KIMFF 2024 is once again set to gather Nepali and international filmmakers, aficionados, scholars and mountaineers in a celebration of visual storytelling. Given dire warnings of how climate breakdown is affecting the ice caps on the world’s mountains, this year’s festival offers a new sense of urgency under the theme ‘Echoes of Change’. The festival from 29 May-2 June will take place at the Rastriya Sabha Griha and Nepal Tourism Board, featuring over 60 documentaries, fiction, features, and short films from 22 countries, including Nepal, Bhutan, India, Iran, South Korea, Colombia, and Tunisia. The festival’s Nepal Panorama section will showcase almost 30 films about contemporary Nepal by local filmmakers, the largest number Kimff has featured yet. “Kimff’s objective has always been to provide a platform for local stories and talent,” explains festival director Ramyata Limbu. “We hope the filmmakers and audiences will appreciate and enjoy this.”&nbsp; Kimff 2024 will kick off with the Asia Premiere of Italian director Brando Quilici’s The Tiger’s Nest. Filmed on location in Nepal, it follows a young boy embarking on a dangerous cross-country adventure to save a tiger’s cub from poachers. “Hopefully, films like these will open up the space for and spark conversations about more co-productions and collaborations in Nepal,” adds Limbu. The closing documentary on 2 June is No Monastery No Village about mountain people fighting to preserve their community and cultural heritage from a climate-induced disaster. The international jury includes director/producer Dina Mufti from the UK, Nepali anthropologist Suresh Dhakal, and film editor Regina Baertschi from Switzerland. &nbsp;They will pick winners from three shortlisted international feature films, 11 feature documentaries, and 16 fiction films for the Nepal Panorama section, among others. Kimff will also celebrate a century since pioneering attempts on Everest with a film screening and a photo exhibition titled Everest Revisited 1924-2024. It will also mark half a decade of bilateral ties between Nepal and South Korea with the screening of films from Korea’s Ulsan Ulju Mountain Film Festival. This year’s line-up will also include a panel discussion on Women Behind the Camera, screenings and an interactive session titled Championing Young Filmmakers, and a Nepali documentary pitch session by the forum Cut.Katha. Participants can also participate in an editing masterclass with Regina Baertschi. Kimff 2024 is co-hosted by Kathmandu Metropolitan City and promoted by Nepal Tourism Board with support from the Swiss Agency for Development and Cooperation, the British Council, US Embassy, Film Development Board, Nepal Mountaineering Association (NMA), Mila Productions, Pasang Lhamu Foundation, Daya Foundation, Voices of Women Media (VOW), Contemporary Art of Nepal Foundation, Toni Hagen Foundation, Bagmati Communications Registrar, Himalaya International Mountain Film of China (HIMF), GIZ, WWF, ICIMOD, North Face Nepal, and Sonam. &nbsp;&nbsp; <h2>HIGHLIGHTS</h2> <h2>The Tiger’s Nest</h2> 94 min | Italy/Nepal | 2022 Original Language: English Director: Brando Quilici &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_63b09ce3fbb8a63f27e8e0097631ab6338785b5ac2a4dc748b93d5189c6f2ae7.jpg" data-media-id="editor_0" data-image-id="20240524120520_63b09ce3fbb8a63f27e8e0097631ab6338785b5ac2a4dc748b93d5189c6f2ae7" data-rendition-name="original" width="1920" height="1012" loading="lazy" alt="Kimff 2024 NT"> </figure>  This opening film is the story of a young orphan named Balmani, who has grown up hearing about the legend of a guru who once flew through the Himalaya on the back of a female tiger. Where he landed, a cave on a sheer cliff, now stands a monastery called The Tiger’s Nest. One night, Balmani saves a tiger cub from the clutches of evil poachers and makes for the Tiger’s Nest, which he believes will be a safe haven. With the smugglers in hot pursuit, the boy and cub travel from the lush grasslands of central Nepal, through the chaos of Kathmandu, and into the high Himalaya, forming an unbreakable bond along the way. <h2>Andro Dreams</h2> 63 min | India | 2023 Original Language: Manipuri Director: Meena Longjam  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_d5e6c25f326dbd602325c706a3be1d451ceec3f92cfc6c455125bc7ad008d0fa.jpg" data-media-id="editor_1" data-image-id="20240524120520_d5e6c25f326dbd602325c706a3be1d451ceec3f92cfc6c455125bc7ad008d0fa" data-rendition-name="original" width="1621" height="1080" loading="lazy" alt="Kimff 2024 NT"> </figure>  This is the story of a love affair between the spirited Laibi and her all girls' football club in a village in rural northeast India. Laibi’s club battles economic challenges, the patriarchy, and orthodoxy. Andro Dreams was the opening film for the non-feature section at the International Film Festival of India 2023. <h2>कुलैं तौल कुछ नि जमदु (Nothing Grows Under The Pine Trees)</h2> 32 min | India | 2023 &nbsp;&nbsp;&nbsp; Original Language: Garhwali Director: Sachin Rana&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_20729c87454d7e3c1e6b13c0427d6cbb61b29796251d861e5f0120b786719f1a.jpg" data-media-id="editor_2" data-image-id="20240524120520_20729c87454d7e3c1e6b13c0427d6cbb61b29796251d861e5f0120b786719f1a" data-rendition-name="original" width="1663" height="1080" loading="lazy" alt="Kimff 2024 NT"> </figure>  In the hills of India’s Uttarakhand state live two sisters. The elder is pragmatic while the younger one is given to flights of fancy. When their parents deem that their firstborn daughter has crossed a line that would make her an outcast in society, they begin to make arrangements for her marriage. Her younger sister mistakenly comes to believe that she is the one whose wedding is planned. Nothing Grows Under The Pine Trees is the saga of a people who disguise their prejudice as tradition. <h2>Climbing For Gold</h2> 22 min | Belgium/ United States | 2024 Original Language: Dutch/ English Director: Vincent Groos &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_ed33d46e5907f2edd82423f7d50d4479451fcf9975622e682f6008aa08eb47c8.jpg" data-media-id="editor_3" data-image-id="20240524120520_ed33d46e5907f2edd82423f7d50d4479451fcf9975622e682f6008aa08eb47c8" data-rendition-name="original" width="1920" height="1080" loading="lazy" alt="Kimff 2024 NT"> </figure>  Vincent Groos’ documentary follows paraclimber Fré Leys as he trains for and competes in the 2023 Paraclimbing World Championships in Salt Lake City. Climbing for Gold explores Leys’ unrelenting training regimen, the bureaucracy of sports, and his competitors. It is a celebration of hard work, determination, and the human spirit. <h2>My Radio My Life</h2> 68 min | India | 2023 Original Language: English/ Hindi/ Marathi Directors: Bidit Roy, Makarand Waikar&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_d3b926ef391f6f96f84594575f133776010a981d18d31e15b8306e7bc15a60f5.jpg" data-media-id="editor_4" data-image-id="20240524120520_d3b926ef391f6f96f84594575f133776010a981d18d31e15b8306e7bc15a60f5" data-rendition-name="original" width="1895" height="1068" loading="lazy" alt="Kimff 2024 NT"> </figure>  Set in the 21st century, the film revisits the golden era of radio in India through people whose lives were shaped by the medium. Some of the cast of characters include a former announcer for Voice of America who broadcasted the Apollo 11 moon landing; a woman who found her calling, and later a life partner, through radio; an octogenarian who is determined to bring his treasured valve radio set back to life; a man who restores radios and displays them in his museum; and a woman who overcomes her conservative family through her passion for HAM radio. <h2>A Childless Village</h2> 82 min | Iran | 2022 &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Original Language: Azerbaijani Director: Reza Jamali  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120528_f83f6b93f0e30cffff2d488bda7a7caaad06c3fe12ae9b011208efb0ab7f7446.jpg" data-media-id="editor_5" data-image-id="20240524120528_f83f6b93f0e30cffff2d488bda7a7caaad06c3fe12ae9b011208efb0ab7f7446" data-rendition-name="original" width="1080" height="720" loading="lazy" alt="Kimff 2024 NT"> </figure>  Two decades ago, an elderly filmmaker named Kazem made a documentary about women in a remote Azeri village, all of whom are childless. The women stole and burned the footage, but 20 years later, it emerges that it is actually the men in the village who are infertile. Determined to complete his project this time, Kazem heads back to ask new questions. <h2>The Whispers of a Qareen</h2> 15 min | India | 2024 Original Language: Hindi Director: Maaria Sayed  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_7e192e35e6ad30732c87893324dc91d38859e85d69ff5f86901ba83f155a186f.jpg" data-media-id="editor_6" data-image-id="20240524120520_7e192e35e6ad30732c87893324dc91d38859e85d69ff5f86901ba83f155a186f" data-rendition-name="original" width="1920" height="942" loading="lazy" alt="Kimff 2024 NT"> </figure>  12-year-old Jahaan is visited by something strangely familiar in her Himalayan village. Her new companion gradually reveals its true identity. As the days blur, games played in wild playgrounds and trivial gossip passed back and forth among friends in the shadow of the holy tree near her home begin to feel distant. It is almost as if the world around her is disappearing. <h2>Arkesta</h2> 18 min | Nepal | 2023 &nbsp;&nbsp; Original Language: Nepali Director: Safal Pandey  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_aa42543291b9d3782fc4f7a2b23021e6572d6715e97657b662b2c2c2f5f3c44a.jpg" data-media-id="editor_7" data-image-id="20240524120520_aa42543291b9d3782fc4f7a2b23021e6572d6715e97657b662b2c2c2f5f3c44a" data-rendition-name="original" width="1497" height="1080" loading="lazy" alt="Kimff 2024 NT"> </figure>  As a single father, Gokul’s world tilts on its axis when one day, he sees his son dance in a feminine manner in public. Gokul then commits to changing how his child conducts himself in order to protect his reputation in his community. In the process, Gokul learns more about the different facets of his son’s personality. <h2>No Monastery No Village</h2> 27 min | Nepal | 2024 &nbsp;&nbsp; Original Language: Tibetan Director: Tashi Lhazom  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_e50992e83393095fa21e994ffac52c476c5ec81067ed6c7fa8ae8e5cc678c7ad.jpg" data-media-id="editor_8" data-image-id="20240524120520_e50992e83393095fa21e994ffac52c476c5ec81067ed6c7fa8ae8e5cc678c7ad" data-rendition-name="original" width="1133" height="586" loading="lazy" alt="Kimff 2024 NT"> </figure>  Nestled in the shadow of a glacial lake in the Himalaya lies Halzi village, home to the ancient Halzi Rinchenling Monastery, the cornerstone of Humla’s cultural heritage for centuries. It now faces a growing threat from a glacial lake upstream. A poignant exploration of faith, resilience and the fight to preserve a way of life in the face of climate change, the documentary follows villagers caught between deep devotion to their heritage and impending disaster.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240524120520_f9f4b3983e17ce8cf0285e0fbb4ee96161ef84d3784a34a28f6465bd760b9bc8.jpg" data-media-id="editor_9" data-image-id="20240524120520_f9f4b3983e17ce8cf0285e0fbb4ee96161ef84d3784a34a28f6465bd760b9bc8" data-rendition-name="original" width="1241" height="665" loading="lazy" alt="Kimff 2024 NT"> </figure>  21st Kathmandu International Mountain Film Festival Rastriya Sabha Griha and Nepal Tourism Board, Pradarsani Marga, Kathmandu 29 May-2 June 2024 For the complete festival line-up, visit the <a href="https://kimff.org">website</a>.

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Kimff turns 21

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2cf9c7e80680e0d3039jpeg.jpg" alt="" width="1778" height="1000"/><figcaption>"Bagh ko Bangara (The Tiger’s Jaw)"</figcaption></figure>From 8-10 December the capital is hosting the 20th iteration of the much-awaited Kathmandu International Mountain Film Festival (KIMFF), bringing a carefully curated mix of films from around the world focusing on mountain communities and cultures to Nepali audiences.The festival is timed to mark the International Day of Mountains on 11 December, and is back to full physical screenings after two years of an online-hybrid event because of the Covid-19 pandemic. Screenings will happen at Rastriya Sabhagriha and Nepal Tourism Board in Kathmandu. The theme for this year is 'Sustainable Summits', and features over 60 documentaries, fiction, shorts and animations from 30 countries including Burkina Faso, France, Iran, Nepal, South Korea, UAE and Wales.The latest episode of Herney Katha Bagh ko Bangara kicked off KIMFF 2022 on Thursday. This 55 minute-long film from Nepal by directors Bidhya Chapagain and Kamal Kumar depicts the adventures of honey hunters from Jajarkot in Karnali Province. The festival will close with a special screening of Fly from Everest (60mins) by director Joe Carter about an Australian paraglider’s attempt to fly off Everest to help raise funds to eradicate polio.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2d59c7e80680e0d303ajpeg.jpg" alt="" width="1920" height="1080"><figcaption> </figcaption></figure>Indian filmmaker Prakash Jha of acclaimed features like Gangaajal and Raajneeti joins KIMFF 2022 as its keynote speaker, and his film Matto ki Saikil will get a special screening on Thursday. Jha will be present for the Q&amp;A after the showing with the film’s director M. Gani.The festival will bring filmmakers, film enthusiasts, critics, scholars, journalists, artists and mountaineers for several special screenings, dialogues and discussions on the future of Nepali film, with filmmaker Abhinash Bikram Shah, director Pradeep Bhattarai, actor Surakshya Panta, theatre artist Akanchha Karki and co-founder of the animation company Incessant Rain Kiran Bhakta Joshi. In between the films, attendees will also be able to join the panels on children in film, ‘Young Person in Film’, and a workshop on adventure filmmaking.The international jury for the festival includes Michael Pause from Germany, Kiran Bhakta Joshi from Nepal, and Jinna Lee from Korea and they will be judging the 18 shortlisted films for the international competition, and 19 for the top documentary film and fiction film in the Nepal Panorama selection.KIMFF 2022 is organised by Himal Association, co-hosted by the Kathmandu Metropolitan City, and promoted by NTB. It is supported by UNESCO, the EU Embassy in Nepal, the Swiss Embassy, WWF, FDB, NMA, British Council, Mila Production, Toni Hagen Foundation Switzerland, ICIMOD, Contemporary Art of Nepal Foundation, Pasang Lhamu Foundation, and the Australian Embassy.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2d99c7e80680e0d303bjpeg.jpg" alt="" width="4016" height="2256"><figcaption> </figcaption></figure><h5>Some Highlights</h5><h6 style="font-weight: 400;">Bagh ko Bangara (The Tiger’s Jaw)</h6>55 min | Nepal | 2022Original language: NepaliDirectors: Bidhya Chapagain and Kamal KumarHigh on the rugged mountains of Jajarkot in Karnali Province, locals harvest wild honey and shilajit. By the creators of the YouTube series Herne Katha, Bagh ko Bangara is a documentary about four wild honey pilots whose lives are bound together with the cliffs of Khal Taakuri. Their ancestors believed that wealth is found inside a tiger’s jaw. Along the extreme topography of Jajarkot, and across the mental and emotional geographies of the tenacious human spirit, Bagh ko Bangara is a story about the perilous journey into the tiger’s jaw. The people in these mountains have undertaken this journey for generations, always one step away from death. Now, for the first time, outsiders can witness it.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2e29c7e80680e0d303cjpeg.jpg" alt="" width="1935" height="1750"><figcaption> </figcaption></figure><h6 style="font-weight: 400;">Matto ki Saikil (Matto’s Bicycle)</h6>97 min | India | 2022Original Language: HindiDirector: M. GaniMatto Pal is a beldar from a village near Mathura in India, a daily wage-earning construction labourer whose life is synonymous with his 20 year-old bicycle. His family, including his ailing wife, a teenage daughter and another, a primary school dropout, depend on it. Matto struggles to keep his bicycle in working condition to be able to reach his workplace on time. Arriving late losing wages is not an option. Matto ki Saikil is the story of how Matto and his family negotiate the simple pleasures of life. Will their lives change when, finally, Matto realises his dream of buying a new bicycle?<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2e69c7e80680e0d303djpeg.jpg" alt="" width="2560" height="1440"><figcaption> </figcaption></figure><h6 style="font-weight: 400;">Wantadar, My Countryman</h6>90 min | Australia | 2022Original Language: EnglishDirector: Jolyon HoffWhen former Afghan refugee and photographer Muzafar Ali discovers that Afghans have been an integral part of Australia for over 160 years, he begins to photograph their descendants in a search to define his own new Afghan-Australian identity. Then the Taliban take over Afghanistan and his old country comes calling.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2eb9c7e80680e0d303ejpeg.jpg" alt="" width="1920" height="1080"><figcaption> </figcaption></figure>Fly From Everest67 min | Australia/ Nepal | 2022Original Language: EnglishDirector: Joe CarterRetired Australian police officer and mountaineer Ken Hutt, 63, set off to do something that has never been done before: to climb Everest and then fly a solo paraglider off the summit, all to raise funds and awareness for Rotary's End Polio Now campaign. An epic story of adventure, sacrifice, and daring – with an incredible ending no one saw coming.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2f09c7e80680e0d303fjpeg.jpg" alt="" width="1591" height="845"><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20230112100128/63bfd2f49c7e80680e0d3040jpeg.jpg" alt="" width="1591" height="851">20th Kathmandu International Mountain Film FestivalRastriya Sabhagriha and Nepal Tourism Board,Pradarsani Marga, Kathmandu8-10 December 2022For the complete festival line-up, please visit <a href="https://kimff2022.b-cdn.net/KIMFF_2022_Schedule.pdf" data-saferedirecturl="https://www.google.com/url?q=https://kimff2022.b-cdn.net/KIMFF_2022_Schedule.pdf&amp;source=gmail&amp;ust=1670488994219000&amp;usg=AOvVaw1rQMqjHlsfpDejC0UWRoJY">online</a>.

Ashish Dhakal

KIMFF at 20

<figure><img width="1776" height="1149" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/6372094f9c7e80680e0b5534jpeg.jpg" alt=""/><figcaption>Gyan, Buddhisara B.K., parents of two laboureres killed in Kotbada airport, Kalikot.</figcaption></figure>It was 8 December 2002, and my documentary जोगीमाराका ज्युँदाहरु (The Living of Jogimara) was being screened at the Kathmandu International Mountain Film Festival (KIMFF 2002). The hall at the Russian Cultural Centre in Kathmandu was packed, and the audience had overflowed into the aisles. As director, I should have been sitting on the front row. But I had another job that day: to stand next to the projectionist and at exactly 10 minutes 47 seconds, mute the film for 20 seconds. As directed by the military censors, this was to prevent the audience from hearing the narration: ‘A few days after <a href="http://archive.nepalitimes.com/news.php?id=6681#.YgimpChBzOQ" target="_blank" rel="noopener noreferrer">the Mangalsen attack</a>, the army arrived at the airfield and opened fire. Thirty-five people were shot dead. Among them were two children, labourers from other parts of Nepal, including 17 young men from Jogimara.’ As a film-maker I had never been trained to mute the sound track during a public screening. My eyes were glued not on the screen but on the digital time counter on the VHS player.https://www.youtube.com/watch?v=tA34vvNRsSgA year earlier, the Maoists had broken off peace talks and conducted simultaneous raids on army bases across the country. The government declared an emergency, and for the first time mobilised the Royal Nepal Army against the Maoists. Till then it was the police that was fighting the rebels.Today, we know from many countries that crackdowns on the free press in elected democracies can be more draconian than in authoritarian regimes. Twenty years ago, I faced proof of it in that dark auditorium. I was then with <a href="https://cijnepal.org.np" target="_blank" rel="noopener noreferrer">the Centre for Investigative Journalism Nepal (CIJ)</a>. Freed from day-to-day journalism, the job allowed me to look at the conflict in perspective, put the daily death tolls into context, and examine the human side of the war, and its impact on ordinary people.I was following the <a href="http://archive.nepalitimes.com/news.php?id=13920#.YgiiHChBzOQ" target="_blank" rel="noopener noreferrer">Kotbada massacre in Kalikot</a>. News reports were sketchy and contradictory. State media said ‘many terrorists’ had been killed at the under-construction airfield. Another news item buried in the inside pages said that among the ‘terrorists’ were 17 men from <a href="http://archive.nepalitimes.com/news.php?id=15172#.YgiiTShBzOQ" target="_blank" rel="noopener noreferrer">Jogimara in Dhading district</a>. An RSS report quoted MPs Prem Bahadur Singh from Kalikot and Rajendra Pandey from Dhading as informing the house that the dead were labourers constructing the airfield. <figure><img width="1486" height="1036" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/637209539c7e80680e0b5535jpeg.jpg" alt=""><figcaption> </figcaption></figure>My <a href="http://archive.nepalitimes.com/article/nation/should-journalists-job-extend-beyond-coverage,1881" target="_blank" rel="noopener noreferrer">journalist antennae</a> perked up. I heard from reporter Bhupraj Khadka that a family in Jogimara had conducted a funeral of one of the dead even though it had not received his body from the Army.As a film-maker, I felt this could be a way to portray the cruelty and senselessness of war. But there was an insurgency going on, and filming would be difficult and costly. I approached renowned documentary maker Dhruba Basnet, who had made the film रक्ताम्मे गराहरू (Blood-soaked Terraces) and we had worked together in many parts of Nepal.Rajendra Dahal, editor at Himal Khabarpatrika, offered to publish the story. In Jogimara, I met 15 of the 17 families who had lost their men in a massacre 500km at the other end of Nepal in Kotbada. The story came out in Himal, and Nepali Times <a href="http://archive.nepalitimes.com/news.php?id=5700#.Ygih3yhBzOQ" target="_blank" rel="noopener noreferrer">translated it in the issue #106</a> of 9-15 August 2002 (screenshots, below). This was a rare exposé of a conflict-era crime.We started working on the video footage, and were convinced it would be an important documentation of the tragedy. We had to do it on a shoe-string budget, and the film finally premiered at KIMFF 2002.There was pin-drop silence during the screening. From time to time, I could hear sobbing in the dark. But I had to concentrate on the approaching 10:47 on the VHS digital clock. At exactly 47 seconds, projectionist Sudarshan Karki muted the sound. The audience had been quiet till then, but I heard murmurs: “They’re censoring.” I had to have a ready answer in the remaining 32 minutes of the film, because the viewers were sure to have questions afterwards. <img width="1750" height="2448" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/637209569c7e80680e0b5536jpeg.jpg" alt=""><img width="2446" height="1096" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/637209599c7e80680e0b5537jpeg.jpg" alt="">King Gyanendra had just <a href="http://archive.nepalitimes.com/news.php?id=5416#.YgikPShBzOQ" target="_blank" rel="noopener noreferrer">sacked elected Prime Minister Sher Bahadur Deuba two months prior</a>, and had appointed Lokendra Bahadur Chand as prime minister. The emergency had been lifted, but now the palace and army were in charge.The Royal Nepal Army had got the district administration and Police Inspector Sukhdev Neupane of Kamal Pokhari station to stop the screening. Neupane called to say his bosses wanted to see the film. I replied that it was shot in a new format, and it would take time to convert. He said the police had state-of-the-art equipment in its tv studio and that wouldn’t be a problem.The police were not just trying to stop my film, but were putting pressure on KIMFF organisers Basanta Thapa and Kanak Mani Dixit to cancel the entire festival. They finally agreed on a compromise: show the film, but mute the parts the military found objectionable.When the screening started, I noticed soldiers in camouflage fatigues enter the hall. They had walkie talkies. When the film ended, there was stunned silence, then applause. The lights went up. I strode to the stage to answer audience questions, and the inevitable one: “Why was the film muted in the middle?”I had prepared my answer, but I saw the soldiers glaring at me from offstage. “The system was working, but it went off for a while,” I said, but could not muster the courage for the rest of my prepared answer: “But don’t ask me whether it was the sound system that was broken, or the country’s system.”I stepped off the stage, telling myself that when confronted with a formidable enemy, it is foolish to wage frontal warfare. It is better to outflank the adversary and go into insurgency mode. The censors had forced me to become a guerrilla film-maker. The 38-minute documentary went on to be a hit, with two additional screenings during the festival. Many wept openly. Basanta Thapa wrote later in Himal: “By trying to censor the film, have we been deprived even of the right to cry for our own country?” After KIMFF 2002, the Ministry of Communications imposed a <a href="http://archive.nepalitimes.com/news.php?id=4413#.YgikvChBzOQ" target="_blank" rel="noopener noreferrer">censorship rule on all film festival screenings</a>. Since then, there have been many governments that have come and gone in Nepal. But the state has not been able to resist its temptation from time to time to curb the freedom of expression. Mohan Mainali is an author and documentary film-maker.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221114101124/6372095c9c7e80680e0b5538jpeg.jpg" alt="" width="145" height="189">

Forbidden to remember the Kotbada massacre

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0f34b0ad905ca02f041jpeg.jpg" alt="" width="3264" height="2448"/><figcaption>Nepali archer training for the Tokyo Olympics. Photo: NEPAL OLYMPIC COMMITTEE</figcaption></figure>As Nepal plunges headfirst into 2021, it is worth reflecting back on a year of cancelled, postponed, or improvised events. Weddings and graduations to cricket tournaments and international conferences, all had to be cancelled or put off.Visit Nepal 2020 was an early casualty to the pandemic, and the lockdown wrecked the tourism industry. But <a href="https://www.nepalitimes.com/banner/2020s-tips-for-2021/" target="_blank" rel="noopener noreferrer">there is some cautious optimism</a> about numbers picking up in 2021.There were advantages to cancelled events, virtual exhibitions and festivals meant geography was no longer a barrier.Organisers are looking forward to holding these cancelled physical events in 2021:Sustainable SummitsDuring the 4th Sustainable Summits at Chamonix in France, Nepal won the contract to host the 5th edition of the international event in Kathmandu in 2020. It was slated for June and <a href="https://sustainablesummits2020.org/" target="_blank" rel="noopener noreferrer">had to be postponed</a>. The organisers released a 50-minute video in which leaders and experts spoke about the impact of the climate crisis on the Himalaya.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0f74b0ad905ca02f042jpeg.jpg" alt="" width="933" height="1280"><figcaption></figcaption></figure>The Sustainable Summits 2021 will now be held virtually as well as physically from 31 May to 4 June at ICIMOD headquarters in Kathmandu, just ahead of the Climate Summit COP26 in Glasgow. The Glasgow Summit was itself postponed and is a vital step to heal the planet.“The situation is getting more urgent with climate change, and the Himalaya is getting more and more focus because we're seeing the effects of glacial retreat and permafrost cracking underneath houses in Khumbu,” says Lisa Choegyal, who is part of the organising committee fo the four-day summit.“The fact that we’ve got COP26 coming up means Sustainable Summits has grown to being something that can make a global statement and achieve lasting change,” Choegyal says. “In a way, we’ve taken a step up to be global leaders as opposed to being a voice on the side.”One of the beneficial side-effects of the global pandemic is that global carbon emissions actually decreased in 2020 despite forest destruction that decreased land sinks for CO2.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0f94b0ad905ca02f043jpeg.jpg" alt="" width="640" height="360"><figcaption>Kathmandu Triennale 2017. Photos: SHRAJESH TULADHAR, GOPEN RAI and ANUJ ARORA</figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0fa4b0ad905ca02f044jpeg.jpg" alt="" width="640" height="427"><figcaption></figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0fc4b0ad905ca02f045jpeg.jpg" alt="" width="640" height="425"><figcaption></figcaption></figure>Kathmandu TriennaleThe Siddhartha Art Foundation’s second <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/art-on-the-city-kathmandu-triennale,3607" target="_blank" rel="noopener noreferrer">Kathmandu Triennale</a> was supposed to be in 2020 and was supposed to explore multiple discourses on decolonisation, migration, indigenous knowledge.  It has been pushed to the second half of 2021, and will feature works from over 100 artists and collaborators from more than 40 countries.The Triennale will run for a month at multiple venues including the Nepal Art Council, The Taragaon Museum, <a href="https://www.nepalitimes.com/here-now/patans-museum-piece/" target="_blank" rel="noopener noreferrer">Patan Museum</a>, The Chhauni Museum, Siddhartha Art Gallery, and the Bahadur Shah Baithak. The exhibitions will be curated by Cosmin Costinas of Para Site in Hong Kong, as well as Sheelasha Rajbhandari and Hit Man Gurung.“The Triennale format has enabled us to link with all the Biennale and Triennale happening around the world in 2021, and place Nepal on the global art map,” Sangeeta Thapa of the Siddhartha Art Foundation.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0fe4b0ad905ca02f046jpeg.jpg" alt="" width="1500" height="1000"><figcaption></figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf1024b0ad905ca02f047jpeg.jpg" alt="" width="1000" height="667"><figcaption></figcaption></figure>Photo Kathmandu Nepal’s best known <a href="https://www.nepalitimes.com/review/photo-kathmandu-in-a-new-avatar/" target="_blank" rel="noopener noreferrer">photography festival</a> was supposed to happen in November, but will stretch out its 4th edition right through 2021 as opposed to previous month-long events. The shows and talks will mostly be virtual, and some of them have already begun. There will be physical exhibitions in 2021 if the pandemic tapers off.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf1044b0ad905ca02f048jpeg.jpg" alt="" width="800" height="351"><figcaption></figcaption></figure>Film Festivals Nepal International Film Festival (NIFF) barely managed to be held February just as the pandemic was spreading. But other events such as the <a href="https://www.nepalitimes.com/review/irena-taskovski-virtually-in-nepal/" target="_blank" rel="noopener noreferrer">Pame Film Festival</a>, the National Human Rights International Film Festival (NHRIFF), and KIMFF went virtual during the tail end of 2020, which meant that a large number of viewers including the Nepali diaspora had access to participating Nepali films.<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/nepal-postpones-international-events-as-fear-of-covid-19-intensifies/" target="_blank" rel="noopener noreferrer">Pokhara Film Society</a>, however, opted to wait out the pandemic and postponed it from March, well before the Covid lockdown began. Festival Director Santosh Sharma Sapkota says, “We are hoping to have the 5th edition physically in 2021 with virtual options for viewers who prefer it.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf1054b0ad905ca02f049jpeg.jpg" alt="" width="1152" height="864"><figcaption>Nepali athletes train for the Tokyo Olympics. Photo: NEPAL OLYMPIC COMMITTEE</figcaption></figure>Tokyo Olympics<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/nepals-tennis-shines-in-covid-times/" target="_blank" rel="noopener noreferrer">Nepali athletes</a> were just gearing up for the Tokyo 2020 Summer Olympics when it was  rescheduled for 23 July-8 August 2021. Fifteen Nepali athletes are training for archery, judo, tae kwon do, karate, shooting, weightlifting, swimming, and athletics. Of them, ten are in Kathmandu and three are in Pokhara, while two swimmers have been training in London.Chaturananda Raj Vaidhya of the Nepal Olympics Committee (NOC) told Nepali Times  the committee has constantly been in touch with the athletes virtually to ensure that their training and nutrition needs were being met.  Although training was scaled-back during the lockdown, athletes are now back to full-fledged schedules.2020 saw many sports institutions and teams across the world adopt bio-bubbles to restrict players’ exposure to the coronavirus.  Nepali athletes are also in closed training camps. “The International Olympics Committee has informed us that all participating Olympians will be vaccinated for free in the event that any coronavirus vaccine is approved,” Vaidhya explains. "In the meantime, we are following all safety protocols.”

Ring in the old in 2021

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea0f9c7e80680e0878f8jpeg.jpg" alt="" width="3264" height="2448"/><figcaption>Nepali archer training for the Tokyo Olympics. Photo: NEPAL OLYMPIC COMMITTEE</figcaption></figure>As Nepal plunges headfirst into 2021, it is worth reflecting back on a year of cancelled, postponed, or improvised events. Weddings and graduations to cricket tournaments and international conferences, all had to be cancelled or put off.Visit Nepal 2020 was an early casualty to the pandemic, and the lockdown wrecked the tourism industry. But <a href="https://www.nepalitimes.com/banner/2020s-tips-for-2021/" target="_blank" rel="noopener noreferrer">there is some cautious optimism</a> about numbers picking up in 2021.There were advantages to cancelled events, virtual exhibitions and festivals meant geography was no longer a barrier.Organisers are looking forward to holding these cancelled physical events in 2021:Sustainable SummitsDuring the 4th Sustainable Summits at Chamonix in France, Nepal won the contract to host the 5th edition of the international event in Kathmandu in 2020. It was slated for June and <a href="https://sustainablesummits2020.org/" target="_blank" rel="noopener noreferrer">had to be postponed</a>. The organisers released a 50-minute video in which leaders and experts spoke about the impact of the climate crisis on the Himalaya.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea129c7e80680e0878f9jpeg.jpg" alt="" width="933" height="1280"><figcaption> </figcaption></figure>The Sustainable Summits 2021 will now be held virtually as well as physically from 31 May to 4 June at ICIMOD headquarters in Kathmandu, just ahead of the Climate Summit COP26 in Glasgow. The Glasgow Summit was itself postponed and is a vital step to heal the planet.“The situation is getting more urgent with climate change, and the Himalaya is getting more and more focus because we're seeing the effects of glacial retreat and permafrost cracking underneath houses in Khumbu,” says Lisa Choegyal, who is part of the organising committee fo the four-day summit.“The fact that we’ve got COP26 coming up means Sustainable Summits has grown to being something that can make a global statement and achieve lasting change,” Choegyal says. “In a way, we’ve taken a step up to be global leaders as opposed to being a voice on the side.”One of the beneficial side-effects of the global pandemic is that global carbon emissions actually decreased in 2020 despite forest destruction that decreased land sinks for CO2.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea159c7e80680e0878fajpeg.jpg" alt="" width="640" height="360"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea179c7e80680e0878fbjpeg.jpg" alt="" width="640" height="427"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea1a9c7e80680e0878fcjpeg.jpg" alt="" width="640" height="425"><figcaption> </figcaption></figure>Kathmandu TriennaleThe Siddhartha Art Foundation’s second <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/art-on-the-city-kathmandu-triennale,3607" target="_blank" rel="noopener noreferrer">Kathmandu Triennale</a> was supposed to be in 2020 and was supposed to explore multiple discourses on decolonisation, migration, indigenous knowledge.  It has been pushed to the second half of 2021, and will feature works from over 100 artists and collaborators from more than 40 countries.The Triennale will run for a month at multiple venues including the Nepal Art Council, The Taragaon Museum, <a href="https://www.nepalitimes.com/here-now/patans-museum-piece/" target="_blank" rel="noopener noreferrer">Patan Museum</a>, The Chhauni Museum, Siddhartha Art Gallery, and the Bahadur Shah Baithak. The exhibitions will be curated by Cosmin Costinas of Para Site in Hong Kong, as well as Sheelasha Rajbhandari and Hit Man Gurung.“The Triennale format has enabled us to link with all the Biennale and Triennale happening around the world in 2021, and place Nepal on the global art map,” Sangeeta Thapa of the Siddhartha Art Foundation.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea1c9c7e80680e0878fdjpeg.jpg" alt="" width="1500" height="1000"><figcaption> </figcaption></figure><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea209c7e80680e0878fejpeg.jpg" alt="" width="1000" height="667"><figcaption> </figcaption></figure>Photo Kathmandu Nepal’s best known <a href="https://www.nepalitimes.com/review/photo-kathmandu-in-a-new-avatar/" target="_blank" rel="noopener noreferrer">photography festival</a> was supposed to happen in November, but will stretch out its 4th edition right through 2021 as opposed to previous month-long events. The shows and talks will mostly be virtual, and some of them have already begun. There will be physical exhibitions in 2021 if the pandemic tapers off.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea229c7e80680e0878ffjpeg.jpg" alt="" width="800" height="351"><figcaption> </figcaption></figure>Film Festivals Nepal International Film Festival (NIFF) barely managed to be held February just as the pandemic was spreading. But other events such as the <a href="https://www.nepalitimes.com/review/irena-taskovski-virtually-in-nepal/" target="_blank" rel="noopener noreferrer">Pame Film Festival</a>, the National Human Rights International Film Festival (NHRIFF), and KIMFF went virtual during the tail end of 2020, which meant that a large number of viewers including the Nepali diaspora had access to participating Nepali films.<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/nepal-postpones-international-events-as-fear-of-covid-19-intensifies/" target="_blank" rel="noopener noreferrer">Pokhara Film Society</a>, however, opted to wait out the pandemic and postponed it from March, well before the Covid lockdown began. Festival Director Santosh Sharma Sapkota says, “We are hoping to have the 5th edition physically in 2021 with virtual options for viewers who prefer it.”<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181156/636bea249c7e80680e087900jpeg.jpg" alt="" width="1152" height="864"><figcaption> </figcaption></figure>Tokyo Olympics<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.nepalitimes.com/latest/nepals-tennis-shines-in-covid-times/" target="_blank" rel="noopener noreferrer">Nepali athletes</a> were just gearing up for the Tokyo 2020 Summer Olympics when it was  rescheduled for 23 July-8 August 2021. Fifteen Nepali athletes are training for archery, judo, tae kwon do, karate, shooting, weightlifting, swimming, and athletics. Of them, ten are in Kathmandu and three are in Pokhara, while two swimmers have been training in London.Chaturananda Raj Vaidhya of the Nepal Olympics Committee (NOC) told Nepali Times  the committee has constantly been in touch with the athletes virtually to ensure that their training and nutrition needs were being met.  Although training was scaled-back during the lockdown, athletes are now back to full-fledged schedules.2020 saw many sports institutions and teams across the world adopt bio-bubbles to restrict players’ exposure to the coronavirus.  Nepali athletes are also in closed training camps. “The International Olympics Committee has informed us that all participating Olympians will be vaccinated for free in the event that any coronavirus vaccine is approved,” Vaidhya explains. "In the meantime, we are following all safety protocols.”

Shristi Karki

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be96a9c7e80680e0878bcjpeg.jpg" alt="" width="1119" height="628"/><figcaption>Still from Baato.</figcaption></figure>A family embarks on a 300 km journey from the remote mountains of northeastern Nepal to Dharan in the plains. There is no road yet to their village, so they trek for five full days before getting a jeep, then a bus to reach the market just to sell a few डोको baskets full of medicinal herbs that they have collected over months.The journey involves physical hardship, much walking uphill and downhill, through rough and steep terrain (including on a wobbly makeshift log bridge over a fierce river at night) and preparation and planning for how to get a permit for their herbs at a national park office, and past police officers at checkpoints along the way.The feature-length film बाटो Baato is a rich visual document that records the villagers’ ambivalent lives and aspirations of ‘development’ as a new motorable road cuts through Nepal’s hinterland. Directed by Lucas Millard and Kate Stryker, the film follows Mikma and her family and reminds one of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/revisiting-the-corner-people-kesang-tseten,3803">We Corner People</a> by Kesang Tseten, who also happens to be the executive producer of this film.<a href="https://baatofilm.com/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://baatofilm.com/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNHzlYjLZLfoLWbQGQmHwtDYdHQXPw">Baato</a> was screened in the recently concluded <a href="https://kimff.org/baato/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://kimff.org/baato/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNEmafaDjWUlU1vs9q4gIj_ZpQL65A">Kathmandu International Film Festival (KIMFF).</a><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be96d9c7e80680e0878bdjpeg.jpg" alt="" width="875" height="486"><figcaption> </figcaption></figure>While Baato primarily follows one family on their journey to market from mountains to the plains, it also offers a sneak peek into the <a href="https://www.nepalitimes.com/here-now/nepal-building-a-highway-to-everest/">politics of roadbuilding in rural Nepal</a> showing us, on the one hand, road as an aspirational object of modernity and, on the other, its building as a contested process.While some villagers are concerned about the possible loss of land and homes as the excavators arrive, the contractors worry about possible disruption and dissent by local communities. And there is the government in the form of Roads Division that is concerned about the emergent illegal road-side structures and encroachment of public land.This 82-minute film immerses viewers into the reality of roads in rural Nepal. It makes us think  about the distinct meanings and consequences of <a href="https://www.nepalitimes.com/banner/from-nowhere-to-nowhere/">roads and road-building</a> for the protagonists involved -- villagers, contractors, traders, the government.At the micro level, the villagers anticipate a better life with less walking as jeeps arrive at their doorstep. The process of road building itself involves corruption, bribery pressures from vested interest groups, during construction. Zooming out to a macro level, we see the road and its construction bring to the fore discourses of development, connectivity, globalisation and international assistance as the government promises the economic upliftment to villagers if the road is completed.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109181152/636be9709c7e80680e0878bejpeg.jpg" alt="" width="1522" height="745">This observational film is an anthropological gaze into people’s lives in the marginal hinterlands that are yet to experience the infrastructure and amenities of modernity: road, electricity, television, and market, among others. The link between road and everyday life is one way of looking at the film, and the politics of infrastructure would be another level of understanding it.The film captures everyday life in a still-remote corner of Nepal, showing us the sorrows and difficulties hidden underneath the majestic mountains and valleys. Millard and Stryker try to document the uncertain and precarious lives of people in these isolated and far-flung communities. In doing so, they also show us the humility and improvisations with which the family relates to emergent, ambiguous, and adverse situations -- a young family member getting sick, or the bus stuck half-way into the journey with to engine breakdown.As the villagers sort out things in those precarious circumstances, we get a glimpse of  perseverance and toughness amidst the physical, mental and social challenges they experience. Even after five days of walking carrying heavy loads, the family reminds us that life goes on amidst adversity. They cut jokes and laugh, they smile, and they cherish the little moments of togetherness.Viewers can watch बाटो just to glimpse the reality of life, or they can view it as an anthropological study of how <a href="https://www.nepalitimes.com/banner/new-high-way-to-dolpo/">connectivity and infrastructure</a>, development and globalisation, citizens and the state, perhaps even politics and geopolitics play a role in Nepal and beyond.More importantly, the film hints at a larger transformation taking place in Nepal’s Himalayan villages with the advent of roads, and how this is affecting every facet of life for Mikma and families like hers.<a href="https://baatofilm.com/about/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://baatofilm.com/about/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNHxTVH_S97ZXRfed8e0fJpEEcyQBQ">Watch trailer.</a><a href="https://www.bicramrijal.com/">Bicram Rijal</a> is a PhD candidate at the Department of Sociology and Anthropology, Simon Fraser University, Canada.

The road ahead for Nepal

<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0554b0ad905ca02f005jpeg.jpg" alt="" width="1119" height="628"/><figcaption>Still from Baato.</figcaption></figure>A family embarks on a 300 km journey from the remote mountains of northeastern Nepal to Dharan in the plains. There is no road yet to their village, so they trek for five full days before getting a jeep, then a bus to reach the market just to sell a few डोको baskets full of medicinal herbs that they have collected over months.The journey involves physical hardship, much walking uphill and downhill, through rough and steep terrain (including on a wobbly makeshift log bridge over a fierce river at night) and preparation and planning for how to get a permit for their herbs at a national park office, and past police officers at checkpoints along the way.The feature-length film बाटो Baato is a rich visual document that records the villagers’ ambivalent lives and aspirations of ‘development’ as a new motorable road cuts through Nepal’s hinterland. Directed by Lucas Millard and Kate Stryker, the film follows Mikma and her family and reminds one of <a href="http://archive.nepalitimes.com/article/Nepali-Times-Buzz/revisiting-the-corner-people-kesang-tseten,3803">We Corner People</a> by Kesang Tseten, who also happens to be the executive producer of this film.<a href="https://baatofilm.com/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://baatofilm.com/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNHzlYjLZLfoLWbQGQmHwtDYdHQXPw">Baato</a> was screened in the recently concluded <a href="https://kimff.org/baato/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://kimff.org/baato/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNEmafaDjWUlU1vs9q4gIj_ZpQL65A">Kathmandu International Film Festival (KIMFF).</a><figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf0584b0ad905ca02f006jpeg.jpg" alt="" width="875" height="486"><figcaption> </figcaption></figure>While Baato primarily follows one family on their journey to market from mountains to the plains, it also offers a sneak peek into the <a href="https://www.nepalitimes.com/here-now/nepal-building-a-highway-to-everest/">politics of roadbuilding in rural Nepal</a> showing us, on the one hand, road as an aspirational object of modernity and, on the other, its building as a contested process.While some villagers are concerned about the possible loss of land and homes as the excavators arrive, the contractors worry about possible disruption and dissent by local communities. And there is the government in the form of Roads Division that is concerned about the emergent illegal road-side structures and encroachment of public land.This 82-minute film immerses viewers into the reality of roads in rural Nepal. It makes us think  about the distinct meanings and consequences of <a href="https://www.nepalitimes.com/banner/from-nowhere-to-nowhere/">roads and road-building</a> for the protagonists involved -- villagers, contractors, traders, the government.At the micro level, the villagers anticipate a better life with less walking as jeeps arrive at their doorstep. The process of road building itself involves corruption, bribery pressures from vested interest groups, during construction. Zooming out to a macro level, we see the road and its construction bring to the fore discourses of development, connectivity, globalisation and international assistance as the government promises the economic upliftment to villagers if the road is completed.<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221109191124/636bf05a4b0ad905ca02f007jpeg.jpg" alt="" width="1522" height="745">This observational film is an anthropological gaze into people’s lives in the marginal hinterlands that are yet to experience the infrastructure and amenities of modernity: road, electricity, television, and market, among others. The link between road and everyday life is one way of looking at the film, and the politics of infrastructure would be another level of understanding it.The film captures everyday life in a still-remote corner of Nepal, showing us the sorrows and difficulties hidden underneath the majestic mountains and valleys. Millard and Stryker try to document the uncertain and precarious lives of people in these isolated and far-flung communities. In doing so, they also show us the humility and improvisations with which the family relates to emergent, ambiguous, and adverse situations -- a young family member getting sick, or the bus stuck half-way into the journey with to engine breakdown.As the villagers sort out things in those precarious circumstances, we get a glimpse of  perseverance and toughness amidst the physical, mental and social challenges they experience. Even after five days of walking carrying heavy loads, the family reminds us that life goes on amidst adversity. They cut jokes and laugh, they smile, and they cherish the little moments of togetherness.Viewers can watch बाटो just to glimpse the reality of life, or they can view it as an anthropological study of how <a href="https://www.nepalitimes.com/banner/new-high-way-to-dolpo/">connectivity and infrastructure</a>, development and globalisation, citizens and the state, perhaps even politics and geopolitics play a role in Nepal and beyond.More importantly, the film hints at a larger transformation taking place in Nepal’s Himalayan villages with the advent of roads, and how this is affecting every facet of life for Mikma and families like hers.<a href="https://baatofilm.com/about/" target="_blank" rel="noopener noreferrer" data-saferedirecturl="https://www.google.com/url?q=https://baatofilm.com/about/&amp;source=gmail&amp;ust=1608958346837000&amp;usg=AFQjCNHxTVH_S97ZXRfed8e0fJpEEcyQBQ">Watch trailer.</a><a href="https://www.bicramrijal.com/">Bicram Rijal</a> is a PhD candidate at the Department of Sociology and Anthropology, Simon Fraser University, Canada.

<img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67809c7e80680e0599dfjpeg.jpg" alt="" width="3000" height="1252"/>Road-trips are not an established genre in Nepali films, like romance, action or comedy even though they may have all these elements. But in the last few years more than a few have made it to commercial cinema as a trend.Road trip movies tend to be mostly romantic and usually feature guy and girl trekking to Jomsom or Mustang with a gaggle of friends to bicker and eventually fall in love. Dollops of crude and convoluted sex jokes spice up the script, and keep the plot moving.There is usually a dead parent, a crazed brother or a failing orphanage in the mix as part of a thinly established back story or a point of conflict. The mountains always glisten in the backdrop as romance blossoms. It is a Nepali movie-goers have to suffer.However, there are a few memorable films within the sub-genre if we look at the last couple of decades. <a href="http://archive.nepalitimes.com/issue/344/Interview/13437#.XgSKDVUzaUk" target="_blank" rel="noopener">Caravan</a>, <a href="http://archive.nepalitimes.com/news.php?id=14366#.XgSKIlUzaUk" target="_blank" rel="noopener">Kaagbeni</a> and <a href="http://archive.nepalitimes.com/news.php?id=19506#.XgSJ5lUzaUk" target="_blank" rel="noopener">Highway</a> come to mind – adventure, horror, and the last a political drama.<a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://www.themoviedb.org/movie/631523-ama-khando?language=en-US" target="_blank" rel="noopener">Ama Khando</a> is an addition to this list. It is an intimate comedy-drama depicting the journey of two families from Lo Manthang in Mustang to Pokhara, as part of an annual trip. But this year is different, especially for the little boy who is co-lead with his mother in the film.https://www.youtube.com/watch?v=drOXmPvz2l8The eponymous Khando of the movie’s title is Ama, or mother, to a school-skipping, fight-picking 10-year-old who never seems to listen to her. Even though the film’s central relationship is between Khando and her son Dhondup, the family friends who are travelling with them also ebb and flow inside the story.The elder son Lobsang of the other family wrestles with his fate of having to abandon his studies for a lack of money, and has a terse relationship with his father because of this.Khando, a financially vulnerable single mother is also frustrated with her son as she worries for his future. The elders in the story are concerned for their children’s prospects in the difficult terrain of Mustang as the world closes in. Even though they are conflicted about the idea of the city, its bustle and pollution are a draw.For young adults like Lobsang the idea of remaining farmers is financially and socially unattractive. Much like most of our young migrants overseas, they can only be nostalgic for a homeland they are already moving away from.For children like Dhondup , who does not care for much beyond food, entertainment and his long lost father, these larger themes do not interfere in his small adventures, but will eventually decide his fate.Writer-director Tshering Dhondup is from <a href="https://nepalitimes.atavist.com/high-and-dry-upper-mustang" target="_blank" rel="noopener">Upper Mustang</a>, and drew from personal experiences to create this story. He plays himself in some portions of the film and so does his own mother, and his friends have roles too.The film is made up of little moments, small talk and chance encounters. There are no spectacles here, but much like the colossal mountains that make for the background in this journey, brooding themes of love, loss and identity are quietly visible under the surface.  Here at least, the mountains do stand for something. Here is a road movie where the characters are real and the emotional stakes highly resonant.<figure><img src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151128/636a67839c7e80680e0599e0jpeg.jpg" alt="" width="990" height="756"><figcaption> </figcaption></figure>The film does occasionally falter (musical cues seem needlessly placed and expose a proclivity for forced sentimentality, and some handheld shots feel random) but in the larger scheme of things, Ama Khando works.And one reason it does is the lead actress Pema Dolker Gurung’s performance which is unencumbered by showiness and lends itself so beautifully to the screen. The score by Pushpa-Sangam, and the understated cinematography by Ali Rasheed and Manoj Panta blend well.Made by a skeletal crew and under the painful circumstances that come with filming in far off locations on a shoestring budget, the film nevertheless has heart enough to travel. The film was selected for the prestigious <a href="https://www.biff.kr/eng/html/program/prog_view.asp?idx=42642&amp;c_idx=332&amp;sp_idx=&amp;QueryStep=2">Busan Film Festival</a> and the <a href="http://pibarchive.nic.in/newsite/photoright.aspx?phid=149731">50th International Film Festival of India in Goa</a>, coming home in December to a warm reception at the Kathmandu International Film Festival, where it won the audience award for best film.

Ama Khando: a different road trip film from Nepal

https://vimeo.com/349428192?fbclid=IwAR3HiMAvUGZMQEpDq3i5mbRtfhqrGpJu38IdenLW7o2VTm8RkjMfN-H9TKgWhen Belmaya Nepali undertook her first public speaking engagement, at the WOW (Women of the World) Festival in Kathmandu in January 2018, she had said: “I feel proud because, despite coming from a Dalit family, where I was discriminated against in my own village, I have come so far today.” In the year since, Belmaya has come further than she could ever have imagined. Fresh from speaking at WOW Madhes in Janakpur last week, the film I Am Belmaya of which she is the subject and co-director will be shown at the Kathmandu International Mountain Film Festival (KIMFF) on 14 December. <img width="930" height="623" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a65ae9c7e80680e05993ejpeg.jpg" alt=""/><figure><img width="893" height="502" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a65b09c7e80680e05993fjpeg.jpg" alt=""><figcaption> </figcaption></figure>The sixth and youngest child of a poor family, Belmaya was orphaned aged nine. She missed her early schooling, ending up in a girls’ home in Pokhara. That is where I met her in 2006 when I led a photo project to encourage self-expression. Belmaya, then 13, used to eagerly grab the camera. She wanted to be a photographer, she said, to expose injustice.Just as Belmaya loved the camera, the camera loved her. Unlike many of her friends who adopted the sweet submissive front expected of adolescent girls, Belmaya couldn’t conceal her feelings. I amassed a trove of footage that revealed her fiery spirit, her spiky humour, her joy when dancing, her vulnerability the day she started menstruating.My videotapes stayed on my shelf, niggling away at me to be used in a film that would shine a light on the reality of life for so many girls and women in Nepal. It was not until 2014 that I returned to Nepal and tracked down Belmaya -- dismayed to find the youthful spark gone. Now 21, she was living in poverty with a husband and baby daughter and desperate for an opportunity to rise out of the life of servitude. <figure><img width="760" height="662" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a65b29c7e80680e059940jpeg.jpg" alt=""><figcaption> </figcaption></figure>Belmaya grasped the chance to pick up the camera again and learn how to make films. I had been seeking a way of documenting Belmaya’s life without casting her as the passive subject of my film. And so, I set out to follow the journey of an unlikely filmmaker, and as Belmaya gained camera skills, she would play an active role in her portrayal.   <img width="823" height="1235" src="https://superdesk-pro-c.s3.amazonaws.com/sd-nepalitimes/20221108151120/636a65b59c7e80680e059941jpeg.jpg" alt="">She met opposition from her conservative husband and family as she strived for an independent voice. As she took charge of her camera the power balance shifted in more ways than one. As well as making her own graduation film, she has recorded much of the footage for my documentary, giving private, tender and eye-opening glimpses of her domestic life. Together with the teenage tapes, the result is an extraordinarily intimate window into Belmaya's world, spanning 13 years.Domestic strife and the 2015 earthquakes threatened to derail her ambitions. But she persisted and in 2017, her first film, Educate Our Daughters, a personal take on the importance of education for girls, was selected for KIMFF, along with a second film about boatwomen’s struggles in Pokhara.Educate Our Daughters went on to be selected for prestigious festivals in Toronto, Chicago and the UK. I Am Belmaya screens at 1pm on Saturday 14 December at KIMFFCity Hall, KathmanduQ&amp;A with Sue Carpenter and Belmaya Nepali. <a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://belmaya.com/" target="_blank" rel="noopener noreferrer">w</a><a style="background-color: #ffffff; font-size: 15px; letter-spacing: 0.01em;" href="https://belmaya.com/" target="_blank" rel="noopener noreferrer">ww.belmaya.com</a>

I Am Belmaya

Nepal’s only international aviation gateway, at Kathmandu airport, will cut night-time operation hours to allow construction of taxiways, and airlines have been told to curtail flights. This is expected to lead to more than normal chaos during the height of peak autumn and spring tourist seasons at an airport that is congested even at the best of times. The airport will close from 10PM to 8AM from 8 November-31 March 2025. The taxiways will now connect to the thresholds at both ends of the runway, making the airport more efficient in handling higher frequencies of landings and takeoffs. The parallel taxiway extension will allow international flights to land every 4 minutes instead of the current every 7 minutes. At present planes have to wait to land until a plane taking off backtracks along the runway.&nbsp; Kathmandu is Nepal’s only airport with international operations, and it has only one runway that is only one way in from the south over the mountains. With the taxiway improvement, the airport will be able to handle 42 aircraft landings and takeoffs per hour — double the current capacity.&nbsp; The Civil Aviation Authority of Nepal (CAAN) has been trying to entice international airlines to also start flying to and from the other two international airports at Pokhara and Bhairawa (Lumbini) by slashing landing and handling charges. But so far only Nepal Airlines operates a weekly flight to Bhairawa from Kuala Lumpur.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241018161016_046569e53d1d66cd445cc66c697c0ef724810aec9f54bdf827481e3cd6b80c32.jpg" data-media-id="editor_0" data-image-id="20241018161016_046569e53d1d66cd445cc66c697c0ef724810aec9f54bdf827481e3cd6b80c32" data-rendition-name="original" width="2356" height="1134" loading="lazy" alt="Kathmandu airport expansion"> <figcaption>Kathmandu Airport Expansion plan with extension of taxiways to the thresholds of runways 02 and 20 that will limit airport operations from 8 November 2024 - 31 March 2025. Areas in blue are existing structures, including the international terminal which in future will be the domestic airport, and the new international terminal near the north end of the runway,</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241018121028_6e17cc2ee87c1b02d78cb54905825b7aa15299b7a00f5eddb01a59579ab85c1a.jpg" data-media-id="editor_1" data-image-id="20241018121028_6e17cc2ee87c1b02d78cb54905825b7aa15299b7a00f5eddb01a59579ab85c1a" data-rendition-name="original" width="1353" height="1328" loading="lazy" alt="Kathmandu airport NT"> </figure>  CAAN has reportedly told international airlines to cut their flight frequency to Kathmandu citing the shorter operation hours and has told budget airlines to shift some of their flights to Pokhara or Bhairawa, or face cuts. Many airlines currently operate regular flights to and from Kathmandu between 10PM and 8AM: Air Arabia to Sharjah, Fly Dubai to Dubai, Jazeera Airways to Kuwait, Cathay Pacific to Hong Kong, Singapore Airlines, several Nepal Airlines flights, and one of four daily flights by Qatar Airways to Doha. Jazeera Airways, FlyDubai, and Thai AirAsia have applied and got permission from CAAN to begin regular flights to Bhairawa’s Gautam Buddha International Airport. Starting 9 November, FlyDubai will start making a stopover in Bhairawa before flying on to Kathmandu. Immigration, customs and security are all fully functional in Bhairawa. In Kathmandu, the next phase of the airport upgrade includes converting the current international terminal for domestic operations, the construction of a new international terminal where the domestic departure area is now, as well as moving the hangars and the Nepal Army Air Wing to the eastern side of the runway. The apron area will also double its parking space for widebody jets. This is part of a Airport Capacity Enhancement Project that was initially funded through a $80 million loan from the Asian Development Bank (ADB), and the entire masterplan is expected to cost $800 million. This project is the latest upgrade to Nepal’s only international airport since it saw its first flight in 1949. The current international and domestic terminals are too small to handle the current annual traffic volume of 8.5 million passengers a year that is growing at 20% a year.

Kathmandu airport to cut flight hours

As Kathmandu becomes more congested and polluted, and with remote online work becoming the norm, many professional Nepalis are planning to retire in Pokhara, or move there.&nbsp; With its stunning mountain panorama, balmy winters and proximity to a profusion of wilderness areas, builders are responding to this demand with new townhouses, housing development and apartments. One such block of flats is the 10-storey <a href="https://sungavaapartment.com/">Sungava Apartment</a> located at Phulbari above the Seti River, near the point where it flows into and under Pokhara. The imposing structure near Manipal Hospital is almost complete, and on a recent visit the site was strewn with huge boulders unearthed while digging the foundation.&nbsp; The Seti brought down these boulders during a gigantic flood that geologists estimate happened 800 years ago when a chunk of Annapurna IV broke off and ploughed into the glacier below. Today, Sungava (means ‘orchid’) sits safely on a high terrace, 100m above the blue-green Seti and commands a view of Dhaulagiri, Annapurna South, Machapuchre, Annapurna III and IV.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024102411104_5f8fc736c86ea3c08d7bef43bb727081d3cc1a2caa55ae2b441717e6044de7e9.jpg" data-media-id="editor_1" data-image-id="2024102411104_5f8fc736c86ea3c08d7bef43bb727081d3cc1a2caa55ae2b441717e6044de7e9" data-rendition-name="original" width="2016" height="1512" loading="lazy" alt="High living below the Himalaya NT"> </figure>  The soil here is conglomerate that has solidified like concrete, and the boulders were extracted by heavy earthmovers. It is intriguing to think that these metamorphic rocks as big as cars, rounded by glacial grinding, were once a part of a much higher Annapurna IV. Even for those with little interest in geology, Sungava is an ideal place to contemplate the tectonic forces that pushed these peaks into the sky to be sculpted into delicate shapes by wind, snow, earthquake and avalanche over millions of years. The view of the Himalayan panorama from Sungava’s many balconies are breathtaking when not obscured by clouds, or the haze that drifts in from across the southern border. On most days, just watching the towering pyramid of Machapuchre (Tamu name: कतासुँ क्लिको) play hide and seek with the clouds is mesmerising. There are rocks aplenty at Phulbari, and it is probably the flowers that grew along the flat terraces e that gave the place its flowery name. The boulders will hopefully be turned into a rock garden while landscaping. An nearby restaurant complex is making the best use of the stones in its design, using flat rocks as outdoor benches and tables. Sungava was designed by the husband-wife architect team of Deepak Sherchan and Jyoti Joshi of <a href="https://thedarkmermaidamarbshrestha.blogspot.com/2013/12/creative-builders-collaborative-cbc.html">Creative Builders Collaborative (CBC)</a>, which also built Heritage Plaza, Indreni Apartment and numerous other projects in Nepal. Sadbhavana retains CBC’s trademark Newari-style masonry and here it borrows from the orange brickwork of the old town of Pokhara, integrating it with modern design elements. A few of those heritage houses are still standing in Ganesh Tole and Ram Krishna Tole in Pokhara’s old quarter.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024102411108_5eb64a4885961b6d30781cefeb1e8a313da313ac5227c7a66b60f0c7d48d6fab.jpg" data-media-id="editor_3" data-image-id="2024102411108_5eb64a4885961b6d30781cefeb1e8a313da313ac5227c7a66b60f0c7d48d6fab" data-rendition-name="original" width="1362" height="595" loading="lazy" alt="High living below the Himalaya NT"> </figure>  About 400m from the apartment past a bend on the river, and down below three tiers of terraces in the canyon is a suspension bridge. Below it, the Seti is still swollen with post-monsoon flow as it tumbles away in a hurry to head down south.&nbsp; Back at the apartment, it is quiet, far away from the hubbub of Lakeside a 15 minute drive away, and in the lap of greenery. There are 52 units at Sungava and it already has a close-knit prospective community of professionals, including doctors, publishers, engineers, and businesspeople from the renewable energy and IT sectors.&nbsp; Some residents say they opted for a second home in Pokhara to make it a ‘base camp’ to explore the Annapurnas with its many hiking trails made newly accessible with new roads. With the NRN citizenship law, overseas Nepalis can now also buy the flats. &nbsp; The floor plans include options for north and south-facing 3-bedroom apartments with verandas, and the facility has underground parking has EV charging, heated pool, sauna and gym. There are still some unsold apartments with panoramic views of the mountains and one can imagine oneself at the kitchen with its huge window, humming a ditty while preparing breakfast: “खाना पकाउँ हिमाल हेरेर...”

High living below the Himalaya

When the United Nations held its Summit of the Future at its headquarters in New York in September, many world leaders, including Nepal’s Prime Minister K P Oli, highlighted the effect of climate breakdown in increasing the frequency and intensity of natural disasters. What did not get as much attention was the long term impact of the climate crisis on food production. In fact, heat stress, weather extremes and the consequences on rain-fed agriculture is already being felt worldwide, undermining the chances of the <a href="https://unstats.un.org/sdgs/">UN’s Sustainable Development Goals (SDGs)</a> being met by 2030.&nbsp; The SDG’s 17 targets commit countries like Nepal to reduce poverty and inequality, end malnutrition, protect the natural environment, and ensure that citizens all enjoy health, justice and prosperity without leaving anyone behind.&nbsp; However, besides the impact of climate breakdown on agricultural production, in Nepal the area under cultivation is impacted by urban expansion, falling productivity and the need for expensive inputs like fertiliser and pesticides.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_626413c5baf4dae407ac9579231b41daeb51510aa636b75aeb7489d94cca6a62.jpg" data-media-id="editor_1" data-image-id="20241019041052_626413c5baf4dae407ac9579231b41daeb51510aa636b75aeb7489d94cca6a62" data-rendition-name="original" width="999" height="1500" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>Kathmandu's urban sprawl is eating into its fertile cultivable lands. Photo: TAYLOR MASON</figcaption> </figure>  Now, a new study led by Nepali researcher Prajal Pradhan at the University of Groningen in The Netherlands looks at how urban agriculture may offer a solution to falling food production and meeting SDG targets. The researchers evaluated 1,450 publications exploring the contributions of urban agriculture with both positive and negative effects, and published their findings in the journal Cells Report Sustainability. Urban agriculture can help achieve 17 SDGs, positively influencing 81 targets. However, it could also undermine 51 goals.&nbsp; Read also: <a href="https://nepalitimes.com/here-now/the-vanishing-land">The vanishing land</a>, Taylor Mason “Urban agriculture offers immense potential for sustainable development, but realising this potential depends crucially on adopting practices that minimise its adverse effects while maximising its benefits,” Pradhan explains. Urban agriculture can substantially enhance urban food security, provide employment to the urban poor, serve as ground water recharge in built-up areas, and preserve open spaces that can serve as safe havens during disasters like earthquakes. However, it also presents problems like the potential health risks from contamination and the need for expensive inputs. &nbsp; “Urban agriculture plays a definitive role in advancing the SDGs, but achieving this requires tailored, context-specific solutions that address the unique challenges of different regions,” says Yuanchao Hu of Wuhan University in China and who is a researcher at the Potsdam Institute for Climate Impact Research. “But it needs equitable access and rigorous management of environmental risks.”&nbsp; Rapid urbanisation is eating into Nepal’s most fertile agricultural land, which means farming in remaining open spaces inside cities can be a viable alternative, especially as food prices rise.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_7b7c9413086226fbdc630d45acf772cfa1ced77a8970b9056ec5ec7e5226fdf8.jpg" data-media-id="editor_3" data-image-id="20241019041052_7b7c9413086226fbdc630d45acf772cfa1ced77a8970b9056ec5ec7e5226fdf8" data-rendition-name="original" width="1500" height="999" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>A vegetable patch in between new houses in Thimi. Photo: TAYLOR MASON</figcaption> </figure>  “The conversion of Nepal’s most fertile land into cities is a severe problem,” Pradhan told Nepali Times. “Crop cultivation, horticulture, agroforestry, beekeeping, livestock rearing, or aquaculture can all be farming activities within and around cities.”&nbsp; The study makes recommendations for sustainable practices that build on the positive aspects of urban agriculture while mitigating the downsides, thereby promoting more resilient cities in future. Research shows that urban agriculture has been helping many countries attain SDG targets by enhancing food security and biodiversity while helping education and preservation of open spaces.&nbsp; Indeed, many farmers from the hinterland who have settled in Kathmandu Valley or other urban areas of the country have been practicing urban agriculture, leasing neighbourhood patches or cultivating roof gardens both out of necessity because of inflation and falling income to grow their own food, and also as a fulfilling hobby. Saurav Dhakal, a sustainability advocate with Story Cycle and now research fellow at the Asian Institute of Technology in Thailand, says there are socio-economic and environmental benefits of urban agriculture. “It provides benefits to all urban dwellers, regardless of their income status,” says Dhakal, “families get fresh food, and there are many other benefits like water retention, heat regulation and biodiversity. These are all public goods, so special government incentives may be needed.” It is not unusual to see vegetable patches and even paddy fields within inner city Kathmandu where an older generation of farmers are using available fertile land and <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/rooftop-gardens-kathmandu,1415">roof gardens to produce fresh, nutritious food </a>to reduce their dependence on food items that have to be bought after being trucked in from large distances.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2024101905100_1291ce98dbbb8caed8702ac4b1d469b3e13016d7ecaaf3bfd5f91c974d3c0c77.jpg" data-media-id="editor_5" data-image-id="2024101905100_1291ce98dbbb8caed8702ac4b1d469b3e13016d7ecaaf3bfd5f91c974d3c0c77" data-rendition-name="original" width="1500" height="999" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>An older generation of farmers are using any available fertile land to continue farming but it is getting more and more difficult. Photo: TAYLOR MASON </figcaption> </figure>  Nepal’s urban population grew rapidly from only 3.6% in 1991 to 25% today. There is large outmigration from the mountains to peri-urban areas of the Tarai, to Kathmandu Valley and Pokhara, with many young men then moving abroad for work. Kathmandu Valley’s population has swelled to nearly 3 million, and is growing at 6.5% a year. Dilip Shrestha, 71, used to work for Nepal Food Corporation, so he knew firsthand about inflation, shortages and vegetables with pesticide residue. So, when he designed his new house in Kathmandu, he built a spacious roof where he grows cucumber, ginger, garlic, coriander, onions, tomatoes, chili, beans, okra, pumpkin and lettuce. His family eats healthier, and he has reduced dependence on the market.&nbsp; The co-author of the Cell Reports Sustainability journal article, Daya Raj Subedi who is a PhD candidate at Beijing Forestry University, says urban agriculture also promotes inclusion and psycho-social wellbeing.&nbsp; He says, “A crucial finding of the study is the identification of opportunities and challenges associated with urban agriculture, it can promote sustainable transformation of society.” In Banepa, 55-year-old Bijaya Manandhar in her lifetime has watched the fertile farms of her neighbourhood that used to supply vegetables to Kathmandu, now completely built up with no open space left. The pandemic lockdown prompted her to turn to the family’s <a href="https://nepalitimes.com/banner/rooftop-agriculture-on-the-roof-of-the-world">ancestral livelihood by growing food</a> not on terrace farms, but on the roof terrace. Manandhar is now a part of <a href="https://nepalitimes.com/banner/rooftop-agriculture-on-the-roof-of-the-world%5C%5C">कौसी खेती र करेसाबारी क्रान्ती</a> (Rooftop Farming and Garden Revolution) which has an online membership of 52,000, and awards annual prizes to women who excel in urban agriculture.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_7257f5def8f823f35a799fa6f6825e153f2ffa406ac11325d4fe74049b79e96d.jpg" data-media-id="editor_8" data-image-id="20241019041052_7257f5def8f823f35a799fa6f6825e153f2ffa406ac11325d4fe74049b79e96d" data-rendition-name="original" width="1600" height="736" loading="lazy" alt="urban agriculture in Kathmandu"> <figcaption>Rooftop farming is gaining popularity as a form of urban agriculture. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241019041052_beff1a4494ce896dd8fd383ee1f518e5448bcf7ea8bb138255391c7bcb9769ed.jpg" data-media-id="editor_9" data-image-id="20241019041052_beff1a4494ce896dd8fd383ee1f518e5448bcf7ea8bb138255391c7bcb9769ed" data-rendition-name="original" width="4000" height="3000" loading="lazy" alt="urban agriculture in Kathmandu"> </figure>  Pradhan says the challenge now is to upscale such examples of successful urban agricultural practices so they support Neal’s efforts to meet SDG targets. He adds, “Crop cultivation around cities can be protected by land use plans and regulations. Promoting community-based agriculture, including rooftop gardens, requires community engagement and public-private partnerships across the food value chain.”&nbsp; Such support would accelerate the popularity of existing rooftop farming and community gardens in Kathmandu Valley, or kitchen garden initiatives in Pokhara, and building on traditional farming practices that are preserved and integrated into urban settings like in Bhaktapur and Banepa. In Lalitpur, the Women Entrepreneurship Facilitation Center promotes urban farming enhancing both sustainability and empowerment.&nbsp; Another co-author of the report, Yuanchao Hu from China says followup research of the team will aim to identify good practices in local urban agriculture practices. He adds, “There are examples of urban agriculture that optimise sustainability, ensuring that it remains a viable solution for cities globally while countries try to meet SDG targets.” Prajal Pradhan, Daya Raj Subedi, Kshitij Dahal, Yuanchao Hu, Prakriti Gurung, Sijal Pokharel, Sagar Kafle, Biplav Khatri, Sudeeksha Basyal, Monika Gurung, and Aruna Joshi. Urban Agriculture matters for sustainable development. Cell Reports Sustainability, 1:100217, 2024. [DOI: 10.1016/j.crsus.2024.100217] Prajal Pradhan (<a href="mailto:p.pradhan@rug.nl">p.pradhan@rug.nl</a>) This article is brought to you by <a href="https://nepalitimes.com/" target="_blank">Nepali Times</a>, in collaboration with <a href="https://inpsjapan.com/en/" target="_blank">INPS Japan</a> and <a href="https://sgi-peace.org/" target="_blank">Soka Gakkai International</a>, in consultative status with UN ECOSOC.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758.jpg" data-media-id="editor_14" data-image-id="20240630110640_30c3782f9c09219bf1c249b51483a3cfb7a53a06d117d2aebd23ca7080d12758" data-rendition-name="original" width="680" height="103" loading="lazy" alt="SDG logo"> </figure>

Back to the land in the cities

The 700-year-old Lakshmi Narasingha temple in Bhaktapur houses a rare half-lion and half-human incarnation of Lord Vishnu carrying the Goddess Lakshmi. The temple was destroyed in the 1934 mega earthquake that killed 10,000 people and destroyed many monuments in Kathmandu Valley. It was rebuilt by a German project in the 1980s, but as a single-storey structure instead of its original two-tier pagoda design.&nbsp; With new findings from in-depth research, Bhaktapur municipality began re-restoring the temple in 2021, preserving its original architecture.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18.jpg" data-media-id="editor_0" data-image-id="20241017131016_2fae38cce543ad7b1f6de632feb3e212e08ed1acedd747830e949d7b8e878f18" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “Our temples and heritage sites hold deep meaning. It is disheartening to witness how often they lose their original elements, whether by design or accident,” explains Kumar Chawal of the Consumer Committee of Bhaktapur. “There is a need to preserve our architecture and protect its historical value for future generations. Otherwise, we risk losing a vital part of our identity.” The Laksmi Narsingha restoration is similar to the Bhai Dega temple in Patan Darbar Square which also collapsed in 1934, but was rebuilt with a Moghul-style dome by the Rana government at the time. Only two months before the 2015 earthquake, heritage conservationists had started to rebuild Bhai Dega as the original three-tier based on early photographs. But priorities shifted when four other temples in the square were brought down by the 7.8M earthquake on 25 April 2015.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130.jpg" data-media-id="editor_1" data-image-id="20241017131016_697ea707d9ad163be5de5f2efbf5b70d3cab771adcc22f0fae6bf937c6cb0130" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  This showed how damage to monuments in Kathmandu Valley spanned from one earthquake to the next. Bhai Dega restoration remains half-complete to this day because money for its restoration ran out.&nbsp; Whereas Bhai Dega restoration was done by the Kathmandu Valley Preservation Trust with grants from western embassies and international foundations, in Bhaktapur it is the municipality itself that allocated the Rs30.7 million needed to restore the Lakshmi Narasingha temple. The expected date of completion is early 2025. The municipality and local communities are focusing on two main aspects: preserving the past and promoting localisation. The restoration team has designed a blueprint for the temple by using historical photographs and insights from older generations.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30.jpg" data-media-id="editor_2" data-image-id="20241017131016_182882fdc393c99e70d1d0490319e415229563666c4934e3a582426ebf00ca30" data-rendition-name="original" width="1200" height="560" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “At first, the Lakshmi Narasingha temple had only one entrance, but during the demolition process, we uncovered the foundations of four doors. Now, we are restoring all of them. This is an example of how our ancient structures have changed over time, often without our knowledge,” says Chawal. “Constructing temples is not like building houses. They carry historical and spiritual values, which is why they hold a special place in our hearts,” he adds. By replicating ancient design elements and rebuilding the temple as accurately as possible to its original form, the team has stayed true to Bhaktapur’s soul. But the restoration also revived ancient techniques that were in danger of being forgotten, generating employment for woodcarvers, masons, and contractors. The community of Bhaktapur’s Gahiti neighbourhood near the famous Nyatapola Temple has also set aside specific days for locals to volunteer in the reconstruction work. This has encouraged young people to take pride in ownership of their heritage. Families have also supported the effort by donating funds for bells, the temple pinnacle, and other structural features to the temple.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6.jpg" data-media-id="editor_3" data-image-id="20241017131016_db850ec0c084cdbe54f65bee92dad2ad8122d20fd60ec87ec086fbb9d2f72bd6" data-rendition-name="original" width="2048" height="1365" loading="lazy" alt="In with the old in Nepal NT"> </figure>  “I feel at peace knowing I have contributed my sweat to restoring this temple,” said one volunteer. “It is our duty to preserve our temples and heritage. The Nyatapola area will look magical once this temple is completed.” Community mobilisation is a long-standing tradition in Bhaktapur. In the past, locals have actively participated in the restoration of other temples in the city, such as Bhairav and Nyatapola fostering a strong sense of ownership. This collective engagement has not only been crucial in preserving the city's historical monuments but also in strengthening the bond between local communities and their heritage, says officials at the municipality. While securing funding is essential, and the municipality showed it values heritage conservation, the Lakshmi Narasingha restoration is proof that active involvement and sense of responsibility of the local community is as important, if not more. Local involvement also means that the monuments will be cared for into the future, When locals take ownership of these efforts, the restored monuments are not only protected in the present but are also cared for in the future.