<figure><img width="1920" height="1080" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d14949c7e80680e0a9984jpeg.jpg" alt=""/><figcaption>All photos: Bijay Tamrakar/One World Theatre</figcaption></figure>Sara and Callie are taking a walk late at night through the West Village. They have just been out at a bar and the night is young. Against the colourful high-rise of bricks and windows projected onto plywood screens, they give into the whirlwind of emotions long overdue and they kiss.Enter an angry bystander (this is New York, after all) and what could have been the best night of their lives turns into an ugly nightmare. He attacks the two lovers violently, and Sara suffers injuries that sends her into coma.This is where American playwright Diana Son’s Stop Kiss begins (we don't exactly know when the attack has happened: is it before the start of the play or after the first scene?), and it is being staged 23 years later at Shilpee Theatre in Battisputali. Directed by <a href="http://archive.nepalitimes.com/news.php?id=438#.YaSLftBByUk" target="_blank" rel="noopener noreferrer">Loonibha Tuladhar</a> and presented by One World Theatre (OWT) with support from the US Embassy, the revival is an English-language adaptation.This is perhaps the first play staged in Nepal in recent times, and one of the first to focus on queer women. The premier on 25 November coincided with the International Day for the Elimination of Violence against Women, and <a href="https://en.wikipedia.org/wiki/Stop_Kiss" target="_blank" rel="noopener noreferrer">the play</a> will run till 4 December to overlap with  16 days of activism. <img width="2120" height="1192" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d14979c7e80680e0a9985jpeg.jpg" alt="">Mitini Nepal estimates that 38% of lesbians and 62% of transgenders in Nepal continue to face violence in Nepal. Recently, countries like South Korea and Japan have used the Covid-19 pandemic as a ruse to discriminate against <a href="http://archive.nepalitimes.com/news.php?id=16160#.YaSMndBByUk" target="_blank" rel="noopener noreferrer">the LGBTQ+ community</a>. The situation in Nepal is not any better. Discrimination aside, people who belong to the LGBTQ+ spectrum have few safe spaces to open up, and feel comfortable in their own skin.But, surely, for many young progressives today, the play might appear demure or too gentle. “There isn’t enough sex,” one might say. Or “Why are there no mobile phones, so much of the trouble could have been avoided with a mobile phone!” After all, in the two decades since the play was first produced, much has changed in the world.But a lot remains the same. Stop Kiss is not merely a lesbian play from the 1990s North America. It is also a reminder that despite vicious attacks and protests the <a href="http://archive.nepalitimes.com/article/nation/Night-and-%20Day,3145" target="_blank" rel="noopener noreferrer">LGBTQ+</a> movement around the world today has reached a point where its members can consider getting married, holding hands and expressing themselves. <img width="2120" height="1192" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d149b9c7e80680e0a9986jpeg.jpg" alt="">And it is even more important in a country like Nepal where progress is incremental, and the reminder is encouragement to fight for one’s right to love without judgement and violence. Tuladhar and Kavita Srinivasan’s co-direction and the cast of Stop Kiss do not shy away from this scope and significance of their stage production.Tuladhar admits she was nervous at first, unsure whether she was right for the role. “But violence against women and the queer community in our society takes many forms, and often it is quiet and we don't even realise that we are being violent,” she says. “The play felt important and necessary because through it people can reflect and make their voices heard.”The show's co-director, Kavita Srinivasan echoes this. “Even now many women and queer people are not comfortable going out alone, especially at night,” she says. “But why should we have to fear to exist in our own society?” <figure><img width="2048" height="1368" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d149e9c7e80680e0a9987jpeg.jpg" alt=""><figcaption> </figcaption></figure>Ranjana Bhattarai and Samapika Gautam shine as Callie and Sara, their chemistry natural and profound. Bhattarai plays Callie’s New York ‘up in the air’ traffic news reporter like a dancer who listens to the music rather than only memorise the steps. Gautam is the perfect counterpart, as grounded and methodical as Sara, a third-grade teacher.The two women are riotous together – they dance, laugh and yell, their hands make wide gestures as they try to wordlessly communicate the stirrings in their hearts, perhaps felt by both for the first time. There is also tension between them, as they do not know the right thing to say or to do.But Bhattarai and Gautam convince us that in their apparent differences is touching resonance. Both intense and hilarious, they carry the entire emotional weight of the play in their performances, going from unsure awkwardness of new acquaintances to wild, gushing nervousness of first-time lovers. <img width="2120" height="1192" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d14a19c7e80680e0a9988jpeg.jpg" alt="">The supporting cast is also impressive. Gaurav Bista is perfect as the agonisingly heterosexual George, Callie’s on-and-off boyfriend. <a href="http://archive.nepalitimes.com/blogs/thebrief/2014/09/09/blood-and-mud/" target="_blank" rel="noopener noreferrer">Loonibha Tuladhar</a> steals the scenes as Mrs Winsley who witnesses the attack on the protagonists. Anahita Sarabhai is excellent as the Nurse, and Sushrut Acharya as Detective Cole and Bruno Deceukelier as Peter make the most of the few scenes they have.But the real stars of the show are certainly the relentless crew-members, who have the toughest job at Shilpee every night: making sure everything looks seamless on stage and nothing falls over and breaks during the countless scene changes. The story is told out of order, so it unfolds in sets of ‘before’ and ‘after’ the attack.The set design is aptly minimalist and modern, and the soundtrack of hit 90’s tracks (think Cyndi Lauper’s <a href="https://www.youtube.com/watch?v=PIb6AZdTr-A" target="_blank" rel="noopener noreferrer">Girls Just Wanna Have Fun</a>) adds to the whole ‘concrete jungle where dreams are made’ vibe of New York.While the shadow of the altercation looms large, crass and imposing, and the play has much in common with a Greek tragedy – the violence happens off-stage and there is a sense of foreboding throughout (we find out about the attack and the coma very early on). <img width="2120" height="1192" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111016118/636d14a59c7e80680e0a9989jpeg.jpg" alt="">But Stop Kiss is far from the stereotype of sad and fatal <a href="http://archive.nepalitimes.com/article/nation/Finding-refuge-in-cyberspace,3146" target="_blank" rel="noopener noreferrer">LGBTQ+</a> stories that either end in death or separation. Instead, it is open-hearted, warm and determined to impact audiences of all ages and background.“While the physical, external violence forms the backbone of the play, there is also a second kind at play here, borne of shame, judgement and discrimination,” adds Srinivasan: “Hopefully the play will create momentum for conversations to make our society truly inclusive, not just in plans and speech but also in action.”Stop Kiss is playing at Shilpee Theatre in Battisputali until 4 December 2021. Runtime is 2 hours and 10 minutes with no intermission.Tickets: Rs500 and Rs700 for front-row seats9861053015/stopkiss@owtnepal.orgShowtimes: 5:30PM, with an additional 1PM show on 4 December.

Ashish Dhakal

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The price of a kiss

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01189c7e80680e0a3610jpeg.jpg" alt="" width="2672" height="3563"/><figcaption>Photo: PRATIBHA TULADHAR</figcaption></figure>Fr K was every girl’s heart-throb. Yes. Heart-throb. We used the word for guys who made our heart beat quicken. Sometimes for girls. So, Fr K Heart-throb.We saw him once a year during the annual retreat. And girls waited all year with bated breath for the ‘retreat’. The retreat was calendared for that time of the year when all the students except one batch went on their holiday. So, it would mostly be a particular batch and Fr K, the only other person on the sprawling campus being Chaukidar Daju.Every day of the three-day retreat, the girls made an effort to look nice. Do your hair a certain way, wear your best blouse, and make sure to get a seat in the first row. Although, Fr K always made sure to reshuffle the seats eventually into a circle, with him standing in the centre.Read also: <a href="https://www.nepalitimes.com/opinion/no-direction/" target="_blank" rel="noopener noreferrer">No direction</a>, Pratibha TuladharLeaning in his very dark navy blue contemporary habit, a hint of white popping out on the collar, he stood there for three full days of the retreat, talking, charming his listeners. What did he really do to work his charm? Not much.But thrown into a classroom of 17-year-old girls, he did not have to do much. His competition were 60-year-old Mr Chaurdhary who taught Economics and Chaukidar Daju, who walked about with betel nut tucked between his teeth.I suppose the only thing different Fr K did was smile. He smiled and laughed softly a lot between talking. And every time he did that, the scar from a sewn-up upper cleft lip showed itself off, adding something striking to his demeanour.There were rumours about Fr K. They said that in his hill-town, women fell for him every time they heard him speak during church. And there were other rumours that made the girls blush. But there he was, standing amidst us, talking about ethics and love for all living beings.Just as the bell rang after lunch break, I shoved my bag into Rosy’s arms saying, “I need to use the loo”. I ran in as I always did and stopped suddenly at the main door of the lavatory.Read also: <a href="https://www.nepalitimes.com/opinion/vagina-conversations/" target="_blank" rel="noopener noreferrer">Vagina conversations</a>, Pratibha TuladharThe door to the cubicle in the centre was open, partly showing off the dark navy blue attire. Facing away from me was Fr K, relieving himself. When he heard the steps, he tilted his head, looked at me and said, “Oh, hello.” And continued at what he had been doing.I felt like my face was on fire. Why was he in the students’ toilet instead of the GENTS in the staff room building? Had no one briefed him about the toilet rules in an all-girls’ institution? I turned away and left, the startling sound of shower softly hitting the toilet pan ringing in my ears.Back in the classroom, Rosy asked me why I look so flustered. I said it was nothing. I said, I was glad the retreat would be over in a few hours. She looked at me like she couldn’t believe her ears.Read also: <a href="https://www.nepalitimes.com/opinion/sita/" target="_blank" rel="noopener noreferrer">Sita</a>, Pratibha Tuladhar…I make my way to the toilets, a short walk from the hall at the <a href="https://www.nepalitimes.com/latest/nepal-and-international-literature-festival/" target="_blank" rel="noopener noreferrer">literature festival</a> venue. The door to one of the toilets is open. A man stands inside, relieving himself. He is wearing loose clothing. His linen shirt collar is met at the nape by peppery curls. A cotton bag is slung on one shoulder. “Sorry,” he says.When I go back to my seat, I see this man again. He is now seated on the stage alongside other speakers. The moderator introduces him as the writer of a book which is named after a certain exploding fruit. Later, I would try to read the book and never be able to finish it.…“I’m your fan,” I say to the politician, as he walks into the studio, preparing for a live interview. As the studio producers help him with the lapel mic and framing, I make small talk.“I disagree with your thoughts regarding <a href="https://archive.nepalitimes.com/regular-columns/Analysis/how-decentralised-is-federalism,776" target="_blank" rel="noopener noreferrer">federalism</a>, but I have always been impressed by how clearly you make your argument on why we don’t need it.”“That’s all right, Nanu,” he says. “In a democracy, we’re all allowed to disagree.”The interview is over and it is my turn to go on the air, before which I always use the toilet. I walk towards the row of restrooms. The first one on the floor has its door flung open and our guest’s <a href="https://www.nepalitimes.com/banner/from-heads-to-toes/" target="_blank" rel="noopener noreferrer">colourful Dhaka</a> topi stands out in the semi-darkness of the cubicle.“La!”“Eh…” he says.…Past 6PM is always time for your last cup of tea. I ’m standing by the lift, waiting, when he absentmindedly walks past me towards the toilet, muttering a casual hi. Given the short distance between the lift and the toilet, a strong smell would sometimes hover in the lobby.“When are you going to turn your feature in?” he yells at me from the toilet.“Sorry?” I turn my head towards his voice. The door to the Men’s is open.…As always, I hate having to use the toilet at Nepal Tourism Board. In there, I’ve always wondered how one was expected to use a space so small. I tend to get apprehensive even before I enter it.I open the main door and standing before the mirror, is <a href="https://www.nepalitimes.com/here-now/sexual-minorities-reeling-under-the-lockdown/" target="_blank" rel="noopener noreferrer">them</a>, towering over the basin. They’re doing some last-minute fixing, standing taller than anyone I have met in my life, poised gracefully in a peach silk gown, with floral patterns.“I love your blog post about massage. I’ve often wondered what that kind of pain actually brings,” I say.“Thanks,” they say and continue to get busy by the mirror. It was the first time I was speaking to someone who uses ‘they’ as a pronoun. I carry on into one of the cubicles, where it feels like the walls are about to crush me. I wonder how they might have used a space so tiny. I also think of how we had coexisted for a few minutes in a tight space and how, unlike similar encounters with men, I had not felt threatened.Suburban Tales is a monthly column in Nepali Times based on real people (with some names changed) in Pratibha’s life.

Pratibha Tuladhar

Toilet encounters

<figure><img width="1280" height="897" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181140/636be62b9c7e80680e08778ejpeg.jpg" alt=""/><figcaption>Photo: Kathasatha</figcaption></figure>A lot happened in 1999. I turned 18, finished high school and got accepted by an American college. And the internet, which had crept into the Nepali marketplace, finally made it to my bedroom. The arrival of the Internet coincided with a key moment in my life – my coming to terms with my sexuality. So begins Niranjan Kunwar’s memoir Between Queens and the Cities.Over the next 300 or so pages divided into six parts, Kunwar takes us on a journey that spans two decades, from the neighbourhoods in New York to the gallis and bhattis of Kathmandu. Between Queens and the Cities is a beautifully crafted coming of age story of a gay man in Nepal navigating life while exploring his identity and finding a place to call home.The book begins when Kunwar is 19 in New York. Freed from the constraints of Nepal, he enjoys the independence America has to offer. He promptly falls in love with New York, making plans to return to the city once he graduates, and he does. He works as a teacher, first at a private school in the city and then in a school in Brooklyn. He finds his friends and falls into a routine. But then life creeps in, the commutes are too long, the mornings too early. Paper works for green card falls through and over time he returns to Nepal to pursue a literary journey.All these are punctuated by fear and anxiety he has regarding his sexuality, the relationship with his parents, and the need for love and acceptance. <figure><img width="800" height="533" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181140/636be62e9c7e80680e08778fjpeg.jpg" alt=""><figcaption> </figcaption></figure>It is difficult to capture universality in a way that also celebrates uniqueness, but Kunwar does that skillfully. By choosing the themes that he did, Kunwar has made his story matter not just to him but to the readers as well.As anyone who has called NYC their home at any point in life can attest, the city does that to you: it makes you fall in love with it. Only in New York will you pay the deposit for an apartment with half-clogged bathroom and return happy and content.Living in a foreign country can also be lonely, and the paperwork frustrating. As an immigrant, there is a sense of not belonging, the conscious sense of otherness even with the closest of native friends.But anyone who returned to Nepal after spending time away from home can also relate to the feeling of being robbed of freedom once back, the confusion and the self-doubt of whether they have made the right decision, as well as the uphill task of rebuilding their lives and relationships with friends and family, and finding or starting over a career.https://youtu.be/kw4w9rkHkoM?fbclid=IwAR1OVzLHcyqVuuNocKJj3UshxsaAZocO7I9X0pyTTTX7v7I9A6_h59zEbKMWhen it comes to the stories of LGBTIQ individuals, it is easy to fall into the trap of a dominant narrative. Through repetition and often limitation of the stories we hear we create a stereotype of the community that does not justify the broader identity. Kunwar while admitting his privilege attempts to reveal the community’s wide diversity, through his own story and those of others.In the final part of the memoir Kunwar tells the stories of Rukhsana, Bhakti and Sadhana, Aditya, Esan, and Sudip and Apekshya. Their stories each unique in their experiences but tied by the thread of highlighting parts of a marginalised population that too often remain invisible and ignored.Kunwar sweeps his life beautifully into words. Reading the book is like listening to a friend narrate his life story. He does not spend too much time in details and is eloquent and earnest in his storytelling. Between Queens and the Cities, is a great addition to the (finally) emerging literary works from the community.Sahina Shrestha is Digital Products Strategist at Nepali Times, and did her Masters at New York University.Between Queens and the CitiesPages: 305Publisher: <a href="https://fineprint.com.np">FinePrint</a>Launch: 5 December 2020More about the launch <a href="https://www.kathasatha.org.np/events/book-launch-between-queens-and-the-cities" target="_blank" rel="noopener noreferrer">here.</a><a href="_wp_link_placeholder"> </a> <img width="1280" height="897" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181140/636be6319c7e80680e087790jpeg.jpg" alt="">Excerpts:“What about the bathroom?” I asked the broker. The paint on the wall was chipped; the bathtub was half-filled with water. “No need to worry,” he assured us. “They are still working on it. It will be complete by the first week of June.”The work in the bathroom never got completed. The memory of my first year in New York is tainted by the perpetually half-clogged bathtub. Aliza and I had to plan our showers; one waited for almost an hour for the tub to drain completely after the other one had used it. We made numerous phone calls to the management of the building, took turns waiting for the plumber to show up.**Anyone who leaves one’s homeland owes some kind of return. This is what I believe. I believe that circular is natural and linear is artificial. A back and forth process leads to growth and adventure while a one-way mindset can be limiting.I keep thinking of that moment in New York when I decided to return. It was late afternoon in March, dusk was approaching fast. After wrapping up the day’s work, I called my lawyer to inquire about my green card. I remember the brusque tone of her voice – Had I not read the emails she had sent- and her message, “Sorry.”At that moment, I remember, for the first time, a flicker of courage, a small guiding voice inside me. I sat down after clicking the phone shut. And I remember deciding. That moment, that room, on that day, I remember deciding that it was time to return. **There’s routine, there’s regularity, then there’s reporting. I try to capture raw emotions before they mature and mutate. Certain dialogues demand urgent documentation. Sometimes, I pay more attention to these tasks than refining aspects of my craft.A modest readership emerges. That is another reason why I write. Because I remember how growing up gay in Kathmandu felt like. When I was younger, there were no stories about Nepali men who liked men. And we know how stories can inform and teach, can show us the way.

Sahina Shrestha

Between Queens and Kathmandu

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151124/636a66f29c7e80680e0599b1jpeg.jpg" alt="" width="1500" height="1062"/><figcaption>Photo : SONIA AWALE</figcaption></figure>Nepal is stepping up preparations for its 10-year census in 2021, which is slated to be the most hitech in history and will go beyond simply counting the <a href="https://archive.nepalitimes.com/article/nation/Nepals-changing-demography-is-having-profound-impact-on-politics,2693" target="_blank" rel="noopener">country’s population</a> to surveying households in order to chart the country’s path in the coming decade.Read also:<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38051&amp;preview_nonce=38f8426e6c&amp;preview=true" target="_blank" rel="noopener">Nepal in 2030</a>, Sanghamitra Subba<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38046&amp;preview_nonce=d2d7129548&amp;preview=true" target="_blank" rel="noopener">A future written in the stars,</a> Sanghamitra SubbaEnumerators from the <a style="letter-spacing: 0.01em;" href="https://cbs.gov.np/" target="_blank" rel="noopener">Central Bureau of Statistics</a> (CBS) will be using tablets to enter data during a pilot census in 14 districts next month. The actual census in June 2021 is expected to give an accurate picture of Nepal’s demography and how it has progressed in <a style="letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/this-is-how-to-upgrade-nepals-rural-health/">health</a>, <a style="letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/after-quantity-nepals-education-needs-quality/" target="_blank" rel="noopener">education</a> and development.Read also:<a href="https://www.nepalitimes.com/?p=38023&amp;preview_nonce=024823c344&amp;preview=true" target="_blank" rel="noopener">Towards 2030</a><a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38038&amp;preview_nonce=e8166bf726&amp;preview=true" target="_blank" rel="noopener">Another decade to get it right,</a> Editorial<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38073&amp;preview_nonce=5c5e53a600&amp;preview=true" target="_blank" rel="noopener">How will Nepal develop in the next decade?,</a> Sonia AwaleFor the first time, data will be collected at the lowest administrative unit, the ward, and also include information on housing, migration, jobs and income. The census will cost Rs4.5 billion and employ 43,000 enumerators.“Previous censuses only went down to the district level, and enumerators used two forms: a short form for every household, and a long form used on every eighth household,” says Bijay Thapa of the United Nations Population Fund (UNFPA), which is collaborating with the government on the census. “After federalism, local governments also want disaggregated data and we will have detailed information on every household.”Next year’s exercise will also count the number of old and new buildings and note whether they are residential, official, commercial or unused. It will include a community survey, one of the first in the world, to assess availability of government services, <a href="https://www.nepalitimes.com/banner/disastrous-management-in-nepal/" target="_blank" rel="noopener">disaster preparedness</a> and access to natural resources.“This will help us determine if people are making the best use of government services,” says CBS Director Dhundiraj Lamichhane. “Nepal has categorised 276 municipalities as urban, but we do not know if the resources available match the international criteria for urban municipalities. This survey will help us determine that. If successful, it will be a model for other countries.”Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38051&amp;preview_nonce=38f8426e6c&amp;preview=true" target="_blank" rel="noopener">Nepal in 2030,</a> Sanghamitra Subba<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/?p=38051&amp;preview_nonce=38f8426e6c&amp;preview=true" target="_blank" rel="noopener">A future written in the stars,</a>Sanghamitra SubbaLamichhane said the questions enumerators will ask have not yet been finalised, but there are demands from various communities to include ones on mother tongue, <a href="https://www.nepalitimes.com/here-now/the-right-of-passage/">disabilities</a> and sexual orientation. Activists say there are 900,000 <a href="http://archive.nepalitimes.com/article/nation/Night-and-%20Day,3145">LGBTI people in Nepal</a>, but the 2011 census showed only 1,500 so the figure was not included in the results.“This time they want more detailed questions to reflect their diversity, but we think it is better to do a separate survey,” says Lamichhane. “Various castes and ethnicities are also demanding to be included, but we will only do so if recommended by relevant government bodies.”Going by past trends and other sample surveys, experts have already projected results of the 2021. Nepal is expected to continue showing improvements on most indicators, including birth rate, population growth, health and education. However, they say some indicators, like the sex ratio and migration, may not show progress.One of the reasons Nepal’s <a href="https://www.nepalitimes.com/here-now/migrating-males-and-population-decline/">population growth rate is low is because of the absentee population</a>: 1.92 million according to the last census. And there is no reason to believe that the percentage of migrants will decrease or even stabilise in next year’s count. However, internal migration is expected to slow because of more education and employment opportunities at local levels.Nepal’s current sex ratio is 94 males per 100 females,<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151124/636a66f59c7e80680e0599b2jpeg.jpg" alt="" width="461" height="500">and the sex ratio at birth is 106 males per 100 females. This is considered normal, since there are usually slightly more male children born than females, but females tend to live longer.“Female foeticide is growing even though it is illegal. The next census may show a greater ratio of male babies born to female ones, and we estimate the sex ratio at birth to rise to 110 males to 100 females. Additionally, the national average may hide greater discrepancies in certain districts or cities where female foeticide is more rampant, and we need to watch out for that,” explains Tirtha Tamang of UNFPA.Demographic indicators like birth, fertility and death rates are all set to decrease, which means that Nepal’s population growth rate will continue to slow. The 2021 census is likely to show a wider ‘youth bulge’ in the population pyramid. Although this provides a ‘<a href="http://archive.nepalitimes.com/article/editorial/editorial-reaping-demographic-dividend,3621">demographic dividend</a>,’ with a bigger workforce that could lead to a development boom, Nepal must be able to cash in on this window of opportunity in the next 10 years. Given the current quality of governance, experts doubt it will happen.Nepal’s youth advantage will last till 2047. After that, the country will be grappling with the complications of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/need-to-prepare-for-ageing-society,3624">an ageing society</a>. In fact, Nepal will start losing some of its youth power about 2028, when the population over 65 will be more than 7%. The next decade is key for Nepal to use its demographic dividend to provide jobs at home and boost economic growth.Despite improvements in education, health, life expectancy and income, the country may not be in a position to make the best of its demographic dividend because of the skewed sex ratio caused by <a href="https://www.nepalitimes.com/latest/irresistible-forces-wage-differentials-and-demographic-trends/">outmigration</a>. According to a report by the National Planning Commission, the country sorely needs to invest in policies that make the best of the potential of youth.Says Lamichhane at the CBS: “If young Nepalis at the peak of their abilities <a href="https://www.nepalitimes.com/banner/migration-certificate/">continue to leave the country</a>, then Nepal will not make great strides in development. In the next decade we need policies to modernise agriculture and improve infrastructure if we want to retain our youth and have them contribute to the country.”<h2>21 of Nepal’s most endangered languages</h2>When Nepal’s last census was published in 2011, language became one of the most hotly-debated indicators. Many doubted that the census accurately reflected the status of Nepal’s languages. This time, the Language Commission is working with the Central Bureau of Statistics (CBS) to make a more comprehensive tally.The 2011 census counted 123 languages spoken in Nepal, including foreign languages like English, French, Spanish and Chinese. Also, there was a belief that many people who had forgotten their ancestral language nevertheless registered those languages as their mother tongue, leading to higher numbers of speakers of <a href="https://archive.nepalitimes.com/article/nation/Mind-your-languages,133" target="_blank" rel="noopener">endangered languages</a> registered than in reality. The Kusunda language, for example, has only two speakers left, but the census records 28.“The languages should be categorised as foreign and native to Nepal, so that we don’t count European languages as our own,” says Bharat Tripathi of the Language Commission. “Also, the last time there were only two questions asked about language: <a href="http://archive.nepalitimes.com/news.php?id=13412#.XftV_JMzaUk" target="_blank" rel="noopener">mother tongue</a> and second language. This time we want to change that to: mother tongue, second language and ancestral language.”<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151124/636a66f79c7e80680e0599b3jpeg.jpg" alt="" width="1500" height="947">While the CBS is still debating these suggestions, it has agreed to include six more languages newly catalogued by the Language Commission, bringing the total to 129. “We investigated Rana Tharu, Narafu, Chum, Nubri/Lharke, Poike and Serake languages in the past year. Through linguistic methodologies, we have established that they are distinct languages,” says Tripathi. “This year we have received claims from speakers of Marek Yakhya and Walung languages in Taplejung — we are in the process of investigating them.”These languages are usually spoken by very few people, and are added to the list of endangered languages. The commission has identified 37 languages spoken by fewer than 1,000 people, and placed 21 of them on that list, but there may be many more hidden among less populous communities. The commission is working to document these 21 languages by collecting their grammar, determining their alphabets, writing their language histories and documenting the available folklore.It is doubtful if all of the 129 languages will survive even till the census in June 2021. But most certainly many will be gone by the 2031 census.

Nepal in the 2020s

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Nepal in the 2020s