The 14th instalment of the European Union Film Festival brings to Nepali audiences European storytellers, emerging Nepali filmmakers and their work in celebration of the shared language of cinema. Films will be screened 14-16 November in Kathmandu, followed by Pokhara from 21-23 November. This year’s EUFF features 25 films, including 10 European features, six BAFTA-nominated shorts, and nine Nepali short films that explore universal themes of identity and belonging. “We didn’t set out with a defined ‘theme’, but as the films started coming together, a pattern emerged, stories of belonging, migration, resistance, and quiet transformations,” says Prasuna Dongol, program director and curator of the festival. “It’s interesting to see those reflections across continents, showing that even though we’re worlds apart, we’re asking the same questions,” Dongol adds. The festival is organised by the EU Delegation to Nepal, in collaboration with embassies and cultural institutions representing EU members in Kathmandu and Delhi, as well as the British Council and UNESCO. The EU selection will showcase films from Portugal, Austria, Finland, the Netherlands, Ireland, the UK, Lithuania, France, Italy, Romania, Hungary, Poland, and Switzerland. The films by young Nepalis, rooted in everyday small towns, friendship, or growing up in a country in transition, mirror the motifs of the selected films that tell stories of life across Europe. Dongol adds: “Our goal was to showcase how young Nepali filmmakers are engaging with ideas of identity, place, and change in ways that feel both personal and globally resonant.” In the lead-up to the festival, conversations were held about Nepal’s evolving film industry, and how storytellers navigate filmmaking as both art and business. Organisers plan to introduce interactive side events including networking spaces and informal markets. A four day workshop brought together 10 emerging Nepali filmmakers to explore how to take their films from idea to market. Participants discussed why film festivals matter, how funding works, and how to build sustainable collaborations without compromising on creativity. Meanwhile, at the British Council and UNESCO’s ‘What Next for the Film Industry?’ roundtable on 12 November, filmmakers, policymakers, and researchers discussed the findings of the recent UNESCO Baseline Assessment of the Cultural and Creative Industries (CCI) of the Valley. “Film festivals like this are not just about watching films; they’re about expanding perspective and networking,” says Dongol. “If someone discovers a new filmmaker they love or feels inspired to tell their own story differently, that’s a success for us.” <h2>WATCHLIST</h2> <h2>Happy</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_bea2f7f1aa998adb05b38d6912fc968204ed592d9bb375edbe163ef0223f1d30.png" data-media-id="editor_0" data-image-id="2025111312118_bea2f7f1aa998adb05b38d6912fc968204ed592d9bb375edbe163ef0223f1d30" data-rendition-name="original" width="1222" height="605" loading="lazy" alt="EUFF 2025 NT"></figure>  An undocumented Indian immigrant in Austria strives for a happy life for his daughter amidst the threat of deportation, revealing the shared quest for happiness in those who seem to have it all. 110 mins | Austria Director: Sandeep Kumar <h2>Jeʹvida</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_d19893069ba768408600bf14072c6858f963827be0feb3b2bcfdd60b2528bbf1.png" data-media-id="editor_1" data-image-id="2025111312118_d19893069ba768408600bf14072c6858f963827be0feb3b2bcfdd60b2528bbf1" data-rendition-name="original" width="1078" height="613" loading="lazy" alt="EUFF 2025 NT"></figure>  Sanna and her aunt Iida, who have never met before, drive to Lapland to empty a house they’ve both inherited. The house invokes painful memories in Iida, and Sanna learns of her withdrawn and distrusting aunt’s ordeal during the forced assimilation into Finnish society. 104 mins | Finland Katja Gauriloff <h2>Three Kilometres to the End of the World</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_2a737dd7092e827965065f54eb6e96db873c5c77597f65392f7c9d616ba6a585.png" data-media-id="editor_2" data-image-id="2025111312118_2a737dd7092e827965065f54eb6e96db873c5c77597f65392f7c9d616ba6a585" data-rendition-name="original" width="1078" height="617" loading="lazy" alt="EUFF 2025 NT"></figure>  Adi is spending the summer in his home village in the Danube Delta when he is brutally attacked one night. In the aftermath, his parents no longer look at him as they did, and the seeming tranquility of the village starts to crack. 104 mins | Romania Director: Emanuel Parvu <h2>The Last Expedition</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_c9b46e481a46734bc332d30da21465e1d50807f39b54ebe1525a7f3889df855d.jpg" data-media-id="editor_3" data-image-id="2025111312118_c9b46e481a46734bc332d30da21465e1d50807f39b54ebe1525a7f3889df855d" data-rendition-name="original" width="1500" height="844" loading="lazy" alt="EUFF 2025 NT"></figure>  Wanda Rutkiewicz, the most famous Polish mountaineer, went missing on 13 May 1992 on her way to Kangchenjunga. As past events are confronted with theories of Wanda’s disappearance, questions emerge– is it possible that she is still alive? 86 mins | Poland, Switzerland Director: Eliza Kubarska <h2>Wander to Wonder</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_bd6a0b3494565fed5f86707572064d8b6dd70532f7e352d9b871f3824db3f083.jpg" data-media-id="editor_4" data-image-id="2025111312118_bd6a0b3494565fed5f86707572064d8b6dd70532f7e352d9b871f3824db3f083" data-rendition-name="original" width="3840" height="2160" loading="lazy" alt="EUFF 2025 NT"></figure>  Three miniature actors who starred in a children’s tv show are left alone in the studio after the show’s creator dies, leading them to continue making increasingly strange episodes for their fans. 14 mins | France, Belgium, United Kingdom and the Netherlands Director: Nina Gantz <h2>Stomach Bug</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_980ed53441602df9c8df913e1f5de9abbf9b537953f8b77df074ed4bb0b52109.jpg" data-media-id="editor_5" data-image-id="2025111312118_980ed53441602df9c8df913e1f5de9abbf9b537953f8b77df074ed4bb0b52109" data-rendition-name="original" width="3240" height="2160" loading="lazy" alt="EUFF 2025 NT"></figure>  The life of a fifty-something Chinese father, whose daughter moves out and who feels invisible in British society, unravels as his loneliness manifests physically. 15 mins | United Kingdom Director: Matty Crawford <h2>The Kathmandu</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_85299c1df8dbff3264720f8b2c01cc0633732f32fd1885c30230111ab23ef2ce.png" data-media-id="editor_6" data-image-id="2025111312118_85299c1df8dbff3264720f8b2c01cc0633732f32fd1885c30230111ab23ef2ce" data-rendition-name="original" width="1440" height="640" loading="lazy" alt="EUFF 2025 NT"></figure>  A young musician’s dream city turns into a nightmare when his reflection comes to life, and begins living his life. 6 min | Nepal Director: Nying Hyolmo <h2>What grows in Thari Maila’s Vegetable Garden?</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_3a46e16703144323a733a2beeadde1322e99abcabb53522fb980e54eac7e50dd.jpg" data-media-id="editor_7" data-image-id="2025111312118_3a46e16703144323a733a2beeadde1322e99abcabb53522fb980e54eac7e50dd" data-rendition-name="original" width="3840" height="2160" loading="lazy" alt="EUFF 2025 NT"></figure>  Thari Maila and wife live off of their thriving vegetable garden, but the lush garden hides secrets beneath its surface, as innocence gives way to quiet unease. 14 min | Nepal Director: Patrika Ghimire <h2>Abyss</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_eb40d3fcd85bcd01552481dc1d478d133cf758a45598bce0f268ecedcbb1b177.jpg" data-media-id="editor_8" data-image-id="2025111312118_eb40d3fcd85bcd01552481dc1d478d133cf758a45598bce0f268ecedcbb1b177" data-rendition-name="original" width="2880" height="2160" loading="lazy" alt="EUFF 2025 NT"></figure>  Richa and Dhiraj, a couple who have just had a newborn, confront the depths of love and pain as Richa struggles with postpartum depression. 13 mins | Nepal Director: Akriti Dhungana <h2>Eternal Kinship</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_638750880715567980ce7654d3b103e202cec2ce6740051927278666d5f4b2f4.png" data-media-id="editor_9" data-image-id="2025111312118_638750880715567980ce7654d3b103e202cec2ce6740051927278666d5f4b2f4" data-rendition-name="original" width="826" height="612" loading="lazy" alt="EUFF 2025 NT"></figure>  A boy’s fear of crossing a river becomes a journey toward courage and self-discovery. 11 mins | Nepal Director: Arvin Rai <h2>SCHEDULE</h2>  <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_dad4593c61a147fed1a19e2c1724f3d4edc4dc7267e476b770723d4f40738b05.png" data-media-id="editor_10" data-image-id="2025111312118_dad4593c61a147fed1a19e2c1724f3d4edc4dc7267e476b770723d4f40738b05" data-rendition-name="original" width="1199" height="851" loading="lazy" alt="EUFF 2025 NT"></figure>   <figure><img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025111312118_e29696f8a489f5fedf3d044ae23fd2eb4c0f30acd5094754a67a666d06de07d3.png" data-media-id="editor_11" data-image-id="2025111312118_e29696f8a489f5fedf3d044ae23fd2eb4c0f30acd5094754a67a666d06de07d3" data-rendition-name="original" width="1200" height="852" loading="lazy" alt="EUFF 2025 NT"></figure>  The 14th European Union Film Festival Nepal 14 – 16 November, QFX Chhaya Center, Kathmandu 21 – 23 November, QFX Trade Mall, Pokhara All screenings free

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Cinema’s shared language

South Asians are coming together to celebrate the stories of this region at the biennial film festival, Film Southasia (FSA), which starts on 21 November. It coincides with the COP29 climate summit in Baku, Azerbaijan.&nbsp; This year’s four-day event showcases documentaries from Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, and even one from Mongolia, although that country is in Central Asia.&nbsp; This year’s theme is Documentary in Anthropocene, with a lineup of films that explore human interaction with nature, especially in the context of climate breakdown. “The climate crisis has been the major challenge in the Anthropocene era and climate crisis respects no border. With one fourth of the world population in South Asia, we as neighbours should closely look into these issues together,” states FSA director Mitu Varma.&nbsp; While some documentaries specifically explore the impact of the climate crisis on the region’s land and people, other films highlight the interconnectedness between people and time, nature, or other people divided by borders. “Humankind practices and leads life with the concept of othering and acting as if their lives are free from the connection with nature. This year’s lineup will help retrospect the interconnectedness,” adds Varma. “But it is not all doom and gloom, the movies are also hopeful about human-nature symbiosis.”&nbsp; With over 2,000 submissions, FSA selected only 47. The carefully curated lineup will be screened at Yala Maya Kendra over next week. The FSA festival has, for over two decades, been a platform that brings South Asian filmmakers and audiences together.&nbsp; Producers and directors of 27 of the documentaries will be attending the festival and may explore cross-country collaboration on future film projects. Along with the film screenings, a Director Workshop with filmmaker Kabir Khan, and panel discussions about FSA’s slogan and the evolution and success of Nepali documentaries will also be taking place. The panel discussions and film screenings will happen simultaneously, so the attendees will have to plan their schedules accordingly. Two other master classes, and a discussion on financing and editing with industry experts will also take place in collaboration with the British Council’s WOW (Women of the World) festival and audio-visual production company KathaHaru.&nbsp; FSA also organises Travelling Film Southasia tours, in which up to 15 of the selected films are screened around the globe, mostly at universities. Says Pawas Manandhar of FSA: “We want to cultivate a sense of appreciation among the younger people for documentaries in the age of 30-second TikToks.”&nbsp; <h2>In the spotlight</h2> Hello Guyzz!  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_f98428bad27e80d73e744b03cdeb665bff145d4d58acb0c0df1691546223cec2.jpg" data-media-id="editor_0" data-image-id="20241119071132_f98428bad27e80d73e744b03cdeb665bff145d4d58acb0c0df1691546223cec2" data-rendition-name="original" width="1920" height="914" loading="lazy" alt="Hello Guyzz NT"> </figure>  One of the student films at FSA, this 24-minute long documentary features Sumita, a social media influencer in a small town in Bengal. Sumita has an alternate identity on TikTok, and straddles identities between a mundane life as a housewife and the desired life of being a successful influencer. She also harbors hopes of maybe fulfilling her long-lost dream of becoming an actor. 21 November, 12:20PM Whispers by the River Shore&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_f02e3702cf79cf5de38d8bf7381bf32e0391b7313288f1f5f4011ddcd2b3a9c8.jpg" data-media-id="editor_1" data-image-id="20241119071132_f02e3702cf79cf5de38d8bf7381bf32e0391b7313288f1f5f4011ddcd2b3a9c8" data-rendition-name="original" width="1280" height="720" loading="lazy" alt="Whispers by the River Shore NT"> </figure>  River encroachment results in a Bangladeshi family’s fortunes being swept away. This 19-minute long documentary, directed by Samiur Rahman, sheds light on the humans living in encroached land near the river. It is a story all the more relevant to Kathmandu.&nbsp; 21 November, 1:50PM When the Floods Come&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071132_3c9860b2ba62293e712016ba6134ebdf269853410cf56c4d582a4ba023d08375.jpg" data-media-id="editor_2" data-image-id="20241119071132_3c9860b2ba62293e712016ba6134ebdf269853410cf56c4d582a4ba023d08375" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="When the floods come NT"> </figure>  Directed by Pakistani-American Nyal Mueenuddin, this documentary won a BAFTA Award for the portrayal of the intimate stories of people affected by the 2022 flood on the Indus River. Mueenuddin has prioritised human emotion, empathy and compassion. The subject is relatable for a Nepali audience, as climate change makes the region even more vulnerable to extreme weather.&nbsp; 22 November, 10AM Nocturnes&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071128_28f8cac4679824be8709473ed44e84c25adf266095be3717b4ee9cbbb91b0477.jpg" data-media-id="editor_3" data-image-id="20241119071128_28f8cac4679824be8709473ed44e84c25adf266095be3717b4ee9cbbb91b0477" data-rendition-name="original" width="2500" height="1318" loading="lazy" alt="Nocturnes NT"> </figure>  In a remote ecological hot spot on the India-Bhutan border, director duo Anupama Srinivasan and Anirban Dutta explore the secret world of moths. This 82-minute film takes viewers to rarely-seen places where moths gather, and urges us all to retrospect about interconnections in the natural world. 22 November, 2:45PM Devi  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_b5c5753dc392a8d0f486d8a9c07b7d56ebae51e040d3d21c6ebac94b299d8557.jpg" data-media-id="editor_4" data-image-id="20241119071136_b5c5753dc392a8d0f486d8a9c07b7d56ebae51e040d3d21c6ebac94b299d8557" data-rendition-name="original" width="1920" height="906" loading="lazy" alt="Devi NT"> </figure>  This feature-length documentary by Nepali journalist and director Subina Shrestha garnered attention internationally in Hot Docs, Doc Edge and DMZ Docs. It follows the life of Devi Khadka, a rebel warrior, mother and survivor of sexual violence during the civil war. This is the first time this 80-minute film will be shown in Nepal.&nbsp; 22 November, 6PM No Monastery No Village&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_a2fc110c3116ccb1b772b7bd731bed78cfc5c2121e85d60d9ff14f30bc873382.jpg" data-media-id="editor_5" data-image-id="20241119071136_a2fc110c3116ccb1b772b7bd731bed78cfc5c2121e85d60d9ff14f30bc873382" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="No Monastery No Village NT"> </figure>  High up in the secluded village of Halji in Humla, a Glacier Lake Outburst Flood threatens a century-old monastery and the village with a population of 500. This 28-minute documentary, directed by Nepali climate activist Tashi Lhazom, highlights the faith and resilience of the villagers' fight to preserve their way of life.&nbsp; 23 November, 2PM Agent of Happiness  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_6153b4bd7c3602d44309e336f9f214ef1ba36e0208b16cd4f8363a4b38bf6f19.jpg" data-media-id="editor_6" data-image-id="20241119071136_6153b4bd7c3602d44309e336f9f214ef1ba36e0208b16cd4f8363a4b38bf6f19" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Agent of Happiness NT"> </figure>  Directed by Arun Bhattarai from Bhutan and Dorottya Zurbó from Hungary, this feature-length documentary follows a surveyor who measures happiness as per the GNH (Gross National Happiness) index in Bhutan, as he goes on a quest searching for his own happiness. This year’s opening film for FSA, this 90-minute documentary will be screened on Saturday.&nbsp; 23 November, 4:15PM Hollywoodgate  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_41dbf1181f697611d83d653cfcd013473c3b50e55d8a742de430400d6859d28a.jpg" data-media-id="editor_7" data-image-id="20241119071136_41dbf1181f697611d83d653cfcd013473c3b50e55d8a742de430400d6859d28a" data-rendition-name="original" width="1850" height="1000" loading="lazy" alt="Hollywoodgate NT"> </figure>  Director Ibrahim Nash'at documents the transformation as the US militia abandons operations in Afghanistan, and the Taliban occupy their bases and transform into a military regime. This movie was nominated for and has won internation film awards. &nbsp; 23 November, 6:30PM The World is Family  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071136_a52b451e30c7ed76091029a0e80ddfc610e7901f712be94840271b0dbac22f1c.jpg" data-media-id="editor_8" data-image-id="20241119071136_a52b451e30c7ed76091029a0e80ddfc610e7901f712be94840271b0dbac22f1c" data-rendition-name="original" width="1250" height="874" loading="lazy" alt="The World is Family NT"> </figure>  Born to a family of freedom fighters, director Anand Pathwardan explores his family’s connection to India’s Independence Movement. This 96-minute long documentary is a personal exploration and a window to India's past and the present. Pathwardan is a FSA alumnus.&nbsp; 24 November, 3:05PM All That Breathes  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241119071140_d552dde6a1ab4ef90d76559f0908fb9a0491666993c01637f65545005bc0a8bd.jpg" data-media-id="editor_9" data-image-id="20241119071140_d552dde6a1ab4ef90d76559f0908fb9a0491666993c01637f65545005bc0a8bd" data-rendition-name="original" width="1359" height="890" loading="lazy" alt="All That Breathes NT"> </figure>  This Oscar-nominated documentary tells the story of two brothers, Nadeem and Mohammad, who have dedicated their lives to protect the black kite in New Delhi. Director Shaunak Sen looks at inter-species coexistence in an urban setting in this 94-minute movie, which will be Film Southasia’s closing documentary.&nbsp; 24 November, 6PM Film Southasia 21-24 November Yala Maya Kendra Entry: Rs50 per film

Pinki Sris Rana

Documenting the Anthropocene

Sometimes, we need to take a step back to realise what a tectonic movement Nepali politics witnessed this month.
In a region and world ruled by elected authoritarians, Nepalis &nbsp;went to the ballot box freely to express a collective will for change.
These faces in this group photo of the RSP’s 180 freshly-minted MPs at the ballroom of the Royal Tulip Hotel on Wednesday is symbolic of what Nepal has come through.&nbsp;
The ship of state righted itself after the September Storm, installing an interim government that held an election within six months in which voters banished obsolete politicians and their parties into oblivion.
Nepalis, fed up with the inept kakistocracy of the past three decades, took the country into a post-ideological phase — replacing Marxists, Maoists and monarchists &nbsp;with a belief in a new governing culture that rewards delivery and accountability. And they have trusted the RSP to carry it through.
Nepal’s history has never been linear, it jerks ahead in lurches. The polity also tends to take one step forward and two steps back, so the public’s great expectations is tempered by a sense of cautious optimism and guarded pessimism.
This could be the great leap forward that Nepalis have waited for and deserve, but it could also be a Gramscian interregnum in which the old is dead and the new is not yet born. We will have to wait to see whether this transitional period will also see ‘morbid symptoms’.
As disruptor-in-chief, it was the Balendra Shah ‘wave’ or ‘craze’ that propelled the RSP to power. The former Kathmandu mayor needed a party platform, and the RSP’s tainted leader Rabi Lamichhane required a booster. Nepal's voters were looking for a saviour.
Personality-wise Shah and Lamichhane are poles apart: one is Type B and the other Type A. One is enigmatic, the other phlegmatic. But yin and yang do also tend to complement each other.&nbsp;
Kathmandu’s chattering class is already making self-fulfilling prophecies about the two falling out, and are fishing for hints that they already have. Shah’s absence from the RSP’s orientation this week was taken as a clue.&nbsp;
Closing the two-day tutorial on Wednesday, Lamichhane delivered a fiery 30-minute speech that laid out the RSP’s main agenda: to function differently from the old parties, serve the people, avoid middlemen, become true lawmakers without taking the law into their own hands.&nbsp;
“The old political parties contributed to history, we will build the future with a new political contract with citizens,” he said, trying to rise over past controversies and his abrasive rhetoric to sound statesmanlike.&nbsp;
GIVE AND TAKE
Lamichhane is said to be in touch with the reclusive Shah to announce a compact cabinet next week. Its composition will be an indication of how much give-and-take there was, and whether the criteria for selecting ministers is competence or loyalty.
Will RSP ministers behave like rulers or service providers? The new government will dive right into the economic fallout of the West Asia war with soaring fuel &nbsp;prices, inflation and uncertainty about remittance inflows.
On Thursday, Gagan Thapa resigned as NC chair, taking moral responsibility for the party’s election loss. The UML’s unrepentant K P Oli does not share the same sentiment about who is responsible for his own party’s historic downfall.&nbsp;
NCP chair Pushpa Kamal Dahal, who was luckier than his cross-party cohort, is now a comparative relic in a Parliament largely comprised of freshmen and sophomore lawmakers.
But the NC, UML and NCP still control provincial and most municipal governments. The old parties could try to make things difficult for the RSP at the centre, but it is also an opportunity for them to clean up their act ahead of local elections next year.&nbsp;
Another test for the RSP will be dealing with a heavily-politicised klepto-bureaucracy which has to frontend its policy decisions. &nbsp;

People’s power

This week, the RSP held a two-day closed orientation camp for its newly elected members of Parliament. The party has also decided to assign parliamentary and Cabinet roles to leaders only after the new MPs are sworn in on 28 March.&nbsp;
This means the new prime minister and his cabinet of 15 ministers are likely to be installed closer to the Nepali New Year, and the expectation is that it will also usher in a new era of governance and politics in Nepal.&nbsp;
Between now and then, there is much speculation regarding who will become new ministers and from which camp—Balendra Shah's or Rabi Lamichanne’s. Meanwhile, the final argument in the petition against the Rabi Lamichanne case revision is set for Thursday, with a verdict expected on the same day.
“In the past, parties did anything to form coalitions and to keep them from splitting ministries and appointing anyone they wanted to, even going against the spirit of the Constitution, but the RSP doesn’t need to partake in any such activities,” says political analyst Indra Adhikari.
Adhikari notes that governance failures in the past was often the result of coalition governments formed through political bargaining that meant the primary party often had to compromise on their agenda.&nbsp;
“But nothing is stopping the party from fulfilling its election manifesto,” she says. “And if they aren’t able to deliver, we know Nepalis are prone to protests, so another revolt is also a possibility.”
Journalist and author Mohan Mainali agrees that the everyday Parliamentary proceedings should go smoothly for new government because of their majority.&nbsp;
But there are questions as to what a near two-thirds majority allows the RSP to achieve in Parliament. Its 182 seats in the Lower House allows the party to enact and amend laws without hurdles and bypass Upper House’s request for Bill revisions. But the RSP has no presence in the National Assembly, and that means that its majority in the Lower House is not enough to amend the Constitution.&nbsp;
“The Constitution poses no obstacles for the RSP to work on improving governance, development and delivery,” says Mainali. &nbsp;“If they do show some performance, it will be easier for them to go into the next election and ask for a two-thirds majority to also amend the constitution,” he adds.
The last coalition government of the UML and Nepali Congress before the GenZ protests had been built upon a primary agreement to make amendments to the Constitution. So, depending on the nature of amendments, the RSP might find some support within the National Assembly at a time when some of the older parties, such as the Nepali Congress, have committed to supporting the new government as well as internal party reforms.
“What we need is a structural overhaul, from our laws and foreign policy to economy and security apparatus, and for this the RSP needs to champion collaboration and consultation for the sake of nation building,” says Indra Adhikari. “So it all comes down to the understanding and judgment of the RSP’s leadership. If they try to go at it alone, it will lead nowhere.”
To be sure, the provincial government could also clean up their act before the next local and provincial elections, which would help the older parties to regain some of their lost footing and rebuild trust.
As it stands, RSP lawmakers will also have to learn to work with each other. Mainali notes that the RSP not being bound by one clear ideology might lead to future problems, including the rumoured animosity between party president Rabi Lamichhane and prime minister-in-waiting Balendra Shah.
“Parties that came before the RSP had an ideology, whether they followed them or not, but the RSP is made of different kinds of people,” says Mainali. “If they are not motivated by a common goal of achieving something tangible in the next five years, it might be difficult for them to stay together.”
Adds Adhikari: “Balendra and Rabi don’t seem to be compatible. Rabi has already failed when it comes to the matters of governance, and Balendra won’t carry that burden. Additionally, there is a struggle between the two in terms of party hierarchy.”
Speaking at the closing of the two-day orientation, from which Balendra Shah was noticably absent, Rabi Lamichanne said that the RSP’s image as intolerant needs to be changed, and that the country is not heading towards totalitarianism but is in the hands of good, new people.
Regardless of the assurance, the general public has seen Balendra Shah and Lamichanne’s disposition in the last several years, and analysts are worried that their personalities and ambition might lead to an environment of increased intolerance.&nbsp;
As it stands in absence of a strong opposition, the responsibility falls on the media and the civil society to be the watchdog and play an effective check and balance role.&nbsp;
“Seeing how Balendra has ignored the media so far and Rabi has made inflammatory remarks in the past, they are probably more intolerant than the likes of Trump and Modi,” says Mainali. He notes that the party does not just have technical human resource and cyber army but a large number of dedicated supporters.&nbsp;
The media must thus continue to build trust by highlighting good work, educating the public on the importance of impartial journalism in democracy and debate any Bill purposed in Parliament, Mainali adds.&nbsp;
Says Adhikari: “The media should praise the government when they do well, motivate them, but it should also point out wrongdoings without fear, and provide recommendations to do better. Otherwise, absolute power corrupts absolutely, which we have seen happen happen in America with Trump and in India with Modi, where extremism has taken over and democracy has been curtailed.”

Balancing act

The sense of sight is front, centre, and everywhere else as hundreds of eyes follow visitors while they move from one painting to the next at Nikhil Bahadur Shakya’s ongoing exhibition at Siddhartha Art Gallery. Shakya has used blank canvases as well as partially-done thangka and paintings as a base for more than 50 works on display. The exhibit takes visitors beyond the physical world into a surreal spiritual realm. Shakya strips the human body down to muscle, tendon, networks of nerves, and skeleton. But all the while, eyes are a constant presence.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026031708034_dddbfedc57433dc528fbf032642abea4ee67e63875091b06a7804cecdc7716cf.jpg" data-media-id="editor_0" data-image-id="2026031708034_dddbfedc57433dc528fbf032642abea4ee67e63875091b06a7804cecdc7716cf" data-rendition-name="original" width="1080" height="720" loading="lazy" alt="Nikhil Bahadur Shakya"> <figcaption>Artist Nikhil Bahadur Shakya with a visitor.</figcaption> </figure>  The central theme is self-reflection and the journey from one’s outward to inward self, and the works offer a glimpse into the artist’s world of mindfulness.&nbsp; Shakya grew up watching his artisan grandfather design jewellery, which he says cultivated in him an interest for art. During the Covid-19 pandemic, confronted by the fragility of life and the stark reality of death, his art took an introspective turn. The paintings have splashes of neon yellow, pink, red, orange, green, and gold, and Shakya combines them with black and white to create the human body, sunflowers, geometrical shapes, and the cosmos — turning these motifs into elements of devotion and spirituality. In Wheel of Life, Shakya adds to an incomplete thangka, contrasting traditional Buddhist devotional imagery with contemporary mosaic art to create a demon holding on to a wheel with a yin and yang symbol.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026031708034_f2a8e10c73aa83a67e5de06a3f0acff9aa35c1cda278b36fed76ed03e71a7014.jpg" data-media-id="editor_1" data-image-id="2026031708034_f2a8e10c73aa83a67e5de06a3f0acff9aa35c1cda278b36fed76ed03e71a7014" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Nikhil Bahadur Shakya"> <figcaption>Wheel of Life (centre)</figcaption> </figure>  “I wanted to reflect the elements of life and the balance of good and bad in this painting,” explains Shakya. “I took a lot of time to complete this particular piece, but it felt as though my vision flowed out of the brush onto the canvas.” The neon colours used means that visitors can see his artwork under blue light as well, giving viewers a chance to look at a single artwork from two different perspectives. His Sunflower series draws from a field of blossoms, and the eyes stare back at visitors in an almost-hypnotic gaze. In An Ancestral Visit, Shakya goes transcendental to depict the connection of living beings to their forebears.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026031708038_0fbe465b3af872d04f699030ba093d97aad182221730aef535dbf7d059fb57cf.jpg" data-media-id="editor_2" data-image-id="2026031708038_0fbe465b3af872d04f699030ba093d97aad182221730aef535dbf7d059fb57cf" data-rendition-name="original" width="1500" height="1431" loading="lazy" alt="sunflower painting"> </figure>  “In my father’s last days, he was unwell and often unable to eat, it left his body very frail,” explains Shakya. “An Ancestral Visit was inspired by a dream in which I saw my father as his former healthy self. That dream made me feel deeply connected to my ancestors.” In another one of his works titled Devotion, a woman prays to a Shivalinga against a background of red-and-white stripes, which was inspired by the tradition of women being at the forefront during religious and spiritual ceremonies.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026031708038_75e30a4fd339257fbc108e3a326f732fd33d25af0428add0d305b8b7824c558c.jpg" data-media-id="editor_3" data-image-id="2026031708038_75e30a4fd339257fbc108e3a326f732fd33d25af0428add0d305b8b7824c558c" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="devotion"> <figcaption>Devotion</figcaption> </figure>  In Sunyata, which shows a skeletal figure meditating as they are surrounded by flames, Shakya captures the chaos of the outside world with peace of the inner self. Shakya was compelled to create Sunyata when he saw a monk, his body thin and face gaunt, meditating peacefully. “Many viewers might find the painting frightening, but when they take it home, I think it will give them strength whenever they feel like they need it,” says Shakya. The exhibit also includes a gigantic painting of Masan Bhairav spread across two canvases, capturing the majesty of the original work housed at Banepa’s Chandeswori Temple. Shakya met the artist who painted it, and asked to reproduce it.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2026031708034_0216eac587827b02982f5addbd67c6f852fd7f9f47b477267ea7430d5f862a9b.jpg" data-media-id="editor_4" data-image-id="2026031708034_0216eac587827b02982f5addbd67c6f852fd7f9f47b477267ea7430d5f862a9b" data-rendition-name="original" width="1500" height="1030" loading="lazy" alt="art review"> </figure>  Geometric figures are another recurring motif on Shakya’s creations, which he says were inspired by mathematics textbooks from his school days. He says, “Art channels the strength of our minds and brings about change in our lives. My paintings reflect the fact that we are all made up of some madness, magic, and love.” Journey to a Visionary Artworld by Nikhil Bahadur Shakya Siddhartha Art Gallery, Baber Mahal Till 6 April 11AM-5PM

In the mind's eye

Deadly floods two years ago along the southern fringes of Kathmandu Valley killed 200 people. Climate change was blamed, but the destruction was magnified by quarries and sand mining owned by local politicians and crony contractors. Disaster mitigation and environmental risk was not a priority for any of the political parties that ran and won Nepal’s election last week. Although the RSP has a supermajority, rural municipalities that grant mining contracts are still ruled by the established parties that supply aggregates and sand to feed &nbsp;Kathmandu’s construction boom. Here in Lele Valley, residents are worried about another monsoon season that will start in June and fear more floods bringing unmanaged gravel from quarries down the Nallu River.&nbsp; The house of Sanumaya Nagarkoti, 65, and ten neighbours were washed away by the flood on the night of 28 September 2024. She and her husband petitioned the ward and municipal council to remove the crushers but no one listened. The slopes above are scarred by landslides from two years ago, and the banks of the river are strewn with bounders the size of cars that were brought down. “We live in constant fear of landslides,” says Chakra Nagarkoti, “the heavy crusher machinery and tipper trucks also constantly shake the house.”&nbsp; Google Earth images show that 24.6 hectares of mountain flanks have been excavated since 2010, and despite the disaster no lessons have been learnt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090348_bdce7f17500eadac0ce0814c32c2b4190d01325976fd4d29db9985148459c0bc.jpg" data-media-id="editor_0" data-image-id="20260319090348_bdce7f17500eadac0ce0814c32c2b4190d01325976fd4d29db9985148459c0bc" data-rendition-name="original" width="1500" height="907" loading="lazy" alt="Lele"> <figcaption>Photo: GOOGLE EARTH</figcaption> </figure>  The RSP might have got a near two-thirds majority in Parliament but decision-making at the community level is controlled by politicians in cahoots with contractors.&nbsp; Along the Mahadev Khola, the Department of Mines cancelled excavation permits for crushers citing flood and landslide risk. Yet there are still 21 contractors mining stones and sand.&nbsp; Nearby Godavari Municipality also instructed operators who had not renewed permits to close down. No action was taken. One of them is Vinayak Multipurpose which delivers aggregate and stones for United Cement. Local ward chair Milan Silwal, has a stake in Vinayak and locals accuse him of taking the side of industry.&nbsp; Another slope is being gouged out near Mahadev Khola, and comparing satellite imagery from 2010 shows that the scar on the mountain is now five times bigger.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090348_21a8f7f7f9d6cc784c35719da737b20283f934bbe16c9de971d91bf01012499a.jpg" data-media-id="editor_1" data-image-id="20260319090348_21a8f7f7f9d6cc784c35719da737b20283f934bbe16c9de971d91bf01012499a" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="Lele"> <figcaption>United Cement operating near Mahadev Khola. Photo: ARCHANA DARJI</figcaption> </figure>  Nearby stands the lone house of 55-year-old Sabina Tamang, who lives with her husband and daughter. Due to the sound of the stone-breakers, they cannot hear each other speak. “Last year, a landslide destroyed our cowshed and latrine,” she says. “Next it is going to be our home.”&nbsp; DRY SPRINGS Lele gets its water from several perennial springs which have gone dry in recent years. One of them is near where the cement factory quarries limestone. “We hardly get any water, and the little that does flow is murky and red,” says local resident Rajesh Shrestha. A parliamentary committee directive ordered excavation to stop 15 years ago after a similar flood to the one in 2024.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090352_af7da754299116578cc1dd91d5318ec337b69e74b0676599260b7c57c6ec6fd7.png" data-media-id="editor_2" data-image-id="20260319090352_af7da754299116578cc1dd91d5318ec337b69e74b0676599260b7c57c6ec6fd7" data-rendition-name="original" width="1440" height="494" loading="lazy" alt="Lele"> <figcaption>Lele over the years. Photo: GOOGLE EARTH</figcaption> </figure>  United Cement’s manager Hari Upreti says his company has fulfilled all requirements and has permission to mine 15 hectares of its own property and 4 hectares of government land. “We have the Department of Mines permit which is valid till 2036 and extract 1,600 tons of limestone every day,” says Upreti. “The local community knew about the mining and if there is a problem with springs going dry it is not because of us.” Environmental researcher Uttambabu Shrestha, however, says there is a direct correlation between the quarry operation and floods, landslides and dry springs.&nbsp; “Extraction should not be allowed without an environmental impact assessment, and companies must stick to set limits,” he says. Investigation of permits show that there is collusion between local officials and contractors. Godavari-6 Chair Bishnuman Maharjan has investment in two quarries and crusher companies operating along Nallu Khola. A paper trail links Maharjan also to Sagarmatha Stone Crusher and Mankamana Aggregate Industries. IMPUNITY&nbsp; Godavari Municipality published a notice in June 2024, instructing crusher companies to submit environmental reports within two weeks, covering initial examination and impact assessment. It also told them to pay local development fees and clear outstanding dues. The municipality even wrote to the Department of Mines clarifying that it had issued permits to only five out of 27 contractors. Within a month, the Department wrote to the District Administration Office (DAO) and District Police Office instructing them to stop illegal excavation, and sent a copy to the Lalitpur Division Forest Office. The DAO then wrote to Lalitpur Police naming Machindranath Multipurpose as operating illegally and should be shut down. There was no followup. The municipality then issued fines worth Rs 60 million to it and one other company for non-compliance. The companies stalled, disputing the calculations.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20260319090356_6e96403d3c5be4aef4d030974d6d92029a0eb396deafd19c511978dae30dd3d2.jpg" data-media-id="editor_3" data-image-id="20260319090356_6e96403d3c5be4aef4d030974d6d92029a0eb396deafd19c511978dae30dd3d2" data-rendition-name="original" width="4000" height="2250" loading="lazy" alt="Lele"> <figcaption>Another site of extraction near Mahadev Khola in Godavari. </figcaption> </figure>  Machhindranath Multipurpose operator Kedar Timalsina Shashi denies doing anything wrong, and says the landslides were collateral damage because of the steep terrain. When contacted Godavari Municipality Deputy Mayor Muna Adhikari declined to comment. It has been 10 years since Rajesh Shrestha, Nikesh Shrestha, and others raised their voices against the environmental destruction caused by the construction mafia. An agreement was finally reached two years ago between locals and mining and transport businessmen, stipulating that stone mines must close permanently by mid-2025. The agreement also stated that check dams must be built to manage mining debris, and damaged structures must be restored to their original state. Trees were to be planted at sites where stone mines had operated. But the mines in the catchment are still in operation with 500 tipper trucks working on the site every day, transporting stones and aggregate. Local youth have continued holding sit-in street protests and at Lalitpur DAO.&nbsp; After one sit-in, the mines closed for about a month but they started back up a month later.&nbsp; Birendra Maharjan owns one of the crusher units, and says he follows all environmental protocols. He told us: “You need stones to build, and we must dig to extract stones. Some trees have to be cut, people get employment, and besides, floods and landslides happen across Nepal.” &nbsp;&nbsp; Centre for Investigative Journalism – Nepal.

film-festivals

Cinema’s shared language

Documenting the Anthropocene

People’s power

Balancing act

In the mind's eye

Loot in Lele