On 21 March, the Nepal Tourism Board (NTB) and United Nations Development Programme (UNDP) signed an agreement to launch the Sustainable Tourism Project (STP), a &nbsp;$5 million endeavour that aims &nbsp;to improve <a href="https://nepalitimes.com/news/a-new-architecture-for-nepals-tourism">Nepal’s tourism infrastructure</a>, workforce, and destinations to generate employment and <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">livelihood opportunities for local communities</a>. The project, with set metrics to achieve its goal by 2028, aligns with <a href="https://nepalitimes.com/banner/how-will-nepal-develop-in-the-next-decade">Nepal’s Sustainable Development Goals</a>, which emphasises commitments to environmentally <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">sustainable and inclusive tourism</a> efforts. Sustainability-related buzzwords are pervasive in the STP’s broadly outlined goals, which in its broad terms are agreeable, but until clear regulations, standards, and methodologies are incorporated in the project, applause must be withheld. Improving <a href="https://nepalitimes.com/here-now/peak-tourism-in-2023-9ukoi8iz">the tourist experience</a>, expanding local opportunities, bolstering <a href="https://nepalitimes.com/news/poor-cash-rich-nepal">Nepal’s economy</a>, and being <a href="https://nepalitimes.com/here-now/seams-sustainable">environmentally responsible </a>can be achieved simultaneously through strategic initiatives. The STP promises to deliver upon all of these goals. The question is: how do we balance the growth of the tourism sector while committing to sustainability and <a href="https://nepalitimes.com/opinion/comment/culture-cannot-be-an-afterthought">cultural preservation</a>? The skepticism of the efficacy and implementation of the STP comes from longstanding observations of the often environmentally harmful construction and building industry in Nepal. As it stands, <a href="https://nepalitimes.com/here-now/nepal-train-project-struggles-to-stay-on-track">under-regulated and budget-conscious construction projects</a> have mushroomed both in Kathmandu and across rural Nepal— glass and concrete blocks sprawl next to the few remaining traditional homes in the valley, while tin-based enclosures have replaced mud and thatch-roof as well as traditional stone houses in the mountains. And while <a href="https://nepalitimes.com/here-now/home-away-from-home-in-nepal">hotels and guesthouses</a> proliferate, they are incongruent with the number of tourists who visit Nepal, and often remain under-occupied.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250610110624_2371c0aec43fde0ea705285ce3b46b77d09f2493ea790f01f0b42940fe60ff11.jpg" data-media-id="editor_10" data-image-id="20250610110624_2371c0aec43fde0ea705285ce3b46b77d09f2493ea790f01f0b42940fe60ff11" data-rendition-name="original" width="1216" height="544" loading="lazy" alt="Greening Nepal’s tourism"> <figcaption>Bad waste management in the Himalayas, out of sight of tourists (left). Photo: ALTON BYERS Stalling on the road for hours to Makalu National Park due to poor muddy road conditions is a regular occurrence (right). Photo: HANNA WELLS</figcaption> </figure>  The STP recognises that Nepal’s greatest resource is its <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">natural beauty</a>. But it is ironic that the very reason why tourists flock to Nepal has been marred by shoddy infrastructure that aims to make it accessible to tourists. A significant number of hotels in Kathmandu and <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai </a>are built with synthetic materials that perpetuate a vicious cycle of industrial, mass-manufactured goods which contribute to the global climate crisis. The industrial concrete sector has a strong socio-political and economic influence in Nepal, and <a href="https://nepalbuildcon.com.np/" target="_blank">tradeshows</a> market foreign-made construction materials that are detrimental to the natural environment.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250609110632_3627251b22f99a5a265585a6ba786a26a6b1cbaa66c10677af32a35327895802.png" data-media-id="editor_14" data-image-id="20250609110632_3627251b22f99a5a265585a6ba786a26a6b1cbaa66c10677af32a35327895802" data-rendition-name="original" width="550" height="550" loading="lazy" alt="Greening Nepal’s tourism NT"> <figcaption>Bhat-Bhateni superstore in Kathmandu. Photo: GOOGLE MAPS IMAGES</figcaption> </figure>  Tourism infrastructure not only plays a large role in defining a tourist’s experience and defining Nepal’s identity to the world, but also contributes to rising emissions. Buildings account for <a href="https://worldgbc.org/climate-action/embodied-carbon/" target="_blank">39% of global carbon emissions</a>, 8% of this is due to cement production. <a href="https://www.wri.org/insights/interactive-chart-shows-changes-worlds-top-10-emitters" target="_blank">Nepal is far from the largest emitter of greenhouse gasses</a> responsible for the climate crisis. Yet the reality of the country’s &nbsp;geographic location puts it at disproportionate risk of suffering the consequences of rising global temperatures and has more immediate impacts on everyday human experiences— the <a href="https://nepalitimes.com/opinion/comment/a-pre-monsoon-deja-vu">threat of glacial lake outburst </a>floods looms over mountain communities, while unpredictable rainfall lead to intense flooding that ravage villages and urban neighbourhoods every year. As it stands, the project’s focus on infrastructure presents an opportunity to align the preservation of cultural heritage and the natural environment with its tourism goals. Achieving national infrastructure goals and meeting tourism demands must align with rigorous and ambitious sustainability objectives. For instance, traditional mud houses in Nepal embody a <a href="https://nepalitimes.com/banner/tourism-that-treads-lightly-on-the-land">balance between sustainability and cultural heritage</a>, as their design and construction are rooted in indigenous knowledge and constructed by hand from local resources. This wealth of building expertise is lost to modern construction practices, but there is some growing awareness that new construction must consider a community’s cultural identity and traditional context. More recently built <a href="https://nepalitimes.com/business/a-thamel-within-thamel">luxury hotels </a>display an understanding of a tourist’s desire to experience traditional culture, and thus have integrated indigenous aesthetics into their design. Dwarika’s Hotel in Kathmandu integrates Newari woodwork, and Tiger Tops in Chitwan and <a href="https://nepalitimes.com/here-now/shrinking-tourism-s-ecological-footprint">Bardia eco-tourism commitments </a>are reflected in the resort’s use of local materials such as thatch and bamboo.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250609110632_df1f46638e5e23fdbf88899a3f90ac0bc759d43ddea4d874b95d5c4d69232e90.jpg" data-media-id="editor_21" data-image-id="20250609110632_df1f46638e5e23fdbf88899a3f90ac0bc759d43ddea4d874b95d5c4d69232e90" data-rendition-name="original" width="1237" height="900" loading="lazy" alt="Greening Nepal’s tourism NT"> <figcaption>Dwarika’s Hotel incorporating Newari woodwork into the outer facades of the hotel. Photo: BOOKING.COM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250609110632_01b08685dc4e6fc826233ceb25dd1358b0622c37fbf39a90bdd6e7c0173f4f88.jpg" data-media-id="editor_22" data-image-id="20250609110632_01b08685dc4e6fc826233ceb25dd1358b0622c37fbf39a90bdd6e7c0173f4f88" data-rendition-name="original" width="640" height="480" loading="lazy" alt="Greening Nepal’s tourism NT"> <figcaption>Tiger Tops Chitwan embracing wattle-and-daub wall building and thatch roofing in guest rooms. Photo: WILD FRONTIERS TRAVEL</figcaption> </figure>  Still, sustainability cannot be positioned as an end product, but rather a continuous process and practice. Reaching our STP goals thus must be process-based, inclusive of local communities, and culturally responsive. If done correctly, the project can rely on the built environment to achieve its carbon-neutral goals by ensuring tourism goes hand-in-hand with longevity of local communities, and the promotion and preservation of indigenous culture. Combined, these efforts create an example for the world of a tourism sector that bolsters not only the Nepali economy, but its people and the environment. But challenges persist. The wide-spread implementation of sustainable construction in Nepal faces significant hurdles despite efforts by institutions to promote regional materials and traditional methods. Small-scale organisations such as <a href="https://buildingbureau.org/" target="_blank">Building Bureau</a> are facing an uphill battle in promoting the use of regional material and integrating traditional building methods into contemporary construction practices. Individual clients interested in sustainable building may turn to an architect or contractor, like Building Bureau, to enhance the comfort and appeal of their space, but such innovative approaches are a fraction of buildings being churned out at unprecedented rates across Nepal’s cities. One project currently under construction is Tiger Track in Bardia, an eco-tourism lodge built in partnership with <a href="https://www.sustainablefuturenepal.com/" target="_blank">Sustainable Future Nepal.</a> Utilising rammed earth, recycled stone, and reclaimed wood, the lodge combines traditional Tharu architecture and building processes with modern technology to offer tourists an experience on par with global standards and to provide visitors a more culturally connected experience.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250609110632_64684e15af389bb494b9c4757d608fceb1f733d544a2cd60419d83d4f4ffd191.jpg" data-media-id="editor_25" data-image-id="20250609110632_64684e15af389bb494b9c4757d608fceb1f733d544a2cd60419d83d4f4ffd191" data-rendition-name="original" width="1600" height="1199" loading="lazy" alt="Greening Nepal’s tourism NT"> <figcaption>The Tiger Track lodge under construction, with a view of four guest rooms. The rammed-earth walls are finished with linseed oil, which hardens and protects the earth while remaining vapor permeable. It is all-natural and comes from flax, a “rabi crop” grown over the winter in the temperate hill regions.</figcaption> </figure>  The lodge has been designed and constructed in close collaboration with the client and surrounding community. Building materials were carefully selected based on seasonal and local availability and feasibility, and in consultation with residents. Tiger Track will also employ local experts like Hemanta Acharya— who leads the local community-based anti-poaching unit— to manage the lodge and ensure conservation-based educational programming. Additionally, the project’s construction has provided employment for dozens of members of the community and equipped them with knowledge on building practices that can be applied to other projects in the area. <a href="https://nepalitimes.com/news/weaving-dreams-for-women">Local entrepreneurs</a> and hoteliers have also been inspired by the lodge’s innovative approach during showcases and presentations.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250609110632_f75fa786655848d93a8b3911f5b136e97c56e3af9eda19672af2114fc5c7edff.jpg" data-media-id="editor_27" data-image-id="20250609110632_f75fa786655848d93a8b3911f5b136e97c56e3af9eda19672af2114fc5c7edff" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="Greening Nepal’s tourism NT"> <figcaption>Hemanta Acharya teaches a class visiting from Taiwan about eco-tourism and the community-based anti-poaching unit efforts, and the importance of sustainable building practices.</figcaption> </figure>  Tourism is among Nepal’s burgeoning economic sectors, and the STP initiative is a promising step in the growth of this industry. However, as Nepal continues to invest in the infrastructure and systems surrounding tourism, it must look to existing <a href="https://nepalitimes.com/news/economic-benefits-of-saving-the-ecology">sustainable practices </a>with Nepal’s tourism sectors and do more to incorporate environmentally responsible methods for the plan’s successful implementation. We must keep careful watch on the STP as it develops process plans, and demand that it adopt a truly innovative approach towards the implementation of its multi-pronged goals. The initiative’s success will depend on the implementation of clear regulations and standards that promote <a href="https://nepalitimes.com/banner/foundations-for-sustainable-buildings-in-nepal">sustainable building practices</a>. And by involving <a href="https://nepalitimes.com/news/the-unsung-heroes-of-conservation">local communities </a>and embracing culturally responsive methods, the project can create lasting benefits for Nepal's tourism, economy and environment. The road to sustainability is a continuous journey, and with a committed and innovative approach, &nbsp;the STP is an opportunity for Nepal to lead in eco-tourism and set a precedent for <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism development</a> worldwide.

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Greening Nepal’s tourism

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

A 4-day family trek last month was vivid proof of the truth in the old adage: it is the journey and the people that truly matter, not just the destination. It was word-of-mouth recommendation that brought us to the sustainable tourism company Three Sisters, owned and run by women. The guides assured us our children would be well taken care of and our group of novice trekkers would not be rushed. As we negotiated the uphill steps, passing gushing waterfalls and forests ablaze with rhododendron, we had plenty of time to get to know our two experienced guides and the eight support staff. Their life stories highlighted the transformative power of sustainable, ethical, and empowering tourism in shaping lives and journeys. THE GUIDES Yasudhara is literally a trailblazer. A mother of a 7-year-old, she has had to seamlessly blend her caring role at home with her professional responsibilities as a guide in a male dominated and uncertain industry. Besides leading the pack, Yasudhara kept our children motivated and entertained, leaving an indelible mark on them. By the journey’s end, the little ones of our foreign friends soaked Nepali phrases. “जाम जाम” became their spirited rallying cry as we moved up and down the trails. Even as Yasudhara sometimes told them to slow down with “बिस्तारै बिस्तारै” it was the rhythmic chant of “जाम जाम” that followed.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240427020412_b57170cc61b35c07e370e48b7e93d916e4cd9bfa72d7230b93a39eedd8e5a48e.jpg" data-media-id="editor_0" data-image-id="20240427020412_b57170cc61b35c07e370e48b7e93d916e4cd9bfa72d7230b93a39eedd8e5a48e" data-rendition-name="original" width="1125" height="1500" loading="lazy" alt="Sustainable tourism in Annapurna"> </figure>  When she first became a guide, Yasudhara recalled she had to defy her family’s wishes. They were skeptical of her choice of career to lead foreigners through Nepal’s remote, rural landscapes. The workplace was equally challenging. At that time, no one was accustomed to female guides, and accommodations were scarce. Yasudhara slept in dining rooms and outdoors, keeping her distance from male guides who often drank and indulged in unwelcome behaviour. But times have changed. Female-led teams from Three Sisters now guide trekkers all over Nepal. But now, Yasudhara grapples with the guilt of leaving her child behind, even though she is shaping a future where her son will understand the power of gender equality and women’s economic empowerment. “I want to earn my keep, without having to rely on my brothers and husband,” Yasudhara tells us during a rest stop. Tila is in her mid-30s, and thrived as a guide before the pandemic, navigating and overcoming many gender stereotypes and challenges in her profession. Starting as an assistant at the agency, she steadily climbed the ranks to become a permanent guide, earning a modest base salary and commissions. She enjoys preferential access to trips involving foreign visitors. During peak seasons, work flows steadily, allowing her to hibernate during quieter times. She also seized learning opportunities provided by her employer. She participated in courses on the ecosystems of trekking regions, cultural sensitivity, first aid and emergency response, navigation and route knowledge, and sharpening her English proficiency.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240427020412_5fbd0826aaa69f65f3872bf89fce702ad6391fec4fb2e51bb101101ce3a9225d.jpg" data-media-id="editor_1" data-image-id="20240427020412_5fbd0826aaa69f65f3872bf89fce702ad6391fec4fb2e51bb101101ce3a9225d" data-rendition-name="original" width="1125" height="1500" loading="lazy" alt="Sustainable tourism in Annapurna"> </figure>  Then, the pandemic struck. Trekkers vanished. Tila’s gratitude for finally returning to work is tempered by the reality that Nepal’s trekking industry has not fully recovered. This was her fourth consecutive trek, leaving her cautiously optimistic. Yet the trail ahead remains uncertain. &nbsp;THE ASSISTANTS The eight assistants who accompanied us, three women and five men, were more than ‘porters’. This was a group of eight remarkable individuals, distinct from traditional porters found on trekking trails and their significance extended far beyond carrying our gear. Kusum, 19, harbours dreams of being the first in her family to pursue a Bachelor’s degree in Commerce from a college in Pokhara. Her motivation for joining the trek was twofold: to earn enough to pay for her accommodation expenses, and eventually to earn the experience to be a guide herself one day. With every step she took, she carried not only her backpack but also her aspiration for a brighter future. Sita, 36, is a single mother with three children. She is from a landless Dalit family, and lives in a rented house by the highway. Entrusting her 17-year-old to care for younger siblings, she works for Three Sisters during peak trekking season and returns to her village to take up the odd agricultural work with meagre wages. Despite challenges, she finds solace in the decent work provided by the trekking company. For women like her from disadvantaged backgrounds, these opportunities are lifelines. “There is so little work in my village, and the money I earn on these treks helps educate and feed my children,” she says. Yogesh, like many young Nepali men, wants to migrate abroad. He is at the crossroads of his past and an unwritten future. “Our villages are empty, there are few young people left,” he says. “All my friends have gone overseas for work. I am thinking of doing the same.” For Yogesh, this trek symbolised a bridge between two worlds, a chance to bear the costs of recruitment fees for a job overseas instead of his family having to pay. Khem is an older migrant returnee. His weathered hands bear the calluses of hard labour, each crease etched with memories from 15 years at a construction site in Dubai and two years in Qatar. He recounts how limited opportunities in Nepal drove him out, and his experience in the Gulf: “It was backbreaking work, so far away from my loved ones.” Dhak Bahadur is in his late-40s and carries the weight of responsibility for his Dalit family back home. His two sons and daughter, on the cusp of adulthood, look up to him. “I want my children to have a better life, they should not endure the hardship I have known,” he says. His broad shoulders carry not only our rucksack, but dreams of education, stability and dignity for the next generation.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240427020412_3e8f08df5ed34e991aebd9e314c3903b90fbc80c2d146694493608e31d42c0a7.jpg" data-media-id="editor_2" data-image-id="20240427020412_3e8f08df5ed34e991aebd9e314c3903b90fbc80c2d146694493608e31d42c0a7" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Sustainable tourism in Annapurna"> <figcaption>Bimbika Sijapati Basnett (far left) with Three Sisters trekking guide. Sijapati is a researcher and practitioner working on gender and social development.</figcaption> </figure>  Three Sisters upholds a strict rule: Assistants carry no more than 10-12kg each. As customers, we also left a small space in our own rucksacks for their belongings. However, this essential work practice remains far from universal. Despite laws against heavy loads, most ‘porters’ are made to carry 30kg or more of trekking gear. After decades of carrying heavy loads up and down mountains, many have chronic spinal problems and headaches. At rest stops, the men conversed among themselves, and I glimpsed the value they embraced: women led the way. The Three Sisters are leaving a legacy. Dhak Bahadur confides, “I want my daughter to be fluent in English and become part of a women-led tourism company too.” A Nepal trek gives visitors a glimpse of the impact of migration and remittance on rural areas. Nearly half of the households have at least one family member working abroad, or someone who has returned from overseas or India. They are predominantly men aged 20-44, and form the backbone of the country’s most productive workforce. Along the trail, we can see evidence of newfound prosperity from remittances, allowing many families to break free from poverty and deprivation. Yet migration is far from being a seamless journey. It begins with the challenge of pooling resources to cover direct and indirect costs. Upon return, a lingering question returns, 'what next?' as migrant returnees grapple with reintegration. Migrants, dreamers, carriers of hope shuffle along with silent footsteps along stone steps amidst a stunning backdrop of Annapurna and Machapuchre suffused in the golden light of sunrise. Each step is a promise that every ascent, every descent, is a collective endeavour towards a world where equality, opportunity and compassion bloom brightly like the rhododendron.

What sustainable tourism means in practice

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;

The Everest Industry

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.