<figure><img width="640" height="427" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13c69c7e80680e0a993djpeg.jpg" alt=""/><figcaption>Photos: AMITAV GHOSH</figcaption></figure>Born in Calcutta, and now a New York-based writer, Amitav Ghosh approaches the subject of the <a href="https://www.nepalitimes.com/banner/un-climate-report-declares-planetary-emergency/" target="_blank" rel="noopener noreferrer">global environmental crisis</a> through two literary genres: fiction and non-fiction.  As a celebrated novelist, Ghosh is known for his meticulously researched works of fiction that take complex transnational historical events, and weave characters into them, so that readers get a close idea of what it was like to live through those times. The Calcutta Chromosome, for instance, is a tale woven around the <a href="https://www.nepalitimes.com/here-now/the-mosquito-that-changed-nepals-history/" target="_blank" rel="noopener noreferrer">malaria scourge</a> that has lessons for the current pandemic. In The Glass Palace, Ghosh takes us back to colonial Burma, Malaya and Bengal and the story of a family caught up in upheavals. His novel The Hungry Tide is about a young Indian scientist in the ecologically fragile mangroves of the Sundarban in the Ganges delta. Sea of Poppies is about fictional characters caught up in the very real Opium Wars. <img width="191" height="270" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13c89c7e80680e0a993ejpeg.jpg" alt=""><img width="190" height="271" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13ca9c7e80680e0a993fjpeg.jpg" alt=""><img width="191" height="269" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13cb9c7e80680e0a9940jpeg.jpg" alt=""><img width="191" height="272" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13cc9c7e80680e0a9941jpeg.jpg" alt="">While Ghosh specialises in historical novels that merge fact and fiction, he has also written powerful non-fiction books, including the ethnographic In an Antique Land. The slim Countdown is about regional radioactive fallout of a future India-Pakistan nuclear war, and The Great Derangement in 2016 looked at the reluctance of politicians, novelists, artists and movie-makers to grasp and respond to the climate emergency.        <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/book-reviews-new-year-2074,3654">Horror story for a climate calamity</a>, Kunda Dixit <img width="187" height="267" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13cd9c7e80680e0a9942jpeg.jpg" alt=""><img width="192" height="268" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016114/636d13cf9c7e80680e0a9943jpeg.jpg" alt=""><img width="191" height="271" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d13d09c7e80680e0a9944jpeg.jpg" alt="">Ghosh’s pre-pandemic novel Gun Island could be seen as a response to the questions he himself raised in The Great Derangement about the paucity of novels dealing with climate change. In this fictional work, we are taken in typical Amitav fashion on the journey of a 50-something Bengali American, as he finds his view of reality shifting. Dinanath Datta, more commonly known by his American name Deen, is a dealer of rare books with a natural affinity for the ancient and poetic. While on an annual visit to his hometown of Kolkata, he is persuaded into taking a last minute boat escapade into the Sundarbans, the same mangrove archipelago that is the setting for the earlier novel The Hungry Tide. Deen heads to a riverbank with a shrine in honour of the protagonist of an old Bengali legend. Upon learning more about the details of this mysterious folk tale, Deen begins to recognise that this narrative may be based on a real life experience of an individual living during climatic changes of the ‘Little Ice Age’ 500 year ago, when a cold period swept the planet.Needless to say, there are many parallels to the <a href="https://www.nepalitimes.com/banner/climate-change-is-a-disaster-in-the-nepal-himalaya/" target="_blank" rel="noopener noreferrer">climate crisis we are experiencing today</a>.  Deen, a secular realist, realises that the greatest barrier to humanity dealing with a global emergency is greed. He thinks (and obviously the author does, too, through his character) that the religious concept of demons is a metaphor for greed. ‘According to Hindu mythology, when demons take over is when the world ends,’ Ghosh writes on behalf of his character.Humans are inherently greedy and this nuanced take is the theological summary of the anthropocene. While demons have not actually taken over the earth, demonic ideation has. Later in the novel, Deen’s close confidant, Cinta, states that when she looks at this world ‘with the diagnostic tools of an Inquisitor, it becomes that the world of today presents all of the symptoms of demonic possession’. Cinta sums up our current climate crisis in a most particular, yet insightful fashion: ‘Everybody knows what must be done if the world is to continue to be a liveable place … and yet we are powerless, even the most powerful among us. We go about our daily business through habit, as though we were in the grip of forces that have overwhelmed our will; we see shocking and monstrous things happening all around us and we avert our eyes; we surrender ourselves willingly to whatever it is that has us in its power.’<a href="https://www.nepalitimes.com/review/panoramic-encyclopaedia-of-the-himalaya/">Panoramic encyclopaedia of the Himalaya</a>, Lisa Choegyal <figure><img width="267" height="400" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d13d19c7e80680e0a9945jpeg.jpg" alt=""><figcaption> </figcaption></figure>This is a striking and eloquent explanation of a world held in the spell of a capitalist consumer culture that has numbed us to its consequences on nature and life. The phenomenon of greed has “possessed” us in that way. Gun Island is a bit of a slow burn, but once the action begins the pages turn easily. Ghosh weaves references to contemporary events and issues, while incorporating them into human history. He is able to illustrate the importance of maintaining a relationship with the unknown and mystical, as well as how that can actually strengthen one’s relationship with reality. The author leaves his reader wanting to show strength in stepping out of the demonic choke-hold of greed and extravagance that society is currently in, and stand up for Mother Earth. And to ram the point home, Amitav Ghosh then uses the pandemic lockdown to write a non-fiction corollary to his novel, The Nutmeg Curse, released last month.In it, Ghosh speaks as himself, and not through one of his characters, about the history of cruelty and plunder behind the ‘discovery’ of the New World and the European colonialism elsewhere in the world. By recalling gory details of extermination of nature and genocides of indigenous peoples, Ghosh reminds us that the planetary emergency we face today is just an extension of the holocaust that local peoples suffered in past centuries at the hands of the conquistadors. In fact, it presages the current crisis.The reader is shown how the ‘conjoined processes of violence, physical and intellectual, were all necessary for the emergence of a new economy based on extracting resources from a desacralized, inanimate Earth’. Ghosh is referring to the spiritual relationship that indigenous communities have always maintained with planet Earth. But modern industrialised societies look at the Mother Earth only through the lens of what she can offer us, paying no heed that we destroy nature at our own peril – as the Climate-Covid co-crises remind us.  <a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/the-unsung-heroes-of-conservation/" target="_blank" rel="noopener noreferrer">The unsung heroes of conservation</a>, Nepali TimesThe Nutmeg Curse first takes us to 1621, when the Dutch colonial military wipes out the entire population of the Banda Islands in present day Indonesia to control the trade in the invaluable native nutmeg tree. Nutmegs were one of the most desired items of luxury and wealth in Europe at the time, driving the spice trade. The value of this fruit drove the Dutch East India Company to compete with the British to control the islands, and to do so they had to exterminate the local inhabitants. As with the entire European colonial project in South and Southeast Asia, Africa and the Americas, anything that stood in the way of resource extraction (nature, non-white humans and non-human animals) were expendable.  The curse of the nutmeg for Ghosh is an allegory for the more modern resource curse of <a href="https://www.nepalitimes.com/latest/decarbonisation-needs-to-begin-today/" target="_blank" rel="noopener noreferrer">fossil fuels behind the current climate crisis</a>.  Replace nutmeg with petroleum, and you can see how colonialism laid the foundations for the present planetary emergency. Ghosh shows how the colonial process treated indigenous peoples as subhuman, and their knowledge of and sustainable co-existence with nature as ‘primitive’. The book gives us a long litany of horrors of European colonisation perpetrated on peoples around the world, systematically muting them, replacing forests with plantations, native cultures with slavery, and obliterating the natural world.In a way, this is an alternative history of the world that is diametrically different from the history text books in school that are dominated by politics, conquests and the resources that were mined to fuel industrial ‘civilisation’. Ghosh has a different take on history, and persuasively explains how our colonial past is inherently intertwined with the global climate emergency. The Nutmeg Curse also underlines the connectivity between our colonial history right down to the <a href="https://www.nepalitimes.com/opinion/we-all-yearn-to-breathe-free/" target="_blank" rel="noopener noreferrer">Black Lives Matter movement</a> and the global pandemic. Ghosh tells us how he sat down to write the book during the pandemic lockdown in Brooklyn in 2020, as sirens blared outside and bodies had to be kept in refrigerated trucks because hospital morgues had filled up.<a href="https://www.nepalitimes.com/review/alpine-style-in-the-himalaya/">Alpine style in the Himalaya</a>, Kunda DixitThe reader is able to understand that in order to even begin to fight against social and environmental <a href="https://www.nepalitimes.com/here-now/black-lives-matter-but-dalit-lives-dont/" target="_blank" rel="noopener noreferrer">injustices</a>,  we must make changes in the way we live and govern ourselves. Ghosh writes, ‘much, if not most, of humanity today lives as colonialists once did -- viewing the Earth as though it were an inert entity that exists primarily to be exploited and profited from’. If we can somehow backtrack and learn to co-live with Gaia in the compassionate way that the native folks once did, then there will be hope. We must speak up and unlearn accepted practices, and the deeply-rooted greed and over-consumption that dominates our lives. The Nutmeg Curse is an eye-opener. Ghosh is not preaching to the converted here, he provides even skeptics and deniers with a holistic history of global capitalism and its model of perpetual growth that underpins the current climate crisis. Full of rich and meaningful history, these accounts of genocide and plunder illuminate the implications of Western colonialism in so many of our current sources of distress. Readers of the novel, Gun Island, and the non-fiction, The Nutmeg Curse, will have to decide for themselves which form of literature is more effective in communicating the urgency of the climate crisis.These two books should be read together, they reinforce one another, and the impact is greater than the sum of their parts.Read also: <a href="https://www.nepalitimes.com/review/20-reviews-in-20-years/">20 Reviews in 20 Years</a>, Nepali TimesMarilyn Lubetkin is a first-year student at Pitzer College in California. As a Houston, Texas, native, Marilyn experienced first hand the impact of climate change when she lost her childhood home to the disastrous flooding induced by Hurricane Harvey in 2017. <img width="301" height="462" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d13d39c7e80680e0a9946jpeg.jpg" alt=""><img width="300" height="462" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d13d59c7e80680e0a9947jpeg.jpg" alt="">Gun IslandJohn Murray PublishersPaperback, 320 pagesAvailable at Patan Book ShopThe Nutmeg's Curse: Parables of a Planet in Crisis John Murray PublishersPaperback, 352 pagesAvailable at Patan Book Shop

Kunda Dixit

original

674x448

610x380

500x500

400x266

400x240

400x203

301x200

1250x600

1084x550

The climate crisis in fiction and non-fiction

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110151112/636d07479c7e80680e0a5fb0jpeg.jpg" alt="" width="749" height="344"/><figcaption>Photos: ZAHIDUL HAQUE APU</figcaption></figure>This <a href="https://globalvoices.org/2021/07/08/tintin-in-bangladesh-only-in-the-artists-imagination/?fbclid=IwAR2Gb94TJ1hGoq1FR4ffv_fZvXHp1r57UDdG4g6HOtvDV8R3hAQWCxqZmrI">story</a> by Pantha originally appeared on <a href="https://globalvoices.org/">Global Voices</a> on 8 July 2021.The drawings of Tintin's adventures in Bangladesh have been circulating widely on social media of late. It is cartoonist Zahidul Haque Apu revitalising Tintin's memory with his concept art series ‘Tintin in Bangladesh’, which places the beloved comic book character at iconic sites throughout the country.The Adventures of Tintin is a French-language series of comic books created by Belgian cartoonist Hergé, whose real name was Georges Remi.In the series, Tintin, a young Belgian reporter and adventurer along with his dog Snowy, explored the Soviet Union, Belgian Congo, Peru, India, Egypt, Morocco, Indonesia, Nepal, Tibet, China and many more countries. Alas, Tintin never made it to Bangladesh.Nevertheless, Tintin was a popular comic book character for cartoon lovers young and old in Bangladesh during the 1990s. Many teenagers used to borrow the book from the local library or saved pocket money to buy the Bengali translation printed by India’s Ananda Publishers.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110151112/636d07499c7e80680e0a5fb1jpeg.jpg" alt="" width="755" height="345">Tintin was also Zahidul Haque Apu’s favourite character and he grew up reading the translations, of which there were three: 1988’s “Tintin in Tibet” followed by “The Castafiore Emerald” the next year, the last title was “Tintin in Congo”, published in 2006.“But the characters, the animals and the places were all foreign, I could not relate to many things. So I would question, ‘why Tintin does not come to Bangladesh?’ … From that thought, I started the fan art series.”The artist behind the Tintin fan art revival in Bangladesh is however better known as RJ (Radio Jockey) Apu. Drawing was always his favourite pastime hobby but Apu could never give it serious time. “But I got diagnosed with Covid and had to isolate myself. I had plenty of time, so I gave it a shot,” he says.Apu first posted the Tintin fan art on his Facebook timeline. People liked them and were widely shared, even in a popular Tintin fan group on the social media platform. Encouraged by his supporters, he created a Facebook page called Arts by Apu. He now has 8,000 followers.Comic book fans of Tintin in Bangladesh can now relate to his depiction of the popular fictional character in the South Asian nation.“The drawing matches our Chandpur launch terminal. If you enter through the main gate, you get this view on the right side — just like that! Beautiful,” wrote Adnan SaiQat on Facebook.Apu has also started creating innovative fusions — mixing local cultures and fictional characters. In one of his latest covers, Tintin is seen with Baker Bhai and friends, one of the most popular fictional characters in Bangladesh, created by novelist and filmmaker Humayun Ahmed for a widely acclaimed TV show during the 1990s.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110151112/636d074b9c7e80680e0a5fb2jpeg.jpg" alt="" width="332" height="462">Jasarat Al Atun, a user on Facebook commented: “If only a whole comic book on this concept art could be created!”But for Apu, the biggest inspiration for recreating this cross-genre fan art was his six-year-old daughter. The pandemic meant schools were closed and travels restricted, but he realised children could learn about new places and life experiences through their favourite fictional characters. And the series was born.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110151112/636d074d9c7e80680e0a5fb3jpeg.jpg" alt="" width="828" height="1111"><figcaption>In 'Tintin in Tibet', Tintin travels to Kathmandu with Herge’s surprisingly accurate drawings of the old town.</figcaption></figure>For many fans, the drawings have triggered nostalgia and warm feelings with many viewers requesting that Tintin visit their town next.Says Zahidul Haque Apu: “When I get the kind of response I get on my fan art, I know I’m not alone, many people are like me. I want to take Tintin to more places in Bangladesh.”

Tintin in Bangladesh

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccbfb9c7e80680e08bbf0jpeg.jpg" alt="" width="1694" height="750"/>In the middle of love stories, I pause to sigh and wonder. How different these people are from me, yet how well I understand their feelings. From dozens of books that touched my heart, here are 14 personal recommendations:<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccbfe9c7e80680e08bbf1jpeg.jpg" alt="" width="136" height="227"><figcaption>Emma by Jane Austen, John MURRAY, 1815, Rs264</figcaption></figure>1. If you are looking for Classic Romance, read Emma by Jane Austen.It is my favorite of all the Jane Austen novels. Emma as a heroine is annoying, all-knowing and a reminder of our arrogant, youthful selves. Mr. Knightly as the gentlemanly suitor might not be as breathtaking as our beloved Mr. Darcy, but he is quite adequate. The village of Highbury is a languid and enjoyable world to lose yourself in.2. If you like the enemies-turned-lovers trope, read The Hating Game by Sally ThorneThe first 70 pages of this workplace romance are strange and awkward, and then it suddenly gets cute and tense and romantic. The dialogues and intensity are the butterfly-inducing kind. It is quite cliched and theatrical, but the journey is enjoyable. It is hilarious in parts.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccbff9c7e80680e08bbf2jpeg.jpg" alt="" width="154" height="227"><figcaption>The Hating Game by Sally Thorne, WILLIAM MORROW PAPERBACKS, 2016, 384 pages, Rs1000</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc019c7e80680e08bbf3jpeg.jpg" alt="" width="147" height="227"><figcaption>Little Women by Louisa M. Alcott, ROBERTS BROTHERS, 1868-1869, Rs400</figcaption></figure>3. Gift Little Women by Louisa M. Alcott to the little and big friends in your life.Patience, friendship, first love, courage – what beautiful things Little Women leaves us with! The four March sisters exemplify the bond that runs deep and strong all through our lives, even in the midst of skirmishes and differences. And Laurie – he is the friend we all pine for. A book recommended to everyone eight years and above.4. For lovers of Bildungsroman romance, Circle of Friends by Maeve Binchy is a comforting read.It starts out as simple friendship among adolescents and expands to include so much more: their ethical and moral choices, career, loyalty. It is innocent, and beautiful, and the characters undergo everything we do during your adolescence, and grow into relatable adults. Reading it now, I wonder if there is no subtle moral policing inherent in Binchy’s books. Even so, this novel will make you yearn to walk the streets of Dublin.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc029c7e80680e08bbf4jpeg.jpg" alt="" width="148" height="227"><figcaption>Circle of Friends by Maeve Binchy, CENTURY PUBLICATIONS, 1990, Rs809</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc039c7e80680e08bbf5jpeg.jpg" alt="" width="146" height="227"><figcaption>The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer &amp; Annie Barrows, DIAL PRESS, 2008, Rs250</figcaption></figure>5. Afficionados of historical romance will be delighted by The Guernsey Literary and Potato Peel Pie Society, by Mary Ann Shaffer and Annie Barrows.Read for its wonderful, witty, strong protagonist Juliet and the full-of-life letters she writes to people, known and unknown. Also read for the general feel of the novel - warm, hopeful, always eager to believe the better sides of people. It is set just after the second world war so it should be depressing, and it does not shy away from describing the devastation and pain, but it is still uplifting. Sometimes it is too sweet to be believable, as if it is a Disney movie where all good characters get their due and bad ones are punished. But even this childlike poetic justice will touch your heart.6. If you are tethered to the idea of first, forever love, read An Atlas of Impossible Longing by Anuradha Roy. Two kids fall in love, and never grow out of it. It is not the best book stylistically, but the stirring love story evokes such tenderness, sadness, and detachment... it has to be felt, not read. It is set in the charming bylanes of a small town in Bengal. The story spans three generations and multiple characters, and can leave you feeling quite forlorn.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc049c7e80680e08bbf6jpeg.jpg" alt="" width="148" height="227"><figcaption>An Atlas of Impossible Longing by Anuradha Roy, FREE PRESS, 2008, Rs632</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc059c7e80680e08bbf7jpeg.jpg" alt="" width="187" height="300"><figcaption>Normal People by Sally Rooney, FABER &amp; FABER, 2018, Rs1118</figcaption></figure>7. Those who like their love stories to be undefinable, complicated, yet all-consuming, should read Normal People by Sally Rooney.Normal People will put readers in a state of abnormal anxiety and heightened unease. It will revive first loves and passionate infatuations, sensual encounters and bodily frustrations. The novel holds a power, a sly, uncommon draw that goes much deeper than its mundane tone. There is only one thread of a story, a well-worn one at that. Popular boy and the uncool girl have a fling in school, which unravels because of the boy’s refusal to acknowledge the relationship. In college, the girl suddenly turns into a sparkling swan. She is now a head-turner, while the boy is unpopular. He grapples with depression; she with her own demons. They meet, separate, reconcile, come together, part. That is the story—without any other surprise or suspense. But this inability to live with and without a person has been picturised in such beautiful and sad detail, that the allure of the novel lies therein. Read to ache.8. If you believe in love as destiny, reach for Kamila Shamsie’s Home Fire.Kamila Shamsie has a command over language that is extraordinary, a way of distilling situations into a few well-chosen words that drip with beauty and context. Home Fire is a marvelous retelling of the Greek tragedy Antigone - a sister seeking justice for her brother, even though the entire world might think him wrong. In London, responsible elder sister Isma looks after her twin siblings after their Jihadi father dies on way to Guantanamo, and their mother passes away soon after. The twins behave like a single soul, their relationship uncanny and surreal. When the brother is lured away, by ISIS to Syria, and begins looking for a way back, his twin Aneeka would do anything to deliver him back to safety - including beginning a tumultuous affair with the son of the Home Secretary. But it is a dangerous, passionate, mysterious game that unfolds... The triangulated relation of lover-beloved-brother is tender, unearthly, nothing more needed between them than a touch and two words. It is very much a novel of the times, of families torn apart in meaningless exchanges of fidelity, identity, faith. Yet it is an age-old story, of having to choose between the impossible and the improbable. A book that is for the heart.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc069c7e80680e08bbf8jpeg.jpg" alt="" width="288" height="450"><figcaption>Home Fire by Kamila Shamsie, RIVERHEAD BOOKS, 2017, Rs866</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc079c7e80680e08bbf9jpeg.jpg" alt="" width="148" height="227"><figcaption>Fragile Mountains by MK Limbu, VAJRA PUBLICATIONS, 2005, Rs450</figcaption></figure>9. Multiple love stories set in Nepal? Try Fragile Mountains by M.K. Limbu.Limbu’s underrated novel is an ode to our country, and the hundreds of crisscrossing loves and fates that exist within. A girl pines fervently for her soldier beau, but finds happiness with someone else. A couple thirst for the love of a child. A young girl is lured to the mountains by her dashing boyfriend, but eventually settles for someone else. A young man loves the idea of foreign riches. A slow, leisurely walk through the forests and hills of Nepal, filled with the adoration of its beauties and the diversity of its people.10.   Lovers of fantasy and young adult fiction will devour His Dark Materials by Philip Pullman.“We'll live in birds and flowers and dragonflies and pine trees and in clouds and in those little specks of light you see floating in sunbeams... And when they use our atoms to make new lives, they won't just be able to take one, they'll have to take two, one of you and one of me, we'll be joined so tight...” After eons of them walking together, slaying fantastic beasts and saving the world, readers will weep a little when Will and Lyra turn to each other with these words. It is the simplest and purest kind of love, one that springs from companionship.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc079c7e80680e08bbfajpeg.jpg" alt="" width="152" height="227"><figcaption>His Dark Materials trilogy by Philip Pullman, SCHOLASTIC, 1995-2000, Rs1896</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc089c7e80680e08bbfbjpeg.jpg" alt="" width="194" height="300"><figcaption>Small Island by Andrea Levy, HEADLINE REVIEW, 2004, Rs250</figcaption></figure>11. If you are looking for a book to describe your soul sister, grab Small Island by Andrea Levy.Two women. One a Jamaican native, educated and vibrant, disbelieving that anyone could shame her for the color of her skin. Another a British, sympathetic and understanding, but still held back by the idiosyncrasies of her race and class. Their paths cross in an ‘amazing’ manner. The novel attacks racism. Hard, swift, and with precision. It makes us think of our privileges, the ways we are subtly discriminating or being discriminated against. The best part is its intersectionality. It talks of Jamaicans and Indians with equal passion, shows us the hypocrisies of the Scandinavian and Americans in equal measure. It deals with serious issues, but it tells the story with humor and compassion. Hortense and Queenie are the heroines we need, to remind us to love our selves.12. A Little Life by Hanya Yanagihara is a little bit of every kind of love: Friends-turned-lovers, sad love, queer romance, brotherhood, love for life. This might not be the typical romance, for readers will need to wade through many hundred pages before getting to it. Those pages, lingering over the histories of four friends in New York, are agonising and traumatising. But what a gamut of emotions the novel manages to capture. This is for readers who have liked ‘A Fine Balance’, or ‘The Year of the Runaways.’ Several trigger warnings.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc099c7e80680e08bbfcjpeg.jpg" alt="" width="142" height="227"><figcaption>A Little Life by Hanya Yanagihara, DOUBLEDAY, 2015, Rs958</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc0a9c7e80680e08bbfdjpeg.jpg" alt="" width="147" height="227"><figcaption>Honour by Elif Shafak, VIKING, 2012, 342 pages, Rs798</figcaption></figure>13. Familial love, hurtful love, the kind of love that does not hesitate to kill… look no further than Honor by Elif Shafak.Elif Shafak was born to be a writer- that everyone knows. Her artistry and magic shines through in this novel set in Turkey and London. Beloved twin sisters are forced to lead separate lives in two continents, yet their fate is linked together through their history of blood. This novel, especially on the day that celebrates love, is a reminder of the dangerous and toxic forms love can take and culture that garbs itself as concern and protection. It is the love that we want to free ourselves from.14. And the perfect chick lit? The Undomestic Goddess, by Sophie Kinsella.This is how chick-lit should be done – improbable, dramatic, wild, genuinely funny, and with a supercharged heroine. Top lawyer with zero household skills ends up as a housekeeper and falls in love with the resident gardener. It is a rollercoaster of a ride!Honorable Mentions: Lara Jean series, Sister of My Heart (Part 1 and 2), All the Light We Cannot See, The Kiss Quotient, The Bride Test, Red, White &amp; Royal Blue, The Guide.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111011110/636ccc0b9c7e80680e08bbfejpeg.jpg" alt="" width="140" height="227"><figcaption>The Undomestic Goddess, by Sophie Kinsella, BANTAM PRESS, 2005, Rs499</figcaption></figure>Richa Bhattarai is a writer and book reviewer.

14 books to read, gift, love this Valentine’s

20 Reviews in 20 Years

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101112/636b6fce9c7e80680e060043jpeg.jpg" alt="" width="2481" height="1656"/><figcaption>Amitabha Bagchi reeives the DSC prize 2019 from Pradeep Kumar Gyawali, Minister for Foreign Affairs, at Nepal Literature Festival in Pokhara in December 2019</figcaption></figure>There is not much to add about Amitabha Bagchi’s Half  The Night Is Gone that has not already been said. The winner of this year’s <a href="https://www.nepalitimes.com/latest/2019-shortlist-announced-for-dsc-prize/">DSC Prize for South Asian Literature</a>, awarded at the <a href="https://www.nepalitimes.com/latest/nepal-and-international-literature-festival/">Nepal Literature Festival in Pokhara</a> last month, the book has been readily deemed the ‘Great Indian Novel’ of our time.Bagchi sets most of his novel in Delhi, with parts in Agra and Banaras. Writing in pre-independence times, Dilli’s rich lore and the old ganga jamuni tehzeeb of North India is woven beautifully into the novel – with intercuts of a harder, less forgiving modern-day shown in letters between chapters.Bagchi carefully constructs his plot – a long winded ambitious tale that tells the story of two families and their men sprawling across generations. This story is told by the fictional, award-winning Hindi novelist, Vishwanath, who takes breaks to pen letters to his brother, his dead son’s girlfriend and his estranged wife.Goswami Tulsidas’s Ramcharitmanas (an Awadhi retelling of Ramayana) undercuts the novel being written within the novel, with additional Sanskrit sloka, Hindi-Urdu couplets, and Qur’anic hadith referenced throughout, each with an English translation. Bagchi’s greatest feat is the way the quoted verses always add to the narrative, never distracting or pulling a reader away. As <a href="https://www.thehindu.com/books/waiting-for-the-monkeys-return-review-of-amitabha-bagchis-half-the-night-is-gone-by-shreevatsa-nevatia/article24714584.ece">The Hindu</a> put it, this is not an ‘Indian novel in English’, it is an Indian novel.The men Vishwanath writes about are deeply flawed and violent – they beat, rape and abandon their wives (stylistically depicted as ‘claiming their conjugal rights’) and yet, somehow, they are always portrayed as layered and interesting individuals. The writing is confusing, it is unclear if the framing of women as always youthful, inherently lustful and scheming is meant to highlight the predicament of women in Indian society or if Vishwanath is just a bad writer.Whatever the motivation, it is the novel's glaring fault. It is difficult to read  Omvati (She manages to get a name – something not every female character in the novel is granted) who is molested by her father in law, and as she stabs and wounds him in a ‘… a coruscating sweep that left her quivering. She felt arousal’.Later in the novel, her husband reaches for her and Omvati throws up again and again. In response, her husband beats and bribes her and ‘takes to visiting prostitutes’. There is never an effort to depict her inner feelings and trauma – only his frustration.Bagchi is a gifted storyteller, creating varied and interesting relationships between his characters both within their families and across them. Diwanchand, the younger son of Lala Motichand, is so devoted to Tulsida Ramcharitmanas, he leaves his inheritance, wife and child to dedicate his life to the work.Makhan Lal, Lala Motichand’s illegitimate child, is a Marx-loving schoolteacher who resents his father. Vishwanath is devastated by his son’s death in a road accident, and only in his grief does he begin to try and repair his relationships. It is only the caricatures of women that leave an unfortunate stain on the novel, a book that otherwise speaks to nostalgia, of interfaith harmony and complex family dynamics.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109101116/636b6fd19c7e80680e060044jpeg.jpg" alt="" width="640" height="643">Half The Night Is GoneBy Amitabha BagchiJuggernaut, New Delhi, 2018320 pages    550 INRISBN:978-9386228703

A nostalgic Hindustani novel

<figure><img width="1968" height="1312" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181144/636a95809c7e80680e05dc10jpeg.jpg" alt=""/><figcaption>Harish Trivedi, Jury Chair of the DSC Prize 2019, at the Shortlist Announcement event in London</figcaption></figure>The 2019 shortlist of books for the annual DSC prize for South Asian Literature has been announced. Half the Night is Gone by Amitabh Bagchi, 99 Nights in Logar by Jamil Jan Kochai, The Far Field by Madhuri Vijay, There’s Gunpowder in the Air by Manoranjan Byapari, The City and the Sea by Raj Kamal Jha, and The Empty Room by Sadia Abbas have made it to the shortlist, from 15 books long listed.  <img width="3762" height="2700" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108181144/636a95849c7e80680e05dc11jpeg.jpg" alt="">The DSC Prize is now in its ninth year, and is one of the most prestigious international literary awards specifically focused on South Asian fiction writing. Among the six four are authors of Indian origin and one author each of Pakistani and Afghan origin. It includes 3 debut novelists including 2 women writers, as well as a work of translation of a novel originally written in Bengali.Read also: <a href="https://www.nepalitimes.com/review/written-locally-read-globally/" target="_blank" rel="noopener">Written locally, read globally</a>, Sewa Bhattarai The chair of the jury panel Harish Trivedi announced the shortlist at for the prize of US $25,000 at London School of Economics &amp; Political Science. “The shortlist that we have arrived at comprises six novels – for the good reason that the five jurors, located in five different countries, could not agree on just five novels. Two of the six novels are set partly in New Delhi, and partly in the surrounding countryside in one case, and in the other case partly on the Baltic coast. One of the novels is set in Pakistan of the 1970s, one in Kashmir, and one in Afghanistan. The sixth is set in a prison,” said Trivedi.The Prize was founded by Surina Narula and Manhad Narula in 2010, and is administered by the South Asian Literature Prize &amp; Events Trust. It received 90 eligible entries this year. This year’s international jury panel includes Harish Trivedi (Jury Chair) former Professor of English, Jeremy Tambling, former Professor of Literature, Kunda Dixit, Editor of the Nepali Times newspaper, Carmen Wickramagamage, Professor of English, and Rifat Munim, literary editor of Dhaka Tribune. This year the winner of the DSC Prize 2019 will be announced at the <a href="https://www.nepalitimes.com/business/nepal-lit-festival/">IME Nepal Literature Festival in Pokhara</a> in Nepal on 13-16 December.Read also: <a href="https://www.nepalitimes.com/business/nepal-lit-festival/">Nepal Lit Festival</a>

2019 shortlist announced for DSC Prize

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171148/636937ae9c7e80680e03fe53jpeg.jpg" alt="" width="1000" height="1000"/>If you enjoyed Mohammed Hanif’s A Case of Exploding Mangoes, it will have prepared you for another scathing satire from the Pakistani novelist on the senselessness of war, the hypocrisy of those who wage them, and the bleeding heart humanitarian contractors who rake it in to mop things up.Red Birds brims with razor sharp verbiage and a plot embedded with glaring absurdities of the perpetual war machine of the military-industrial complex. There is a whiff of Heller in Hanif: the only difference with Catch-22 is that the murderous technology of modern warfare is 60 years more advanced, and America is bombing mud huts in the desert with laser-guided smart ordnance, and not dropping dumb bombs from B-25s.As they turn the pages, readers fly through skies full of flak, eruptions of Hanifisms:‘First they bomb our house, then they take away my son, and now they are here to make us feel all right.’‘If I didn’t take out homes, who would provide shelter? If I didn’t obliterate cities, who would build refugee camps? Where would all the world’s empathy go?’‘They bomb us from the skies, then they work hard to cure our stress … I get PTSD, she gets a per diem in US dollars.’<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171152/636937b19c7e80680e03fe54jpeg.jpg" alt="" width="200" height="174"><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221107171152/636937b29c7e80680e03fe55jpeg.jpg" alt="" width="500" height="667"><figcaption>Red Birds by Mohammed Hanif Bloomsbury, 2018 INR599, 283 pages</figcaption></figure>This is writing that forces the reader to confront the brutal reality of wars waged by remote control, linking the trigger on the joystick to guts spilling forth, bubbles in pools of blood of the dead and dying. All this far from the oval offices where policies are made, or even from the glass cockpits from which pilots launch video-game missiles at crosshairs on the screen.Major Ellie is one such pilot who crashes in the desert of what sounds and smells like the Afpak border, and fortuitously right next to a ‘fugee camp’ where most of the action in the rest of the book takes place with protagonists like young Momo and his dog, Mutt. The other character (and what a character she is) is a caricature of a USAID worker Lady Flowerbody who is there to do good, and offer bandaid to people her own country has bombed to smithereens. Her developmentese is very similar to the lingo of the lords of poverty we are familiar with in Nepal as well: ‘I am conducting a survey on post-conflict resolution strategies that involve local histories and folklore … to use this community as a laboratory for testing my hypothesis about how our collective memories are actually our cultural capital … ’While the backdrop in A Case of Exploding Mangoes was about Gen Zia of Pakistan who was ostensibly killed by bombs hidden in a fruit crate in the cockpit of his C-130, the setting for Red Birds can be from Timbuktoo to Quetta and everywhere in between where the American military is waging Third World Wars against tiny white figures in real-time infrared satellite imagery.Red Birds lays bares the hypocrisy of not just America’s ‘war on terror’ and the obliteration of countries, peoples, societies. It is also a sad reminder of what the Russians have done in Syria, the Saudis in Yemen, or for that matter what conquerors have done throughout inhuman history.Hanif used to be an air force pilot, and shows us that it is not just history that is a farce. So is the unfolding present.