<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d035c9c7e80680e0a36ccjpeg.jpg" alt="" width="960" height="641"/><figcaption>PHOTOS COURTESY OF ANI CHOYING DROLMA </figcaption></figure>After taking Nepal by storm with her popular songs and chants, <a href="http://archive.nepalitimes.com/news.php?id=7229#.YVVcFC8w3u0" target="_blank" rel="noopener noreferrer">Ani Choying Drolma</a> is now a hit also in Tibet, the land of her ancestors.Not just Tibet, but her <a href="http://archive.nepalitimes.com/news.php?id=501#.YVVcAi8w3u0" target="_blank" rel="noopener noreferrer">melodious mantra</a> are also loved by tens of millions in China, Hong Kong, Taiwan and southeast Asia.Following a concert in Lhasa before the pandemic, Ani Choying Drolma had just returned to her hotel room when she was visited by a group of monks who had become fans.“They told me that they thought I was just a good singer, but after my concert they said they believed I was also a seeker,” Ani Choying says in a recent article in Himal Khabar magazine.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d035f9c7e80680e0a36cdjpeg.jpg" alt="" width="960" height="640">Ani Choying Drolma is a <a href="http://archive.nepalitimes.com/news.php?id=7229#.YVVcFC8w3u0" target="_blank" rel="noopener noreferrer">household name in the Nepali-speaking world </a> because of her breakthrough song “फूलको आँखामा” which has got over 2 million views on YouTube. Her soothing voice and uplifting lyrics have  amassed a dedicated fan base in Nepal and abroad.Her Buddhist mantra chants also have a wide crossborder fan base, especially in China where there is a growing spiritual revival. A well known Chinese singer is quoted in the media as saying: “Before I listened to Ani, I used to think I was among the number-one singers in China.”There are <a href="http://archive.nepalitimes.com/news.php?id=18559#.YVVb7y8w3u0" target="_blank" rel="noopener noreferrer">many such stories</a>, and each is as humbling for Ani Choying as it is inspiring. Tán Dùn, the Grammy-winning composer of Crouching Tiger, Hidden Dragon, asked her to perform for him last year. Unfortunately, the concert could not be held because of the pandemic in Hong Kong.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03619c7e80680e0a36cejpeg.jpg" alt="" width="960" height="640"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03659c7e80680e0a36cfjpeg.jpg" alt="" width="961" height="640">Hong Kong holds a special place in her heart because she opened a concert marking the British handover of the territory to China at the Asia-World Arena in 1997. She sang the main Awalokiteswar mantra to an audience of 14,000.“I have performed in Hong Kong many times, but it was that concert that made the biggest impact on my career,” Ani Choying says.Even when Chinese tourists visit Nepal, they sometimes visit her nunnery in Pharping, buy her CDs in Thamel, ask about her concerts, or sometimes recognise her on the streets and take selfies.<a href="https://www.nepalitimes.com/featured-videos/nt-studio-in-conversation-with-ani-choying-drolma/">NT Studio: In conversation with Ani Choying Drolma</a>, Sahina Shrestha“Once I was in Baudha when I saw a person running towards me, and he asked to take a picture,” Ani Choying recalls. “The man said he was an actor back home and asked me if I knew that I was very famous in China.”They exchanged WeChat contacts, and she later found out that he was none other than Chen Kun, the famous Chinese actor from The Knot and Love Story in Shanghai.Ani Choying credits this affection and admiration in China to her many guru. Fans flock to her after concerts to thank her for the courage and hope that her songs provide them.<a href="https://www.nepalitimes.com/latest/coming-soon-ani-choying-the-movie/">Coming soon: Ani Choying, the movie</a>, Alisha Sijapati<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141156/636d03679c7e80680e0a36d0jpeg.jpg" alt="" width="960" height="640">Once at the Jumeirah Himalayas Hotel in Shanghai, the owner of the hotel recounted how Ani Choying’s songs helped her through labour pains during the birth of her first child. When she heard the music, she felt so relieved as though the pain had vanished by half.Ani Choying’s music has <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ani-choying-drolma-in-UN,2911" target="_blank" rel="noopener noreferrer">boundless reach</a>, can hold many meanings to many people, but most of her devout followers say it calms their minds, soothes their souls.A Taiwanese singer recently approached her manager asking for permission to rearrange and perform one of her Buddhist mantra. Her reply: “It is a holy chant, anyone can sing and get solace from it.”In Nepal, Germany, or China, compassion has no borders, and that is the underlying message in all her songs which are delivered in concert halls where there is complete silence.<a href="http://archive.nepalitimes.com/news.php?id=18218#.YVVb8C8w3u0">Ani's school</a>, Tsering Dolkar Gurung These are mostly traditional Buddhist chants and mantra. But her Nepali songs mostly have lyrics by Durga Lal Shrestha and music by Nhyu Bajracharya, and have been consistenly popular because they are based on Buddhist teachings.Ani Choying’s Tibetan roots means that she has to keep a low profile while performing in China, and she labels herself as a ‘Himalayan Buddhist from Nepal’ and renders her spiritual songs of compassion.She thinks the reason for her popularity in China is that with the country’s meteoric economic rise, more and more people there are yearning also for spiritual upliftment that her songs help provide.She says: “Nepali artisans like Arniko are renowned in China for their craft, and I am just carrying on that tradition with my music.”Read also: <a href="http://archive.nepalitimes.com/blogs/kundadixit/2017/11/05/anis-song/">Ani's song</a>, Kunda Dixit

Ashish Dhakal

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Nepal’s singing nun is a hit in China

<img width="1500" height="1194" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b73e59c7e80680e062363jpeg.jpg" alt=""/>Given the vibrant art and literature scene in Nepal, we tend to forget that there is a whole Nepali-speaking world out there. At least 5 million Nepalis live beyond the country’s borders, performing songs and plays, writing books and making films.In golden age of Nepali culture, artists from Darjeeling and Sikkim dominated the music, art and literature scene in Kathmandu. Indeed, northeast India continues to nurture rich artistic output.One of the new treasures is Gauley Bhai, a recent band of four musicians. Veecheet Dhakal, 31, his brother Anudwatt Dhakal, 28, and Siddhant Chettri, 27 are from Kalimpong, and Joe Panicker, 36, is from Kerala.Read also: <a href="https://www.nepalitimes.com/?p=40217&amp;preview_nonce=3d2642c60e&amp;preview=true" target="_blank" rel="noopener">Arko, the Nepali minstrel from Bengal</a>, Sewa Bhattaraihttps://www.youtube.com/watch?v=4ebk8xds2nUA filmmaker, a sound engineer, an engineer, and a drummer by trade, the four were jamming together in Bangalore when they realised that they and the sounds they produced gelled well. They began playing at festivals, and three years ago formed Gauley Bhai which now has a cult following for its eclectic compositions that cannot be traced to any one geographical location.“We like all world music, including African, Japanese, Korean, and western,” says vocalist Veecheet Dhakal. “Maybe our strongest influence is African music, but each of us has unique preferences.”The band also likes Nepali music by <a href="https://www.nepalitimes.com/review/cadenzas-new-collection/" target="_blank" rel="noopener">Cadenza Collective</a>, Axe, Mukti and Revival, and Bipul Chhetri from their hometown of Kalimpong. Gauley Bhai’s songs cannot be slotted in any particular genre, ranging from loud to mellow, folk to modern.If the band’s sound is not placeable, the lyrics are distinctly Nepali. The verses  weave wispy images into a gossamer thread, leaving listeners longing for love and nature.https://www.youtube.com/watch?v=ykV9lrXUDdMThe song Sim Rayo describes picking wild vegetables in the wetlands, chasing hares that disappear into burrows, and longing for maichyang’s flowered beauty. It is about desires one cannot have, wanting things that are fleeting. Many of Gauley Bhai’s lyrics are shaped by the collective experience of India’s Nepali disapora, and deal with migration and belonging. Nepali ko Rela is one of them, born from the impact of the Gorkhaland movements in the Darjeeling Hills.https://www.youtube.com/watch?v=ePbw3CLV9r8Life is cheap, Easily forgotten. It can be burnt off and erased Where humans eat humans And drunkenly wash worries away.“These songs are about a home. But a home may mean so any different things. A home may not be permanent. It may be about missing a person or a place. It may be a state of in-betweenness, or even an encounter with death. At the end of the day, home might be never feeling at home,” says Dhakal.I place a stone on my heart, As I cross these mountains to a foreign land. How are we going to row This ship we call life? I place your photograph In the pocket of my heart… <img width="1500" height="1002" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101132/636b73e89c7e80680e062364jpeg.jpg" alt="">“Our songs represent the urban reality of migration, and who may or may not have roots. India has seen waves of migration, but the question of who belongs and who does not has become politicised lately,” says Dhakal.Ten of these songs were released in the 2019 album Joro (fever) where the numbers speak of a time when youth are maddened by the alcohol in a funeral feast, and become intimate in a daze. The song explores their haste, but also their indecision. Will they regret it? Joro seems an apt metaphor for our age, a feverish, intoxicated time without a destination.Hope in my mind, I could not find. A shadow stared back at me in the mirror. The blue youth of the sky is covered, By a dark grey cloud. Surrounded, I sulk.https://www.youtube.com/watch?v=Z10ELMXZVacSays Dhakal: “Where we are from gets caught up every ten years in political movements. There is little support for the arts. Every ten years things are destroyed and we have to start all over again. Nepalis in India live a fragile, fragmented reality. But somehow, despite the lack of stability and physical infrastructure, we keep the spirit of the arts alive.”Gauley Bhai stands out for its intense, angst-ridden compositions. But like their songs of migration, the four band members are also wanderers. That is why their audiences are also mixed: people speaking difference language united by a love for music. But it is always extra special when they perform at home.“It is magical playing to Nepali audiences. Elsewhere, people enjoy our performances, but only a Nepali audience sings along,” says Dhakal, who plans to bring the band to Nepal soon.Read also: <a href="https://www.nepalitimes.com/latest/nepal-norway-orchestra-find-harmonies/" target="_blank" rel="noopener">Nepal-Norwayorchestra find</a> harmonies, Reeti KCFor now, the band continues to perform and to work on its second album, taking creative breaks when it can.We took shelter at the chance of rain, But the sun smiled and shone instead. Before the distant horizon of sorrow, We ask for a night of rest.

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Moving songs from the boys next door

The monsoon has got bad press because Nepal’s tourism operators actively told visitors to avoid <a href="https://nepalitimes.com/opinion/managing-the-monsoon?%2F">the rainy season</a>. It is time to change that. The reason can be found right here in the vast alpine meadows of Central Nepal where this time of year you can walk on velvet grass of pastures abloom with delicate pink, red and yellow flowers as the mist rolls up the valley. There is no sound except the hum of bumble bees. &nbsp;&nbsp; There are dozens of places across high Nepal called Chaurikharka, which means yak pasture. But this particular Chaurikharka in Rukum East located at an altitude of 4,000m stands out for its serene beauty, rustic charm and bucolic setting. There is just the occasional chime of <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yak bells</a> in the distance, and the sharp whistle of herders corralling sheep. &nbsp;&nbsp; The grass shoots are so fragile that one hesitates to step on them, the rounded ridges appear and quickly vanish in waves of mist. With the<a href="https://nepalitimes.com/here-now/before-the-next-monsoon"> arrival of monsoon</a>, these meadows are a soothing shade of green dotted with millions of <a href="https://nepalitimes.com/review/the-anatomy-of-a-flower?%2F=">multi-coloured flowers</a>. Until very recently, it took a week or so to hike up to places like Chaurikharka, but with the expansion of the road network even to these far-flung mountains in the lap of Dhaulagiri, they are much more accessible. It is just a three-hour uphill from the Mid-Hill Highway on the border between Baglung and Rukum East.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16.jpg" data-media-id="editor_4" data-image-id="20250802130828_a0b06b494d751b2144ffbbf10894ea64b29e8aed844bc8c66171783abfaf4e16" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Purists would say that such easy access devalues the sanctity of these remote high meadows, but it also means more people will be moved to treasure the experience, appreciate <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">the value of nature </a>so they can take steps to protect it.&nbsp; To be sure, the <a href="https://nepalitimes.com/here-now/deadly-monsoon-in-nepal-turns-deadlier">monsoon season can be challenging for road travel</a>. The roads are rough even at the best of times, and in the monsoon they become muddy and treacherous, often blocked by<a href="https://nepalitimes.com/news/monsoon-deluge-in-nepal"> landslides</a>. But that could be precisely the kind of adventure that the more intrepid visitors crave. Improved road connectivity has already made Chaurikharka and places like Badimallika &nbsp;and other sacred lakes in the mountains of western Nepal popular with domestic tourists. What is driving this traffic is the urge to go to exotic new places and share videos and selfies on social media. Several of Nepal’s travel vloggers have visited Chaurikharka and popularised the place, enticing followers on TikTok or YouTube to retrace their footsteps. But even as they become more popular, these fragile and once-remote places should be protected from over-tourism.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446.jpg" data-media-id="editor_8" data-image-id="20250731110736_f97110b7cdc3e7f80d5877690948fc9f4c95a09c583deb23b07355491e6c5446" data-rendition-name="original" width="1083" height="699" loading="lazy" alt="Visit Nepal in the monsoon NT"> </figure>  <h2>INCREASING FOOTFALL</h2> Chaurikharka is located in Bhume Rural Municipality of East Rukum, near the scenic valley of Dhorpatan in Baglung district. Even in the <a href="https://nepalitimes.com/banner/monsoon-culture">middle of the monsoon</a>, there is a steady stream of Nepali hikers trooping to these high pastures – especially during festival days like Saune Sankranti which this year was on 17 July and actually marks the auspicious beginning of the monsoon here. “This year the rains have not been as heavy and there have been some clear mornings when we could see everything from Dhaulagiri to Machapuchre,” says Khageswar Bhandari, who trekked up here from the road. “The flowers, the greenery and the snowy mountain views make this an incredibly unique place.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9.jpg" data-media-id="editor_10" data-image-id="20250802130824_1b9e26f2e9853fdfe69154bb42a7c9ea6da4bf4940efc1da99b304dcfbd7d3d9" data-rendition-name="original" width="2048" height="1152" loading="lazy" alt="Visit Nepal in the monsoon"> </figure>  Chaurikharka is worthwhile to get to in any season, but it has a different charm during the monsoon. Word has spread and because it is now easy to get to from Baglung or even Pokhara, people have been flocking here.&nbsp; “Holidays and Saturdays see the largest crowds, with up to 500 visitors every day,” says ward chair Mankaji Pun of Bhume.&nbsp; There was a time not too long ago when local herders brought sheep, goats, cows, buffaloes, horses, and mules to graze here during the monsoon. Although there are still livestock around, animals have been replaced by visitors taking selfies. Read also: <a href="https://nepalitimes.com/here-now/the-monsoon-and-nature-s-arithmetic">The monsoon, and nature’s arithmetic</a>, Tom Robertson Ward Chair Pun says infrastructure development is his main priority. A foot trail to Chaurikharka was built last year by the Tourism Division Office in Kohalpur, but access via the Raniwas-Koipa road section still remains challenging.&nbsp; “If we get more budget, we can improve the road and facilities to make Chaurikharka the main tourist attraction of this region,” says Bhume Municipality Chair Hom Prakash Shrestha. “After that, we hope to promote Chaurikharka as a top tourist spot.”&nbsp; Economic activity is also picking up with the arrival of visitors, but there seems to be a need to manage the makeshift sheds made of corrugated sheets that spoil the beauty of the place. Tea shops and lodges are also available but facilities are basic. Kuldeep Neupane took a three-day trip from Ghorahi in Dang to visit Chaurikharka recently, and says: “This is an ideal trip to make a quick getaway and let nature recharge your mind and body. And it is much more fun with a tent, to watch the sunrise over the Himalaya or the mist blowing in.”

Visit Nepal in the monsoon

Two weeks ago, Prime Minister KP Sharma Oli announced jubilantly on social media that Nepal had achieved a historic annual growth of 81.8% in exports. He was right. Nepal’s trade did take a great leap forward compared to last year. But the dramatic rise was mainly due to processed soya bean oil.&nbsp; However, Nepal does not produce the edible oil it exports. In fact, the soya and palm oil that make up 44% of total exports are imported from Southeast Asia and South America, and simply re-exported, mostly to India.&nbsp; Under the SAFTA (South Asian Free Trade Area) Agreement, Nepal can export products to India duty-free if it has at least 30% value-added. Nepal’s traders have taken advantage of SAFTA even though the edible oils they export do not reach that value addition threshold. “The 30% value addition requirement is often only on paper,” says former commerce secretary Purushottam Ojha. “It is clear that simply packaging edible oils in Nepal does not fulfil the terms of the trade agreement.” Prime Minister Oli is aware of this, and even called Nepal’s export figures “fake” at an earlier event. The government is relying on other iffy figures to suggest that Nepal’s economy is strong and getting stronger. For example, the value of imports rose by 13.25% in 2024-25 compared to the previous fiscal year.&nbsp; Some of it was due to a jump in electric vehicle imports worth Rs 31.76 billion, but mostly it was because more wholesale soya oil was imported to be re-packaged and sold in India. The very fact that the government boasts about increased imports is an indication of how much it relies on taxing them for revenue. Touting such trade figures cannot be the basis to claim an economic rebound.&nbsp; “A jump in the value of imports can be interpreted as an increase in purchasing power, but it is not evidence of a stronger economy,” says economist Keshav Acharya. “Even though imports have increased, Nepal's domestic production and productive capacity have not improved.” Nepal Rastra Bank's semi-annual economic activity study report shows that industrial production was down in the first six months of the last fiscal year. This despite an increase in the number of new industries registered and investment commitments. Out of the Rs70.2 billion proposed foreign investment, Nepal received only Rs17.9 billion last year.&nbsp; Meanwhile, the rate of capital formation was limited to 24% last year, which is lower than the year before, suggesting that new investment, job creation and economic expansion all declined. If domestic production does not improve in relation to this year’s inflated trade figures, the outflow will put pressure on foreign exchange reserves like it did three years ago. At that time, Nepal borrowed from the IMF under its Extended Credit Facility Program to kickstart the economy.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f.jpg" data-media-id="editor_0" data-image-id="2025080710084_2cdaaa5795828c4a7de93a0604ba884ef0a8b8f24cccd939f6c24e279ab6058f" data-rendition-name="original" width="1633" height="723" loading="lazy" alt="Nepal's bubble economy NT"> <figcaption>Source: NEPAL RASTRA BANK</figcaption> </figure>  The macroeconomy is on firm footing with foreign exchange reserves at a comfortable Rs2,520 billion in May, up 23% from last year. This was largely due to remittances, and partly due to a falling NPR exchange rate. Real estate transactions and the stock market index have also been climbing as a result of government policies to revive the sector.&nbsp; However, former executive director of Nepal Rastra Bank Nar Bahadur Thapa cautions: “This is not organic growth, it is the result of deliberate policy decisions to relax rules on real estate and stock markets transactions.” In reality, the sharp rise in land prices have increased the cost of production, and excessive monetisation of the real estate has become the main source of Nepal’s economic woes. The central bank has announced a slew of new policies, shifting the terms of loan repayment for industrialists and entrepreneurs, reducing interest rates, and injecting more working capital — all designed to inject adrenaline into the real estate and stock market sectors.&nbsp; When he was governor, Mahaprasad Adhikari made several financial reforms during the latter half of his tenure to stimulate the economy, including tightening credit flow.&nbsp; By the last fiscal year, additional financial reforms had resulted in a credit expansion rate of around 8%. As the pace of credit expansion slows, real estate prices have started to fall. This is actually beneficial to the economy, because it lays the foundation for improvements in land-related entrepreneurship, production, and the construction sector. Just because real estate and the stock market transactions increase, it does not indicate an economic turnaround — especially when manufacturing and productive sector continues to languish.&nbsp; “It is foolish to believe that real estate and the stock market have magically revived our economy. Agriculture employs more than half of the population, but it is in decline. Investment in the productive sector has not increased, and job creation has not increased.” Two years ago, Nepal’s industrialists, business leaders, and political leadership predicted a recession amidst a sluggish business, declining market demand, large-scale job loss, and a shrinking real estate and share market.&nbsp; Still, the economy grew by 3.36% in fiscal year 2023/24. In fact, Nepal’s economy has grown nominally over the last two decades even when all sectors of the economy are in decline.&nbsp; Says Keshav Acharya: “The growth in trade, real estate, and the stock market are bubbles. The real economy remains stagnant.”

Nepal’s bubble economy

The final investigation report on the crash of a Saurya Airlines jet on 24 July 2024 at Kathmandu airport has revealed flaws in the carrier’s technical operation procedures, poor monitoring by the Civil Aviation Authority of Nepal (CAAN) and gaps in the airport’s emergency response. Eighteen people including a child were killed, and only the captain survived as the plane plunged seconds after takeoff, crashing within the airport perimeter. This was the latest in a series of aircraft accidents in previous years, and further tarnished Nepal’s already poor aviation safety record and contributed to the country being retained in the EU’s air safety list. &nbsp;&nbsp;&nbsp; The circumstances in the Saurya crash were different from the Yeti Airlines crash in Pokhara in January 2022 that killed all 72 on board, and two Tara Air crashes in February 2016 and May 2022 on approach to Jomsom that together claimed 45 lives. However, all four tragedies were a result of negligence of carriers and crew, failure to follow procedures, regulatory slackness, and overconfidence. The Saurya crash, especially, was a glaring example of how an ailing airline broke its own rules to allow passengers, including non-employees, a joy ride to Pokhara on a maintenance ferry flight. CRASH REPORT The Final Investigation Report prepared by the Aircraft Accident Investigation Commission and released on the first anniversary of the crash last week carried a long list of rules that were ignored or broken, and of regulatory failure. The first mistake was to cram spares, tools and inflammable chemicals needed for the aircraft’s C-Check in Pokhara into the cargo hold flouting its own ground handling procedures.&nbsp; There was no check-in of passengers, some of whom were not even employees – even though regulations say only flight and maintenance crew should be on board a maintenance positioning flight. Many brought their own luggage into the plane and stored it unsecured in the cabin. There was no flight attendant to give a safety briefing to passengers. The load and trim charts given to the flight crew were rough estimates, and the total takeoff weight of the plane was 18,300kg plus or minus 200 kg. That would still have been all right, but there was a glaring mistake in the speedchart Saurya pilots were using to calculate the minimum takeoff speed (known as VR), and it had been wrong ever since the 21-year-old aircraft entered service with the airline in 2017. FAULTY DATA&nbsp; The Commission probed Flight Data Recorder inputs from previous takeoffs of the Canadian-built CRJ200-LR in 2023-2024 and found that the undetected error in the speedchart had caused the plane to pitch up at an abnormal rotation rate at least 18 times on previous takeoffs.&nbsp; Any rotation rate more than 3°/sec is regarded as unusual. But on at least two occasions, this aircraft with tail number 9N-AME had rotation rates of 5.8°/sec and 5.5°/sec, the second one was when the pilot who survived was flying in March 2024.&nbsp; On this particular day, the plane’s rotation rate was 6.5°/sec, causing it to go into a deep stall soon after takeoff, the Commission report said. Essentially, the plane was not flying fast enough down the runway to take off safely.&nbsp; It is not yet clear whether excess weight, unsecured luggage, wrong centre of gravity were also factors, but relying on a faulty speedchart for the given takeoff weight, the captain flying pulled back on the yoke before the plane had reached takeoff speed and at a pitch angle that was too steep. The investigation report says the plane then went into a deep stall and started banking right with the stick shaking. At this point, the flight officer on the right hand seat is heard on the cockpit voice recorder saying: “Whoa, whoa, whoa. Sir, Sir, Sir…” It then banked left before the pilot flying turned the plane sharply to the right again in an evasive action to avoid the parking aprons of the international and domestic terminals. Had he not done so, there would have been a disaster of a much greater magnitude at Kathmandu airport that day. The plane scraped the runway with its right wingtip, collided with a container having helicopter spare parts, and plunged into a gully east of the runway, exploding in a fireball. The investigation also noted that the impact forces seemed to be survivable for some occupants. The fire trucks took unnecessarily long to reach the site even though it was inside the airport perimeter. The absence of an ICAO-standard runway strip, inadequate rescue drills, lack of training, and a blocked emergency service gate leading to the crash site were cited as other factors. &nbsp;&nbsp; <h2>Timestamp of a Disaster</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725.jpg" data-media-id="editor_0" data-image-id="20250731110724_39cdd04693994ce6e55a5b302905c0fa4884fe85bed21ff0779bb1439f3a5725" data-rendition-name="original" width="778" height="826" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:10:34 - The Saurya Airlines CRJ200 on the takeoff roll from runway 02. It had a takeoff weight of about 18,300kg, but the pilot’s speedcard had a previously undetected mistake about the minimum takeoff speed. 11:10:55 -The plane with tail number 9N-AME goes into deep stall soon after takeoff because it does not have enough speed to lift its weight. The plane also has an abnormally steep nose-up attitude.&nbsp; 11:11:03 - Without enough speed to generate lift, the plane banks right, then left and right again in CCTV photos taken from the domestic apron (below). If it had not banked right, it could have hit the aprons and terminal buildings. Seen parked is Saurya’s other CRJ200 with tail number 9N-ANM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd.jpg" data-media-id="editor_1" data-image-id="20250731110732_608132f7225c649125cca2691dd6a6bf930984c5b359e888d7ad9e5eacce3afd" data-rendition-name="original" width="770" height="555" loading="lazy" alt="Flouting rules caused Saurya tragedy NT"> </figure>  11:11:08 - The plane scrapes the runway with its right wingtip, and falls into the gully. The captain is thrown off the left side of the cockpit and survives. 11:11:15: Plane explodes in a fireball inside the airport perimeter. Firefighters take time to reach the site because of lack of access road and a blocked gate. Read the full investigation report <a href="https://www.tourism.gov.np/files/9N-AME%20AIC%20Final%20Report.pdf">here</a>.

Flouting rules caused Saurya tragedy

American artist Peter Makela was in Nepal in 2022 on a Fulbright scholarship when he experienced the Matya festival in Patan in which devotees made the rounds of the city’s shrines.&nbsp;
He joined the procession, walking through 2,600 stupa and 140 bahal of the town. That immersion left a lasting impression.
As part of Gallery Mcube’s international residency program in Patan, he put his inspiration to canvas in the exhibition Yala Yatra: Walking, Working, Worshipping. The exhibition also coincides with this month’s Matya festival.&nbsp;
Makela has visited Nepal often in the past 11 years but he mostly stayed in and spent his time around Boudha. “This time I stayed in Patan, put the sites I wanted to visit on my map, and off I went,” he tells us. “Each of my artwork is inspired by the stupas and shrines in Patan that I visited.”
The stupa and Ganesh are recurring motifs in his watercolours, and the elephant gods are located in chaityas — reflecting the interplay and blending of the Hindu and Buddhist faiths in Kathmandu Valley.&nbsp;
The stupas and Ganesh are painted in vivid red, yellow, blue and green against abstract backgrounds meant to represent the sky.
“I use the sky as a backdrop because the sky has no border,” says Makela. “The four colours represent the four elements, the different Buddha families and also lights bouncing off of a rainbow.”
The use of just four colours for all the artwork stands out, and combined with the absence of heavy canvases, frames or stands render Makela’s art striking in its simplicity.&nbsp;
The Ganesh is always holding something and the art also portrays the elephant god’s sacred vehicle, the mouse.
While his vibrant stupas and Ganesh reflect the tangibility of Patan’s tradition and heritage, it is as if the backdrops with their shades of grey and red and yellow capture the soul of the city’s shrines.
“If you look closely, there is a sense of form and formlessness at the same time,” he says.&nbsp;
Makela walked 108 kora around the shrines during his exploration of the town, and in the process developed a spiritual connection with Patan’s heritage and traditions.&nbsp;
The exhibition connects with visitors on a deeper, more spiritual, level as well. And with it, they feel a sense of pride as well as the need to urgently preserve Patan’s heritage for future generations.
“Peter’s inclination and approach towards Nepali art and culture is fascinating, and it reflects in his work,” says Mcube curator Manish Lal Shrestha, whose international artist residency program promotes Nepal’s cultural heritage. &nbsp;&nbsp;
Yala Yatra: Walking, Working, Worshipping
1-5 August&nbsp;
10AM-7PM
Gallery Mcube, Patan

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Walking, working, worshipping in Patan