Tales of 2 cities

While the rest of Nepal has gone cynical about federalism, it has opened doors here in Janakpur, the seat of Madhes Province. Its Mithila culture has got new national and global exposure, footfalls have increased and there is a new visible presence of development agencies.

Some of this has come at a cost to Birganj 70km away, which was always the commercial hub of the central Tarai and a gateway to Nepal via the land route. In fact Birganj and Janakpur were rivals in the contention of which city would be the capital of Madhes Province. But Birganj also has a new vibrancy in culture, the arts and cuisine.

Abhishek Jha is a lawyer and researcher from Madhes Province.

JANAKPUR

There used to be a time when Janakpur was synonymous with the Janaki Temple, dedicated to the birthplace of Sita. The temple is still a draw, but Janakpur now has a new set of footfalls, and there is a certain order to the chaos of this border city.

As the capital of Madhes Province, there are government agencies, new institutions and a heavy presence of the development sector. There are now at least a dozen flights to and from Kathmandu every day, propelling the city’s socio-cultural dynamic.

There is a pursuit for ‘uniqueness’ and at the heart of this is an active effort to make Mithila art more palatable to the pan-Nepali public: with paintings, merchandise, cutlery, apparel, stationery items and other paraphernalia.

A pioneer in this revival are the artists of Janakpur Women’s Development Center. The 800 year old Maithali folk-dance form called Jhijhiya has found new platforms and audiences at cultural events like the annual literature and theatre festivals held here. There is an attempt to make it more contemporary and address progressive issues like gender empowerment.

The Mithila Thali has found fans, largely due to the culinary curation of Master Chef Santosh Shah and his popular new restaurant at Ramananda Chok. A trip to Janakpur nowadays is perceived as incomplete without a stop here.

The choreographed spectacle of offering evening prayers at Gangasagar may not be as impressive as the one in Banaras, but it is quaint with ‘Yah chhai hamar Janakpur…Janak k gaam Janakpur…Sita k Janakpur…’ playing in the background.

Janak has rebranded itself as a cultural hub that transcends Mithila and aims to encompass a new, inclusive Nepal. The local media and social media play an important role in disseminating this identity.

There are six other federal provinces in Nepal, but only Madhes is a broadly ethnic enclave, and Janakpur stands only second to Kathmandu in the national discourse. Part of the reason for this could be Indian Prime Minister Narendra Modi making it a point in 2018 to make a special visit to Janakpur.

Janakpur’s geopolitical status is now higher and many Kathmandu-based ambassadors make it a point to visit, adding to its reputation and importance. Madhes Province can showcase its development since the first federal elections in 2017 with greater women’s empowerment in a traditional patriarchal society.

Government offices now have more women faces, there are more women shopkeepers in the market and banks, female participation in schools and colleges are higher. Some of this could be due to male outmigration, but there is no denying that the women of Madhes now have a stronger voice.

Janakpur has become more liberal in accepting other languages of the province besides Maithali, like Bhojpuri, Bajjika, Tharu, Urdu and Nepali. Unlike during the Madhes Movement of 2015, there is a new acceptance and assimilation of other communities.

There is now a proclivity in the public and government to demonstrate inclusion, both in principle and practice.

BIRGANJ

As a commercial hub and the road gateway to Nepal, Birganj is brash. Its people seem to be in a perpetual hurry to get somewhere, and as a city through which 80% of Nepal ’s exports and imports pass through, it also has a strategic importance. Proof of that were the many road blockages during the 2015 Madhes Movement here. 

Unlike Janakpur, Birganj seems quite content not to have too much to do with politics. In fact, some of the statues of Bhanubhakta and G P Koirala have been reinstated, along with the Maithili poet Vidyapati.

Along with Bhojpuri, the city is equally fluent in Nepali, Maithili, Nepal Bhasa, Bajjika, Bangla, Punjabi, Marwari and Hindi. Inclusion, it seems, is good for business. But it also means by trying to be everything for everyone, it lacks a cultural identity of its own.

Birganj is astride the ancient kingdom of Simraungad which one time ruled over Kathmandu Valley before it was razed and pillaged by the Tughlaq ruler of Delhi in 1326. Today it is better known as the ‘Land of Astavakra’ and ‘Gateway to Nepal’. The faux-Newari Sankracharya Pravesh Dwar gate at the border across from Raxaul marks this attempt to straddle both cultures. 

Birganj was a hub of political dissidence during the Rana regime and late in the pro-democracy movement because of the culture of questioning in public and private discussions. 

As befitting a city that serves as a connector and the gateway to the industrial corridor to the north, Birganj has a new cosmopolitan ambience. The people of Birganj are now better travelled, and interested in eating out with family and are in search for diverse cuisines. 

Although the city has a variety of restaurants, new age cafes, pizza and burger eateries offer a variety in Adarshnagar, Gawaha Mai and Ranighat. Mouth-watering chaats, bhuja-pakora, dahi-chiura, sattu, lassi, kachori-tarkari-jilebi can be found here. Chiya pasal are the public sphere, with vibrant places for socio-political discussions and hangout spots for college goers. 

Try the Bhojpuria Thali. Starters (Mahi, bel sarbat, anandi-chawal bhuja, litti-chokha, pakora), Main Course (Manshuli/basmati bhaat, rahri daal, danauri-tilauri, sukhwat, chokha, tarkari, papad, machhari, dahi, mitha), Desserts (Dudh-puwa, bagiya, haluwa).

The art scene has been made vibrant by the likes of local artists like Azmat Ali and Mukesh Mahato. Bhojpuri art is at a stage where Mithila art was probably five-six years ago. Further there is lack of synchrony in blaring horns, whistles and DJs. There is no single sound to identify with the city. 

‘Lollipop laagelu’ has transcended national boundaries and seeped into Nepali pop-culture. But this has created a limited understanding of Bhojpuri music. A large music space, besides few good attempts, awaits virtuous artists to build a different image of Nepali Bhojpuri Music. The music and art has to struggle and evolve in its ideation, identity and commerce.

The Maha Aarati at Sano Pashupatinath Temple in Pipara tries to do what Janakpur has done with Gangasagar Arati. Indian Bhojpuri music still dominates over Chaiti, Sohar and Purbi of literary giants like Bhikhari Thakur and Mahendar Misir. 

Cities have a persona of their own, they have character, visual traits, distinct taste buds and utility. They get embroiled in symbolism derived from primary activities or major significance it holds. There is also history in Birganj with Sugauli, where the 1815 treaty with the East India Company was signed, 30km from here.

Today, most people from north India, west and east Nepal have been travelling by train to pass Sugauli station. The route became so prominent that India constructed the Raxaul Junction adjacent to Birganj border. On our side, we had Raxaul-Amlekhganj railway, Nepal's first, as early as 1927.

Birganj was where Nepal’s first university, Nepal Rashtriya Vidyapeeth, was established with Ganesh Man Singh as Chancellor and Laxmi Prasad Devkota as Vice-Chancellor at one point. Furthermore, Thakur Ram Multiple Campus in Adarshnagar is a six decade old college and alma mater of many of Nepal’s who’s who.

Littérateurs like Pandit Deep Narayan Mishra, Gopal Ask, Uma Shankar Dwiwedi, Dinesh Gupta, Mukund Acharya, Purshottam Sharma and Anita Shah are Birganj's literary torch-bearers.