nepalitimes.com/banner/the-death-of-democracy/" target="_blank" rel="noopener">The death of democracy</a>, Aditya Adhikari<a href="https://www.nepalitimes.com/banner/photo-returns-to-kathmandu/" target="_blank" rel="noopener">Photo returns to Kathmandu</a>, Monika Deupala

Shahidul Alam Photo Kathmandu award

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904739c7e80680e037d23jpeg.jpg" alt="" width="1500" height="1000"/>On 5 August, <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/best-years-of-their-lives-migrant-workers,3722" target="_blank" rel="noopener">Bangladeshi artist, writer and organiser Shahidul Alam</a> was interviewed on Al Jazeera about <a href="https://www.theguardian.com/world/2018/aug/05/bangladesh-pm-urges-teen-protesters-to-go-home-amid-violence" target="_blank" rel="noopener">student protests triggered by the deaths of schoolchildren run over by a public bus</a>.Alam said that the anger of the protesting youth were not just with the transportation sector but the dire situation of the country as a whole. He outlined a litany of everything that was wrong in Bangladesh: “The looting of banks, the gagging of the media, the extra-judicial killings, the disappearances, the need to give protection money at all levels, bribery at all levels, corruption in education.”That very day, security personnel in plainclothes arrived at Alam’s Dhaka home in the middle of the night and <a href="https://www.washingtonpost.com/world/2018/08/06/bangladeshi-photographer-shahidul-alam-arrested-over-provocative-comments/?noredirect=on&amp;utm_term=.9b6c0afa5357" target="_blank" rel="noopener">took him away without any explanation or warrant</a>. When he was presented before court a few days later, <a href="https://www.youtube.com/watch?v=iEeyhQNU8fg" target="_blank" rel="noopener">he was limping and had to be held up as he walked</a>.Read also: <a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">#FreeShahidulAlam</a>He had obviously <a href="https://www.nytimes.com/2018/08/08/world/asia/bangladesh-photographer-shahidul-alam.html" target="_blank" rel="noopener">been tortured in custody</a>. Soon after, he was charged with Section 57 of Bangladesh’s Information and Communications Technology Act (ICT) for ‘spreading propaganda and false information against the government’. Alam was denied bail. If convicted, he could face a seven-year sentence.The blatantly unjust and politically motivated arrest of Shahidul Alam <a href="https://www.theguardian.com/commentisfree/2018/aug/08/the-guardian-view-on-shahidul-alam-bangladesh-should-let-him-go" target="_blank" rel="noopener">has been widely condemned</a> and there have been petitions <a href="https://www.aljazeera.com/news/2018/08/calls-grow-release-bangladeshi-photographer-shahidul-alam-180811145247788.html" target="_blank" rel="noopener">for his release from all parts of the world</a>. The attention this case has received partially has to do with Alam’s extraordinary achievements and his international fame.As a photojournalist, he has received widespread acclaim for revealing that the marginalised are active agents rather than victims and his visceral depictions of state brutality. But Alam is equally known as an institution builder and a mentor for younger photojournalists. He founded the Drik Picture Library photo agency, the ChobiMela, one of South Asia’s most prestigious photo festivals, and the Pathshala South Asian Media Institute which has trained hundreds of photographers, including from Nepal.But the case has far-reaching implications that go beyond Shahidul Alam as an individual, and even beyond Bangladesh. The arrest has to be seen in light of worrisome trends that have begun to afflict large sections of the world, including many countries in the South Asian region.Broadly speaking, this has to do with the attack by the state upon what is often called ‘freedom of expression’.In recent months, governments in South Asia have tried to criminalise all criticism of the government, both by publicly prominent personalities and by private citizens expressing themselves on social media.Read also: <a href="https://www.nepalitimes.com/banner/suppressed/" target="_blank" rel="noopener">Suppressed</a>, Om Astha RaiIn Bangladesh, several people have been arrested for posting or sharing comments critical of the government on Facebook. The government there is planning to replace the notorious ICT act with even more draconian legislation. In Myanmar, journalists reporting on the <a href="https://www.nepalitimes.com/here-now/living-on-the-margins/" target="_blank" rel="noopener">Rohingya crisis</a> have been arrested and charged with violating the Official Secrets Act.In the past week, several high profile activists and intellectuals have been arrested in India in what is clearly a vendetta on the part of the government. And in Nepal too, the government has <a href="https://www.nepalitimes.com/banner/suppressed/" target="_blank" rel="noopener">passed legislation that would prevent journalists from reporting on state activity</a>.Read also: <a href="https://www.nepalitimes.com/banner/strongman-rule/" target="_blank" rel="noopener">Strongman rule</a>, Om Astha RaiGovernments have claimed that such measures are necessary to preserve national security. In order to maintain their power, rulers in the region have tried to instigate nationalist sentiments among the population. Organisations campaigning for greater justice have been vilified as tools of foreign countries.The intention behind these efforts is clear. Governments want to establish their own interpretation of history and current events as the only legitimate one. They want to be left free to bulldoze decisions without having to confront independent civil society groups. And in the process, they are trying to create populations that are fearful, inward looking and xenophobic.The campaign for the release of Shahidul Alam is not just about an individual who has been unjustly persecuted. More broadly, it is a campaign to resist the steady encroachment upon democratic space across the region. It is a campaign against a narrow-minded nationalism and the arbitrary use of power. A campaign that stands for tolerance, the rule of law and the rights of the most marginalised people.During her visit to Kathmandu for the BIMSTEC conference, Prime Minister Sheikh Hasina <a href="https://www.nepalitimes.com/latest/freeshahidulalam/" target="_blank" rel="noopener">would do well to realise that her government has only lost international legitimacy by arresting Shahidul Alam</a>. His immediate release will be an important first step towards restoring the Bangladesh government’s credibility.Other heads of government visiting Nepal should similarly recognise that attacks on journalists and members of civil society only serve to increase hostility and anger towards the ruling authorities. Dismantling legislation that impedes the right to free expression will be necessary if states are to regain the trust of their populations.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904759c7e80680e037d24jpeg.jpg" alt="" width="1500" height="1019"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904799c7e80680e037d25jpeg.jpg" alt="" width="1500" height="1021"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/6369047c9c7e80680e037d26jpeg.jpg" alt="" width="997" height="1500"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/6369047f9c7e80680e037d27jpeg.jpg" alt="" width="1500" height="1007"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904829c7e80680e037d28jpeg.jpg" alt="" width="640" height="961"><figcaption> </figcaption></figure>

The death of democracy

<figure><img width="1667" height="2500" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904619c7e80680e037d1ejpeg.jpg" alt=""/><figcaption>All photos: Sagar Chhetri/photo.circle</figcaption></figure>As Kathmandu welcomes several heads of states and governments for the fourth summit of the <a href="http://archive.nepalitimes.com/regular-columns/On-the-way-up/Different-regionalisms-SAARC,987" target="_blank" rel="noopener">Bay of Bengal Initiative for Multi-Sectoral Technical and Economic Cooperation</a> (BIMSTEC) on Thursday and Friday, the city's walls and streets have been lit up with projected images and slogans calling for the release of noted Bangaldeshi photographer Shahidul Alam. The aim is to draw the attention of Bangladesh Prime Minister Sheikh Hasina who arrives on Wednesday to attend the Summit.Alam is a <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/best-years-of-their-lives-migrant-workers,3722" target="_blank" rel="noopener">world-renowned Bangladeshi photographer, writer and activist</a> who was <a href="https://www.washingtonpost.com/world/2018/08/06/bangladeshi-photographer-shahidul-alam-arrested-over-provocative-comments/?noredirect=on&amp;utm_term=.c2f07f839123" target="_blank" rel="noopener">arrested from his home in Dhaka on 5 August following an interview on Aljazeera</a> in which he was critical of the Bangladeshi government's crackdown on student protests. Alam has been charged under Section 57 of draconian Information and Communication Technology (ICT) Act for 'spreading propaganda and false information against the government'.Read also: <a href="https://www.nepalitimes.com/opinion/the-death-of-democracy/" target="_blank" rel="noopener">The death of democracy</a>, Aditya AdhikariShahidul Alam was produced before the magistrate on 5 August, <a href="https://www.youtube.com/watch?v=iEeyhQNU8fg" target="_blank" rel="noopener">he could not walk unaided, and was barefoot</a>. He stated before the magistrate that <a href="https://www.nytimes.com/2018/08/08/world/asia/bangladesh-photographer-shahidul-alam.html" target="_blank" rel="noopener">he had been tortured in police custody</a>, that he had been blindfolded, his hands had been handcuffed behind his back, verbally abused; at the place where he had been interrogated, a heavy weight had been placed over his head and he had been asked whether he could feel its weight, he had been punched on the face, his clothes had become bloodied, it had been washed and dried and ironed before he had been produced in court, he had been accused of being a Mossad agent, had been threatened that Rahnuma Ahmed would be abducted, and that "pins" would be used the next time. Witnesses say he showed clear signs of physical abuse. However, the magistrate did not record his statement and did not arrange for his medical examination, although this is required under Bangladesh law.There have been <a href="https://www.theguardian.com/commentisfree/2018/aug/08/the-guardian-view-on-shahidul-alam-bangladesh-should-let-him-go" target="_blank" rel="noopener">appeals for his release from around the world by journalists</a>, academics, human rights actors and organisations such as Amnesty International, Committee to Project Journalists (CPJ) and the Pulitzer Center among hundreds of others. Most recently, Nobel Laureate Amartya Sen issued a statement, saying: 'Freedom of expression, including through photojournalism, is extremely important for democracy.  We have good reason to admire the work that Shahidul Alam has been doing with great skill and courage for many years. His work should receive praise and appreciation, rather than being ground for harsh treatment.' Alam's has been assaulted in custody, denied proper medical treatment, and denied proper access to his lawyer and family. Bangladeshi PM Hasina is attending BIMSTEC alongside Indian PM Narendra Modi, and heads of states of Sri Lanka, Myanmar, Thailand, Bhutan and Nepal will be in Kathmandu till Friday.These images are from projections on walls and buildings of Kathmandu to coincide with the BIMSTEC Summit this week. <img width="2500" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904659c7e80680e037d1fjpeg.jpg" alt=""><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/636904689c7e80680e037d20jpeg.jpg" alt=""><img width="2500" height="1667" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/6369046c9c7e80680e037d21jpeg.jpg" alt=""><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107141112/6369046f9c7e80680e037d22jpeg.jpg" alt="">

#FreeShahidulAlam

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

Extract from an addendum to Nepal's Two Wars, Chapter 2 in the updated edition of Essays on Nepal: Past and Present by Sam Cowan, a retired British Army general with a long association with the Gurkhas. The book was first published in 2018, and republished earlier this month by FinePrint exclusively on Amazon. The addendum details a one-to-one conversation the author had in the <a href="https://archive.nepalitimes.com/news.php?id=8884">Royal Palace </a>with the <a href="https://archive.nepalitimes.com/news.php?id=8371">King Gyanendra</a> in November 2002 just after he had taken his initial steps on the road that ultimately led to <a href="https://archive.nepalitimes.com/news.php?id=14681">the abolition of the monarchy</a> in Nepal in 2008. In the early evening of September 16, 2002, in my role as Colonel Commandant of the Brigade of Gurkhas, I had my second and last official audience with King Gyanendra to give him an update on the Brigade’s activities over the previous 12 months. I had some 6 or 7 such audiences with <a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home">King Birendra</a>.&nbsp; These were official affairs with the British ambassador of the day present, along with key <a href="https://archive.nepalitimes.com/news.php?id=12233">palace officials</a> and a representative from Nepal's Foreign Ministry. The two monarchs were very different in character and temperament, but both treated me with the utmost civility and made the audiences as relaxed and easy for me as possible.&nbsp; It is, however, worth recording that when the official business had been covered, King Birendra, with a twinkle in his eye, often ended by asking, “Now General, what’s the gossip in London?” The second audience with <a href="https://archive.nepalitimes.com/news.php?id=8026">King Gyanendra </a>was my last official act in uniform. We came back to Kathmandu in the first week of November (after treks) to stay for a few nights with our Defence Attaché before heading back to the UK. Waiting for me was a message from the Palace saying that King Gyanendra would like to meet me informally: <a href="https://archive.nepalitimes.com/news.php?id=6933">no uniform</a> and no ambassador.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750.jpg" data-media-id="editor_7" data-image-id="20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750" data-rendition-name="original" width="1750" height="2406" loading="lazy" alt="Gyanendra crowned page 1"> <figcaption>Nepali Times Special Edition of 6-14 June 2001 with enthronement of Gyanendra. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2.jpg" data-media-id="editor_8" data-image-id="20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2" data-rendition-name="original" width="1500" height="1857" loading="lazy" alt="Royal massacre"> <figcaption>Nepali Times 22-29 June 2001 covering the royal massacre after which Gyanendra became king. </figcaption> </figure>  Although I had no idea what the purpose of the meeting might be, events in Kathmandu since I last saw the king put me on edge. On October 4, 2002, Gyanendra had dismissed Prime Minister Sher Bahadur Deuba, allegedly for failing to hold <a href="https://nepalitimes.com/news/what-goes-on-in-nepal-s-elections">elections</a>. He had put in place a new prime minister and a cabinet personally selected by him. When I heard the news on my travels, the people I met were generally supportive of the king’s actions. There was a general view that something had to be done, the country was going nowhere, and the king deserved his chance, not least to solve<a href="https://nepalitimes.com/latest/14-years-after-conflict-no-closure-in-nepal"> the Maoist </a>problem. Back in Kathmandu, views were not so sanguine. The chosen prime minister, Lokendra Bahadur Chand, was a relic from <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">the Panchayat period</a> whose party had failed to win a single seat in the last elections held in 1999. Some of the chosen cabinet ministers had, to put it mildly, dubious reputations, and others had no record of proven competence in any field. There was a fear that the king’s real motive in dismissing <a href="https://nepalitimes.com/editorial/deubas-denouement">Deuba</a> was to start to reverse the democratic gains made since 1990. I informed <a href="https://nepalitimes.com/news/nepal-britain-mark-centenary-of-1923-treaty">the British ambassador</a> about the invitation. He was strongly against accepting it, which was probably the clinching reason for my decision to do the polite thing and accept it. On the evening of November 7, 2002, I presented myself at the royal palace, alone and in civilian attire.&nbsp; As in the past, the Military Secretary, Major General Vivek Shah, met and escorted me into the presence of the monarch. This time, however, he was politely asked to leave the room and shut the door behind him. King Gyanendra greeted me warmly and invited me to sit down.&nbsp; Read also:<a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal"> The ghost of monarchy returns to haunt Nepal</a>, Shristi Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558.jpg" data-media-id="editor_15" data-image-id="20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558" data-rendition-name="original" width="1000" height="993" loading="lazy" alt="Gyanendra coup"> <figcaption>Nepali Times 4-10 February 2005 after king Gyanendra's coup imposed media censorship. anendra became king. </figcaption> </figure>  I had wondered, and to be truthful, had worried, not just about the purpose of the meeting, but about how the conversation might start and develop. I reduced my resolve to two points: be polite but speak candidly. The latter resolve was quickly put to the test with the king’s opening words: “Sam, [in previous meetings it had been ‘General’, you walk the highways and byways of this land more than most, tell me what the common man is thinking?” &nbsp;“Your Majesty, I have no idea what they are thinking, but they are waiting.” “Waiting?” “Yes, Your Majesty, they are waiting to see whether what you did some weeks ago in appointing your own prime minister and cabinet ministers is going to make any difference to their lives or whether it is just going to be more Kathmandu hot air.” “Everything is going to be difficult and is going to take time, a lot of time.” “Your Majesty, time is the one thing you don’t have. You must act quickly and decisively to take advantage of the opportunity you have created. Everyone knows that you have appointed these new ministers. Why don’t you get them in here one by one and tell them that they have three months to deliver a programme in their area of responsibility that is going to make a difference to people’s lives? Most will fail to do so. Sack them! It will be a powerful signal of your strong intent to deliver real change.” I can express the opening of our conversation in this way because just about every word is still etched in my mind. The king’s response to my last quoted words was to challenge me to give an example of something that could be delivered quickly. I can give a verbatim record of what I said in response to this unexpected challenge: “Health posts, Your Majesty, there is no shortage of them throughout the country as building them has been one of the sources of local corruption, but very few have any medicine to issue at present or have skilled people to assess and meet medical needs. Your Majesty, children are dying for lack of a few pills. Given the right priority, over a period, say of six months, every health post could be fully stocked with medicine and manned with trained people. This is something I could help to lead for you as I know it would have strong international backing. At last, people would know that you mean business.” As I warmed to the theme, I could see no sign of the king having any enthusiasm for the idea, and I quickly disengaged as it dawned on me, as it had clearly dawned on the king, that the reason for the deficiencies in health posts was to prevent any Maoist combatant from gaining access to any <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">medical support</a>, and if this meant people suffering, so be it. The subject of the Maoist insurgency inevitably came up, and I took the opportunity to elaborate on what is written in the final four paragraphs of the article above. I advised King Gyanendra that, self-evidently, since there were three parties in the conflict—him, the Maoists, and the political parties—it was imperative that he form an alliance with one of them, preferably the political parties; otherwise, he would find himself isolated, as the other two parties would inevitably, at some stage, form their own alliance. However, it quickly became apparent that the king’s mind was on a totally different track. On the Maoists, he told me that he had channels open to them, but he was scathing about the political party leaders. He made it clear that they would be waiting for a very long time before he gave any power back to them, and that is a polite way of expressing the actual words he used, but “crawling through the door” is a phrase which has stuck in my mind.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5.jpg" data-media-id="editor_17" data-image-id="20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5" data-rendition-name="original" width="2000" height="1317" loading="lazy" alt="fall of monarchy"> <figcaption>Nepali Times 28 April-3 May 2005 with cover image by Ajay Joshi of jubilant protesters after street demonstrations sidelined king Gyanendra, paving the way for a ceasfire and restoration of democracy. </figcaption> </figure>  As the conversation developed, it became ever clearer that King Gyanendra had decided to go in alone, relying on the misleading assurances he was constantly receiving from <a href="https://archive.nepalitimes.com/news.php?id=14954">the army</a>, and no doubt his close advisers, that the Maoists could and would be quickly defeated militarily, and taken out of the equation. This would obviate the need for him to do any deal with the political parties.&nbsp; Thus, the way would be clear for him to establish a version of his father’s Panchayat system, under a constitution that would be granted to the people by him, their sovereign, as his father and brother had done in 1962 and 1990. As in those constitutions, ultimate power would have remained in the sovereign’s hands. This proposed direction of travel was very clear from what the king said to me. In sum, King Gyanendra was motivated by a desire to emulate his immediate predecessors by granting his people a constitution that would restore his father’s Panchayat system in a modern form and give him a central role in decision-making. What was particularly dispiriting was that beyond this single objective he had no plan worthy of the name, nor demonstrably did he have the people with the skills to implement an appropriate plan even if one had existed. Crucially and depressingly, there was little or no indication from the king that he realised that such a course of action could put Nepal’s monarchy into serious jeopardy, as indeed proved to be the case. <h2>King Twice</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445.jpg" data-media-id="editor_19" data-image-id="20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445" data-rendition-name="original" width="1302" height="632" loading="lazy" alt="“Tell me what the common man is thinking!”"> </figure>  <a href="https://archive.nepalitimes.com/news.php?id=8371">Gyanendra Bir Bikram Shah has been king twice</a>. In 1950 he was enthroned briefly as a child king (left, above) by the Rana Prime Minister Mohan Shumsher when his grandfather, King Tribhuvan, fled to exile in India. In 2001 he was crowned king again after the massacre in the royal palace in which his brother King Birendra and nine other members of his family were killed by Crown Prince Dipendra.&nbsp; During his second reign, Gyanendra gradually asserted power by sacking Prime Minister Sher Bahadur Deuba in 2002, and then taking full control after the 1 February 2005 coup. He was sidelined after the ceasefire in April 2006, and became a commoner after the Constituent Assembly finally <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ftnp-abolishing,624">abolished the monarchy in 2008</a>. In the past year, Gyanendra has tried to exploit public dissatisfaction with the political parties to restore the monarchy.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788.jpg" data-media-id="editor_22" data-image-id="20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Essays on Nepal by Sam Cowen"> </figure>

“Tell me what the common man is thinking!”

“It's Kathmandu.” Just as the family was sitting down for one of its extended lunches, that jubilant cry was from François Driard’s grandfather announcing the next posting for his diplomat parents.&nbsp; Driard (pictured) was 18 in the summer of 1996,<a href="https://nepalitimes.com/opinion/suburban-tales/chasing-a-nomad"> a bit of a hippie</a> already, and his life was about to change forever with the magical word “<a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu</a>”. “I was awed with that information from my grandfather, nothing else mattered … In France <a href="https://nepalitimes.com/here-now/tales-of-courage-and-suffering-cx95f89e">in the 1990s</a>, Kathmandu had a mythical aura,” Driard recalls. He came to Kathmandu for Christmas that year to visit his stepfather, the French Ambassador Michel Lummaux. It was to be the first of many visits during school holidays, before he decided to permanently settle down in Nepal. “Kathmandu, and Nepal, were very different then, it was magical, I liked the nature, the people, civilisation, temples, trees,” says Driard, who explored the country sitting on the top of buses. “Visitors talk about the crazy <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">urbanisation</a>, traffic jams today, and all that is true. But Kathmandu has not <a href="https://nepalitimes.com/here-now/loss-of-soul-and-soil">lost its soul</a>.” After his stepfather’s tenure in Nepal ended, Driard worked as a business reporter for international publications but decided he did not want to be anyone’s employee anymore. In 2007 he landed in Kathmandu with €20,000 in savings to invest.&nbsp; He knew a few crucial things about himself: he liked food and nature, which is very much tied up with his upbringing--full of lively conversations during lunch and dinner at the family table between <a href="https://nepalitimes.com/here-now/nepals-yak-cheese-is-on-world-map">abundant cheese, wine and cigars</a>. So he decided it would be cheese, and registered Himalayan French Cheese and went to the French Alps for a month to learn how to make Tomme de Savoie. “<a href="https://nepalitimes.com/banner/the-story-of-langtang-cheese">Cheese making is such an ancient craft </a>and so I thought I won’t need much money or studying which I hated and indeed, if you have a tamako bhado and fire you are set,” explains Driard. But Nepal’s temperature and humidity were not ideal, even at higher altitudes. The first customers for his cheese were the Hyatt Regency and Nina and Hager. But he needed to create a market for cheese in a country which only knew hard churpi in the north and soft paneer in the south. He started selling his cheeses at the Summit Hotel weekend market, expanding to his own 1905 Farmer’s Market which later moved to Le Sherpa in Maharajganj, where it is now, and also a market at Labim Mall in Pulchok. He had cow dairies in Nuwakot and Dhulikhel, and finally a yak cheese unit at 3,379m in Ramechhap. It was the yak blue cheese from here that went on to win a Gold Medal in France, putting Nepal’s French cheese on the world map. “People come and try our cheese at the market, they ask questions. There is a lot of education to be done about cheese,” adds Driard, who also has three cheese shops in the Valley. Driard now makes 25 types of cheese. The products are being noticed and every year he has French students coming to Nepal to learn the art of yak cheese making. “In France, one family or company makes one kind of cheese for generations. In that I’m very unique as a cheese artisan,” he says. “The students come in to learn but I tell them to also teach us something too, add another cheese to my collection.” Read also: <a href="https://nepalitimes.com/here-now/langtang-after-10-years">Langtang after 10 years</a>, Sonia Awale Being a foodie, Driard is now also dabbling in meat with his own charcuterie at Meatini with bacon, ham, sausage and pâtés. All of this is now served at his Emilio’s Pizza, a leafy hideaway in Lazimpat. His South Side in Moksh is probably the smallest wine bar in the world. “I call the process sublime,” says Driard of his ventures, which have grown organically. “You need the same temperature and humidity of 12°C and 80% for cheese, meat and wine.” Emilio’s speciality is the eight-cheese pizza (which has eight types of cheeses), and a pizza with bhutan topping (not the country but fried intestines and organs Nepali-style). He has opened a small branch at Courtyard in Pokhara.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3.jpg" data-media-id="editor_8" data-image-id="20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="8 cheese pizza"> <figcaption>Eight-cheese pizza</figcaption> </figure>  With two artisanal cheese units, two farmers’ markets, a <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">meat processing unit</a>, a bakery, and wine bar he now envisions a vineyard so he can add Nepali wine to his repertoire. Another future plan is to start up an agri-tourism business where customers can drink, eat and work in peace. In the past 20 years in Nepal, Driard has not always succeeded in his ventures but this hasn’t curbed his enthusiasm. He is learning as he goes, and like an old wine, Nepal is growing on him. Its slowness suits his French art de vivre with eating slowly outdoors, having conversation, importing less.&nbsp; “I have proven that with even a little money you can do a lot of things in Nepal,” adds Driard. “In the West, they easily invest half a million euros on a cheese factory, I invested 10 times less.”&nbsp;

Fromage, vin et charcuterie Népalais

Bhuthan भुठान starts with Bishnu Bahadur KC played by <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/dhuwa-smoke-telefilm,2671">Hari Bansha Acharya</a> on a call, requesting to speak to the visa officer. By this point, he had <a href="https://nepalitimes.com/here-now/nepal-should-now-allow-visa-on-arrival">applied for a visa </a>to Bhutan 10 times, but was denied each time. KC was a <a href="https://nepalitimes.com/here-now/nepal-s-women-excel-in-sports-in-2024-z9ramyct">national football player </a>in Bhutan in 1988 before he and other Nepali-speaking Lhotsampa people were forced out of the country in the 1990s as part of the Druk regime’s ‘One Nation One People’ campaign. Over 100,000 Bhutanese Nepalis were forced out, driven across India and dumped in Nepal where they lived in seven<a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp"> refugee camps</a> supervised by the United Nations and other charities until they were resettled in the United States, Australia, New Zealand and some European countries starting in 2007. In the fictional movie with the satirical English title The World’s Happiest Man, KC has resettled in the state of Ohio in the US but wishes to visit his home country once before he dies. Between flashbacks, we learn KC has died without having fulfilled his wish. &nbsp; The drama then focuses on KC’s two families from two marriages as they debate whether to cremate him as per <a href="https://archive.nepalitimes.com/article/from-nepali-press/muslim-hindu,2996">Hindu rites </a>or give him a Christian burial. A mediator played by Hollywood actor Bruce Dern urges them to take a firm decision before it is too long.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3.jpg" data-media-id="editor_5" data-image-id="20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3" data-rendition-name="original" width="945" height="945" loading="lazy" alt="Bhutan, the movie"> </figure>  There are drawn out scenes of KC being baptised and when he is confronted by his first wife from Darjeeling played by Anuradha Majumdar, he says he changed his religion in the hope that he will be <a href="https://nepalitimes.com/opinion/comment/bhutan-s-refugees-between-hope-and-despair">allowed back in Bhutan</a>.&nbsp; We find out KC has a second wife, a Christian Nepali played by Puja Chand. Dayahang Rai as the younger son doesn’t have much screen time to flex his acting chops. &nbsp; Acharya competently portrays a man that is equal parts haunted by the memories of and longing for his home country. KC’s pain and loss is acute when he is teaching football to Gungun but between mid-scene, he freezes, perhaps lost in memories of being in Bhutan’s national team. &nbsp; In another scene, KC recalls his mother singing a lullaby in Dzongkha. He also has a box filled with medals, photographs and a football which he deflates with a knife in a powerful depiction of his <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home?fb_comment_id=1506516030025634">complicated emotions about his homeland</a>. KC keeps checking his mailbox in the hopes that his <a href="https://archive.nepalitimes.com/news.php?id=4977">visa application</a> has been accepted. He says in Nepali: “If a tree that has already struck roots in one place is shifted to another, it will not survive.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34.jpg" data-media-id="editor_9" data-image-id="20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34" data-rendition-name="original" width="1422" height="2048" loading="lazy" alt="Bhutan, the movie"> </figure>  Dern’s character says that the <a href="https://nepalitimes.com/opinion/comment/nepal-s-transitional-justice-and-the-west-s-recalibration">western world</a> has become “lonely in pursuit of happiness”, another reference to Bhutan’s obsession with its Gross National Happiness index. Scenes shift quickly throughout making the story difficult to follow at times. The use of symbolism is a trite overdone. Nonetheless, भुठान is a nuanced depiction of raw pain and agony of losing one’s homeland. But one cannot help but leave the theatre feeling deflated. KC dies without having visited <a href="https://nepalitimes.com/here-now/small-bhutan-dreams-big">Bhutan</a>, but perhaps he does in his afterlife. It is up to the audience to create its own ending to this sad story of exile. भुठान Mad Monkey Films, 2025 Directed by Binod Paudel 102 minutes In cinemas in Nepal