Sravasti Ghosh Dastidar’s photographic exhibition ‘Soul in Shades’ at Siddhartha Art Gallery was pushed back by one year because of the Covid-19 pandemic. It is finally being inaugurated on 26 March, just as Nepal’s health authorities are once again on high alert for the second wave coming from India.
Dastidar is originally from Kolkata, and is well-travelled, having lived in Mumbai, Colombo, Manila and Brunei. She has curated her own photography from all her globe-trotting for this week-long exhibition that reaches the viewer with powerful dreamlike images.
The photographs use stark black and white to play with symmetry and shadow that force us to see soaring human-made structures and nature’s grandeur in new light.
Dastidar’s command of the craft shows in the deft way that she turns everyday objects into striking visuals that force the viewer to do a double take. The wraith-like image of a trapeze artists in a circus in St Petersburg (Undaunted), masks peering out of a shop window (Watching), a canoe floating on a winter morning in Chitwan (Mist 2), or of a lonely person in the slanting beams of a public building in Hong Kong (Hope) – the photographs give us a new way of contemplating objects that we take for granted.
“Her compositions reveal her fascination with texture, the play of light and shadow, the incongruous geometry of shapes, architecture and angles,” says Siddhartha Art Gallery’s Sangeeta Thapa. “In many of her works we see the loneliness of people in urban settings.”
Indeed, some of the photographs are of solitary individuals – negotiating a subway, out on a boat, or that one person in a crowd ascending an escalator. The power of these images forces us not just to look, but ponder the border between reality and imagination.
