<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d035c9c7e80680e0a36ccjpeg.jpg" alt="" width="960" height="641"/><figcaption>PHOTOS COURTESY OF ANI CHOYING DROLMA </figcaption></figure>After taking Nepal by storm with her popular songs and chants, <a href="http://archive.nepalitimes.com/news.php?id=7229#.YVVcFC8w3u0" target="_blank" rel="noopener noreferrer">Ani Choying Drolma</a> is now a hit also in Tibet, the land of her ancestors.Not just Tibet, but her <a href="http://archive.nepalitimes.com/news.php?id=501#.YVVcAi8w3u0" target="_blank" rel="noopener noreferrer">melodious mantra</a> are also loved by tens of millions in China, Hong Kong, Taiwan and southeast Asia.Following a concert in Lhasa before the pandemic, Ani Choying Drolma had just returned to her hotel room when she was visited by a group of monks who had become fans.“They told me that they thought I was just a good singer, but after my concert they said they believed I was also a seeker,” Ani Choying says in a recent article in Himal Khabar magazine.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d035f9c7e80680e0a36cdjpeg.jpg" alt="" width="960" height="640">Ani Choying Drolma is a <a href="http://archive.nepalitimes.com/news.php?id=7229#.YVVcFC8w3u0" target="_blank" rel="noopener noreferrer">household name in the Nepali-speaking world </a> because of her breakthrough song “फूलको आँखामा” which has got over 2 million views on YouTube. Her soothing voice and uplifting lyrics have  amassed a dedicated fan base in Nepal and abroad.Her Buddhist mantra chants also have a wide crossborder fan base, especially in China where there is a growing spiritual revival. A well known Chinese singer is quoted in the media as saying: “Before I listened to Ani, I used to think I was among the number-one singers in China.”There are <a href="http://archive.nepalitimes.com/news.php?id=18559#.YVVb7y8w3u0" target="_blank" rel="noopener noreferrer">many such stories</a>, and each is as humbling for Ani Choying as it is inspiring. Tán Dùn, the Grammy-winning composer of Crouching Tiger, Hidden Dragon, asked her to perform for him last year. Unfortunately, the concert could not be held because of the pandemic in Hong Kong.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03619c7e80680e0a36cejpeg.jpg" alt="" width="960" height="640"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03659c7e80680e0a36cfjpeg.jpg" alt="" width="961" height="640">Hong Kong holds a special place in her heart because she opened a concert marking the British handover of the territory to China at the Asia-World Arena in 1997. She sang the main Awalokiteswar mantra to an audience of 14,000.“I have performed in Hong Kong many times, but it was that concert that made the biggest impact on my career,” Ani Choying says.Even when Chinese tourists visit Nepal, they sometimes visit her nunnery in Pharping, buy her CDs in Thamel, ask about her concerts, or sometimes recognise her on the streets and take selfies.<a href="https://www.nepalitimes.com/featured-videos/nt-studio-in-conversation-with-ani-choying-drolma/">NT Studio: In conversation with Ani Choying Drolma</a>, Sahina Shrestha“Once I was in Baudha when I saw a person running towards me, and he asked to take a picture,” Ani Choying recalls. “The man said he was an actor back home and asked me if I knew that I was very famous in China.”They exchanged WeChat contacts, and she later found out that he was none other than Chen Kun, the famous Chinese actor from The Knot and Love Story in Shanghai.Ani Choying credits this affection and admiration in China to her many guru. Fans flock to her after concerts to thank her for the courage and hope that her songs provide them.<a href="https://www.nepalitimes.com/latest/coming-soon-ani-choying-the-movie/">Coming soon: Ani Choying, the movie</a>, Alisha Sijapati<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03679c7e80680e0a36d0jpeg.jpg" alt="" width="960" height="640">Once at the Jumeirah Himalayas Hotel in Shanghai, the owner of the hotel recounted how Ani Choying’s songs helped her through labour pains during the birth of her first child. When she heard the music, she felt so relieved as though the pain had vanished by half.Ani Choying’s music has <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ani-choying-drolma-in-UN,2911" target="_blank" rel="noopener noreferrer">boundless reach</a>, can hold many meanings to many people, but most of her devout followers say it calms their minds, soothes their souls.A Taiwanese singer recently approached her manager asking for permission to rearrange and perform one of her Buddhist mantra. Her reply: “It is a holy chant, anyone can sing and get solace from it.”In Nepal, Germany, or China, compassion has no borders, and that is the underlying message in all her songs which are delivered in concert halls where there is complete silence.<a href="http://archive.nepalitimes.com/news.php?id=18218#.YVVb8C8w3u0">Ani's school</a>, Tsering Dolkar Gurung These are mostly traditional Buddhist chants and mantra. But her Nepali songs mostly have lyrics by Durga Lal Shrestha and music by Nhyu Bajracharya, and have been consistenly popular because they are based on Buddhist teachings.Ani Choying’s Tibetan roots means that she has to keep a low profile while performing in China, and she labels herself as a ‘Himalayan Buddhist from Nepal’ and renders her spiritual songs of compassion.She thinks the reason for her popularity in China is that with the country’s meteoric economic rise, more and more people there are yearning also for spiritual upliftment that her songs help provide.She says: “Nepali artisans like Arniko are renowned in China for their craft, and I am just carrying on that tradition with my music.”Read also: <a href="http://archive.nepalitimes.com/blogs/kundadixit/2017/11/05/anis-song/">Ani's song</a>, Kunda Dixit

Ashish Dhakal

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Nepal’s singing nun is a hit in China

<img width="1500" height="1194" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b73e59c7e80680e062363jpeg.jpg" alt=""/>Given the vibrant art and literature scene in Nepal, we tend to forget that there is a whole Nepali-speaking world out there. At least 5 million Nepalis live beyond the country’s borders, performing songs and plays, writing books and making films.In golden age of Nepali culture, artists from Darjeeling and Sikkim dominated the music, art and literature scene in Kathmandu. Indeed, northeast India continues to nurture rich artistic output.One of the new treasures is Gauley Bhai, a recent band of four musicians. Veecheet Dhakal, 31, his brother Anudwatt Dhakal, 28, and Siddhant Chettri, 27 are from Kalimpong, and Joe Panicker, 36, is from Kerala.Read also: <a href="https://www.nepalitimes.com/?p=40217&amp;preview_nonce=3d2642c60e&amp;preview=true" target="_blank" rel="noopener">Arko, the Nepali minstrel from Bengal</a>, Sewa Bhattaraihttps://www.youtube.com/watch?v=4ebk8xds2nUA filmmaker, a sound engineer, an engineer, and a drummer by trade, the four were jamming together in Bangalore when they realised that they and the sounds they produced gelled well. They began playing at festivals, and three years ago formed Gauley Bhai which now has a cult following for its eclectic compositions that cannot be traced to any one geographical location.“We like all world music, including African, Japanese, Korean, and western,” says vocalist Veecheet Dhakal. “Maybe our strongest influence is African music, but each of us has unique preferences.”The band also likes Nepali music by <a href="https://www.nepalitimes.com/review/cadenzas-new-collection/" target="_blank" rel="noopener">Cadenza Collective</a>, Axe, Mukti and Revival, and Bipul Chhetri from their hometown of Kalimpong. Gauley Bhai’s songs cannot be slotted in any particular genre, ranging from loud to mellow, folk to modern.If the band’s sound is not placeable, the lyrics are distinctly Nepali. The verses  weave wispy images into a gossamer thread, leaving listeners longing for love and nature.https://www.youtube.com/watch?v=ykV9lrXUDdMThe song Sim Rayo describes picking wild vegetables in the wetlands, chasing hares that disappear into burrows, and longing for maichyang’s flowered beauty. It is about desires one cannot have, wanting things that are fleeting. Many of Gauley Bhai’s lyrics are shaped by the collective experience of India’s Nepali disapora, and deal with migration and belonging. Nepali ko Rela is one of them, born from the impact of the Gorkhaland movements in the Darjeeling Hills.https://www.youtube.com/watch?v=ePbw3CLV9r8Life is cheap, Easily forgotten. It can be burnt off and erased Where humans eat humans And drunkenly wash worries away.“These songs are about a home. But a home may mean so any different things. A home may not be permanent. It may be about missing a person or a place. It may be a state of in-betweenness, or even an encounter with death. At the end of the day, home might be never feeling at home,” says Dhakal.I place a stone on my heart, As I cross these mountains to a foreign land. How are we going to row This ship we call life? I place your photograph In the pocket of my heart… <img width="1500" height="1002" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b73e89c7e80680e062364jpeg.jpg" alt="">“Our songs represent the urban reality of migration, and who may or may not have roots. India has seen waves of migration, but the question of who belongs and who does not has become politicised lately,” says Dhakal.Ten of these songs were released in the 2019 album Joro (fever) where the numbers speak of a time when youth are maddened by the alcohol in a funeral feast, and become intimate in a daze. The song explores their haste, but also their indecision. Will they regret it? Joro seems an apt metaphor for our age, a feverish, intoxicated time without a destination.Hope in my mind, I could not find. A shadow stared back at me in the mirror. The blue youth of the sky is covered, By a dark grey cloud. Surrounded, I sulk.https://www.youtube.com/watch?v=Z10ELMXZVacSays Dhakal: “Where we are from gets caught up every ten years in political movements. There is little support for the arts. Every ten years things are destroyed and we have to start all over again. Nepalis in India live a fragile, fragmented reality. But somehow, despite the lack of stability and physical infrastructure, we keep the spirit of the arts alive.”Gauley Bhai stands out for its intense, angst-ridden compositions. But like their songs of migration, the four band members are also wanderers. That is why their audiences are also mixed: people speaking difference language united by a love for music. But it is always extra special when they perform at home.“It is magical playing to Nepali audiences. Elsewhere, people enjoy our performances, but only a Nepali audience sings along,” says Dhakal, who plans to bring the band to Nepal soon.Read also: <a href="https://www.nepalitimes.com/latest/nepal-norway-orchestra-find-harmonies/" target="_blank" rel="noopener">Nepal-Norwayorchestra find</a> harmonies, Reeti KCFor now, the band continues to perform and to work on its second album, taking creative breaks when it can.We took shelter at the chance of rain, But the sun smiled and shone instead. Before the distant horizon of sorrow, We ask for a night of rest.

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Moving songs from the boys next door

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

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