<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114091156/6372031e9c7e80680e0b27efjpeg.jpg" alt="" width="1920" height="1166"/><figcaption></figcaption></figure>Dear Y,You must have heard by now— Aji is no more. They took her to hospital in the middle of the night after she complained of chest pain and she passed away at around 4AM. Yesterday, Aji had been calling up everyone, apparently, and seemed perfectly alright. Her passing was sudden. I hope it was peaceful for her.It has been very hard for Maa. She is always <a href="https://www.nepalitimes.com/opinion/be-water/" target="_blank" rel="noopener noreferrer">talking about her childhood</a> with Aji when we are together-- everything she does is punctuated by family anecdotes now. She says she feels like her childhood has been lost forever with Aji’s passing-- she was the last remaining to witness childhoods in Maa’s generation.All the children in the family grew up together. They were in a joint family before they built the new house in the front and the two brothers decided to become separate nuclear families. Before that, everyone lived in the old house, and all the girls slept on one floor and the boys on another. Parents on different floors. Also, I have never understood how the two ajis birthed so many children and still carried on with life.Read also: <a href="https://www.nepalitimes.com/opinion/of-anger-and-love/" target="_blank" rel="noopener noreferrer">Of anger and love</a>, Pratibha TuladharThey were very close, the two ajis. People always said they were like sisters and not sisters-in-law. They depended on one another for everything. It must have been an alliance of comfort. Two women from two completely different families, united by their marriages, united by the kitchen they shared and the clothes they washed together and the aela they brewed together, no?When we were kids, they used to go shopping together. To New Road and Asan. I think they always started from New Road and the spree ended with a stop at Sweet Valley Indian eatery in Ratna Park. From there, they took a taxi home. As kids, we used to wait for them eagerly because the day they went shopping, we would always get a samosa each and nimkis and a barfee. Now, I think back and I imagine two excited women in their 40s, stopping with their many shopping bags at the Indian eatery to slurp down sweet milky syrups after gobbling down the <a href="https://www.nepalitimes.com/banner/hitting-the-sweet-spot-this-tihar/" target="_blank" rel="noopener noreferrer">mithai</a> and digging their fingers into dosas, as they chatted about their expenses.Also, as a child I did not realise ajis were sisters-in-law. I think I was used to thinking of them as two elderly women who always did everything together. They were always buying lots of sarees, too. I have no idea, for what joy! Chirikama Aji also had these hobbies-- she would ask the children to paint her nails or to braid her hair. She liked to nap during the day and wake up to a snack of fruits and then order other people around the house.Read also: <a href="https://www.nepalitimes.com/opinion/sita/" target="_blank" rel="noopener noreferrer">Sita</a>, Pratibha TuladharThey were matriarchs in their own ways, you see? They handled finances and brought up half a dozen children each, like it was a fun thing to do. But the men in that house failed them, I think.I have never really been able to figure out all the property wars they had in that house. I lived there more than I lived with my father’s family, so some memories are so vivid to me. It all began with a wall coming up swiftly in the centre of the courtyard. When the school bus dropped us home one evening, we were told to use the back door to enter, and not the front gate.From being one home, we went to becoming two families. Suddenly, the elders were not talking to one another, relatives had started taking sides. Nothing made sense to me as a kid. Only, that the courtyard where we played marbles and hopscotch was suddenly divided by a wall and none of our games would be the same anymore. Schools were changed. But at that time, I probably grieved the swing-- which was now on the other side of the wall-- the most.As years passed, distances started to fade and people came back together for weddings and funerals. But the awkwardness stayed in some ways. I have often wondered how it might have affected the two ajis who went from being best friends to being confined to two different sides of a wall because their husbands decided not to speak to each other.Read also: <a href="https://www.nepalitimes.com/opinion/vagina-conversations/" target="_blank" rel="noopener noreferrer">Vagina conversations</a>, Pratibha TuladharAs I watched others bend down turn-wise to touch late Aji’s feet, I wondered about all those fights. I wonder what her thoughts had been on those events. No one talks about these things, you know? We now go about as if nothing ever happened.When I went forward to touch her feet, I noted her nails were painted bright red-- her fingers were so cold. Then I noticed that in the hall, on a table, bouquets had been laid out. Not fancy ones, just wild bunches. They were lying on a pale pink table cloth. I recognised it instantly.The two ajis had made it together. I recall them looking at a catalogue and following every step carefully. They had removed the threads in rows and then sewn them back in to make patterns on the cross-stitch fabric. So delicate, it strained their eyes. I felt like their stories must have converged when doing that kind of work. And it was when I was staring at that table cloth that my eyes welled up.When I go to funerals, I feel like I do not know how to react to the loss. I guess I was mourning the loss of a friendship the two women had shared. Such a big impact the decisions made by the patriarchs had on all our lives. I guess they were only matriarchs in the space that they had created for one another-- such a remarkable gift to give a sister.Read also: <a href="https://www.nepalitimes.com/opinion/suburban-tales/wine-and-women-during-yenya/" target="_blank" rel="noopener noreferrer">Wine and women during Yenya</a>, Pratibha TuladharThe two ajis died twelve years apart, but in the same week. Maybe January was their favourite month.Just a long, rambling piece of family history for you. Speak soon.Love,SSuburban Tales is a monthly column in Nepali Times based on real people (with some names changed) in Pratibha’s life.

Pratibha Tuladhar

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A letter to a sister

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141148/636d01189c7e80680e0a3610jpeg.jpg" alt="" width="2672" height="3563"/><figcaption>Photo: PRATIBHA TULADHAR</figcaption></figure>Fr K was every girl’s heart-throb. Yes. Heart-throb. We used the word for guys who made our heart beat quicken. Sometimes for girls. So, Fr K Heart-throb.We saw him once a year during the annual retreat. And girls waited all year with bated breath for the ‘retreat’. The retreat was calendared for that time of the year when all the students except one batch went on their holiday. So, it would mostly be a particular batch and Fr K, the only other person on the sprawling campus being Chaukidar Daju.Every day of the three-day retreat, the girls made an effort to look nice. Do your hair a certain way, wear your best blouse, and make sure to get a seat in the first row. Although, Fr K always made sure to reshuffle the seats eventually into a circle, with him standing in the centre.Read also: <a href="https://www.nepalitimes.com/opinion/no-direction/" target="_blank" rel="noopener noreferrer">No direction</a>, Pratibha TuladharLeaning in his very dark navy blue contemporary habit, a hint of white popping out on the collar, he stood there for three full days of the retreat, talking, charming his listeners. What did he really do to work his charm? Not much.But thrown into a classroom of 17-year-old girls, he did not have to do much. His competition were 60-year-old Mr Chaurdhary who taught Economics and Chaukidar Daju, who walked about with betel nut tucked between his teeth.I suppose the only thing different Fr K did was smile. He smiled and laughed softly a lot between talking. And every time he did that, the scar from a sewn-up upper cleft lip showed itself off, adding something striking to his demeanour.There were rumours about Fr K. They said that in his hill-town, women fell for him every time they heard him speak during church. And there were other rumours that made the girls blush. But there he was, standing amidst us, talking about ethics and love for all living beings.Just as the bell rang after lunch break, I shoved my bag into Rosy’s arms saying, “I need to use the loo”. I ran in as I always did and stopped suddenly at the main door of the lavatory.Read also: <a href="https://www.nepalitimes.com/opinion/vagina-conversations/" target="_blank" rel="noopener noreferrer">Vagina conversations</a>, Pratibha TuladharThe door to the cubicle in the centre was open, partly showing off the dark navy blue attire. Facing away from me was Fr K, relieving himself. When he heard the steps, he tilted his head, looked at me and said, “Oh, hello.” And continued at what he had been doing.I felt like my face was on fire. Why was he in the students’ toilet instead of the GENTS in the staff room building? Had no one briefed him about the toilet rules in an all-girls’ institution? I turned away and left, the startling sound of shower softly hitting the toilet pan ringing in my ears.Back in the classroom, Rosy asked me why I look so flustered. I said it was nothing. I said, I was glad the retreat would be over in a few hours. She looked at me like she couldn’t believe her ears.Read also: <a href="https://www.nepalitimes.com/opinion/sita/" target="_blank" rel="noopener noreferrer">Sita</a>, Pratibha Tuladhar…I make my way to the toilets, a short walk from the hall at the <a href="https://www.nepalitimes.com/latest/nepal-and-international-literature-festival/" target="_blank" rel="noopener noreferrer">literature festival</a> venue. The door to one of the toilets is open. A man stands inside, relieving himself. He is wearing loose clothing. His linen shirt collar is met at the nape by peppery curls. A cotton bag is slung on one shoulder. “Sorry,” he says.When I go back to my seat, I see this man again. He is now seated on the stage alongside other speakers. The moderator introduces him as the writer of a book which is named after a certain exploding fruit. Later, I would try to read the book and never be able to finish it.…“I’m your fan,” I say to the politician, as he walks into the studio, preparing for a live interview. As the studio producers help him with the lapel mic and framing, I make small talk.“I disagree with your thoughts regarding <a href="https://archive.nepalitimes.com/regular-columns/Analysis/how-decentralised-is-federalism,776" target="_blank" rel="noopener noreferrer">federalism</a>, but I have always been impressed by how clearly you make your argument on why we don’t need it.”“That’s all right, Nanu,” he says. “In a democracy, we’re all allowed to disagree.”The interview is over and it is my turn to go on the air, before which I always use the toilet. I walk towards the row of restrooms. The first one on the floor has its door flung open and our guest’s <a href="https://www.nepalitimes.com/banner/from-heads-to-toes/" target="_blank" rel="noopener noreferrer">colourful Dhaka</a> topi stands out in the semi-darkness of the cubicle.“La!”“Eh…” he says.…Past 6PM is always time for your last cup of tea. I ’m standing by the lift, waiting, when he absentmindedly walks past me towards the toilet, muttering a casual hi. Given the short distance between the lift and the toilet, a strong smell would sometimes hover in the lobby.“When are you going to turn your feature in?” he yells at me from the toilet.“Sorry?” I turn my head towards his voice. The door to the Men’s is open.…As always, I hate having to use the toilet at Nepal Tourism Board. In there, I’ve always wondered how one was expected to use a space so small. I tend to get apprehensive even before I enter it.I open the main door and standing before the mirror, is <a href="https://www.nepalitimes.com/here-now/sexual-minorities-reeling-under-the-lockdown/" target="_blank" rel="noopener noreferrer">them</a>, towering over the basin. They’re doing some last-minute fixing, standing taller than anyone I have met in my life, poised gracefully in a peach silk gown, with floral patterns.“I love your blog post about massage. I’ve often wondered what that kind of pain actually brings,” I say.“Thanks,” they say and continue to get busy by the mirror. It was the first time I was speaking to someone who uses ‘they’ as a pronoun. I carry on into one of the cubicles, where it feels like the walls are about to crush me. I wonder how they might have used a space so tiny. I also think of how we had coexisted for a few minutes in a tight space and how, unlike similar encounters with men, I had not felt threatened.Suburban Tales is a monthly column in Nepali Times based on real people (with some names changed) in Pratibha’s life.

Toilet encounters

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141132/636cfdb09c7e80680e0a0bfbjpeg.jpg" alt="" width="910" height="607"/><figcaption></figcaption></figure>A few months ago, a friend of mine finally left an unhappy marriage after years of struggle. Her husband was emotionally and mentally abusive, but she was expected to be patient and tolerant like a good Nepali wife and daughter-in-law. She also had to put up with his <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Cheating,2375" target="_blank" rel="noopener noreferrer">wandering ways</a>.When she mustered up enough courage to tell her parents about it, they told her he would change if she worked on her marriage. When her in-laws found out about her son, they blamed her, saying she was not a good enough wife.But after years of working on her marriage unsuccessfully, and with support from her parents, she decided it was time to <a href="https://archive.nepalitimes.com/article/nation/%20number-of-nepali-women-filing-for-divorce-rises,1513" target="_blank" rel="noopener noreferrer">call it quits</a>. But this decision was met with harsh criticism, people called her an “embarrassment to the family” for leaving her husband.How is her walking away from an unhappy union and an abusive husband a disgrace to our culture, but not <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/cheating-is-a-choice-not-a-mistake,2148" target="_blank" rel="noopener noreferrer">his cheating</a>? Why is she being called names, but her husband’s philandering does not even raise an eyebrow?Our society accepts these double standards with closed eyes. Men and boys get away with doing whatever they want, no one bats an eyelash. But if a woman or girl chooses to prioritise her well-being over ill-treatment in her own family, it is everyone’s business, she is labelled immoral and disrespectful of our culture or traditions.When her husband’s cheating and abuse of her was exposed, no one questioned him about disregarding the sanctity of the marriage or his lack of morality. But when she decided to pursue her happiness, she was called out for her lack of respect in ending a relationship after years of trying.How is this ethical or even logical? When men choose to stray, our society stays quiet and looks the other way, but when <a href="https://www.nepalitimes.com/latest/the-goal-is-empowerment-and-independence-of-women/" target="_blank" rel="noopener noreferrer">women</a> try to stand up for themselves, they are met with societal threats and shamed.If it is strength and courage to tolerate injustice and abuse, why does anyone not talk about how wrong it is to cheat and mistreat others?What is more shocking is how some women choose to blame the woman instead of the man in these matters. How can they not feel the pain and suffering of women living in hell, but pretending to be happy?It was not easy for my friend to walk away, she knew her choosing to do so would be met with more obstacles and malicious rumours. So the least we can do if we do not support the women is to not make it harder for them.The <a href="https://www.nepalitimes.com/banner/parodying-patriarchy-at-tij/" target="_blank" rel="noopener noreferrer">Tij festival</a> is approaching and soon, women will be fasting for the long lives of their husbands. They are taught to treat their husbands like gods. But this is not how a god would behave. If we give that level of respect to men, they need to live up to it.Men are raised like they can do no wrong, and from a young age are taught that they are better than women. This is not the Middle Ages, and men need to learn to act responsibly. They need to control their egos, and learn that their actions and choices have consequences.Men might have got away with mistakes in the past, but not anymore. The world is changing and women are speaking up.Of course, not all men are like that and <a href="https://www.nepalitimes.com/opinion/coping-with-the-patriarchy/" target="_blank" rel="noopener noreferrer">our society</a> knows right from wrong, but the selective discrimination between men and women is hypocritical and shameful in today’s time and world.The foundation of a strong and respectful society is not based on lies or hidden truths. We have to go a long way in terms of equality for all genders, but acknowledging the person at fault for the <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/long-distance-marriages-cheating,2408" target="_blank" rel="noopener noreferrer">breakdown of a marriage</a> instead of a default setting to blame a woman is a good start.Society must learn to be kind to the women who have suffered. Do not berate them in the name of culture and tradition, but support them. Stand by them when they are standing up for themselves. Encourage them to seek happiness instead of continuing to suffer in an abusive relationship.Every woman who suffers in these loveless marriages is someone's daughter, sister and friend. Everyone deserves to be happy, and it is their life to live.My friend left her husband, and her parents supported her decision. She is a strong woman, she continues to struggle with unkind treatment. But I am proud of her, for her courage. I know it has not been easy on her, but she is happier.Anjana Rajbhandary writes this fortnightly Nepali Times column Life Time about mental health, physical health and socio-cultural issues.

Anjana Rajbhandary

Nepal’s unequal marriages

Now that NASA has its Perseverance SUV and Ingenuity drone on the surface of the Red Planet, we will finally know if men are indeed from Mars. So far, after peering under every nook and cranny with its robotic arm, we have it on good authority that Perseverance has not found any evidence of intelligent masculine lifeforms on Mars, which is another similarity the planet has with Earth.However, the agency may need to shoot off another rocket to also figure out if women are from Venus. We will then finally know if there is true gender parity in the solar system.What has shocked most people about the first panoramic photographs of Mars is how similar the terrain looks to parts of Planet Earth. In fact, selfies of the Mars buggy might as well have been taken at the Chabahil intersection. The good news is that NASA has announced its probe has detected signs of water on Mars, although no traces of it have been discovered in Mangal Bazar as yet.Back here on Planet Earth, we commemorate another Intergalactic Women’s Day on March 8th to celebrate equality between women and men. Having had a head-start, men have had an unfair advantage in enjoying the privilege of being Jack Asses. Women, too, should have the right to behave like Jenny Asses.After all, women in this country have have come a long way: there used to be zero female ministers in the interim cabinet in 1950. Compare that to the Oli Cabinet in which out of 25 ministers, two are women.The question is, if 33% of civil service jobs are going to be given to females, what are some of us broad-minded men going to do? After all, as Chairman Mao himself proclaimed, we men hold up the other half of the sky. What we in the Central Non-Working Committee of the recently formed All-Nepal Federation of Alpha-Males and Drones (Revolutionised) want to know is: if men can be morons where is the harm if women want to be as idiomatic as members of the male species?Should we guys be getting worried that women are overtaking us in the march towards mediocrity? You bet. And what should gentlemen be doing about it? Kicking butt. Yes, men have no recourse but to start behaving in an even more obnoxious and loathsome manner than we already do. Comrade Raghuji Punt, we notice, has already got his balls rolling in this arena.All of us who wear Y-front undies must now reassert our manhood, and protect the bastions of Marxism-Leninism (Male) from feminism.So, let this be a warning: we are not going to sit idly by while women outscore us in 10+2. We will also launch an agitation till jobs traditionally held by women are also reserved for men. Only through affirmative action can men also have a chance to prove themselves to be as good housewives and homemakers.There is still hope: Kathmandu is getting its first male beauty parlour. At last there is a place us boys can go and get our blackheads squeezed by professionals without any danger of zits getting infected and erupting into pus-filled carbuncles and aunties.So, in summary, we can conclude that women the world over have made a lot of progress in trying to be as idiosyncratic as men, but they still have a lot of catching to do. Women can also be from Mars if they try, and with Curiosity, Opportunity, Perseverance and Ingenuity, we know they can do it.

The Ass

Women are from Mars

<img width="538" height="541" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108121140/636a402b9c7e80680e04a606jpeg.jpg" alt=""/>Though the medium is oil on canvas, Mann Gurung employs only sepia tones in his paintings, evoking the era of old photographs. Indeed, his artwork harks back to an older, more innocent time in Nepal. The  women still wear the fariya choli, and the men are in patuki and dhaka topi.Gurung’s second solo exhibition, Lost in Transition, is on at Siddhartha Art Gallery in Baber Mahal Revisited from 9 May - 9 June. Though most of the works are oil paintings, there are also graphite and ink drawings. They differ from his previous solo exhibition Power, Politics and War, which was predictably focused on politics. This time around, the emphasis is on a visual depiction of social change.Read also: <a href="https://www.nepalitimes.com/banner/the-karnali-on-canvas/" target="_blank" rel="noopener">The Karnali on Canvas</a>, Sewa Bhattarai  <img width="640" height="920" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108121140/636a402d9c7e80680e04a607jpeg.jpg" alt="">Gurung has captured women who collected milk in wooden theki, and have now turned to plastic Coke bottles. Though they cling to traditional dresses, they cannot help wearing Crocs on their feet. He has captured the dhyangro hand drum, an important instrument in his community that seems torn and neglected, and an old record player that looks like it hasn’t been used in a while.  These portraits are from Khorla, a mountain village in Gurung’s home district of Gorkha. Collectively, the impression is of a bygone era: of a place caught in transition as traditional values are fast being replaced by modern ideas. Gurung’s paintings capture the reality of most of Nepal today. With the youth migrating out, the elderly and women are left to fend for themselves. It is an uphill battle to cling to their traditional lifestyles.Read also: <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/banner/nepal-art-now-in-vienna/" target="_blank" rel="noopener">Nepal Art now in Vienna</a> Gurung believes he has captured the last of a generation that carries our identity, as younger Nepalis are ‘already fitted out in denims and pride themselves for embracing western culture’.“They have already made a transition from madal to box speakers, rodhi to mp3 players, hand sewn bags to polythene ones, handmade garments to imported polyester, bamboo baskets to zebra bags, and from sanduk to flatscreen TVs. We will soon lose the older generation, erasing hundreds of years of our identity, tradition and culture,” laments Gurung.His paintings force us to ponder identity, how we can hold on it, and whether it is even possible. The paintings are a testament to a lost time, and present Gurung’s concern for his own heritage, which he seems powerless to conserve. But at least he has preserved and documented a part of his culture in his art. Read also: <a href="https://www.nepalitimes.com/banner/the-craft-of-art/" target="_blank" rel="noopener">The Craft of Art</a>, Sewa Bhattarai <img width="1052" height="584" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108121140/636a402f9c7e80680e04a608jpeg.jpg" alt=""> Lost in TransitionSiddhartha Art Gallery, Baber Mahal RevisitedUntil 9 June

Lost in Transition

Speech delivered by the Director General of the Department of Women, Children, Labour, Home Affairs and Animal Husbandry on the occasion of the Day of International Women. (Please check against delivery.)“Madam Chair, Respected Futons, Distinguished Desks, Honorable Sofas, Ladies and, last and also the least, you gentlemen at the back talking loudly in your mobiles who are an utter disgrace to manhood.Now that I have your undivided attention, allow me to begin my lip-service. As far as this Grumblement is concerned, and if it was up to us, we’d declare all 365 days in the year as International Days About Women.I think I speak for a majority of my all-male colleagues here on the dais when I say that we would not be doing justice to members of the female species if we celebrated today only once a year.This is why we propose that henceforth every day be devoted to women except April First, which as a token gesture, has already been set aside by the United Nations as the International Day for Men. Going by your tumultuous applause, I hereby declare that motion passed.There is now a consensus in the scientific community that women hold up only half the sky. In fact, if it wasn’t for us men holding up the other half, the sky as we know it, would fall. We must grudgingly admit that Nepalese women have taken great strides. Admittedly, these strides have not been as great as the strides we menfolk have taken but, hey, we’re not here to gloat.For example, us men have amassed a lot of experience in vitally important activities such as mansplaining, and making hilarious sounds by cupping our palms under our armpits. Allow me to demonstrate.Now, show me one woman who can do that. The fairer sex has a lot of catching up to do to be at par with us of the unfair sex who are governed by the left hemispheres of our brains (unlike women who are governed by the western hemisphere).Men have had a headstart in the race to makes asses of ourselves. Women, therefore, are lagging behind, but given perseverance, commitment and determinism they can be as (if not more) idiosyncratic as us. You will just have to try harder.Ever since cave men chewed mastodon innards with their mouths open, right down to the modern industrial age where men still haven’t learnt to stow toilet seats in an upright position during takeoffs and landings, us boys have been rightly called the stronger sex.Some men may have their egos dented when they see women overtaking them in this march towards mediocrity, but there is nothing to fear. Both sexes now have equal rights to make oxymorons of themselves.After all, GONe is an Equal Opportunity Employer.”

Unfair sex

One smoggy winter morning in February 2019, Ekta regretted coming to her sculpture class. It was the first day of her period, and the 19-year-old wished she was home, curled up in bed with a hot water bag to soothe her cramps.
Her class was at Kalapremi Ceramic Studio, a dark room on the ground floor of a house in Maharajganj, and Ekta’s teacher was the artist Gopal Das Shrestha ‘Kalapremi’, a noted sculptor.
Two other students were already there, using all their muscle strength to knead the sculpting clay. Ekta, now 24, recalls how Kalapremi asked her if she was feeling all right. She avoided him, as she did not want everyone to know she was menstruating.
Kalapremi repeatedly asked Ekta what was wrong. She finally muttered that she was having her period, after which he grabbed her hand and led her to a partitioned corner of the studio and sat her on a chair. Before she could stop him, he slid his hand under her dress, and started massaging her abdomen.
“I was horrified,” Ekta recalls. “I told him to stop, but he didn’t listen, asking me not to be shy, saying he knew how to relieve my pain. He stopped only after I protested furiously.”&nbsp;
The art tutor then said, “You’re like my daughter. I’m doing it out of love to make you feel better, but you’re so stubborn.”&nbsp;
“Instead of saying sorry he acted like I was the one having crazy thoughts,” remembers Ekta, adding that from April 2016 to August 2020 beginning the time she was 16, the artist sexually abused and harassed her on several occasions. &nbsp;
Now, Ekta and the artist’s other former students are finally sharing their experiences and some are pressing legal charges against him, hoping that others do not have to endure what they did.&nbsp;
Award-winning artist and teacher Gopal Das Shrestha ‘Kalapremi’ (the name means ‘Art Lover’) is known for his ceramic art, sculpture, and contemporary pottery. He was <a href="https://nepalitimes.com/review/the-house-of-kalapremi">profiled in Nepali Times after a collaborative exhibition</a>, ‘Where the Wild Things Are’ at the Siddhartha Art Gallery three years ago.&nbsp;
His pieces, titled Gaalis, featured sculpted female figures with the heads of dogs, sheep, and donkeys (pictured) to depict derogatory terms for women. Some critics said the collection was a satire on feminists.
Kalapremi started his artistic and teaching career in 1983 and over the years taught at Bhanubhakta School, Kathmandu University School of Arts, Lalitkala Campus and at his private Kalapremi Ceramic Studio. He has also lectured at Jeonju University in South Korea and recently at Tabor Academy in the United States.
Seven of Kalapremi’s former students were interviewed for this story. Five female students said he touched them inappropriately in his studio or at Kathmandu University. Two male students said they witnessed him abuse and harass the women. In all cases, the students struggled to recognise the abuse when it occurred, and the lack of reporting systems left them to cope on their own for years.&nbsp;
Earlier this year, students shared a social media post hinting at Kalapremi’s history of abusive behaviour following which more students of the artist reached out sharing similar experiences. Some students spoke of abuse that happened as long as 20 years ago.
Kalapremi, 60, has denied the allegations. He told Nepali Times: “Some years ago, there was a movement encouraging people to hug and kiss. I used to do it purely out of friendship and love. But after seeing posts on social media last year calling out my behaviour, I realised my actions may have hurt some people. I understand now that I should have been more mindful.”
He added: “I am also an auxiliary health worker, so I know the exact points to massage to relieve menstrual pain. It’s not just menstruation, I take anyone who is ill to the hospital.”
Sexual abuse is much more rampant than reported given how difficult it is to prove it in court. The law defines sexual abuse as occuring when someone touches another’s private parts, coerces them into touching theirs, uses vulgar language, shows degrading images, or behaves indecently towards them without consent.&nbsp;
Ekta and her fellow students are consulting lawyer Suneeta Regmi Pokhrel, who says they know that even if the court decides in their favour, it is difficult to survive after speaking up, and influential men defend themselves saying they are being framed.&nbsp;
“They are in a lot of pain and weep when recalling how he abused them,” Regmi Pokhrel told us. “They are angry and have filed a case against him, but they are also terrified. They know he is a powerful man and they have seen how our society treats women who speak up against abusers. Unless people speak up, perpetrators will be emboldened.”
Art and academia in Nepal simply reflect the power imbalances in society where people with intersecting identities experience worse forms of abuse. Theatre actors Raj Kumar Pudasaini, Rajan Khatiwada, and Sunil Pokhrel were called out during the #MeToo movement in the Nepali theatre scene in 2019. Even after the allegations Pokhrel went on to receive national awards, while others continued to work without repercussions.
“If you speak up against abusers, you gradually get sidelined from projects,” explained a theatre artist who wished anonymity fearing professional setbacks. “The theatre scene in Nepal is quite small, you just have to make peace with the perpetrators and work with them if you want to sustain yourself.”&nbsp;
In academia there is a history of faculty members sexually harassing students and getting away with it. After Tribhuvan University (TU) lecturer Krishna Bhattachan was accused of harassing women students, the university said it would follow Nepal’s sexual harassment law and set up a reporting mechanism. But nothing happened to the professor, who had already retired. Instead, he counter-accused the students of 'attacking the indigenous people’s movement with baseless allegations' as <a href="https://kathmandupost.com/letters/2019/01/29/bhattachan-responds">he told the Kathmandu Post in 2019</a>. He continues to be featured as a prominent speaker including at TU.
Other faculty members previously accused of sexual harassment include Jagadish Murti Koirala from TU, Bishnu Prasad Acharya from Ratna Rajya Campus, and Bodha Raj Tripathee from Lalitpur Madhyamik Vidhyalaya. A woman staff member from TU also filed a sexual abuse complaint against Dambar Chemjong from TU.
Prominent figures like <a href="https://nepalitimes.com/news/the-rise-and-fall-of-nims-purja">mountaineer Nims Purja</a> have been <a href="https://www.nytimes.com/2024/05/31/sports/mountaineering-sexual-harassment-abuse-nims-purja.html">accused of sexual assault</a>, and cricketer Sandeep Lamichhane, actor <a href="https://nepalitimes.com/news/celebrity-rape-case-spotlights-nepal-laws">Paul Shah</a>, and former speaker of Parliament <a href="https://nepalitimes.com/news/mahara-arrested">Krishna Bahadur Mahara</a> have been accused of rape, but society-at-large has let off the alleged perpetrators amdist a larger debate about justice for survivors and punishment of perpetrators.&nbsp;
‘Gaushala-26’ is the court name given to the 18-year-old who accused Sandeep Lamichhane, former captain of Nepal’s national cricket team and skipper of Biratnagar Kings in the <a href="https://nepalitimes.com/here-now/here-comes-the-nepal-premier-league">ongoing Nepal Premier League</a>, of rape. She left the country citing society questioning her character affecting her mental health while Lamichhane got an outpouring of support. In May, the Patan High Court overturned a prior verdict that found Lamichhane guilty of rape and had sentenced him to eight years in prison. During the 23-month legal battle to pursue justice, Gaushala-26 faced threats of gang rape and acid attacks.&nbsp;
Exhausted by the struggle, Gaushala-26 sought to “move to a new world” where she could live free without hiding her identity.
Actress Samragyee Rajya Laxmi Shah in an Instagram video now deleted detailed the harassment she faced from a filmmaker during a movie shoot. She did not name any name but veteran actor Bhuwan KC filed a defamation case against Rana, but the court ruled that the charge lacked sufficient evidence.&nbsp;
Former Kathmandu mayor <a href="https://nepalitimes.com/opinion/theytoo">Keshav Sthapit also mocked the #MeToo movement</a>, calling accusations against him by journalists Rashmila Prajapati and Ujjwala Maharjan “a rape of men’s rights”.
Serial Abuse
Back at the Kalapremi Ceramics studio, another former student, 24-year-old Rajiv, says he felt the need to speak out after seeing his female classmates being abused.&nbsp;
“He frequently kissed them on their cheeks,” he told Nepali Times. “Whenever they walked into the studio he flailed his arms like a child asking for a hug. They awkwardly hugged him from the side, but he pulled them closer, held their chin, and kissed their cheeks.”&nbsp;
Rajiv says he also saw Kalapremi pull the women’s bra straps, touch their breasts, and slap their buttocks. The young students would freeze, not knowing how to react, and if they protested, he would say it was “normal in art”. Rajiv, 19 at the time like his classmates, remembers thinking perhaps the well-respected artist was right after all.
Another student, Luna, who took lessons at Kalapremi’s studio from 2020 to 2022 did try to confront the tutor after he made an obscene proposal to her. She recalls: “One day when the other students had left the studio and it was just the two of us, he told me that God had given him special artistic talent and he could transfer those powers to me. But to do that both of us will have to be naked, inside a dark room, and have sex.”
Luna, who was 18 then, was livid and told him she did not want any of his powers, but she says he laughed at her as if he was joking. She did not tell her family about the incident because she thought no one would believe her.&nbsp;
“They were all in awe of this famous artist and felt I should be grateful that to be learning sculpting from him,” she says. “I was scared to be alone with him in case he talked about sex again. My coping mechanism was to be rude so he wouldn’t try to come close to me.”
Seeing how some classmates were standing up to Kalapremi, Ekta too tried to push back against his advances, but she said he found ways to coerce her. Since Ekta, Rajiv, and Luna could not afford Kalapremi’s Rs30,000 monthly fee for lessons, he had offered them all a stipend to assist him in the studio.
“He had spondylosis and took me to his therapy sessions to learn massage techniques, then he often made me and other students massage him,” says Ekta. Whenever she refused, he would feign pain to make her feel sorry for him. “He would insist that I put my hands under his shirt so that I could massage him better,” she adds.
The art tutor often tried to “seduce sympathy” from Ekta by sharing how he had never been loved as a child and was “sexually frustrated” as an adult.&nbsp;
“At 7PM, he would pour himself Signature whiskey and immediately go off again about how he was sex-starved. I didn’t know how to respond. It took me time to realise alcohol was just an excuse to talk about sex,” Ekta says.
If convicted, Kalapremi could face financial penalty and/or a prison sentence of up to three years according to Section 224 of National Penal (Code) Act 2017.&nbsp;
Data suggests that victims of child sexual abuse on average take nearly 24 years to tell someone about their trauma, and some may never disclose it at all.&nbsp;
“In our culture, children are rarely taught about boundaries. They often react, show anger when adults pinch their cheeks. But adults insist they did it out of love, and force the children to accept it,” says Sita Lama, a psychotherapist at Manka Kura. “And even when someone touches them inappropriately they struggle to identify and verbalise it.”
When perpetrators claim to be “acting out of love”, Lama says survivors are likely to perceive it as something safe, rather than recognising it as abuse.&nbsp;
“It may take years for them to realise they were abused,” she explains. "And even when they become aware, the power imbalance with the abuser and the associated shame often prevents survivors from speaking up."
Other former students from the School of Art at Kathmandu University have also come forward years later, saying Kalapremi sexually abused them. As young adults, they felt his behaviour was off but were uncertain if it was inappropriate, illegal, or they did not know how to respond. After having understood that it was indeed abuse, they say they are speaking out now to protect others.&nbsp;
Amina Singh, a visiting faculty member at Kathmandu University, says there is no clause against sexual abuse in contracts of teachers, and there is no formal grievance handling mechanism for the students.&nbsp;
“So the only way students can to deal with sexual abuse is approach someone they trust,” she says.
Eight other former art students of Lalit Kala Campus and Srijana College of Fine Arts of Tribhuvan University and other private art studios in Kathmandu say they were also sexually abused by their art teachers. Three faculty members interviewed from these institutions said they saw the abuse, but felt it was futile to report it given how powerful the teachers were.
In the absence of a formal system, some longtime women artists warned each other about “problematic” artists. They shared &nbsp;a “heads-up” to be more cautious when collaborating with them, and avoided responding to their calls and texts after work hours.
To ensure art institutions are safe for all, galleries, museums, artist studios, and smaller art spaces need to develop policies on sexual harassment. This would include a code of conduct or studio policies that hold the leadership accountable and outline the principles of professional ethics.&nbsp;
Students and employees should inquire about accountability mechanisms for raising concerns, both formally and informally, advocates say.
Three years after Ekta left the ceramics studio, she learnt that Kalapremi had harassed many other women. Still trying to get a footing in the art industry, she attended a workshop in Kathmandu where women artists discussed ways to stay safe in the art sector.&nbsp;
Since it was a close-knit group Ekta opened up about how she felt violated and realised she was not alone, he had been abusing underprivileged students for years, and this was common knowledge among artists in Nepal.
Ekta says that even after she quit, Kalapremi continued sending her text messages like ‘I am thinking of you’, ‘Why have you stopped speaking with me’, or ‘I am waiting for your call’.&nbsp;
But what really forced her to act was when Ekta found out that he was sending similar texts to her younger sister.&nbsp;
“I’ve had enough,” she told us. “He abused me all these years but I won’t let him abuse my sister.” &nbsp;
Ekta, Rajiv and Luna are not the real names of the students.&nbsp;

‘Art Lover’ accused of sexual abuse

It was 8:15 in the evening of 25 March 1968 when everyone in the village of Batulechaur near Pokhara heard a deafening sound like thunder as a bright flashing object hurtled down to land in a field.&nbsp; That field belonged to Kul Timilsina, and the next morning he retrieved a sheet of metal about 2m by 1m and carried it home with the help of a few others, thinking it would be useful for his buffalo shed.&nbsp; Before he died at age 83 three years ago, Timilsina had told photo archivist Sunil Ulak that the black metal sheet was not rectangular and had rounded corners. There are a few witnesses still alive who have a clear recollection of the object that fell from the sky that night.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014.jpg" data-media-id="editor_0" data-image-id="2024120707128_75cc85aac56b9cc4a77366471f058d7b3eb6868776811b0923845c2d0a61f014" data-rendition-name="original" width="1170" height="601" loading="lazy" alt="UFO over Pokhara"> <figcaption>The field in Batulechaur belonging to Kul Timilsina where fragments of a flying object fell from the sky in 1968.</figcaption> </figure>  One of them is Timilsina’s wife Gyanu, who was 22 at the time. She had been at home, and remembers hearing the big bang and the sky becoming very bright. “We saw the thing in the field in the morning,” she told us. “It looked like a lid, a covering of some sort. The way it was stuck in the ground, it must have fallen from the sky. We thought we could use it to dry clothes on, and took it home.”&nbsp; Another witness is Kul Narayan Paudel. “I was only eight then. We ran to the field to see what had fallen. It was a four-sided metal sheet. The elders took it away, and I don't know what happened to it.” &nbsp; Ram Bahadur Baniya, a teacher at the local school, says he had heard the sheet had been brought to the school, and later handed over to the Zonal Commissioner at the time, Nanda Prasad Malla. “But that is all hearsay,” he says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54.jpg" data-media-id="editor_1" data-image-id="2024120707128_0bf207a12063fb8155b3c8d9a00a94887b126380c9e0627527c84cf5e1101f54" data-rendition-name="original" width="1170" height="610" loading="lazy" alt="UFO over Pokhara"> <figcaption>Gyanu Timilsina, wife of Kul Timilsina.</figcaption> </figure>  There are two versions of what happened to Kul Timilsina’s metal sheet. One is that an American Peace Corp Volunteer teaching at the nearby Bindyabasini School took it, and another is that it was handed over to the government. Recently declassified Central Intelligence Agency (CIA) and US State Department documents from the time say that the US Embassy in Kathmandu tracked down the object two years later and had it shipped back to the US. A telegram from the Department of State and Department of Defense tagged as ‘MOON DUST / Space Fragments’ dated 1 March 1972 stated: ‘1. Restored space fragment will be on board Embassy support flight 115 arriving Kathmandu on or about March 10. Fragment is packed in shipping crate (cargo no. 72-33365) marked in care of DAO.&nbsp; 2. State and Defense representatives examined fragments prior to shipment finding restoration acceptable.’  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df.png" data-media-id="editor_2" data-image-id="20241207071212_929d903ee06d41baa4f6040e981cd7c7d7bd75cc9c37c9b617d307fc8538d2df" data-rendition-name="original" width="856" height="568" loading="lazy" alt="UFO over Pokhara"> <figcaption>Declassified CIA documents about the investigation into the object sighted in Pokhara. </figcaption> </figure>  The documents show that the US government, military and intelligence agencies investigated this incident thoroughly when it occurred, and have continued to revisit it ever since, as recently as five years ago. What is even more intriguing is that the object that fell in Pokhara was not the only unidentified space object that fell to earth that year. There were similar sightings of objects falling from the sky in Ladakh, Sikkim and Bhutan between 19 February and 25 March 1968.&nbsp; These mysteries were the subject of a CIA investigation in 1968 titled ‘<a href="https://www.cia.gov/readingroom/docs/CIA-RDP81R00560R000100070007-8.pdf">Sighting of Unidentified Flying Objects in Ladakh, Nepal, Sikkim and Bhutan</a>’, and the report is part of the recent online declassification of 800,000 top-secret documents from the period.&nbsp; &nbsp;Although unidentified flying objects (UFOs) have a connotation now of being alien craft, it could be pieces of satellite, missile, rocket or even aircraft. The CIA report documents six sightings in 1968 and quotes local sources as describing all of them having similar characteristics: bright blue or red streaks in the sky accompanied by loud sounds like lightning and thunder and objects falling to the ground. Aside from the metallic object that was found in Batlechaur, there were other items also found nearby in Tallakot, Tureypasal, Armalakot and Maidan. Whatever the object was, it seems to have disintegrated even before it hit the ground.&nbsp; The CIA report records the first sighting on 19 February 1968 in various parts of Sikkim and Olangchung Gola and Ghunsa in eastern Nepal. The light was said to be ‘long and thin’ and giving out ‘green and red light’. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb.png" data-media-id="editor_4" data-image-id="20241207071212_c3c825027d966a2aedc846970390eebe063957503c7eacc8e01e0517843f9bbb" data-rendition-name="original" width="892" height="596" loading="lazy" alt="UFO over Pokhara "> </figure>  Two days later on 21 February, a soundless blue object was seen traveling fast across the sky above Thimphu in Bhutan. Then on 4 March there were multiple daytime sightings or white streaks in the sky at Chang La Pass, Fukche and Koyul in Ladakh. There were more sightings in Ladakh on the very day fragments fell near Pokhara on 25 March 1968.&nbsp; After the sightings in Pokhara, rumours started flying in Kathmandu that these were aliens trying to land on Earth, it could be Russian or Chinese spy planes or satellites, and some even say it as a sign from heaven that the end of the world was near. This was at the height of the Cold War. The Russians and Americans were testing their thermonuclear devices as well as intercontinental ballistic missile delivery systems. The Washington-Beijing rapprochement had not yet happened, and China was making quick progress testing atomic bombs. Within two years after its first atomic test, in 1966 China exploded its first hydrogen bomb at the Lop Nur site in Xinjiang, 3,000km to the north from Nepal. After neary six decades, what is still intriguing is that all the sightings within a few months of each other in 1968 were along the Himalayan arc bordering Tibet: from Bhutan, Sikkim Nepal, to Ladakh. The US military intelligence seems to have concluded that this was not a coincidence and there were frequent research trips to the site in Pokhara by American officials in the months after the incident. With the help of the Royal Nepal Army, the region north of Pokhara was thoroughly searched.&nbsp; A confidential memo dated 25 June 1968 by Jerry C Trippy to a ‘Mr Farley’ mentions that the US Air Force’s Foreign Technology Division had decided that the debris could be important because it may be related to a Chinese missile test or a Soviet ‘Vehicle Venik’ rocket.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe.jpg" data-media-id="editor_5" data-image-id="20241207071216_feb5425692dc36b20187de4e4fcc2ce9fd12b6d9e1b8724398e50bcdbf9032fe" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="UFO over Pokhara"> </figure>  On 28 August 1968 the US Embassy in Kathmandu sent a letter to Washington DC saying that the object could be of Soviet origin, possibly from when the rocket carrying the ‘Kosmos 208’ satellite re-entered the atmosphere. But why were the fragments falling to earth several weeks apart, and in the same region? No one knows where the metal sheet that Kul Timilsina recovered is now. It was definitely packed in a crate and taken to the US, and although it is rumoured that it was returned that is not very likely. Archivist Sunil Ulak heard from the Timilsina family that CIA officials had returned to the site five years ago. &nbsp; Interest in UFOs peaked in the US in the 1950s, with the Cold War space race and tests of atomic weapons and delivery rockets. CIA and scientists were being sent to investigate sightings, both publicly and privately. Could the Pokhara fragments as well as the sightings in Ladakh and Bhutan actually be alien craft falling to earth? The renewal in interest in space travel in large part due to Elon Musk’s SpaceX, UFOs and sightings are again subjects of public interest.&nbsp; Even 57 years later, even if there was definitive proof about whether the Batlechaur fragment was from a Chinese missile or a soviet rocket, it has not been made public in documents declassified so far. We may never know.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598.jpg" data-media-id="editor_6" data-image-id="20241207071216_b6938795f40731e7657fd6dcbb3cf460a326186a15eb11d4f832f602201ff598" data-rendition-name="original" width="642" height="320" loading="lazy" alt="UFO over Pokhara"> </figure>  Sunil Ulak speculates if the debris actually came from an American aircraft, perhaps on an intel mission upon China. “Which could explain why they were so thorough in collecting the fragments in Pokhara,” he says. But that still does not explain the multiple sightings weeks apart in 1968.&nbsp; Indeed, US military aircraft were at that time flying frequent night-time missions from air force bases in India to supply weapons to Khampa guerrilla camps in Nepal located north of Pokhara in Mustang. It could very well be that the Chinese shot down one such aircraft. The other sightings could have been contrails of US spy planes, or Chinese anti-aircraft missiles.&nbsp; There were quite a few developments regarding UFOs in 2024. In a US congressional hearing in July, former intelligence officer David Grusch claimed that the government had long been involved in a program to investigate and retrieve non-human craft crashes, and then try to reverse engineer them. However Grusch did not show any evidence.&nbsp; The UAP Disclosure Act of 2024 was signed into law by Joe Biden in December 2023. It plans to oversee the public disclosure of UFO information. However, there is a clause in it that prevents disclosure if it would cause threats to military defense, intelligence operations or foreign relations.&nbsp; It is unlikely that the declassified documents about sightings in the Himalayan will cause any real surprise about definite evidence of alien life even if it was found. It seems humanity will continue, at least for now, to wonder about curious lights in the sky and whether there is anybody out there.&nbsp;

UFO over Pokhara

When Rastriya Swatantra Party (RSP) president Rabi Lamichhane was arrested in October on charges of defrauding depositors of cooperatives, the party’s vice president Swarnim Wagle gifted him Fareed Zakaria’s book, Age of Revolutions.
Since then, Lamichhane has been shunted around from Kathmandu to Pokhara to Chitwan and back to Pokhara to attend police investigations and court proceedings. He was being flown to Birganj via Kathmandu on Buddha Air on Monday. There is another pending case in Janakpur.
Human rights groups and civil society have criticised the government for hounding Lamichhane with inhumane treatment that borders on physical torture. The two parties in the coalition, Nepali Congress (NC) and the UML, see Lamichhane’s RSP as a potentially formidable challenge to their power.
Even if the fraud charges against Lamichhane are true, the Nepali public is increasingly looking at the government’s actions through the police and courts as political vendetta.
Despite all the travelling, sometimes by plane and often by road at night, Lamichhane appears to be in high spirits, waving to supporters who often gather if they know he is going to be driven around. A social media video shows him giving high fives to fellow passengers on a recent flight to Pokhara.&nbsp;
In the past weeks, streets in Pokhara have erupted with parallel protests by Lamichhane’s supporters as well as depositors of cooperatives who lost their savings to the scam.&nbsp;
Although family visits are allowed, prison officials in Pokhara told Nepali Times that not many people visit Lamichhane these days. He added, “When he does get visitors, he asks them to bring him books.”
Lamichhane is currently Nepal’s most high-profile public figure in custody, and highlights the stark difference between how influential prisoners are treated compared to ordinary inmates.
There are six prison cells at Kaski District Police Office’s two-story detention centre, three on each floor. And while authorities pack prisoners into already overcrowded cells, Lamichhane has an entire room on the second floor to himself.&nbsp;
He has also been allowed to call his family every few days. Other prisoners are not permitted phone calls except for emergencies.
Meanwhile, Lamichhane’s former business partner Chhabilal Joshi, an ex-Deputy Inspector General of Police with whom he established his Gorkha Media Network, is in custody under the same charges in the prison cell next to him.
Lamichhane is accused of siphoning off depositors' money to the tv network in which he was part-owner and anchor. &nbsp;
Both Lamichhane and Joshi are able to buy food from the police canteen instead of being served the regular meal like other prisoners. Joshi has also given his statement to authorities in Rupandehi and Kathmandu for his alleged role in the scam. Lamichhane is yet to be presented in Kathmandu for questioning.
While he was in custody at the Kathmandu District Police Complex, Joshi expressed his desire to sleep in a police officer’s office, reportedly assuring authorities that he would not run away and he was entitled to certain facilities as a former officer of the law.
“He seemed to be under the impression that he is still a police officer,” says a source at the Kathmandu District Police. “We made it clear to him that as someone accused of a crime, he was not entitled to special treatment.”
Former ministers Balkrishna Khand and Top Bahadur Rayamajhi, and ex-home secretary Tek Narayan Pandey, who were arrested in connection with the fake refugee scam last year, were similarly housed in the offices of law enforcement officials instead of prison cells. Khand has since been released after six months in jail.
While there is no legal provision to keep high-ranking officials in separate detention centres when they are arrested, authorities granting them special facilities is not uncommon. Law enforcement officials say VIP detainees expect preferential treatment while in police custody.
Among those is former Kosi Province minister Lila Ballav Adhikari, who was arrested from Biratnagar on 10 November over his alleged involvement in human trafficking and brought to Kathmandu. Adhikari had flown to Japan without government approval with three individuals on 29 October to attend a cultural conference, but had been sent back to Nepal from Narita.&nbsp;
His three companions were arrested at Kathmandu airport upon their arrival, but Adhikari was able to exit unscathed from the VIP lounge. Adhikari had resigned as the Kosi Province Minister for Internal Affairs and Law when it became public that his companions had been taken into custody, and was himself arrested shortly after. He has since been cleared by the courts.
Throughout his detention, Adhikari was kept separately from other inmates. Senior Superintendent of Police (SSP) Basant Rajouri, head of the Bhadrakali complex, says that while there is no separate detention area for VIPs, some detainees are kept separately depending on the nature of their crime.
However, sources say that arrangements were made for retired judges and others to visit Adhikari frequently worked at the office of a Deputy Superintendent of Police (DSP) during his time in custody.&nbsp;
“He used to constantly pester the authorities to let him sit outside in the sun, and to be able to use the police officer’s shower area,” added an officer.
Adhikari was released on 25 November after the government prosecutor’s office decided not to charge him in a move that was seen to expose the government’s double standards.
Over at Kathmandu’s Dilli Bazar Prison, former Kist Bank CEO Kamal Gyawali emerges from his prison cell into the courtyard of the prison’s ‘Ka (क)’ block every morning with a thick book in his hands, ready to give his daily sermon.
With his long beard, Gyawali, who is serving a prison sentence for banking fraud, looks the part of a religious guru as he implores his rapt listeners to “walk the right path, abandon bad thoughts and turn to scripture and spirituality”.&nbsp;
Afterward, the attendees gather to discuss politics and current affairs. Inmates at his daily sermons at the prison include other high-profile detainees, including former MP Ichchha Raj Tamang, who is in jail for money laundering and cooperatives fraud, former joint secretary Chudamani Sharma, who was convicted of corruption, as well as NC leader Chandra Bahadur Lama and Krishna Bahadur Upreti of the UML both of whom are on trial for embezzling billions of rupees.
Victims of the cooperatives scam that former lawmaker Tamang was involved in have made trips to the prison and requested visits, but he has refused to meet with any of them.
“Tamang often complains that the state has prevented him from returning the money to the victims by locking him up,” says a police officer at the Dili Bazar jail.
“All you hear every day from the VIP prisoners is that they have been framed,” adds the officer. “No one admits that they were involved in misdeeds.”
But while most high-profile prisoners complain about prison conditions, one exception is former provincial lawmaker Deepak Manange, who is serving a sentence at Dilli Bazar Jail for attempted murder.
“He is the happiest prisoner here,” says a warden. “Unlike the others, he doesn’t claim to have been framed, in fact he doesn’t seem to care that he is in prison.”
Manange is detained in the ‘Kha (ख)’ block of the prison complex, which he renovated at his own expense. The block previously housed female prisoners, but Manange used his influence to transfer them elsewhere. He faces no shortage of visitors, who range from political leaders to people from the underworld.
Along with Manange, other well-known prisoners in this block include Nepal Telecom Managing Director Sunil Poudel, and former executive director of the Surakshan Printing Centre Bikal Poudel, who are serving time for corruption.
Former prisoners at Dilli Bazar prison include ex-ministers Khum Bahadur Khadka and Shyam Sundar Gupta, NC leader Ganesh Lama, Maoist MP Balkrishna Dhungel, Nagarik Unmukti Party leader Resham Chaudhary, as well as former IGs Ramesh Chand Thakuri, Om Bikram Rana, and Hem Bahadur Gurung.
Section 54 of Nepal’s Prison Act assigns each prison’s internal administration the
responsibility of governing its prisoners, which means the more favourable the jail management is, the more comfortable it is for prisoners.
Dilli Bazar prison has been the prison of choice for many high-ranking prisoners, especially those convicted of white collar crimes, due to its more accommodating administrators. The prison, which has the capacity to house 700 inmates, is also less crowded than other jails.
Anuj Bhattarai, spokesperson of the Department of Prison Management, says that there is no legal classification in Nepal for felons to be assigned prisons based on the nature of their crimes.
“That Dilli Bazar Jail has a higher number of prisoners convicted of crimes like corruption is most likely a coincidence,” says Bhattarai. “There is no provision for influential people to be able to choose where they will be incarcerated.”&nbsp;
Translated by Shristi Karki from the Nepali original published in himalkhabar.com

What Nepal’s VIP prisoners do in jail

If you were raised in Nepal, you must have picked up its unique set of vocabulary: आन्दोलन, चक्का जाम, बन्द, राँके जुलुस, आफ्नो मान्छे, हाम्रो दल, कर्फु and many more words connoting political protest.
We became familiar with the acrid smell of burning tyres, and eyes smarting from tear gas. And yet, everyone speaks of another revolution in the making. Not by desire, but by suffocation.
We heard speeches about नयाँ नेपाल, but the New Nepal never arrived. The governance system changed, but it did not reflect on people’s lives — except for those close to centres of power. The state is still unreachable and is not bothered about <a href="https://nepalitimes.com/here-now/matter-of-life-and-debt">victims of loan sharks</a>, cooperative scams and other injustices.
Politicians continue to speak in sound bites, but fail to deliver. They have mastered the game of pointing fingers towards an external enemy and convincing people that they are never at fault. The political narrative is so disconnected from the actual analysis of the problem that suffocation doesn’t go away after every revolution.
No genuine effort has been made to deliver at all, which is why there is a palpable sense of disillusionment in the air forcing us to seek another revolution, even if Nepal may not be able to afford it.
How has the current system successfully held power, even if the public is deeply frustrated? How is it that for three decades we continue to be led by the same faces, who have time and again, proved to us that they may be great politicians but not national leaders?
<a href="https://nepalitimes.com/opinion/improving-internet-governance-in-nepal">My experience at the epicentre of politics</a> has led me to identify three cultures that have enabled political parties to keep a tight hold on power: acceptance, silence and dependency.
We accept things the way they are. We use fatalistic phrases like “नेपालमा यस्तै हो” or “नेपालको कानुन दैब जानुन”. While this resilience enables us to rise back up from devastating calamities, it is also a reason for our compliance with the status quo.
Despite so many ‘revolutions’ that have led to significant reforms, these phrases keep getting reinforced, to the point that the upcoming generations have made it their lingo.&nbsp;
This acceptance is not a symbol of law-abiding citizens, but citizens living in fear of those in power, unable to ask the whys and why-nots.
Innovation suffocates in this culture of acceptance of the status quo. This is manifested in remarks like “but we don’t have any laws for this,” or “we don’t have the capacity to implement this”. An innovator or entrepreneur therefore has to spend that energy to become a political lobbyist, often educating and convincing the bureaucracy.&nbsp;
Remember when locally assembled <a href="https://nepalitimes.com/banner/designed-and-made-in-nepal">Yatri motorbikes</a>, despite having willing customers, had to suffer to secure license numbers because of a lack of regulations? Instead of creating new laws, the government kept chanting the “We will promote Nepal-made goods” mantra, leaving entrepreneurs in a labyrinth of bureaucracy. The weight of acceptance of the law lies heavily on innovators. Fatalism is a tactic used by those in power to generate mass fear in society.
When we accept, we become silent. This is a pervasive phenomenon. We are trained to keep quiet, lest we ruffle feathers, burn bridges, or not get the help we need in future. We know, yet we don’t speak.
Read also: <a href="https://nepalitimes.com/here-now/bureaucratic-hurdles-in-researching-nepals-bureaucracy">Bureaucratic hurdles in researching Nepal's bureaucracy</a>, Daniel W Edwards
Here is one example: the 2021 census shows that the number of baby boys born for every 100 baby girls is 112. This is a clear indication of female foeticide because of boy preference in society.
Despite such horrifying realities, there is finger-pointing within the government between the Ministry of Health and Population with the Ministry of Home Affairs. At the citizen level, we know those who are involved in killing girls. Yet, we don’t speak up. The Nepal Medical Council reports state that despite this gender imbalance at birth, there is no indication of any action.
But why would anyone speak against one's own fraternity, no matter how vile the act is?
When we accept and keep quiet, we become dependent on those who yield power. From getting our government procedure completed on time to getting transfers, to accessing any of our legally protected rights as well, we are forced to depend on our networks of चिनेको मान्छे people we know by blood, village, relations, political affiliation.
The culture of dependency has been the established way in Nepal. If you drive a two-wheeler or four-wheeler, and you get into a small accident, you will be asked to sort it yourself, dialing up the most powerful person you know. It becomes a competition of who knows who.
Recently I was told that there were calls from the Ministry of Health and Population and another from the Prime Minister's Office for just one medical position in a private hospital. Each was pushing its own candidate. Guess which candidate got the position.&nbsp;
The dependency of people is not on the laws or the state, it is with people in power, a reliance on the network of somebody who knows somebody, including those not officially in power.
These cultures are deeply ingrained in our heads, and in society. Collectively they form a vicious circle that helps those in power to retain power. This is not the society we want to live in.
Then, what do we do as a collective to break away from this? How do we break away from the cultures of acceptance and silence that have created this dependency? What can we do to ensure that our children do not have to learn the jargon of आन्दोलन before they learn about the state?
These are the cultures political parties need to shed rather than use them to perpetuate their power. This is what <a href="https://nepalitimes.com/opinion/comment/an-alternative-to-alternative-politics-in-nepal">alternative politics</a> needs to be about.
Sumana Shrestha is a member of Parliament’s Education, Health and Information Technology parliamentary committee and represents the Rastriya Swatantara Party.

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