<a href="https://nepalitimes.com/review/alternative-lifestyle-alternative-art">The Kalā Salon at the Chhaya Centre</a> in Thamel is now four shows old, and currently is running an exhibition of paintings by South Asian artists of the elephant-headed deity, Ganesh.
Also known as Binayak, Ganesh is worshipped as a remover of obstacles and is honoured before starting new ventures.
Read also: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-boy-gods-of-kathmandu,4158">The boy gods of Kathmandu</a>, Sahina Shrestha
Titled ‘Hamsadhwani: Depictions of Ganesha’, the exhibit showcases paintings from the private collection of the Pratima and Prithvi Pandé family. It is curated by Chakshita R who is also the archivist of the gallery.&nbsp;
“My parents have always supported the arts in Nepal, often sponsoring artists and musicians,” says Sophia L Pandé, founding director of The Kalā Salon. The Gallery is continuing this support, sponsoring residencies for two artists a year, one male and one female under the age of 30.&nbsp;
Some of the paintings depict Ganesh traditionally with his official vehicle, the mouse, and laddoos, while others show the God more abstractly.
“The title "Hamsadhwani," referring to a serene raga in Hindustani classical music, reflects the many ways in which Ganesha is celebrated and worshipped, across disciplines,” writes Chakshita R in her introduction to the exhibit.&nbsp;
The paintings are in the second, attic-like floor of the gallery, a rectangular space where every painting can be seen from anywhere in the room.&nbsp;
Read also: <a href="https://nepalitimes.com/review/deity-devotion-and-divine-dance">Deity, devotion, and divine dance</a>, Vishad Raj Onta
A painting by Daya Ram Palpali shows Ganesh as he may be seen in a temple around Kathmandu: lights are lit, bells are hanging, and the statue is golden and garlanded. The entire picture is in warm colors that make sections of green leaves stand out. Batsa Gopal Vaidya paints a blue Ganesh dancing on a background of green hills, mountains and a red sky. The tusks and the outlines of the mountains are done in a reflective silver underlay on the paint.&nbsp;
A series of three paintings by Shankar Raj Singh Suwal show Ganesh in a celestial, heavenly form, engulfed in murky clouds.One of the three shows him with blue-skin just like his father, Shiva.
Suwal paints a winged mouse, perhaps pointing out the irony of an elephant-headed God riding around on a rodent. &nbsp;
Then there are two prints by Seema Sharma Shah: of a temple glowing gold and a Ganesh standing up in a reddish-orange lotus with blue bells hanging above him.
“These are very sophisticated to make, and need to be etched out on metal first, and then treated with acid to create places for the paint to go into. Then they are printed layer by layer, blue first, then red, and then black,” explains Chakshita R.&nbsp;
Real also: <a href="https://nepalitimes.com/review/in-the-realm-of-the-gods">In the realm of the gods</a>, Pinki Sris Rana
S C Suman’s work is influenced by <a href="https://nepalitimes.com/banner/vibrant-mithila-art-thrives-in-nepal">Mithila art </a>and his piece looks like a pen drawing on a background of red, yellow and orange. The outline is then filled in concentrically, and some parts look like fingerprints.&nbsp;
One abstract Ganesh, by Kiran Manandhar looks like it was finished in a hurry. Another in black and white uses stippling to create illusions of light and shadow. Yet another one shows a Ganesh with his usual gadgets and mouse but also with tattoos and posture that makes him look feminine. The mouse is smiling at him from below.&nbsp;
Another Ganesh signed ‘Jizza’ features a cartoony, round Ganesh with a peacock feather on his head and ornaments in gold and weapons in silver, apparently a style found in South India.&nbsp;
Going clockwise around the room, the depictions of Ganesh get more and more abstract and humanlike. This culminates in a series of prints by noted Indian painter M F Hussein where the deity is drawn with animals such as an elephant, a bird, a horse and a bull.&nbsp;
The paintings are often in a single primary colour, with Ganesh as a fighter, a dancer and a toddler, just hanging out drinking water, or in a hammock.
“All these paintings were collected by my parents, who never acquired paintings for their name but only if they liked them,” says Sophia Pandé about the exhibition. “The Kalā Salon is a non-profit space for artists to see works by Nepali masters collected over the past 40 years, as well as a place to support current Nepali talent.” &nbsp;&nbsp;
Hamsadhwani: Depictions of Ganesha
The Kala Salon
Chhaya Centre, Thamel
11AM-6PM, until 10 August

Vishad Raj Onta

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A gallery full of Ganeshes

Hindu gods in Bangkok’s malls

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141116/636a56c49c7e80680e0547a3jpeg.jpg" alt="" width="1400" height="933"/><figcaption>Photo: BIKRAM RAI</figcaption></figure>The late monsoon calendar in Kathmandu Valley is filled with festivals: there was <a href="https://www.nepalitimes.com/banner/my-sweet-lord/" target="_blank" rel="noopener">Krishna’s birthday</a> last week, then <a href="https://www.nepalitimes.com/banner/women-celebrate-tij/" target="_blank" rel="noopener">Rishi Panchami and Tij</a> this week. But none is more important than the week-long Indra Jatra — the chariot festival presided over by none other than the Living Goddess Kumari.Indra Jatra, which falls on Friday the 13th this year, is traditionally when Nepal’s rulers congregate at Hanuman Dhoka to be blessed by the Kumari as she is pulled past on her chariot.This is the annual festival dedicated to Indra, the god of rain. But it also honours Taleju Bhawani, the powerful goddess and protector of Kathmandu, who will manifest herself in the Kumari to empower the government and citizens of Nepal with divine powers.Interestingly, Taleju is supposed to be the family deity of Ravana, the demon king of mythic Lanka, and the Taleju of Kathmandu is said to have been brought from India in ancient times.Read also: <a href="http://archive.nepalitimes.com/news.php?id=10881#.XXDXnC4zbIU" target="_blank" rel="noopener">When Indra was caught stealing</a>, Desmon Doig<a href="https://www.nepalitimes.com/banner/parodying-patriarchy-at-tij/" target="_blank" rel="noopener">Parodying patriarchy at Tij</a>, Sewa Bhattaraihttps://www.youtube.com/watch?v=jqjg2X00SCQPrithvi Narayan Shah in 1770 entered Kathmandu on the day of Indra Jatra, and is said to have won over the local population by kneeling at the feet of the Kumari.The Kumari House courtyard bears the most exotic of all wood carvings in the area, and was built in 1757 during the reign of king Jaya Prakash Malla, the last Malla king, who was deposed by the invading army of Prithvi Narayan.History books tell us that Jaya Prakash Malla was pulling the Kumari chariot himself, and enjoying every bit of it. But by the time the chariot reached the Lagan neighbourhood, Gorkha forces had captured his palace at Hanuman Dhoka. He then fled across the swollen Bagmati river to seek refuge in the neighbouring kingdom of Patan.Indra Jatra is marked with much enthusiasm and devotion by both Hindus and Buddhists in the Kathmandu Valley, and celebrated for eight days by singing, dancing, feasting and rejoicing.People throng excitedly to see the chariot and to watch the ritual dances — featuring masked demons, gods and goddesses. Kathmandu’s famous Lakhey dancers are also part of the chariot procession.Read also:<a href="http://archive.nepalitimes.com/news.php?id=5869#.XXDXmS4zbIU" target="_blank" rel="noopener">Let the jatra begin</a><a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/the-boy-gods-of-kathmandu,4158" target="_blank" rel="noopener">Boy gods of Kathmandu</a>, Sahina Shrestha<h2 style="letter-spacing: 0.15px;" data-elementor-setting-key="title" data-pen-placeholder="Type Here...">Indra Jatra re-enacted at Dwarika’s</h2><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141116/636a56c89c7e80680e0547a4jpeg.jpg" alt="" width="640" height="422">Nepal’s Dwarika’s Hotel has won many international awards for its preservation of Kathmandu’s Newa architecture. But it is also involved in preserving the Valley’s intangible heritage: its festivals.As in 2018, the Hotel will mark Indra Jatra this year. On Friday 13 September, Dwarika’s will feature a re-enactment of the real-life procession in the city, with a stand-in Goddess Kumari on hand throughout the celebration.Guests can witness the Living Goddess regally seated in the hotel’s resplendent courtyard with artefacts and carvings (some of them 800 years old) observing the series of performances, replicated exactly from the original Indra Jatra celebration in Kathmandu Darbar Square earlier that day.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108141116/636a56cb9c7e80680e0547a5jpeg.jpg" alt="" width="640" height="428">Another major attraction of the evening will be a display of the lavish assortment of the famous Samay Baji and other food of the Indra Jatra feast. Even the Kumari chariot festival, with Bhairav and Ganesh, as well as the Lakhe dance, Kumari dance, Bajrayogini and Bhairab-Kali dances, will be performed.Guests can also savour a special Indra Jatra buffet with exotic items of Newari cuisine, washed down with the traditional aila spirit, while they watch the Dhimey dance and other classical masked dances.Dwarika’s Hotel6:30-9pm, Friday 13 Septembersales@dwarikas.com+977 1 4479488,  4470770.Read also: <a href="https://nepalitimes.atavist.com/cultural-evolution" target="_blank" rel="noopener">Cultural evolution</a>, Kunda Dixit

Prepping  for Indra Jatra

GODS ON EARTH

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

In the black and white photograph, General Wangdu smiles broadly in front of the dusty cactus garden in Kathmandu’s Annapurna Hotel. With an ill-fitting jacket and shaggy hair he looks benign enough, but this was the last leader of the Tibetan freedom fighters who led the resistance against the Chinese from their remote mountain hideouts in <a href="https://nepalitimes.com/here-now/comings-and-goings-in-mustang">Mustang</a>. Five months later, Wangdu was dead. Snapped in March 1974, I had only recently arrived in Nepal. How did I meet this legendary fighter? Possibly with his devoted camp follower, Lynne Klapecki, and probably in the Om Restaurant near Freak Street which was the preferred <a href="https://nepalitimes.com/banner/hippie-trail-nostalgia-in-kathmandu">hippie hang-out</a>. Om Lobsang and his brother Yeshe were <a href="https://archive.nepalitimes.com/page/earthquake-brings-back-memories-of-camps-for-tibetan-refugees">refugees from East Tibet </a>whose cafe offered a friendly welcome and<a href="https://nepalitimes.com/multimedia/momo-loco"> the best momos</a> - they became my in-laws after I married their eldest brother Tenzin, but that was a decade later.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1.jpg" data-media-id="editor_4" data-image-id="2025052403054_4573b34282b0f5395c007243d6bef12c7ba76bfd520419e994cdcea048d795a1" data-rendition-name="original" width="1000" height="1583" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Photo: LISA CHOEGYAL</figcaption> </figure>  Wangdu’s English was enthusiastically rudimentary, but even riding around town with him on the back of an aging <a href="https://nepalitimes.com/here-now/kathmandu-s-new-motorbike-museum">motorbike</a>, he was a commanding presence. Always flanked by armed outriders, impressive scars marked his forearms and a pistol hung from the cord around his neck. A charismatic guerrilla leader, Wangdu was celebrated by his followers for his tough commitment and respected for his measured pragmatism. He seemed so young to have shouldered such a responsibility of command, leading hundreds of hardened <a href="https://archive.nepalitimes.com/article/nation/50-years-after-the%20raid-into-Tibet,1012#google_vignette">Khampa combatants </a>through what had been a particularly <a href="https://nepalitimes.com/news/heavy-snowfall-over-nepal-himalaya">brutal winter in Mustang</a>, the last bastion to hold out against the Chinese invasion of their Tibetan homeland.&nbsp; The freedom fighters of Tibet, known as the Chushi-Gangdruk, had emerged to resist the <a href="https://nepalitimes.com/editorial/territorialism">Chinese takeover</a> of Tibet during the 1950s. Estimated to be 80,000-strong at the time of <a href="https://nepalitimes.com/here-now/what-or-who-after-the-dalai-lama">the Dalai Lama</a>’s final escape to India in 1959, the sheer number of Chinese deployed into Tibet eventually forced the Chushi-Gangdruk to retreat to Mustang, From this high Himalayan stronghold, they continued cross-border raids on the Chinese People’s Liberation Army (PLA) throughout the 1960s.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd.jpg" data-media-id="editor_10" data-image-id="2025052403054_8a4a935ba25ae79dc3a63bb5c14626927020e5ec098093c45ccb9a5982e009fd" data-rendition-name="original" width="1114" height="676" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Guerrillas known as the Chushi-Gangdruk emerged to resist the Chinese annexation of Tibet during the 1950s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>  Their Kathmandu base was a small discreet lodge in a back lane near Rani Pokhari. Sipping sweet tea from a blue mug with a chipped lid, I sat bemused in a corner of the Mustang Hotel room whilst Wangdu and his cohorts received a battered brown suitcase from their CIA connection, a tousle-haired American in a leather jacket. Heaved onto the dingy bedspread that covered the thin mattress, it was clicked open to reveal piles of neatly stacked dollar bills.&nbsp; I cannot think why Wangdu allowed me to witness this handover but I was clearly no threat, a newly arrived world traveller with no understanding of the stakes nor any Nepali or <a href="https://nepalitimes.com/multimedia/tibetan-music-in-nepals-sacred-valley">Tibetan language</a>. Despite armed guards in the corridor,Wangdu radiated confidence and bravado, and there was a practiced familiarity to the tense transaction. This deadly dance for many years had been funded by the Americans, tolerated by <a href="https://nepalitimes.com/here-now/the-kingdom-within-a-republic">Mustang’s residents</a>, and permitted by King Mahendra and the Nepali authorities who it suited to turn a blind eye.&nbsp; But Mahendra died in 1972, and times were changing. Richard Nixon’s ping-pong diplomacy thawed the cold war and signalled a fresh entente with China. Nepal’s yet-to-be-crowned <a href="https://nepalitimes.com/here-now/if-birendra-was-alive-nepal-could-still-be-a-monarchy">King Birendra </a>was under pressure to curb the irritating incursions against the PLA launched from the Nepali territory of Mustang. Keen to appease his northern neighbour, on several occasions the King summoned Wangdu for peace talks but, despite increasingly overwhelming odds, Wangdu refused to surrender.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb.jpg" data-media-id="editor_14" data-image-id="2025052403054_a8efd5cfb92cd997bd7cb74296a936fef46e2f7428f9cd642b03f1ac4ea11ecb" data-rendition-name="original" width="1055" height="885" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>General Wangdu flanked by two Tibetan resistance fighters in Mustang in the 1970s. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31.jpg" data-media-id="editor_15" data-image-id="2025052403054_75969125a745847a2ef82b6fe8b9106c0b21a116d85b8efdf5d2ee89a347bb31" data-rendition-name="original" width="1044" height="792" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>King Birendra with General Wangdu (right in dark glasses) taken in 1974 possibly in Mustang after one of their few attempts at negotiation. Photo courtesy: RAJRNDRA KUNWAR</figcaption> </figure>  While I naively rode pillion around Kathmandu in the spring sunshine, Wangdu was in the midst of what turned out to be his final round of negotiations with the Nepal government. Refusing to cease hostilities with the Chinese, Wangdu must have suspected the cost of his decision, making his cheerful smile in the photograph all the more poignant and brave. It was only much later that I appreciated the significance of the moment. Wangdu had been sent to replace the first resistance leader in Mustang, Baba Gen Yeshe, a much derided corrupt character who stole money meant for his troops and exploited fleeing refugees by seizing their treasures. Baba Gen Yeshe never forgave Wangdu,and sought revenge in May 1974 by betraying him and his commanders to the Nepal authorities. Renewed Chinese incursions from the north, active PLA collusion with the Nepali forces under the new King, and treachery from within the Chushi-Gangdrukranks combined to seal their fate.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0.jpg" data-media-id="editor_16" data-image-id="2025052403054_e0987a7c90d76431b0d7d5e6115ebfe3dbda7ab939e5941e079c18d722e884c0" data-rendition-name="original" width="1400" height="769" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>British television journalists George Patterson and Adrian Cowell embedded themselves with Khampa guerrillas and accompanied them from Tsum Valley on a cross border raid on a Chinese Army convoy in 1964. Photo: ESSAYS ON NEPAL / SAM COWAN</figcaption> </figure>  Mikel Dunham, renowned author of Buddha’s Warriors, writes: ‘It is possible that Wangdu was waiting for some cue from the Dalai Lama’s government-in-exile in Dharamsala, India. It is equally possible – during that last, <a href="https://nepalitimes.com/multimedia/the-human-cost-of-nepal-s-yarsa-gold-rush?fbclid=IwZXh0bgNhZW0CMTEAAR31-Cqw8oyIwMPzf_35e4Skr0ululJvLf3_vDkzHn-AYG2h8uPw2rqqErg_aem_tGVn5coY1-jA7fze_xqhew">desolate winter </a>– that he made the decision to go out in glory rather than admit defeat. Over the last fifteen years, Wangdu had experienced Tibet’s organized resistance being squeezed and shoved around by every conceivable outside force.&nbsp; First they had been pushed out of their own country by the PLA; then they had been refused sanction while on <a href="https://nepalitimes.com/opinion/borderlines/nepal-india-trans-boundary-bonds?fbclid=IwAR0PpJ5zUEbwdug3g_U3ar6FUugngRY0S8Tl2v_7wqzrsHmXWcXsKjvL4t4">Indian soil</a>; then they were abandoned by the Americans because, apparently, Nixon wanted to make friends with Wangdu’s mortal enemies, the communists; then they had been betrayed by the vampiric Baba Gen Yeshe – a Tibetan and, even worse, a fellow Khampa; and now, finally Wangdu’s army was being evicted by the Nepalis. One thing was certain: Wangdu was a warrior. To imagine Wangdu simply giving up and settling down in the pacific squalor of a <a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp">refugee camp </a>was unthinkable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49.jpg" data-media-id="editor_20" data-image-id="2025052403054_8fc1ffef4ae751628b90ae781b66e11e51e4fdde2787207c9042efbee345ce49" data-rendition-name="original" width="500" height="746" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>The much derided Baba Gen Yeshe, the first Tibetan resistance leader in Mustang, who betrayed Wangdu for personal gain. Photo courtesy: MIKEL DUNHAM</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3.jpg" data-media-id="editor_21" data-image-id="2025052403054_b1d833cdb00d3ac4416b844d8730475cd88c238caaaf8da69889a584eea229a3" data-rendition-name="original" width="500" height="656" loading="lazy" alt="The last days of the Khampa NT"> <figcaption>Aditya SJB Rana of the Royal Nepal Army whose team ambushed Wangdu and his cohorts at the top of Tinker Pass in Darchula, West Nepal. Photo courtesy: GAUTAM SJB RANA</figcaption> </figure>  By August 1974 the game was up. Wangdu and six of his exhausted party were killed on their horses by <a href="https://archive.nepalitimes.com/news.php?id=7270">the Royal Nepal Army</a> on the brink of escape. The officer in charge, Aditya SJB Rana, cleverly predicted their route into India after they failed to silence a police radio in Yari. A carefully laid ambush trapped them near the summit of the Tinker Pass in Darchula,at 5,000 meters the highest military operation of its time. Wangdu’s body was helicoptered to Kathmandu, and a big show made of the royal Nepal victory.&nbsp; The Tibetan armed insurgency against China had reached its end.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4.jpg" data-media-id="editor_23" data-image-id="20250524030520_3ff9c6fc85a65bc9a2c3afe9736d9f5f9413de752e790a5d9dca0981ea94f9b4" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="The last days of the Khampa NT"> </figure>

The Last Days of the Khampa

Starting 17 September Turkish Airlines will fly daily to Seville, one of Spain’s major tourist draws. This is Turkish’s sixth destination in Spain after Madrid, Barcelona, Valencia, Malaga, and Bilbao. Seville is in the Andalusia region on Spain’s south coast with a rich Moor history. There are approximately 30,000 Nepalis living in Spain.&nbsp;

Turkish to Seville

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

ganesh