Taken in totality, Nepali mainstream cinema concerns itself with a specific ideological inclination, a tendency towards ‘melodramatic realism’.
Disguised as social realism, this is cinema of affirmation cloaked in the language of critique. This tendency is not indigenous but inherited: <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/Lights-camera-copy-paste,1146">a diluted echo and imitation of Bollywood</a>.&nbsp;
Film directors, driven by the understandable desire for commercial viability, have adopted Bollywood's worst tendencies: its emotional maximalism and narrative predictability. But they have done so without the budget, without its system, without its technicality.
The result is cinema that mimics form without function. The cinematography with its saturated colour and glamour-obsessed image is an aesthetic colonisation. Let us name it what it is: a cinema of sympathy.
<a href="https://nepalitimes.com/review/powerful-movie-upacks-questions-of-identity">Social injustice</a> is not interrogated but assumed. Suffering is not resisted but aestheticised. Characters do not struggle to change the world, they endure it. They are saints in ragged clothes, martyrs in the mountains, whose nobility lies in their passivity. In this cinema, pain is purity, and purity is always poor.
These films are said to reflect contemporary society—but they do so in the way a mirror reflects a dream: distorted, beautified, bathed in the light of sentimentalism. They portray not society as it is, but as it feels to remember. What we have, then, is not realism, but a kind of sentimental mythos.
The culprits are not hard to find. They are the most celebrated directors of our time. Their films win national awards, their actors become stars. Yet what unites them all — from rural dramedies like Kabaddi, family melodramas like Prasad, or soft-issue social parables like Saili — is a fundamental conservatism of narrative logic.&nbsp;
If there is politics, it is personal. If there is history, it is just the setting. Society, in these films, is static. The caste system, the labour exodus, gendered violence, these are presented as conditions of nature, not conditions of power. To suffer within them is to be good, to fight against them would be, it seems, impolite.
What defines this tendency is its inability to dramatise complexity. The films are either naively dualistic or neurotically symbolic. <a href="https://nepalitimes.com/here-now/she-is-the-story">Women are either goddesses or ghosts</a>. Men are either stoic heroes or cartoonish predators. The poor are noble. The rich are cruel. Nothing is ambiguous. Nothing is difficult. Nothing is allowed to breathe.
Most insidious is the rise of populist humour, that soft, crowd-pleasing comedy which diffuses even the most tragic premises, like a nervous laugh at a funeral. Laughter that is not disruptive.&nbsp;
This humour, often rooted in exaggerated dialect, village caricature, or romantic incompetence, serves to neutralise discomfort. It appears not only in comedies but in ‘social drama’, where it functions as an emotional pressure valve. A girl is nearly sold into marriage — but wait, here comes the lovable drunk uncle with a one-liner.&nbsp;
The humour, while infectious , mocks just the symptoms like arranged marriage and patriarchal values, but not the structures themselves. There is no class struggle here, only romantic miscommunication. When misogyny appears, it is played for laughs, when caste lines emerge, they're side-stepped in favour of musical reconciliation.&nbsp;
Politicians are corrupt, yes, but hilariously so. Systemic failure is rendered absurd, not grotesque. Their jokes are universal. But in avoiding discomfort, they also avoid depth. They laugh with the people, not for them.
But why are we laughing? And what are we laughing at? If the answer is that we are laughing without bitterness and rage, at our own condition, then our cinema is no longer a mirror but a lullaby.
Even stylistically, the image is clean but unimaginative, the dialogue is moralistic, almost liturgical. The endings are too often redemptive, even when they pretend to be tragic. One watches these films not to be challenged, but to be comforted: to be reminded that pain is meaningful, that goodness suffers, that, in the end, Nepal is still beautiful.
But cinema is not therapy. It is not the job of film to make pain feel poetic. To reduce our political and economic trauma to matters of individual heartbreak is not just aesthetically lazy, it is dangerous. This is how ideology works: not through propaganda, but through sentiment.&nbsp;
The films, by making injustice feel tragic instead of intolerable, teach audiences not to resist reality, but to accept it.&nbsp;
This is not to say that all cinema is compromised. There are filmmakers, few but growing—who refuse the consolation of melodrama, like Min Bahadur Bham's <a href="https://archive.nepalitimes.com/article/must-see/Kalo-pothi-review,3101">The Black Hen</a>, and Sujit Bidari's <a href="https://nepalitimes.com/here-now/nepali-new-wave-cinema">Butterfly on the Windowpane</a>, which create spaces of silence, of interiority. Their characters are not metaphors, but people. Their conflicts are not tidy, their resolutions are not redemptive. In short, they resist the tendency.
But <a href="https://nepalitimes.com/here-now/min-bahadur-bham-s-cinematic-quest">these exceptions only highlight the rule</a>. The mainstream appetite, whether among producers or the public, still favours the emotionally saturated, the morally clear and the forced humour.&nbsp;
"Show Nepal," they say. "Make it cry. Make it real. But not too real."
What has become of anger in our cinema? What has become of satire, irony, provocation? Where are the films that disrupt rather than reflect? That confront the audience, rather than embrace them?&nbsp;
If art is meant to mirror society, then what society are we mirroring? A quiet one, perhaps, a stoic one, a beautiful one. But not a just one.
This is the paradox of our cinema: in trying so hard to reflect the people, it forgets to challenge them. In trying to represent suffering, it aestheticises it. In trying to honour tradition, it enshrines conservatism.
Cinema should not be devotional. It should not be a hymn. It must be a question. And until directors begin to ask those questions — not in press kits, but in the language of cinema itself — we will remain, for all fanfare and film festivals, a national cinema without a national consciousness. &nbsp;
Abishek Budhathoki is a multidisciplináry artist specialising in media and mass culture. He has directed a number of short films and has also worked on feature films and documentaries.

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Here & Now

Nepali cinema’s melodramatic realism

There are still two months to go before<a href="https://nepalitimes.com/opinion/managing-the-monsoon"> the monsoon </a>breaks, but Roma Gurung who survived last September’s flash flood in Panauti is worried about what the rainy season has in store.&nbsp; The <a href="https://nepalitimes.com/news/60-dead-64-missing-in-nepal-floods">massive debris flow of 28-29 September</a> was unleashed by record-breaking rainfall, but it was <a href="https://nepalitimes.com/news/the-revenge-of-the-rivers">made worse by stone quarries and sand mining</a> as well as encroachment along the floodplains. “The rains will arrive soon, and we don’t know where we should go,” says Gurung, who was nearly swept away last year. “Last time I ran up the hill with my husband and two children and watched our house being swept away by a flood. I do not know if I have the strength and courage to go through that again.” &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090520_9e326638721bcae722ab1e86d76aa536132b2eb9e9322bc6fd3616d1d0693e25.jpg" data-media-id="editor_3" data-image-id="20250501090520_9e326638721bcae722ab1e86d76aa536132b2eb9e9322bc6fd3616d1d0693e25" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> <figcaption>187 houses were destroyed and five people were killed, in Panauti's Ward 12. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_dc37a55035b9a160c48fea0e09e4745f8fdcdddf08021aff3a52efd162dc829b.jpg" data-media-id="editor_4" data-image-id="20250501090524_dc37a55035b9a160c48fea0e09e4745f8fdcdddf08021aff3a52efd162dc829b" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> </figure>  For residents of Ward 12 in Panauti, <a href="https://nepalitimes.com/multimedia/a-flood-of-tears-on-the-rosi">the flood seven months ago</a> is still etched in their memories. The unprecedented precipitation killed 224 people across the country, 32 of them just in Panauti. Five people were killed in Gurung’s neighbourhood where 187 houses were destroyed. The floods also destroyed <a href="https://nepalitimes.com/here-now/nepal-s-first-hydropower-from-a-glacial-lake">hydropower plants</a>, slashing Nepal’s generation capacity by half, and damaged parts of <a href="https://nepalitimes.com/opinion/nepal-needs-wildlife-friendly-highways">national highways</a>. About 25km of the BP Highway was washed away, and the temporary road is along the riverbed. This monsoon, the highway will have to be closed. &nbsp; “If I were alone, I would have stayed home and let the flood and landslide take me away,” says another Ward 12 resident, Jamuna Biswakarma. “I ran for the sake of my family and my 10-day-old granddaughter.”&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_a4b5d3bdf31b9433789a041eab51c89bd3d11a5373749a5fcd40321b55765a1a.jpg" data-media-id="editor_8" data-image-id="20250501090524_a4b5d3bdf31b9433789a041eab51c89bd3d11a5373749a5fcd40321b55765a1a" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> <figcaption>Jamuna Biswakarma is dreading the coming monsoon season. She has not received any compensation from the government or crusher companies for the damage to her house.</figcaption> </figure>  Locals here did not just lose loved ones or their homes: many also lost their livelihoods. On a recent visit, Sangita Pariyar was pleading with the ward chair for a sewing machine. “A machine would help me earn a living. I could repay my loan and pay for the school admission of my children,” she said. Pariyar and her husband had been running a tailoring shop in Ward 12. They had a decent income and were planning to expand their business. But the flood washed away everything: the shop, sewing machines, cash saved for Dasain, new clothes for sale, and some crucial documents. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_18f5df73e621426c5a8d3509fd0d6b910d843ff9ddd1ed6262da512638470ff7.jpg" data-media-id="editor_9" data-image-id="20250501090524_18f5df73e621426c5a8d3509fd0d6b910d843ff9ddd1ed6262da512638470ff7" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> <figcaption>Sangita Pariyar and her husband ran a tailoring business, and were planning to expand before the flood washed away everything, including their sewing machines.</figcaption> </figure>  Much of the death and damage was due to the <a href="https://nepalitimes.com/here-now/politicians-and-cronies-blamed-for-kavre-floods">unchecked operation of stone quarries and crusher companies</a> in the catchment of Rosi, and much less with heavy monsoon rains. There are 25 crusher and mining companiesin the Rosi catchment—many of them illegal—extracting sand, stones and gravel to feed the capital’s construction boom. This makes the slopes and river bed very unstable and greatly increases the <a href="https://nepalitimes.com/opinion/a-disaster-resilient-nepal-is-possible">risk of landslides and floods</a>. A government report has recommended shutting down some of the mining and crusher operations in the area. Some were running without registration, and others were not adhering to guidelines. According to Standards on Extraction, Sale and Management of Stones, Pebbles, and Sand (2020), such plants must be situated 2km away from any settlements. But that was not followed near the Rosi, and mining operations have resumed.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20241007131020_c55becabe58855ee897cacf411e0889923bd699b07d563444f16c009362ed50e.jpg" data-media-id="editor_12" data-image-id="20241007131020_c55becabe58855ee897cacf411e0889923bd699b07d563444f16c009362ed50e" data-rendition-name="original" width="1500" height="702" loading="lazy" alt="Rosi flood"> <figcaption>Panauti and the Rosi watershed area, taken from Google Maps in May 2024.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_a9e458cf15367c4b3038c9ac5dad6bd87a05bd962bfdc256e43cb3ca25b1131e.jpg" data-media-id="editor_13" data-image-id="20250501090524_a9e458cf15367c4b3038c9ac5dad6bd87a05bd962bfdc256e43cb3ca25b1131e" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> <figcaption> The damage of the record-breaking rainfall on 28-29 September 2024 was amplified by stone crushing operations on the Rosi Khola.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_46cc1011c451a14e4dca455c31ebb7f560d599d3b45dfc301e964f18fc30d253.jpg" data-media-id="editor_14" data-image-id="20250501090524_46cc1011c451a14e4dca455c31ebb7f560d599d3b45dfc301e964f18fc30d253" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> </figure>  Residents along the riverbanks had long feared that these industries would trigger disasters. “The operators of these mines and crushers are powerful and influential people. We had protested to stop them, but who listens to ordinary people like us?” asks Biswakarma.&nbsp; Some locals are now building shelters while others have sold their land and have moved elsewhere, fearing more disaster as<a href="https://nepalitimes.com/news/abnormal-rise-in-monsoon-lightning-in-nepal"> pre-monsoon storms</a> lash the mountains. “My neighbours have started building temporary houses, but I don’t have the money,” says Gurung. “If the floods come, we could climb the slopes for safety, but now there is the danger of landslides too. How are we supposed to get through this monsoon?”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_bbc1bc045596f615659a8361109d837b4ff9ab56925c6c64aa6eed2adbc7e683.jpg" data-media-id="editor_16" data-image-id="20250501090524_bbc1bc045596f615659a8361109d837b4ff9ab56925c6c64aa6eed2adbc7e683" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> <figcaption>Many of the houses damaged in the floods last year, like this one, are yet to be constructed. Most do not have the money to rebuild.</figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501090524_1b238fa1d116ae12c48f78843043518a1077acda052c8c91641517298efbc8b4.jpg" data-media-id="editor_17" data-image-id="20250501090524_1b238fa1d116ae12c48f78843043518a1077acda052c8c91641517298efbc8b4" data-rendition-name="original" width="1500" height="1200" loading="lazy" alt="Rosi Panauti nepal floods NT 1"> </figure>  Ward chair Jaya Ram KC says that there are preparations to reduce the risk of floods and landslides this monsoon season. Flood control measures are also planned along the Rosi to protect Ward 12.&nbsp; But locals are still haunted by the trauma of last September and do not feel prepared at all. They say <a href="https://nepalitimes.com/here-now/nepal-flood-survivors-still-waiting-for-relief">they have received no support</a>, not from the government, nor from the illegal stone quarries and crushers which are again operating with impunity. Says Jamuna Biswakarma: “We are living with uncertainty and anxiety about the rains. Will anyone be held accountable for our suffering this time?” In collaboration with Sajira Shrestha.&nbsp; <div class="embed-block"><iframe width="750" height="400" src="https://www.youtube.com/embed/RTU5IUw6A_w?si=bUK1M6ePu3q0zCHL" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>

Before the next monsoon

In the icy wilderness areas of High Asia, <a href="https://nepalitimes.com/opinion/comment/nepal-brings-back-the-snow-leopard">snow leopards </a>glide like shadows across the snows as the haunting howls of <a href="https://nepalitimes.com/banner/crying-wolf">Himalayan wolves </a>echo across the crags. In Nepal, high mountain dwellers have forged a delicate balance with these two elusive Himalayan predators, a timeless <a href="https://nepalitimes.com/here-now/wildlife-people-coexistence-in-nepal-national-park">coexistence of human livelihoods with the wild</a>. Snow leopards inhabit steep slopes at elevations from 3,000 to 5,500m. Wolves patrol more open stretches across grasslands and <a href="https://nepalitimes.com/here-now/climate-crisis-ruins-himalayan-pastoralists">mountain meadows</a>. With overlapping habitats,<a href="https://nepalitimes.com/opinion/ever-gone-wildlife-trekking-in-nepal"> snow leopards and wolves </a>share a similar prey base. Snow leopards primarily hunt Siberian ibex, blue sheep, and Himalayan tahr, while wolves target a range of large to medium-sized ungulates, both wild and domesticated, including <a href="https://nepalitimes.com/here-now/when-yaks-go-so-does-culture">yaks </a>and blue sheep. “The population density of snow leopards in a region is closely tied to the abundance of their <a href="https://nepalitimes.com/banner/its-a-jungle-out-there">wild prey,</a>” explains Charu Dutt Mishra of Snow Leopard Trust. “To secure a single successful kill, they endure up to 25 failed hunting attempts.” As <a href="https://nepalitimes.com/opinion/sun-striped-shadows">apex predators</a>, snow leopards are at the top of the food chain and are iconic representatives of their <a href="https://nepalitimes.com/news/importance-of-ecosystems-for-people-and-the-planet">ecosystems</a>. Protecting snow leopards therefore helps protect this delicate mountain ecosystem, now also threatened by climate breakdown. “The health of an ecosystem can be gauged by the presence of snow leopards and wolves in a specific area,” says Sanjeevani Yonzan of Wildlife Conservation Nepal, “the abundance of predator species depends on a healthy prey population, reflecting a<a href="https://nepalitimes.com/editorial/naturally-nepal"> balanced and thriving ecosystem</a>.” Nepal is <a href="https://nepalitimes.com/here-now/nepal-leads-in-snow-leopard-study-6bo3zybk">at the forefront of snow leopard conservation </a>in the region and has the highest density of snow leopards, with a survey last month showing a count of 397 individuals. This is remarkable given that Nepal has just 2% of the species' range across Central Asia and the Himalaya. Snow leopards are often referred to as the<a href="https://nepalitimes.com/here-now/ghosts-of-the-himalaya"> ‘Ghosts of the Himalayas’</a> and their protection with other predators like wolves needs active support of local communities. The big cats are often killed in retaliation for attacks on livestock. Mishra did his PhD on snow leopards in India’s Spiti Valley and recalls an incident where local villagers had <a href="https://archive.nepalitimes.com/news.php?id=9287">trapped and killed a snow leopard</a>.“When I asked why, they explained that they lacked the resources and capacity to <a href="https://nepalitimes.com/opinion/bridging-the-divide">protect leopards </a>that killed their livestock,” he says. That same community in Spiti was later empowered and motivated to engage in conservation and in recognition was awarded the ‘Wildlife Tourism Award’ last year in New Delhi. “When communities are properly <a href="https://nepalitimes.com/here-now/shrinking-tourism-s-ecological-footprint?s=08">encouraged to coexist with wildlife</a>, conservation efforts are bound to succeed,” he adds. As human focus shifts more toward <a href="https://nepalitimes.com/here-now/now-and-then">economic development</a>, there is a growing disconnect with <a href="https://nepalitimes.com/news/state-vs-nature">nature and biodiversity</a>. <a href="https://nepalitimes.com/banner/human-animal-interface-in-nepal-wildlife-corridor">Human-wildlife conflict</a>, overgrazing, <a href="https://nepalitimes.com/banner/lax-laws-make-nepal-haven-for-tiger-poachers">poaching</a>, and now <a href="https://nepalitimes.com/here-now/climate-breakdown-magnifies-western-nepal-s-woes">climate breakdown</a> are the challenges. In nature, the <a href="https://nepalitimes.com/here-now/it-s-a-small-world">life cycles of most plants and animals</a> are circular, with resources constantly reused and replenished. In contrast, humans follow a linear path, producing waste that disrupts this natural balance. <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure">Infrastructure and ‘development’ </a>activities sharpens the problems. Cultural attitudes play a crucial role in supporting<a href="https://nepalitimes.com/banner/in-conservation-nepal-is-not-out-of-the-woods-yet"> conservation efforts</a>. In many communities, snow leopards are considered spiritually significant, and are regarded as ‘God’s pets’. This cultural reverence fosters acceptance of the species, despite the risks they pose to livestock. In contrast to more adversarial attitudes found elsewhere, this unique cultural perspective gives Nepal a distinct advantage in <a href="https://nepalitimes.com/news/women-conserve-men-still-conservative">community-driven conservation</a>. Himalayan wolves, however, do not have such cultural associations and are mercilessly hunted. However, the Himalayan Wolves Project, led by researchers such as Naresh Kusi at Upper Humla focuses on studying their ecology and fostering coexistence through education and <a href="https://nepalitimes.com/banner/the-salt-of-the-earth">alternative livelihood </a>options.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250502040556_db50d7ae3a7ec451beb7d2f017bf073df1a63bcb897fb0d75c684da0a61e66cf.jpg" data-media-id="editor_25" data-image-id="20250502040556_db50d7ae3a7ec451beb7d2f017bf073df1a63bcb897fb0d75c684da0a61e66cf" data-rendition-name="original" width="1400" height="844" loading="lazy" alt="Himalayan wolf NT"> <figcaption>Photo: RYAN DAVY</figcaption> </figure>  “Human well-being is deeply rooted in nature. <a href="https://nepalitimes.com/opinion/conservation-at-the-crossroads">Indigenous communities </a>must be granted the authority and active involvement in conservation efforts,” says Mishra. A new documentary, <a href="https://www.imdb.com/title/tt31034190/">Snow Leopard Sisters</a>, tells the inspiring story of two Nepali women Tenzin Bhuti Gurung and Tshiring Lhamu Lama, who are dedicated to the <a href="https://nepalitimes.com/banner/trekking-to-save-nepals-snow-leopards">protection of snow leopards </a>in the Dolpo region. They developed the Snow Leopard Trekking Trail to <a href="https://nepalitimes.com/banner/night-of-the-firefly">promote ecotourism</a> and increase public awareness to restore the human-nature balance. As Yonzan says: “In nature, there is a law of interconnectedness and interdependence that must be preserved to maintain balance.”

Guarding the guardians of the Himalaya

This is the 66th episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab providing a platform to share experiences of living, working, and studying abroad. <h2>Siya Sada&nbsp;</h2> My husband never gets on cars or buses on his own. I cannot even imagine him flying on a plane by himself. His phobia of travel is very strong. Which is why unlike many men here in Janakpur, he never migrated.&nbsp; Instead, I sent my son to Saudi Arabia and Qatar, but both times he returned before his contract was up, with outstanding recruitment loans of Rs400,000.&nbsp; I had also taken additional loans for my daughter’s wedding. Heavily in debt, and frustrated with constant calls from the money lender, I decided to go overseas myself.&nbsp; There were other women I knew who had migrated to work as domestic workers in the Gulf and sent money home, so I decided to do the same. I did not tell anyone that I was migrating until the last minute.&nbsp; I had disappeared for 11 days in Kathmandu getting my documents ready, and my husband had gone around the village frantically looking for me with my father. I only informed them about my decision before my flight and ignored pleas from family not to leave.&nbsp; After our plane took off from Kathmandu to Kuwait, I enjoyed looking out of the window as we flew higher and higher. I worked there for six years.&nbsp; The first employer was mean spirited and terrible. She had a mischievous चकचके son whom I had difficulty taking care of. She expected me to carry his heavy toy car down four flights of stairs on my head for him to drive. This was just too much. She did not care whether I ate or not. After two years, I moved to a new family which was much nicer and treated me like family. The work was lighter because the children were all grown up and there was more consideration of my time to sleep, eat and work.&nbsp; There were no disagreements like with the previous employer, and I did as I was told उठ भने उठ, बस भने भस. The arrangement in that joint family was that each had their own domestic worker.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501140524_cefaa6e60345191a95e702b387fea36a5b760b93a5f6d08ea89e9c3b3bf94388.jpg" data-media-id="editor_0" data-image-id="20250501140524_cefaa6e60345191a95e702b387fea36a5b760b93a5f6d08ea89e9c3b3bf94388" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Diaspora Diaries 65"> <figcaption>Siya Sada</figcaption> </figure>  We shared a room with an Ethiopian, Filipino and fellow Nepali. We had a strong bond between us, and we communicated with each other in Arabic which I had already picked up.&nbsp; In a foreign land, every day was a day closer to pay day. We would wait impatiently and count our fingers. I earned money, and I sent everything home to my family back in Nepal: “मैले कमाउने, परिवारले गन्ने”.&nbsp; I had plans to stay in Kuwait for 10 years but had to come back after six when I fell sick. I broke down when leaving, as I had become attached to the family I worked for.&nbsp; They bought me parting gifts like a watch, blanket, flashlight. I handed over my job to another Nepali domestic worker from Sunsari whom I trained before returning. I had managed to pay off my loans with my earnings in Kuwait, and had enough left over to buy some land and marry off my son. But since my stay was cut short, I could not manage to build a house.&nbsp; No other woman from my neighbourhood in Janakpur has migrated overseas that I am aware of. It is only men who migrate from around here.&nbsp; Perhaps I too would not have migrated if my husband had gone overseas, and my son had not returned. In addition to freeing myself from loan sharks, going overseas also widened my mind and horizon. If I had just stayed here in Nepal I would not have achieved as much, my loans would still have been unpaid. Life is back to normal now in Nepal. I am back to washing clothes with my hands and getting water from the well. I wish we could have brought back appliances like washing machines, rice cookers and vacuum cleaners but they are not practical here.&nbsp; Here, even when we leave the lights on for too long we have to worry about the electricity bill. How can we afford anything more ? I don’t even use the iron and hair dryer that I brought back. <h2>Gulbandan Devi Sada&nbsp;</h2> I spent three years and three months in Saudi Arabia and almost six years in Kuwait. It has been five years since I returned.&nbsp; My aunt-in-law had gone overseas, and I also wanted to go abroad to pay the medical bills of my sick husband and support four children. My husband supported my decision saying fate would determine if he would live or not, but we had to take care of our children.&nbsp; I traveled through India where the agent made us wait for a month. My husband died the day before my flight to Saudi Arabia. Everyone told me to continue with my journey as my husband would not return and my children needed to be taken care of. I went, and it took me a year to learn Arabic. Me and my employers relied on sign language and hand gestures to communicate with each other. It was not easy by any means.&nbsp; My employer taught me how to run the washing machine, iron and to cook as per their liking, after which she left things in my hands. Initially, I burnt clothes while ironing, broke the washing machine and my employer threatened to deduct the cost from my wages, but she thankfully did not do it.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250501140524_8d09bf4a54f9e844829543d822d05e67832f51c8f2b20a9cab20a4d154525fdf.jpg" data-media-id="editor_1" data-image-id="20250501140524_8d09bf4a54f9e844829543d822d05e67832f51c8f2b20a9cab20a4d154525fdf" data-rendition-name="original" width="1500" height="1000" loading="lazy" alt="Diaspora Diaries 66"> <figcaption>Gulbandan Devi Sada</figcaption> </figure>  But I found out my employer made money off of me by sending me to work at other people’s homes. I did not enjoy my stay there as she was किचकिचे demanding. I used to miss my children while taking care of her children who were of similar age. I had left them with my late mother.&nbsp; When I took care of children overseas, I had to be more cautious than with my own back home since the consequences would be severe if they fell down and got hurt while running around. With my savings, I bought land here, got my brother married and did a big puja. After a few months in Nepal, I went to Kuwait to work. This time, the experience was easier because I spoke Arabic and had gathered experience. But even there, I had to change two employers as I did not have a good experience with the families. The third house I worked in was better, and I stayed with them.&nbsp; Back home I built a house with my earnings, and married off my daughter. Although I wanted to stay longer, I decided to return because I had health issues. I worry about old age and the need to have savings, and even consider migrating sometimes. My only hope now is my children. When I returned to Nepal, my Kuwaiti employer kept calling me saying I should return because the children missed me. But I have my own children to focus on now.&nbsp;

Every day is closer to pay day

The soft pastels and whimsical background looked like a moment stolen from a <a href="https://archive.nepalitimes.com/news.php?id=15283">Hayao Miyazaki</a> film. The thrill on my niece’s face was palpable as she shared her first Ghibli-style portrait earlier this month. This surge in the latest generative <a href="https://nepalitimes.com/multimedia/ayo-ai">AI tool</a> can transform personal photographs into Studio Ghibli-inspired artwork. It is dubbed ‘Ghiblification’ and has captured the global imagination.&nbsp; But danger lurks.The playful trend masks serious hazards. Every image can be retained and repurposed as training data, jeopardising privacy and creating fresh pathways for<a href="https://archive.nepalitimes.com/article/nation/bal-mandir-rape-allegations,1495"> child sexual abuse</a> material, sextortion, bullying, and hate speech. A recent study by our ChildSafeNet with UNICEF Nepal on generative AI and <a href="https://nepalitimes.com/opinion/to-the-point/keeping-children-safe">child safety </a>reveals that over 60% of young people in Kathmandu have experimented with <a href="https://nepalitimes.com/here-now/kathmandu-valley-to-silicon-valley">generative AI</a>, often oblivious to the hidden costs. Every time a photograph is uploaded to create AI-generated artwork or submitted to an app like Dreamify, the user is giving away more than just pixels: they are entrusting their likeness, metadata, and private spaces to an opaque system. The image may be stored indefinitely and woven into the <a href="https://nepalitimes.com/opinion/people-power/nepal-as-an-ai-power-bank">AI model’s training data</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915040_4f5bcc3d8307c72a3b98db91adb69499ab1cb8831c8f06adec2089b4897a42d2.jpg" data-media-id="editor_6" data-image-id="2025042915040_4f5bcc3d8307c72a3b98db91adb69499ab1cb8831c8f06adec2089b4897a42d2" data-rendition-name="original" width="1024" height="1536" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  Distinctive facial features, location metadata, or even background details can be memorised and later reproduced in outputs for other users, violating privacy and breaching confidentiality. Even heavily edited or filtered images can leave a digital fingerprint that sophisticated models can reproduce. OpenAI, the company that owns generative AI models like <a href="https://nepalitimes.com/banner/chatgpt-news-about-nepal">ChatGPT</a> and DALL·E, uses the images shared by users as training data to refine the model, unless the user opts out. However, the potential for misuse is great. Read also: <a href="https://nepalitimes.com/here-now/artificial-censorship">Artificial censorship</a>, Vishad Raj Onta Viral adoption of<a href="https://nepalitimes.com/multimedia/what-to-expect-from-ai-in-2024-ue5btyc7?amp=1"> AI-generated imagery</a> makes people inclined to upload personal images, including those of families and minors. These images contain rich personal information, and serve as a significant source of data for companies, allowing <a href="https://nepalitimes.com/here-now/digital-path-to-social-buffers-in-nepal">technology firms </a>to collect valuable insights into facial features,<a href="https://nepalitimes.com/banner/nepal-is-turning-into-a-nation-of-hybrid-identities"> social dynamics, and cultural nuances</a>.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915040_b1d85cc2bc13f09acd35462a302a8e9f561d14aa3e3ba7528283d9214c3a9cce.jpg" data-media-id="editor_12" data-image-id="2025042915040_b1d85cc2bc13f09acd35462a302a8e9f561d14aa3e3ba7528283d9214c3a9cce" data-rendition-name="original" width="1536" height="1024" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  “Such visually appealing images can be easily misused for generating seemingly credible imagery for <a href="https://nepalitimes.com/news/online-trolls-bots-snoopers-imperil-democracy">spreading misinformation </a>and reinforcing cultural stereotypes,” says computer scientist Dovan Rai with Body and Data. “Children are particularly vulnerable, as sexualised deepfake content can be generated with ease.” Most platforms that provide AI image-generation tools do not transparently disclose how they handle uploaded content. When children's photos are ingested, the model internalises these features, which can later resurface in contexts no one intended, creating an ethical time bomb. “Children’s likenesses could also appear in unexpected contexts, such as advertisements, <a href="https://nepalitimes.com/news/no-comment">memes, or controversial content</a>, all without their families' knowledge,” Rai warns. The Internet Watch Foundation recently identified over 3,500 AI-generated child sexual abuse material in one month on encrypted forums — some grotesque deepfakes superimposing children’s faces onto sexual content. While those examples were not in the Ghibli style, they demonstrate how any benign filter can be twisted into a tool for exploitation. On the other hand, AI tools have even begun to produce deepfake videos of child rape and torture by superimposing victims’ faces onto pornographic content. Such material can normalise sexual violence, facilitate grooming, enable sextortion, and serve as instruments of bullying and hate speech.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915044_d5a12a9b45c04446c731e84b97042c259c2c16160dde783e8b78321ecd07283e.jpg" data-media-id="editor_15" data-image-id="2025042915044_d5a12a9b45c04446c731e84b97042c259c2c16160dde783e8b78321ecd07283e" data-rendition-name="original" width="1600" height="1265" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  The risks associated with generative AI have already begun to emerge in countries like Nepal, says Superintendent Deepak Raj Awasthi at the Nepal Police Cyber Bureau. “We are investigating cases involving the use of AI-generated images and videos for defamation and the spread of misinformation, disinformation, and hate against teens and young people,” Awathi says. “We have also received complaints regarding AI-generated deepfake videos aimed at defaming politicians and celebrities.”&nbsp; Parents should be concerned about how AI-generated imagery may affect children’s safety as well as creativity. Over-reliance on AI tools could diminish traditional creative skills like drawing and painting, among others. Says Kabindra Napit of Smart Parents Nepal: “Parents must<a href="https://nepalitimes.com/news/educating-girls-to-break-cycle-of-poverty"> educate their children</a> about associated online risks and stay updated on emerging threats.” <h2>Tips to protect the young</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042915044_74cf15146be367c7d4f213c5b73896da525eb4d133ad8d2b5e0e58945048582d.jpg" data-media-id="editor_17" data-image-id="2025042915044_74cf15146be367c7d4f213c5b73896da525eb4d133ad8d2b5e0e58945048582d" data-rendition-name="original" width="1600" height="1463" loading="lazy" alt="Ghiblification is more than cute pixels"> </figure>  <h2> </h2> Safety-by-Design: Technology companies need to prioritise safety for children and vulnerable groups, from the very beginning of product and service development using the Safety-by-Design approach, developed by Australia’s eSafety Commissioner. Consent and Transparency: Every AI art application should provide clear disclosure that submitted images may be used as training data, offering users an easy option to opt out. Stronger Moderation: Technology companies must combine automated detection with human oversight to intercept and prevent the spread of harmful content, blocking any prompts or requests for sexualised imagery of minors and swiftly remove harmful content. Watermarking or ‘fingerprinting’ systems will help trace and block harmful AI-generated images. Legal Protection: Laws must criminalise the creation, distribution, and use of AI-generated child sexual abuse material, enhancing international collaboration will be crucial for tracking and prosecuting offenders. Multi-stakeholder Collaboration: Technology companies, law enforcement agencies, educators, and NGOs must collaborate to share knowledge and resources. Digital Literacy: Develop digital literacy skills among children so they can distinguish between fantasy art and reality, and recognise risks. Clear and confidential reporting channels must be established to report harmful content. Parental Support: Establish open and trusted communication with children about the potential dangers of AI is crucial. Parents and carers can also implement age-appropriate filters and monitoring tools to enhance safety. Support Services: Service providers need to provide child and young people-friendly counselling and legal support. Anil Raghuvanshi is the founder of <a href="http://www.childsafenet.org/">ChildSafeNet</a>. Reach out to him at <a href="mailto:anil.raghuvanshi@childsafenet.org">anil.raghuvanshi@childsafenet.org</a>

Ghiblification is more than cute pixels

This is the 65th episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab. Right from my childhood, it seemed like I was lost in my own world. I was not interested in studying, I never paid attention in class and was completely disconnected from what the teacher was saying. I was not into <a href="https://nepalitimes.com/opinion/migrant-worker-finds-farming-in-nepal-more-rewarding">farming</a> or chores, which used to make my parents angry. Instead, I would scribble on the walls using clay and our <a href="https://nepalitimes.com/here-now/opening-their-home-to-others">mud-thatch house</a> was covered with my amateur art. There was <a href="https://nepalitimes.com/here-now/how-they-kept-nepal-in-the-dark-ages">no electricity</a> and I used to draw all night in the light of an oil lamp. My parents used to be irritated, but they started understanding my obsession with art. With time, my <a href="https://nepalitimes.com/here-now/early-nepal-drawings-come-full-circle">drawings</a> started improving. A turning point was when I drew my grandfather’s sketch. It brought a smile to his face.&nbsp; I overheard him talking to my father and other elders, saying the drawing was very realistic. That was very encouraging. But in class, teachers would punish me for not paying attention -- except my principal, who is now in his 70s, and encouraged me to participate in district-wide competitions. While I never did, the acknowledgement uplifted me. After Grade 7 I had to switch schools to one that was two hours away. My craft improved, and the science teacher was impressed with my artwork. By Grade 10, I was getting recognised for my art and would even be paid, for example by the school, to paint its signboard and drawings.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025042705048_70b1e770c5c7126beaaf9b91c0eed0cbdb5ebf4abbfb64734a294664078c6de0.jpg" data-media-id="editor_4" data-image-id="2025042705048_70b1e770c5c7126beaaf9b91c0eed0cbdb5ebf4abbfb64734a294664078c6de0" data-rendition-name="original" width="1080" height="590" loading="lazy" alt="The world of a working artist"> </figure>  My uncle’s son told me it would be a good idea to go to Lucknow to pursue my <a href="https://archive.nepalitimes.com/article/review/Dhwoj-Gurung-Review,1936">passion for art</a>. There in India, I was exposed to diverse talent. My cousin had seen something in me, and we even started an Art Shop, which was a great learning experience.&nbsp; After Lucknow, I went to Chitwan to work at an art gallery under Prakash Thapa, a renowned artist who became my mentor. I used to watch his work closely as an employee and followed instructions, but I still lacked in-depth knowledge since I did not have any formal training.&nbsp; He advised me to go to Kathmandu and join Lalit Kala campus. I had the hunger to learn, but the campus did not take a student who had not passed SLC. So I went back to school, and was embarrassed that my former classmate was now my teacher. But I did not let that hurt my pride.&nbsp; Unlike my<a href="https://nepalitimes.com/here-now/82-in"> childhood days</a> as a weak student, this time I had a newfound purpose as a student. I passed, and I used to go to Lalit Kala Campus in the mornings and work during the days.&nbsp; One day, a friend offered me a job in Saudi Arabia where I could get paid to do art. Lucknow, Chitwan, Kathmandu—I had switched lanes, but now I had finally found a clear path that offered more stability and allowed me to focus on art.&nbsp; Starting in 2006, I worked in Saudi Arabia at an art gallery for ten years. I used to draw <a href="https://nepalitimes.com/banner/nepali-calligrapher-at-large">large paintings</a> that were kept in Saudi mansions and even palaces. I also painted ceilings, walls, even swimming pools.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_6685d36eca2fcd92649bb8d8d3f93972f62337c416c1caeca96999f83db88384.jpg" data-media-id="editor_8" data-image-id="20250427050412_6685d36eca2fcd92649bb8d8d3f93972f62337c416c1caeca96999f83db88384" data-rendition-name="original" width="720" height="942" loading="lazy" alt="The world of a working artist"> </figure>  Taking up art professionally in Saudi Arabia also introduced me to the works of global artists like Van Gogh and Picasso and helped me grow. But as an artist, I had to create <a href="https://archive.nepalitimes.com/news.php?id=13008">my own identity</a>, give my work my personal touch.&nbsp; At first, we copy the works of the great masters but as we mature, we start adding our own individuality. This is perhaps the journey of all creators, including singers who start by covering the songs of the greats.&nbsp; After a decade in Saudi Arabia, I returned to Nepal in 2017, but I did not find what I was looking for. And the money here also did not allow me to fulfil my duty as a father. After two years, I migrated to Dubai to work as an interior decorative artist. While I have painted art that hangs on the walls of some of the most luxurious palaces in the Middle East, I come from humble beginnings in Nepal.&nbsp; I had started out painting on clay walls of my home with brushes made from the tail hair of cows. Those art pieces I made on the walls of my house are now just etched in my memory. I had struggled in Saudi to get wider recognition as an artist but in Dubai, it was different. I started making portraits of famous Nepali personalities during my free time. These sketches, such as my picture of the late Satya Mohan Joshi, got wide attention on <a href="https://nepalitimes.com/news/no-comment">social media</a>. This was another turning point.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_aa45b66c31cb9e7b40f4fb23774addd893438180995f822b9c31866ffe90e1bd.jpg" data-media-id="editor_11" data-image-id="20250427050412_aa45b66c31cb9e7b40f4fb23774addd893438180995f822b9c31866ffe90e1bd" data-rendition-name="original" width="853" height="1280" loading="lazy" alt="The world of a working artist"> </figure>  Art draws me. I am hungry for art. When we are hungry, we find food no matter what. It is the same with art. When you have a hunger to create, you will create no matter what. In Saudi Arabia, I used to paint all night before going for my full time job in the morning. You never get tired, you are always encouraged and focused. Your creations will fuel you, make you content. And the more you enjoy it, the more excellence and depth there is in your work. But other than art, I am also interested in music and literature. Perhaps it is in my genes as both my parents were into music and they used to sing during community events in the village. As children, we used to write songs and sing them during cultural events. From songs, I started dabbling into poetry. Just the way I learnt art through noted artists, I also tried to learn from great poets like Bhupi Sherchan and <a href="https://nepalitimes.com/review/laxmi-prasad-devkota-in-english?fbclid=IwZXh0bgNhZW0CMTEAAR2VmkikQOjLTMsX1QRb8N6WjgJJ6IL1mMUb5F9Q4GDYodQVsMOhLnhj5rQ_aem_YhzUzG_aT5Mdxf4-pbVIgg">Laxmi Prasad Devkota</a>. I have published two books of <a href="https://archive.nepalitimes.com/news.php?id=10242">poems</a>, and my third one, Dhago, will be released this June in Darjeeling by Buk Ant. When I retire from my <a href="https://nepalitimes.com/banner/speaking-the-language-of-overseas-work">life overseas</a>, I want to dedicate my time to more art and literature. All my life, I have created for others as per their preferences, although I take a lot of ownership of the work I do.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250427050412_c97a9cc80aebb4a5e8e2a3e071f077b15fb3f85cf05920d2ca6302774c6d895c.jpg" data-media-id="editor_15" data-image-id="20250427050412_c97a9cc80aebb4a5e8e2a3e071f077b15fb3f85cf05920d2ca6302774c6d895c" data-rendition-name="original" width="1627" height="2048" loading="lazy" alt="The world of a working artist"> </figure>  But in Nepal, I want to start my own <a href="https://nepalitimes.com/multimedia/tsherin-sherpa-returns-home-to-takpa">art gallery</a> and create art based on my own interests and passions. All of us have our own priorities in life. Some are driven by money, others by community service. People often ask me why I do not have property in Kathmandu despite spending so many years overseas. I have never hankered for material goods. I enjoy <a href="https://nepalitimes.com/review/art-and-poetry-in-motion">art and literature </a>and want to get lost in it. Just like when I was a boy, I am lost in my own world.

The world of a working artist

“It's Kathmandu.” Just as the family was sitting down for one of its extended lunches, that jubilant cry was from François Driard’s grandfather announcing the next posting for his diplomat parents.&nbsp; Driard (pictured) was 18 in the summer of 1996,<a href="https://nepalitimes.com/opinion/suburban-tales/chasing-a-nomad"> a bit of a hippie</a> already, and his life was about to change forever with the magical word “<a href="https://nepalitimes.com/banner/time-capsule-of-kathmandu">Kathmandu</a>”. “I was awed with that information from my grandfather, nothing else mattered … In France <a href="https://nepalitimes.com/here-now/tales-of-courage-and-suffering-cx95f89e">in the 1990s</a>, Kathmandu had a mythical aura,” Driard recalls. He came to Kathmandu for Christmas that year to visit his stepfather, the French Ambassador Michel Lummaux. It was to be the first of many visits during school holidays, before he decided to permanently settle down in Nepal. “Kathmandu, and Nepal, were very different then, it was magical, I liked the nature, the people, civilisation, temples, trees,” says Driard, who explored the country sitting on the top of buses. “Visitors talk about the crazy <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">urbanisation</a>, traffic jams today, and all that is true. But Kathmandu has not <a href="https://nepalitimes.com/here-now/loss-of-soul-and-soil">lost its soul</a>.” After his stepfather’s tenure in Nepal ended, Driard worked as a business reporter for international publications but decided he did not want to be anyone’s employee anymore. In 2007 he landed in Kathmandu with €20,000 in savings to invest.&nbsp; He knew a few crucial things about himself: he liked food and nature, which is very much tied up with his upbringing--full of lively conversations during lunch and dinner at the family table between <a href="https://nepalitimes.com/here-now/nepals-yak-cheese-is-on-world-map">abundant cheese, wine and cigars</a>. So he decided it would be cheese, and registered Himalayan French Cheese and went to the French Alps for a month to learn how to make Tomme de Savoie. “<a href="https://nepalitimes.com/banner/the-story-of-langtang-cheese">Cheese making is such an ancient craft </a>and so I thought I won’t need much money or studying which I hated and indeed, if you have a tamako bhado and fire you are set,” explains Driard. But Nepal’s temperature and humidity were not ideal, even at higher altitudes. The first customers for his cheese were the Hyatt Regency and Nina and Hager. But he needed to create a market for cheese in a country which only knew hard churpi in the north and soft paneer in the south. He started selling his cheeses at the Summit Hotel weekend market, expanding to his own 1905 Farmer’s Market which later moved to Le Sherpa in Maharajganj, where it is now, and also a market at Labim Mall in Pulchok. He had cow dairies in Nuwakot and Dhulikhel, and finally a yak cheese unit at 3,379m in Ramechhap. It was the yak blue cheese from here that went on to win a Gold Medal in France, putting Nepal’s French cheese on the world map. “People come and try our cheese at the market, they ask questions. There is a lot of education to be done about cheese,” adds Driard, who also has three cheese shops in the Valley. Driard now makes 25 types of cheese. The products are being noticed and every year he has French students coming to Nepal to learn the art of yak cheese making. “In France, one family or company makes one kind of cheese for generations. In that I’m very unique as a cheese artisan,” he says. “The students come in to learn but I tell them to also teach us something too, add another cheese to my collection.” Read also: <a href="https://nepalitimes.com/here-now/langtang-after-10-years">Langtang after 10 years</a>, Sonia Awale Being a foodie, Driard is now also dabbling in meat with his own charcuterie at Meatini with bacon, ham, sausage and pâtés. All of this is now served at his Emilio’s Pizza, a leafy hideaway in Lazimpat. His South Side in Moksh is probably the smallest wine bar in the world. “I call the process sublime,” says Driard of his ventures, which have grown organically. “You need the same temperature and humidity of 12°C and 80% for cheese, meat and wine.” Emilio’s speciality is the eight-cheese pizza (which has eight types of cheeses), and a pizza with bhutan topping (not the country but fried intestines and organs Nepali-style). He has opened a small branch at Courtyard in Pokhara.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3.jpg" data-media-id="editor_8" data-image-id="20250426070456_bacae302c040dc18eeecdeafda72ddf06a6d2cec138ea9be7e45fe94cdf8b5b3" data-rendition-name="original" width="1500" height="1125" loading="lazy" alt="8 cheese pizza"> <figcaption>Eight-cheese pizza</figcaption> </figure>  With two artisanal cheese units, two farmers’ markets, a <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">meat processing unit</a>, a bakery, and wine bar he now envisions a vineyard so he can add Nepali wine to his repertoire. Another future plan is to start up an agri-tourism business where customers can drink, eat and work in peace. In the past 20 years in Nepal, Driard has not always succeeded in his ventures but this hasn’t curbed his enthusiasm. He is learning as he goes, and like an old wine, Nepal is growing on him. Its slowness suits his French art de vivre with eating slowly outdoors, having conversation, importing less.&nbsp; “I have proven that with even a little money you can do a lot of things in Nepal,” adds Driard. “In the West, they easily invest half a million euros on a cheese factory, I invested 10 times less.”&nbsp;

Sonia Awale

Fromage, vin et charcuterie Népalais

This is the 64th episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab. <h2>Tirtha Raj Katuwal&nbsp;</h2> (19 years in UAE/Qatar) We spent our <a href="https://nepalitimes.com/here-now/nepal-s-hard-working-students-overseas">youth overseas</a>, and the trend to migrate for work continues. But Nepali youth are not thinking carefully about where they are going, why they are going. They are just going.&nbsp; They often get cheated. They do not invest in <a href="https://archive.nepalitimes.com/news.php?id=19233">developing the skills</a> that could help them overseas. When you do not have credible skills, you are forced to adjust to conditions that are not ideal.&nbsp; I had to first work in a supplier company too. Only after spending time in<a href="https://archive.nepalitimes.com/article/nation/nepali-workers-in-UAE,2914"> the UAE </a>did I understand the labour market, and learn that I could apply for jobs overseas online. That is how I landed my second stint in a luxury property.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426050436_6c9841d8d6a4bbd7855ee376769f3e9c78b3163b50bd2ba7beaa212734849c7c.jpg" data-media-id="editor_3" data-image-id="20250426050436_6c9841d8d6a4bbd7855ee376769f3e9c78b3163b50bd2ba7beaa212734849c7c" data-rendition-name="original" width="720" height="540" loading="lazy" alt="Returnees prosper together"> </figure>  Now in Nepal, our vision for starting Chef’s Burger and Chef’s Hospitality and Party Venue is to contribute to the country, by developing a <a href="https://archive.nepalitimes.com/regular-columns/GUEST-COLUMN/young-educated-unemployed,664">skilled youth workforce</a> in the <a href="https://nepalitimes.com/here-now/nepal-on-my-mind?fbclid=IwZXh0bgNhZW0CMTEAAR2IAf90rgfF7kBhJaHoH_N0eHadKV8UDt6gpZoLCtwoTCOqBigvopAhzgM_aem_RgmcfwotY89YwGuwc2aRuQ%2F">hospitality sector</a>, whether for the domestic or the international labour market. We also want to change the perception that Nepalis are competitive only in <a href="https://nepalitimes.com/opinion/gadfly-opinion/removing-poverty-with-jobs">low paid jobs</a>, as there are Nepalis excelling in the hospitality sector overseas when given the platform.&nbsp; <a href="https://nepalitimes.com/here-now/workers-return-to-jobless-nepal">To return or not</a> indeed is a difficult decision for those of us <a href="https://nepalitimes.com/banner/speaking-the-language-of-overseas-work">working overseas</a>. It takes years to start earning a decent salary. I started at AED850 and got it up to AED15,000 ($4,000). To give that up is not easy, of course.&nbsp; But the<a href="https://nepalitimes.com/news/the-geopolitics-of-nepal-s-politics"> situation in Nepal politically is so bleak</a> that you keep postponing homecoming. You wait for things to improve, but they never do. We were lucky as we were well-positioned financially to start our business but not everyone is in that position. They may have the skills and experience but not the money to start something on their own. Their skills and experience are going to waste, which is a big loss for the country. The government needs to do something about that.&nbsp; <h2>Mahendra Tamang&nbsp;</h2> (15 years in UAE) If you get hired at luxury properties like Jumeirah, you are considered set for life. I got to work closely with two Michelin star <a href="https://nepalitimes.com/here-now/you-inspire-others-by-learning-not-teaching-santosh-shah-0hqsqth1">chefs</a> and learnt so much from them in a short time. When I changed jobs, I was quickly promoted to a senior position. &nbsp; I got to cook for celebrities like Amitabh Bachchan, Shah Rukh Khan and David Beckham. Once you train for a few years as a chef in that position, the world opens up to you. My peers moved to Australia and Europe. My heart, however, &nbsp;was always in Nepal.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426050440_96982adc23e9dab236759821d11bb66862e091b326164cd3044c9f925c6db165.jpg" data-media-id="editor_11" data-image-id="20250426050440_96982adc23e9dab236759821d11bb66862e091b326164cd3044c9f925c6db165" data-rendition-name="original" width="1200" height="1600" loading="lazy" alt="Returnees prosper together"> </figure>  My current partners and I worked in Jumeirah and all we talked about as we ate Nepali food on our days off was: नेपला गएर के गर्ने? During visits home, we would try out different<a href="https://nepalitimes.com/here-now/finnish-paper-expose-on-nepali-restaurants"> restaurants</a> to understand where we could add value. And we found so many gaps in the market: in<a href="https://archive.nepalitimes.com/news.php?id=6136"> food, quality of service, hygiene, employee management</a>, that we had the confidence to believe that we could be the best in Nepal if we joined forces. All of us are from different backgrounds: hotel management, accounting, administration and chefing.&nbsp; Leaving behind a monthly salary of AED11,500, plus bonuses and incentives, was not easy. I had started out with a salary of AED1,200. But how long can a person stay away? &nbsp; The <a href="https://nepalitimes.com/here-now/sky-is-the-limit-for-nepali-chef-in-bahrain?fbclid=IwZXh0bgNhZW0CMTEAAR2rg1waCbiYsBGQCiATj877RoZkbuSw0aqsDaiEGZBTXkc0P-UhRHC9LJw_aem_2VOJEVRweeSmLFoB_vv64A">chef life</a> is busy and if I put in the same level of effort in Nepal, I would be an employer and not just an employee. Being in Nepal would also allow us to think about more than just ourselves.&nbsp; I had reached a phase in life when I was looking for more than just financial security. My life’s missions and what gave me satisfaction was changing, and Nepal was my calling. I came home with one of my partners, Suraj Tamang, to open up our first branch of Chefs Burger while most of our other partners were still in the UAE.&nbsp; While I went back to the UAE, I cannot describe the joy we felt when Suraj sent us videos from Nepal as customers came into the outlet. I forwarded the video to my friends in Korea, like Basanta, to convince him to invest and work with us. After a year or so, we were ready to start our second outlet, and Tirtha and I returned from the UAE for good.&nbsp; There is a misconception in Nepal that partnerships don’t work. That discourages many <a href="https://nepalitimes.com/here-now/preparing-for-nepal-s-returnees">returnees</a> from joining forces, which limits how much you can achieve. We busted that myth. By working collectively, we were able to draw on each other's strengths and pool our finances. It has worked well for us.&nbsp; Even Jumeirah, the property we worked in, has at least 38 main shareholders. <a href="https://archive.nepalitimes.com/news.php?id=17155">Big companies and growth</a> require working together. Now we continue to dream of bigger expansion plans, and of eventually establishing a &nbsp;world-class resort. <h2>Basanta Simkhada&nbsp;</h2> (14 years in South Korea) My partners are mostly from the UAE but I was working in manufacturing <a href="https://nepalitimes.com/here-now/bringing-korea-s-prosperity-to-nepal">in Korea</a>. One of my partners and I have experience running two restaurants in Thamel. We figured it was not going to be profitable to continue working in Nepal given <a href="https://nepalitimes.com/banner/all-is-fair-in-war-and-peace">the Maoist insurgency</a> and the general uncertainty, so we decided to migrate. He went to the UAE and I went to Korea. At some point, we reconnected online and decided we should try another joint venture. Even though my background was in the hospitality sector, I was working in manufacturing in Korea in a plastic factory. I still learnt quite a lot about the value of hard work and time management.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250426050440_463eccd09f6196b19d43f53367e79a77d0e3f179609cdff362113055d6fed201.jpg" data-media-id="editor_19" data-image-id="20250426050440_463eccd09f6196b19d43f53367e79a77d0e3f179609cdff362113055d6fed201" data-rendition-name="original" width="1280" height="960" loading="lazy" alt="Returnees prosper together"> </figure>  Incidentally, my Korean employer had spent nine years in Saudi Arabia before returning to Korea to start his business. He was always very clear about his message to us: <a href="https://nepalitimes.com/here-now/the-meat-of-the-story">working in Korea is temporary</a> and we should go back to our home countries and contribute, just like he did. And that is exactly what we are doing. We are reaping the benefits of our <a href="https://nepalitimes.com/banner/work-hard-play-hard">hard work overseas</a>, and providing employment to more than 120 Nepali youths.

Returnees prosper together

Earthquakes would be less scary if they could be forecast, like the weather. Small quakes would no longer be startling, and there could be early warning of bigger quakes, preventing a greater loss of life. In <a href="https://nepalitimes.com/editorial/mind-the-gap">seismic zones like Nepal</a>, it is not a question of ‘if’ but ‘when’ an earthquake will strike. And most <a href="https://archive.nepalitimes.com/article/Gizmo/Quake-Alarm-Gizmo-Yantrick,1057">gadgets that detect earthquakes</a> are either false alarms or come just a few seconds before the violent shaking starts. &nbsp;&nbsp;&nbsp; Earthquake Early Warning Systems (EEWS) are instruments which can buy people 5-60 seconds before <a href="https://nepalitimes.com/editorial/shaking-things-up?%2F">an earthquake hits</a>, depending on distance from the epicenter. This is not a lot of time, but often enough to get out of a building and head to safety. EEWS do not forecast an earthquake, but the sensitive instruments detect the initial P-waves of an earthquake and send out the warning before the more destructive S-waves arrive. Such systems are used in Japan to stop bullet trains and to make lifts stop at the next floor. Installing the relatively inexpensive systems in <a href="https://nepalitimes.com/here-now/structural-problems">schools and other public buildings</a>, can provide critical seconds for building evacuation.&nbsp; Although they do not provide much time, the most reliable method is the EEWS. How much early warning these systems can buy depends on the density of the sensor network, how fast the data is transmitted, and distance from the epicenter. As seismic waves travel through speeds of 1-5 km/second, EEWS is not much use in the areas right around the epicenter, but can be life-saving further away. Such a system is already in place now in many countries, but has not been used much in Nepal. If a proper system had been in place during <a href="https://nepalitimes.com/here-now/lessons-not-learned-from-2015-o2etq6zu">the 2015 earthquake </a>epicentered in Gorkha, Kathmandu could have received a warning 30-40 seconds prior, says earthquake hazard expert Prashant Rawal of the National Society for Earthquake Technology - Nepal (NSET). “Before we can implement a functioning warning system, we need to have a denser network of sensors,” says Rawal, “Right now, we only have about 40 sensors setup, so we are still in the first stage of network establishment.” Japan’s EEWS system, for example, features over 1,000 sensors, while China has more than 150,000 monitoring stations. The sensors detect the early P-waves of an earthquake, and then use later S-waves to update the magnitude. Alerts are then broadcast through multiple channels, including mass media, phones, apps, and sirens. Upon receiving a signal, trains are programmed to stop at the nearest possible station, and elevators at the closest floor. The system is not perfect, sometimes underestimating and other times overestimating the strength of a quake, but it worked well enough to give Tokyo 30 secods in the 9.0 Sendai earthquake in 2011, and 10-20 seconds in the 2016 Kumamoto Earthquake.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250422100444_abc37a566c8b7f1ed680d9fab5bf749f9680a19f316fe33785f81dd19363a467.jpg" data-media-id="editor_5" data-image-id="20250422100444_abc37a566c8b7f1ed680d9fab5bf749f9680a19f316fe33785f81dd19363a467" data-rendition-name="original" width="1500" height="465" loading="lazy" alt="quake alarm"> </figure>  In Nepal, there is no clear policy from the government for such a project, which makes it difficult to fund -- although NSET has worked with the l<a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">ocal and federal governments </a>to place sensors. Other problems are largely technical. In regions like <a href="https://nepalitimes.com/news/now-a-digital-karnali">Karnali </a>and Surkhet, fluctuations in voltage and <a href="https://nepalitimes.com/news/thunderstruck-in-nepal">lightning strikes</a> often damage sensors, and even when they do detect shaking, there is no reliable internet to transmit these signals. “We have to establish these sensors in hill or mountain areas, and make long trips in order to maintain or repair them. There is often a lack of budget to make these trips,” says Rawal. Duke University and Tribhuvan University are collaborating to set up a smart seismic sensing network in Kathmandu, create a mobile messaging system for early warnings, and develop data science models from previous seismic data. There is now promise of even more accurate prediction systems that use <a href="https://nepalitimes.com/opinion/people-power/nepal-as-an-ai-power-bank">Artificial Intelligence</a>. Researchers from the University of Texas at Austin trained AI and were able to develop a model that predicted 70% of earthquakes during a seven-month trial in China, with accurate forecasts of magnitude and epicentre.&nbsp; Another traditional prediction method is to observe animals which have a sixth sense to feel earthquakes before they happen. Other theories include measuring the emission of the radioactive gas radon which is trapped underground and is released as the ground shifts before an earthquake. But there is the issue of false positives: the release of the gas may be triggered by rainfall.&nbsp; However, while the developers of these theories have always claimed to have predicted certain earthquakes, none have been able to do so reliably. Some have been debunked, after failed forecasts, or due to shoddy methodology. EEWS sensors use accelerometers which detect how fast the ground moves. If three to four accelerometers spaced at a distance apart all detect the movement of the ground, then it is likely that an earthquake is happening.&nbsp; The magnitude and approximate location of the earthquake is then calculated using computer algorithms, and a message would be sent out if the quake is deemed to be large enough. It is not a lack of budget that is holding back using EEWS: the sensors cost only $200-500. “The system could be certainly implemented if the necessary political will was there,” says Rawal, presumably from the government.&nbsp;

Vishad Raj Onta

Yes, quakes can be forecast

This is the 63rd episode of Diaspora Diaries, a Nepali Times series in collaboration with Migration Lab providing a platform to share experiences of living, working, and studying abroad. <h2>Mani Prasad Gurung&nbsp;</h2> When <a href="https://nepalitimes.com/news/11-56-25-april-2015-wkc9q2an">the earthquake </a>hit, I was in <a href="https://nepalitimes.com/multimedia/bhaktapur-2-0-d8m66qhb">Bhaktapur</a> for work. My friend who had driven us from Kathmandu was so scared after the earthquake that he was shaking and was unable to drive as his arms were too weak. So I took the driver’s seat as we headed back to Kathmandu. Perhaps <a href="https://nepalitimes.com/here-now/you-must-be-having-so-much-fun-there">living in Japan </a>for almost a decade meant that I was more used to the shaking. Many around me were panicking. Thankfully, I managed to call my family immediately after the earthquake and found out they were safe before the phones got disconnected. After reaching Kathmandu through <a href="https://nepalitimes.com/banner/from-nowhere-to-nowhere">damaged roads</a>, everyone was outside their houses and scared because of the frequent <a href="https://archive.nepalitimes.com/article/nation/seismological-Centre-2015-earthquake,2230">aftershocks</a>. &nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025041905048_cf8b3dd9420c9a36528eb8ed93de4275b6b3ebc702de51bab6f63635294fdb66.jpg" data-media-id="editor_5" data-image-id="2025041905048_cf8b3dd9420c9a36528eb8ed93de4275b6b3ebc702de51bab6f63635294fdb66" data-rendition-name="original" width="1536" height="2048" loading="lazy" alt="DD 63"> </figure>  I am originally from Bahundanda in Lamjung. It was difficult to reach people on the phone, but we did what we could to stay updated. Recently, we took it upon ourselves to rebuild one of the <a href="https://nepalitimes.com/here-now/in-with-the-old-in-nepal">historic temples</a> that had been destroyed by the earthquake. It will be inaugurated this week on 19 April, ten years after it collapsed. Over 320 people from Lamjung now living in the US, Australia, Japan, Qatar and Saudi Arabia as well as various parts of Nepal contributed. It is a collective effort of hundreds of individuals attached to our village.&nbsp; <h2>Sitaram Giri&nbsp;</h2> I worked in Dubai for seven years, starting out as a construction helper before my boss hired me as his personal driver since he liked my work and trusted me. <a href="https://nepalitimes.com/banner/speaking-the-language-of-overseas-work">Life was all right overseas</a>, I suppose. But coming home for a two-month break after five years abroad and spending time with my children, I just did not want to be away again. I wanted to come home to Nepal. I am not sure what changed, but my heart just was not in Dubai. I dragged myself to stay on for 2.5 more years before finally deciding to call it quits in 2015. I had driving skills, so I could use that to find a job in Nepal. &nbsp; I stayed in Kathmandu for a few days and headed to my village in<a href="https://nepalitimes.com/banner/after-the-deluge-in-nepal"> Sindhupalchok </a>to help out on the farm. I was having my morning meal one day exactly ten years ago, when everything started shaking. I ran outside just as my home collapsed in a cloud of dust.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025041905048_75d4425924ced5f17656e62ffcec00ba5f76c790871adb3186b70edd84256106.jpg" data-media-id="editor_9" data-image-id="2025041905048_75d4425924ced5f17656e62ffcec00ba5f76c790871adb3186b70edd84256106" data-rendition-name="original" width="1600" height="1200" loading="lazy" alt="DD 63"> </figure>  People were screaming that there were children buried <a href="https://nepalitimes.com/banner/miracle-boy-six-years-after-nepal-quake">under the rubble</a>. I lost my grandmother, but could rescue my nephew from a collapsed building. We tried to dig out as many people as we could while consoling those who lost family members and helping with the funerals. Many survivors lost their livestock. The earthquake struck just a few days after my return to Nepal. It was God who brought me back to be with my family. If I was abroad, I would be in so much stress. As it is, my children were in Kathmandu, and it was difficult for me to reach them. But they were safe.&nbsp; Being in my village also meant I could help my neighbours. Friends from abroad sent us support for reconstruction. With that, some of my own savings, a government grant and some loans, I eventually rebuilt my house for Rs700,000. It did cross my mind that I might have to migrate for work again, but I also had this जति गरेनी एस्तै हो feeling that it would not make a difference. After years of hard work overseas to build my home, <a href="https://nepalitimes.com/here-now/born-again-after-the-earthquake">the earthquake</a> destroyed it in seconds – as if the house never even existed. I lost my phone in the quake. In it were all my photos from Dubai. <h2>Subhash Acharya</h2> I worked in Iraq for 32 months, and again in Saudi Arabia for 44 months before heading back to Nepal where I now run an electronic shop. My economic situation made me decide to <a href="https://nepalitimes.com/here-now/quake-survivors-migrate-for-work">migrate</a>, but I chose Iraq because my brother was there. I was in Saudi Arabia when the earthquake struck Nepal in 2015. I saw images of destruction online, Dharara had collapsed and there was death and devastation everywhere.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025041905048_b3bdafb2128e7fe3c7fca28e08ed2881fcb4b87f8ceb6958b7e2893c930e22b0.jpg" data-media-id="editor_13" data-image-id="2025041905048_b3bdafb2128e7fe3c7fca28e08ed2881fcb4b87f8ceb6958b7e2893c930e22b0" data-rendition-name="original" width="1200" height="1600" loading="lazy" alt="DD 63"> </figure>  I worried because if that was what happened to Kathmandu, my home village in Sindhupalchok would also have been affected. Indeed, when I got in touch with my family four hours later, I learnt that there was nothing left of my home but the first floor. Thankfully, everyone was alive. I already had a return ticket for Nepal for my vacation after a week so I decided to come home as planned. If I did not have a ticket, I would have bought one for the very next day. My family was safe, so I decided to stay in a tent for two months. Everyone around us was affected. My friends and company in <a href="https://nepalitimes.com/news/saudi-labour-reforms-to-benefit-nepalis">Saudi Arabia </a>helped me and my colleagues who bore losses. When overseas, we help each other during times of trouble like medical or family emergencies. We pool funds and chip in however much we can, whatever we can manage. This time I was at the receiving end. In addition to the SAR2,000 ($540) from my company, I received about $1,000 from my fellow workers from India, Bangladesh, and Philippines. I was really very touched by their generosity. <h2>Gopal Theeng Tamang</h2> I was an undocumented security guard in Malaysia when I heard about the earthquake that shook Nepal in 2015. My mind immediately went to my brother and sister-in-law in Sindhupalchok which was badly affected. The rest of my family was in Kathmandu, and were safe. But I could not reach my brother and his wife. Calls were not going through the first few days. When I finally made contact, I learnt that their house had collapsed completely.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/2025041905048_3fffd2700ba545e7b462bd77f2f91e252c364e81c2b9bfbe59c88ea7e132a754.jpg" data-media-id="editor_15" data-image-id="2025041905048_3fffd2700ba545e7b462bd77f2f91e252c364e81c2b9bfbe59c88ea7e132a754" data-rendition-name="original" width="540" height="960" loading="lazy" alt="DD 63"> </figure>  They had built this home with their lifetime of earnings. My sister-in-law would cry on the phone, and I tried to help my brother in whatever small way I could. A group of us in Malaysia also organised a small campaign to raise funds to buy rice for families in our village. As security guards in Malaysia, we had to work long hours. I had 12 hour night shifts, and even though a disaster had struck my home country, duty called. &nbsp; My brother has rebuilt a smaller tin-roofed house. I left Malaysia and emigrated to Iraq for five years where I worked as a housekeeper, waiter and then barista. I moved back to Nepal for good two years ago.

When disaster strikes home

Architecture can be a powerful agent of change, shaping not just spaces but the way people live, connect, and experience the world.&nbsp; For Nepal, which is <a href="https://nepalitimes.com/banner/natures-fragile-gift-to-nepal">gifted by nature</a> and rich in <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/ambassador-fund-cultural-preservation-nepal,2092">cultural heritage</a>, &nbsp;reviving rural architecture with modern amenities could hold the key to more <a href="https://nepalitimes.com/here-now/what-sustainable-tourism-means-in-practice">sustainable tourism </a>that benefits local people more. “<a href="https://nepalitimes.com/banner/bayalpata-hospital-in-nepal-wins-global-design-award">Design and architecture</a> are amazing tools to create a unique experience for visitors,” says Spanish architect Tomeu Esteva of Esteva i Esteva Architecture Studio. “Difficult destinations have beautiful hotels with design and comfort.” Esteva was in Kathmandu with his colleagues at an event organised by the Spanish Honorary Consulate at Dwarika’s Hotel last week to showcase buildings which Nepali architects can adapt with local material and design inputs.&nbsp; Rural architecture holds a unique significance: it is more than a shelter and must reflect <a href="https://nepalitimes.com/here-now/inking-an-idenity">local identity, culture</a> and <a href="https://nepalitimes.com/here-now/saving-humla-from-heritage-loss">heritage</a>. An area’s natural and cultural harmony can be upset by <a href="https://nepalitimes.com/here-now/protecting-protected-areas-from-infrastructure?fbclid=IwAR1wK0MDFlFST_2EYb3f54LS4-fPt6rYfLG1DJ1JaQsU3w8-ezyXIxGOqzk">poorly planned development</a>, speakers at the event said, but the environment can be improved and revitalised by well-integrated structures.&nbsp; Another Spanish architect, Belen Moneo, has designed hotels at elevations of 3,700m in her home country Spain that supply natural spring water spas. “<a href="https://nepalitimes.com/banner/lost-in-reconstruction">Creativity in construction</a> must be encouraged. Rural architecture always shows possibilities of what we can do better,” Moneo explains, adding that designs must enhance <a href="https://nepalitimes.com/opinion/the-healing-power-of-nature">the beauty of nature</a> and give a natural feel at a time when steel, glass and cement dominate <a href="https://nepalitimes.com/here-now/rebuilding-kathmandu-after-the-1934-quake">urban design</a>.&nbsp; This is why the <a href="https://nepalitimes.com/here-now/weaving-nature-into-craft">use of natural products</a> such as bamboo, local timber, straw and rammed earth are in demand from customers who want a fresh eco-friendly look encouraged in construction of rural architectural structures. The demand for boutique hotels has increased world over, with &nbsp;more and more tourists favouring aesthetics, experience and comfort over price. While creativity is an important part of <a href="https://nepalitimes.com/here-now/architecture-for-mountains">construction and architecture</a>, incentives to build and use <a href="https://archive.nepalitimes.com/article/nation/Building,370">rural construction materials</a> still remain minimal, and Moneo emphasises the significance of design and execution.&nbsp; Esteva helped design the Vana Retreat in Dehradun that kept the natural environment in focus, with the structure giving an elaborate aesthetic experience to visitors. Another example is Hotel Las Mercedes in the Dominican Republic which was designed and constructed by Moneo and the company she co-founded Moneo Brock, respecting and revaluing the traditional architecture of the area. Hotels providing such experience could attract tourists and revenue. The Spanish ambassador to Nepal Juan Antonio March Pujol said, “The role of architecture and architects in developing tourism is crucial, not only in urban areas but rural settings as well.”&nbsp; The concept of rural boutique hotels gained traction in Spain during the 1990s, particularly in regions like Majorca with economic and environmental sustainability as the main focus. In Nepal <a href="https://nepalitimes.com/opinion/12-full-opinion/guiding-nepal-s-tourism-industry">the tourism industry</a> directly employs about 1 million people, and makes up about 8% of the country’s GDP. In Nepal, the stone homes of <a href="https://nepalitimes.com/news/reviving-himalayan-vulture-and-culture">Mustang and Manang</a>, bamboo and mud structures of <a href="https://nepalitimes.com/here-now/the-tarai-s-shrinking-forests">the Tarai</a>, and the Kathmandu Valley’s terra cotta tile skylines, graceful temples, and tranquil bahal courtyards are all examples of <a href="https://nepalitimes.com/here-now/nepal-s-traditional-seismic-resistant-designs">Nepal’s traditional architecture</a>.&nbsp; Nepali architect Sarosh Pradhan has been working for the past eight years on the Brakka Village project in Manang Valley north of <a href="https://nepalitimes.com/banner/municipalities-want-to-manage-annapurna">the Annapurnas</a>. Other examples of this kind of rural architecture for high-end tourism are the Shinta Mani Hotel in Mustang and Khumbu Lodge below <a href="https://nepalitimes.com/news/mt-everest-pvt-ltd">Mt Everest</a>. Says Pradhan, “There are places in Nepal that radiate purity and embrace simplicity. Creating projects in such settings require deep reflection and thoughtful planning.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f.jpg" data-media-id="editor_19" data-image-id="20250421030444_a07a23f6b60fa89c0f35b9dc1aaf19937da4881e6bfb2e1858f3c27dff91729f" data-rendition-name="original" width="4608" height="2184" loading="lazy" alt="A new architecture for Nepal's tourism"> </figure>  Rural architecture is not easy, and sometimes more expensive. Inflation, energy efficiency, <a href="https://nepalitimes.com/here-now/those-who-stay">the climate crisis</a>, and <a href="https://nepalitimes.com/banner/cost-of-living-in-a-big-city">increased costs of living</a> pose obstacles to sustainable rural architecture. Read also: <a href="https://nepalitimes.com/here-now/forgotten-international-starchitects-in-nepal">Forgotten international starchitects in Nepal</a>, Anne Feenstra and Varun S Bapu Esteva says faith and trust between client and architect is necessary for any project to be successful. He adds that architects must practice being humble, the process of designing always involves learning and not imposing their ideas on clients. Nepal is uniquely positioned for the growth of <a href="https://nepalitimes.com/banner/hiking-up-the-benefits-of-tourism">rural tourism</a> because of its stunning countryside as well as its internationally renowned traditions in holistic wellness. Creating infrastructure that is small, thoughtfully planned and that respects both tradition and contemporary hospitality standards is crucial. “Projects in Nepal can be made cost effective by using materials from houses that have been brought down,” says Esteva. “Pilot projects involving <a href="https://nepalitimes.com/banner/local-government-by-the-people-for-the-people-of-the-people">local people </a>and simple designing also helps the process.” <a href="https://nepalitimes.com/banner/vacant-homes-become-homestays-in-nepal">The growth of homestays in Nepal</a> is a step in the right direction, but they are still a bit too rustic for the international traveller who also wants comfort and is willing to pay extra for it. Upgrading the facilities in homestays and ensuring that the <a href="https://nepalitimes.com/here-now/an-archive-of-nepali-heritage">architectural heritage</a> of the locality is preserved using locally sourced building material could allow owners to charge more. Says Sangita Shrestha of Dwarika’s Hotel, “Our effort is to build upon rural architecture by empowering local communities and using what is available locally. We can fine tune and encourage indigenous design and training.” The vision goes beyond just boosting the economy, it is about building a future where tourism helps villages grow in a healthy and lasting way. Instead of using up resources, it gives back to the land and the people. It supports local communities by<a href="https://nepalitimes.com/opinion/staying-in-nepal-to-create-jobs"> creating jobs</a>, improving infrastructure, and protecting natural beauty. When done right, tourism can be a tool for <a href="https://nepalitimes.com/editorial/progress-and-or-preservation">preserving culture and nature</a>, not harming them. Architects must therefore see their work as more than just designing buildings, they also need to care deeply about people and places, especially in rural areas that can benefit the most.&nbsp; With global interest in sustainable and off-the-beaten-path travel increasing, Nepal stands at the cusp of a <a href="https://nepalitimes.com/news/missing-out-on-nepal-s-tourism-potential">tourism transformation</a> that values community-driven, eco-conscious hospitality. A mix of modern ideas and traditional knowledge could transform rural tourism in Nepal. Says Shrestha, “Young architects should spend time with <a href="https://nepalitimes.com/latest/the-unsung-heroes-of-conservation">local and indigenous communities</a>, listen to their stories, and learn from their <a href="https://nepalitimes.com/banner/life-and-livelihood-in-remote-nepal">ways of living</a>. These communities have deep knowledge about the land, materials, and climate. If this wisdom is used in new designs, it can help create tourism spaces that truly benefit everyone.” &nbsp;

A new architecture for Nepal's tourism

Extract from an addendum to Nepal's Two Wars, Chapter 2 in the updated edition of Essays on Nepal: Past and Present by Sam Cowan, a retired British Army general with a long association with the Gurkhas. The book was first published in 2018, and republished earlier this month by FinePrint exclusively on Amazon. The addendum details a one-to-one conversation the author had in the <a href="https://archive.nepalitimes.com/news.php?id=8884">Royal Palace </a>with the <a href="https://archive.nepalitimes.com/news.php?id=8371">King Gyanendra</a> in November 2002 just after he had taken his initial steps on the road that ultimately led to <a href="https://archive.nepalitimes.com/news.php?id=14681">the abolition of the monarchy</a> in Nepal in 2008. In the early evening of September 16, 2002, in my role as Colonel Commandant of the Brigade of Gurkhas, I had my second and last official audience with King Gyanendra to give him an update on the Brigade’s activities over the previous 12 months. I had some 6 or 7 such audiences with <a href="https://nepalitimes.com/here-now/preserving-king-birendra-s-family-home">King Birendra</a>.&nbsp; These were official affairs with the British ambassador of the day present, along with key <a href="https://archive.nepalitimes.com/news.php?id=12233">palace officials</a> and a representative from Nepal's Foreign Ministry. The two monarchs were very different in character and temperament, but both treated me with the utmost civility and made the audiences as relaxed and easy for me as possible.&nbsp; It is, however, worth recording that when the official business had been covered, King Birendra, with a twinkle in his eye, often ended by asking, “Now General, what’s the gossip in London?” The second audience with <a href="https://archive.nepalitimes.com/news.php?id=8026">King Gyanendra </a>was my last official act in uniform. We came back to Kathmandu in the first week of November (after treks) to stay for a few nights with our Defence Attaché before heading back to the UK. Waiting for me was a message from the Palace saying that King Gyanendra would like to meet me informally: <a href="https://archive.nepalitimes.com/news.php?id=6933">no uniform</a> and no ambassador.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750.jpg" data-media-id="editor_7" data-image-id="20250421080420_f9046f9882d4481781d14f2b64f18c7fbbea62562e1d74e3465de6d01fb43750" data-rendition-name="original" width="1750" height="2406" loading="lazy" alt="Gyanendra crowned page 1"> <figcaption>Nepali Times Special Edition of 6-14 June 2001 with enthronement of Gyanendra. </figcaption> </figure>   <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2.jpg" data-media-id="editor_8" data-image-id="20250421080424_21333d6ae21828eb47fe3f849438d215fe2804460d47bb2896ef4aee4e895ad2" data-rendition-name="original" width="1500" height="1857" loading="lazy" alt="Royal massacre"> <figcaption>Nepali Times 22-29 June 2001 covering the royal massacre after which Gyanendra became king. </figcaption> </figure>  Although I had no idea what the purpose of the meeting might be, events in Kathmandu since I last saw the king put me on edge. On October 4, 2002, Gyanendra had dismissed Prime Minister Sher Bahadur Deuba, allegedly for failing to hold <a href="https://nepalitimes.com/news/what-goes-on-in-nepal-s-elections">elections</a>. He had put in place a new prime minister and a cabinet personally selected by him. When I heard the news on my travels, the people I met were generally supportive of the king’s actions. There was a general view that something had to be done, the country was going nowhere, and the king deserved his chance, not least to solve<a href="https://nepalitimes.com/latest/14-years-after-conflict-no-closure-in-nepal"> the Maoist </a>problem. Back in Kathmandu, views were not so sanguine. The chosen prime minister, Lokendra Bahadur Chand, was a relic from <a href="https://nepalitimes.com/here-now/mob-movement-and-mayhem">the Panchayat period</a> whose party had failed to win a single seat in the last elections held in 1999. Some of the chosen cabinet ministers had, to put it mildly, dubious reputations, and others had no record of proven competence in any field. There was a fear that the king’s real motive in dismissing <a href="https://nepalitimes.com/editorial/deubas-denouement">Deuba</a> was to start to reverse the democratic gains made since 1990. I informed <a href="https://nepalitimes.com/news/nepal-britain-mark-centenary-of-1923-treaty">the British ambassador</a> about the invitation. He was strongly against accepting it, which was probably the clinching reason for my decision to do the polite thing and accept it. On the evening of November 7, 2002, I presented myself at the royal palace, alone and in civilian attire.&nbsp; As in the past, the Military Secretary, Major General Vivek Shah, met and escorted me into the presence of the monarch. This time, however, he was politely asked to leave the room and shut the door behind him. King Gyanendra greeted me warmly and invited me to sit down.&nbsp; Read also:<a href="https://nepalitimes.com/news/the-ghost-of-monarchy-returns-to-haunt-nepal"> The ghost of monarchy returns to haunt Nepal</a>, Shristi Karki  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558.jpg" data-media-id="editor_15" data-image-id="20250421080424_e382af945d0ad2a04ae41fabe5393f793dd10f54cb1220f111c7c9e7423eb558" data-rendition-name="original" width="1000" height="993" loading="lazy" alt="Gyanendra coup"> <figcaption>Nepali Times 4-10 February 2005 after king Gyanendra's coup imposed media censorship. anendra became king. </figcaption> </figure>  I had wondered, and to be truthful, had worried, not just about the purpose of the meeting, but about how the conversation might start and develop. I reduced my resolve to two points: be polite but speak candidly. The latter resolve was quickly put to the test with the king’s opening words: “Sam, [in previous meetings it had been ‘General’, you walk the highways and byways of this land more than most, tell me what the common man is thinking?” &nbsp;“Your Majesty, I have no idea what they are thinking, but they are waiting.” “Waiting?” “Yes, Your Majesty, they are waiting to see whether what you did some weeks ago in appointing your own prime minister and cabinet ministers is going to make any difference to their lives or whether it is just going to be more Kathmandu hot air.” “Everything is going to be difficult and is going to take time, a lot of time.” “Your Majesty, time is the one thing you don’t have. You must act quickly and decisively to take advantage of the opportunity you have created. Everyone knows that you have appointed these new ministers. Why don’t you get them in here one by one and tell them that they have three months to deliver a programme in their area of responsibility that is going to make a difference to people’s lives? Most will fail to do so. Sack them! It will be a powerful signal of your strong intent to deliver real change.” I can express the opening of our conversation in this way because just about every word is still etched in my mind. The king’s response to my last quoted words was to challenge me to give an example of something that could be delivered quickly. I can give a verbatim record of what I said in response to this unexpected challenge: “Health posts, Your Majesty, there is no shortage of them throughout the country as building them has been one of the sources of local corruption, but very few have any medicine to issue at present or have skilled people to assess and meet medical needs. Your Majesty, children are dying for lack of a few pills. Given the right priority, over a period, say of six months, every health post could be fully stocked with medicine and manned with trained people. This is something I could help to lead for you as I know it would have strong international backing. At last, people would know that you mean business.” As I warmed to the theme, I could see no sign of the king having any enthusiasm for the idea, and I quickly disengaged as it dawned on me, as it had clearly dawned on the king, that the reason for the deficiencies in health posts was to prevent any Maoist combatant from gaining access to any <a href="https://nepalitimes.com/opinion/tech-away/nepal-s-health-tech-industry-is-here-to-stay">medical support</a>, and if this meant people suffering, so be it. The subject of the Maoist insurgency inevitably came up, and I took the opportunity to elaborate on what is written in the final four paragraphs of the article above. I advised King Gyanendra that, self-evidently, since there were three parties in the conflict—him, the Maoists, and the political parties—it was imperative that he form an alliance with one of them, preferably the political parties; otherwise, he would find himself isolated, as the other two parties would inevitably, at some stage, form their own alliance. However, it quickly became apparent that the king’s mind was on a totally different track. On the Maoists, he told me that he had channels open to them, but he was scathing about the political party leaders. He made it clear that they would be waiting for a very long time before he gave any power back to them, and that is a polite way of expressing the actual words he used, but “crawling through the door” is a phrase which has stuck in my mind.&nbsp;  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5.jpg" data-media-id="editor_17" data-image-id="20250421080424_5403455ff6168f0d202a96cb53edea69136d74d59b989cfcc7cc4a1d57672cb5" data-rendition-name="original" width="2000" height="1317" loading="lazy" alt="fall of monarchy"> <figcaption>Nepali Times 28 April-3 May 2005 with cover image by Ajay Joshi of jubilant protesters after street demonstrations sidelined king Gyanendra, paving the way for a ceasfire and restoration of democracy. </figcaption> </figure>  As the conversation developed, it became ever clearer that King Gyanendra had decided to go in alone, relying on the misleading assurances he was constantly receiving from <a href="https://archive.nepalitimes.com/news.php?id=14954">the army</a>, and no doubt his close advisers, that the Maoists could and would be quickly defeated militarily, and taken out of the equation. This would obviate the need for him to do any deal with the political parties.&nbsp; Thus, the way would be clear for him to establish a version of his father’s Panchayat system, under a constitution that would be granted to the people by him, their sovereign, as his father and brother had done in 1962 and 1990. As in those constitutions, ultimate power would have remained in the sovereign’s hands. This proposed direction of travel was very clear from what the king said to me. In sum, King Gyanendra was motivated by a desire to emulate his immediate predecessors by granting his people a constitution that would restore his father’s Panchayat system in a modern form and give him a central role in decision-making. What was particularly dispiriting was that beyond this single objective he had no plan worthy of the name, nor demonstrably did he have the people with the skills to implement an appropriate plan even if one had existed. Crucially and depressingly, there was little or no indication from the king that he realised that such a course of action could put Nepal’s monarchy into serious jeopardy, as indeed proved to be the case. <h2>King Twice</h2>  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445.jpg" data-media-id="editor_19" data-image-id="20250420110436_315d519fe3d68d2406ebe1480fed54720fbf21b8907a4da5cde751fdc623d445" data-rendition-name="original" width="1302" height="632" loading="lazy" alt="“Tell me what the common man is thinking!”"> </figure>  <a href="https://archive.nepalitimes.com/news.php?id=8371">Gyanendra Bir Bikram Shah has been king twice</a>. In 1950 he was enthroned briefly as a child king (left, above) by the Rana Prime Minister Mohan Shumsher when his grandfather, King Tribhuvan, fled to exile in India. In 2001 he was crowned king again after the massacre in the royal palace in which his brother King Birendra and nine other members of his family were killed by Crown Prince Dipendra.&nbsp; During his second reign, Gyanendra gradually asserted power by sacking Prime Minister Sher Bahadur Deuba in 2002, and then taking full control after the 1 February 2005 coup. He was sidelined after the ceasefire in April 2006, and became a commoner after the Constituent Assembly finally <a href="https://archive.nepalitimes.com/article/from-nepali-press/Ftnp-abolishing,624">abolished the monarchy in 2008</a>. In the past year, Gyanendra has tried to exploit public dissatisfaction with the political parties to restore the monarchy.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788.jpg" data-media-id="editor_22" data-image-id="20250421080432_26ef4a4b0e3cee9fdc6794446702efe16550d293904b4f6dd46fe35d4d10c788" data-rendition-name="original" width="1136" height="702" loading="lazy" alt="Essays on Nepal by Sam Cowen"> </figure>

“Tell me what the common man is thinking!”

Bhuthan भुठान starts with Bishnu Bahadur KC played by <a href="https://archive.nepalitimes.com/article/Nepali-Times-Buzz/dhuwa-smoke-telefilm,2671">Hari Bansha Acharya</a> on a call, requesting to speak to the visa officer. By this point, he had <a href="https://nepalitimes.com/here-now/nepal-should-now-allow-visa-on-arrival">applied for a visa </a>to Bhutan 10 times, but was denied each time. KC was a <a href="https://nepalitimes.com/here-now/nepal-s-women-excel-in-sports-in-2024-z9ramyct">national football player </a>in Bhutan in 1988 before he and other Nepali-speaking Lhotsampa people were forced out of the country in the 1990s as part of the Druk regime’s ‘One Nation One People’ campaign. Over 100,000 Bhutanese Nepalis were forced out, driven across India and dumped in Nepal where they lived in seven<a href="https://nepalitimes.com/here-now/elderly-left-in-bhutan-refugee-camp"> refugee camps</a> supervised by the United Nations and other charities until they were resettled in the United States, Australia, New Zealand and some European countries starting in 2007. In the fictional movie with the satirical English title The World’s Happiest Man, KC has resettled in the state of Ohio in the US but wishes to visit his home country once before he dies. Between flashbacks, we learn KC has died without having fulfilled his wish. &nbsp; The drama then focuses on KC’s two families from two marriages as they debate whether to cremate him as per <a href="https://archive.nepalitimes.com/article/from-nepali-press/muslim-hindu,2996">Hindu rites </a>or give him a Christian burial. A mediator played by Hollywood actor Bruce Dern urges them to take a firm decision before it is too long.  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3.jpg" data-media-id="editor_5" data-image-id="20250430140420_b398a08091b866da2b0b8f6c1e6e26781609749aba896bfd2c68a10a519295c3" data-rendition-name="original" width="945" height="945" loading="lazy" alt="Bhutan, the movie"> </figure>  There are drawn out scenes of KC being baptised and when he is confronted by his first wife from Darjeeling played by Anuradha Majumdar, he says he changed his religion in the hope that he will be <a href="https://nepalitimes.com/opinion/comment/bhutan-s-refugees-between-hope-and-despair">allowed back in Bhutan</a>.&nbsp; We find out KC has a second wife, a Christian Nepali played by Puja Chand. Dayahang Rai as the younger son doesn’t have much screen time to flex his acting chops. &nbsp; Acharya competently portrays a man that is equal parts haunted by the memories of and longing for his home country. KC’s pain and loss is acute when he is teaching football to Gungun but between mid-scene, he freezes, perhaps lost in memories of being in Bhutan’s national team. &nbsp; In another scene, KC recalls his mother singing a lullaby in Dzongkha. He also has a box filled with medals, photographs and a football which he deflates with a knife in a powerful depiction of his <a href="https://nepalitimes.com/here-now/searching-for-a-homeland-away-from-home?fb_comment_id=1506516030025634">complicated emotions about his homeland</a>. KC keeps checking his mailbox in the hopes that his <a href="https://archive.nepalitimes.com/news.php?id=4977">visa application</a> has been accepted. He says in Nepali: “If a tree that has already struck roots in one place is shifted to another, it will not survive.”  <figure> <img src="https://publisher-publish.s3.eu-central-1.amazonaws.com/pb-nepalitimes/swp/asv65r/media/20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34.jpg" data-media-id="editor_9" data-image-id="20250430140420_4a9c27410326489576c04dedf40016bda3825e8f9663317f54fbfec4cbda6d34" data-rendition-name="original" width="1422" height="2048" loading="lazy" alt="Bhutan, the movie"> </figure>  Dern’s character says that the <a href="https://nepalitimes.com/opinion/comment/nepal-s-transitional-justice-and-the-west-s-recalibration">western world</a> has become “lonely in pursuit of happiness”, another reference to Bhutan’s obsession with its Gross National Happiness index. Scenes shift quickly throughout making the story difficult to follow at times. The use of symbolism is a trite overdone. Nonetheless, भुठान is a nuanced depiction of raw pain and agony of losing one’s homeland. But one cannot help but leave the theatre feeling deflated. KC dies without having visited <a href="https://nepalitimes.com/here-now/small-bhutan-dreams-big">Bhutan</a>, but perhaps he does in his afterlife. It is up to the audience to create its own ending to this sad story of exile. भुठान Mad Monkey Films, 2025 Directed by Binod Paudel 102 minutes In cinemas in Nepal