As with all spheres of national life that make up our social and cultural fabric, Nepal’s film industry has also been hit hard. Cinemas are closed, shooting has stopped, and there is even less investment in new movies.As with the global film industry, Nepali producers are also disseminating directly through YouTube and other streaming platforms. Film festivals are being held online.The Kathmandu International Mountain Film Festival (KIMFF) <a href="https://www.nepalitimes.com/business/kimff-2020/" target="_blank" rel="noopener noreferrer">took place virtually</a> from 10-14 December and had 300 entries this year, out of which 12 films were chosen for the Nepal Panorama and 18 for the international competition.“Because we went virtual, many people outside Nepal were able to see the films, and the number of entries was surprisingly high even given the times we’re in,” KIMFF director Ramyata Limbu told Nepali Times.“If you can’t get people to the hall in terms of logistics and time, doing festivals online in this multimedia era would make it more accessible for people who don’t have the time or inclination to make it to the theatres,” says Limbu. “The more accessible we can make it, the more people will take the time to view independent films.A selection of notable films from 2020: <figure><img width="1920" height="1080" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf0284b0ad905ca02eff4jpeg.jpg" alt=""/><figcaption>Photo: NISHON SHAKYA</figcaption></figure>The CrematorNishon Shakya’s, documentary which <a href="https://kimff.org/the-cremator/" target="_blank" rel="noopener noreferrer">premiered at KIMFF</a>, follows elderly cremator Gyan Bahadur, who is nearing the end of his professional life at the Bhasmeshwar ghat at Pashupati. Gyan Bahadur’s narration of his life is accompanied by powerful visuals of cremations at Pashupati. Caution: Viewer Discretion Advised. Shakya is uncompromising in his visuals of the dead, in a way a macabre reminder of the times we live in.  Gyan Bahadur cremates the dead, a cigarette held tight between his lips, discusses politics, offers medical advice, and tells the story of his life. Having himself lost two of his sons in their childhood, Gyan Bahadur says he makes money off other people’s losses. At times, he is scathing about the living, who like to send off their dead with style but have no words of kindness to the people who help them pass on. Surrounded by mortality, he speaks matter-of-factly about his own death, accepting that he will eventually find his way back to Pashupati and move on from this world the same way he helped countless others. <figure><img width="1440" height="645" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf02b4b0ad905ca02eff5jpeg.jpg" alt=""><figcaption> </figcaption></figure>Day 33Filmed in the throes of the Covid-19 lockdown, LSM’s (Sailesh RC) <a href="https://www.youtube.com/watch?v=CSFRDsh9kX8" target="_blank" rel="noopener noreferrer">relevant short film</a> captures a young man’s increasing agitation as he searches for food in his room on the 33rd day of the shutdown. In the barely furnished space, surrounded by empty food containers and an empty wallet, he doesn’t find any. And so, he must settle for anything that he can find within the space that he can move in.The brevity of the film works in its favour — there are no unnecessary drawn-out scenes that attempt to force more meaning or gravitas to the story. There are no dialogues, no angry soliloquies, not one word from the protagonist. The film doesn’t need them. There is just weariness and resignation. <figure><img width="733" height="620" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf02d4b0ad905ca02eff6jpeg.jpg" alt=""><figcaption> </figcaption></figure>Come Over for a Drink, Kanchhi Sikuma Rai’s documentary played at the Pame Film Festival, NHRIFF, and KIMFF. <a href="https://festival.kimff.org/nepal-panorama/come-over-for-a-drink-kanchhi/" target="_blank" rel="noopener noreferrer">Come over for a drink, Kanchhi</a> is a deeply personal narrative of the Rai women of Bhojpur for whom alcohol is woven into the fabric of their daily lives. The women sing and smile and drink in groups throughout the film, even as they hold immense sadness within themselves. Weathered by the loss of children and loved ones to disease and suicide, they make and drink alcohol to deal with grief and trauma. Because alcohol is as much a part of ceremony and celebration as much as melancholy, the women are not apologetic about drinking. “There is a big hole in my heart,” says one of the women, who all suffer from depression. In a country where mental health is stigmatised, the film shines a light on how people deal with depression in rural areas. <figure><img width="1991" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf02f4b0ad905ca02eff7jpeg.jpg" alt=""><figcaption> </figcaption></figure>The Snow Leopards CallingTshiring Lhamu Lama was inspired to work for the conservation of snow leopards when she saw how the endangered Himalayan cats were tortured and poisoned by locals in Dolpo in retaliation for killing their livestock. Sonam Choekyi Lama’s award-winning short documentary is <a href="https://www.nepalitimes.com/banner/trekking-to-save-nepals-snow-leopards/" target="_blank" rel="noopener noreferrer">the story of her sister Tshring’s drive and determination</a> to save and protect a part of her world through snow leopard conservation. Tshiring treks across the freezing, harsh but stunning winter landscape of Phoksundo to capture the movement of Snow Leopards, recognising the importance of the footage for conservation as well as much-needed tourism in the area.The film includes heartbreaking footage of snow leopards being dragged by their tails and kicked by locals into holes in the ground. However, Tshiring’s joy and enthusiasm at having captured snow leopards on film end the visually beautiful documentary on a hopeful, optimistic note. <figure><img width="1600" height="592" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf0324b0ad905ca02eff8jpeg.jpg" alt=""><figcaption> </figcaption></figure>Bare Trees in the MistFilmmaker Rajan Kathet’s Bare Trees in the Mist made its rounds in festivals around the world, including <a href="https://tiff.net/events/bare-trees-in-the-mist" target="_blank" rel="noopener noreferrer">Toronto in 2019</a>, South Korea, Turkey, Italy, the UK, Finland and India before being screened at home during KIMFF 2020. In this stunning drama, Kaali’s son informs his mother that a neighbour’s husband has returned from abroad bearing gifts for the two of them. Kaali, whose own husband has left home telling his wife that he’s going to Arab (“Which Arab?” her neighbour’s husband asks. Kaali doesn’t know) makes the journey to visit them. Kaali’s tense yet hopeful wait in silence, the choice of aspect ratio, everything adds to the film’s atmosphere, underlying urgency and anxiety of the protagonists. <figure><img width="1440" height="773" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf0354b0ad905ca02eff9jpeg.jpg" alt=""><figcaption> </figcaption></figure>BabuIn <a href="http://www.arpafilmfestival.com/short-film-babu-by-eelum-dixit-2020-arpa-iff/" target="_blank" rel="noopener noreferrer">Eelum Mani Dixit’s film</a>, the eponymous Babu finds his village and home torn apart by the 2015 earthquake that takes the life of his mother, and takes his desperate father away to India in search for work. A story of three generations of men in post-earthquake Nepal, the film brims with a young boy’s anger and heartbreak, a father’s helplessness, and a grandfather’s sorrow.Dixit packs a lot of emotion into subtle gestures throughout the film, like when Babu’s father hands him sweets before he leaves for India. Or when Babu gives a marble to the girl he likes-- someone he is probably never going to see again-- as she and her family move away to India. And especially when Babu buys his grandfather, with whom he has a tumultuous relationship, a pen for his journal with the money he had painstakingly saved up working to bring his father back home sooner. The film is not only emblematic of the mass exodus of Nepali men and women to foreign lands, but also a look at how out-migration can be a ‘trend’ that turns working-class Nepalis into hard-bitten cynics unwilling to work their own land, even when it is available and possible.  <figure><img width="734" height="543" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf0384b0ad905ca02effajpeg.jpg" alt=""><figcaption> </figcaption></figure>Song of CloudsAnkit Poudel’s film is an ethereal, empathetic, abstract story of life and death shifting from this world to the next as the dead communicate with the living they leave behind. Described as a fever dream, there is no plot or narrative structure to the film. There are long stretches of silence punctuated by sudden disjointed communications about regret and longing. A story without direction or an end told through still photographs.Premiering at Sundance earlier this year and making rounds in <a href="https://www.sundance.org/projects/song-of-clouds" target="_blank" rel="noopener noreferrer">festival circuits around the world</a>, Poudel’s film has garnered multiple awards, including the Grand Prix at the Split Film festival in Croatia and the Best Fiction award in Nepal Panorama at KIMFF 2020. <figure><img width="1422" height="794" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf03a4b0ad905ca02effbjpeg.jpg" alt=""><figcaption> </figcaption></figure>The Winter Tap In the hills of Sankhwasabha, a young man has undertaken the solo task of building a water tap that will take water right to his home during the dry winter. Working methodically in silence, he cuts bamboo into pipes and tree branches to prop up the bamboo against. He then cuts strips out of some more bamboo and ties the pipe and the branches to make a long and winding canal wrapped around the hills.  As with Day 33, words are unnecessary, the only sound is the wind blowing across the hills as the man lays his bamboo pipe, the rhythmic thwack of his khukuri as he cuts branches to support his canal, and the final, musical sound of the water flowing through the pipes toward his home. Simple, meaningful, and immensely satisfying, this film by Aashish Limbu and Debin Rai won Best student film at <a href="https://www.nepalitimes.com/review/film-southasia-2019/" target="_blank" rel="noopener noreferrer">Film South Asia 2019</a> and was screened during KIMFF 2020. <figure><img width="500" height="260" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191120/636bf03d4b0ad905ca02effcjpeg.jpg" alt=""><figcaption> </figcaption></figure>The Big-headed Boy<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.idfa.nl/en/film/17008744-6908-4c0a-bbee-b06b148431a6/the-big-headed-boy-shamans-samurais" target="_blank" rel="noopener noreferrer">The Big-Headed Boy, Shamans &amp; Samurais</a> was screened at the International Documentary Film Festival Amsterdam this November. Made by Pooja Gurung and Bibhusan Basnet, award-winning creative minds behind The Contagious Apparitions of Dambarey Dendrite and Dadyaa, the black-and-white travelogue is an account of the filmmakers’ quest to find an actor for their movie. When they do find an actor, the village Shaman is reluctant to let him go.

Shristi Karki

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2020 vision

As with all spheres of national life that make up our social and cultural fabric, Nepal’s film industry has also been hit hard. Cinemas are closed, shooting has stopped, and there is even less investment in new movies.As with the global film industry, Nepali producers are also disseminating directly through YouTube and other streaming platforms. Film festivals are being held online.The Kathmandu International Mountain Film Festival (KIMFF) <a href="https://www.nepalitimes.com/business/kimff-2020/" target="_blank" rel="noopener noreferrer">took place virtually</a> from 10-14 December and had 300 entries this year, out of which 12 films were chosen for the Nepal Panorama and 18 for the international competition.“Because we went virtual, many people outside Nepal were able to see the films, and the number of entries was surprisingly high even given the times we’re in,” KIMFF director Ramyata Limbu told Nepali Times.“If you can’t get people to the hall in terms of logistics and time, doing festivals online in this multimedia era would make it more accessible for people who don’t have the time or inclination to make it to the theatres,” says Limbu. “The more accessible we can make it, the more people will take the time to view independent films.A selection of notable films from 2020: <figure><img width="1920" height="1080" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be93b9c7e80680e0878abjpeg.jpg" alt=""/><figcaption>Photo: NISHON SHAKYA</figcaption></figure>The CrematorNishon Shakya’s, documentary which <a href="https://kimff.org/the-cremator/" target="_blank" rel="noopener noreferrer">premiered at KIMFF</a>, follows elderly cremator Gyan Bahadur, who is nearing the end of his professional life at the Bhasmeshwar ghat at Pashupati. Gyan Bahadur’s narration of his life is accompanied by powerful visuals of cremations at Pashupati. Caution: Viewer Discretion Advised. Shakya is uncompromising in his visuals of the dead, in a way a macabre reminder of the times we live in.  Gyan Bahadur cremates the dead, a cigarette held tight between his lips, discusses politics, offers medical advice, and tells the story of his life. Having himself lost two of his sons in their childhood, Gyan Bahadur says he makes money off other people’s losses. At times, he is scathing about the living, who like to send off their dead with style but have no words of kindness to the people who help them pass on. Surrounded by mortality, he speaks matter-of-factly about his own death, accepting that he will eventually find his way back to Pashupati and move on from this world the same way he helped countless others. <figure><img width="1440" height="645" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be93f9c7e80680e0878acjpeg.jpg" alt=""><figcaption> </figcaption></figure>Day 33Filmed in the throes of the Covid-19 lockdown, LSM’s (Sailesh RC) <a href="https://www.youtube.com/watch?v=CSFRDsh9kX8" target="_blank" rel="noopener noreferrer">relevant short film</a> captures a young man’s increasing agitation as he searches for food in his room on the 33rd day of the shutdown. In the barely furnished space, surrounded by empty food containers and an empty wallet, he doesn’t find any. And so, he must settle for anything that he can find within the space that he can move in.The brevity of the film works in its favour — there are no unnecessary drawn-out scenes that attempt to force more meaning or gravitas to the story. There are no dialogues, no angry soliloquies, not one word from the protagonist. The film doesn’t need them. There is just weariness and resignation. <figure><img width="733" height="620" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9429c7e80680e0878adjpeg.jpg" alt=""><figcaption> </figcaption></figure>Come Over for a Drink, Kanchhi Sikuma Rai’s documentary played at the Pame Film Festival, NHRIFF, and KIMFF. <a href="https://festival.kimff.org/nepal-panorama/come-over-for-a-drink-kanchhi/" target="_blank" rel="noopener noreferrer">Come over for a drink, Kanchhi</a> is a deeply personal narrative of the Rai women of Bhojpur for whom alcohol is woven into the fabric of their daily lives. The women sing and smile and drink in groups throughout the film, even as they hold immense sadness within themselves. Weathered by the loss of children and loved ones to disease and suicide, they make and drink alcohol to deal with grief and trauma. Because alcohol is as much a part of ceremony and celebration as much as melancholy, the women are not apologetic about drinking. “There is a big hole in my heart,” says one of the women, who all suffer from depression. In a country where mental health is stigmatised, the film shines a light on how people deal with depression in rural areas. <figure><img width="1991" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9449c7e80680e0878aejpeg.jpg" alt=""><figcaption> </figcaption></figure>The Snow Leopards CallingTshiring Lhamu Lama was inspired to work for the conservation of snow leopards when she saw how the endangered Himalayan cats were tortured and poisoned by locals in Dolpo in retaliation for killing their livestock. Sonam Choekyi Lama’s award-winning short documentary is <a href="https://www.nepalitimes.com/banner/trekking-to-save-nepals-snow-leopards/" target="_blank" rel="noopener noreferrer">the story of her sister Tshring’s drive and determination</a> to save and protect a part of her world through snow leopard conservation. Tshiring treks across the freezing, harsh but stunning winter landscape of Phoksundo to capture the movement of Snow Leopards, recognising the importance of the footage for conservation as well as much-needed tourism in the area.The film includes heartbreaking footage of snow leopards being dragged by their tails and kicked by locals into holes in the ground. However, Tshiring’s joy and enthusiasm at having captured snow leopards on film end the visually beautiful documentary on a hopeful, optimistic note. <figure><img width="1600" height="592" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9479c7e80680e0878afjpeg.jpg" alt=""><figcaption> </figcaption></figure>Bare Trees in the MistFilmmaker Rajan Kathet’s Bare Trees in the Mist made its rounds in festivals around the world, including <a href="https://tiff.net/events/bare-trees-in-the-mist" target="_blank" rel="noopener noreferrer">Toronto in 2019</a>, South Korea, Turkey, Italy, the UK, Finland and India before being screened at home during KIMFF 2020. In this stunning drama, Kaali’s son informs his mother that a neighbour’s husband has returned from abroad bearing gifts for the two of them. Kaali, whose own husband has left home telling his wife that he’s going to Arab (“Which Arab?” her neighbour’s husband asks. Kaali doesn’t know) makes the journey to visit them. Kaali’s tense yet hopeful wait in silence, the choice of aspect ratio, everything adds to the film’s atmosphere, underlying urgency and anxiety of the protagonists. <figure><img width="1440" height="773" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9499c7e80680e0878b0jpeg.jpg" alt=""><figcaption> </figcaption></figure>BabuIn <a href="http://www.arpafilmfestival.com/short-film-babu-by-eelum-dixit-2020-arpa-iff/" target="_blank" rel="noopener noreferrer">Eelum Mani Dixit’s film</a>, the eponymous Babu finds his village and home torn apart by the 2015 earthquake that takes the life of his mother, and takes his desperate father away to India in search for work. A story of three generations of men in post-earthquake Nepal, the film brims with a young boy’s anger and heartbreak, a father’s helplessness, and a grandfather’s sorrow.Dixit packs a lot of emotion into subtle gestures throughout the film, like when Babu’s father hands him sweets before he leaves for India. Or when Babu gives a marble to the girl he likes-- someone he is probably never going to see again-- as she and her family move away to India. And especially when Babu buys his grandfather, with whom he has a tumultuous relationship, a pen for his journal with the money he had painstakingly saved up working to bring his father back home sooner. The film is not only emblematic of the mass exodus of Nepali men and women to foreign lands, but also a look at how out-migration can be a ‘trend’ that turns working-class Nepalis into hard-bitten cynics unwilling to work their own land, even when it is available and possible.  <figure><img width="734" height="543" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be94c9c7e80680e0878b1jpeg.jpg" alt=""><figcaption> </figcaption></figure>Song of CloudsAnkit Poudel’s film is an ethereal, empathetic, abstract story of life and death shifting from this world to the next as the dead communicate with the living they leave behind. Described as a fever dream, there is no plot or narrative structure to the film. There are long stretches of silence punctuated by sudden disjointed communications about regret and longing. A story without direction or an end told through still photographs.Premiering at Sundance earlier this year and making rounds in <a href="https://www.sundance.org/projects/song-of-clouds" target="_blank" rel="noopener noreferrer">festival circuits around the world</a>, Poudel’s film has garnered multiple awards, including the Grand Prix at the Split Film festival in Croatia and the Best Fiction award in Nepal Panorama at KIMFF 2020. <figure><img width="1422" height="794" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be94f9c7e80680e0878b2jpeg.jpg" alt=""><figcaption> </figcaption></figure>The Winter Tap In the hills of Sankhwasabha, a young man has undertaken the solo task of building a water tap that will take water right to his home during the dry winter. Working methodically in silence, he cuts bamboo into pipes and tree branches to prop up the bamboo against. He then cuts strips out of some more bamboo and ties the pipe and the branches to make a long and winding canal wrapped around the hills.  As with Day 33, words are unnecessary, the only sound is the wind blowing across the hills as the man lays his bamboo pipe, the rhythmic thwack of his khukuri as he cuts branches to support his canal, and the final, musical sound of the water flowing through the pipes toward his home. Simple, meaningful, and immensely satisfying, this film by Aashish Limbu and Debin Rai won Best student film at <a href="https://www.nepalitimes.com/review/film-southasia-2019/" target="_blank" rel="noopener noreferrer">Film South Asia 2019</a> and was screened during KIMFF 2020. <figure><img width="500" height="260" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9529c7e80680e0878b3jpeg.jpg" alt=""><figcaption> </figcaption></figure>The Big-headed Boy<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.idfa.nl/en/film/17008744-6908-4c0a-bbee-b06b148431a6/the-big-headed-boy-shamans-samurais" target="_blank" rel="noopener noreferrer">The Big-Headed Boy, Shamans &amp; Samurais</a> was screened at the International Documentary Film Festival Amsterdam this November. Made by Pooja Gurung and Bibhusan Basnet, award-winning creative minds behind The Contagious Apparitions of Dambarey Dendrite and Dadyaa, the black-and-white travelogue is an account of the filmmakers’ quest to find an actor for their movie. When they do find an actor, the village Shaman is reluctant to let him go.

Nepal’s cricket team first beat powerhouse West Indies in two out of three matches in September, the first time it won a match and then a series against a test-playing nation.&nbsp; Then the Rhinos played six qualifiers in Oman for the 2026 T20 World Cup which is being held in India and Sri Lanka from 7 February to 8 March next year. The national team qualified comfortably with two games to spare, and won all six matches anyway. In the three months before the World Cup, cricketers will play the second season of the Nepal Premier League from 17 November to 13 December.&nbsp; After a hugely successful first season, steady upgrades have been made. The flood-lit Tribhuvan University Cricket Ground has been fitted with 15,000 seats, even though this takes away from the festival-like atmosphere of fans on their feet on the grassy slope.&nbsp; Last season, matches began at noon and three in the afternoon. Late-evening matches in winter under flood lights will increase attendance and viewership.&nbsp; There is also now technology that will display how far a six was hit and how fast a ball was bowled. Foreign players who will play in the league include Chris Lynn, D’arcy Short, Ravi Bopara, and Sohail Tanvir, all good ex-international players that people have heard of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215.jpg" data-media-id="editor_0" data-image-id="20251101031128_9db0830fb65d0743e3d36cc4b4473e61d750789028a130f5dff8a619307b0215" data-rendition-name="original" width="1365" height="1803" loading="lazy" alt="Nepal cricket"> <figcaption>Aasif Sheikh drives through the covers on his way to 69 off 41 vs Samoa.</figcaption> </figure>  But the most important point of the Nepal Premier League will be to prepare and experiment for the World Cup, which starts less than two months after the NPL ends. Team Nepal will be extra eager to play well, given that the matches are happening in South Asia and Nepali fans can make the trip.&nbsp; Head coach Stuart Law will be watching each NPL match keenly, to gain more insight into how to best use his current starters.&nbsp; As each of the eight teams are only allowed a maximum of four foreign players in their starting eleven, Law and Nepali fans will also be scouting new talent who will be hungry to emerge and prove themselves to earn a place in the World Cup Squad.&nbsp; ALL-ROUNDERS One of the most unusual features of the current Nepali squad is how many all-rounders there are. Kushal Bhurtel, Rohit Paudel, Kushal Malla, Gulshan Jha, and Dipendra Singh Airee are all regular starters, and they all bat and bowl. Opener Aasif Sheikh is also the wicketkeeper.&nbsp; Airee, of course, is also an excellent fielder. In the first five games of the qualifiers, he got a record five runouts with direct hits, and was on a roll with a run in every single game. This depth means that almost always seven players bowl for Nepal, and the wealth of options keeps the opponent batting order guessing, but it may create hesitancy within the team in tough situations against stronger teams.&nbsp; Countries at the top level of the sport tend to have more specialists. Perhaps Stuart Law might want to tell Bhurtel to really focus on his batting, or Airee to hone his bowling, which seems to be their strengths. The team would be better off with them performing one aspect consistently well than being hit or miss with both. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3.jpg" data-media-id="editor_1" data-image-id="20251101031128_c30fdbab65736ea728f2f94fa121d2169e4d3627194ce1fe9de26eebdb3fc5b3" data-rendition-name="original" width="957" height="1269" loading="lazy" alt="Nepal cricket"> <figcaption>Lalit Rajbhansi with tricky left arm spin, 3/13 vs Samoa.</figcaption> </figure>  POWERPLAYS The Nepali team likes batting first. It chased only against Japan, but they struggle to put up really competitive scores of say, above 170 unless two batsmen do really well.&nbsp; In the second match against the West Indies, Aasif Sheikh’s 68 and Sundeep Jora’s 63 set up Nepal at 173/6. Against Samoa, Aasif Sheikh had 69 and Airee had 53, before Lokesh Bam’s fierce 39 off 12 featuring 4 sixes set up 211/4.&nbsp; Besides these games, Nepal tends to score up to 150 batting first. To the experienced teams that Nepal will face at the world cup, this is not at all an intimidating score. One reason is that Nepal just cannot seem to get going in the first six powerplay overs, when there are limited fielders on the boundaries.&nbsp; A solution to this might be to promote Gulshan Jha up the order. Although Jha has also been an excellent batter in the end overs, using him at three or four might help set up a more productive powerplay and bigger scores. He should try it out with the Karnali Yaks.&nbsp; Despite all the controversy that comes with Sandip Lamichhane, and his strange decision to sit out the West Indies series minutes before the first match started, his output with the ball is undeniable.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678.jpg" data-media-id="editor_2" data-image-id="20251101031128_453d54ce627367c537d459c38d260d8aca1d56949c49c8023de582f3e72bb678" data-rendition-name="original" width="1499" height="1000" loading="lazy" alt="Nepal cricket"> <figcaption>Nepalis turn out to support the team vs Samoa at Al Ameret Stadium in Oman.</figcaption> </figure>  He took wickets in each of the six qualifiers, most notably five vital ones in the match against Qatar that Nepal won by five runs. Lamichhane also gives away very few runs, which cuts some of the more part-time bowlers some slack.&nbsp; Airee is also economical, and his 3/22 was vital in the one-run win against the UAE. Together with Lamichhane the duo constricted the opposition in the middle overs. Veteran Sompal Kami has not been as productive with the ball, and gave away a lot of runs in the series against the West Indies.&nbsp; This is a weakness, because Kami does not contribute with the bat much. While his experience is valuable to ground the young Nepali team, Stuart Law should look out for fast bowlers during the NPL to help balance out quality spinners.&nbsp; One of the most impressive and professional parts of Nepal’s winning streak has been the attention to detail. The players have been generally excellent in the field, giving away very few runs due to wides or no balls. They had three run outs against the UAE and two against Qatar and Japan and in the first game against the West Indies.&nbsp; The fielders seem much calmer and focused when executing difficult catches, a welcome change from past complacency. This attention to detail makes the difference in narrow games and keeps morale high.&nbsp; The Nepali team has performed well, but besides the narrowly-beaten UAE, all the matches were against teams ranked lower in the world T20 rankings. And the series against the West Indies was against a weakened team. In the world cup, Nepal will be facing much stronger teams and will lack the element of surprise it had in the 2024 World Cup.&nbsp; If Nepal wants to keep improving, it now has to be able to dominate teams like Kuwait and Oman. It also should set up more series with associate nations like Scotland, Ireland, Namibia and The Netherlands. This will help accurately gauge the team’s progress and expose its weaknesses.

Nepal’s prospects at World Cup 2026

Imagine a high-end fair trade tea brand from Nepal that has done everything right, with ethical sourcing practices and international certifications. It has built a loyal base of socially conscious, premium customers in an export market and focuses on quality over quantity. Then one day, a government in the export market introduces a new ‘listing criteria’ that requires exporting a certain amount of tea to at least three countries in the past five years. But this was never a numbers game, it was about a niche market of socially responsible tea lovers.&nbsp; Suddenly, fair trade tea companies are restricted from exporting tea to that country.&nbsp; Pretty unfair for the company, for consumers, for the tea sector. More importantly, for tea farmers and families benefiting from fair standards. The overseas labour industry is facing a similar risk as recruiters, including those that have adopted ethical standards, may soon be barred from finding workers for Malaysia.&nbsp; On 27 October, the Malaysian Ministry of Foreign Affairs sent letters to five countries including Nepal, Bangladesh, Burma, Pakistan and India to ‘rationalise the number of licensed private recruitment agencies permitted to facilitate recruitment and placement of workers to Malaysia’.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_050274dddc6cf10224b0ad9283eec7b3bc3c0acd650543a808a8ea473ecf40db.jpg" data-media-id="editor_0" data-image-id="20251030141040_050274dddc6cf10224b0ad9283eec7b3bc3c0acd650543a808a8ea473ecf40db" data-rendition-name="original" width="961" height="1135" loading="lazy" alt="Malaysia recruitment"> </figure>  The letter includes 10 criteria for private recruiting agencies including at least five years of operating experience, deployment of 3,000 workers in the past three years of operation, &nbsp;experience sending workers to at least three countries, a 10,000 sq m office maintained for three years, valid licenses and good conduct certificates, five employer testimonials, and operating their own training and accommodation centres. Two conditions stand out as potentially harmful to Nepal’s ethical recruitment movement. First, although the letter cites a minimum of 3,000 workers, it says three years in the heading and five in the body text. A big enough difference to affect a significant number of recruiters from making the cut, but problematic regardless.&nbsp; Second, the requirement to send workers to at least three countries disproportionately impacts responsible recruiters in Nepal and elsewhere. Turning the selection of workers into a numbers game is dehumanising. Responsible &nbsp;recruiters deprioritise volume, focus on quality of jobs even when business sustainability comes under threat as ethical opportunities that do not require workers to pay any feed and ensure greater transparency are difficult to come by. Sending workers is further impacted by a series of external shocks. For example, in the Malaysian context Nepal banned emigration to Malaysia for two years followed by the Covid pandemic, and then Malaysia’s decision to stop the intake of foreign workers for the last two years.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_b1b88b3ae2e94c6bc077529ac6f2a4e380a385ee9a22219edfed25067c9d25a1.jpg" data-media-id="editor_1" data-image-id="20251030141040_b1b88b3ae2e94c6bc077529ac6f2a4e380a385ee9a22219edfed25067c9d25a1" data-rendition-name="original" width="595" height="841" loading="lazy" alt="Malaysia recruitment"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141040_2cf252908d18aaf09c875002eef2d92ab45897a56b560addd2dc02311725c8a7.jpg" data-media-id="editor_2" data-image-id="20251030141040_2cf252908d18aaf09c875002eef2d92ab45897a56b560addd2dc02311725c8a7" data-rendition-name="original" width="590" height="238" loading="lazy" alt="Malaysia recruitment"> </figure>  Many ethical recruiters have focused on Malaysia because it is a more common labour market for responsible recruitment than other destinations like the Gulf. There is no credible justification to why responsible recruiters well regarded by scores of Malaysia-based multinational companies and with decades of experience should be ‘disqualified’ for not diversifying. Finding jobs for Nepalis in new markets is difficult given fierce competition, challenges &nbsp;identifying companies which follow the employer-pays principle, lack of networks and shortcomings in marketing strategies. These factors hit responsible recruiters harder because profit-motivated employers are often unwilling to cover the costs and fees associated with workers’ recruitment.&nbsp; “The volume of deployment does not determine a recruiter’s capability or the quality of services provided,” says Sujit Shrestha of the Nepal Association of Foreign Employment Agencies (NAFEA). Nepal recently scrapped the licensing renewal requirement that mandated sending at least 100 workers a year as it was impractical. The new Malaysian criteria is similar in nature, he added. The ball is now in Nepal’s court at a time when the interim government does not even have designated heads in the Foreign Ministry and the Ministry of Labour, Employment Employment and Social Security. When rumours about the Malaysian action started circulating, NAFEA had raised the issue, but was assured that this was not an attempt to set up a syndicate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20251030141044_83c8a174ef116603f747d1cd254c4d353e8b855a41fb99feec54e701f5fc4c3f.jpg" data-media-id="editor_3" data-image-id="20251030141044_83c8a174ef116603f747d1cd254c4d353e8b855a41fb99feec54e701f5fc4c3f" data-rendition-name="original" width="3456" height="5184" loading="lazy" alt="Malaysia recruitment"> </figure>  How will governments and recruiters in other origin countries now respond? There is precedence from Bangladesh. Dhaka-based journalist at the Daily Star, Porimol Palma who says, “Earlier, the Malaysian authorities had selected 101 Bangladeshi recruiters unilaterally, despite Bangladesh’s call for a syndicate-free recruitment mechanism.” Between 2022-2024, 450,000 Bangladeshis were recruited under this system with workers paying between $4,500 and $6,000, even though the legal limit was $750. Palma attributes part of the high fees workers had to pay were for commissions or bribes to recruitment syndicates. Adrian Pereira heads the North South Initiative in Malaysia says: “The criteria seems a bit fishy, as they do not appear to address the actual problems in the the recruitment of foreign workers. Some of the criteria seem to encourage a system of monopoly or syndicate rather than a rights-based approach. Every government has the right to set criteria for recruiters, but conventions and ILO (International Labour Organization) standards on recruitment exist. It looks like we’re back to square one.”&nbsp; Whether migrant origin countries including Bangladesh and Nepal accept the terms sent without reservations or push back in good faith remains to be seen. In an ideal world, a collective stance should put workers’ needs and welfare at the centre. How rational is the proposed ‘rationalising strategy’? What aspects of it are promising to curb recruitment abuse and what merits serious reconsideration?&nbsp; Even if the move from the Malaysian side is well-intentioned to address rampant malpractices migrant workers face, Nepal should deliberate on the conditions set, the collateral damage especially on the responsible actors and small but capable recruiters. Alternate options that might serve everyone better before rushing to respond with a chosen list by 15 November. If the proposal is accepted, how would it be done in a transparent and accountable way? It is noteworthy that Indonesia was not listed even though it has the most workers in Malaysia among the 16 countries that send migrants to Malaysia.&nbsp; The Responsible Business Alliance (RBA), the ILO, the International Organization for Migration (IOM), and certification programs like On the Level (OTL) also need to use their leverage to ensure that recruiters, including those they have trained or certified on ethical recruitment principles, are not penalised.&nbsp; This is more than just about protecting the ethical recruitment movement, but raising even more basic questions: Who can legally be a recruiter in Nepal? There are already obligations like hefty security deposit and minimum office requirements. But requirements to have building facilities with ‘accommodations’ or ‘testing centres’ are not among them. There are 1,150 plus players in Nepal’s recruitment sector, with a few hundred engaged in the Malaysian market. A unilateral selection criteria could risk foul play, or lead to unintended, unfavourable consequences. To be sure, overseas recruitment in Nepal is known for ‘settings’, corruption, dog-eat-dog competition, and collusion. The profiteering is out of control, often at the expense of workers. But the solution does not lie in stifling the industry with criteria like deployment volume, building worker accommodations or expanding office floors.&nbsp; The focus should instead be on enforcing rules and laws in both countries that govern the industry, and the Malaysian labour agreement that has not been renewed since October 2023.&nbsp; Meddling in the industry in ways that harms fair competition and ethical actors means workers suffer. The only issue that should be taking precedence is: how will Malaysia’s 10-point criteria and planned arrangement affect migrant workers? We have seen how for identical Malaysia-based jobs, one worker might pay zero while another pays up to Rs400,000, depending on the employer and recruiter. It is unclear if the 10-point selection criteria rewards the responsible employers and recruiters.&nbsp; As a longstanding host country for Nepali migrants, Malaysia deserves credit for nurturing the small but growing ethical recruitment industry here. Export-oriented companies in Malaysia need responsible recruitment partners and have mentored recruiters to strengthen their practices and move away from worker-paid models.&nbsp; The business case for ethical recruitment standards has led many recruiters in Nepal to pivot with many now in various stages of transition from traditional to hybrid or purely ethical practices. This progress needs to be acknowledged and built upon.&nbsp; Large, well-networked recruiters with large physical assets and high volume of workers seem to be the winners of Malaysia’s 10-point criteria after two years of waiting for the Malaysian market to reopen. Responsible recruiters endure long periods of minimal or no deployments that threatens their survival. The letter now sitting on the desk of the interim government in Nepal deepens the concern: rather than just failing to recognise or reward responsible recruiters, does the international recruitment market actually punish them? Upasana Khadka heads Migration Lab, a social enterprise aimed at making migration outcomes better for workers and their families. Labour Mobility is a regular column in Nepali Times.

Who gets to recruit for Malaysia?

With the holidays over and elections only four months away, Nepal’s interim government led by Prime Minister Sushila Karki is trying to get down to brass tacks. But it is not easy.
On Wednesday, Karki held the first three-way meeting between GenZ representatives, political parties and the government. Despite some acrimony, there was near unanimity about creating the environment for elections on 5 March. 
Only the UML is holding out, still not taking responsibility for the 8 September massacre, and calling for the reinstatement of Parliament. GenZ delegates poured their wrath on the unrepentant UML, but were themselves talking at cross purposes on the demand for a directly-elected executive. 
Karki was on the defensive, her exasperation spilling over: “How do we undo the damage done by corruption, exploitation, and discrimination over the last 35 years in a single month?” 
She is reported to have added, “There is a tendency to not allow this government to work, and then turn around to criticise it for not achieving anything. We are trying our best, and will fulfil our goal of elections no matter what.” 
The Wednesday meeting does seem to have turned the attention of old parties towards elections, and spurred the GenZ and others with political ambition to form parties.
With the deadline for party registration looming, several like-minded individuals and collectives are coalescing, or trying to. The Election Commission is already reviewing applications from more than a dozen new political parties. 
Kathmandu Mayor Balen Shah has held talks with RSP members, but his popularity on social media is not matched by public visibility and accessibility. Intriguingly, Shah and his supporters on social media have been publicly asking for the resignation of Home Minister Om Aryal for not arresting members of the UML-NC government for the 8 September killings. Aryal used to be Mayor Shah’s legal adviser.
Sudan Gurung of GenZ, ex-RSP Sumana Shrestha, and Energy Minister Kulman Ghising are all shopping for existing or new political parties to join. 
The RSP with its alternative anti-corruption agenda would be the logical choice, but there is a question mark over the role of its head Rabi Lamichhane, who is back in jail on charges of embezzlement.
LARGER CABINET
This week, Karki expanded her Cabinet for the third time by inducting Sudha Sharma Gautam as Minister for Health and activist Bablu Gupta as the Minister for Youth and Sports. 
Recommended by GenZ members, Gupta, 28, is the youngest Minister in Karki’s team. But, as has become the norm with this electoral government, two other controversial nominations fell through. Khagendra Sunar was dropped as Minister for Labour because of several ongoing criminal charges, including for assault and inflammatory speech. And Ganapati Lal Shrestha for Minister of Land Management declined at the last moment after he was not given the Tourism and Culture portfolio as preferred. 
Critics say there is a lack of due diligence on the part of Karki’s advisers in selecting candidates. Last month, Sangeeta Mishra who was nominated for Health Minister was dropped after it turned out that she was under investigation at the CIAA. However, Kulman Ghising also had complaints filed at the anti-corruption body, but was still given three portfolios. 
Then the nomination of Tashi Lhazom was withdrawn after an online controversy over her citizenship. There was also outrage on social media about Mishra and Lhazom being singled out for their ethnicity and gender.
Internal leaks making her choices prematurely public has made Karki’s team overcautious about Cabinet expansion. It is also distracting her from her main goal — to hold credible elections by striking a balance between the political parties and GenZ groups.
After a preliminary hearing on 16 writ petitions against the House dissolution and appointment of new government, the Supreme Court on Wednesday refused to issue an interim order.
“The formation of the government is unconstitutional, and a government formed unconstitutionally is not allowed to make any decisions, until the final hearing,” stated advocate Surendra Bhandari. 
The UML, still smarting from the September protests, is trying to put a spanner in the works of the election government. The GenZ, meanwhile, still do not have a consensus over fundamental demands prior to elections. Combined, these two factors portend a precarious future.

Future imperfect

A little more than one month into its six-month term, Nepal's interim government recalled ambassadors from 11 countries: China, Japan, Malaysia, Qatar, Saudi Arabia, Israel, Russia, Spain, Germany, the UK, the US, and Japan.&nbsp;
Mostly appointed by previous governments, they have to return to Kathmandu by 6 November. The envoys who were retained, even if they were political appointees, tended to be women or from various ethnic minorities.
The recall has met with criticism back home. Prime Minister Sushila Karki is blamed for borrowing a page out of its predecessors’ playbook. Although it was a symbolically inclusive move in a diplomatic corps dominated by established groups, the government may have got its timing wrong.
On Sunday, however, the Supreme Court issued an interim order against government decision to recall the 11 ambassadors. The court questioned the neccesssity and justification of such a move, concerned that it could affect Nepal's relations with the host countries.&nbsp;
Karki has said <a href="https://nepalitimes.com/news/future-imperfect">her priority is to hold elections in March</a>, and by recalling Nepal’s emissaries from important capitals like Washington, London, Bonn, Tokyo, Abu Dhabi and Kuala Lumpur her government has cut channels of communication and support from development partners and with the international community.&nbsp;
Nepal’s anti-corruption GenZ protest and the devolution of the youth movement into <a href="https://nepalitimes.com/here-now/relocate-reallocate-recover">arson, looting, and violence</a> after the targeted killing of protestors in September put the nation in the international spotlight. And the interest was especially keen in neighbouring New Delhi and Beijing.&nbsp;
The Nepal unrest has sparked similar protests across the world from <a href="https://nepalitimes.com/here-now/nepal-genzs-inspired-filipinos">the Philippines</a> to East Timor, Madagascar and Peru. But there is also worry in India where exposure of #nepokids on social media as well as corruption in high places could instigate copycat youth unrest.
And in China, there is still a lingering memory of the deadly protests in 1989 Tiananmen Square. But the Chinese also suspect that some in the GenZ movement have links to free-Tibet. &nbsp;
Foreign policy experts in Nepal reject conspiracy theories about foreign backing for the GenZ, characterising it as mostly triggered by home-grown outrage over chronic corruption of the governing elite.&nbsp;
Throughout its history Nepal has always had to balance the geo-strategic interests of its neighbours: the British in India and the Chinese Empire, and more recently independent India and Communist China.
When former PM K P Oli resigned, he had <a href="https://nepalitimes.com/opinion/comment/when-xi-meets-modi-and-oli">just returned from a visit to Beijing</a> and was a week away from making an official visit to India. A new Nepali prime minister typically makes the first visit to India, but Oli broke that tradition last year by going to China to sign the Belt and Road Initiative (BRI) framework agreement.
"Oli was China's trusted partner supporting <a href="https://nepalitimes.com/news/china-syndrome">Nepal’s participation in BRI</a> and SCO (Shanghai Cooperation Organization)," says geopolitical analyst Sanjay Upadhya. "Now, some in Beijing are apprehensive that there is external support for the youth protests that contributed to Oli’s sudden departure. It is perceived as a strategic setback for China."
Despite an ongoing dispute with India over a 364 sq km border territory, Nepal is heavily dependent economically on India with which it has an open border.&nbsp;
Rulers in Kathmandu have usually leaned over backwards to be closer to China to counterbalance India’s gravitational pull following a strategy of ‘equidistance’ between the two giant neighbours.&nbsp;
Growing American and Western disinterest in the region is making India and China more assertive towards smaller nations. Educator Dovan Rai says, “China is also becoming more aggressive and trying to show its presence in and around South Asia.”
She adds, “Nepal is an important neighbour for China, especially considering issues it regards as sensitive, like the Dalai Lama and Tibet.”
Indeed, the Chinese are said to be suspicious about the links that the <a href="https://nepalitimes.com/here-now/nepal-s-historic-youth-dissensus">GenZ movement</a> was infiltrated by elements linked with Free Tibet or with US-based interests.&nbsp;
What must have especially raised eyebrows at the Chinese Embassy in Kathmandu was that the Dalai Lama’s office in exile in India congratulated Sushila Karki — the first time in history it has sent such a greeting to a new prime minister of Nepal.&nbsp;
Although Nepal’s two neighbours do not see eye-to-eye, both agree and are worried about instability in Nepal, and if it might trigger a refugee crisis, empower extremist factions, or attract Western interference.&nbsp;
Nepal’s September protests were preceded and succeeded by similar movements in the region and around the world. In light of this global eruption of youth frustration, and desire to lead from the front, the hardline governments of Nepal’s two neighbours are undoubtedly wary of the possibility of similar unrest within their own borders.&nbsp;
‘India advocates democratic legitimacy, while China prioritises control and predictability. Recent upheavals demonstrate that neither democracy nor stability alone suffices for sustainable nationhood,’ Upadhya wrote in a recent blog.
With early elections scheduled for 5 March, <a href="https://nepalitimes.com/news/one-month-later">the main challenge for Karki’s transition government</a> is to maintain dialogue and establish consensus between youth groups, political parties, and other agitating forces to participate in polls — all while ensuring there is no covert external influence.&nbsp;
Indeed, with <a href="https://nepalitimes.com/here-now/nepals-democracy-keeps-doubting-itself">Nepal’s democracy</a> at stake as well as new political forces with competing interests set to battle it out in a new political landscape, experts warn that there could be powers that will want to fish in troubled waters.&nbsp;
Explains Dovan Rai: “Along with soft power, foreign countries including our neighbours could intervene in the online information space to promote their interests in Nepal. Fake narratives and disinformation could be spread &nbsp;through digital platforms. We must be careful and vigilant about our digital space.”

the-cremator-33days

2020 vision

2020 vision

Nepal’s prospects at World Cup 2026

Who gets to recruit for Malaysia?

Future imperfect

Neighbourhood watch on Nepal