The Canadian media philosopher <a href="https://www.marshallmcluhan.com/biography/">Marshall McLuhan</a> was way ahead of his time in foreseeing how <a href="https://nepalitimes.com/opinion/addressing-nepals-digital-divide">the digital age </a>would transform the public sphere. The <a href="https://nepalitimes.com/editorial/the-message-is-the-medium-z5w3ekk2">medium was indeed the message</a>, and today the messaging app is the message.
On <a href="https://www.unesco.org/en/days/press-freedom">World Press Freedom Day</a> on Saturday 3 May, journalists must remind ourselves that it is not only our freedom that needs to be protected. Freedom of press guarantees the <a href="https://nepalitimes.com/20-years-ago-this-week/media-in-crisis">public’s right to know</a>, journalists are just defending the freedom of their fellow-citizens.&nbsp;
<a href="https://nepalitimes.com/banner/no-freedom-after-expression">Democracy and freedom of expression</a>, by definition, go hand-in-hand. There can be no democracy without participation, and there is no participation without open communication.&nbsp;
But today, <a href="https://nepalitimes.com/here-now/populism-vs-pluralism">democracy is in retreat across the world</a>, a trend that has gone hand-in-hand and has been abetted by the uncontrolled spread of social media platforms.&nbsp;
The world’s two most populous countries to Nepal’s north and south now have converging political systems and media landscapes. China’s phenomenal economic progress seems to have convinced its admirers that democracy and development are antithetical. &nbsp;
Over the past century, the United States demonstrated that a free press and the free market were two sides of the same coin — open society needed to be defended to ensure accountability and economic growth. The First Amendment to the US Constitution laid down that the legislature should make no laws that infringed on complete <a href="https://nepalitimes.com/editorial/jail-the-messenger">freedom of expression</a>.
Yet, the United States is proof now of how too much freedom can kill freedom. We now know that the liberty to say anything can mean we end up saying nothing. There can be so much freedom that the truth can be buried in an avalanche of lies. The free-for-all on the internet is merely an illusion of freedom.
Democracy allows citizens even the freedom to destroy democracy itself. With democracies in decay worldwide, media as the fourth pillar of democracy is turning into a pillar of authoritarianism.
<a href="https://nepalitimes.com/editorial/democracy-s-discontents">Hyper-local digital media content is so polarised</a> that it paralyses democracy and pierces the armour protecting the free press. Algorithms reinforce and further radicalise entrenched beliefs, muffle public debate, and muzzle journalists.
The truth is then drowned in a cacophony of toxic trolling, hate speech and disinformation. AI has made it possible for deep <a href="https://nepalitimes.com/news/balancing-free-expression-with-fake-news-on-social-media">fake content</a> to be even more potent and pervasive.
Democracy and social networking sites, alas, are not compatible. We have been reluctant to put it so bluntly before because agreeing to social media bans in Nepal (<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">like the government did with TikTok</a>) would mean infringing on constitutionally guaranteed freedom of expression. Such control could lead to creeping censorship of digital content by a thin-skinned government.
The age of AI-driven algorithms coincides with democratic reversal globally, and an existential crisis in the mainstream press. <a href="https://nepalitimes.com/editorial/south-asia-2040-qxr16oup">Journalists are no longer sole gatekeepers</a>, ‘content creators’ and ‘influencers’ now give ‘users’ what they want, not what they need to make informed choices — for example about mitigating climate breakdown.
As a press freedom activist said at a recent gathering: “We do not go to a citizen doctor when we are sick, so why do we need citizen journalists to tell us what is happening?”
Yet publishers and editors are stuck in their old ways, unable or unwilling to adapt to new storytelling styles and multimedia packaging formats. With falling revenue, there is less money for investigative reporting which was already jeopardised by corporate conflict of interest.
The free press must survive so that democracy is made more accountable, and pluralism can <a href="https://nepalitimes.com/editorial/nepal-populist-party-balenist">prevail over populism</a>. For this, journalism must fight back. Smaller, isolated pockets of independence and professionalism need support to resist. Even practicing independent journalism in this day and age is a form of resistance.&nbsp;
<a href="https://nepalitimes.com/news/media-melee-in-the-age-of-ai">AI will embolden techno-fascists</a>, replacing physical death squads with cyber lynch mobs. Governments do not need to censor the media, journalists can be silenced by corporate takeovers and mass trolling. They do not need to kill journalists anymore, they can just let journalism die.
Free speech is no longer about journalism, ‘free speech’ is what is on YouTube or TikTok. Journalism used to be governed by rules about verification, double-checking, about credibility and trust. Posts on X do not have to abide by any of those rules, and the tyranny of the algorithm remakes McLuhan’s global village with tribalism.&nbsp;
Media freedom has ended up killing freedom, as another philosopher of resistance, <a href="https://janisjoplin.com/">Janis Joplin</a>, once sang 60 years ago: “Freedom is just another word for nothing left to lose.”
Kunda Dixit

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Messaging is the Message

“If you are 45 or younger then you have never experienced a normal climate,” said Richard Mahapatra, managing editor of environmental magazine Down to Earth. His presentation ‘Politics of Environment and the Media’ was the ending session of the third annual Himal Media Mela 2024.&nbsp; The theme of Press Freedom Day this year is ‘Press for the Planet’, and all workshops and sessions, including Mahapatra’s, provided a plethora of story ideas for the journalists gathered at Yalamaya Kendra.&nbsp; “Climate change isn’t just a story anymore, it is the context where every story takes place,” says Mahapatra. “Everybody and everything is a climate story today. Migration happens on the backdrop of climate crises. And economic stories are invariably also climate stories.”&nbsp; Reflecting on exploits since the industrial age, Mahapatra highlighted how the human way of life has been a catalyst for the climate crisis that has affected Earth.&nbsp; "We have altered the planet so much that it is entering a new age that is named after us: The Anthropocene,” said Mahapatra.&nbsp; Mahapatra cemented the idea that there is a politics to the environment, a problem of the rich vs the poor. Mahapatra added that it is the poor who are left on the degraded land with tremendously polluted air, water, and land.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024050316054_2311d978cb41e1b00f2626886324a23e4d729f48174250156adfb721d062268a.jpg" data-media-id="editor_0" data-image-id="2024050316054_2311d978cb41e1b00f2626886324a23e4d729f48174250156adfb721d062268a" data-rendition-name="original" width="2048" height="1366" loading="lazy" alt="Richard Mahapatra NT"> </figure>  Mahapatra’s presentation focused specifically on the linkages of stories, regardless of how disconnected we feel.&nbsp; “We are already by existence globalised. In such a situation, no local story stays within its locality. We are linked. A climate change story or a simple disaster story from one locality can be linked to another climate issue taking place a million miles away,” said Mahapatra.&nbsp; Conflicts and war, all over the world, have displaced people, and climate-related disasters are displacing more.&nbsp; “The jungles, which naturally take about 120 years to become extinct, are now dying in thirty years,” said Mahapatra. “Our extinction rate is dangerously high.” To combat this crisis, added Mahapatra, journalists must gear up and do their part.&nbsp; He says: “Soon enough, Nepal, which has six seasons, will barely have three.” &nbsp;

Ushering in the Anthropocene

The third Himal Media Mela 2024 continued on Friday following the keynote speech from Mohamed Nasheed, climate activist, writer/journalist, and former president of the Maldives.&nbsp;
The day-long symposium included four workshops and two panel discussions ranging from possibilities of AI usage in newsrooms to threats faced by investigative journalists in environmental reporting, to climate finance.&nbsp;
In the first session of the day, Naresh Newar gave a workshop on AI in the Newsroom with a presentation about how media practitioners can responsibly use Large Language Models (LLM) and Generative AI to ease their workload.&nbsp;
“One main way AI can lighten the burden of journalists is by using it on small repetitive tasks that could lead to burnout,” said Newar, adding that newsrooms can use AI in such tasks as proofreading, transcription, review, and research.&nbsp;
“However, one must not claim AI-generated content as their own,” cautioned Newar. &nbsp;
The workshop also delved into the rapid advancement of AI technology, as well as its limitations. There was also discussion surrounding the ethics of AI use, and the need for newsrooms to be careful in identifying AI-generated content that might be posed as human-generated media.&nbsp;
Meanwhile, during the workshop on Data Mining to Tell Compelling Stories, data journalists Mohan Mainali and Arun Karki shed light on formulating stories from available data sources, and the importance of interactive data in storytelling.
“A single set of data can generate multiple stories and analyses,” said Arun Karki. “The key is to know how and where to look.”
Sharing his experiences while reporting for a three-part series published in Nepali Times analysing meteorological, hydrological and demographic data from eastern Nepal, Mohan Mainali emphasised on the importance of data visualisation.
“Like the expression, ‘show, don’t tell’ goes—it is the journalist’s responsibility to visualise and present data in the most easily apprehensible way for audiences,” said Mainali. “And although numbers by themselves do not have much to say, visualising those numbers reveals trends.”
The speakers also encouraged journalists to make the most out of open-source and freely available data while reporting on environmental issues, adding that climate-related data are more accessible than most. &nbsp;
“When media is under a financial crisis, data journalism lets journalists form a story without actually having to go to the field,” added Mainali.
Later in the day, water expert Ajaya Dixit during the workshop Media for Early Warning of Disasters discussed how Nepal can move to a disaster-resilient future. He highlighted that Nepal’s policies recognise that it is prone to multi-hazards, and must be prepared for them.
“The media must proactively communicate relevant messages before, during and after disasters, but attributing all environmental issues to climate change is not enough,” he said.
“Furthermore, no disaster is natural,” added Dixit, giving an example of how poorly built houses kill people, not earthquakes themselves. “Media coverage must stop referring to disasters as natural.
“We need to recognise the events within our borders—such as the soot from wildfires that are expediting the melting of the mountains— that contribute to the climate crisis,” remarked Rama Parajuli of the BBC.
Dixit also pointed to the need for collaboration between media practitioners, researchers, and development partners, and that knowledge and information need to be cross-validated.”
“Disaster, hazard, vulnerability, and risk are used interchangeably in Nepal. These terms need to be contextualised, disaggregated, and used appropriately,” he further added. “Reporting has to be based in science.”
The workshop Investigating Climate Finance led by economist Rashtraraj Bhandari of the Asian Development Bank was a crash course into climate finance, as well as jargon journalists must understand while reporting on climate finance.
The economist during his presentation emphasised the need for nations to generate their climate funds.&nbsp;
“Foreign grants and funding are never going to be enough to combat climate crises, and expecting external funding for them is more costly in the long-term— both economically and &nbsp;socially,” said Bhandari, “We as a country must identify what ‘green’ means for us, not what is dictated by grant-giving countries or projects.”
Bhandari also urged the journalists that storytelling should look beyond numbers. “Real stories are the ones that visualise the impact of crises,” he added.
The Media Mela continued into the second half of the day with two panel discussions.&nbsp;
In the session Threats against Environmental Journalists, &nbsp;moderator Bidhya Rai, as well as panellists Ramesh Bhushal and Ramu Sapkota narrated personal experiences in the field while discussing the dangers that Nepali reporters who investigate environmental exploitation and crimes face.&nbsp;
“Our rich natural resources are being exploited by those in power, and is part of our economic activity,” noted moderator Bidhya Rai said during the session’s introductory remarks.&nbsp;
Ramesh Bhushal, Nepal editor of The Third Pole, remarked that environmental journalism had long been attributed to travel and luxury, and simply writing about nature.
“Environmental reporting is political reporting—it involves reporting on corruption, and those exploiting resources for their self-interest,” said &nbsp;“It is thus people-based reporting,” added Bhushal.
Bhushal added that environmental journalists have been under threat from the moment that environmental reporting began in the 70s, soon after the exploitation of natural resources became part of the mainstream discourse globally.
There are not just threats to journalists’ physical safety. The increasing fragility of the environment also means that reporters face the risk of experiencing disasters like landslides and floods while in the field.&nbsp;
“While there is information that can be accessed remotely, one cannot report about the environment entirely from the desk, it has to be done from the field,” said independent journalist Ramu Sapkota.
Journalists also face possibilities of legal repercussions, from local-level leaders to powerful political cronies. And it is not just journalists who risk their safety. The panellists also spoke about how sources become hesitant to communicate with reporters when their lives and safety are threatened.&nbsp;
“The climate of fear in the community is increasing,” said Bhushan.
“Independent journalists and local reporters are under more risk than reporters who have support from and are in communication with their newsrooms,” added Sapkota. &nbsp;
The panellists further discussed how maintaining constant communication with newsrooms, as well as friends, and family can mitigate risks to media practitioners who investigate environmental exploitation.
Also present in the session were Laxmi and Sangam Mahato, the sisters of Dilip Mahato, an activist who was murdered by contractors extracting sand from the Aurahi River in Dhanusha. Dilip had been protesting illegal sand mining in the river and organising the local community to conserve the Chure Hills.&nbsp;
His sisters have continued their brother’s fight to save their river and village from illegal sand mining even as they continue to get threatened by their brother’s killers.&nbsp;
The panelists also spoke about what they called a ‘grey area’ between environmental journalism and environmental activism.
“While we should not be engaging in activism, we should provide information that enables activism,” said Bhushal.
Sapkota agreed. “We need to provide space to and encourage those who want to take up activism.”
Meanwhile, public interest litigator Sanjay Adhikari during the panel Economics of Ecology also touched upon the need for environmental activism. “Environmental activism is not a want for us, it’s a need,” said the lawyer.
Adhikari also spoke about what he called “absurdities” in the plans for the Nijgadh airport, including the scale of the trees cut down to make way for the project, and claims that animals would “retreat into the forest from the runways when planes landed.”&nbsp;
Environmentalist Bhushan Tuladhar, who was also part of the panel, also offered critique of Nepal’s environmental policies while championing electric public transport as a public good— reminding the audience that over half of the households, even in the Kathmandu Valley, do not own private vehicles.&nbsp;
Tuladhar also noted how environmental issues disproportionately affect some communities and groups over others. “Indoor pollution is a major part of air pollution in Nepal that directly affects women and children,” he said.
Tuladhar highlighted the economic and health costs of environmental issues such as pollution, reminding that air pollution costs the world 6% of its GDP —$8.1 trillion— every year, on healthcare costs.&nbsp;
Tuladhar asked: “What would we be willing to pay for an extra 1.2 years of life, which would be possible if the air pollution decreased by only 30%?”

The political economy of environment

Power corrupts, and absolute power corrupts absolutely. When the other pillars of democracy fail to act as check and balance, the press has to step in to hold power to account. 
Which is why authoritarian and elected autocrats around the world who have co-opted the judiciary, legislature and executive are now targeting the media. Journalists are <a href="https://nepalitimes.com/editorial/in-a-surveillance-state">surveilled</a>, threatened and even murdered for doing their job. 
The ill-gotten wealth of demagogues is mostly derived from licensing the exploitation of natural resources. Often, it is only <a href="https://nepalitimes.com/here-now/investing-in-investigative-journalism">investigative journalists</a> who stand in the way of greed and ambition.
UNESCO’s theme for World Press Freedom Day this year is ‘Press for the Planet’. Climate breakdown, mining, or illegal logging are no longer just ‘environmental’ features — they are stories of political crime.
Nepal is one of the most <a href="https://nepalitimes.com/news/nepal-should-be-open-for-south-asia">open societies in Asia</a> at present. But it was not always like this. Nepal has had its dark periods: 1960-90, 2005, 2016. Even at present, it is not smooth sailing for the mass media here. 
Successive governments in the eight years since the new Constitution have tried to squeeze the press. People posting on Facebook have been arrested, YouTubers taken to court, and last year the government banned TikTok.
<a href="https://nepalitimes.com/news/rattled-by-criticism-nepal-bans-tiktok">Censorship in instalments</a> is a way to test the waters to see if the backlash from freedom activists can be handled before imposing stricter restrictions. 
Local reporters, who do not have the protection enjoyed by more high-profile journalists in the capital, are threatened and gagged from reporting on activities that harm nature and livelihoods. 
Rabi Lamichhane has been under a cloud ever since he was Home Minister last year. A former tv anchor, Lamichhane is open about his contempt for the mainstream press, which he calls the ‘Dirty Dozen’.
Soon after becoming minister this time, he directed local officials to monitor news and social media posts in all 77 districts to keep track of content critical of the government.
He was forced to withdraw this daft idea after a backlash, but is now employing other channels to hit at Big Media mainly through portals, police and the investigation bureau he commands. The man obviously has much to hide, and is blaming the messenger.
Mayors Balen Shah in Kathmandu and Harka Sampang in Dharan who were propelled to office by social media propagation of their populist personas have shown thin skins, and a disdain for journalists critical of their methods. 
The draft Media Council Bill will allow a government secretary to select its chair and members. The Council is supposed to ‘advise’ the government in formulating media policies and code of conduct, much like a fox guarding the chicken coop.
Journalism in Nepal is already in crisis because of the collapse of the business model of <a href="https://nepalitimes.com/news/the-new-news-age">legacy media</a>. Just when we need an independent press to safeguard freedoms, it is more exposed to corporate and political pressure. There is a steady erosion of democracy in South Asia with varying degrees of censorship. Nepal has flourished as a place for the meeting of the minds, where nationals of neighbouring countries come for free and open discussion. But that space could close if journalists here do not fully defend our constitutionally-guaranteed freedom of expression.
Some of our neighbours have decided that democracy and a free press keep them economically backward, and have adopted the East Asian authoritarian model. We in Nepal have tried strongman rule before, and it failed quite spectacularly. 
Media has an agenda-setting role in a democracy. It amplifies the public voice so people are empowered to demand action from elected officials against wrongdoing. Lack of accountability lies at the root of everyday problems like underdevelopment, lack of jobs, air pollution, or environmental degradation.
The current wildfire emergency in this country is a result of decades of official neglect, political apathy and fatalism. 
Journalists reporting on the <a href="https://nepalitimes.com/here-now/climate-crisis-drought-food-deficit-migration">climate crisis</a>, natural resource exploitation or biodiversity loss have shown great courage and sacrifice to get the truth out. Many have been killed. Others have been threatened and silenced. Climate deniers troll science journalists. 
Here in Nepal,<a href="https://nepalitimes.com/here-now/a-nation-built-on-sand"> illegal sand mining</a>, quarrying and logging have destroyed ecosystems. The climate emergency is now magnifying the impact of such wanton destruction on Nepal’s economy. 
Disasters like <a href="https://nepalitimes.com/banner/nepal-valley-suffers-quadruple-disaster">Melamchi</a> and <a href="https://nepalitimes.com/news/sikkim-flood-is-warning-to-nepal">Sikkim</a> could hit cascade projects along the Marsyangdi, Sun Kosi and Arun rivers. Journalists cannot just wait for disasters to strike any more, they must warn of them.
This week, even as smoke from wildfires blanketed the country, the Tarai is reeling under a heat wave. Jhapa was 43°C with 40% humidity, that is very near the lethal wet bulb temperature. 
What media chooses not to report, what to report on and how much prominence is given to it determines whether action is taken in time to mitigate danger. 
These ‘environmental’ stories are political stories: 
<ul><li>The government banned plastic bags three times but had to lift it because of lobbying by powerful pellet importers.</li><li>Air pollution can be reduced by incentivising electric transport, but there are vested interests in the fossil lobby.</li><li>Nijgad is not an airport project, it is a logging concession controlled by political cronies. </li></ul>
The job of a free press is not just to name and shame crooks, but also to restore the people’s faith in <a href="https://nepalitimes.com/here-now/populism-vs-pluralism">democracy and pluralism</a>. It is the democratic system with freedom of speech and fair elections to reward performance that makes this system work. 
We may have no expectations from our tried, tested and failed politicians, but let us not blame the system that they have abused.

Sonia Awale

Press under Pressure

This year’s World Press Freedom Day on 3 May falls during COVID-19 lockdowns in many of our countries. Restriction on movement means journalists all over the world are facing obstacles in getting interviews and data, and verifying stories before publishing.In addition, the global pandemic has been used by many governments to control not just the people’s movement but also their right to information. Journalists have been intimidated or attacked, and photojournalists and videographers on the frontlines often risk getting infected while documenting stories.<a style="font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/editorial/lockdown-crackdown/" target="_blank" rel="noopener noreferrer">Lockdown Crackdown</a>, EditorialTwo recent webinars conducted by Global Investigative Journalism Network (GIJN) and Finance Uncovered (FU) showed that recent government moves to restrict the press in Nepal are not unique – they are happening in many countries around the world.There have been efforts by authorities to criminalise journalism, and this is putting journalists reporting on the pandemic at risk, noted Courtney Radsch of the Center to Protect Journalists at the GIJN webinar. In Nepal, too, there have been <a href="https://www.nepalitimes.com/editorial/lockdown-crackdown/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/editorial/lockdown-crackdown/&amp;source=gmail&amp;ust=1588303395047000&amp;usg=AFQjCNE0w7-uF8_CXAUiqOy9AfnGn8Y2Rg">attempts by various government agencies to censor information. </a><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109121124/636b8dd29c7e80680e06b36cjpeg.jpg" alt="" width="746" height="560"/><figcaption>Photo: MIN RATNA BAJRACHARYA</figcaption></figure>Last month, the portal <a href="http://www.kathmandupress.com/" data-saferedirecturl="https://www.google.com/url?q=http://www.kathmandupress.com/&amp;source=gmail&amp;ust=1588303395047000&amp;usg=AFQjCNHevp5RQMt3kOoZW-Z80WS2OffnTg">Kathmandu Press posted a story</a> about alleged corruption during the purchase of medical equipment involving people in high places. This story was deleted from the site by a software company maintaining the portal’s homepage which had links to individuals in the Prime Minister’s Office involved in the deal.On 27 April, Radio Nepal aired a live interview of former prime minister Baburam Bhattarai that was sharply critical of Prime Minister K P Oli. The government asked the head of the state-owned radio station and its news editor for an explanation, and got the interview deleted from Radio Nepal’s site.On 18 April, Press Council Nepal (PCN) sent a letter to Nepal Telecommunication Authority to shut down certain web-based portals and ban them from publishing false news. In all these recent cases, the government appears to be using the cover of the COVID-19 crisis and the excuse of protecting privacy and shielding the public from fake news and character assassination to crackdown on the free press.“Many supposedly democratic countries like the United States, India and Nepal are censoring the press and making it very difficult for press freedom to prevail while covering COVID 19,” said <a href="https://www.nepalitimes.com/latest/in-locked-down-nepal-print-is-still-king/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/in-locked-down-nepal-print-is-still-king/&amp;source=gmail&amp;ust=1588303395047000&amp;usg=AFQjCNGhb3EiYv_dsV9Zmyy4FohVmEadqA">Kosmos Biswokarma editor of Kathmandu Press</a>. Tampering with the website without permission raised grave questions of freedom of press in this country, he added.The mission of journalism is to use the citizens’ right to freedom of expression to keep them informed. Journalists go to great lengths, and put themselves at considerable risk, to gather and investigate factual information to alert the public and authorities about wrong-doing and malpractice.However, citizens today get their information not just from the mass media but also from the Internet. The dissemination of fake news, rumours, defamation, violation of privacy on social media is not journalism. Governments should make that distinction.The authorities should not mistake misinformation for journalism, and not use objectionable social media content for blanket suppression of journalistic information. There has to be a mechanism to track such content and take action against perpetrators. It is the Press Council Nepal’s job to trace these sources, and not issue directives to ban portals. In fact it is not the PCN’s job to close down the media at all.During emergencies like the COVID-19 pandemic, due diligence rules are relaxed and there is a lack of transparency in big deals. Because it is the journalist’s job to speak truth to power, this often gets them into trouble, as happened in Nepal with the coverage of the <a href="https://www.nepalitimes.com/latest/nepal-to-test-covid-19-test-kits-from-china/" data-saferedirecturl="https://www.google.com/url?q=https://www.nepalitimes.com/latest/nepal-to-test-covid-19-test-kits-from-china/&amp;source=gmail&amp;ust=1588303395048000&amp;usg=AFQjCNHDyxZuQKhAZpSJr9rwB_DeXQd1Bw">Omni Business Corporate International</a> in the direct purchase of test kits and medical equipment from China at inflated cost.Shiva Gaunle of the Centre for Investigative Journalism Nepal (CIJ-N) says the biggest problem journalists are facing during the present crisis is getting data and verifying them. “It is not just the lockdown and restrictions on mobility, news items are taken off home pages or shut down, how can Nepal claim to have right to information and rule of law?” he asks.Journalism is not a crime, and fake news is not journalism. Governments should be able to separate the two, especially during emergencies like this global pandemic.Namrata Sharma is the former chair of the Centre for Investigative Journalism NepalTwitter: NamrataSharmaPnamrata1964@yahoo.com

Journalism is not a crime...

The newly-formed Himalayan Art Council is set to launch Nepal’s National Art Protection Platform that seeks to preserve <a href="https://nepalitimes.com/banner/the-history-of-heritage">Nepal’s unique cultural heritage </a>using<a href="https://nepalitimes.com/here-now/artificial-censorship"> AI-powered tools</a>. The Council seeks to safeguard <a href="https://nepalitimes.com/banner/nepali-art-going-places">Nepali art works</a> from neglect, theft and counterfeiting as well as preserve existing artwork and celebrate living masters by giving them a cultural space to continue the <a href="https://nepalitimes.com/banner/sacred-survival">sacred art traditions</a>. "We are introducing a new digital platform designed to preserve, verify and elevate <a href="https://nepalitimes.com/banner/nepals-new-generation-of-alternative-artists">Nepal’s art for generations to come,</a>” says a statement from the Council, adding that the digital platform will use AI told for authentication and blockchain to keep track of works of art. Artists can now be protected by <a href="https://nepalitimes.com/multimedia/ayo-ai?fbclid=IwAR1uwmTVq4gUB70ljfRezjzukD9ArWXPuMnUikopeQ8PoiZMjicToPSwhKE&amp;=1">AI tools</a> that detect forgeries, identify their work even when unsigned, and ensure they receive proper recognition and credit. The archives will be searchable with translated inscription and interactive guides. Says curator Meena Lama: “AI and blockchains are tools that give us the power to detect fakes and identify unsigned paintings and track every piece. With these tools we can restore trust, secure authorship and give artists the dignity they deserve.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53.jpg" data-media-id="editor_6" data-image-id="20250514170544_2ab58f6313c0458f75114a692b0016bd9efb3b59d5f8f07f0da72e1e37b82f53" data-rendition-name="original" width="1300" height="1000" loading="lazy" alt="Artwork at the Traditional Art Exhibition at Patan Museum."> <figcaption>Artwork at the Traditional Art Exhibition at Patan Museum.</figcaption> </figure>  The Council is also holding an exhibition of Nepali cultural masterpieces with 50 historical <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Buzz-the-art,671">thangka and paubha </a>by past masters and <a href="https://nepalitimes.com/review/between-the-sacred-and-everyday">contemporary works by current artists</a>. This curated collection is a living tribute to <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">Himalayan culture</a> with economic depictions of deities, mandala and sacred narratives. The exhibition at <a href="https://nepalitimes.com/multimedia/a-portal-into-patan-s-past-and-present">Patan Museum</a> also provides an opportunity to meet painters and custodians of art and culture. Read also: <a href="https://nepalitimes.com/review/golden-deities">Golden deities</a>, Sewa Bhattarai ‘The exhibition is only the first step in a long journey to ensure that Nepali art is no just seen but fully understood, <a href="https://archive.nepalitimes.com/article/nation/Narratives-of-Faith-and-Memory-Remembering-the-Lost-Sculptures-of-Kathmandu-exhibition,987">protected and remembered</a>,’ the Council says. Artist Kailash K Shrestha of Artudio has spent decades promoting thankha and paubha traditions because of their beauty and devotional meaning. But he also says artists are underpaid, exploited and ignored. He adds, “AI and blockchain are not just buzzwords, they are powerful tools that can protect Nepal’s artists from fraud, verify authenticity and build a permanent record of provenance.” Traditional Art Exhibition Till 17 May Patan Museum

Digital protection for Nepal’s art

India and Pakistan are twins separated at birth. Tensions between them have been at a hair trigger ever since independence and has erupted into full scale conflict at least four times in the past 80 years.
The 22 April terrorist attack in Kashmir that killed 25 Indian tourists and a Nepali citizen, threatens to escalate tension between the two nuclear-armed nations. India has squarely blamed Pakistan for the attacks, and Prime Minister Narendra Modi has given his military “operational freedom” to respond. Pakistan has said it has credible intelligence of an Indian military strike and its officials have promised a “full spectrum” response — a code for a <a href="https://nepalitimes.com/editorial/thinking-the-thinkable">nuclear retaliation</a>.
For Nepal, the killing of its national in the Pahalgam attack comes as another stark reminder that in conflicts from Afghanistan to Iraq, from <a href="https://nepalitimes.com/opinion/how-to-agree-an-armistice-in-ukraine">Ukraine</a> to Israel, <a href="https://nepalitimes.com/news/10-nepalis-from-one-town-fighting-in-ukraine">Nepalis are getting caught in the crossfire</a>. The last time full-scale fighting broke out between <a href="https://nepalitimes.com/opinion/peacemongers-at-india-pakistan-border">India and Pakistan</a> on Kargil in 1999, at least 22<a href="https://nepalitimes.com/here-now/india-s-trial-by-fire-for-soldiers-from-nepal?%27%5C%22="> Nepalis fighting for the Indian Army</a> were killed in action.
Three of Nepal’s immediate neighbours (China, India, Pakistan) have nuclear weapons, and they do not have good relations. With China supplying weapons, <a href="https://nepalitimes.com/editorial/war-and-warming">missile technology</a> and other support to Pakistan, this triangular friction could set off a regional conflagration.&nbsp;
<a href="https://www.nature.com/articles/s43016-022-00573-0" target="_blank">Research at Rutgers University</a> has calculated that even a week-long tactical nuclear exchange between India and Pakistan would throw up so much smoke and debris into the atmosphere that it would block out the sun for years, and lead to a collapse of the <a href="https://nepalitimes.com/news/grow-nourish-sustain-together-world-food-day">global food system</a>. This does not take into account the radioactive fallout that prevailing winds would blow up to <a href="https://nepalitimes.com/here-now/lives-on-the-line-in-the-himalaya">the Himalaya</a>, contaminating glaciers that are the sources of <a href="https://nepalitimes.com/here-now/saving-what-is-left-of-himalayan-rivers">Asia’s main rivers</a>.
The impact of <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>on High Asia was already ringing alarm bells about its <a href="https://nepalitimes.com/news/himalayan-icecap-melting-faster-than-thought">shrinking ice cap</a> reducing the dry season flow of water downstream. Water was going to be the next strategic commodity, geopolitical experts warned, and the next wars in Asia would be over water.
That water war is already happening. India retaliated to the Kashmir attack by suspending the <a href="https://www.nytimes.com/2025/04/24/world/asia/india-pakistan-indus-waters-treaty.html" target="_blank">Indus Waters Treaty</a> of 1960 mediated by the World Bank that has withstood at least three wars between India and Pakistan. The treaty gives India control over the three eastern tributaries of the Indus (<a href="https://en.wikipedia.org/wiki/Beas_River" target="_blank">Beas</a>, <a href="https://en.wikipedia.org/wiki/Ravi_River" target="_blank">Ravi</a> and <a href="https://en.wikipedia.org/wiki/Sutlej" target="_blank">Sutlej</a>), while Pakistan got water from the Indus and two of its western tributaries (<a href="https://en.wikipedia.org/wiki/Indus_River" target="_blank">Indus</a>, <a href="https://en.wikipedia.org/wiki/Chenab_River" target="_blank">Chenab</a> and <a href="https://en.wikipedia.org/wiki/Jhelum_River" target="_blank">Jhelum</a>.
Pakistan was assured of 70% of the annual flow, and India could use a reasonable amount of water for<a href="https://archive.nepalitimes.com/news.php?id=15231"> irrigation and hydropower</a>. &nbsp;Within days of its threat, India stopped water flowing down to Pakistan from the Chenab river and is reportedly preparing to do the same on the Jhelum.
The sabre-rattling has reached a crescendo. Besides threats and counter-threats there are also symbolic drills, with the Indian Air Force practicing landing on an expressway in Uttar Pradesh by its Rafale, Su-30 and Jaguar fighter jets to demonstrate ‘operational readiness’. In response Pakistan test-fired its Abdali ballistic missile that can carry a nuclear warhead and has a range of 450km.&nbsp;
The danger is that with ultra-nationalist rhetoric and the beating the war drums by both sides, India’s government and Pakistan’s military may have to ‘do something’ to appease domestic public opinion. But any tactical strike, an artillery exchange, or territorial incursion could quickly escalate out of control.
Expecting an Indian retaliation for the Pahalgam killings, Pakistan is using<a href="https://nepalitimes.com/opinion/interfaith-collaboration-for-nuclear-disarmament"> nuclear deterrence </a>and warning of “catastrophic consequences”. The two neighbours came close to a nuclear exchange in 2019 after an attack on the Indian military in Kashmir, and prompt international intervention led by the United States cooled tensions.&nbsp;
This time, the <a href="https://nepalitimes.com/news/trump-shock-wave-hits-nepal">Trump administration</a> is too distracted and not as engaged. Pakistan has denied it was responsible for the terrorist attack and called on Washington to stop a possible Indian retaliation. India and Pakistan have stopped overflights by each other’s airlines, and some international carriers have even stopped flying over Pakistan fearing an air war.
Washington, Beijing, the UN and the EU have all urged restraint. Iran, which has good relations with both India and Pakistan has sent its foreign minister to urge both countries not to go into a tit-for-tat war. Iran has its own nuclear flashpoint to worry about with tensions in Israel, &nbsp;Yemen and Syria.
India and Pakistan both share similar problems of joblessness, <a href="https://nepalitimes.com/here-now/why-nepal-s-poverty-rate-is-stuck">poverty </a>and <a href="https://nepalitimes.com/here-now/climate-change-new-threat-to-nepal-s-rhinos">environmental threats</a>. Neither side needs the threat of a senseless war, and we in the neighbourhood do not need it either.&nbsp;
Kunda Dixit
This Editorial is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.

Nukes in the neighbourhood

Most Nepalis thought they had seen the last of it after <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the 25 April 7.8 magnitude </a>earthquake ten years ago. But the Himalaya had more surprises in store. On 12 May, another 7.3 magnitude tremor that some said was an aftershock, but was strong enough to itself be a major earthquake, struck Dolakha.&nbsp; Not many people had heard of Singati till then — a cluster of houses by the Tama Kosi River along a narrow gorge that is the roadhead to Rolwaling Valley.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d.jpg" data-media-id="editor_1" data-image-id="20250508110520_57b6e316656851f71eca56ca6f98d9bbcc820c1a00d62af3c990725b4361244d" data-rendition-name="original" width="1000" height="1500" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e.jpg" data-media-id="editor_2" data-image-id="20250508110520_016534fb2b6a79957402281cda768efb83a146786377e39e11df3e251d37159e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  It was here that dozens were killed on 25 April in the first earthquake. Hundreds of <a href="https://archive.nepalitimes.com/article/nation/Singati-rising-from-rubble-rebuilding,3703">Singati survivors</a> had lined up for food and relief supplies in the morning of 12 May when the second earthquake triggered a rock slide that buried a nearby camp. At least 50 people were killed. &nbsp; Three hours later, a US Marine Corps UH-1Y Venom helicopter landed in a nearby cornfield to pick up the wounded, and flew off. The aircraft lost contact with air traffic control in Kathmandu and its wreckage was located high on Kalinchok four days later. Six American servicemen, two Nepal Army soldiers, and five wounded civilians from Singati were killed. Today, Singati bears little physical scar of the multiple tragedies that struck the town ten years ago. Most <a href="https://nepalitimes.com/multimedia/bungamati-builds-back">houses have been rebuilt</a> as urban-style concrete structures, and Singati has become an economic hub on the road leading up to several hydropower plants and a<a href="https://nepalitimes.com/banner/off-the-beaten-trek-in-nepal"> popular trekking destination</a>.&nbsp; The town looks less like a village and more like a suburb of the Dolakha district headquarter of Charikot, 47km away.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2.jpg" data-media-id="editor_6" data-image-id="20250508110520_196f341d1df1403ba133e5dfeb837eec20d7cbcb4c8c56b17cc5598810de5df2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e.jpg" data-media-id="editor_7" data-image-id="20250508110524_ae66c4a92430f67db51b5e11e017059eedfbac4cb18c8e073f2a50cca1fe904e" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> </figure>  “The demand for construction material, cement, iron rods and bricks peaked after the earthquakes,” says Suresh Khadka, who owns a hardware business here and now supplies material to the 456MW Upper Tama Kosi hydropower project that is undergoing repairs after it was damaged by a landslide last year. The demand for cement boomed since most residents believe, not necessarily correctly, that <a href="https://nepalitimes.com/banner/in-a-disastrous-state">cement houses are safer</a>. Although Khadka did well selling construction material after the earthquake, he worries that most new structures do not follow seismic-resistant building codes.&nbsp; The construction boom financed by bank loans has in turn forced many from Singati to <a href="https://nepalitimes.com/banner/making-overseas-migration-better">migrate overseas for work</a> so they can service their debt.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2.jpg" data-media-id="editor_10" data-image-id="20250508110524_50caa4530bd5ff9120cf7ab70a62173846d337ef448ff8bac339f3faa375a9e2" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Suresh Khadka</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83.jpg" data-media-id="editor_11" data-image-id="20250508110520_ef8b7d3993fc3b5df852bbf952feb3fbabc96d6883b0d5eb74ee5c60f4123b83" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Phu Doma Sherpa (right)</figcaption> </figure>  “My family had no choice but to borrow money to rebuild our home since the government compensation was not enough, and ten years later we are still paying off the loan,” says Phu Doma Sherpa, 60. Because of the shortage of qualified masons and proper seismic engineering, <a href="https://nepalitimes.com/here-now/structural-problems">many of the buildings are of questionable building standards </a>and the traditional architecture has been abandoned, admits Kul Bahadur Budathoki, deputy chair of the municipality. “But these buildings were more expensive than what the government grants could cover, many people here are heavily in debt and the men have <a href="https://nepalitimes.com/here-now/every-day-is-closer-to-pay-day">migrated to the Gulf to pay their loans</a>,” Budathoki says.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480.jpg" data-media-id="editor_14" data-image-id="20250508110520_32f89e97b7e757fc9286c0bbb671f48ea8d4468e9634fa646d7247c650ad8480" data-rendition-name="original" width="1501" height="1079" loading="lazy" alt="Climate magnifies earthquake risk in Nepal village NT"> <figcaption>Kul Bahadur Budathoki</figcaption> </figure>  Singati is in a multi-hazard zone. The <a href="https://archive.nepalitimes.com/article/nation/Singati,3091">12 May 2015 earthquake </a>could have led to the collapse of Nepal’s largest glacial lake, <a href="https://nepalitimes.com/here-now/stairway-to-heaven">Tso Rolpa</a>, upstream. Due to global warming, the glacier has turned into an expanding lake 3.5km long, and its collapse would have unleashed a catastrophic Himalayan tsunami down the Tama Kosi Valley, with Singati directly in its path. Singati has literally risen from the ashes of 2015, with its residents beginning to recover from the trauma and financial toll. But it is not out of danger as <a href="https://nepalitimes.com/news/climate-breakdown-linked-to-thame-flood">climate breakdown </a>magnifies the risk from future earthquakes.

Climate magnifies earthquake risk in Nepal village

<a href="https://www.instagram.com/prabalgurung/" target="_blank">Prabal Gurung</a> left Nepal for New York in 1999 to escape years of bullying, sexism and homophobia, and to pursue his dream of becoming a fashion designer. He <a href="https://www.youtube.com/watch?v=KqN0VaoAI5w" target="_blank">realised his dream</a>, but did not escape discrimination and racism in the new world. Propelled by passion for fashion, Gurung overcame everything America threw at him. He has attained <a href="https://www.vanityfair.com/style/story/prabal-gurung-recalls-his-first-met-gala-when-zoe-saldana-was-at-his-side?srsltid=AfmBOooy-H0oGgxMit864FnW_Pmw8mUnV8rYrh-co-f6OyYK6m2ip5hP" target="_blank">fame and recognition</a> for his haute couture dress designs while remaining true to his Nepali roots, and is even more resolute in <a href="https://www.youtube.com/watch?v=dSmNauyzACk" target="_blank">fighting prejudice</a> in all its forms. Prabal Gurung’s newly-released memoir <a href="https://www.amazon.com/Audible-Walk-Like-Girl-Memoir/dp/B0DG11HCDQ?fbclid=IwY2xjawKZfpxleHRuA2FlbQIxMQABHuZcIJO2OXyXcRm1oq1iG6wzeoF7VJFrQ7GXOFI0YxuZZ4id_CNvSZSZZIna_aem_pG_mOKG73RTnYvN8JaC4fA">Walk Like a Girl</a> is a saga of harrowing abuse in boarding schools in Nepal and India, only finding himself facing a different kind of bullying in the US. He prevails over it all to be where he is today: an award-winning American fashion designer with his own label. Walk Like a Girl was launched last week in New York at a time when everything Gurung fought for — tolerance, inclusion and diversity — are in retreat in his adopted country because of a president who has espoused a culture of bullying. The book is a searing, raw exposé of how cruel and abusive people can be even at a young age in school. On the other hand, it also shows that there are generous, compassionate and open-minded souls out there. In his book, <a href="https://www.youtube.com/watch?v=K4le_uWX7YE">Prabal Gurung</a> calls out those who tormented and tried to hold him back (some of their names have been altered). The moral of his story is: resist, never stop believing in yourself, do not let others define you, never lose sight of your dream, and help those who have been kept out. “Walk like a girl” was a slur used by bullies back in school in Nepal and India for Gurung’s effeminate ways. He fought back then, and he is still resisting by turning those words into something to be proud of.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e.jpg" data-media-id="editor_6" data-image-id="20250519170544_4ffc9c3f565dd2cfa754d10b224816897b82bb31ebaee91b6d79d469fc96f14e" data-rendition-name="original" width="1000" height="1253" loading="lazy" alt="Prabal Gurung NT"> <figcaption>Prabal Gurung at home in Kathmandu in the 1990s.</figcaption> </figure>  “Living through it all was one thing, but writing about it is one of the hardest things I have done in my life,” admitted Gurung during the launch. “I broke down constantly during the six-year writing process.” He continues: “I did not want this to be a victim’s book. I did not want to burden my readers with my emotions. I wanted my struggle to be an inspiration for others facing what I faced. I am grateful to those who bullied me in school, they made me a stronger person ready to face the world.” Indeed, this book is a departure from his earlier one titled simply, Prabal Gurung (Abrams, 2019), which was a lush pictorial autobiography of his career in fashion. Walk Like a Girl is not a typical fashion book, it is an intimate tale of <a href="https://archive.nepalitimes.com/news.php?id=16997">Gurung’s travails and triumphs</a>, and how he willed himself to succeed. Prabal pays a lavish tribute to his mother Durga Rana. We find out she is a descendant of the first wife of the eldest son of Jang Bahadur Rana who was banished to Palpa in the late 19th century. Prabal’s father served in the Singapore Police and that is where he was born before the family returned to Nepal when he was four. Gurung relates with brutal honesty about the violence his mother endured from his father. Durga raises three children as a single mother in Nepal, and Prabal credits her for his fierce determination to resist patriarchy and injustice, which in time manifests itself in his hyper-feminine and subversive dress designs. Writing the book has been a cathartic experience for Gurung, who says he is now relieved of the burdens of his past. It no longer haunts him, and he does not have to prove anything to anyone anymore. Walk Like a Girl has life lessons not just for the <a href="https://www.instagram.com/p/DJmOcSgxdWz/" target="_blank">fashion industry</a>, but for every other profession. How can my job serve a greater cause? Gurung tells us his work is <a href="https://asiasociety.org/blog/asia/why-designer-prabal-gurung-doesnt-want-just-stick-fashion" target="_blank">bigger than just making clothes</a>, it is about making the world a better place because it could do with a lot of improvement.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b.png" data-media-id="editor_10" data-image-id="20250519170544_d75296ad8bfdc00d88935f40d23543c6fea3d4d6a10e61a99d6cfc6127f2ee5b" data-rendition-name="original" width="1516" height="1000" loading="lazy" alt="Prabal Gurung"> </figure>  This story of chasing the American dream may sound familiar to many immigrants: knocking on doors for jobs, rejections, trying to survive from day to day on expensive rent, and dealing with subtle racism in white America. Gurung finds racism is rife, and he is often mockingly called ‘gaysian’. He writes: ‘There was a strong hypocrisy — this idea of independence felt like a marketting ruse … and for all the talk of feminism in America, these high society women were trapped by the patriarchy just like in Nepal and India.’ After a trek to the Khumbu region in 2013, Gurung is inspired to use the colours, palette and textures of Nepal for his collection exhibited on Manhattan’s 8th Avenue. A major buyer tells him bluntly: “Stick to making pretty dresses … if I need to see a collection like this, I could buy a copy of National Geographic.” The New York Times was equally dismissive: ‘The designer tries to draw connections between blistered techo-fabric used to construct it and the topography of his homeland, Nepal. But, at the moment, he has lost his map.’ One potential investor tells Gurung he cannot design for Americana because “you do not look American”. Gurung wants to use expletives, but restrains himself. After a fundraiser in New York for the Nepal earthquake in 2015, some belittled his effort, saying: “Here comes the saviour."&nbsp; Read also: <a href="https://nepalitimes.com/review/prabal-gurung-by-prabal-gurung">Prabal Gurung by Prabal Gurung</a>, Kunda Dixit The Gurkha DNA must be dominant in Prabal Gurung’s genes because he does not take such mistreatment lying down. When asked by a fashion publicist why he was designing clothes for fat people, he snaps back: “Because of people like you.” He joins the Black Lives Matter and #MeToo movements, launches the Shikshya Foundation charity in Nepal, and has powerful allies among celebrities who wear clothes he designed: Michelle Obama, Oprah Winfrey, Sara Jessica Parker, Kamala Harris, Deepika Padukone … it is a long list.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe.png" data-media-id="editor_12" data-image-id="20250519150556_48a5f4211991a23fa85b64bbd5377575ca7081d97309d7542035591dda5180fe" data-rendition-name="original" width="1114" height="1534" loading="lazy" alt="Being Prabal Gurung by design"> <figcaption>Nigerian novelist Chimamanda Ngozi Adichie wearing Atelier Prabal Gurung’s design for Met Gala 2025 in which the theme was ‘Superfine: Tailoring Black Style’. </figcaption> </figure>  “I don’t dress women to look beautiful, they already are,” Gurung says. “I try to bring out their innate strength and grace.” <a href="https://www.instagram.com/stories/highlights/17908766880140171/" target="_blank">Admirers</a> tell Gurung he makes it all look so easy, but he used to put up a strong facade to not show his own vulnerabilities in public. “I was closed because of my childhood experiences,” he says. “I was always on guard to defend myself because I never knew where the next punch would come from.” But in <a href="https://www.youtube.com/watch?v=PPVepzPA210" target="_blank">Walk Like a Girl,</a> Gurung comes to terms with his vulnerability, and bares his soul. It has not been easy, it took sustained will power and support from his mother, sister Kumudini and a circle of close friends. “I made unbelonging my power,” he says. “Nepal is where I still have my heart and soul. Nepal grounds you. It is where people go to find themselves. But I escaped.” Recently appointed vice-chair of the <a href="https://cfda.com/about-cfda" target="_blank">Council of American Fashion Designers</a>, Gurung says: “I can’t believe I am here, it feels like it is happening to someone else. Writing this book, the healing has finally begun.” <h2>‘Everything is better in color’</h2> The Met Gala was two weeks later, and my table was an example of everything I’d been fighting for all these years as my guests represented everything I believed in: dynamic, powerful, influential women who were unapologetically original and unabashedly graceful. I was grateful to Anna for inviting me to host and dress a table that reflected my ethos—and for her guidance in doing so. I was also aware of the privilege as one of the first-­ever Asian fashion designers—not just from Nepal, but from the entire continent— to get the opportunity to do so. That fact was not lost on me. I reached out beyond the expected Hollywood celebrities and well-­known socialites to curate a table of exceptional women who inspired me. I invited Deepika Padukone and Alia Bhatt for their first-­ever Met Galas, as well as Michelle Yeoh, Mindy Kaling, Camila Cabello, Ashley Park, Denée Benton, KiKi Layne, Quannah Chasinghorse, and Grace Elizabeth. Together we checked many boxes: Asian, Black, Latinx, and Indigenous, each woman undeniably chic and powerful, a dazzling array of skin tones and experiences that proved my decades‑in‑the-­making hypothesis: everything is better in color. Excerpt from Walk Like a Girl Viking © 2025 by Prabal Gurung  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215.jpg" data-media-id="editor_16" data-image-id="20250519170520_6b91d560e9f072c37d16876901058c073a51ffa05e7ad1b9461d19e1c9c28215" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748.jpg" data-media-id="editor_17" data-image-id="20250519170520_345240c21be400e2ce2ec629b52bd82bb53890e5bd86fe95b48340d84b5f1748" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Prabal Gurung book details NT"> </figure>  &nbsp;

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