<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412118/637221b09c7e80680e0c02ccjpeg.jpg" alt="" width="1682" height="1158"/><figcaption>Photos: LITTLEBIG</figcaption></figure>A painting of Mt Everest could have only been unveiled on Everest Day 29 May at the iconic <a href="https://www.nepalitimes.com/banner/a-himalayan-high/" target="_blank" rel="noopener noreferrer">Hotel Everest View</a> in Syangboche.The triptych by British visual artist Sacha Jafri shows the panorama of a discoloured mountain range, the black of the rocks seeping into the fluid snow, against a sky progressively deeper the higher it goes.Below are reddish-brown hills gathered for a conference of sorts, their heads ever so slightly bent as if they are listening and thinking. At the centre lies a pool of water so blue it seems to be collecting the whole sky above.The painting appears as an almost abstract expression of the mountain rather than its reflection. It is Jafri's subconscious journey to the Himalaya, and there can be found immediately something childlike, innocence without pretense - a theme recurrent in his other artworks as well.The Everest painting is one of 50 Jafri is creating for <a href="https://www.theartmaze.com/" target="_blank" rel="noopener noreferrer">the Art Maze project</a> in partnership with UNESCO, and commemorates the 50th anniversary of the UNESCO <a href="https://whc.unesco.org/en/convention/">Convention concerning the Protection of the World's Cultural and Natural Heritage</a> signed on 16 November 1972. The Convention then came into force on 17 December three years later.“This comes at a time in the world, with <a href="https://www.nepalitimes.com/banner/here-today-gone-tomorrow/" target="_blank" rel="noopener noreferrer">climate change</a>, the pandemic, the geopolitical flux, to reflect on the next 50 years and ask ourselves what we truly value as individual, societies and countries, and what should be passed down to the future generations,” says UNESCO Representative to Nepal Michael Croft.As such, the UNESCO’s <a href="https://whc.unesco.org/en/next50/">The Next 50 campaign</a> forms the foundation for the Art Maze, and 34 of the paintings of World Heritage Sites, including the Acropolis in Greece, Angkor Wat in Cambodia, the Hyrcanian Forests in Iran, the Saint-Sophia Cathedral in Kyiv, the Pyramids of Egypt, and <a href="https://www.nepalitimes.com/here-now/telling-the-story-of-buddhas-lumbini/" target="_blank" rel="noopener noreferrer">Lumbini in Nepal</a> have been completed.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412118/637221b39c7e80680e0c02cdjpeg.jpg" alt="" width="1313" height="1969"><figcaption> </figcaption></figure>The paintings are characterised by their unique assortment of colours, which is reminiscent of lively crayons from childhood. Textbook realism has no place in these canvases, as the paintings are stripped to their essence.“We over analyse, become pompous and over-intellectualise art,” Jafri explains. “But all art, at the end of the day, is rubbish and superb.”This apparent contradiction finds reconciliation in the artist’s intent with which they create. “And I think if you focus on your intentions, then everything you create will be perfect,” Jafri adds.There is a sublime simplicity to Jafri’s method and work, enabling viewers to be more conscious in their world, their lives, and be open to love and compassion.The Art Maze curated by Marcus Schaefer is a 12x12m steel labyrinth gallery with Jafri’s paintings, giving visitors the opportunity to choose which path to take and create an experience where “the journey is the destination”.For over 25 years, Jafri’s work has been about reconnecting with the soul of the earth. His Journey of Humanity (2020) is dubbed the world’s largest and took him a year to create during the pandemic.That is the process of being an artist, Jafri believes – a journey where things continue to evolve, and one eventually creates something. “It is not about the moment of creation,” he adds. “It is the journey that has allowed it.”Journey of Humanity is a striking play of bold, vibrant colours, incorporating artworks by children from 140 countries, and spread over 1,700 square metres – roughly the size of two football pitches – and it’s aim as profound as its span: to raise around $11 million – it ended up raising $62 million – to help children across the world in need of education, health care and digital connectivity.The idea behind the painting was re-connectivity, which then expanded into the Art Maze. When Schaefer approached him with the concept, Jafri found it resonated with his own. Jafri then thought perhaps the project would be even more poignant if it was about the World Heritage Sites.The Maze was then launched on 23 March at the Burj Al Arab Jumeirah Helipad in Dubai with 30 works, and will be travelling around the world with plans for a Nepal stopover next year.“I thought if I represent these World Heritage sites in an art maze we could reconnect humanity to our natural and cultural heritage, to our ancestral past, to the custodians of our cultures, and we could start communicating again on a deeper level,” Jafri says.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/2022111412118/637221b79c7e80680e0c02cejpeg.jpg" alt="" width="1979" height="763"><figcaption> </figcaption></figure>The Maze and the Next 50 campaign also come at a time when Nepal is changing rapidly, trying to balance development with nature. Everest itself continues to be affected by the climate crisis and mass mountaineering.At the unveiling, Bishnu Rokaya of the Sagarmatha National Park said: “While Mt Everest and the park are already well-known, the painting will help us reach even more people, share our stories, and promote tourism and conservation efforts.”According to <a href="https://www.nepalitimes.com/latest/leverage-lumbinis-soft-power/" target="_blank" rel="noopener noreferrer">Michael Croft</a>, the campaign and Art Maze represent a strategic exercise to work with youths and Indigenous communities, not just in Nepal but around the world, to have discussions on sustainable living, successfully adapting to climate change, and hopefully push back against environmental degradation.“Nepal is an intensely diverse country and people with different identities and languages and experiences are able to identify themselves as Nepali, and that gives hope. If all this can exist and work, it is a positive story for the world,” remarks Croft.Raza Beig, executive advisor to ArtFi Chairman of BoredPuma has bought the Everest painting and plans to house its three panels in a museum and share it with the world. The profits from the sale of Jafri’s paintings will help communities living in the Heritage Sites they represent.His son Aly wrote to Nepali Times: “We feel Mt Everest and Sagarmatha National Park to be one of the most spiritual places on our planet, and now we get to look at it every day and share it with the world.”

Ashish Dhakal

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Everest's natural heritage on canvas

<figure><img width="603" height="1000" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218259c7e80680e0baa28jpeg.jpg" alt=""/><figcaption>Micheal Croft. Photo: UNESCO</figcaption></figure>Michael Croft, UNESCO Representative to Nepal, spoke to Nepali Times on the occasion of <a href="https://www.nepalitimes.com/here-now/telling-the-story-of-buddhas-lumbini/">Buddha Jayant</a>i to discuss the development of Lumbini and other heritage sites in the country. Excerpts:What is UNESCO’s role in Nepal?Michael Croft: Nepal is almost a microcosm of the wider human community because it is <a href="https://www.nepalitimes.com/banner/nepal-is-turning-into-a-nation-of-hybrid-identities/">intensely diverse</a>. The many different languages, Indigenous groups, traditions and geography make it a complex functioning entity.And in that mix, there are certain lessons that can be drawn on how people can get together, how people can get along, how people can live in peace. And with the diversity comes also a rich cultural and creative heritage in Nepal.Read also: <a href="https://www.nepalitimes.com/here-now/telling-the-story-of-buddhas-lumbini/">Telling the story of  Buddha's Lumbini</a>, Sahina ShresthaAs a result, we came up with a strategy by focusing on three main issues. We ask ourselves: What are the priorities here? What do Nepalis really care about?We work directly with the government, private sector, civil society, and we also work with international partners and other UN agencies. In Lumbini, <a href="https://www.unesco.org/en">UNESCO</a> can bring everybody on the table where they can put their perspectives for all to see, understand and comment on.Our resources are limited, our time is limited, and it would be really difficult for UNESCO to move the needle without support from the stakeholders. But if we can facilitate a partnership, a common understanding, things can perhaps move in the right way.How about UNESCO’s work in natural heritage preservation?The brand of the world cultural heritage is so strong that it tends to overshadow everything else. But the true magic happens in the interesting space where culture meets nature. And UNESCO has a range of designations for natural sites: global geo-parks, biosphere reserves, and such.Nepal has an outstanding natural heritage, with two designated sites: <a href="http://archive.nepalitimes.com/news.php?id=5470#.YoG0D9NBz0s">Sagarmatha</a> and Chitwan. These sites provide an important leverage, especially since Sagarmatha is known worldwide. Showcasing these best practices makes them globally relevant and visible. This is the same for <a href="https://www.nepalitimes.com/here-now/telling-the-story-of-buddhas-lumbini/">Lumbini</a> although in a different context, and the two sites that can generate enormous soft power because they are known and valued by millions of people many of whom have never even seen them.Given <a href="https://www.nepalitimes.com/banner/climate-change-new-threat-to-nepals-rhinos/">global climate change</a>, there is a need for just as much energy and resource, if not more, to be put into promoting biodiversity. We have to protect these few remaining places so that we can learn more from them and draw lessons on how to restore the same in other parts of the world.This also links to the <a href="https://www.nepalitimes.com/opinion/conservation-at-the-crossroads/">role of Indigenous groups</a>, who are 4% of the world population but control or manage 80% of the biodiversity. If we don’t have an ecosystem then it makes no sense to talk about cultural heritage anyway, because there is a complex codependency between the two.What other steps can Nepal take in leveraging the soft power of Lumbini and Sagarmatha? In Nepal, <a href="http://archive.nepalitimes.com/news.php?id=1886#.YoGwedNBz0s">Lumbini and Sagarmatha</a> are discussed a lot. But in the case of Lumbini, especially, the international dialogue is not yet what it could be. Because UNESCO is an inter-governmental organisation, it can play a part in providing international visibility and facilitating international interactions.These can play a pivotal role in influencing international perceptions of Nepal. They provide a chance to exchange ideas and practices with other countries and global institutions with different experiences and expertise.Read also: <a href="http://archive.nepalitimes.com/news.php?id=4514#.YoGwONNBz0s">Sagarmatha's buffer zone is vanishing</a>, Navin Singh KhadkaThe visibility attained in this way allows for the Nepali story to reach other countries and communities, and people can have an appreciation for Nepal for what it really is, not what they think it is.The key role of UNESCO is to promote peace and sustainable development through international collaboration, education, science and culture. The ground-level work has to be accompanied by the discourse that reminds us <a href="https://www.nepalitimes.com/opinion/lumbini-is-not-a-buddhist-disneyland/">why Lumbini is important</a>, what it stands for. UNESCO can assist the government to build a network with international partners.Is Lumbini being overbuilt?I wouldn’t say that Lumbini is overbuilt. The issue is that Lumbini is an area where the greatest amount of resources have been <a href="https://www.nepalitimes.com/banner/the-buddha-was-born-in-lumbini/">focused on infrastructure</a>, and to some extent some of the archaeological work, but not so much on other elements.Perhaps the infrastructure has gone ahead of other aspects because the responsibility of expanding infrastructure falls on one key official actor, the <a href="http://lumbinidevtrust.gov.np/en">Lumbini Development Trust (LDT)</a>. But there are many cogs and wheels moving in Lumbini and sometimes it is difficult to synchronise. Softer issues such as the local communities’ ability to leverage the sites for their own sustainable development, and the quality of guides to interpret the sites have not received as much attention. It is important to come up with solutions because one cannot develop any particular course in Lumbini without referring to another, or else everything falls out of sync.Lumbini must consider developing its soft power so that people can have a much deeper experience with the site, and more visitors come. This includes a proper visitor management plan and a focus on why people come to Lumbini and how long they stay. <figure><img width="1740" height="720" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114111124/637218279c7e80680e0baa29jpeg.jpg" alt=""><figcaption>Lumbini photo. Photo: Kunda Dixit</figcaption></figure>The International Committee for Lumbini within the UN has been dormant, how can Nepal revive it?If there is an interest from the government, there are many partners who would like to see this happen. I believe that there also needs to be a reaction from the UN and UNESCO because we were formed for this.If the government say they need an international process, this is our raison d’être. We can call for the meeting of the member states, with the Nepal government as the host. The member states appreciate and value opportunities which allow them to come together at a site and address issues like the one Lumbini represents.What is your assessment of rebuilding of monuments after the 2015 earthquake?For us the main lesson was how key the involvement of the community is. This was the result of <a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/">community response</a>, interest and participation, directly influenced by the fact that these are not just relics or monuments, but rather part of a living culture and heritage, and part of their lives.Having seen what I have seen, I was impressed by the reconstruction. The amount of work, knowing all the different priorities that the cities, towns, municipalities and the government had, to see the effort that has been put into the <a href="https://www.nepalitimes.com/banner/restoring-a-piece-of-nepals-history/">restoration of cultural heritage</a> – it is really something.The big lesson here for next time is to put the community front and centre immediately. We need to listen to the community for their ideas on that and support them, not make decisions on behalf of the community.But could the reconstruction have been done differently, or better?It is a bit difficult for me to comment on that as I wasn’t here to see the process. But the things that reverberate the most from the process are generally positive.I would say perfection is the enemy of the good. I am sure it could have been better in some ways, but it could have been worse as well. And from what I see, there are no major flaws.Read more: <a href="https://www.nepalitimes.com/here-now/deconstructing-reconstruction/">Deconstructing reconstruction</a>,  Alok Siddhi TuladharThe last time Kathmandu had a <a href="https://www.nepalitimes.com/here-now/kathmandus-temple-restoration-after-1934-quake/">major earthquake was in 1934</a>, so there was no preparation or plan, and people just did what they thought they should. And our natural instinct where we do things first is not always the best.But the important thing is, the process changed and lessons were learnt. It is very difficult to respond constantly with best practices in situations like this.The elephant in the room is the haphazard urbanisation around seven protected sites in Kathmandu Valley. Are we at risk of being removed from the World Heritage Sites list?It is not UNESCO but the World Heritage Committee with the member states of UNESCO who remove sites from the list, but only in very special circumstances. It is really a measure of last resort.There is no imminent <a href="http://archive.nepalitimes.com/news.php?id=1886#.YoGwedNBz0s">risk of Kathmandu being removed</a> from that list. But this is not to say that the risk is not there at all, but there are opportunities also for doing better in Kathmandu.What are some of UNESCO’s current concerns in Nepal? Everyone recognises that this is a difficult time. The government has to balance priorities and often situations do not allow for immediate investment in the heritage sector.But as with any other <a href="https://www.nepalitimes.com/latest/saving-nepals-hiti-heritage/">rapidly developing urban centres</a> around the world, there is a very practical risk not just to the sites but also to Kathmandu’s urban architecture and the intangible cultural heritage.This is where the idea of creative cities comes in, and I think it is up to UNESCO to make an economic case for it.There is an international network of creative cities created in 2004-2005, where the cities basically said ‘We are going to use our creative industries, creative economies as a means to work for our sustainable development’. This really picked up after Agenda 2030, SDGs in 2015.Read also: <a href="http://archive.nepalitimes.com/news.php?id=1886#.YoGwedNBz0s">Saving what's left</a>, Navin Singh KhadkaThis will be very timely for Kathmandu, Lalitpur and Bhaktapur because this designation as creative cities serves as a narrative for them to promote the creative industry and economies, and move forward in the development.This then attracts partners who want to support the development of Kathmandu, and starts to influence how investment is done. This puts the spotlight on the community and also gives the time, place and platform for them to collaborate.I don’t think it is practical for UNESCO to go around and yell louder about the <a href="https://archive.nepalitimes.com/news.php?id=18013">importance of protecting culture and heritage</a>. Where UNESCO can best put its effort is encouraging the stakeholders to look at development from a different perspective. We as people can’t stop development, and we don’t want to stop development. But what is the kind of development we want?Read more: <a href="https://archive.nepalitimes.com/news.php?id=18013#.YoGvWNNBz0s">Whose heritage is it anyways?</a> Marit Bakke

“Leverage Lumbini’s soft power”

<figure><img width="1024" height="768" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d00f79c7e80680e0a3605jpeg.jpg" alt=""/><figcaption>Mujahideen guides took us to the northernmost part of the Panjshir Valley. All photos: LISA CHOEGYAL</figcaption></figure>Kids playing on rusted tanks abandoned by the retreating Russians, war debris comfortably incorporated into stone walls to contain sheep and goats, and flickering green flags of the martyrs’ graves, too many graves, under a cloudless sky.These are the enduring images of the Panjshir Valley, wild flowers, willows and orchards lining the clear streams beneath the grand arc of barren hillsides, rocks and caves used to hide the resistance fighters loyal to Ahmad Shah Massoud, the legendary ‘Lion of Panjshir’.Nestled deep within the Hindu Kush, Massoud’s faithful foot soldiers, the fierce unforgiving geography and its defendable narrow entrance enabled the Panjshir Valley to hold out against waves of invasions — the Soviet Union in the 1980s and <a href="https://www.nepalitimes.com/banner/nepal-and-the-talibans-second-coming/" target="_blank" rel="noopener noreferrer">the Taliban</a> in the 1990s.  <img width="980" height="968" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d00f99c7e80680e0a3606jpeg.jpg" alt="">In 2001, just two days before the 9/11 terrorist attack in New York, the revered commander of the former Northern Alliance, lover of poetry and mujahideen leader was targeted by al Qaeda and the Taliban, assassinated by a bomb detonated by two Arabs posing as journalists in one of his Panjshir forts. This week, it will be 20 years since his assassination and the 9/11 attacks that brought American retaliation on al Qaeda bases in Afghanistan. <figure><img width="1200" height="1600" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d00fc9c7e80680e0a3607jpeg.jpg" alt=""><figcaption> </figcaption></figure>‘More than five years after his assassination Massoud remains a national hero to many Afghans,’ <a href="http://content.time.com/time/subscriber/article/0,33009,1555018,00.html" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=http://content.time.com/time/subscriber/article/0,33009,1555018,00.html&amp;source=gmail&amp;ust=1630819742846000&amp;usg=AFQjCNFkxM3nfPq5FiSkPCxlayXccFIi-Q">Time</a> magazine wrote in 2006. 'Passengers at Kabul airport are greeted by a mural of him standing several stories high. Massoud’s place in history is assured by the fact that he was arguably the most brilliant practitioner of guerrilla warfare in the late 20th century.’ High praise in a country where rebel insurgency has been honed into an art form over the turbulent centuries.These Panjshir fields and villages are currently holding out against the Taliban’s otherwise successful swoop throughout <a href="https://www.nepalitimes.com/here-now/afghanistan-abandoned/" target="_blank" rel="noopener noreferrer">Afghanistan</a>, the last stand for freedom in a nation gripped with uncertainty and fear, tribal recriminations and revenge that have festered over the past twenty years. This time the young Ahmad Massoud has stepped into his famous father’s shoes to lead the resistance from their Panjshir stronghold.Panjshir Valley lies in the northeast of Afghanistan, and in October 2005 we travelled through it to the furthest northern border in search of trekking and tourism ideas that would benefit local homeowners, guides, horsemen and crafts people. My hopeful notes show that our suggestions included Afghan village guesthouses, the Mir Samir trek ‘a short walk in the Hindu Kush’, a five-day hike ‘in the footsteps of Massoud’ circuit, visitor information, and a saddlebag and blanket weaving enterprise.One of the issues to overcome in rural <a href="https://www.nepalitimes.com/here-now/afghans-in-nepal-await-resettlement/" target="_blank" rel="noopener noreferrer">Afghanistan</a> was to persuade our hosts that they must charge money for tourist services. So powerful are the traditions of hospitality (‘guest is god’), sharing what little they have, that taking payment for what we consider normal tourism services such as meals, accommodation and guiding was an alien concept which they struggled to accept. <figure><img width="1024" height="768" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d00ff9c7e80680e0a3608jpeg.jpg" alt=""><figcaption> </figcaption></figure>“Your visit here was at a time when there was hope and great expectations for the country,” remembers Ali Azimi, our Asian Development Bank client and an Afghan American with deep-rooted insider networks within the community. In Kabul he always seemed to know when and where there would be trouble, much better informed than the United Nations security system who was nominally responsible for us. He insisted on accompanying me to Panjshir to help “find ways to put money in pockets of village folks through tourism initiatives”. <figure><img width="768" height="1024" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d01029c7e80680e0a3609jpeg.jpg" alt=""><figcaption> </figcaption></figure>As we drove out of town in a large white vehicle bristling with antenna and aerials, we failed to feel an earthquake which shook the city. Leaving behind the acrid fragrance of war, Ali Azimi morphed from his usual persona of a neatly-bearded grey-suited ADB executive into the country’s ubiquitous flowing robes of anonymity.  I tried, no doubt less successfully, to blend in with scarves and shalwar kameez. It was <a href="https://www.nepalitimes.com/banner/ramadan-in-exile/" target="_blank" rel="noopener noreferrer">Ramadan</a>, the time of fasting, but as travellers the rules did not strictly apply. ‘Mobile sex’ was the SUV’s call sign, but Ali was happy to lose contact once the signal weakened in the countryside, preferring to rely on local knowledge of his Panjshir guides, hand-picked former mujahedin of course, who joined us soon after entering the valley.These fighters were hard-core, the trauma of years of mountain combat etched into their weathered faces and wild eyes. They prayed at every shrine, honoured every grave, showed us their hideouts, revealed their hunting trails, took us into their homes, unrolled their carpets, shared their food, played with their children, and talked with urgent low voices on flat mud roofs under the stars in Dari which I could not understand.  It all made sense when Ali explained that our two mujahideen friends were Massoud’s personal bodyguards, his most trusted elite, still haunted by the guilt of the day they waited outside their commander’s room having admitted the ‘journalists’ with a deadly device concealed in the television camera. <figure><img width="1600" height="1200" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d01069c7e80680e0a360ajpeg.jpg" alt=""><figcaption> </figcaption></figure>Part of the TRC Tourism team of Kiwi and Nepali consultants, we worked in Afghanistan for ADB and the Aga Khan Development Network on three missions in 2005, 2006 and 2008 that included Kabul, Bamyan, Band-i-Amir lakes, Wakhan Corridor and the Panjshir Valley. Ali wrote recently: ‘You will be pleased to know your recommended ecotourism policy is being practiced in Band-i-Amir.’ Most of all we remember the harsh beauty of the landscape, the unexpected warmth of its people caught in an eternal loop of historical conflict, and hearing the chilling tales of horror under Taliban rule.Twice we arranged for groups of Afghan officials and tour operators to visit Nepal’s ecotourism models in 2009 and 2011, including the governor of Bamyan, Hariba Sarabi, a remarkable Hazara woman who was part of the Doha peace talks.  <figure><img width="640" height="480" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d01099c7e80680e0a360bjpeg.jpg" alt=""><figcaption> </figcaption></figure><figure><img width="2048" height="1536" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d010b9c7e80680e0a360cjpeg.jpg" alt=""><figcaption> </figcaption></figure>The Nepal trips to study sustainable tourism were led by my New Zealand-funded Bamyan ecotourism project colleague, Amir Foladi. The work included a visitor centre dedicated to the <a href="https://www.nepalitimes.com/opinion/piecing-together-afghanistans-bamyan-buddhas/" target="_blank" rel="noopener noreferrer">remains of the Buddhas of Bamyan</a>, carefully collected by UNESCO. Foladi showed me tragic metal pieces from the explosives that destroyed these 6th century monumental statues in 2001, still embedded amidst the mud and plaster fragments which are all that is left - except the massive blank empty niches. <figure><img width="640" height="480" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221110141144/636d010f9c7e80680e0a360djpeg.jpg" alt=""><figcaption> </figcaption></figure>Throughout the catastrophic drama of last week’s departure following the Taliban takeover, it is impossible not to mourn for an Afghanistan that might have been. The progress over the last two decades, however imperfect, is dissipated. Particularly <a href="https://www.nepalitimes.com/latest/i-may-not-be-alive-by-the-time-i-am-evacuated/" target="_blank" rel="noopener noreferrer">the fate of women</a> is desperately unclear.One ray of light amidst the grief and despair of the withdrawal is that my friend Foladi and his ecotourism teammates have arrived in Auckland, six Afghan families evacuated to safety through the chaos of Kabul airport by the New Zealand Defence Force just 24 hours before the fatal bomb. They are the lucky ones, so many left behind to face a frighteningly unreliable future.

Lisa Choegyal

A short walk up the Panjshir

Fenerbahçe Beko won the Turkish Airlines EuroLeague finals in Abu Dhabi, held 23-25 May, defeating Monaco 81-70 in the final. Olympiacos, who defeated Panathinaikos 97-93, finished the series in third place. The Most Valuable Player (MVP) of the final match, Nigel Hayes-Davis from Fenerbahçe Beko, received a prize of 1,000,000 Miles&amp;Smiles from Turkish Airlines’ Chief Commercial Officer Ahmet Olmuştur. The carrier has been the title sponsor of the Turkish Airlines EuroLeague, a top tier tournament, since 2010.

Turkish Basketball

Thousands of Nepali students dreaming of an American education have been forced to look elsewhere as the Trump administration’s visa restrictions make their future uncertain.
The US was long considered a top destination for higher studies, making Nepal the 10th biggest country of origin for international students in America.&nbsp;
However, that number has seen a significant decline with the total for Nepali students now at 16,482. Some 8,000 Nepali students obtained no-objection certificates to study in the US from the Ministry of Education in the past year.&nbsp;
India, Australia, Canada, South Korea, United Kingdom and Japan are the other popular destinations for Nepali students. There are no clear numbers for Nepalis going to India, but a slight decline was noted this year after the deaths of two female students.
The US State Department has issued a circular to its embassies not to issue new visas to applicants until further notice. US Secretary of State Marco Rubio in the directive stated that the department planned to expand the screening of applicants' social media.&nbsp;
While new applicants are barred including those applying for visitor visas, students with scheduled interviews are allowed to proceed.
“Many of our students are affected by the new restrictions, but those who had applied for student visas earlier have got interview dates,” one Kathmandu-based college counsellor told us.
Meanwhile, even foreign students with spotless records already in the US have not been spared, as visa scrutiny intensifies under the new policy. In a move that underscores the growing sense of insecurity, many US colleges advised international students to carry their passports and documents at all times, even when traveling locally.
“Me and my friends did not go home this summer because we were not sure we would be allowed back, so we just went to Niagara Falls,” said a Nepali undergrad in Ohio, who like many interviewed for this report did not want her name used for fear of repercussion.
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Nepali students have adopted a cautious stance, with many choosing not to return home during summer vacation due to fear of visa revocations as well as travel bans. Meanwhile, over 7,000 Nepalis with Temporary Protected Status (TPS) will have to come back to Nepal by 5 August or face deportation. Thirty-seven were flown back to Kathmandu on Omni Air last week.
“The US is one of the most sought-after destinations for higher education, and the ban will definitely impact bright students,” says Narottam Aryal of the King’s College in Kathmandu.
Indeed, Nepali undergraduates admitted into Ivy League colleges for the 2025 academic year have been asked to look for alternatives. The entire Fulbright Foreign Scholarships Board resigned on Wednesday citing interference from the Trump administration on the selection of this year’s cohort. Some Nepali students already on Fulbright scholarships have noted disruptions, delays and even cancellation of stipends.&nbsp;
The student visa restrictions were initially just for foreign students admitted to Harvard University, but it was later extended to all Chinese students and now to all students. Universities like Columbia which actively recruit foreign students, face sharp enrolment declines, threatening their financial stability and diversity.
An Indian female PhD candidate at Columbia University had her visa revoked by the US State Department, and said she was targeted on the basis of her social media posts on Israeli military attacks in Gaza. Social media vetting of political activism has raised concerns about privacy and freedom of expression in a country where such rights were a given.
Many students have been informed via email that their visas have been revoked for getting speeding or parking tickets, but even others with no criminal record have been affected. The fear of deportation looms large amongst international students, including those from Nepal.&nbsp;
For most Nepalis who migrate to the US for education, the journey is a high-stakes investment. They come largely from middle-class families, often rely on a patchwork of scholarships, work-study programs, loans, or even the sale of family assets to afford fees.
Most Nepali students pursue STEM subjects which offer extended Optional Practical Training (OPT) periods that help fund their education. But with the US backsliding on education and humanitarian matters, countries like the UK and Canada are becoming more attractive despite their own recent stricter controls on student visas.&nbsp;
The UK universities saw a 63% rise in Nepali students’ admissions in 2024. Japan is another popular destination with 64,816 Nepali students enrolled as of 2024.
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Already, China, Hong Kong and Malaysia are poised to benefit from the increased scrutiny of US student visas. Several Hong Kong universities are offering unconditional admission to affected students, while Malaysian institutions are targeting previously US-bound Asian students. China and India have 330,000 and 280,000 students respectively in America, but the numbers for China have seen a sharp drop in the past year.
Elsewhere, branch campuses of American institutions such as NYU in Abu Dhabi, Georgetown in Dubai and Northwestern in Doha are getting more admission applications, and universities in the Gulf region are expanding infrastructure to accommodate those who would otherwise have gone to the US.&nbsp;
Even educational institutions in Nepal are hopeful that the US visa restrictions can be an opportunity to at least keep Nepali undergrads in Nepal, and also attract foreign students from the region.&nbsp;
“Many students might choose to complete their undergraduate degree here in Nepal and then move abroad for their Master’s degree later,” says Aryal of King’s College. “There was a need for quality higher education in Nepal anyway in terms of innovation and opportunities, so this could be the time to reduce our dependence on other countries.”
Nepal’s strategic position between India and China makes it sensitive to US policy shifts. India, a key ally, is also under US scrutiny for potential student travel restrictions. Chinese universities are already offering more scholarships to Nepali talent to capitalise on the US retreat.
American universities have challenged student visa restrictions in the courts. A federal court in Boston revoked the blanket ban on Harvard, and the State Department has ordered the resumption of processing student and exchange visitor visas.&nbsp;
Some are still hoping that President Trump will backtrack on the student visa restrictions, just like he has done with many of his more drastic executive orders.
Even so, the visa see-saw and longer-term uncertainties about living in the United States and its education system means students across the world are making alternative plans.
Says Aryal: “Policies of foreign countries change according to their needs, so excessive dependence was never a good idea. We should work to create different opportunities and choices of higher education within Nepal, so students are retained.” &nbsp;

America no longer prime destination for Nepali students

That winter day in January 1664 marked an exceptional event in the reign of King Pratap Malla of Kathmandu. It was 15 Paush 784 of the Nepal Sambat and for the first time, a historical event was being immortalised on canvas for generations to come.&nbsp; The occasion was the grand Tuladaan ceremony of the King’s youngest son Chakrabartendra Malla from his wife Anantapriya, an Indian princess from Cooch Behar in present-day Assam.&nbsp; During the ritual, the prince was weighed against gold, silver, pearls, and other precious stones, which were then offered to Goddess Taleju Bhavani, the guardian deity of the Malla dynasty.&nbsp; The 170 x120cm painting captures the time of King Pratap Malla in all its splendour and is more than a personal tribute to his son: it is a significant visual historical document. It was evidently completed five years later in 1669, and could be considered a photographic record, with retrospective recreation of the event by the unknown artist. A Tuladaan ceremony is performed to purify one’s karma, quell impending bad luck, or as an act of charity and devotion. Chakrabartendra Malla was not well, and the ritual was performed in hopes of restoring his health. King Pratap Malla had arranged for each of his sons to take turns ruling Kathmandu so they got administrative experience. But Chakrabartendra died just two days after assuming power in 1670 (790 NS). This painting is considered the earliest known example in which the composition is dominated by an architectural landscape: the Taleju Temple. Given the stylistic features such as side-profile facial depictions and the rendering of human forms, it is believed that the Nepali artist was trained by a Rajput master.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051.jpg" data-media-id="editor_0" data-image-id="20250615040624_ddad3bc27a327e3f9926c8473287e4f14b53081296c295049009f327a4d97051" data-rendition-name="original" width="3248" height="4395" loading="lazy" alt="Tuladaan NT"> </figure>  During that era, there were regular exchanges of artists between Northern India and Kathmandu Valley. The painting is also a melding of Nepali, Tibetan, Mughal, and Rajput art styles of the time. Pratap Malla could have been inspired by a painting of Mughal Emperor Jahangir’s Tuladaan ceremony for his son Khurram in 1607. The Mallas and Mughals shared cordial relations, which is reflected in the cultural influences seen in the art and attire of the period.&nbsp; The clothing of the Malla ruling class, in particular, features colourful tunics, turbans, and jewelry that display strong Rajput and Mughal stylistic elements. The musicians in the upper tier are also dressed in Indian-style clothing, while the ensemble on the lower steps wear local attire, notably without turbans. Their hairstyles also differ, with the lower group wearing their hair tied in a bun at the front. This national treasure is currently in storage at the Collège de France in Paris, and has never been publicly displayed. Nepal’s art scholars like Gautam Vajracharya, Pratap Aditya Pal and Anne Vergati have written about this iconic paubha in the past, but the only detailed study is from the perspective of music history by researcher Richard Widdess who had access to high resolution copies of the original.&nbsp; Widdess from the Department of Music at the School of Oriental and African Studies (SOAS) in London describes the paubha as the most significant and richly detailed documentation of music in Nepali art. He identifies distinct musical ensembles on the terraces of the temple, and remarkably most of them are actively used today. One of them reflects the Mughal naqqārakhāna model — a loud outdoor ensemble typically composed of kettledrums, trumpets, and cymbals, traditionally performed from the gateway of the emperor’s palace to announce his entrances and exits. The depiction of such an ensemble in the tulādāna painting is likely the earliest known representation of a complete naqqārakhāna in Nepal — considered the forerunner of the panche baja, the traditional Nepali ensemble. On the stepped pyramid base of the temple are two groups of musicians playing local instruments: dhimey, bhushya, and dha. They are unmistakably Newar musicians, wearing short skirts and short-sleeved tops, with bare heads and legs—clearly distinguished as local performers.&nbsp; Higher still on the temple pyramid are musicians of apparently higher status, positioned close to the king, and his courtiers, possibly professional court musicians from India, well-versed in rāga and tāla. A dāphā group is also clearly depicted, identifiable by their characteristic instruments.&nbsp; Dāphā bhajan is likely the oldest surviving tradition of Newar devotional singing, and this paubha is the oldest visual record of it. Pratap Malla himself is believed to have composed songs that continue to be performed by dāphā groups throughout Kathmandu till today.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3.jpg" data-media-id="editor_1" data-image-id="2025061211064_d67636730cdc0ec778c02494817aca0b99654f2950d0fae4b95499a61faf7ef3" data-rendition-name="original" width="596" height="768" loading="lazy" alt="Priceless paubha in Paris NT"> </figure>  The artist’s thorough attention to musical detail may be attributed to King Pratap Malla’s own deep interest in music. His inscriptions on this painting and elsewhere proclaim his mastery of all branches of knowledge, including music. He is also known as the author of dance dramas and poems, penning his name as Kavindra (king of poets). Some noteworthy elements of new art techniques stand out: for example, the roof of the temple is filled with realistically rendered white doves, pigeons, and crows. This is a rare feature in paubha, where animals and birds are stylised, mythological forms. This remarkably talented unknown artist has managed to also render an orthographic projection: the front and side view of Nepal’s first architectural paubha. The Taleju Temple, with its staggering multi-tiered structure and numerous steps and platforms, is masterfully translated into layers within the painting. This represents a significant artistic achievement of the time, especially considering that dimensional perspectives had not started in deity-based paubha.&nbsp; The artist has also made a meticulous effort to capture architectural details such as the toran (ornamental arch) and temple struts with impressive precision. There are flickering lamps along the steps and some people carrying what appear to be oil pots.&nbsp; It is a full moon night and the dark sky is adorned with all the gods and goddesses, who are depicted as blessing the ceremony while seated on stylised thangka clouds. There is a lot happening in this painting, with people engaged in various activities. The artist has also rendered a forest backdrop behind the temple, complete with deer, trees, and flowers. Could there have once been a royal garden behind the Taleju Temple?&nbsp; More details and clarity can only be achieved if we are able to view the original or a high-resolution scanned version of the artwork. Many countries proudly display art depicting historical events in their national museums with great reverence. France, for example, has The Coronation of Emperor Napoleon and Empress Joséphine by Jacques-Louis David (1808–1822), along with numerous paintings of the Napoleonic Wars. Many were commissioned by Napoleon himself for future generations to remember.&nbsp; For Nepal, the equivalent is the Tuladaan paubha which is a visual record capturing a historic moment involving one of Kathmandu’s greatest kings, on the very day the event took place. Sadly, we await the day when this masterpiece is displayed, shared in high resolution for detailed study, or more rightfully — repatriated to its homeland, where it truly belongs. &nbsp; Shaguni Singh Sakya is the Director of the Museum of Nepali Arts (MoNA) at Kathmandu Guest House in Thamel. <h2>Gods homeward bound</h2> The Nepal Heritage Recovery Campaign and Nepal’s Department of Archaeology are convening the first international conference on the Recovery of Cultural Heritage from 16-18 June in Patan. The conference will address urgent issues of theft, illicit trafficking, the campaign to repatriate looted cultural artifacts, and explore how the return of sacred antiquities contributes to justice, healing, and reconciliation for communities and nations affected by cultural loss. American art crime professor Erin L Thompson and Saubhagya Pradhananga of the Department of Archaeology will deliver the keynote. Meanwhile, author and Nepali Times publisher Kunda Dixit will lead a conversation on Illicit Trafficking: Public Opinion and Role of Media with Erin Thompson, Amr Al Azm, associate professor of Middle East History and Anthropology at Shawnee State University in Ohio, as well as Bradley J Gordon, a lawyer based in Phnom Penh. There will be sessions looking at repatriation perspectives from Cambodia, India, Vietnam, China and Poland, international frameworks for repatriation, emerging digital technologies in the repatriation of cultural heritage, cultural property agreements, museums as well as trends in the art market, and heritage diplomacy and the role of media.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6.jpg" data-media-id="editor_2" data-image-id="2025061211068_59cfccfa8f5d73bfe8b4c5811a7f53abc09ea04e8cb7c638933d62e5283efdf6" data-rendition-name="original" width="1080" height="1350" loading="lazy" alt="Heritage recovery NT"> </figure>  <h2> </h2> Some of the other highlights include James K. Reap, a professor in the Master of Historic Preservation Program at the University of Georgia who has a session on the US response to illicit trafficking. Art historian Lea Saint-Raymond is taking on “Gods at Auction: The Market for Himalayan Artefacts”, while lecturer of criminology at the University of Glasgow Emiline Smith is delving into transformative approaches to heritage ownership and repatriation. Helena Arose of Antiquities Coalition and Melina Antoniadis of NOSTOS Strategies that specialise on the return home of cultural heritage as well as Hao Liu of International Cultural Heritage Law at the School of Law at Shandong University are some of the others attending. The Nepal Heritage Recovery Campaign was set up in 2020 to develop a coordinated movement to reclaim Nepal’s stolen gods and goddesses, with an aim to ensure that recovered items are returned to their original shrines, niches or sanctums. Ahead of the conference opening organisers have arranged for a film screening of Loot &amp; Return: 4 Documentaries at YalaMaya Kendra in Patan Dhoka between 14-15 June. Following the conference is a multimedia exhibition titled Absent Gods: Nepal’s Lost Heritage from 31 July to 4 August at Patan Museum.

Priceless paubha in Paris

While Nepal was hosting the Sagarmatha Sambaad international climate conference in Kathmandu this month, on Mt Everest it was pretty much business as usual.&nbsp; The signs of climate breakdown are all there: a river now runs through Base Camp in summer, the Khumbu Icefall is more unstable, and there are more &nbsp;frequent avalanches. When expeditions arrived in March, the mountains were bare: it had not snowed since September, but then blizzards dumped unseasonal snow in May. And despite climate worries, such is the pull of Himalayan mountaineering that the Everest Industry showed no signs of slowdown. More than 600 international climbers and their Nepali guides had made it to the summit of the world’s highest mountain. At one point there were an estimated 2,000 people in the tent city on the Khumbu Glacier. All the ropes and ladders on the Icefall came down on Thursday, marking the official end of the spring climbing season, and just in time to avoid a monsoon cyclone approaching from the Bay of Bengal. It has been an action-packed season. One factor could be that Everest fees will go up from September: each foreign climber needs to pay a $15,000 royalty, up from the present $11,000. The cost for a Nepali climber on the South Col route will also go up: from Rs75,000 to Rs150,000.&nbsp; The fee to climb Everest in autumn is $7,500 (up from $5,500), but most climbers still prefer spring. Winter permit fee (December-February) is only $3,750 per person and the mountain is now also open for monsoon (June-August) climbs, when the fee is ever lower at $2,750. The revised rule also makes it mandatory for every two climbers on an 8,000m peak to hire one Nepali mountain guide.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046.jpg" data-media-id="editor_0" data-image-id="2025053004050_67f856fe52714e4bdcf21ae7d45c6f18c82117b9d0a5f73ed1efa04c96de1046" data-rendition-name="original" width="931" height="732" loading="lazy" alt="The Everest Industry graph 1"> </figure>  In addition, climbers also have to pay for porters and guides, equipment, Base Camp costs, Ice Fall and fixed rope team fees, so climbing Everest does not come cheap. But such is the draw of climbing the world’s highest peak that some say the increased fees will not diminish the crowds next year. The government has tried to spread expeditions out to other seasons and other 8,000ers, but with not much success. Earlier this year, Nepal unilaterally increased the number of 8,000m peaks to 14 by adding six more sub-summits to broaden the choice for climbers. Added were: Yalung Kang (8,505m), Yalung Kang West (8,077m) &nbsp;Kangchenjunga Central (8,473m), Kangchenjunga South (8,476m), Lhotse Middle (8,410m) and Lhotse Shar (8,400m).&nbsp; The announcement could go against the accepted topographic criteria that a stand alone peak has to be at least 300m higher than an adjoining prominence, and at more than 3km isolation from it. The UIAA (Union Internationale des Associations d'Alpinisme) still recognises only 14 mountains as eight-thousanders, and only eight of those are in Nepal, or on the border with China. Nepal’s revised mountaineering regulations also increased the insurance coverage of high-altitude workers to protect porters and high altitude guides who usually take more risks on the mountains. Rescue teams and clean-up campaigners to collect trash and remove bodies of dead climbers up to Camp IV of Mt Everest do not need permits.&nbsp; The Sagarmatha Pollution Control Committee is now using drones to fly down trash in 20kg sacks. Each climber is also required to bring down at least 6kg of waste and not just their own, but this rule is erratically enforced. With five fatalities on Everest and Lhotse, Spring 2025 had a historically low death toll. Another five climbers died on Annapurna, Kangchenjunga and Makalu.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a.jpg" data-media-id="editor_1" data-image-id="2025053004050_38681de22f0fefb6faa12b01755566d09c5064d0ff84e12ccc7b5d68ea9ba38a" data-rendition-name="original" width="665" height="740" loading="lazy" alt="The Everest industry graph 2"> </figure>  Journalist Ben Ayers who ran the Everest Live social media channel from Everest Base Camp with daily updates credited the low death rate to dramatic rescues of climbers from the ‘Death Zone’ by their Nepali guides and longline helievacs — the visuals all uploaded on YouTube.&nbsp; “Ironically, this perception of safety is bringing more and more inexperienced climbers to the mountain, and they need more rescues,” Ayers said in one of his dispatches.&nbsp; American expedition chronicler and summiteer Alan Arnette suspects there is a lot of under-reporting given that the jet stream and storms were lashing Everest even till late in the season. He told us: “I heard a lot about frostbite and rescues that were not made public. It’s become practically impossible to cover the details on Everest. All the teams report nice news, and they don’t talk about bad stuff to avoid hurting businesses.” Although trash on Nepal’s mountains makes headlines, what does not receive as much attention is the climate impact of so many expeditions. The Sagarmatha Sambaad conference sidestepped this issue, which is ironic given that the impact of climate breakdown is most evident on Himalayan peaks and their glaciers.&nbsp; <h2>Need for Speed</h2> The big stories this year have been about speed-running from their home cities to the top of Everest. Ukrainian entrepreneur Andrew Ushakov flew out of JFK on 15 May at 10:15AM Nepal time, and was on the summit 3 days, 23 hours, and 7 minutes later on 19 May at 9:22AM.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885.jpg" data-media-id="editor_2" data-image-id="20250601080640_1c5cc6fc991307861768f07037ed9d30930fb20f35dbb57dc31c9a92a9e1a885" data-rendition-name="original" width="1440" height="1800" loading="lazy" alt="The Everest Industry"> <figcaption>Andrew Ushakov at the summt. Photo: ELITE EXPED</figcaption> </figure>  “I could never find the time for the traditional 40-50 days of acclimatisation,” Ushakov explained matter-of-factly. His ‘Everest Sea-to-Summit’ climb was possible because he spent 400 hours in hypoxic sleep tents over the past four years in New York. However, Ushakov did use ropes already fixed, hired four Nepali guides, helicoptered to Base Camp, and used much more oxygen than an average climber. And after the climb, Ushakov was arrested at Kathmandu airport for being in possession of $20,000 of undeclared cash and spent a night in jail and fined $60,000.&nbsp; The other speedsters were Garth Miller, Alastair Cairns, Anthony Stazicker, and Kev Godlington, all former British Army commandos. They left London and summited five days later on 21 May, and flew right back. They also used hypoxic tents to simulate the thin air high on Everest.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8.jpg" data-media-id="editor_3" data-image-id="20250601080644_90c8dd5cc07b4b43f2989b1dc0c0650ab80f10ebb06680c25a6909c519957bd8" data-rendition-name="original" width="810" height="668" loading="lazy" alt="The Everest Industry "> <figcaption>All four members of the Furtenbach team at the summit. Photo: Sandro Gromen-Hayes</figcaption> </figure>  But more controversial was their use of xenon gas therapy in a German hospital to ramp up the production of oxygen-carrying haemoglobins in their blood. Xenon is banned by the World Anti-Doping Agency for being performance enhancing in sports. Expedition leader Lukas Furtenbach said this rule does not apply to mountaineering, as it is not a regulated sport like swimming. Nepal has no rules about xenon, but the Department of Tourism said it was launching an ‘investigation’ to decide on future policy since it is difficult to ban xenon, but allow oxygen. The controversy has also divided the mountaineering community, with some climbers saying they just want to maximise their chances of survival. Spending less time on the mountain could make climbing safer by reducing avalanche risk. It would also mean less trash on the mountains, but it would reduce the income of Nepal’s expedition industry. It is also unclear how much of the success was due to xenon therapy and whether the ex-special forces were already in good physical shape.&nbsp; The need for speed hides the fact that climbing in the Himalaya is dangerous business, and climbers cannot sprint to the top just by huffing xenon. But ultra-fast climbs could be charged more, and the revenue generated can be used to establish state-of-the-art rescue operations, and increase pay and insurance for guides. Two other speed chasers this season were Swiss-Ecuadorian Karl Egloff and American Tyler Andrews, both on Everest without oxygen. Andrews choppered to Base Camp to catch a weather window, but turned back from 8,500m due to high winds. Heavy snow and wind also forced Egloff to descend from 7,000m. Slow and steady climbers like Anja Blacha from Germany did make it to the summit without oxygen, while Kami Rita Sherpa broke his own record with his 31st Everest summit as he led a 26-strong Indian Army group. There were 468 permits issued for foreign climbers from 48 expeditions to Everest this spring. Nepal’s other eight-thousanders together had only 17 expeditions. Nepal has more than 1,000 peaks above 6,000m, and has opened only 476 of them for climbing.&nbsp;